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#social media efforts in 2023
blog-business · 6 months
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https://businessezee.com/busting-outdated-social-media-myths-maximizing-your-business-potential-in-2023/
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In today’s fast-paced digital landscape, social media has become an indispensable tool for businesses looking to connect with their audience, build brand awareness, and drive growth. However, amidst the ever-evolving nature of social media, several myths and misconceptions have persisted, potentially hindering businesses from fully leveraging the power of these platforms. As we step into 2023, it’s crucial for businesses to debunk these outdated myths and embrace the true potential of social media for their growth and success.
 
 
Myth 1: Social Media Is Only For B2C Businesses
One prevalent myth is that social media is primarily beneficial for business-to-consumer (B2C) companies, while business-to-business (B2B) enterprises may not find it as valuable. In reality, social media platforms offer immense opportunities for B2B businesses to engage with their target audience, establish thought leadership, and nurture professional relationships. With the right content strategy and a focus on industry-specific platforms like LinkedIn, B2B companies can effectively showcase their expertise and connect with potential clients and partners.
 
 
Myth 2: More Followers Equal More Success
Another common misconception is the belief that success on social media is solely determined by the number of followers a business has. While a large following can certainly be beneficial, the quality of engagement and the ability to convert followers into customers or advocates are far more critical. In 2023, businesses should prioritize building meaningful connections, fostering genuine interactions, and delivering valuable content that resonates with their audience, rather than fixating solely on follower count.
 
 
Myth 3: Social Media Is Free
While it’s true that creating an account on most social media platforms is free, the notion that social media marketing itself comes at no cost is a myth. In reality, effective social media marketing often requires investment in content creation, advertising, analytics tools, and the allocation of human resources. Businesses should recognize the need for a well-defined budget and strategic allocation of resources to maximize the impact of their social media efforts in 2023.
 
 
Myth 4: Posting Frequently Is The Key To Success
There’s a common belief that flooding social media with frequent posts is the key to staying top-of-mind with the audience. However, the focus should be on quality over quantity. In 2023, businesses should prioritize creating high-value content that aligns with their brand and resonates with their audience. This may include a mix of informative articles, engaging visuals, interactive polls, and behind-the-scenes glimpses, all tailored to provide genuine value and foster meaningful connections.
 
 
Myth 5: Social Media Is Only For Millennials
While social media initially gained popularity among younger demographics, the user base has significantly diversified over the years. In 2023, businesses must recognize that social media platforms cater to a wide range of age groups and demographics. By understanding their target audience and tailoring their content and engagement strategies accordingly, businesses can effectively reach and resonate with users across different age brackets.
 
 
Maximizing Your Business Potential In 2023
As we navigate the dynamic landscape of social media in 2023, it’s essential for businesses to embrace a strategic and informed approach to maximize their potential on these platforms. By debunking outdated myths and embracing the true power of social media, businesses can unlock a myriad of opportunities to connect with their audience, drive brand growth, and achieve their business objectives.
To achieve success on social media in 2023, businesses should consider the following strategies:
 
1. Data-Driven Decision Making:
Leverage analytics tools to gain insights into audience behavior, content performance, and campaign effectiveness. By harnessing data, businesses can refine their strategies and make informed decisions to optimize their social media efforts.
 
2. Authentic Engagement:
Foster genuine interactions with the audience by responding to comments, initiating conversations, and actively listening to feedback. Authentic engagement builds trust and loyalty, ultimately driving business growth.
 
3. Visual Storytelling:
Accept the power of visual content, including as films, infographics, and striking imagery, to tell brand stories and messages in an engaging way. Visual storytelling has the power to captivate audiences and elicit strong emotional responses.
 
4. Influencer Partnerships:
Collaborate with influencers and industry experts to expand reach, build credibility, and tap into new audience segments. Authentic influencer partnerships can amplify brand visibility and foster meaningful connections with potential customers.
 
5. Paid Advertising:
To reach specific audience segments, market products or services, and drive conversions, use targeted paid advertising. Businesses can maximize the impact of their advertising spend and get demonstrable outcomes by using precise targeting choices.
In conclusion, as businesses venture into 2023, it’s imperative to dispel outdated social media myths and embrace the true potential of these platforms. By adopting a strategic, data-driven, and audience-centric approach, businesses can harness the power of social media to drive growth, foster meaningful connections, and maximize their business potential in the digital age.
In the next blog we will explore – Maximizing Profits: Unveiling the Power of Small Operational Adjustments in Your Business
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sportblogsblog · 6 months
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https://businessezee.com/busting-outdated-social-media-myths-maximizing-your-business-potential-in-2023/
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palipunk · 6 months
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Armenians have lived in Jerusalem for 1,600 years and Armenian Palestinians are the oldest group in the Armenian diaspora. From their indigenous land in Artsakh to the Armenian Quarter in Jerusalem, Armenians have been facing ethnic cleansing and persecution on multiple fronts. With the escalating genocidal violence in Gaza and the West Bank, armed settler encroachment into Armenian holdings in Jerusalem has fallen under the radar of some pro-Palestine activism and it is critical we do not allow this to happen.
Some context:
( In 1948, Armenians in Jerusalem numbered about 16,000. Today, that number has shrunk; estimates range from 700-1000, with a smaller community in Bethlehem. )
“We are not the objectives of the Israelis, but we occupy a huge chunk of Jerusalem. The fact that we’re here is an obstacle for them, but we’ve been here for 1,600 years and we’re not going anywhere.” "These are only the most visible of the challenges facing the community....Israeli discrimination, economic decline, and political insecurity have taken a toll on Armenians, encouraging emigration. A century after the community was nearly annihilated, Armenian Palestinians today say they feel deeply at home in the Holy Land, but fear how much longer they will be able to hold on."
“Don’t ask me about the massacres that happened 100 years ago [1915],” Annie Guluzian said when asked about her experiences as an Armenian Palestinian. “I won’t open [up about] those topics. Because if I do, I will start talking about my brother who was martyred by the Israelis in the [second] Intifada.” The toll of the Israeli occupation in Palestine is what defines her life today, Guluzian added. Source
Since October 26th, 2023, when the leader of the Armenian Patriarchate of Jerusalem announced it would cancel a once-secret 2021 land lease deal with a real estate company that has alleged links to settler interests, the company, Xana Gardens, has sent in armed settlers and bulldozers to steal the land (including Armenian Chruch property and several Armenian families). Armenians have been resisting the occupational forces day in and day out.
From November 5th:
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Link to tweet and video
November 5th:
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November 22nd:
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Link to tweet and thread
November 25th:
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Link to tweet and thread
In response, Armenians have created an account on Twitter called SaveTheArq which has been documenting and updating on social media the recent land demolitions by Israeli settlers in the Armenian quarter, they have also launched a fundraiser for legal actions to protect the Armenian quarter and I highly recommend donating, if you can't, please share it around:
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stuckinapril · 5 months
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23 things I learned in 2023:
Breaking promises to yourself is essentially telling yourself you’re not worthy of commitment or effort.
Listen to people when they tell you who they are.
People put their best foot forward when they first meet you. If they’re already being shitty, it’s likely only going downhill from here.
Self-care isn’t always indulging instant gratification and not doing hard things. I was actually at my most fulfilled when I did hard things DESPITE not feeling like it.
