alright, so, one more thing i've been thinking about during all of this, and apologies, because i normally try to keep my blog fairly discourse-free in the grand scheme of things. but.
there are hermitcraft fans who act irritatingly morally superior about this fandom. i think it's out of some impulse to try to distance yourselves from any other mcyt fandom. it needs to stop.
the worst behavior during the polls was from the hermitcraft fans.
period.
there were so many instances of hermitcraft fans accusing the other side of cheating, of hermitcraft fans making attacks on the character of their guy's opponents, i have heard what i HOPE are isolated reports of racism in the grian/quackity fight (it was genuinely impossible to keep up with the blog's notes that round without both going into a death spiral thanks to the horrible behavior of scar fans during techno/scar and also without losing track instantly of where we were due to the frankly insurmountable volume of notes, so i did not see it, but unfortunately i fully believe it). i have seen people receiving awful asks - saw people being accused of 'betraying' the hermitcraft side due to voting for quackity or techno, for example.
and for a fandom that likes to act like it's better than the other guys, well. the dsmp fans were generally very well behaved in comparison. (shoutout, for example, to quackblr - i saw maybe one or two possible instances of bad behavior, but for as intense as you all were, you all were normally mostly just retaliatory towards whatever energy was thrown at you.) it wasn't supposed "outsiders coming in" that was doing this bad behavior, either.
folks, you can't blame the dsmp when the problem is inside the house. you can't blame twitter users when you're doing it here. you can't blame the reddit when you're the ones throwing the first death threats.
get off your high horses. we're all mcyt fans. we're all having the same fun. get off your high horses. you can hardly claim we're entirely all "unproblematic" when keralis accepted a sponsorship from the wizard game and xisuma periodically gets another round of getting shouted down over something he said on xisumasays. get off your high horses. you can't claim we're the accepting, good behavior fandom, unlike those other guys, when you're the ones causing the problems.
now, as always, i'm sure this is a law of large numbers thing to some extent. as technoblade, wise as he is, said: sometimes when you get a large enough group, you're going to have a few serial killers. but for the amount that hermitblr likes to act better than Those Other Minecraft Fandoms, and those Other Fandom Websites, it wasn't those guys that made me cry.
to be clear, the majority of you have been well-behaved. but there's a persistent tendency in this fandom to act strangely morally superior to other fandoms. and, y'all? you aren't.
you just aren't.
and the sooner you acknowledge that, the less likely this is to happen again, because once you admit that yeah, we can be toxic too? that's when you can start actually looking at yourself and trying not to be.
anyway, sorry again to make this post. i don't want to be a downer, hence why, outside of the official mod statements of "chill the fuck out", i didn't make this until now. (it also helps that i wanted to wait until i was no longer furious, upset, and death spiraling.) i have seen a lot of the best of this fandom over the past two weeks! i've just also, unfortunately, seen some of the worst, and feel the need to make this statement because it's just... been eating at me.
i don't want this to continue to be a trend. i think we can do better. do so.
3K notes
·
View notes
the dream smp journey: attempting to make the lore of the dream smp more accessible.
so back when i first wanted to get into the dream smp i had absolutely no idea where to start. i asked some people and they told me pretty much “look up dream smp + [insert youtuber name] and start there” and so i did, but i quickly came to realize how much i was missing from the story by not seeing all the different points of view.
so i decided to make my own playlist.
it was just for myself at first, but as i got more obsessed with the story, i also gave the link to some friends of mine so they could have the full experience, and they loved it. so i kept updating it.
my goal was to try and make a capsule of the entirety of the lore on the dream smp across almost every single POV, because while i do appreciate those who make recap videos, they always miss something and it’s usually with peoples’ POV who aren’t considered to be “main characters” which sucks because one of my favorite things about the dream smp was how everyone was their own main character with their own individual storyline you could get invested in.
i’ve seen every single video in the playlist, and did my absolute best to discern what should be included and what didn’t need to be.
for instance, while i personally enjoyed streams where they’d just goof off, this is a lore-centric playist so i didn’t include all of them unless one of the jokes or such gets mentioned/becomes important later on. or if there is a lore event happening but two people have almost identical streams to one another then i decided between the two of them which one to keep. or if the cc themself made an edited version of their experience, i would decide whether to go with that or keep the original vod
it’s far from perfect. i tried to keep up with it as long as i could I STILL HAVE VIDEOS IN MY WATCH LATER THAT I PLANNED TO ADD but simply put while the dream smp storyline got longer and longer it became harder to keep up with. i watched pretty much all the streams when they happened but failed to update the playlist accordingly so right now it has almost everything up until ”Hitting on 16.”
