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#splice 2009
cronennerd · 1 year
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Mother’s Day Horror Movie Pairings (1/2)
Monster moms: The Brood (1979) / Aliens (1986)
Bringing up (adult) baby: The Baby (1973) / Barbarian (2022)
You can’t tell me what to do, Mom!: Splice (2009) / Hatching (2022)
Moms on the edge: Serial Mom (1994) / The Babadook (2014)
That’s not my mommy: Coraline (2009) / Evil Dead Rise (2023)
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pespillo · 5 months
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more Raine/Adrian and Adrian with a baby Dren donation requests for @goma3zz :]
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shadowgale96 · 1 year
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‘Why won't somebody come and save me from this? I must confess that I feel like a monster.’
Nadja - Blood Red Sky (2021)
Greta - Love, Death, and Robots: Beyond the Aquila Rift (2019)
Lily - Siren (2016)
Sai - Inhuman Kiss (2019)
Moder - The Ritual (2017)
Thomasin - VVitch (2015)
Dren - Splice (2009)
Beldam - Coraline (2009)
Melanie - Girl With All The Gifts (2016)
Irena - Cat People (1982)
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dandelions-n-dolls · 2 months
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Has anyone seen Dune: Part 2 yet? Austin Butler looks kinda hot bald 😳😏
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poobit · 5 months
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kofi donation request dump
Eleven n Henry for @cabinetkillerz
Box! Boxers for @lorablackmane
Arcane Jinx for Kris
Dren for liesminelli in twt
CasetteGirl n Ryan Akagi for 2000snotebook in twt
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"Splice" is a better Frankenstein adaptation than "Poor Things" because:
SPOILERS FOR BOTH FILMS
A) the mad scientists face consequences for their unethical genetic fuckery instead of dying peacefully. Elsa is left traumatized, with her loved ones dead as a result of this experiment. Sure, she's getting a lot of money, but that's not going to undo the mental scars that will no doubt haunt her to the grave.
B) The female monster is actually fucking monstrous. Dren does have some typically attractive traits like symmetrical features, smooth skin, etc, but still. If you're going to make an abomination against science, MAKE THE ABOMINATION. Don't give me some pretty girl in a frilly dress and call that a monster, okay? Cowards.
C) They don't frame the dubious consent/noncon as liberating. Elsa is disgusted with Clive for sleeping with Dren, and when Dren assaults Elsa in her male form, it's a traumatic experience. Bella's assaults (because that's what they are. She has the mind of a literal toddler. I don't care if she is enthusastic about it if she doesn't have the cognitive capacity to understand what's happening.) are framed as sexual liberation and it makes me want to hurl a chair at somebody. Calling sex "furious jumping" because she's not mature enough to fully understand sex. The fact that her fiancé wants to marry her when she's a fucking toddler. Gross. Disgusting. I hate it.
D) Splice is a true gender swap of the Frankenstein narrative, because both the scientist and the creature are female. Clive helps, but let's be real, Elsa is pulling the strings and convincing him to go along with it. Splice doesn't claim to be a feminist retelling like Poor Things does, but it's more narratively driven by women who are allowed moral complexity and agency. There's no bullshit girlboss moment either (the goat brain swap).
E) This one is just a personal gripe, but the whole "bringing back a dead woman with the brain of an infant she was forced to carry" thing? And somehow, this is a feminist retelling? Hate. Get it away from me. Not saying Dren was created ethically (Clive didn't even have fully informed consent because he didn't know it was Elsa's DNA), but goddamn, at least the mother of the child had agency in the child's creation. There is absolutely nothing feminist about using an unwilling woman's body as a vessel for the baby she didn't want. What in the pro-life bullshit is this? Ew. Ew. Ew.
Rant over. Thanks for coming to my Tedtalk.