If you’re clinging to other people for fulfillment or validation, you probably don’t like yourself very much.
It’s never the end of the world like we think it is.
If someone wants to walk out of your life, let them. Never be in the business of changing people, even when it comes to changing how they think about you.
Brutally honest communication is everything, but that can also coincide with tactful kindness. Neither is mutually exclusive.
Having a routine makes a massive difference.
Comparison is pointless. No one else has been dealt the same cards you’ve been dealt.
Envy is a waste of time. Instead of being envious of other people, view them as proof of concept.
Self-accountability is important. We are fallible and it’s okay to make mistakes; we just need to own up to them.
Every failure is an opportunity for growth.
Every severed friendship, failed opportunity, lost connection etc etc leaves space for better things to replace it.
We are not tethered to people’s image of us. We are free to change ourselves whenever we please.
It’s not other people’s way, but it’s my way—and that’s all that matters.
Someone denying you love does not erase you.
Piggybacking off the last point—someone not acknowledging the virtues you have doesn’t mean that you don’t have those virtues.
All that really matters are the opinions of the handful of people who truly love you, as well as your opinion of yourself.
Waiting at least 15 minutes before reacting to something. Never trust yourself during the moments when something just hits (learned this the hard way).
Situations are complex and almost never a one size fits all. Asking for advice is okay, but take it with a grain of salt/ultimately follow your own judgment.
Social media isn’t the devil, but scrolling endlessly is. Make an intentional effort to supplant screen time with books and hobbies and friends and tangible, real life things.
We all die one day. None of this is that deep and none of this really matters. Stop taking things so seriously and just enjoy the process 🤍
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empty-movement · 5 months
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Welcome to Something Eternal: A Website Forum in 2023 wtf lmao
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It's 2023, and a single belligerent rich guy destroyed one of the primary focal points of uh...global communication. Tumblr is, shockingly, kinda thriving despite the abuse it gets from its owners, but that I will call the iconic refusal of Tumblr users to let Tumblr get in the way of their using Tumblr. Reddit killed its API, removing the functionality of mobile apps that made it remotely readable (rip rif.) Discord, our current primary hangout, has made countless strange choices lately that indicate it has reached the summit of its usability and functionality, and can only decline from here as changes get made to prepare for shareholders. (NOTE: WROTE THIS POST BEFORE THEIR MOBILE "REDESIGN" LMAO)
The enshittification is intense, and it's coming from every direction. Social media platforms that felt like permanent institutions are instead slowly going to let fall fallow incredible amounts of history, works of art, thought, and fandoms. It kinda sucks!
A couple years ago, I posted about a new plan with a new domain, to focus on the archiving of media content, as I saw that to be the fatal weakness of the current ways the internet and fandoms work. Much has happened since to convince me to alter the direction of those efforts, though not abandon them entirely.
Long story short? We are launching a fucking website forum. In 2023.
If you remember In the Rose Garden, much about Something Eternal will be familiar. But this has been a year in the making, and in many ways it's far more ambitious than IRG was. We have put money on this. The forum is running on the same software major IT and technology businesses use, because I don't want the software to age out of usability within five years. It has an attached gallery system for me to post content to, including the Chiho Saito art collection. It has a profile post system that everyone already on the forum has decided is kinda like mini Twitter? But it is, fundamentally, a website forum, owned and run and moderated by us. We are not web devs. But we have run a website on pure spite and headbutting code for over twenty years, and we have over a decade of experience maintaining social spaces online, both on the OG forum, and on our Discord. Better skilled people with far more time than we have can and will build incredible alternatives to what is collapsing around us. But they're not in the room right now. We are. And you know what? Maybe it's time to return to a clunkier, slower moving, more conversation focused platform.
You're not joining a social media platform with the full polish of dozens of devs and automated moderation. Things might break, and I might need time to fix them. The emojis and such are still a work in progress. Because e-mails no longer route in reasonable normal ways, the sign-up process instead happens within the software, and has to be approved by mods. Design and structure elements may change. Etc. The point being, that the forum isn't finished, but it is at a place where I feel like I can present it to people, and it's people I need to help direct what functions and things will be in this space. You all will shape its norms, its traditions, its options...choices I could try to make now, but really...they're for us to create as a group! But the important stuff? That's there. Now let's drive this baby off the damn lot already!
Come! Join us!!
PS. As always, TERFs and Nazis need not apply.
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norris55s · 8 months
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finish line - max verstappen
red bull engineer reader x max verstappen social media au
a/n: this was requested (if anyone else has requests lmk!!) and i couldn’t help but test the max verstappen rizz. while searching for inspiration on pinterest i found the face claim, sarah fasey, a true part of the red bull team (but in social media) 💙
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redbullracing
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redbullracing: Introducing Max’s new race engineer, Y/N L/N. She is a Cambridge University graduate, a prodigy, long-time Red Bull Motorsports collaborator and a big fan of coffee. She will be joining Max’s team radios from the 2023 season onwards, and we are looking forward to the great things we will achieve together as a team!
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y/nusername
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y/nusername: Y/N just started a new position as Race Engineer at Red Bull Racing. Congratule her on LinkedIn.
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maxverstappenteam
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maxverstappenteam: It hasn’t even been five races and Max and Y/N are already the best duo to ever come of Formula 1.
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maxverstappen1
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maxverstappen1: Wonderful effort from all the team to take us to this win! 💪🏼🏆 Let’s keep pushing. Special thank you to y/nusername, for all the right calls today! We are so lucky to have you this season.
y/nusername: Anytime, champ.
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y/nusername
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y/nuserame: So far, we are winning.
maxverstappen1: We should probably stay winning.
y/nusername: You just listen to me and we got it, champ.
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formula1world
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formula1world: We want something like what Max and Y/N have. Best engineer/driver pairing ever.
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thepaddockgossip
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thepaddockgossip: Voices at the paddock say Max Verstappen and his race engineer, Y/N L/N, have been getting closer. If their team radios are any indication, the banter flirting could be more than just a joke. All we have to say is… when have you heard Max apologize for yelling? What do you think?
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y/nusername
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y/nusername: Still winning.
maxverstappen1: Was the child picture necessary?
y/nusername: Of course it is, champ.
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f1
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f1: Name a more iconic first date, I’ll wait. 🎊🏆❤️‍🔥
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y/nusername
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y/nusername: Came here to win, left with that plus a date with the champ.
maxverstappen1: Is coffee too cliché?
y/nusername: I’ve always liked coffee.
maxverstappen1: How does coffee with the champ in Paris sound?
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enigma2meagain · 2 years
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🚨🚨 URGENT! Congress trying to pass anti-LGBT bill under the guise of “child safety”!
UPDATE 09/05/2023:
Well well well, if it isn’t the consequences of her bigotry
So Marsha Blackburn, in her infinite wisdom, decided to admit in an interview with the bigoted Family Policy Alliance that the Kids Online Safety Act is a GIANT anti-transgender bill (or at the least, it’s so poorly written that it makes targeting transgender people easier). Naturally, after this blunder, she and Blumenthal are trying to do damage control. But WE have the videos, and people’s responses to this open confession in the links below:
Alejandro Caraballo’s Tweet with the Video.
Erin Reed’s followup article
Attempts at damage control commented on by Ari Drennen
PinkNews’ article about it.
