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#sorry for the long post these drawings were meant to be a tiktok video so i had to crop em dgjsbfkdn
noyaspjs · 2 years
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Loid Forger taking a moment
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e-vay · 1 month
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Evay QA Bulk Post 4
Here's another roundup of questions! I'm sorry if you don't see your question answered here. I tried answering as many as I could handle. Thank you all for reaching out :)
PERSONAL ASKS
Anon asked: I don’t know if this is too personal or not, but if you feel comfortable sharing, what prompted you to make a return after not posting at all for about 3 years?
A: That's okay, I don't mind you asking. To be honest, I just suffered from art block for a very long time. I couldn't get myself to draw no matter how hard I tried. I would sit myself down and try to force myself to do it, but I just couldn't. I don't know why it went away and I don't know why it came back, but suddenly my spark came back with a vengeance! I'm back to wanting to draw all the time! I think that's both the wonderful and awful thing about creativity: you can't force it. It sucks, but hopefully I can serve as proof to others who are going through it that you can spring back from it.
Anon asked: Hi E-vay! I couldn't help but notice a few Coraline references in some of your art work, are you a fan of the film too? By the way, Sonamy 4 eva!!
A: Yes I LOVE Coraline! I never read the book but I love the movie. It fills my spooky little heart and soul!
sonicalover1345 asked: Hey, quick question have you watched Hazbin Hotel Prime video? If you have what is or are your favorite characters?
A: I haven't yet! Honestly when the pilot first came out years ago, I didn't care for it. (I love Helluva Boss, did not care for Hazbin Hotel). But I've heard a million people recommending the series and I've heard the songs because of Tiktok and a lot of the songs sound great, so I have been meaning to check it out.
Anon asked: What is your favourite Tim burton movie? 🖤
A: I want to say Nightmare Before Christmas, but to be completely honest it's probably Mars Attacks! It's so campy and funny and it has that retro horror sci-fi film feel to it, and the cast rocks. It checks all the boxes for me. I even have a Mars Attacks! print hung up at my office at work:
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wind-upbaby14 asked: Just curious but what happened to that hell hath series you made and why did you stop?
A: I went through a severe art block and hadn't drawn anything for a long time, even though I had the whole script for it written out. However since getting my mojo back, I've completely re-written the story and am working on it again. You'll see more of HHNF soon and I'm certain you'll like it better than it was meant to be originally!
Anon asked: I’m unsure if you’ve been asked this before, feel free to ignore if so but would you ever consider opening a Patreon? Y’know for earlier access and possibly spicy art🤔?
A: I did have a Patreon once upon a time, but it gave me severe imposter syndrome lol It put too much pressure on me to put out content that I thought was worthy enough for people to be paying for, so I ultimately closed it down. It doesn't mean I won't ever open it up again, but I don't have any immediate plans to do that. Also regarding the spice haha 😅 I appreciate your interest, but I just don't like to share that kind of content.
milangakokoros asked: I know you like sailor moon, I remember that you published a drawing that you did in 2007 somewhere, of Aurora sailor moon version. What other animes do you like? have you seen saint seiya? (it's my current hyperfixation)
A: I don't watch much anime anymore, but I used to be obsessed with Naruto. That's primarily what I would draw back in my dA days, but I lost interest in it a long time ago. I also loved Fruits Basket, Kill La Kill, One Punch Man and Attack on Titan. There are other shows I've watched, but those were the major series. I haven't seen the series you mentioned, sorry!
milangakokoros asked: Have you thought about making more games like the one you made on Halloween?
A: Absolutely! I don't know what the next game will be, but I definitely want to make more!
prophecyhyper asked: Do you post any of your drawings on any other sites?
A: I sometimes post my art on my Instagram and I sometimes post timelapses of my drawings on Tiktok, but I mostly post here on Tumblr!
aviles2003 asked: I've been meaning to ask you this about adaptations, what is your only favorite Video Game Movie you wanna see, already watched, and excited to see? (Sonic the Hedgehog Movies, The Super Mario Bros Movie, Detective Pikachu, Or Five Nights at Freddy's?)
A: So far my favorite game-movie adaptation is the Super Mario Bros movie! I love it so much! I love that they kept the style of the game but made it a little more polished than what you'd get in the games. I loved the characters, I loved all the references within it, I loved the music. I just think it's a perfect adaptation. Of course I'm super excited for Sonic 3! I'm sure it's going to be great, I'm just praying that Amy will be in it! I need her in it :( I'd love to see a movie adaptation of Dead Space. That's one of my favorite games and ooh I think it'd make such a good horror film. I know they made animated movies for it, but I want it done in a proper hollywood horror way!
edwinflores428 asked: E-vay, since you're also a Beatles enjoyer, did you hear the new Beatles song 'Now and Then'?
A: I didn't know about this until you mentioned this in my inbox. Wow that was emotional! I can't believe they were able to make a song out of an old unreleased recording and really get to finally get closure for their band in a way. Just incredible!
Anon asked: hey, i logged in after a long time and i was just happy to see you’re still posting. i’ve been following since the deviantart days and i just wanted to say how much i enjoy your art. it has always brought me a lot of joy :)
A: This isn't an ask, but I wanted to include it just so I could tell those of you who send these kinds of messages to my inbox: Thank you ❤️ I don't know if you all realize how much it means to me to have your support. Whether you're new to my work or whether you've followed me since my deviantART days, it absolutely makes my day when I receive these kind of wonderful, positive messages. My only wish is that you didn't feel you needed to write me anonymously so I could thank you personally! But I'll respect your privacy ❤️ From the bottom of my heart, thank you!
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MISC SONIC ASKS
Anon asked: I was wondering what your favourite brotherly head cannon would be between Sonic and Tails? :3
A: Even though Sonic's older and technically raised Tails, I love the idea of them sort of "raising each other." Sonic teaches Tails how to defend himself, how to navigate the world, how to do the right thing, but Tails is the one who teaches Sonic how to read and write, introduces him to philosophical discussions that Sonic finds really boring but actually helps him to be a better hero and be a better version of himself. I even like the idea of Tails being the one to teach Sonic how to play music. Sonic has a natural talent for it, but Tails is the one to teach him notes and chords, how to actually read sheet music, things like that.
umbrathehedgehog asked: Hey, I noticed that one piece about Sonic Prime. It's very nice! What did you like or not like about the show? Been seeing a lot of differing opinions on it and I'm really curious about what you thought!
A: Thanks so much! As a whole I'd say it was okay. It certainly wasn't the best Sonic media out there in my opinion but no way was it the worst. I understand it's a kid's show, but it was way too formulaic for me. It got to the point where I could pretty much bet "in 2 minutes Character A is going to seem like all is lost, then a loud explosion/sudden shake will happen, and they'll look up like 'whuAHHH???' and Character B will show up to help." That's fine, but not when it's happening multiple times every single episode. So to be honest, it wasn't a show that I looked forward to watching like I did with Sonic Boom. It was just something I had on because it was Sonic-related. But Sonic Prime had a lot of good character writing and the acting was great. They explored character relationships/dynamics and emotions that some other Sonic content hasn't done before, so I applaud them for that. It's mirroring what happened in Sonic Frontiers and I love that the franchise is willing to dig a little deeper on an emotional level like that. And I've said it before but I'll say it a million times more: Shadow was PERFECT! The positive of having Shadow portrayed so excellently far outweighed any negatives I could say for the show!
chrismantike asked: What’re your thoughts on longclaw (the owl from the sonic movie) does she exist in your AU as Sonic’s mom?
A: Well we didn't get to see very much of her, but I loved her design! She was very majestic and beautiful and kind. None of the characters or storyline from the live action movies are part of my AU.
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MY OCs/AU ASKS
Anon asked: So when’s did aurora learn that she could turn invisible? And did she use it to pull a prank on her parents making them think she disappeared
A: Aurora discovers her light abilities when she's young (think about preteen age), but she doesn't fully know what all she can do yet. It takes a lot of experimenting and studying with Uncle Tails to figure out everything she can do. He is the one who tells her that if she can bend light, she should be able to use it to cloak herself. Tails and Sonic obviously mean she should use it as a defensive move, but Aurora instantly thinks it's the perfect power for pranks! Picture a lot of objects "floating" around the house with a lot of phony "OooooOOoooOOOO" ghost noises haha
Anon asked: Is aurora a comic book fan? If so what’s her favorite series
A: Aurora can enjoy super hero related stuff, but she's not an avid fan of it and I would say she does not read comics. Aurora is more into fantasy/romance books. Ruff is the one who is into comic books :) His favorite would be Batman.
Anon asked: I love your idea of Aurora and Sage being close friends, I really think that fits! That being said, do you think Sage and CC would get along?
and gale-gentlepenguin asked: I’m curious on how Sage would interact with Aurora and CC? I know it would probably be seperate universes but it would be fun to see how Eggman’s daughter reacts to Sonics daughter and a sentient AI of equal intellect
A: Thank you! I've been thinking about it and I like the idea of Sage and CC being rivals, but in a very cheeky, friendly way. Sort of like Sonic and Knuckles. Sage and CC would make everything into a competition to see who can solve this problem fastest or who can simulate something best, to determine who is truly the more intelligent of the two AIs. But again, not in a toxic way. In a "I have to be the best version of myself in order to beat you because the respect I have for you is insanely high" kind of way. And Sage could playfully tease CC for wanting to become organic because it'd be a "step backwards" in her evolution, but really she'd work to find a way to help make CC's dream come true.
antooogamer asked: Hello, I already know why Diamond is white and Boon's color is for Aurora, but now I have a question about Cinder, why is he Orange? :^
A: Orange is in the same color family as red and pink, so I think it still works. As far as color theory, in my AU Aurora has a grandma who is yellow and Shadow's fur includes red, so by blending those colors you can get orange. It's the same reason why Nova is purple, it's a blend of colors from their lineage. I tried Cinder out in several different colors but orange is ultimately what fit him best.
animefan299110 asked: After seeing your artwork of Sage and Aurora interacting, I got to ask: Do they hang out a lot or is Sage like a cousin/big sister who visits all the time?
A: They're more like best friends than sisters/cousins. I know people draw Sage growing older and stuff but I personally headcanon that she'd stay in the form of a child because she feels no need to grow up. But once she's friends with Aurora, then I could see her "aging" up alongside Aurora so that she always matches her friend. It's just a headcanon of mine for now and that could ultimately change in the future.
Anon asked: Has Aurora ever been to space before if so what were her thoughts. Was she like markiplier with the whole space is so cool song.
