the thing that really gets me about mizumono is that will doesn’t even fight back. he saw alana mangled outside. he knows jack might be dead. he has a loaded gun in hand. but not once does he try to hurt hannibal. he doesn’t even shoot. will just lets him caress his cheek, fingers curling into his hair. there’s no resistance. when hannibal stabs him, will leans into it. he doesn’t want to escape. and it all hurts so badly because it’s not like will tricked hannibal into loving him; he simply persuaded him that he might love him back. because that’s what will thought hannibal did to him in s1, and only now does he realise that maybe it was more real for hannibal than he thought. or worse, that maybe he wants to be with hannibal regardless of whether hannibal genuinely loves him. that maybe it’s worth it to be close to him, even if his touch splits his stomach open
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it is. so weird to me that I'm having to say this again after a real-life cartoon supervillian already once ran for president on a platform of hatred & fascism and won, but.
it's November, please fucking vote
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Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:
A house is a place with four walls and a floor,
with a ceiling above and a lovely front door.
There's a bed to cradle you safely at night,
and windows to bring in the morning sunlight.
Your house is a mirror of just who you are,
A reflection that tells you to never stray far.
Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).
ohhhh this. i like this...
bonus og sketch! big ol eyes...
& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!
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want to pick up little episode 1 mollymauk tealeaf and give him a little shake and just be like. do you know that you are so loved.
before you get lost in your fiercely protective, self-sacrificing recklessness, bleed your heart again and again to save everyone else--do you know that you are so loved you will open your eyes again 100 episodes from now and instead of feeling lost and Empty and waking up all alone, you will be surrounded by family. And the first word that is truly yours will be Love--
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which terror crewmate would wear the baby slut tank top and camo capris?
i know you said terror crew but for the life of me i cannot fucking think of any other character who deserves it
its collins. it has to be collins, right? its gotta be collins. final answer collins
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😭😭😭
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I finished A Power Unbound and now I'm having a happy little sob about it and feeling many Big Emotions that I'm incoherently blubbering about and only managing to express as a joyfully tearful "it was beautiful"
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Wife wife wife wife wife wife wife wife wife wife wife wife wife wife babygirl wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife love wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife princess wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife honey wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife wife
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HE/HIM • BODIES OF POSSIBILITY
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Update on trying to be less lowkey about being gay at work. I told one of my bosses I'm "not straight" and i got a rainbow thingy to stick on my phone
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I feel like I liked yakuza 5 a lot more than most people for some reason
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Me seeing Paterson and my inner monologue is like: sweet boi, my handsome poetic man~ my sunshine on the rainiest days, my reason to smile, my beautiful baby, light of my life, the most perfect man ever~ I love you so much!
Me seeing Flip and my inner monologue is like: Stand six feet away from me or I'm going to go fucking feral. /Smittenly God you're Infuriating /affectionate. Stupid handsome bastard- you're not a bastard, you're good.. whatever listen, I'll fucking bite you. This is dumb! You're dumb! Jerkbutt /Lovingly I fucking love you so god damn much- GODS embarassing! /lh
So if people think my ships are the same I can assure you....you're wrong :) lmao
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an unforeseen side effect of my boy discovering the power of friendship, and the fact that emotions and human connections are good actually, is that it comes with simultaneously discovering that he's at least lowkey attracted to two types of people exactly: those who project confidence on the outside, but are sweet, soft, and in need of comforting on the inside (not entirely unlike a frightened animal), and pretty men with long, brown hair looking at him through lowered lashes with big, dark eyes.
a downside to that is that his newly found friend group is half one, half the other, and Gale kind of sits in the exact middle of the Venn diagram like an appealingly plump toad on a rock.
Look at him. The thought behind this face is very much an ".... oh, I'm not indulging this thought. I'm burying this so quick, and so deep, that it suffocates immediately."
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The amount of platonic love and tenderness in Michael's farewell letter to Louisa is off the charts. And one of the signs of that love is the kind of focus Michael places on small mundane things about Louisa. Like the detail with which he describes the ways she laughs: "your short little laugh. Not quite a bark, but a shift so sudden that it has to be genuine. [...] So real, never forced. No melody to it, really, but still musical. Sometimes short and guttural. Sometimes a cackle, like notes going up a scale". Michael describes Louisa's laughter in such a specific way that shows the attention he pays to her and the way he holds her ordinary mannerisms in his mind. He doesn't describe her laugh with the kind of typical compliments that could be seen as generic - it's so clear that these descriptions are specific to Louisa and his memories of her, and there's so much love in that specificity.
Then there's the story of Michael bringing whiskey back from the kitchen without even realising, and the way he remembers Louisa's expression when she noticed: "everything, everything I needed to know was there, every freckle and contour. There was no judgment. Your face was open, your eyes soft and understanding, your mouth bent into the smallest knowing grin, your expression just barely pinched, just a touch of pain". There's something so profound to me about the level of attention he pays to the details of her expression, and how those small signals communicated something important between them without words.
These are two characters whose relationship has been repeatedly confirmed to be purely platonic (and remaining platonic) both within the podcast and by the show creators. It means so much to me that as part of that platonic dynamic, Michael pays such close loving attention to Louisa, and he remembers these ordinary details even when he's dying and hasn't seen her in months, and he says things like "your face, I could fall into it, like it was a calm lake or a pool. I could fall into it and float."
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shadow and zelda were literally sooooo funny nobody understands how much their final interaction makes me lose it. zelda was like "idk yknow i just really think you could be a good guy if you wanted. just saying." and then she gets fucking kidnapped by the dark cloud and shadow is IMMEDIATELY like Thank You For Saying Something Nice To Me. I Will Now Kill Myself To Save You. and then he doesn't even stay dead
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it’s the way Ryan Gosling plays Ken’s feelings for Barbie for me. because the feelings are unreal and fake in the way of a doll but they’re also intensely real in the way of his actual personality/who he actually is.
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