Beacon Broadside Article
Mashable Article
So with all that in mind, please make way to the Bad Internet Bills website to tell your Senators that you STRONGLY advise them to drop their support/refuse to support this awful bill in light of this, or that their re-election chances will drop considerably.
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UPDATE 02/14/2023: Richard Blumenthal is a lying snake who’s trying to get both KOSA and EARN IT Act back into law.
He persistently continues to ignore all of the backlash against these bills, the criticisms and highlighting the serious flaws of the bill by numerous human rights and LGBTQ organizations, and it’s telling that there seems to be no one who opposed the bill at the hearings today.
Fortunately, there are those are speaking up against it, such as Evan Greer from Fight For The Future.
Keep your eyes and ears open. We will be hearing more about these bills as time goes on.
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UPDATE 01/30/2023: Well, Chuck Schumer has chosen to backstab human rights and pro- LGBTQ communities, as well as the internet by trying to fast-track KOSA. The time table is as follows:
REINTRODUCTION OF THE BILL IN FEBRUARY
HOLDING MARKUPS IN MARCH
And holding a floor vote in JUNE
https://twitter.com/evan_greer/status/1620088145554579456
KEEP IN MIND, this was the man who blocked legitimately good anti-Big Tech bills like AICOA on the pretense they would be “too much”, but was perfectly fine with the travesty of KOSA.
This man is in Big Tech’s pockets, because only they can afford to pay the fines that such a restrictive pro-censorship bill would enforce. The only people this bill helps are the exact people it claims to stop, while LGBTQ people have to pay the price for the greed of the corrupt congressmen and women.
All of the relevant links are still below, but I will be updated this as we go.
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UPDATE 01/17/2023: Nothing has happened yet, but there have been rumblings of our “favorite” Senator Blumenthal talking about trying to push KOSA in again. I’ll mostly be keeping an eye on things for now, and you guys should too on Twitter, Facebook, and other social media and news outlets.
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UPDATE 12/20/2022: KOSA BILL HAS NOT BEEN INCLUDED IN THE FINAL OMNIBUS BILL! WE DID IT!
https://twitter.com/evan_greer/status/1605261800479547392
That being said, this is very much a reprieve, since Blumenthal and Blackburn, and their cohorts have made it clear they intend to get this bill back into Congress next year. But WE DID IT. We managed to get this bill stopped from being added in the omnibus bill.
I want to thank all of you who helped to reblog this post, signed the various petitions and the open letter, and especially if you went and called your Senators. Without your effort, this might have turned out VERY differently!
Thank you all, and I hope the rest of this year is a pleasant one!
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So, this is a particularly long post, but it’s an absolutely IMPORTANT ONE. PLEASE REBLOG! LIKING IS USELESS!
UPDATE 12/14/2022: Two weeks ago, 90+ human rights, LGBT, and tech orgs signed onto an open letter telling Senators NOT to pass this bill. in response, over 230 orgs led by the American Psychological Association signed a letter urging senators to push this bill forward.
An updated version of the bill has been pushed forward by Senators Blumenthal and Blackburn, who claim to have changed the bill in response to feedback, but insight by the likes of Evan Greer and Ari Cohn have made it clear that the changes are superficial at best, and arguably fail to properly address the problems of the original bill.
https://twitter.com/evan_greer/status/1603139423071309825
We got blindsided by this, and we REALLY need your help!
Further explanation HERE: https://www.tumblr.com/fullhalalalchemist/703545300138262528/urgent
POST ON SOCIAL MEDIA like Twitter, Facebook, Reddit, etc. about your opposition to this! The more voices speaking out the better, and we can’t do this alone!
The Hashtags are:
#KOSA
 #STOPKOSA
 #KidsOnlineSafetyAct
“Kids Online Safety Act” (no hashtag and quotes, just the regular words)
And PLEASE call your Senators at (202-224-3121).
ESPECIALLY CALL THESE THREE, SINCE THEY ARE THE MAJOR PEOPLE WHO COULD END UP PUTTING THE BILL INTO THE OMNIBUS/MUST PASS SPENDING BILL:
Maria Cantwell (202) 224-3441
Chuck Schumer (202) 224-6542
Nancy Pelosi (202) 225-4965
LINKTREE WITH ALL INFO HERE: https://linktr.ee/stopkosa
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ORIGINAL POST:
In a particularly scummy move, the Kids Online Safety Act is going to be put into the must pass end of year spending bill: www.axios.com/…
The two laws best positioned to get rolled into big year-end legislative packages, according to advocates and lawmakers, are:
The Kids Online Safety Act (KOSA), which would require platforms to guard kids from harmful content using new features and safeguards and to make privacy settings "on" by default for children. The law also mandates privacy audits and  more transparency about privacy policies.
At first glance, the bill doesn’t sound bad, since it’s about helping “protect children” online. But like every “protect the children” type law, this would censor the internet of anything “harmful” to children aka any LGBT, NSFW, or whatever the Right doesn’t like, force everyone to upload their govt ID’s to even access anything online, and surveil everyone else. Gutting everyone’s privacy in an era where we see massive state violence and encroaching fascism globally. This is not only pushed by the same people (Senator Richard Blumenthal and Marsha Blackburn) who created the awful EARN IT Act, but also has many of the same flaws, such as pro-censorship, anti LGBT resources and content, and pro-mass surveillance.
But the biggest problem, as Mike Stabile has pointed out, is HOW the mechanism to which this works: The State Attorney General.
This addition would allow states like Texas and Florida to sue companies for having LGBTQ+ content, along with sex education resources, incentivizing these platforms to ban that content. To be more specific, the bill allows the state attorney general to sue if they believe that platforms do not protect minors from a list of harms that includes politicized terms like "grooming" which, as we've seen can include any sort of LGBTQ information, entertainment or literature.
RuPaul on TikTok?
A clip on transgender youth on Facebook?
A gay character in a Disney movie?
Suicide hotlines for gay youth?
Cue a suit from Texas or Florida targeting the entire web.
And the problem is that given the current political climate and the cruel behavior of a number of GOP aligned political groups in positions of power, this only ends up making things RIPE for abuse and mass censorship (since companies will probably end up choosing to acquiesce to their demands rather than risk being subject to liability) not to mention the damage this would cause to children who might need resources regarding LGBT or sex education.
Furthermore, the definition of “sexually exploitative material”, “grooming”, and “child porn” has been used in the past year to target transgender people, drag queens, and the wider LGBTQ+ community by likening their very existence as sexually violent. Yet another way this bill’s language will be used to target a community that is already facing violence. Every night, Fox News blasts a story on “sexualization of children '' to fear-monger around the LGBT community. One needs to not look any further than the right-wing ecosystem to see how KOSA would easily be weaponized.
This article by Mike Masnick on Techdirt also goes further into KOSA and its adjacent bills.
To make matters even worse, on top of the usual suspects of NCOSE ( They used to be called Morality in Media, and are a far right group disguised as an anti sex trafficking org infamous for being religious assholes who HATE anything to do with sex or LGBT) supporting this travesty of a bill, it’s been revealed that the Senate leader is claiming there’s no opposition.
This is literally giving the fascists a dangerous tool to abuse, all for the sake of political brownie points against ‘Big Tech’. A tool that far right groups like the Heritage Foundation have OPENLY stated will abuse to silence LGBTQ+ or sex-ed content for youth everywhere if it passes.