A: Aurora DESPERATELY wants to go to space more than anything! But for most of her life she hardly ever left her home. It isn't until she's grown up that she actually starts to properly explore the world. Eventually I want her to go to space, but it would be once she's living on her own.
skywriter97 asked: So I saw this one fanart comic (that I can't remember the name of) forever ago and in it Shadow had his emblem tattooed on his arm and it made me wonder (since you the best Sonic fan artist hands down no contest) does Sonamy/Shadora (or any of your characters kn your Au) have any tats or piercings anywhere? If so, what and where? (If the fur doesn't get in the way for them lol) (Votes go to Shadow being a tatted and pierced edgelord cuz that would be so 🔥🔥🔥👌👌👌😍🤩😍🤩🤩😍🥵🥵🤤🤤🤌🤌🤌)
A: You are just so sweet, thank you! You know I'm very pro tats and I love seeing what people think the different Sonic characters would get. For my AU, I only have two (technically three) characters depicted with tattoos. Amy's dad Clay Rose has two tattoos on his bicep: A heart with his wife's name in it, and then a matching little heart with Amy's name in it. Adult Knuckles has a simple "M.E." tattooed on his bicep. It's a reference to Knuckles' theme and also his dedication to the Master Emerald. Lastly, I have the human version of Cinder (but only the human version) with forearm sleeves that continue down his hands. So far those are the only characters I have with tattoos. As far as piercings, most of my characters have ear piercings but they don't often wear earrings. Blitz and Lulu are the only characters who always wears earrings. I could see Shadow getting at least an ear pierced, but I headcanon that with his rapid healing that it would almost instantly close if he didn't actively wear a piercing at the time.
Anon asked: I totally hope that Piper will have a girlfriend! Do you see her more with a girl or a boy?
A: I currently see PIper as demiromantic. She is currently not interested in anyone romantically or physically, and I don't want to diminish that part of her identity by saying 'Oh but she'll eventually end up with __." Of course, a headcanon is whatever you want so if you personally ship her with a woman that's cool with me!
Anon asked: Hey evay, i was looking at this old info of Amy, and It says that she wans't always at home, did Aurora had any issue with that? Did some part of her childhood she could say that she had mother issues? (Sorry if you can't understand, my english it's terrible 💀)
A: Your English is excellent! I wouldn't go so far as to say Aurora had mother issues. Amy wasn't completely absent from Aurora's youth, she was just working a lot so she wasn't constantly at home the way Sonic was. It would have made things a little awkward/emotional at times because that naturally made Aurora favor Sonic a little more when she was younger, but that also made the times she did have with Amy all the more special. Aurora never thought to herself "My mom has abandoned me because she's never home," it was more of a "Work is stupid and being grown up is stupid because it means Mom can't stay home and play with me all day." Aurora and Amy grow a lot closer as Aurora gets older and better understands the meaning of responsibilities and commitment.
Anon asked: Hi hi! I'm kinda new in the Sonic fandom and I've seen lots of your comics and content so far (That are great!) The shadora refs of their kids are just so *chef kiss*, when I looked at it, I told myself: "Damn, I wanna make ref sheets this great for my characters too!" I love the fact that you called them an horde! xD And the angst with Shadow's immortality must be amazing! Uh I'm getting out of the subject ^^'' I wanted to ask you if you planned or did anything with Silver? I don't think I saw anything from you with him And another question, if no one asked this before, are any of Shadora's kiddos immortal too? Or maybe they're "half immortal"? Like, they live longer than everyone else but still has a shorter lifespan than their dad I love your work! Keep going! ^^ And have a wonderful day :D
A: Wow, that's so kind of you to say! Thank you so much! I hope you do make ref sheets for your characters :) I haven't planned anything with Silver for my AU yet. To be honest, I don't know his character very well and I try my best to always keep the original characters in-character, so that's why I haven't done anything with him yet. But I recently purchased the volumes of IDW comics and I'm hoping to understand him better and then I will be more confident writing him! Secondly, none of the Shadora horde are immortal. They have stronger immune systems so they can heal faster and are less likely to get sick than the average Mobian, but they are still mortal and still age at a normal rate. Thank you for the questions and compliments!
Anon asked: I love the Shadora babies sm !! My question is..What excactly happend in the fight between Diamond and Cinder? Love your art btw<3
A: Thank you so much! I need to make a comic about it. When they were young they were all exploring the different zones and Cinder was really struggling with some of the obstacles so he was already getting quite aggravated. Diamond noticed this and offered to help because some problems are better solved as a team, and Cinder immediately gets pissed and tells her to buzz off. She gets upset that he snaps at her, and there's some escalation between the two and finally Cinder blows up at her (literally). He immediately regrets it as he did not mean to hurt her, but the damage is already done.
degux asked: What would happen if Metal Sonic ( somehow :v ) met CC ?
A: Hmm. Well, even though Metal Sonic is based on Sonic, I love stories that involve him having an identity crisis and ultimately deciding that he's not just going to be a clone. He's his own entity, right? They're alike, but they're not the same. I don't know where he'd be on that self journey by the time he meets CC, but she'd definitely see him as his own person, not as a Sonic copy. But likely he'd still be an antagonist, so they'd end up having to battle lol
milangakokoros asked: does team chaotix exist in the Aurora universe? and have they interacted with the Rose family?
A: They definitely exist in my AU, but I haven't completely decided what their roles are yet. I can see Vector becoming Cream's stepdad (I'm not passionate about the VanillaXVector ship but I know it's practically canon), and then that leads me down a rabbit hole (pun intended) of how does that affect the dynamics of Team Chaotix? I have some rough ideas but I need to spend more time on it.
Anon asked: Have you thought about introducing Vector or Team chaotix in your sonamy and Aurora comics? :0 I picture him being "Uncle Stanley Pines" from Aurora and the Hyena Boys.
A: I had to add this question immediately after because your idea of Grunkle Stan made me laugh out loud! Oh my gosh I love that!
Anon asked: hola, tengo una pregunta. Hace mucho que no veia tu contenido y veo que estas de vuelta me alegro! :) Mi pregunta es aurora no tenia un hermano? Si no mal recuerdo creo que tenia uno y de ser asi el caso, el también tendria sus propias aventuras? Lo poco que recuerdo de el es que estaba en un dibujo tuyo de navidad con toda la familia sonamy junta y otro donde aurora lo abraza. Me gustaría saber que fue de el
A: ¡Gracias! The character you're referring to was an OC made by my friend Nana, a Sonamy fankid named Spazz. I sometimes drew him interacting with Aurora because my friend Nana and I just liked to draw our characters interacting, but Spazz is not a part of my AU. Nana is no longer on tumblr so that's why there aren't any Spazz art/comics anymore.
Anon asked: Does Sonic’s Uncle Chuck exist in your AU?
A: No I don't include the Archie comics or characters at all
⚠‼️THIS QUESTION MIGHT BE TRIGGERING. SKIP IF YOU NEED TO. TW: INFERTILITY ‼️⚠ Anon asked: Hi e-vay! I’ve recently re-read your ‘Boom Baby’ comic & was wonderin’ - especially with all their attempts - did Sonic or Amy, either one, stuggle with infertility? If so, did they ever have any doubts of that “I’m pregnant” moment ever happening?
A: Infertility is a very real issue that many people (including those very close in my life) deal with. Although I do think it's very important for people to be able to see their experiences reflected in the media they consume to help them remember that they aren't alone in their experience, this is not something I wanted Sonic and Amy to have to deal with for Boom!Baby. The chapter where Sonic references making multiple attempts during a certain window of time was not meant to imply that they were struggling with infertility. It was instead supposed to show that now that they've both decided they want a child, Amy doesn't want to take any chances to make sure it happens lol. TMI - Even without fertility issues, getting pregnant is not always guaranteed so it can take a lot of planning and timing (and frankly, luck) to be successful. Super TMI - I headcanon that Sonic and Amy are already intimate A LOT so now that they're trying for a baby it's above and beyond and that's why Sonic is tired in that chapter lol
fireghost234 asked: Hi this is my first time asking you!!!, does sonic in your AU still have his swordfighting skills from black knight?
A: Thank you for the question! Personally I don't think he'd retain those skills after that experience, so no that's not a trait he has in my AU anyway.
madysonisbae19 asked: Okay so I’m listing to the Encanto soundtrack and when Surface Pressure came on tell me why I instantly thought of Diamond singing this song when she is down about being physically the strongest out of her family.
A: That song (and character) is so her! Thank you for pointing that out to me, I'm going to associate that with her now 🥰
Anon asked: Did Aurora actually got bullied in school?
A: In my stories Mobians don't really go to "school," but yes she was bullied by a group of other kids when she was little. I have a script for a comic for this, I just haven't drawn it yet.
Anon asked: I think I'm pretty sure you based post-Boom to make your comics, but do you think Prime to becanon to your comic continuity too?
A: My AU is a fluid situation haha It adapts as more Sonic content comes out and I get to pick what I want to include. That's what makes AUs fun! Hmmm, ultimately I'm going to say no, I don't think Prime is canon to my stories.
Anon asked: Hi e-vay! Just wanted to ask, will we ever see what happened with Sonic and Amy's wedding in your AU? We've seen Amy's pregnancy with Aurora and their first date, so it seems like another natural relationship landmark to make a shenanigans-filled story out of! Also, keeping on the Sonamy wedding topic, what's their guestlist look like? Are there any surprises in who's getting an invite and who isn't?
A: I definitely have a sonamy wedding comic in the works :) It's going to be multi-chaptered. I would love to answer your other questions but I don't want to spoil the surprise! 😜
SHIPPING ASKS
Anon asked: Not to sound weird or anything, but does Sonic have a go to move that seduces Amy? 💙🩷
A: He simply ✨exists✨
Anon asked: Does Sonic ever dream about Amy?
A: I mean, I think so 😉
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Anon asked: Hi e-vay! I had a question for you that I've been wanting to know about. If you read Harry Potter or watch the movies, don't you think that Harry and Ginny's relationship is similar to Sonic and Amy? I know this is kind of random, but it's like Harry is the hero, and Ginny was always in love with him, but their relationship slowly developed throughout the books, especially the 6th book. And that's how Sonic and Amy have been throughout the years
A: Hello! I have seen the movies and I read some of the books, but I don't know the series all that well. Actually, I don't remember Ginny being in the movies much at all, so I was a little confused when she and Harry ended up together. Maybe there was more to it in the books that I just never read. So if I'm going solely based on the movies I've seen, I can't say that I see the correlation. But that's not to say you're wrong in thinking that :)
aurorathehedge6 asked: What's your favorite Sonamy art that you made?
A: Definitely My Gal, specifically the last couple of chapters. I put my whole heart into that story and I'm pretty proud of it.
essycogany asked: Hi! First, I want to say that I LOVE your work! You’re so talented and I couldn’t appreciate your stuff enough. How are you feeling about the new Sonamy material from this and last year? Things are really starting to become more obvious as the years go on. Hope you’re doing well. 💖
A: Thank you so much! I hope you're doing well too :) UGH!!! 😩💙💖💙💖💙💖 We have been fed SO WELL lately! I can't believe it, what a time to be alive! I'm still sure they won't ever make it canon, but I love the sweet little snippets we get and just how much Sonic and Amy's relationship has evolved over the years to be so much closer. And I giggle like a little maniac every time they're on screen together or they're side by side in marketing. It makes my heart SING!
