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#so I guess I'll get back into this
parker-haven-wuornos · 7 months
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Hello my old heart. I might very well be back on my bullshit
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factual-fantasy · 3 months
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I CANNOT TELL YOU HOW MUCH I LOVE THAT ONE SIDE PROFILE OF THE MARIO BROS NOR CAN I TELL YOU WHY
I DONT KNOW WHY OUT OF ALL OF THOSE DRAWINGS THATS THE ONE I LIKE THE MOST BUT IT’S ALL GREAT WORK FACTUAL
YOU’RE GETTING ME THROUGH FINALS👍👍👍
(Post in question)
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STAAAAHP you're gonna make me fall back into my Mario phase!!1! XDD
(FR THO THANK YOU SO MUCH!! :DD I'm glad you liked that doodle! I was rather proud of how it came out😊!!)
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camthecatchameleon · 5 months
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ah i can finally post these
also all of these were drawn before i caught up to the most recent episode (49) so if anything i've drawn is overly close to existing art i'm sorry but i straight up would not have known smiley face uhhhhhh anyways
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^ i dont know that the fuck was wrong with my but i did this with a 1px lineart.
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source: this post
below: a bunch of doodles in my (digital) latin textbook
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also: a bunch of notebook doodles during japanese school yes i have a problem
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a-s-levynn · 4 months
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iv & iii
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hamofjustice · 10 months
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nemona feels like an obscure blorbo instead of the main rival character from the latest pokemon game because to get to her really good content from people who really get it, you first have to wade through the ocean of yandere pervert obsessive stalker annoying punchable bimbo amazon goddess interpretations of...
... a neurodivergent and possibly disabled high schooler who's desperately trying to make any friends or get any support from her rich neglectful family - while everyone in her school is jealous of their own imagined version of a privileged asshole version of her they made up - who deeply and platonically loves and supports the one new kid who agreed to take the time to get to know and respect her and her special interest without having to hold back her true self
unlike her, it's not great!
kinda feels like she has the same problem in our world that she does in hers.
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cheriafreya · 25 days
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Use me as you wish. Even stab me in the back if you see fit. I don't make deals that don't pay off, so I hope you don't disappoint me.
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arcanegifs · 1 year
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Upscaled + Edited Arcane Screenshots 1/?
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crimeronan · 1 year
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been thinking about the rabies condition in writing lately, which is a GREAT post about stakes and characterization. basically exploring how if there's a 100% chance a character is doomed, then they can and will do extremely dangerous/damaging/contraindicated things for the slimmest hope of survival. which is one of my Favorite narrative devices
but while we're using health metaphors, i've been thinking about another somewhat complicated means of introducing character stakes, which i'm tentatively calling 'the autoimmune condition' for reasons that are. obvious
the premise itself is simple: the character has Something that they need to survive. they either can't live without this thing or they will lose something vital about themselves if they lose this thing. there is no replacement or alternative for the thing. what's most important are that the consequences for losing it are Extreme, rabies-condition-style
in the real life allegory, this is the immune system. which is great for being alive!
then the problem is introduced when this thing starts killing the character.
the character still needs it to live.
so: there is a 100% chance that you will die if you destroy the thing killing you. if you impair it through other means, there is a 100% chance of consequences, though the severity of those consequences is up to the author. (these are medication side effects in the real life allegory.)
if you do everything you're supposed to then you'll PROBABLY survive, but you're gonna have to play lifelong tug-of-war to balance everything, and you are often going to have to choose between two shitty options. bc there is no alternative.
this is a counterpart to the rabies condition in terms of stakes; with this condition, your character has to make complicated and difficult decisions about what they're sacrificing for their future. it's not the immediate life-and-death stakes of rabies, it's a slow decay instead.
what side effect consequences are they willing to take on?? and what are they NOT willing to take on?? where do their priorities lie in terms of symptom management?? what other solutions are they looking for?? what are they willing to sacrifice??
and perhaps most importantly: what exactly do they need to lose before they'll Accept the side effects / sacrifices that used to terrify them?? how high do the stakes need to be??
at what point is this character going to look back at the choices they've made up to this point, and realize that they no longer recognize themselves??