i always wanted to finish it before i posted it, but i’ve been seeing people talk about how they miss the experience of watching the dream smp and while i obviously can’t provide the full interactive experience that the dream smp offered as it came out, i knew i couldn’t just keep this in my back pocket and thought i could at least offer a good chunk of the experience for you guys to still be able to keep!
here’s the playlist, spanning over 300 videos.
there’s also a semi-canon playlist (not nearly as thorough) for events that get mentioned by the cc’s a lot or are just cool to have and i wanted to include them somewhere so here it is also!!
to go along with it i also made a masterpost (can you tell i love making lists) which is what every single video on the playlist is supposed to be (and was last i checked, but videos get taken down every so often so there might be a couple missing here and there).
i hope to update this one day and have it fully finished, but with my schedule (full-time college student babyyyy) and simply the hundreds of hours of content i’d need to sift through it just seems impossible (and frankly just really intimidating) to challenge alone right now. so i also wanted to give this to the community to maybe be able to do what i couldn’t!
my hope with this is that if someone in a year or two (or whenever really) is interested in the dream smp they won’t have to sit through recap videos and instead can watch the real thing in a single playlist connected to the doc. my dream is for the masterpost and the playlist to go hand-in-hand, being like a guide people can follow that would also link to other moments and lore that is saved but just not avaliable on youtube, so we don’t have all these moments just lost to time.
i want to make this collaborative, i’m hoping this will maybe spark others to share what videos/moments they have saved and stored with each other for the dream smp and maybe together we could complete this thing somehow!! make the playlist and masterpost i dreamed of (the one right now is scuffed, but at least it’s something). the dream smp is one of my absolute favorite pieces of media out there and i want to share this with people but (as you can probably tell) i have no idea what i’m doing!! any step to help make the story more readily accessible is a good one, though!
i know i’ve missed things but i’ve done my best. and while not the perfectly polished thing i hoped it would be when i sent it out to the world maybe it could be a good building block for the community to use. so please share this!! reblog it!! all that jazz!! i want this to be for everyone!!
anyways, this is a long post. but the whole reason i got into the dream smp in the first place was because of the awesome fan content i saw and this crazy and creative community and i want to be able to give back, if i can.
209 notes
·
View notes
I'm waiting so excitedly for your updates, old and new, I can't begin to tell you! You are the fandom treasure! And as I'm waiting and biting my nails I wanted to ask something, what do you think about the final scenes of episode 8 where Gaon has dinner with his professor and tells him he chooses Yohan's side. How come Yohan knew where to find them and the precise moment to come in and pick Gaon up, was he following them or did he and Gaon had a deal?
And what's with leaving his car to stand next to Gain and look at professor? I love this scene so much but I don't know if I understand its message right. Was it posturing, laying a claim on Gaon or what? I tend to feel that Yohan was possessive of Gaon when it came to professor and his police friend and I think I feel some of it in this scene but I'm not sure, I just don't have a clear grasp on it. Would love to know your thoughts!
Aww, thank you so much, sweetheart! This is definitely the first time I've been called not just a fandom treasure, but the fandom treasure. Thank you 💜
Ah yes, the "Ga On runs off with his new sugar daddy" scene. Or, as I sometimes like to call it, the "You just don't understand, dad professor — I love him" scene.
I'm joking, obviously.
(... or am I?)
I would say that Ga On and Yo Han made an agreement beforehand, yes. They probably talked about Ga On's choice to switch sides and while Yo Han would no doubt have loved for Ga On to continue on as a double agent (feeding Professor Min intentionally faulty information) Ga On is way too honest for that. So he probably insisted that, no, he'll call Professor Min, meet up with him, and just flat out tell him that Ga On's spying mission is over. He's now going to elope work with Yo Han instead.
And I find it hilarious to think that, most likely, Yo Han was just sitting in his car, perhaps scrolling through his phone, waiting for his newly acquired sugar baby to finish telling his semi-father figure that he's going dark side. Because Ga On gets up and starts walking before Yo Han drives up, meaning that it's not like Ga On saw the car coming and went "oh, better wrap this up now." It was probably the other way around, where Ga On leaving the table was the signal for Yo Han to come pick him up.