Anon asked: Are you still a fan of of the OT3 hedgies (Sonamyshad) and are still a fan of shadamy? Will we see any dribbles about them. Your art is so pretty 😍🤩 I just wanna see more 🤣😅 sorry if that embarrassing!
A: That's not embarrassing, that's crazy kind of you to say! Thank you! Yes I do still adore those ships and need to draw them more. It just seems every time I go to draw something my hand gets possessed by the ✨spirit of sonamy✨😂 I promise I'll draw the others at some point!
Anon asked: Are there any ships that you just… don’t get? Not dislike or hate or anything, just one that you fully don’t understand the appeal for…? Cause Metal Sonic and Amy is a ship that kinda baffles me. Like most Amy ships have some appeal. Sonic is obvious, you’re Ms. Sonamy after all. But Shads, Silver, Blaze, and even Surge have fun dynamics, and Metal doesn’t really strike me as a character that is able to be shipped effectively… Thoughts?
A: There definitely are ships that I don't understand. But if I don't understand or don't like a ship (or fan theories, or whatever), I'd rather just not talk about them. I used to indulge in that style of arguing discussion when I was a kid but I don't do that kind of stuff anymore. If I don't get something I just say "That's not for me" and move along. I do support the MetAmy ship myself but it's not at the top of my ship list (lol). I like it because Metal Sonic is based on Sonic, and if they're meant to be similar and I believe that Sonic does care about Amy, then that logic would tell me that Metal cares about Amy, too. And even though Metal is a villain, Amy does care about his well being (just like she cares about everyone's well being). Metal Sonic is also one of the main reasons Amy and Sonic met in the first place, so I think she holds a special place in her heart for him, even if it's not 100% romantic. That's my reasoning, but I don't want or expect you to change your opinion.
Anon asked: Will tails and CC ever get married?
A: Whoa now, I've never even drawn them on an official date yet ;)
Anon asked: What tv shows would sonic and amy watch together?
A: I think a lot of feel-good comedies like Brooklyn 99, Bob's Burgers, Modern Family and Schitt's Creek.
*The next question is a Shadora Ask. Skip if you don’t like Shadora*
Anon asked: What would Shadow and Aurora’s fave show be?
A: They don't have similar tastes in shows, but I could see them both enjoying Only Murders in the Building and cut throat competition cooking shows like Hell's Kitchen.
*The next question is a Shadora Ask. Skip if you don’t like Shadora
gray3754 asked: How old would Amy and Sonic be when Aurora started to date shadow
A: I don't really do exact ages, but Sonic and Amy have Aurora roughly when they're in their mid-to-late 20s. So they would be in their mid-to-late 40s when Aurora and Shadow first meet.
*The next question is a Shadora Ask. Skip if you don’t like Shadora
aurorathehedge6 asked: What's your favorite Shadora art that you made? Also have Sonic, Amy, Aurora, and Shadow ever been on a double date?
A: Hmm, I think my fav Shadora art is the comic where Shadow and Aurora discuss her "wings" (back quills). It started out as just a fluffy piece but I think it really set the tone for their relationship in my stories. As far as a double date -- I could see them trying a double date early on when Shadow first states his intention to date Aurora, but it doesn't go well. Years later when Sonic is more accepting of their relationship I could see them occasionally going out for lunch/dinner together instead of just their weekly family dinners at home.
*The next question is a Shadora Ask. Skip if you don’t like Shadora
ticciticcicendy asked: I don't know if you do this question but has any of Aurora and shadows kids ever walked in on them?
A: Hahaha, Shadow is too savvy for that! He had the Shadora house built to essentially be a fortress, which also means the primary bedroom is practically a vault. Ain't nobody getting in there unexpectedly hahaha
*The next question is a Shadora Ask. Skip if you don’t like Shadora
lazypatrolpizzapersona asked: One question, is Aurora jealous when Shadow is with these girls?
A: I'm not sure what girls you are referring to? But Aurora is not a very jealous type.
*The next question is a Shadora Ask. Skip if you don’t like Shadora
zero-aurion asked: Quick question, in terms of lap pillows, for Tails and CC and Shadow and Aurora, who rests their head on the others lap more?
A: CC doesn't need to rest, but Tails is so soft that she just loves to lay against him so she'd definitely use him for a lap pillow more. BONUS POINTS for using his tails as a shawl around her shoulders! Shadow is more likely to rest his head in Aurora's lap. The way she strokes his quills is very soothing and makes him feel content. She also has thick thighs so very, very comfy for lap pillows!
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Thank you all for the questions!
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TGF Thoughts: 5x06- And the two partners had a fight...
I’ve been waiting for this episode for nearly a decade, and I didn’t even realize it. More under the cut. 
(This is very long! Please fight me on stuff and disagree because I just wrote all these words about this episode and I STILL want to talk about it more, it was that interesting!) 
This is the second episode in a row to start off with a TikTok video. 5x02 and 5x03 both ended with elevators. Is there some sort of pattern they’re going for here?  
This case—which is, it’s important to note, in Wackner’s court—is about TikTok content creators and copyright laws. Probably not enough material for a full case, but definitely an interesting theme to explore.
Marissa doesn’t have her laptop volume off (which I suppose makes sense; she was just playing the TikTok videos) and a notification sounds. She shuts the laptop.
Wackner rules that the profits made from the TikTok dance must be split evenly between the guy who stole the dance for his video game and the creator. The thief does not like this, removes his moose costume (oh, yeah, did I mention they’re in costumes again?), and starts shouting that he’s going to sue and then moons the whole court. Okay!
He follows through on his threat, and next thing we know, Liz, Cord, Wackner, and Marissa are meeting to discuss strategy.
Liz’s computer makes the same noise Marissa’s did; she punches some keys.
Liz points out that Wackner’s biggest problem is that real judges are not going to like Wackner playacting as a judge. “I’m not playing a judge. I am a judge,” Wackner says. Liz notes that Wackner’s court lacks any way of forcing people to comply with his rulings, but real court can shut him down.
I guess whatever keys Liz punched did not silence the annoying notification sound.
She asks Wackner to try not to become the focus of the court case, since that’s how they’ll lose. “This is why I started a court,” Wackner says after Liz instructs him to only answer yes or no and to wear a suit.  
Liz asks Marissa to keep Wackner in line. She says she’ll try.
Now we are at the Black Lawyers Association, where there’s a panel with leaders from Chicago’s four top black law firms. For reasons passing understanding, DIANE is on this panel. This makes absolutely no sense (I mean, unless only white people were involved in this decision, and even then!) and I’ll only excuse it because they mention later that it makes no sense for Diane to have been on this panel.  
I wonder why everyone else’s firm gets named but not Diane’s.  
Diane also gets the first question, which is, pointedly, about opportunities for black lawyers. Her phone starts making the annoying notification sound. Ever heard of silent mode??  
The annoying sound happens every five seconds at the RL offices. According to David Lee, it happens twenty times an hour, but it seems like more than that! He, for some reason, goes to Carmen to ask how to stop the sound. He also wants to know what it is. Carmen explains that it is “Dawnk” which is a new messaging system within the company.  
On Dawnk, you can talk about anything you want and be anonymous. Who approved this?! In one frame, I can see there’s someone complaining about someone being promoted too fast because of “the future is female bs.” In another, someone is upset that they are anonymous and wants to use their real name (only Jay, who is otherwise absent from this episode, seems to have figured out how to turn this anon mode off).
Sorry, before I can get on board with this plot, I just need to note for the record how phenomenally stupid the idea of using anonymous messaging software within a company is. This was obviously not going to end well! It’s like workplace YikYak... (remember YikYak?!)  
David Lee hates the idea of a messaging software; Carmen says the associates prefer this.  
Jay is being very nice in the chat and defends the person who was promoted “too fast”.
“Who’s ‘Anonymous Crab’?” David Lee asks. Well, I think the fact they are “anonymous” should be a bit of a hint there, David.  
Anonymous Crab asks, “How the hell did this happen??! How did Diane end up at a Black Conference speaking for our firm?” Good question, Anonymous Crab.
Anon Crab also shares a video and David Lee doesn’t understand how to press play. Carmen plays it for him. Diane looks really awful on the panel. No shit! David Lee seems to enjoy Diane looking bad, even though he should be able to connect the dots between Diane looking bad and potential for bad things to come for the firm...  
Not only does Diane get quizzed about why she’s running a firm that is still insisting on calling itself a black firm, she also gets questions about her insurrectionist husband. “He was completely cleared of those charges,” Diane notes. Oh, hey!!!!! Remember how last week I said I’d be more surprised if that was the end of the FBI nonsense than if it continued? I am surprised!! And relieved. Mostly relieved. Dealing with the consequences of that high profile, relationship-straining ordeal is so much more interesting to me than any FBI machinations.  
Next Diane is asked if Kurt just took a job to revitalize the NRA. She hasn’t heard of this yet. I’m glad she’s getting grilled on this stuff... it is about time.  
There’s a hint that Carmen will be representing Mr. Rapey next week. I assume that’s why there’s a line where David checks in with Carmen on Mr. Rapey’s case?  
Anon Platypus says, “I heard she didn’t even have seniority. She just jumped past other black partners to become our name partner. It’s crazy!!!” Anon Platypus is correct—technically. Diane was a name partner at one of Chicago’s top firms before joining RL, so while she skipped the line... that doesn’t seem to me like the PRIMARY issue in bringing her on. The primary issue is that bringing on someone that senior from outside the company is more similar to a merger than a promotion, and Diane’s partnership meant changes for the firm.  
Other anonymous animals also don’t like Diane. One calls her clueless; another says that “Liz needs to do something about this.” Someone responds to that, “Liz will never do it on her own,” which is an interesting sentiment I want to come back to in a little bit.  
“What is Black Twitter?” David Lee asks Liz out of the blue. “People on Twitter who are black and talk to each other,” Liz responds. David Lee asks how he can find it. “I could tell you, but then I’d have to kill you,” Liz jokes. And to think Jay said Liz wasn’t funny!  
The Dawnk conversation shifts and now everyone’s ragging on Julius for representing Kurt and just generally being a Trump voter. There’s a lot of heated and racial language I’m not going to type here, enough to make Julius spit out his coffee and storm down to the associate floor.
He goes to Devin, who I’m not sure if we’ve seen before but is high ranking enough to have Lucca’s old office, to get information on the anonymous posts.