The ONLY way this works is by making sure who is and isn’t a minor is to have some form of age-verification scheme. And the only way to do that is through a third party like ID.me which has recently come under scrutiny for, you guessed it, data leaks. So everyone who accesses anything online will be forced to upload their govt IDs. How is this protecting anyone’s privacy?
With all that said, what can we do?
Well, the same thing we did for the EARN IT Act; we make a LOT of noise, and get the word out.
If you have read all of the above and want to fight this, sign this open letter against KOSA.
And PLEASE call your Senators at (202-224-3121).
ESPECIALLY CALL THESE THREE, SINCE THEY ARE THE MAJOR PEOPLE WHO COULD END UP PUTTING THE BILL INTO THE }OMNIBUS:
Maria Cantwell (202) 224-3441
Chuck Schumer (202) 224-6542
Nancy Pelosi (202) 225-4965
There is a call script with phone numbers here.
Fax them, email them. Tell them they MUST oppose this bill. CONTACT any major human rights, LGBT, and cybersecurity related organizations aligned and let them know about this bill, and the harm it can cause to LGBT rights and children! If you need more information on KOSA, we have a LINKTREE HERE.
EMPHASIZE THE HARM TO CHILDREN WHEN YOU CONTACT PEOPLE, SINCE THEY’RE TRYING TO CLAIM THAT THIS WILL HELP PROTECT CHILDREN’S PRIVACY, WHEN IT DOES THE EXACT OPPOSITE.
There’s also a Petition by the Electronic Frontier Foundation  and from Fight For the Future.
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budgebuttons · 5 months
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There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.
The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.
It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.
The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.
Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!
Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.
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chirpsythismorning · 1 year
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This is everything the Stranger Things writers have posted publicly about the WGA strike:
TIMELINE
May 3rd:
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Stranger Things writer Caitlin Schneiderhan tweets picture from personal Twitter account of sign from the strike that reads 'Pay us or Steve Harrington is toast'
May 6th:
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Official Stranger Writers Twitter account makes post on behalf of the Duffers Brothers. They have since pinned this tweet to their profile. "Duffers here. Writing does not stop when filming begins. While we're excited to start production with our amazing cast and crew, it is not possible during this strike. We hope a fair deal is reached soon so we can all get back to work. Until then -- over and out. #wgastrong
Bonus:
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May 12th:
Stranger Things writer Kate Trefry posts picture from personal Tumblr account of sign that reads, 'Byler won’t write itself'
As far as I know, the two writers that posted on their personal socials are the only writers from ST that even have personal accounts that are public, whereas the rest of the writers do not.
What does make me take a pause though, is that, while yes they did post these pictures from their personal accounts, which is about as official as it gets, they also cryptically did not include themselves in said pictures...
This just got me thinking about how Stranger Things is quite literally Netflix and vise versa. They are practically one in the same, where one without the other just doesn't make sense.
While this conflict of interest might run deep for many writers out there fearing to speak out against their employer, for us, the consumers, the fans, we as a collective have so much more power than we realize.
In contrast to the writers, streamers can't just fire their consumer base sometime down the line, out of spite for speaking out. Without consumers, neither Stranger Things nor Netflix would be what it is today.
We have the affordance of being able to speak up the loudest of anyone. And so why wouldn't we take advantage of that?
There are so many people out there protesting: writers, actors, others in the industry and even outside of it who are also taking a stand, many who need support so that they can continue to fight in the upcoming days, weeks, months, without being deterred by corporations that are making them feel greedy for demanding a contract that at most, asks that they be paid fairly.
And so I want to encourage anyone that is reading this, but fellow fans of Stranger Things especially, who have so much power in this strike when it comes to getting Netflix's attention, to consider taking the time to do whatever you can individually + with the masses as a community in order to best support the strike.
Follow the Strike! If you're active on various social media already, please be sure to follow the official accounts advocating for the strike via Instagram (@writersguildwest/@wgaeast), via Twitter (@WGAWest/@WGAEast). Engage with posts from folks that are out there daily, many with whom you can find by following tags like #WGAStrong, #WGAStrike and #WritersStrike. Although most fans are not able to join in picketing themselves, we can at least recognize all of those out there's individual efforts and do our best to show that we're paying attention and listening!
Spread the word! Show support any way you can by sharing posts and articles about the strike, or even fun memes to inform others in a more engaging way. This is the official site for the WGA strike if you want to learn more about what’s going on before diving in! And make sure to stay up-to-date here as things continue to unfold!
Donate! The Entertainment Community Fund is endorsed by the WGA for anyone that wants to support those affected by the strike financially. And this thread on Twitter is an incredible resourse, as it provides an ‘easy, one-click, stress-free, accessible-to-all-budgets’ ways you can support folks on the front lines.
Also! Consider donating through this link for the Entertainment Community Fund, where the money donated still goes directly to that fund, this is just an organizing page for Stranger Things fans specifically! By allowing fans to see how much of an impact we make as a collective, in real time, this could encourage even more ST fans to want to contribute. In a best case scenario, if this GoFundMe were to reach impressive proportions of donations from fans, that could lead to news outlets reporting on it, which could allow an opportunity for even more eyes on the strike, while also even more importantly being able to provide financial support to those that need it.
Trend! On social media, use #StrangerFansforWGA to trend or even just to reach other fans also looking to come together to support the strike!
While I know this post probably wont reach anywhere outside of Tumblr, I want to make a point to encourage those of you that are on other platforms to inform fans in those spaces about the strike and what they can do to help!
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We might not all agree on everything, but I think we can agree on at least one thing... @Netflix & all major streamers and networks out there, who are still refusing to make a fair deal: PAY YOUR WRITERS!
In the mean time, if you're interested in working on different ideas for initiates we can carry out as a fandom, please reach out to me! I might only one person and I might not have all the answers and solutions, but I do know that with more of us working together, our odds of making an impact are much greater!
Over and out!
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sonicenvy · 1 year
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Let's have a chat about AO3
Hiya friends and loyal followers! My last post about AO3 blew up yesterday so I figured now would be a good time to continue the conversation about AO3.
As I mentioned in my previous post (and probably in multiple other previous posts):
AO3 is NOT a social media site. AO3 is an ARCHIVE.
So let's delve into that a bit more since people don't seem to be getting that. Fanfiction predates the internet, and was transmitted via the internet way before sites like AO3 and FF dot net. Relatively speaking, I am a fanfiction newcomer, as I first started reading fanfiction in ... 2011? or thereabouts. I say this to say that I obviously don't have as personal of a memory of a time before fanfiction archive sites (my bitty fan experiences were on teaspoon and lcfanfic), but I certainly know plenty of people via fandom online that absolutely do.
For the newest children to fanfiction please check out the following pieces of reading to get started on your fandom history education:
“Fanfiction.” Fanlore Wiki. Accessed June 15, 2023. https://fanlore.org/wiki/Fanfiction. Archived [https://archive.is/yJpOq].