So yes, they definitely had an agreement, especially since Ga On seems to know in exactly which direction to walk, even before the car shows up, and doesn't look the least bit surprised by Yo Han's arrival.
They planned that shit.
Brutal.
As for the fact that Yo Han gets out of the car? Well, buckle up, my darlings, because I think we should take a detour to discuss intent.
Now, intent isn't necessarily important when you want to interpret a scene, but I like the extra nuance it can offer. And by intent, I mean what the scriptwriter/director might have intended with a scene. Why is this scene here? What was the plan behind it? How is it supposed to impact the overall story? How does it tie into the rest of the plot?
Which is never something you can say for sure, of course, unless there are interviews expressly stating it, but, a lot of the time, we can guess.
The intent behind this scene, in its simplest, purest form, is to show that Ga On is switching sides. And, with that in mind, it makes sense that he crosses that road to Yo Han's car (if you know me and my metas, you know how much I love lines, characters crossing said lines, and the symbolism of that) and stops to stand next to Yo Han. It's a very simple yet effective way to show Ga On's choice and where it will take him.
Into Yo Han's arms.
NOW. Intent is very useful because, depending on how skilled the person writing is, you can hide a lot of subtext and leave room for a lot of interpretation with a cleverly formulated intent. That's how censored shows get away with so much, because they can point to the perfectly reasonable, heteronormative intent behind a scene and pretend that there aren't also a lot of subtler nuances to the reading.
And, if they're extra bold, they also add hints in the presentation and execution.
The scene where Yo Han invites Sun Ah to the house is a perfect example of this, where the intent is to make her feel lonely, like an outsider, as she's invited to observe this warm, comfortable family. Not a bad tactic as far as manipulation goes, I have to say. So, in other words, very reasonable intent — makes sense with what they're trying to achieve.
The fact that it ends up looking more like Yo Han is proudly showing off his doting, doe-eyed househusband who's passively-aggressively and not-so-discreetly staking his claim is... well, that's just an accidental side effect, isn't it? Not intent at all.
And that's true. It's not intent that makes it look gay.
It's the presentation of the intent.
(Sidenote: To be a fly on the wall when Yo Han and Ga On came up with this strategy. Because, clearly, they were both in on it and, I mean, how did that conversation go? Inquiring minds need to know.
Like, how did they go from: "We need to throw her off balance. We'll invite her to the house, show what she's missing out on, but also give her hints that she could have it all, if she's willing to surrender" to Ga On going: "I'll cook a fancy dinner. That'll make her jealous."
I mean, he's not wrong but, like, Mr. Sugar Baby. What? x'D
Also, imagine Yo Han's face. Transcendent.)
Anyway. Intent can also ruin a story. I think most of us have read a fanfic and gone: "... that character wouldn't do that. This makes no sense." That could be a sign that the author's intent is clashing with the characters or the story they're trying to tell. Or, put more bluntly, that the author is so focused on forcing an idea that they don't realise that they're going against the logic of the story or characters' personalities. Things happen because they want them to, not because it makes sense, meaning that the intent isn't tied to the story or characters, but what the writer wants. This is badly planned intent.
And, most of the time, readers can tell when the intent is off, even if you might not be able to put your finger on it while you're reading. But if you're feeling a niggling doubt at the back of your mind, wondering why this scene is here, what this scene even means, or why this character suddenly seems to act so strangely, it could be that the writer didn't plan it well enough.
That's not to say that a reader must always know the intent behind a scene. Ideally, the story should be good enough that they don't have to stop and think about things like that. If the intent and internal logic are sound enough, it should just flow naturally.
Because, when it comes down to it, pretty much all scenes in a story have an intent and that intent should be in harmony with the characters' personalities and how they would choose to behave. And I don't mean that there can never be conflict or that characters can't disagree — I mean that all scenes should have a reason for being there. It doesn't have to be a deep or complex reason, but there should be a reason that ties into the overarching plotline. And characters shouldn't be forced into a scene they have no business being in. Intent is very important from a crafting standpoint.
And intent is one of the things that makes The Devil Judge such an absolute joy. Because while there is always a perfectly reasonable — and very heterosexual, we promise — intent behind most scenes, they often choose to present the scenes in a way that leaves room for a much queerer reading. Now, that can happen with almost any story, but what sets The Devil Judge apart is that it seems to be entirely intentional.
The presentation is by no means subtle or accidental.