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cyberbabka · 2 months
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Splice (2009) // dir. Vincenzo Natali
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thinking about morgan and splice and killer dolls, thinking about being created for a purpose you can't fulfill, about corruption as a means of biting the hand that keeps you in your cage, about masking and autism and childhood, about being punished for not being what you are, about who we are when there's no one watching, about playing god in science and fragile toys of jesus- painted and manufactured for decoration and greed, the toys and experiments that grow into gods like jesus into his father, not dying for our sins like him but burning eden and becoming the sins themself.
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Has anyone seen Guillermo Del Toro’s sci-fi horror movie Splice (2009)? Something’s been on my mind about it. Spoilers below.
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So, I’m not usually one to like sex scenes in movies, especially rape scenes. A lot of the time I find them unnecessary or lazy, especially in horror. I know a lot of people feel that way about the two sex scenes in this movie, but I disagree.
So, what is it? Splice is a modern Frankenstein, a story about a creature incapable of being loved by the humans it was created and formed by. In which biologist couple Clive and Elsa are tasked with creating hybrid creatures using a mix of different animal species DNA. After an initial success, Elsa, unbeknownst to Clive, creates another hybrid by mixing DNA from the initial hybrids with her own. The rapidly-growing hybrid, named Dren, acts just as monstrous as a humanimal would be expected to. The couple keeps Dren in isolation, fearing repercussions and the loss of their research efforts if she was discovered.
So it’s very clear from the beginning that Elsa is Dren’s mother, biologically and emotionally. Elsa feeds, clothes, teaches, etc. I’ve seen people refer to Clive as Dren’s father but…honestly, he really isn’t. Elsa treats Dren as the child she wants her to be, Clive treats her like the experiment she was supposed to be. Clive is disgusted at Dren’s existence, even moreso when he discovers that Elsa used her own DNA to produce her. Clive does not attempt to bond or connect to Dren, calls her “the creature”, “the experiment”, or “the subject”, and actively tries to kill her on multiple occasions. There is a scene when Dren is toddler-age where she gets sick and is actively dying, and while Elsa attempts to save her by using a cold bath to bring her fever down, Clive physically pushes Elsa away and attempts to drown Dren. He is unsuccessful, as it’s revealed that she has amphibious lungs, but Clive very specifically did not know that and very specifically lied to Elsa that he did. “Father” of the year everyone. It would be more accurate to refer to Clive’s relationship with Dren as “her mother’s boyfriend”.
Now, here’s a big point that the movie spells out explicitly but a lot of people seem to miss (or ignore): Neither Elsa nor Clive wanted to be parents. Clive, from the beginning, wanted to be a scientist and nothing but. His intention was to remain detached and clinical, to treat his animal test subjects as a stepping stone for knowledge. Elsa is explicitly maternal, caring and cooing and playing the part of a doting mother. But that’s the thing, she is PLAYING the part.
When Dren starts getting older (read: stops being a small, stupid, easily-commanded child) and wanting to do things like go outside, or keep a cat she found as a pet, or eat meat, Elsa stops acting like a good mother. She starts with yelling at and berating Dren. After Dren runs away from a confrontation and hides in her bed, Elsa follows her, and takes away her cat (a cat that she’d been taking apparently good care of, considering it was healthy and comfortable enough to purr while she held it). Elsa’s violent reaction to Dren’s (pretty normal for a kid/teenager I might add) disobedience culminates after Dren has an emotional reaction to having her pet taken, and having her request to go outside denied.
Dren pushes Elsa to the ground, threatens her with a venomous tail spur, and steals the key to her enclosure from around Elsa’s neck. It should be noted that Dren does NOT harm Elsa, rather unlocks the door and goes outside to look at the sun. Elsa responds by hitting Dren on the back of the head with a shovel, knocking her out, and strapping her to a gurney. In one of the most gut-wrenching scenes in the movie, Elsa surgically removes the end of Dren’s tail while she’s awake and struggling, all the while recording audio logs of the process where she repeatedly refers to Dren as a subject.
Clive walks in after the fact, with Dren still strapped to the gurney with a bloody stump at the end of her tail. At this point in the movie, the couple switches roles, with Elsa now seeing Dren as nothing but an experiment, and Clive seeing her as a person.