“So I’m on AO3 and I See a Lot of People Who Put ‘I Do Not Own [Insert Fandom Here]’ before Their Story.” sonicenvy.tumblr.com, July 2, 2016. https://sonicenvy.tumblr.com/post/146818589611/mikkeneko-thepioden. Archived [https://archive.is/FRNCy]
ofhouseadama, Emily. “A Brief History of Fandom, for Those on Here Who Somehow Think Tumblr Invented Fandom.” sonicenvy.tumblr.com, May 21, 2014. https://sonicenvy.tumblr.com/post/131935827010/ofhouseadama-a-brief-history-of-fandom-for. Archived [http://archive.today/j2Rfq]
mizstorge, fantastic-nonsense, and fanculturesfancreativity. “The Places Fandom Dwells: A Cautionary Tale.” fantastic-nonsense.tumblr.com, June 29, 2017. https://fantastic-nonsense.tumblr.com/post/162395547190/the-places-fandom-dwells-a-cautionary-tale. Archived [https://archive.ph/QK2wI]
As you read through this stuff, three things should become apparent to you:
Fanworks have always existed in tenuous space -- that is, they have always been under threat of removal, or threat of loss, whether this loss was through events like the livejournal strikethrough, the loss of a fandom specific website, destruction of physical copies of the work, or C&D/legal action from original creators of the work.
Fandom has a long and colored history with many of the most defining events of early fandom history being related to threats to the community.
A need was ripe for a place to save and ARCHIVE fanworks and protect them from deletion, legal action, corporate sanitization efforts, site deaths due to the deaths of admins, etc etc.
Out of all of this, comes The Organization For Transformative Works (2007), and their brand new site Archive of Our Own (2008). The stated intention of Archive of Our Own (AO3) (bolding mine):
The Organization for Transformative Works (OTW) is a nonprofit organization, established by fans in 2007, to serve the interests of fans by providing access to and preserving the history of fanworks and fan culture in its myriad forms. We believe that fanworks are transformative and that transformative works are legitimate. We are proactive and innovative in protecting and defending our work from commercial exploitation and legal challenge. We preserve our fannish economy, values, and creative expression by protecting and nurturing our fellow fans, our work, our commentary, our history, and our identity while providing the broadest possible access to fannish activity for all fans. The Archive of Our Own offers a noncommercial and nonprofit central hosting place for fanworks using open-source archiving software.
Source: Works, Organization for Transformative. “Archive of Our Own Beta.” Archive of Our Own. Accessed June 15, 2023. https://archiveofourown.org/about. Archived [http://archive.today/QYtbM]
You may also want to check out the original LiveJournal Brainstorming sessions for AO3 by astolat as archived here [https://web.archive.org/web/20220627134339/https://astolat.livejournal.com/150556.html] if you need further clarity on this point.
Some neat stuff from astolat's original posts that I find are relevant:
making it easy for people to download stories or even the entire archive for offline reading (thus widely preserving the work in case some disaster does take it down)
code-wise able to support a huge archive of possibly millions of stories.
allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult ...
As we can see both from the mission statement of OTW/AO3 and from astolat herself in the brainstorming sessions, AO3 is an ARCHIVE. It is a project that is meant to preserve and provide access to fanworks. Run for fans, by fans and meant to host any and all kind of content with none of the commercialization or censorship that fans found elsewhere. Before AO3 there were certainly numerous, disconnected, fandom specific archives for fanfiction or other fanworks. Many of these old sites have been archived (see we're getting that word again) via the opendoors project. Some, like teaspoon or lcfanfic still exists and are semi-active.
A common thread is that writers and readers weren't just using the archive site to connect. They were doing more connection through other sites like dreamwidth, livejournal, facebook, their emails and later tumblr or twitter. Archive sites were meant as a supplement to other fan spaces like message boards, blogs and journals.
So, dear friends, you might ask, what is an archive?
An archive is a place where documents, artifacts and records are kept and preserved for future reference, use and access. Archives help us maintain a better understanding of the past and protect objects, writings, documents, records and more in longevity. In the context of fanwork archiving, this means preserving fanworks in longevity/perpetuity so that fans can continue to access them for enjoyment and for historical purposes. Archiving fanwork is vital to preserving and, indeed creating fan culture and identity.
To read more about archives in general, check out this article from the American History Museum of the Smithsonian (https://americanhistory.si.edu/archives/about/what-are-archives) or this one from the US National Archives (https://www.archives.gov/about/info/whats-an-archives.html).
So AO3 is an archive. Why does this matter?
Oh, boy, I am about to get LIS nerdy on y'all. At this point in the post we can all agree that AO3 is and always has been an archive (it's in the name...). When we view and understand the site starting from this premise, a lot of, frankly stupid as fuck arguments that people have about AO3 look even dumber. Understanding AO3 primarily as an archive helps us understand:
The tagging system. Given AO3 is an archive, the tags for content on the site function exactly the same as headings in a library archive. They are designed to store information about the fic (that is, they are intended as metadata) which is then used to find the record of the fic in the archive. This is why it is important to tag what is in your fic, and to use tags properly, using the agreed meanings of particular tags.
The kinds of content that are permitted and excluded under TOS IV. The archive permits fanworks, which include: fanfiction, fanart, podfic, and fan videos. The archive thus excludes things that are not fanwork (records with no content (aka "placeholder fics"), posts asking for writing prompts or submissions, posts looking for fic, commerical promotions of ANY kind, original fiction with no relation to fan content, spam etc). Every library and archive has their own collections policies, and AO3 is not an exception. Collections Policies are generally guided by the mission statement(s) of the archiving party/library. As we saw above in both the official about page and the original brainstorming posts from astolat, AO3 is a library for fanworks, meant to preserve fanworks and is in opposition to advertising and commercialization. Therefore, if the thing you want to add to the library of AO3 is not a fanwork or contains commercialization, it does not qualify to be an object of the archive. Re: the "placeholder fic" post that I didn't know was going to blow up so much: imagine you go to the library to get a book and open it to find that it is empty or you get a DVD and play it only to find that it is the movie theater trailer for the movie. Doesn't that make no sense?
Why there is NO censoring of "adult" or other quote on quote "objectionable content". The archive does not chose to preserve works based on subjective quality or "moral purity" type standards. This is true in libraries and museums as well. We keep and save materials that people find objectionable as archiving and librarianship are and have always been diametrically opposed to censorship. As an archive AO3 follows this. Moreover, you can see in astolat's original post "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult" as a founding idea.
Why there is no advertising, and why this includes you adding your Ko-fi or paypal or whatever the fuck. Outside of the fact that doing this violates TOS and invalidates OTW lawyer arguments for the legal existence of fanworks under US Fair Use, AO3 as an archive is meant to be a keeper of fan records, not a space for promotions. Archives do keep records (and indeed some archives keep records of advertising) but they, themselves are not using their platform to advertise for anything else.
Why there is no "AO3 algorithm". The kinds of algorithmic feed generators that sites like the t*kt*ok or whatever use are antithetical to the mission of archiving stuff and providing access to it. In an archive you search for content based on terms and headings and self-select. I'm not on the t*kt*k or whatever and I actively block and disable all "suggestion" type things so I don't entirely understand what y'all are looking with this.
Ok, that's great, why are you telling us all of this?