Anonymous Bison says, “Unpopular opinion: I blame Adrian.” Hey, Anon Bison, let’s be friends! I am with you. Adrian is the one who brought Diane on, who encouraged them to lean into Julius’s Trump connections, and who pushed the firm to pursue profit over everything else. Diane and Julius aren’t blameless (though I don’t actually think defending Kurt is a bad thing) but if there’s someone who actively strategized to make RL what it is today? Adrian all the way.  
In what world does noting that Julius is pissed in an anonymous message do ANYTHING to stop people who are pissed at him? If they were that concerned about him being pissed they wouldn’t have said anything in the first place.  
Liz and opposing counsel talk over each other in court until the judge makes them stop. I think we’ve seen both the judge and opposing counsel this season, making me wonder if there’s a bit of a COVID bubble situation going on here with the guest stars.  
Judge Farley jokes about “contempt cards” that go up in value and Wackner, of course, is all, “Wow, I really love that.”  
Liz, whose entire strategy was to not let on that anyone calls Wackner a judge, refers to Wackner as “Judge Wackner.” Come on, Liz! (I buy that she’d slip up—there's no one in the world I wouldn’t believe slipping up—but ugh!)  
How did the opposition not realize that they could make this about Wackner’s “crazy court” by referring to him as Judge Wackner? You’d think they’d be all over that.  
Judge Farley looks SO unhappy that Wackner would refer to himself as a judge; it’s phenomenal.  
Now Marissa stumbles over stuff because she’s, for some reason, speaking in court. I bought Liz’s dumb moment more.  
The plaintiff’s strategy is to make it look like Wackner is of unsound mind, and they’ve got video evidence. Remember how Del, Cord, and Wackner all chatted in the RL elevator? Well, turns out that lead to a reality show about Wackner for Del’s streaming service. Sounds about right.  
I don’t really think Wackner cares about attention or anyone else’s motivations... I think he just likes the idea of budget and an audience and a platform.  
Liz meets Del for a romantic dinner and asks him when he was going to tell her about Wackner’s show. Del doesn’t understand why she’s upset. He doesn’t get why he would’ve needed her permission to go into business with Wackner. (I don’t think he’s wrong from a business POV, but from a relationship POV, he totally should’ve let her know!)  
Liz says he should’ve asked because they’re using it against her in court. “That is unfortunate, baby, but this streaming show could be really good for Wackner. It’ll draw attention to his court. And... as I say that...that sounds... okay, look I’m sorry,” Del realizes. I like that he sees that Liz has a point. He goes on to note that he would be totally open to Liz trying to go into business with any of his acquaintances, and I think he genuinely means it.  
Del notes that this is what “power couples” do. Oh? So they’re an official couple? Don’t power couples also associate in public and not hide their relationship from their colleagues?  
This is the place where I note, yet again, that it is always going to be more interesting to see a relationship that feels realistic than to see a relationship that feels like it takes place in a vacuum.  
Liz doesn’t want Wackner becoming popular. Del argues someone else would’ve made the show if he didn’t, and that “disrupters gotta disrupt.” Oh God.  
Are we going to remember that Liz has a child at any point this season?  
Diane is reading the Dawnk discussion at home. It’s still lively even after work hours. The associates appear to be discussing the vaccine before someone changes the topic to “the Diane situation.”
One associate notes that the partners probably aren’t happy about Diane either and just have to vote her out. Kurt arrives home as Diane reads this, reacts to the loud music Diane has playing, the open alcohol, and her general demeanor and asks if they’re getting drunk. “Are we getting a job with the NRA?” she counters.  
Turns out it’s not entirely untrue about Kurt and the NRA. They want him for a new role. It would pay $167,000. I can’t decide if I think that’s a lot (objectively that’s a high salary) or not very much at all (isn’t Kurt the top of his field?)  
Kurt notes he doesn’t have a job so he’s considering it. “Diane, our politics are very different,” he starts. “I know,” Diane says. “I’m, lately, struck by just how different they are.”
“I would just like one week when I don’t have to defend you,” Diane says in frustration. Kurt doesn’t even know what that means at the current moment.  
“You’ll tell me when they offer you the job?” Diane asks. “They may not offer it,” Kurt says. “No, they will,” Diane says, because she knows that it’s basically a done deal already.  
In the middle of the night, Diane turns to Kurt and tries to ask him a question. That wakes him up. She asks who he voted for in 2020 and he doesn’t answer. Uh oh.  
Dreaming now, Diane sits up and asks, “Hello? What do I do?” More on that later...
The HR nightmare known as Dawnk is still going wild the next day at the office. (Seriously, with HR that strict, the anon feature would’ve been disabled the second the first semi-controversial comment was posted.) Everyone’s obsessed.  
The partners, minus Diane, all gather in Liz’s office to discuss Dawnk (and the topics of conversation on Dawnk). Madeline says they should ignore it. I say they should make STR Laurie shut it down and be the bad guy. It is nonsensical that this workplace would continue to allow Dawnk to continue! In addition to being an HR nightmare, it’s also a drain on productivity if everyone’s constantly glued to it, and I imagine STR Laurie cares about profit more than anything else.  
But like I really don’t get why Madeline says they can’t censor their associates. Of course they can shut down the app if they want to! Someone put the app there in the first place, no? I do understand not wanting to look like you’re violating free speech (even though taking away anonymous commenting in the workplace would not be a violation of free speech) but I highly doubt it would be only the partners complaining. Tina, whose promotion was called into question, would be complaining too. Anyone trying to get work done, or anyone who didn’t like the toxic culture, or anyone who was uncomfortable with a joke made, would be complaining. There are more than enough reasons it would be perfectly acceptable to take the anon commenting away.
Now the partners are fighting about Kurt’s case too. “Diane is not responsible for her husband,” Liz says when Madeline says that Diane should’ve known better than to get involved. Um, Liz, Madeline is right. Diane isn’t responsible for Kurt’s actions but she’s sure as hell responsible for volunteering to represent him.  
“In the real world of this firm, Diane’s billable hours speak for themselves,” Liz notes when a partner tries to call Diane’s unsavory associations into question.  
“The rest of us put in the hours too, for the record,” notes another partner. I’m sure... but do you put in DIANE’S hours and have DIANE’S client list? My guess is no. If Diane weren’t the biggest earner at the firm we wouldn’t be having this debate. She’d just be gone. She’d never have been at the firm to begin with.  
“Liz, when I joined this firm, it was because of your father’s legacy. It was about Black civil rights, activism, justice. That’s what people talked about in meetings. Now, people talk about billable hours, million-dollar clients, corporate payouts. Now, I know it’s not your fault. That was Boseman’s vision and we were trying to survive the Trump years by bringing in white lawyers, but those days are gone. They’re done with. And I miss being a strong black firm,” Madeline says. Everyone but Liz (and probably Julius) seems to agree with that.
This is one of many interesting facets of this issue. When Madeline argues against Diane, she’s not just arguing that she wants a black person running the firm for optics. She’s not saying that Diane-but-black would be an acceptable choice. She is saying she wants RL to be the firm it was at the very very start of the show—a firm committed to social justice, not maximizing revenue. A firm that didn’t just accept every client that came their way because they love profit. A firm that stood for something. So my question is: Does Liz want that firm?  
Liz is hard to read throughout this whole plot, and I think that may be intentional. Liz isn’t a manager by training—she was an AUSA who suddenly became a name partner at a firm (if you want to talk about seniority and skipping the line, Liz is a way better example than Diane—you can even through some nepotism, twice over, in there). She doesn’t seem to have a clear goal for her firm other than maintaining the status quo and keeping power. Liz not taking a stronger stance from the start (either accepting that they are no longer going to be a social justice-oriented firm or pushing to get them back to that place) allows these kinds of questions to fester. It’s my hope that this becomes text instead of subtext pretty soon, ‘cause this is the kind of thing that if it’s subtext for too long will start to feel like bad writing/Liz being conveniently clueless. It’s way more interesting if Liz is just not yet good at being a manager... because she is learning on the job.  
Anyway. I think the ideal solution here is probably that Diane and Liz continue to run RL: A STR Laurie Company (the fact they’re owned by corporate overlords kind of makes any decision about RL’s mission moot) since Diane wants to do that and Liz seems to be content where she is. Madeline and the other partners, instead of trying to force STRL to let them pursue the cases they want, can accept pay cuts and go start their own firm. Maybe they can even team up with Barbara Kolstad!  
None of that’s to say that the dilemma here is easily solvable, nor is it to say that Diane shouldn’t consider stepping down. I’ll say more on that later. My point here is just that this issue is much deeper than just if Diane is on the letterhead or not. As long as they’re owned by STR Laurie and have clients like Rivi, Diane stepping aside would just be a band-aid.  
(And that, I think, is intentional... they’ve been building the “why are we even representing x?” tension pretty consistently this season, so I imagine it’s on the writers’ minds.)  
Diane stumbles across the secret partner’s meeting and knows something’s up.  
“You gotta handle this, Liz. You cannot have a white partner leading a black firm. We’ll lose clients with that kind of hypocrisy” Madeline insists after Diane heads back to her office. I’ve already said it, but just to say it in a less rambly way: Madeline is right, but she’s right IF AND ONLY IF the goal is to be a black firm. So, Liz, is it?  
(They’ll lose clients, sure, but which ones? They’ll lose the clients Madeline wants while Diane continues to keep bringing in business and Rivi and Cord and Wolfe-Colman and their elk* stay put.)  
*I know this is not the correct word; see 6x17 of TGW
David Lee has also noticed the meeting in Liz’s office and thinks this may be the “beginning of the end.” Diane glares at him and he says he was just joking.
Diane schedules a meeting with Liz. Liz’s assistant doesn’t know Diane by voice, adding to her frustration.
Credits! We are 22 minutes in! This might be a record if 5x01 hadn’t saved the credits til the very end!  
I’ve already written more than I did last week by a couple hundred words.  
Two interesting things about the credits. First, this episode was written by Aurin Squire. Forgive me if I’ve mentioned this in a prior recap (I know I thought about it but can’t remember if I deleted), but I think Aurin Squire and Davita Scarlett are key to why TGF and Evil are both always so good. They’re the two writers other than the Kings who are in both the TGF and Evil rooms, and they both REALLY seem to be on the same wavelength as the Kings. I imagine that having four people who are in both rooms helps with managing both at basically the same time.  
(This isn’t where I wanted to go with this bullet point, but I may as well shout out how great Evil is this season, too! It also just aired an episode by Aurin Squire about the lead white female character realizing her privilege!)  
Second, this episode was directed by Brooke Kennedy. I didn’t know that going in, but seconds before the director credit popped up, I was thinking to myself, “this episode feels like it’s going to be a very important one. I bet Brooke directed it.” I was very pleased to see her name appear.  
(For anyone who doesn’t know, Brooke is an EP who’s been involved in nearly every episode of both Wife and Fight and she tends to direct important episodes that require a lot of familiarity with the characters. She directed 5x15 of The Good Wife and she’s done a bunch of the premieres and finales that Robert King hasn’t claimed for himself.)  