Elsa did not want a child. Elsa wanted a baby. Clive calls this out directly early on (while also notably avoiding the fact that he was complicit in Dren’s creation), by chastising Elsa for treating an infant Dren “like a pet”. Clive brings attention to this concept again directly later on, telling Elsa that she “never wanted a normal child, something you couldn’t control”. That is the main thesis of the story, that neither Elsa or Clive, nor their predecessor Victor Frankenstein, were prepared or willing to take care of a person.
They created monsters, because they did not want to be responsible for children who would grow up to be people. But like in many of Guillermo Del Toro’s works, a person is a person whether or not they’re a monster. They created monsters, because they would not love a child that could disobey. In both stories, the creature is not human, and is brought up in isolation because their creator and their world will not love anyone who isn’t human. In Splice specifically, Dren’s idea of love is formed by two things: Elsa’s treatment of her, and Clive’s treatment of Elsa.
So what does that mean for the sex scenes, and why am I writing so many words to justify them? Put simply, Dren has only seen love through two lenses, the violence of a mother who did not want a child, and the passion of sexual intimacy. It should be noted that Dren did NOT show any interest in sex until after she watched Clive sleep with Elsa, and that she did NOT show any interest in Clive until he stopped her from running away by telling her that he loved her, and giving her a hug. It should also be noted that Clive did not see her a person until she started talking (well, forming words with scrabble tiles), ie. forming and expressing independent thought. Don’t take this as me defending Clive, he was still complicit in Dren’s creation and directly involved in her isolation and abuse, but it’s important to note the differences in how he and Elsa thought about Dren.
Dren is, just like Frankenstein’s monster, an example of a tragic abomination. Both are people, whose parent wanted to create, but did not want to deal with the consequences of creation. Both are people who watched and learned from a stranger that was so disgusted with their existence that they tried to kill them.
By the time Dren is an adult, she’s internalized that love is violence, and love is sex. First she seeks out sex from Clive, who tells her to stop, then initiates again after she pulls back. What a Totally Great And Not Terrible At All way to teach the mutant monster girl the idea of consent, Clive. At the end of the movie, Dren has become fully a monster. She hunts and kills the strangers that discover her.
Which brings us to the scene that most people cite as the most disgusting scene in the movie: Dren, presumably because of the mollusks or insects in her DNA, has become male, and rapes Elsa. Is it disturbing? Absolutely. Is it morally abhorrent? Yes of course. Is it out of character or lazy shock? No, not at all. There’s a very important callback, punctuated by the fact that it is Dren’s only spoken line in the entire movie. When Elsa asks what she wants, Dren parrots the exacts words Elsa told her as a child.
“I, inside you.”
Elsa taught Dren that her love had nothing to do with Dren herself, and everything to do with the fact that Dren contained her DNA. Clive taught Dren that if you love someone, you fuck them whether or not they say no. What Dren did was awful and disgusting, but the horror of her actions doesn’t come from the monstrous acts she committed, but from the fact that it was never her fault she became that kind of monster in the first place. Even Elsa’s resulting pregnancy ties into that concept, the idea that she will never fully escape from the monster she created.
Elsa taught Dren that she loved her, on the condition that she was, as she put it, inside of her. All Dren did was return the favor.
In other words, hoes mad when the horror be horrific.
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betweenpacifictides · 10 months
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Havent posted in a hot minute
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i keep that thang on me
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thereyarchive · 4 months
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| " 12 days of crippling body horror. 05/12 " why the fuck did you make her in the first place? huh? for the betterment of mankind? " 🎥 splice. ( 2009 ) " source
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I’m sorry, lol.
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shadowgale96 · 7 months
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Splice, 2009
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the-uncanny-dag · 15 days
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Never forgiving humanity for failing Splice. The one monster movie about women who are actually monstrous came out & everyone except a small bunch of Tumblr weirdos shat on it & memory holed it
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