There is a concerning trend of newcomers both young and older to fandom and fanfiction that have not taken off the social media brain filter before coming on board. Some excellent tags I've seen on The Post™ that spawned this one include:
#guys quit bringing the worst elements of capitalism to AO3 (via @watchtowersystem)
#algorithms have rotted people's brains i swear (via @pearly--rose)
#omg stop trying to social mediaify ao3 (via @greyduckgreygoose)
There were also some bangers on my reddit post on this topic as well, but the reddit I posted it on is (rightfully) on blackout at the moment.
I think the sociamediafying of fanfiction that a lot of these people are bringing has a few major negatives:
social mediafied fandom views fanwork soley as consumable content, creating more passive, entitled participants in fandom. For fanwork=content social media brain folks, the fact that fanwork is meant to be an active and engaging thing is lost. Fanwork is a gift from one fan to other fans, it is a point for discussion, a result of people's passion and creativity. It is transformative, out of the box and part of building a niche community. When you start to see it as "content" like a random object on a feed you stop valuing it, analyzing it, and interacting with it in the same way, and are more likely to passively consume what you see as content. Social media has made "content" out of everything, and everything becomes something to scroll past in a few seconds, always looking for more stuff, the newest stuff, etc etc. It's obviously very tied to the experience of social media being used to sell you shit, but that's another conversation I think.
fanwork=content social media brain also allows some of these people to post incredibly demanding comments for "more content" on fancreators works or makes them think it's ok (and indeed creates the same result as what the writer is creating) to feed someone's incomplete fic into an ai to get a "completion".
fanwork=content social media brain also means that when these folks start creating content they feel entitled to views, hits, kudos, etc etc, and feel like it is ok to do things that they see as "gaming" the system to get their fics to be at the top of the pack. They begin to care too much about posting to get their "content" the most views because that's how things work on social media.
fanwork=content social media brain also makes some of these people think that "fic" that is "written" by an ai is acceptable fanwork, because they do not view fanwork as artwork/writing with merit, as much as an entertainment property to be consumed. How the meat gets made becomes irrelevant, because the end result is the only thing that is important.
social mediafying of fandom is something that has helped a lot of advertising and commercialization sneak its way into our spaces, which actively hurts our chances of building good communities.
social mediafying of fandom turns fanwork creation and fandom into popularity contests, which is bad for all fan spaces. The point is that we're being weird together. I've seen new, young authors post on reddit about how they feel so bad about their fic because it doesn't have 1000s of hits or because they feel incapable of writing things (even things they might want to explore) because "no one will read it, and it will not become popular". This makes me very sad.
social mediafying of fanwork also turns right around into .... wait ... you guessed it .... censorship! people are now practising self-censorship that is utterly unnecessary and completely sad to me because they are afraid of getting deleted from anywhere for "objectionable content". This carries over into new users on AO3 doing things like using leet speech for curse words, sexual content and more in the TAGS or the body of their AO3 fics. Stop Don't. You can say fuck, dead, kill, murder, cunt, cock, and whatever the fucking hell you want on AO3. That was the whole goddamn point.
These people are trying to bring fanwork=content social media brain to places like AO3. I'm not entirely sure why.
tldr; AO3 isn't a social media site for talking with your following or posting about ideas that you've had. It isn't a popularity contest. It isn't a place where there will be no inappropriate content. It isn't a place for advertising or commerical promotion. It is an ARCHIVE OF FANWORKS meant to be "allowing ANYTHING -- het, slash, RPF, chan, kink, highly adult."
Anyone of you fans older, wiser, more well versed in fan history, and more articulate than me, please feel free to add to this. Ditto on any of you other funky LIS friends out here on tumblr dot hell.
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holllandtrash · 1 year
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not good enough | charles leclerc social media au
paring: charles leclerc x reader
charles' girlfriend gets a lot of hate online and he usually stays out it because she knows how to handle it...but sometimes people just need a little reminder that they're in love asian faceclaim: christina nadin - british/filipino influencer
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liked by charles_leclerc, pierregasly and 26,522 others
yourusername 'come to paris' charles said, 'it'll be fun' mate it literally smells like ass and i dont speak french
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charles_leclerc i've been translating everything for you, you're fine
pierregasly should have visited milan instead
charles_leclerc are you hitting on my girlfriend pierregasly milan is simply better than paris yourusername we're going to milan next time
hamiltyres shes so real for this
lightsouthannah she complains about everything why does charles put up with her
55carlando4 are they there for paris fashion week??
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liked by charles_leclerc, noviaelegante and 43,159 others
yourusername day 2
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pierregasly how did charles convince you to leave the hotel?
yourusername he told me i wouldn't have to stay for the fashion show yourusername he lied charles_leclerc 🙄🙄🙄
noviaelegante love the fit😍 check your dm's girly!
hammilstop is it just me or does y/n seen ungrateful?
jemmaf1 yeah i was thinking the same thing
charles_leclerc
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liked by yourusername, scuderiaferrari and 412,110 others
charles_leclerc Celine Homme 2023🖤 Merci celine
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yourusername pretty
charles_leclerc you should have came with yourusername i had nothing to wear charles_leclerc thats a horrible excuse
scuderiaferrari 😍😍😍😍
luvfrom63 i dont understand why y/n goes to paris with charles but then refuses to attend the shows
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liked by charles_leclerc, noviaelegante and 31,121 others
tagged: noviaelegante
yourusername a sustainable fashion show that promotes empowering women living in recovering nations? sign me up
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noviaelegante so happy to have you attend🖤
charles_leclerc you should have modelled one of them
yourusername im not putting on a wedding dress until you give me a reason to
pierregasly when are you walking down the aisle?
yourusername when someone puts a rock on my finger pierregasly is this an open invitation? charles_leclerc mate dont even think about proposing to my girl
channyinthepaddock THATS what she wore to the show? girl💀
kaleyschumacher its a no from me
lewisfanclub im sorry are we not going to talk about pierre's comments????????
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charles_leclerc
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liked by yourusername, pierregasly and 297,192 others
charles_leclerc The man!! doni.nahmias
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yourusername sorry i missed your show doni.nahmias ❤️❤️
doni.nahmias the drinks are on your tab tonight yourusername thats fair
caraf1fan charles slays at another fashion show and y/n can't even bother to attend and support her friend? what is wrong with her
mickysunshine y/n do better💀💀
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liked by pierregasly, charles_leclerc and 37,612 others
yourusername these pictures were taken within 45 minutes of each other
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charles_leclerc beautiful in both 🖤
pierregasly so she does know how to dress up
yourusername its our last night in paris i figured i'd put in some effort
hannahsformula idk i still think charles can do better than her
vivvverstappen nah her and charles are a power couple and anyone who says otherwise is so so wrong
luvforlance but why hasn't charles said anything about what shes been dealing with online 💀 he defends her the same way justin bieber defends hailey
yourusername im a big girl i can handle myself
charles_leclerc
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liked by yourusername, scuderiaferrari and 417,923 others
charles_leclerc thank you dior for helping me end Paris Fashion Week in style
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dior 🖤😍
yourusername hot
liked by charles_leclerc
mickandkmags forever wondering how y/n managed to pull charles when he looks like that and she wears jumpers and sweats 99% of the time
yourusername he loves my personality pierregasly yeah sure thats it
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liked by charles_leclerc, scuderiaferrari and 11,619 others
yourusername prettier than paris if you ask me
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charles_leclerc i agree
pierregasly not as pretty as milan
charles_leclerc will you please shut up about milan
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liked by charles_leclerc, pierregasly and 57,124 others
yourusername sorry, i thought a bitch on twitter said something
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charles_leclerc oh my
pierregasly oh my x2
landonorris people should piss you off more often
danielricciardo shes a keeper charlesleclerc
charlesleclerc trust me i know
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liked by yourusername, paddockgf and 412,401 others
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charles_leclerc ma chérie
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yourusername but am i hot enough for you?