Diane and Liz meet in a bar to catch up. Diane’s still staring at Dawnk. Liz takes her phone and silences the notifications. “Who thought that sound was pleasing?” Diane complains. “All day in court today,” Liz commiserates. Carmen had to teach her how to silence the notifications. Liz, you’re using an iPhone, there is a very easy to use switch that silences your phone, like you would need to for court. I know you know this.  
(I think Diane, despite her complaining about the sound, is captivated by Dawnk.)  
Liz orders soda water instead of a drink. I assume that’s intentional, perhaps because she knows this isn’t going to be an easy conversation or a long night of drinking? She has wine in an earlier scene.  
I love that Liz and Diane chat about Dawnk even though there’s no real plot reason for them to spend this much time discussing it. Little moments like this make me believe Liz and Diane are actually colleagues who get along well and make management decisions together.  
Diane asks if Liz thinks Dawnk actually increases productivity. Liz laughs—she does not. But she knows the associates would “riot” if they got rid of it. She’s right. I still think they can get rid of it without too much blowback. But at least they’re acknowledging this.  
“What do the partners think?” Diane asks, very intentionally shifting the subject. You can hear it in Christine’s voice and see it in her body language—Diane is looking for an opportunity to talk about what she wants to talk about.
“God, Madeline can’t even open it. She’s lost her password three times. She finally just gave up,” Liz says. This is concerning! Madeline should know how to open an app! Probably not unrealistic, though. When you’re that senior, you probably don’t need to know how to use a messaging app. And messaging apps can be confusing sometimes. Like, I still don’t understand how to use Discord.  
The captions have a line I can’t hear in this scene—Liz (I presume?) saying “You know, ‘cause it’s Madeline.” This makes it sound like Madeline is a little less than competent, no?  
“Thanks for sitting down with me, Liz,” Diane says in a quite serious tone. “Of course. So, you’re wondering about the meeting today?” Liz immediately understands. ���I am.” “Yeah. Uh, it was about Julius. He’s being harassed on Dawnk,” Liz explains.
“Okay, and I couldn’t be a part of that?” Diane wants to know. “He’s being harassed because he’s defending your husband,” Liz explains. Diane doesn’t seem surprised (perhaps because she, too, would have read these messages?). “Well, that’s unfortunate. We’ve represented people far worse than Kurt, who, by the way, was found innocent,” Diane argues like they’re having a very different conversation. It’s one thing to represent rapists and murderers and drug lords—and I’d argue that the same people pissed about Kurt are also pissed about them!-- and another for your leadership to be married to/close friends with someone who you believe participated in the events of 1/6.  
“I’m not saying it wasn’t. But, January 6th. I mean, we watched the Confederate flag make its way into the Capitol building. You know, those people that Kurt didn’t want to turn over to the FBI, those people. They don’t even want us alive,” Liz says better than I ever could. I think it’s important that Liz mentions a POV that likely wouldn’t have ever crossed Diane’s mind here. This is a small glimpse of why it could be so important to have black leadership at a black firm. Would Diane be thinking about the implications of having the Confederate flag in the Capitol? Probably not in the same way that Liz instantly does.  
“Well, not all of them,” Diane Lockhart, who is suddenly an idiot, says. Liz looks at her drink and grimaces, and Diane realizes she’s said something wrong. “I’m sorry, I didn’t mean that. I’m certainly not defending those people. They’re all despicable traitors.”
“And now, that’s what people are saying about Julius,” Liz explains. “And me?” Diane asks, though she already knows the answer. Liz doesn’t want to answer that. Before she can say anything, Diane asks if she’s being pushed out.  
“No. Not pushed out. You’re a name partner. You can’t be pushed out,” Liz clarifies. Diane knows there’s a but. “The partners just think you should do the right thing,” Liz adds.
“And step aside?” Diane asks. “No. Stay in the firm. Stay as an equity partner, just step back from your managerial role,” Liz says. Diane pauses. “Liz, I... I pull in the big clients. I... I get the billable hours. But still, ‘maybe you should step aside.’ Weren’t we going to form a firm led by women?” Diane argues. Oh, wow, I have so much to say.
First, I completely understand why Diane doesn’t want to give up her title or her power. She's Diane Lockhart! She’s been one of the best in her field for decades. She’s not wrong about the clients and billable hours. It’s just that every time Diane decides to be at this firm, making arguments about how she should retain her role in power, she’s saying that she values her own career/appearance more than the values she claims to care about. And every time she refuses to take a back seat or threatens to walk rather than sacrifice, she’s saying she’ll only through her weight behind her colleagues and their mission if she gets credit for it. To be clear, I don’t think it would be the shittiest decision in the world if Diane decided to walk, to take her clients to a new firm and to let RL become the firm Madeline and the rest envision. It’s asking a lot of her to give up that power and prestige. The interesting part of this dilemma is, to me, that Diane claims to value working for RL and to be active in the fight against racism... but the second she’s forced to choose between that fight and her own power, we all know what Diane is going to choose. There was never really any doubt. Diane doesn’t have to be on the forefront of this fight if she doesn’t want to... but she can’t claim to be invested in the fight if she isn’t willing to sacrifice, at all.
Second, LMAO at this firm led by women idea. Every time Diane talks about her firm led by women idea it sounds sillier! Not because a firm led by women is silly, but because Diane has a habit of saying this like it is a shared goal and each time she references it, it sounds less and less intersectional. For example, when she says it here, she’s essentially saying a firm led by women only has meaning if one of those women is a white woman (specifically a white woman named Diane Lockhart). Who’s to say that Madeline wouldn’t be made partner in Diane’s absence? Or Barbara (haha) or someone else we haven’t met? There is a very real possibility that Liz and another woman could run the firm and Diane would still be unhappy about it. Diane doesn’t ask Liz for a commitment that if she does step aside, her replacement would be female (idk if it’s legal to make this commitment but you get my point). Diane acts like asking her to step aside is already a betrayal of the female led firm.  
“And I hope that it will be,” Liz says, basically hinting to Diane that there are women in the world besides her.  
“But black women?” Diane says, agitatedly. “Diane, I... am not voting against you. I promised you that I wouldn’t. But there is growing anger here. They want to address it at the next partners' meeting. So just think about it,” Liz responds.
I think Liz is totally fair and forthcoming in this scene and strikes pretty much the right tone for this initial conversation. She gives Diane a choice and is honest with her.  
“You’re a good person,” Liz adds. Diane does a double-take, understanding that Liz is actually telling her “You are a good person, so you know that you absolutely need to step aside.”  
“No, I’m not!” Diane responds. As I said: Diane already knows what she is going to do. She needs to do mental gymnastics to excuse her actions, but her mind was made up before the question was even raised. (She did warn Liz in 5x01 she was going to fight any attempt to push her out.)
“Yes, you are,” Liz says again. She may as well be saying, “No, don’t try this. Everyone will think you’re in the wrong if you push this.”
Later, at home, Diane is doing some stretches on the floor and groaning. I don’t know if this scene is meant to show her age, but it does remind me that Diane is nearly 70 and started off this show by planning to retire. Retirement doesn’t seem to be an option for her here. (That’s fine by me; she is a workaholic whose career is her life.)
Kurt asks Diane what she wants to do. She says she wants to keep her name on the letterhead and “keep what I fought for.” Heh, I was just re-reading something I wrote about Cary a while ago and I’d pointed out that when Alicia and Cary discuss merging with what’s left of LG, Cary is also concerned about his name on the letterhead because even though he wants to change the world, he also cares about having power. It’s almost like Diane and Cary are really similar characters! (They are! That’s why the Diane/Cary moment in Hitting the Fan is so good!)  
Diane calls her position as name partner a fight against “gender and then age discrimination.” She isn’t wrong, especially when you consider how meaningful it likely was when she and Stern went into business together. It’s very easy for me to forget that when Diane has such an attachment to fighting for white women’s rights, it’s not just because she’s out of touch and selfish: it’s because that was something she personally had to fight for. That doesn’t make it okay that she seems to forget the concept of intersectionality (which she’s definitely aware of) the second anything challenges her own power, but it does explain why a firm run by women is so important to her.
Diane is not wrong that she deserves name partnership and she’s not wrong to not want to step aside. Yet, starting a war to retain her position as name partner is a CHOICE. The best thing for Diane to do here (morally, I mean) would be for her to step aside and throw her resources behind the firm’s new leadership, using her experiences and stature to benefit the firm (this would also be a way for her to cement her legacy and mentor a new generation of leaders). The best compromise, I think, would be for someone to leave the current firm—either Diane or the dissenting partners, probably Diane since Liz seems to agree with Madeline—without any hard feelings. The worst possible choice is for Diane to insist that this firm is hers and force every single tension at the firm to come to a head, screwing over Liz in the process and potentially permanently ruining the firm’s status as a black firm. Sooo... yeah.  
(I say it could ruin the firm’s status as a black firm because if Diane’s a white partner who happens to be there and the firm is mostly black, that’s one thing. If Diane is a white partner who fought all of the black partners to assert her own dominance over their firm... that’s hard to come back from. She can’t really call herself an ally, can she?)  
“Diane, this is the first time I’ve ever heard you sound defeated,” Kurt says. “Because I can’t win this,” she says. She insists she can’t even after Kurt tries to cheer her on (of course he does, he probably thinks having an all black firm is just identity politics and therefore worthless).
“You just don’t want to,” Kurt says. He is not wrong. This is a winnable fight for Diane. Liz is smart but Diane has the experience, the clients, the power, and her own reputation to use in this fight. Liz has her dad’s name (and I don’t think it would come to this, but Diane knows how she can pretty easily destroy Liz’s dad’s reputation). (Liz is great, don’t get me wrong. Liz is also someone who happened into a name partnership because her dad was important.)  
“It’s bigger than that. To fight this would go against every fiber of my being,” Diane says. “Every fiber in your being is about winning,” Kurt counters. Oh, damn. That’s a succinct way of putting it. He is completely right. Diane would love to think that every fiber of her being is about her commitment to social justice and women’s rights. It is not. If that were the case, would she really be a lawyer with clients like ChumHum, Bishop, Sweeney, Rivi, and Wolfe-Colman? We all know the answer to this. We all know Diane likes social justice a lot but winning, wealth, and power far more.
When I first watched TGW, now nearly a decade ago, I was a high schooler and my media diet mostly consisted of Desperate Housewives and a bunch of procedurals like Bones and Castle. The thing that hooked me about TGW—more than Alicia’s journey, more than anything—was that TGW never had easy answers to anything. Will tells Diane in 1x07 that “nothing here is pure and nothing here is simple” and that basically blew my mind. TGW always made it obvious that Will was morally gray, which fascinated me. But I struggled with Diane. Here was this woman who looked like she should be someone so impressive and inspirational I could write a college admissions essay about her (I did not, but that was my frame of reference at the time)… but the decisions she made... never seemed all that great?? I couldn’t comprehend it.  