Like, they didn't have to make Ga On shuffle up in a soft, comfortable sweater and greet Sun Ah like a caring househusband, but they did. That was a conscious choice.
And this scene you mention, with Yo Han getting out of his car when he's picking Ga On up, falls into a similar category in my mind. The surface-level intent is clear — show that Ga On is switching sides — but he could simply have said so. He could have borrowed a car and driven himself. Yo Han didn't have to come pick him up. And he certainly didn't have to get out of the car.
But he did.
And that might be what you're picking up on when you're saying that you're not sure if you're understanding the message correctly. Because in a drama this clever, that puts so much effort into details and, again, intent, it feels almost a bit odd to leave this gaping hole, doesn't it? Yo Han stepping out of that car should mean something, right?
And, once you've gotten this far, you've got a couple of options to choose from to fill in the blanks. Either you can assume that it was just something the creators chose to do because it looked/seemed cool and therefore might not mean much at all. And considering that this drama does that a couple of times, this could honestly be the case. Maybe they just thought it would be more effective to have Yo Han to step out of the car? To really hammer it home to Professor Min what's happening?
Your other option is to bring in the harmonisation between intent and characters. Because, if the writer is good and their characters consistent, you should be able to pick up on secondary layers of intent, running parallel with the main one. Because while each scene has an intent, each character IN that scene also has one (though perhaps it would be more comfortable to call it purpose at this point?).
In other words: If "it looked cool" isn't the answer, could we find it in the character's behaviour instead? What is their intent, based on their personalities and previous actions? Does that give a more satisfying answer?
What reason would Mr. Kang "Abyss" Yo Han have for stepping out of that car?
I, personally, think that the answer is pretty simple.
He is absofuckinglutely staking a claim.
He's stepping out of that car because he's a Possessive, Dramatic Bitch and wants to rub it in Professor Min's face. He wants to show that he's won, that he's turned the spy Professor Min sent, and that he's, quite literally, taking Ga On away.
Yo Han is basically going: "Thanks for the sugar baby — I'll make sure to ravish savour treasure him."
So while the main goal of that scene is to establish that Ga On is switching sides, the intent Yo Han adds with his actions leaves room for a very gay reading. In fact, I'd argue that doing so only makes the scene more believable, since Yo Han's actions are otherwise kind of... unnecessary? He has no reason to step out of the car and make himself known, unless it's for the dramah.
Again, the presentation of the intent is where the magic happens.
So, why this long, godawful rant about intent, you ask? When I could just have answered the question right away?
Because while I know that I'm preaching to the choir in terms of this drama being gay as hell, I just want to highlight the importance of intent and how it can change the reading of a scene. I think intent — or specifically the harmony between characters and intent, and the various layers of intent — is absolutely fascinating, especially in this drama.
Especially if you want to argue that it's gay.
Because there is, in fact, some scenes where I just... I can't. The intent and characterisation don't match at all — unless you add a queer element. Like, this drama is so clever. Not perfect, mind you, but so clever. And so careful with especially Yo Han and Ga On's characterisation. Very little is left to chance.
And so, if you keep everything I've said about intent and characters in mind, and I ask you to explain the intent behind this one, singular shot, can you do so without making it gay?
I'm not joking when I say that this scene, right here, was the one that definitively made me go "oh fuck, this is gay gay."
Because in most others — if not all — I can find that safe surface-level intent which means that the people behind this drama can claim plausible deniability. Of course it's not gay! Look at this perfectly reasonable, heterosexual intent!
Except this one.
There's no explanation for this. Ga On has no reason to look this jealous unless his jealousy is the main intent behind this shot. There just isn't. And it's only made worse by his huff and the way he clenches his jaw a couple of seconds later. Not even the argument that Sun Ah is their enemy so letting her fix Yo Han's tie might be dangerous can justify this, since that's not a look of concern or alarm — that's jealousy.
The intent is jealousy. Plain and simple.
And that's why intent is important. Because, if push came to shove, the intent behind this one, singular screenshot could, theoretically, be the only evidence you need if you wanted to defend a queer reading of this drama.
Because there is, quite frankly — in my humble opinion as the fandom treasure — no other way to explain the look on his face in a drama this meticulous and obsessed with details.
In this scene, unlike all the others, the queerness isn't just in the presentation anymore — it's in both the intent and presentation.
So, if you want the scene that says "this shit's gay, fam"?
This is the one.
Thank you for coming to my TED talk.
28 notes
·
View notes