charles_leclerc i like your personality yourusername good answer
pierregasly 😧😧😧
yourusername close your eyes pierre
yellowhaas charles really said 'shes all mine'
hamiltvvn but can he fight
f1fanclubs for so long people have been saying she doesnt deserve him...besties...i think its the other way around
liked by charles_leclerc
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this felt like a rushed ending but oh well
masterlist here
3K notes · View notes
winchester-reload · 8 months
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Directions: Fill each prompt ON or After each day listed (the 1st-15th of October, then again on the 31st for our bonus day), then post it on your desired social media platform using tag #suptober23. Be sure to include which prompt you're fulfilling in each post. You can write, you can make art. You can do both! You decide. Rules: All posts must be Supernatural-themed. Like, comment, and reblog others' posts. No hate will be tolerated, including actor hate. NO AI. Do not throw a photo in a Photoshop filter and post it as art. Challenge yourself to create. Noncon, incest, and hate will not be reblogged.
To include your work in the Suptober 2023 archive, you must ALSO post it to the collection in Ao3!
In previous years, I've worked diligently to reblog each and every post listed in the tag to include in an archive on tumblr. However, more than a few things have changed in the past six years, including my earlier creeping bedtime. This year, I'd like to move the archive to Ao3 for something more inclusive. That means this year, it's up to you to get your work in there! Authors: be sure to use tags so your stories are searchable! * Artists: mind ao3's rules for images. You may choose to include a clickable link instead of the art itself.
Posting starts October 1st, 2023.
Special thank you to my friends over on Patreon for their help with this year's list! Truly without them, this would not be happening. Consider joining to help support more events like this! For a text copy of the prompts go here! Join the Discord
FAQ's
Why aren't there 31 prompts this year? Because I'm changing it up to something a little less overwhelming for you and me. Fill all the days, and if you're still hungry for more, send me a message and let me know it wasn't enough so I can take that into account for next year!
I posted my work and you haven't reblogged it. What did I do wrong? Probably nothing. I may have just missed it, which will happen. The good news is, it's up to you to include your work in an archive this year, so be sure to do that! Also be sure to tag it correctly using #suptober23, and the day you're fulfilling.
I'm really busy in October, can I post it later? Yes! The collection won't close.
I can't write or draw, is there another way I can participate? Yes, you can support all the creators by liking, commenting, and reblogging their work. It's just as important as the things being posted. Also, I bet you'll soon realize you absolute can make art and write too! There's no skill level required to have fun.
How long do the stories need to be? There's no word length just be sure to make a good effort, and challenge yourself.
Can I include multiple days in one fic? Sure, but don't post early, and be sure to tag for each day both here on tumblr (if you're posting to tumblr) and on Ao3. In the past, people have used each prompt as a new chapter, and that works great for a cohesive project!
Can I repost the prompt list with my posts? Yep. Go ham. Use at will.
More questions for me? Send me an ask!
546 notes · View notes
idlerin · 1 year
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LOVE SICK
a suna rintarou social media au
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pairing. suna rintarou x f!reader
synopsis. cupid! calling cupid! as the resident matchmaker slash hopeless romantic of tokyo university, you are the person people look for to get love advice or to set them up with the love of their lives. when suna rintarou comes to you asking for the opposite, to help fend people away from trying to get with him, to the extremes of even asking to fake date you, you couldn't refuse! mostly because you did owe him since he was on the receiving end of a bunch of your clients’ unsuccessful love efforts (hey, you do warn them your matchmaking only has a 62.3% success rate).
tags. social media au, college au, fake dating, matchmaker, romance, crack, humor, fluff!
warnings. time stamps are irrelevant !!, foul language (aka cursing), drinking/alcohol
status. on-going (02/15/24 —)
— playlist.
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teasers
[name]’s reading list | suna’s playlist | [name]’s in trouble !
profiles
ppl who think love sucks + [name] | inarizaki dogs
episodes !
chapter names may be subjected to change as the fic goes along.
( ❥ ) — has narrative parts
ACT I
01. romance 101 w [l/n] [name] !
02. aren’t you like, cupid
03. absolutely insane
04. sweetest girlfriend
05. it’s all cliché and full of obvious red flags ( ❥ )
06. passion is a passing thing
07. keep your eyes on me
08. im a matchmaker not a mathematician
09. ur like an exothermic reaction
10. a witch! she's a witch!
ACT II
11. my dearest,
12. lol didn’t think u were mine
13. who cares if he’s a bit psychotic (he’s hot)
14. the grumpy x sunshine trope
15. shitty romance books
16. will they won’t they
17. season of hearts
18. touch some grass
19. and the world stills
20. being with you is ecstasy
ACT III
21. will they/won’t they
22. you hate me? so enemies to lovers?
23. dead, shattered, devastated
tba !
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taglist is OPEN !
to be added to the taglist you can just send in an ask or comment :)
notes. hi so this was like supposed to be posted on valentines but i got impatient and hey its still the month of love so whatever ehe will not start till i finish nonsense since i need to learn how to do stuff one at a time! but yeah super excited to make this bc i love fake dating and i love suna rintarou hohoho thank you guys sm for 400 followers i love you all <3
icons used as pfps are not mine but the content of this smau is. please do not repost this on any other platform. © idlerin 2023
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abnerkrill · 1 year
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fandom participation in the 2007 wga strike: some notes
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fans4writers.com (a website that is still live, though most links are broken!) was a fandom grassroots organization, originating primarily in Firefly/Whedonverse fandom
fans4writers emphasizes cross-fandom solidarity (all fans of all writers) with the very catchy logo "don't write until it's right"!
that group was responsible for pizza deliveries to picket lines, joining in picketing efforts, mass mailing pencils to studios, and sky writing in support of the wga during the tournament of roses parade. (reportedly, universal studios called the cops on a pencil delivery.)
the website had these (honestly still very good) FAQ for joining in picketing. [I'm currently aware (may 5) that the WGA is open to non-members picketing as well, and some "pre-WGA" (aka aspiring writers) are even organizing carpools on Twitter!]
fans4writers also had forums for organizing purposes (that are now dead, that I wish I could view and archive) and a still-existing but unused Twitter account with updates.
I ask again: who in the 2023 fandom landscape has the balls to organize fandom in support of the WGA?? Whedonverse and Battlestar Galactica fans were crowdsourcing pizza funds, creating auctions, putting together this website and all its outreaches and mf'ing official press releases... where can we find that energy now?
note: I was 10 years old when the 2007 strike happened; I just like digging on the Internet and may have gotten things wrong about these organizations and am open to corrections from anyone who was present and in the trenches. In fact, if you were a part of the aforementioned organizing efforts, I would LOVE to chat with you!
[read the WGA's official statement on the strike here and always get your strike news from official WGA sources. Don't trust the biased trade sources or social media.]