When Blue Ribbon Panel aired in March 2012, I wrote to a friend, “Diane confused me a little bit tonight. She didn’t approve of Alicia standing up to the panel, and yet, she’s supposed to care about people, the truth, morality, etc etc. I never understand Diane’s motivations– is her philosophy to help others whenever it wouldn’t hurt her, personally, to do so?”  
At that point, Diane compromising her values struck me as something confusing because I wanted to think of her as a powerful role model and icon, and I didn’t know what to do with someone who looked like and often was role model material who also sometimes betrayed her values for her own self-interest. I had my analysis of Diane down: she her motivations ARE to help others whenever it wouldn’t hurt her, personally, to do so. All I needed to do was remove my question mark from the end of that thought.  
I promise I’ll move on from quoting myself, but I also want to share a paragraph I wrote about Diane in March 2014 (during season five of Wife) because it says what I want to say now as well as anything I could write today:
Diane is driven and ambitious. Her initial actions can come as the result of intense emotions, but given enough time and space, Diane will always be strategic and pragmatic when it comes to business. She’s spent her entire life putting her career first, and she wouldn’t have it any other way. That she found love is just icing.  Kurt aside, the two most important things to Diane are advancing her own self-interest and doing good in the world. These objectives appear to be a contradiction, and often, they are. Nine times out of ten, when it comes down to it, she’ll choose herself. I mean no judgment here: another central aspect of Diane’s character is that she’s upfront about her choices and stands by them, and this sort of moral ambiguity makes for a great character.  
The reason I quote myself here is not to be like, ha ha, I was right. It's because I think this episode is even more powerful because I can copy/paste in stuff I wrote nine years ago or seven years ago (oh god, 2014 was seven years ago?) verbatim and it can hold up as analysis. Both Fight and Wife have always implied Diane’s selfish side and given more than enough evidence to make a convincing argument about it, but they’ve never really engaged with it directly (and if you ask the social media teams for either show, Diane is a #queen who can never do wrong). This episode interrogates something that’s always been an unpleasant part of Diane’s character, and I’m so fucking glad about it.  
(I don’t think anyone’s accusing Diane of not growing as a person but it crossed my mind that this could be seen as lack of growth. I don’t think it is. I wouldn’t expect Diane to change. Her life and career are so set that growth on this without a LOT of struggle on her part would feel like a cop out.)  
Another reason I quote myself is to highlight how friggin’ character driven this episode is. I’ve seen a lot of people saying this episode felt like old-school TGW—and it absolutely does; that’s also how I felt—and I think that’s because it’s so character focused and meaty.  
But back to this scene. Kurt tells Diane that if she doesn’t try to win she should just give up entirely. Seems like bad advice.  
“Kurt, I appreciate the pep talk, but I don’t think the way you think. I cannot put my interests above a whole group of people—black people—just so I can keep my position.” Sure you can, Diane. You just don’t like to believe that about yourself. You know how Diane says to Kurt earlier that she knows the NRA will offer him the job? That is how I feel about this scene. The writers go to great lengths to explain where Diane’s head is at when she decides to fight for her partnership, but they’d have needed to do ten times more to get me to believe Diane would step aside voluntarily.  
Kurt basically thinks that Diane should fight because if her competition is actually talented enough to deserve name partnership, they should fight her for it. He’s missing the point here.  
“But a black person’s talent has always been valued less than mine,” Diane counters. The fact she knows and understands this makes her decision even less forgivable.  
Kurt knows he’s going to lose this argument and tries the same strategy he did on 5x01: telling Diane she’s right and should just give up and leave the firm. Diane doesn’t like that answer either.  
Given how much I loathed Jay’s hallucinations, I was expecting that when Diane asks Kurt in the middle of the night if he believes the election was stolen and then sits down at her fireplace to have a chat with Ruth Bader Ginsburg, I’d loathe what happened next. I did not! I actually really liked it!  
I think this is more effective than Jay’s hallucinations, at least for me, because it's less gimmicky. It isn’t played for humor or quirk, and it gets to the character-driven point a LOT faster. This feels more similar to Alicia imagining Gloria Steinem is telling her she’s good enough to be on the Supreme Court in 6x03 than it does to Jay’s hallucinations.  
I LOVE that Diane would dream that RBG would advise her on her work dilemma. Dream!RBG tells Diane that “any law firm would be insane to let you go.” (I don’t wanna spend too much time fighting dream logic, but I feel like the operative phrase here is ‘let you go’. Are the RL partners seeing this as letting Diane go? Or are they just trying to get at a different goal and Diane is in the way, and they don’t really care if Diane has top connections or billable hours? It’s almost like the other RL partners want a firm that stands for something and all Diane has stood for thus far at the firm is profit...)  
Diane pushes back on RBG and RBG shares her “real” thoughts. This is where this sequence clicks into place for me, because it’s working on a LOT of levels. Obviously, Diane is going to imagine that her hero tells her to do exactly what she wants to do (the aforementioned mental gymnastics). But without losing the level on which this is dream!RBG and filtered through Diane’s POV, the writers are also... criticizing RBG for not stepping down herself!? It’s fascinating and pointed and makes her the exact right choice to play Diane’s conscience.  
Dream!RBG shares her life story and notes how she was always asked to step aside, but she didn’t and that’s how she got to be RBG. “Don’t step aside because someone wants you to. Don’t step aside for politics. Men are always asking women to step aside so a man can go first,” RBG advises Diane. Even Diane knows that this isn’t exactly equal to her current situation-- “Even though I’m being asked to step aside so that a black person can take my place?” she counters.  
So RBG asks if Diane can still do something “for women” if she says. Diane says yes, and RBG says Diane should do that instead of stepping aside—she should do whatever it takes. That’s the wrong takeaway, Diane! If you want to do something for women then a) you could do something for the black women at your firm lol or b) you could politely remove yourself from the firm, encourage your most profitable clients to stay on if they are wanted by the other partners or and/or c) you could choose to bring your talent and your stature to a non-profit. But, of course, these options aren’t on the table. There’s a reason the options are leave and lose everything or stay and fight for name partnership, and it’s that Diane cares about maintaining control of what she sees as hers and winning more than she cares about anything else, including or even especially her desire to help women.
And also what women is she even helping at RL? Herself? She’s certainly not helping Wolfe-Coleman's rape victim. The closest she’s recently come to helping women is when she told off Weinstein’s lawyer and tried to start #MeToo... in a DREAM.  
The score for the next sequence sounds so familiar and I can’t place it. At first, I thought it was Hitting the Fan, but I’m not sure if that’s the right reference (also, damn, the Hitting the Fan score is REALLY GOOD!). I think it might be similar to 5x14 when Alicia’s pacing back and forth in the hotel room.  
Anyway, Diane starts meeting with her (white, male) clients to tell them about how she’s stepping aside. She hasn’t run this past any of the other partners, of course. She’s doing exactly what they want, in the most malicious and calculated way possible.
One of her clients is a fracking client who wants to win over democrats by being a RL client.  
Diane is so sneaky here! No one said that if Diane steps aside as partner she can’t handle the day to day on her cases... yet that’s what Diane tells this client since she knows it’ll make him mad!  
Diane makes a point of showing her fracking client that his new representation will be Madeline. He doesn’t know anything about Madeline, and, as Diane was likely counting on, he isn’t confident in having a black woman he’s less “comfortable” with on his cases. I don’t know if Diane was going for the racial element here, but... if you’re really concerned about continuity, you don’t have this meeting without having Madeline ready to jump in and show she’s read up on the client. I’m sure it’s possible that Diane meant nothing in giving this client only Madeline’s name, title, gender, and race to go off of, but is that likely?  
She hands another (white, male) client off to Julius, whom she describes as a “very competent lawyer.” What an introduction. She says she’s not retiring and the firm “just wants to let some other people step forward into a name partner position.” Diane knows how to sell clients on changes they won’t like. She knows this isn’t how you do it.  
That phrase, “comfortable with you” is doing a lot of work, no? Both clients so far have said it, and while it might not be racially coded... it’s racially coded.  
“Who should we call about it?” the clients ask. Diane can barely keep herself from smiling.
They call David Lee, immediately. He takes the call in the middle of a meeting, while someone else is talking—he is David Lee, after all.
The information on the screen in David’s meeting is quite interesting. It’s about STRL’s plans for RL. Here’s how the firm is described: “RL is a high-end mid-sized Chicago law firm that can consolidate its specialized brand within the American POC community and expand its national and global brand with STR Laure.” Soooo... yeah. For the corporate overloards, RL needs it to be just black enough that it appears like a black firm, but they care more about appearances and branding than anything of substance. (Notice how it says “POC” and not black? Notice how there’s this mention of national and global presence that doesn’t seem to be on the RL partners’ mind?)  
There’s an area called room for growth, listing top clients—entertainment law, fracking, the DNC, and civil cases against CPD. Interestingly, two of these are Liz’s clients (entertainment and DNC), one is Adrian’s (civil cases against CPD), and only fracking is Diane’s... so maybe I didn’t give Liz enough credit earlier.  
There’s also a plan of action that includes partners working with STRL and the 15-20% layoffs we already know about. I don’t think this text is meant to include any new info, but I assume one of the writers had a hand in writing it and it’s a good way of confirming things that had been subtext.
Wackner’s reality show looks... well, like his court, because his court always looked like a reality show. Cutting together the most out-there moments (audience reaction cards, Wackner singing “Come on defense!”, Wackner renaming himself Judge Shmuley for a day) makes Wackner look pretty bad.
Hey Liz, I thought you figured out how to silence your notifications for Dawnk permanently. (It’s not all high-stakes controversy over on the “R&L General” channel—the anon animals are now discussing a broken coffee maker.) (Though even this discussion is a bit political! Anon Owl says they bet STR’s coffee machine works, and Anon Dolphin wants to know why they don’t have more coffee maters at RL.)  
There’s also a dance party—which Marissa participates in—in the footage of Wackner.  
Hey, wouldn’t Marissa have reported the cameras to Diane and Liz? I feel like she’d know they’d want to know.  
Wackner ends up on the stand to offer context for the strange-looking clips. In a smart move, Liz offers to just let Judge Farley ask questions—she knows that’s what Farley is really after.
Unsurprisingly, Wackner’s context makes his outrageous practices seem much more reasonable. There’s a scoreboard to keep lawyers aware of where they’re standing so they can gauge instead of guess at Wackner’s thought process. Shmuley is to honor a recently deceased relative. The costumes are to prevent bias and cut down entitlement.  
Plaintiff’s counsel argues that Wackner is biased and the case continues even though Wackner’s (mostly) won over Farley.  
The case next turns to something about copyright law that sounds downright silly—the point is to underline that Wackner’s court makes more sense than real court on some things. It makes more common sense and it’s less racist.  
Del gets called into court. It’s interesting how these scenes are blocked together rather than spread out. The same is true of Diane’s scenes—after credits, we have Diane and Liz at the bar, Diane at home, Diane talking to RBG, Diane making moves, and then David Lee becoming aware of the situation. Then we have several consecutive court scenes (all of which feel like they have natural break points) of Wackner stuff. If I had to guess, I would guess that it’s to keep the momentum going. The Diane stuff plays better when it feels like a continuous chain rather than a subplot.  
(The only thing that suffers is that I have no idea why there’s a court scene about copyright law right after the plaintiff argues they have evidence about Wackner’s bias? I probably wouldn’t have even noticed if the scenes had been spread out more.)  
Now Cord’s involvement with Wackner’s court becomes an issue. It’s funny they need a witness to bring up Cord when Cord is SITTING IN THE COURT ROOM.  
Apparently Cord is financing a company that would compete with the plaintiff’s company and this means Wackner is biased. As the next scene will explain, Cord wasn’t even aware of his investment in the rival company, and Wackner certainly wasn’t. But, regardless, it’s going to be challenging to prove that neither Wackner nor Cord knew about the investment, and the opposition is going to go after Cord’s financial records, which no one wants. Liz suggests a continuance, which would give Wackner about a year to keep working on his court before they have to come back to this issue.  
Wackner HATES the idea of delays and is all, THIS IS WHY I HAVE MY OWN COURT and again, he isn’t wrong.  
David Lee needs to see Liz, now. Liz and Diane meet in David Lee’s office and stare at their phones. Diane says she has no idea what the meeting is about, even though she basically set up the meeting herself.  
“What the fuck is going on?” David Lee says. Diane feigns surprise and asks for more specifics. David Lee reveals that four top clients have called with issues about their representation shifting.  
Liz knows what’s going on and aggressively says, “Diane, thoughts?” “Nothing from me. I met with my clients. I just told them of a restructuring that I was being told about,” Diane says like it’s no big deal. Liz and Diane both know that Diane forced this meeting.
“Is this a power play on your part?” Liz asks Diane. “No, it’s just updating my clients,” Diane says for David Lee’s benefit or commitment to the bit or something. It is definitely a power play, and a nearly unforgivable one done to an ally.  
“David, Diane was told about frustration at the partner level about a white woman being a name partner in a black firm. And apparently, this is her response,” Liz explains. “I just told our clients what was going on,” Diane defends. David Lee doesn’t really care about what happened: he cares about one thing, and that thing is money.  
“Diane’s a fucking name partner until STR Laurie says she’s not. No one decides until I decide. Now stick your race war back in its bottle,” David Lee says. I mean, basically, yeah, that’s what happens when you merge with a huge firm that only cares about profit.  
I like that this ends up coming back to STRL. You can’t really have a conversation about RL’s identity without also acknowledging that RL is not independently owned. Sure, STRL will care at some point if RL loses its clout with the black community—but like most companies, they care about guaranteed loss of profit and the short term more than long-term what-ifs. It may sound cynical, but if Madeline and all of the other partners quit, STRL would simply put all their effort into keeping Liz or even just the Reddick name and would then hire black lawyers who think more like Julius than Madeline to keep the reputation. STRL does not give a shit about helping anyone, and that’s what Diane counts on.  
I do not believe the version of RL that Madeline wants can exist when they’re under STRL’s control. I believe the version Diane wants (not really a black firm) can, and I believe the version Liz seems to want (one that’s mostly black and occasionally social justice focused) can, but this issue won’t go away until STRL does.  
Sure, Diane, keep telling yourself you’re fighting the good fight out here.  
(Perhaps “The Good Fight” is a more ironic and fraught title than it originally seemed.)  
“That was a mistake. I am on your side, and you don’t even realize it,” Liz tells Diane afterwards. Interesting that Liz says “I am” and not “I was.” I would love to know what Liz really thinks about this situation and hope we get more from her POV next week. I think Liz wants to run a black firm, but I also think she wants to run a successful firm and likes working with Diane. Liz is on Diane’s side about as much as she can be while still advocating for Diane to step down.  
Pissing off Liz is a very interesting move for Diane here, too. Diane wants to fight the one person who is on her side for control of a firm that doesn’t want her there, and she’s convinced herself this is the smart move! Kind of wild. What does Diane think the day to day will look like? I think I said this above, but in forcing this war, Diane is all but guaranteeing that if she wins, RL will only be a black firm in that STRL will say it’s one to make more money.
Julius and Diane chat next. Julius says he wants to start his own firm—with Diane. Her only reaction is laughter, but, like, this is probably happening. I’m not sure why she laughs. It’s not quite a case of unfortunate timing (Diane could’ve done this before she blew things up, and it’s not quite too late for Diane to commit to leaving and smooth things over with Liz), so maybe it’s just a “well, this sounds familiar!” laugh.  
(If you think of Previously On as 5x00 instead of 5x01, that would make this episode 5x05, which would make this a Hitting the Fan callback. I can also do mental gymnastics!)  
The episode could end there, but it doesn’t. We’ve still got a Wackner plot to resolve. Cord has some people beat up the plaintiff as a way of enforcing Wackner’s verdict and getting the real court case to go away. Marissa picks up on what’s happened faster than Wackner does, unless Wackner just doesn’t care.  
It’s subtle, but throughout this episode, there’s a little bit of a trend towards Marissa becoming more skeptical of Wackner. She tries to keep him under control in court, tries to reason with him about the continuance, and in this scene, she just looks entirely displeased and alarmed every time she’s on camera.  
We get another scene with RBG. “It’s different for me than it was for you,” Diane says. She notes that unlike RBG, she herself is up against another “dominated culture.” This other dominated culture is “black lawyers.” (I’m sorry, I just find the way she says “black lawyers” funny, partially because she says “lawyers” instead of people and partially because Diane seems insistent on only occasionally remembering that Liz is both black and female.)  
I can’t tell if this scene was originally intended to close the episode or not. The blocks of scenes, the way the episode seems like it should’ve ended with Julius’s laugh but instead has three more scenes (guy getting beat up, Wackner’s court, this one), and the fact the Kings said this episode had to be almost totally rethought because both Christine and Audra had concerns about the original script all suggest to me that maybe some of the scenes in this episode got shuffled around to keep momentum and hit the right notes at the right time.  
Diane acknowledges that RBG could’ve stepped down and we wouldn’t have a conservative majority on the court now if she had. RBG insists that she wouldn’t have stepped aside even if Obama had guaranteed that her replacement would be black. She says it’s because she only knows what she can do—not what others would do. And “what you know is always better than what might happen.”  
Even if this was originally supposed to happen earlier (Diane saying she doesn’t know what to do makes me feel like it way), I like that we get to see it’s still weighing on Diane after the fact.  
(Also, I have seen some comments about, for lack of a better phrase, the girl power energy of these Diane and RBG scenes. No! These scenes aren’t a tribute to RBG! She’s in these scenes because she didn’t step down and can thus help Diane excuse her own actions! These scenes aren’t exactly anti-RBG, but they are certainly critical of some of her choices!)  
The topic shifts to Diane and Kurt’s relationship (another reason to put this somewhere other than the main part of the episode; this would slow down the momentum of the middle part of the episode) and its similarity to RBG’s friendship with Scalia.  
Tbh, I don’t think a friendship and a marriage are all that similar on this front and I’d be curious to see Diane think about RBG/Scalia in the context of her potential partnership with Julius rather than her marriage.
RBG basically tells Diane to stay with Kurt. Diane thanks her, and then, back in reality, tells Kurt to take the NRA job so he’ll be happy—and then she’ll just sue him. Okay, that feels like an episode ending, so I am REALLY curious about all the re-writing and re-structuring that happened in this episode and what did/didn’t get touched. I can’t make up my mind about what feels out of place.
So we start out with Diane feeling like it might be the right thing to explore whether or not it still makes sense for her to be with Kurt, a suspected insurrectionist and future NRA employee, and Diane feeling like she wants to help her friends and partners at her mostly black firm do good in the world. And we end with Diane doubling down on her relationship with Kurt, giving her blessing for the NRA job, and fucking over her colleagues because she wants to keep her own power. Dark! I love it.  
This episode does this all without making Diane entirely unsympathetic, which is astounding. While I think Diane knowingly makes choices that further her self-interest over the values she (claims to?) hold and I am definitely NOT Team Diane on her decisions in this episode, this episode could easily have been less interesting and complex. It’s understandable that Diane would not want to step aside from a firm she’s helped build—who would? It’s understandable that Diane might not feel the passion for a black firm the way she does for a female firm. It’s understandable that Diane might not want to blow up her marriage, despite her political differences from Kurt. This episode allows Diane to be just sympathetic enough she never becomes a flat villain, but never sympathetic enough that someone could mistake this episode for one that shows Diane as a morally pure hero. Personally, I love that in a TV show. That’s the exact kind of writing that made me love Alicia Florrick enough that I still spend a considerable amount of time thinking about her character arc even though TGW ended half a decade ago. It’s what’s been missing from a lot of TGF episodes for me, and why I’ve said that TGF seems like a show more about theme than character. It’s why I’ve written—oh god, TEN THOUSAND words—about this episode.  
I have no clue what’s going to happen next, but I hope it includes more character-driven drama (ideally with a lot of good material for Liz) and not a lot of firm-jumping shenanigans.  
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kidmetsu-no-yaiba · 3 years
Text
What They Do When You’re Having A ‘Split’ And Become Angry  
This includes: Tsukishima, Kuroo, Bokuto, Kita, Suga, Ennoshita, Ushijima
This is just how I perceive them as what they would do for a best friend/romantic partner that experiences BPD anger in a similar way as I do. Also I'm off my stabilizers haha..ha.
Also none of these are meant to be mean about the characters I literally chose my faves for this.
Uh TW for bpd I guess?
Gender Neutral reader bay bee
Tsukishima (Not the trigger):
Doesn’t even recognize it at first, thinks its just a normal bad day from work
After, like, 30 minutes of you just sitting there and glaring at your phone without talking or even changing your expression he starts to get a clue.
Goes about his normal chores that upset you, but he plays your “Calming” playlist out loud on his phone just loud enough for you to hear
If he’s exhausted every chore and you still haven’t talked, he purposefully looks for funny or interesting news articles about stuff you like and reads the headlines out to you to get you to look at him or talk
Once you start at least looking at him, hopefully talking too, begins trying to coax out what triggered you
Ignores if you make any outright mean or just passive aggressive comments towards him instead of answering but will get aggressive in return
If he manages to get What Happened out of you he immediately calls you an idiot. Regardless of what it is. Is a mean comforter.