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athingofvikings · 6 months
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A Brief History Of The Palestinian People And The Jewish Religion According To Widespread Leftist Views
10,000,000-100,000 BCE: The Palestinian People emerge and live continuously in Palestine through to the present day (precise date estimates varies).
50,000 BCE: Evolution of Behaviorally Modern Humans
~1000 BCE: The Palestinian nation-state is founded as a sovereign kingdom under the renowned Palestinian warrior-monarch King David.
0 AD: Jesus Christ, a Palestinian Socialist Person Of Color, is born under Jewish Occupation to Palestinian Refugees.
33 AD: Jesus is tortured and murdered by Jewish occupiers in Palestine. The Romans stand by and don't have anything to do with this.
~50 AD-600 AD?: The Jewish Occupation of Palestine ends and all Jews cease to exist. Details unavailable.
700s AD: The White Khazars convert to Judaism, and are the source of all modern Jews.
700s-1933 AD: Jews spread through Europe, living as rich, privileged bankers, and face no widespread antisemitism, prejudice, or any negative experiences at all; they are the Whitest of White people, simply following a different Abrahamic religion that is just a type of Christianity, and has no ethnic component. They have this degree of privilege even as they scheme and plot against their fellow European Whites by fomenting wars, run the entire Atlantic slave trade, and routinely betray and stab their Fellow White People in the back, being more loyal to their fellow Jews than to their own hosts. Meanwhile, Jews in Arabic nations are also well treated.
1933-1945 AD: The Nazis invent antisemitism, picking the Jews as an arbitrary target, and manage to get all of Germany to hate the Jews for no reason, and supposedly kill six million Jews, possibly in collaboration with the Zionists.
1946 AD: Antisemitism is over and gone, and will never exist again. Any future attempts to claim antisemitism is an effort to distract from legitimate criticisms of Zionist fascism in occupied Palestine.
1947 AD: The Jews go to the other Europeans and play the sympathy card and the other Europeans tell them that they can now have a colony of their very own for the plentiful oil in Palestine.
1948 AD: History formally begins. White European Jews invade the sovereign socialist, progressive, democratically perfect state of Palestine, who accepted the Jewish refugees without any reservations, problems, or other issues, purely out of the goodness of their hearts, and were promptly betrayed, colonized, ethnically cleansed and mass murdered.
1948 AD-2023 AD: The illegal, settler-colonialist, genocidal fascist state of Is-Not-Real proceeds to routinely genocide and cull the innocent Palestinian people. For example, every three days, IOF soldiers kill a Palestinian child, and harvests their organs, and regularly kills tens of millions of other Palestinians out of the existing population of five million. During this time, Israel uses its control over the governments, media, and economies of the West to cement its genocidal control over the occupied Palestinian territories and cover up its millions of murders, while crying "antisemitism" as the Zionists kill Palestinians, who are the only true Semites.
7 October, 2023-Present: Israel kills 1200 of their own people and kidnap hundreds of others as a false flag, managing to trick the innocent and naive freedom fighters of Hamas to broadcast the propaganda killings on their own social media accounts. The IOF then proceeds to kill 14,000 millions of innocent Palestinians, nearly all of them innocent, blameless children, whose bodies are taken by Israel for organ harvesting and to use to fake other Hamas attack victims, because apparently the Brown Palestinians are perfect stand-ins for White Israelis and can't be told apart easily on sight.
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mariacallous · 4 months
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If anyone can rally up a base, it’s Taylor Swift.
When sexually explicit, likely AI-generated, fake images of Swift circulated on social media this week, it galvanized her fans. Swifties found phrases and hashtags related to the images and flooded them with videos and photos of Swift performing. “Protect Taylor Swift” went viral, trending as Swifties spoke out against not just the Swift deepfakes, but all nonconsensual, explicit images made of women.
Swift, arguably the most famous woman in the world right now, has become the high-profile victim of an all-too-frequent form of harassment. She has yet to comment on the photos publicly, but her status gives her power to wield in a situation where so many women have been left with little recourse. Deepfake porn is becoming more common as generative artificial intelligence gets better: 113,000 deepfake videos were uploaded to the most popular porn websites in the first nine months of 2023, a significant increase to the 73,000 videos uploaded throughout 2022. In 2019, research from a startup found that 96 percent of deepfakes on the internet were pornographic.
The content is easy to find on search engines and social media, and has affected other female celebrities and teenagers. Yet, many people don’t understand the full extent of the problem or its impact. Swift, and the media mania around her, has the potential to change that.
“It does feel like this could be one of those trigger events” that could lead to legal and societal changes around nonconsensual deepfakes, says Sam Gregory, executive director of Witness, a nonprofit organization focused on using images and videos for protecting human rights. But Gregory says people still don’t understand how common deepfake porn is, and how harmful and violating it can be to victims.
If anything, this deepfake disaster is reminiscent of the 2014 iCloud leak that led to nude photos of celebrities like Jennifer Lawrence and Kate Upton spreading online, prompting calls for greater protections on people's digital identities. Apple ultimately ramped up security features.
A handful of states have laws around nonconsensual deepfakes, and there are moves to ban it on the federal level, too. Rep. Joseph Morelle (D-New York) has introduced a bill in Congress that would make it illegal to create and share deepfake porn without a person’s consent. Another House bill from Rep. Yvette Clarke (D-New York) seeks to give legal recourse to victims of deepfake porn. Rep. Tom Kean, Jr. (R-New Jersey), who in November introduced a bill that would require the labeling of AI content, used the viral Swift moment to draw attention to his efforts: “Whether the victim is Taylor Swift or any young person across our country—we need to establish safeguards to combat this alarming trend,” Kean said in a statement.
This isn’t the first time that Swift or Swifties have tried to hold platforms and people accountable. In 2017, Swift won a lawsuit she brought against a radio DJ who she claimed groped her during a meet-and-greet. She was awarded $1—the amount she sued for, and what her attorney Douglas Baldridge called a symbolic sum “the value of which is immeasurable to all women in this situation.”
Last fall, tens of thousands of people registered to vote after the superstar posted a link to Vote.org on Instagram. And in 2022, her fan base, so enraged after waiting hours to buy tickets to the Eras Tour only to be beaten out by bots, reignited conversation around antitrust issues with Ticketmaster and Live Nation’s mega-merger. A cringy Senate hearing followed, and an investigation into Live Nation’s agreements with venues and artists is ongoing.
Swift and her fans could advocate for legal changes at the federal level to pass. But their outrage could do something else: lead platforms to take notice. “When you have a really massive group of users saying this content is unacceptable in this very high-profile way, the power there is about what it says to the platform about what users will and won’t tolerate,” says Cailin O’Connor, a professor of philosophy at University of California, Irvine and coauthor of The Misinformation Age: How False Beliefs Spread. X did not respond to a request for comment on the images and its moderation efforts regarding deepfake porn. Elon Musk bought the site in 2022 and quickly gutted its moderation teams. Advertisers have also dropped off recently after Musk’s apparent endorsement of an antisemitic conspiracy theory.
It’s not clear whether Swift will take on this issue. A representative for Swift did not respond to a request for comment for this story. Harassment of female celebrities is frequent and often brushed aside, but deepfakes are harming them and others without the same power. This could be a moment for Swift to use her powerful platform—or at least for her fans to push the issue before the public.
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