“Getting mad over your best friend talking on the phone too long while you’re hanging out isn’t an excuse to be mean”
“You’re stupid if you think it’s your fault that your friends aren’t paying attention to you, not everything is about you.”
It hurts but, it works even if sometimes it feels like he’s going a Bit Too Far
Will watch comforting videos or shows with you if it calms you down but that's about it. Very big on “You’re an adult and I’m not your psychiatrist, figure it out yourself.”
Kuroo (Is the trigger):
Instantly recognizes the Shut Down while teasing you, when you stop responding, your face is blank except for your down turned eyes.
‘Oh I’ve Fucked Up™’ is his immediate thought
“Y/N you know I didn’t mean that right? We were just playing, I’m sorry!” “Don’t you have a proposal to finish.”
Immediate shoulder drop. Is also upset now but decides to wait a little bit before trying to calm you.
After 30min or so of you hiding under your blanket he decides it’s time to try and pull you out of your head.
Cooks your most aromatic favorite food so the smell wafts into your room
Blasts your comfort playlist on a speaker and loudly sings along to it
When you still don’t come out when the food is done, sits outside the door saying “oh FUCK this shit is BUSSIN’” comically loud, overexaggerates your favorite things about it outloud.
When you eventually give in, just to get some food, he corners you with his body
“What about what I said upset you?” As a genuine question, not a mean one
After you explain, he lets you eat and offers a sincere apology when you finish
Offers to draw a bath with your favorite scent if it’ll help you. It does.
Bokuto (Is the trigger):
You came home and Bokuto had the tv up high while watching tiktoks and listening to music. After a moment the tea kettle went off. Before turning it off he realized you had walked in and bounded over to you. There were Too Many Noises.
He tried to talk over the noise but realized your eyes were boring into his and you had The Look
Also a ‘Oh I’ve Fucked Up™’
Rushes to take the kettle off the heat and turn off his phone before checking on you only to see you’ve already gone in and shut the bedroom door. You didn’t even take your shoes off..
Big pouty, sulky fool. Mopes around for a bit after turning off all the noise in the house.
Eventually looks for other things that upset you and finds that the house is, kind of a mess actually. Decides to clean as quietly as possible.
Does all of your least favorite chores first incase you re-emerge from the bedroom too soon
When everything seems to be done he opens your door and finds you tucked into bed and scrolling on your phone, very quiet music playing from it.
It was only 5pm but he took off his street clothes and climbed into bed as well. 
Absolutely gets up behind you and grabs you around your waist and snuggles in without saying anything even though he wants to
When you finally feel comfortable you look over your shoulder to see Bokutos already fallen asleep. Idiot. 
You order takeout for when he wakes up because, even though he tried his hardest to be quiet, you could hear him washing the dishes and didn’t want to ruin the work he did for you
Kita (Not the trigger):
Very straightforward the second he realizes you are Not Good
"Y/N if you tell me what's wrong it'll end quicker" 
When you don't even look at him he still continues talking "We both know you hate when you're like this. It'll make you feel better if you just talk to me even if you don't want to."
Is fairly stern when talking to you at the beginning. Not mean but just very much like 'this is going to get done whether or not you cooperate.'
If you don't cooperate then he begins to ignore you until you snap and eventually scream and air out everything that's wrong and what triggered you. 
Goes through everything you said with you and gives you an objective perspective although it basically boils down to "I know you can't help it but your ego is hurting you. Not Everything Is About You."
Once your conversation on that is over he asks if you want him to watch tiktok or listen to music or something with you
 Suga (Is the trigger):
He hadn’t meant to ignore you all day. He’d woken up before you and been so busy at work all day he didn’t get a chance to text. It was the club he advised’s meeting day and it was dragging on longer than usual, he hadn’t texted anyone all day to be fair
When he finally comes home he’s confused as to why you’re tucked in on the couch
“Hey Y/N you tired? Sorry I didn’t get a chance to talk today there was a lot of bureaucratic shit going on and then the club president decided we were all going to stay until the end of the activity. Kids am I right?” He laughs and smiles towards you but you continue to ignore him
After some physical encouragement, poking and whatnot, it dawned on him that you are Probably Going Through It
Jesus Christ
Immediately decides he is not having it and moves your legs off the couch so he can sit next you
“Y/N I looovvveeee youuuuu~~~” He says as he pulls you to him by the shoulders “I love you I love you I love youuu” 
Just babbles honestly, goes on and on about how he didn’t mean to ignore you and how he was honestly busy but he’s here now
And like yeah, he is here now so eventually you level out and let yourself be coddled for a bit longer
Makes pinky promises that he promises to text you when he’s busy or going to be running late
Also runs you a nice bath just in case
Ennoshita (Not the trigger):
Knows what's going on because he’s been watching you stare at the tv for about 20 minutes but, the tv is off. 
Is objective with his words like Kita but with more emotional appeal
“Y/N I know you’re in the middle of something but when you’re ready, I’ll be ready to listen to you,”
If, after a while, you don’t make any effort to talk to him he tries to point you in a better direction than staring at walls and moping around
“You don’t have to talk to me but I found a tiktok I think you’d enjoy” or “You know you haven’t tried that new nail polish you bought a bit ago” 
Is okay with just letting you figure it out on your own so you can apply the stuff you’ve worked on with your psychiatrist but will feel a little guilty if he doesn’t say anything at all
Will do anything that you need to get done but aren’t because of your episode like dishes or tidying your room
Ushijima (Not the trigger):
First of all, calls your episodes “tantrums”
Literally has no clue when you’re in an episode unless you tell him, he is not very bright
If you do tell him that you’re having issues he defaults to trying to use physical affection against whatever it is that you’re feeling
May or may not make you angrier by doing that
Although he wasn’t the original trigger, him being so dense might override it tbh
Like you love him but oh my god oh my god oh my god how have you survived this long 
Eventually decides “I do not know how to deal with this” and just leaves. He goes to the store and gets the shopping done for the next 2 weeks and gets some cool looking snacks. 
Thinks ‘well I’m already out, I might as well get the car washed’ after, turns into ‘Oh Y/N needed to get their new prescription too..’ ‘I think I remember a discussion about their package getting stuck at the post office..’
Literally accidentally does every single errand that needed to be done for the next month because he didn’t want to go home and upset you more
When he finally comes back home with 50lbs worth of shit from errands you’re like ????? because how did he know that you were stressed about all the house stuff that needed to be done????? 
It’s not an instant mood changer but you definitely go from seemingly uncontrollable rage to ‘Okay I was being a bit much’ but as you watch him prep veggies before storing them away the way you usually do it, you level out
He is unaware you’ve levelled out so he tries to remember the coping skills you said you talked about with your psychiatrist and you are deeply confused when he asks you to open your palm and places an ice cube in it
When you realize what’s going on you laugh and tell him you’re okay and apologize for how you were being earlier and explain what triggered you
He gives you the cool looking snacks
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planetary-pluto · 3 years
Text
spanish or vanish (tiktok made me do it)
hello. it’s me. mickey. the following story was created by me in 9th grade and is now being posted because I made the reckless proclamation “if this video gets 200 likes I’ll post the serious, gritty detective story I wrote about the duolingo owl in 9th grade
i would to clearly state that this story was written IRONICALLY. even at 14 i had some braincells.
CWs: implied crime syndicate, cops, gun violence, kidnpping, blood, general violence and the motherfucking duolingo owl. it does not end well.
this is your last chance to not keep reading. i am sorry. 
SPANISH OR VANISH
“New one, Sands.” Lieutenant James set a beefy file on Theo’s desk. “Yessir.” A coy smile rested on his face as the young detective looked up from his third cup of coffee. The lieutenant raised an eyebrow.  “Three missing. No connection. Better work fast before homicide calls dibs.”  “Yessir.” Theo grinned. “Oh and Sands?”  “Yeah?” “Get some sleep tonight. That’s an order.” 
There was no ‘yessir’ to this one. Theo only huffed and waved his boss off, flipping through the folder with routine precision. 3 vics, no relation. Olivia Shirley, Jason Abbertson, Bethany Brooks. A professional dancer with the royal ballet, an independent film writer, and a high profile CEO. No relatives in common and, at first glance, no one who’d know all three of them. The precinct door clicked shut at the Lieutenant made his exit with a quiet “Get some sleep Sands!” 
A couple minutes later, the gurgling of the coffee pot rung out the beginning of another all-nighter. 
TWO WEEKS LATER
It was a long shot. The vics only had one thing in common, an app on their phones. Duolingo, a popular program used to help one learn languages. All of them had been months off lessons but kept the app on their phone Theo’d known people who used it to help squeeze out a pass in high school french.
Only now did he realize how long it’d been since he spoke to them. 
It should’ve been a walk in the park. A quick recon of an abandoned warehouse, with backup on standby. Theo was smart, and a good shot. No one was meant to be there, worst case scenario there as a chase. 
That was not the worst case scenario. 
He didn’t plan for his phone to ring, no one called him. He didn’t plan on the warehouse being a base of operations, one of two people at most. And, if Theodore Sands knew one thing, it was that he sure as hell didn’t plan on getting shot. 
“Detective Sands?! Where the HELL are you?!-” “Lieutenant James I-” Theo’s scolding was cut short when a bang went off and pain erupted through his side. He instinctively pushed his hand to the place, only to draw it back when warm blood coated his fingers. “Fuck fuck fuck- no-” He staggered, drawing his own gun. “Who’s- who’s the-” What was meant to be a threat came out as a gurgled cough. It hurt too much to speak. 
He dropped to a knee. There were footsteps, heavy boots on metal pushing their way towards him. Then there was a sweet cloth over his face. Theo kicked and pushed against his attacker, floundering to bring his gun around to them, but his strength was leaving with his blood. 
“En Espanol.” A gruff voice hissed in Theo’s ear. What? That doesn’t make- Shut up Sands just get out of here-
A knee hit his ribs and, with a pained squeak, his world slipped away.
-
Detective Theodore Sands awoke in a dark room. He was sat against cold metal, ropes digging into his wrists and ankles. A quick jerk told him the knots were good.  Did I just get fucking kidnapped? I think I’ve just been fucking-
With that, metal door slid open. It was too dark to make out anything other than a large figure... avian? No, that made no sense. It was just the blood loss. The figure was holding holding... something. Something also large. 
“Who the hell-” Theo’s question went silent as whatever the thing was struck his shoulder. 
“Try it again.” The visitor leaned in, and Theo could clearly make it out. Whoever it was wore a large mask of the bird from the app cover. Wait- was that a mask? Is a mask meant to extend... everywhere? No. No that’s not how things work. Focus Theo, you’re just low on blood is all. But those eyes looked so real-
“Try it again.” The owl repeated, dragging its weapon down the side of Theo’s face. “This time in Spanish.”
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