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anewp0tat0 · 1 year
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I was inspired by something again
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One of my favorite things that happened during my last mage Hawke playthrough was during the final battle against Meredith. Everything's going well. We're kicking her ass, she's got just this much health left, we're so close... but then everyone gets stunned dizzy.
Hawke is stumbling around all confused, seeing stars. The rest of his companions are stunned. I'm annoyed because I just want to end this fight. Don't know how or who did it, probably Meredith, but the situation's dire.
Meredith's standing by herself at the center of the Gallows, shouting nonsense and smugly believing the Maker's going to come down and make her his new bride after she murdered a bunch of innocent people.
Truly, this is the part of the story where Varric says they all thought hope was lost, that in the end, Meredith would pull a fast one on us and claim victory...
Until the REAL hero of dragon age 2 comes storming at her. I don't know why Carver was the only one to not be affected, but he literally jumped out of no where and just started bashing Meredith with his sword while everyone else was too dizzy to do anything until she was dead and the cutscene played.
"Hawke defeated Meredith-" LIES, VARRIC. I know the truth! I was there! Hawke didn't do shit! Carver Hawke was the main character all along! He got shit done and Varric gave Hawke all the credit!
I bring this up because last night I finished my warrior Hawke run and when we got to the fight with Meredith, I kind of hoped the same thing would happen where Bethany dashed in all heroic and got the killing blow on Meredith.
She did not.
She got squished by a statue.
But it's fine, Bethany Hawke was the true main character in my heart.
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forgetful-river · 10 months
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No rest for the wicked I suppose
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manasurge · 4 months
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Mourynn in her Orchid outfit during the early years! (albeit a bit modified bc I didn't want to draw feet or the swirly things, thus made up shoes for her instead. Which still works as she gets heels later uwu). I'm also aware I never do the Sylvari glow right, but I don't want to overwhelm the ref with so much glow so I only did the extremities, but technically I think it would reach all the way along the leaves and such. Just pretend it's doing that. I also decided to permanently give her the Orchid wingies as part of her body since they thematically match her wrist/ankle appendages (as I have all of that for the sake of her Leafy Seadragon inspirations) + will appear on her Mordy Scion form as well (aka any leaves with the dark blue = part of body/appendages/hair, any other colour/hue = outfit). I actually had wanted them originally on her custom outfit, but changed it back then and now I have put it back again, hehe (so aesthetically they look different than the actual armour version too to match everything else). Lineart and transparent under the cut
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I just use need the transparent one for her Toyhouse profile thing
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hrokkall · 1 year
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Saw a post the other day asking how P03 is able to see; my best guess is something like this.
I actually inspected P03′s 3D model for this which I don’t usually do (and then I proceeded to draw it off-model anyway. Whoops) but even outside of its hypothetical camera-vision, there’s a few other things of note:
P03 seems to have a lot of large vents (or at least things that look like some sort of ventilation/cooling). Two major ones on the chest, three on the top of the head (with potentially another on the side of its head), and one on the underside of its base (though that one might be for the hologram projection it uses to float). My best guess is that it’s because his factory is built right by the water where there would be a TON of moisture in the air. For that reason, some of them have got to be exhausts to make sure all of the air circulating in his torso is dry. That or he just overheats extremely easily I guess, but I’m leaning towards the humidity explanation (or it could be a combination of the two).
Its “eyes” are somewhere on the front of its face; whether it sees through a camera or just through the eyes on the screen via video game magic is up for debate, but it turns to face the player when they stand up so its vision probably isn’t on the sides of its head or something.
Similarly, P03 has some sort of sensitivity to touch (he reacts to Leshy’s hands gripping his monitor before Leshy says anything). I don’t think any “touch sensors” would be externally visible though.
Presumably (based on the ending to Act 3) P03′s head isn’t just a monitor, there’s vital systems in there as well (otherwise tearing its head off wouldn’t do anything to disrupt its upload/its ability to function). My best guess is that his power supply is in his chest so it would be the equivalent of just... unplugging your computer while it’s trying to preform updates.
The wire it uses to connect to the modules to update cards in Act 3 seems to come from either its neck or its torso, but in act 2 it’s very visibly on the side of the head. Granted the act 2 sprites are all pretty different from the Scrybes’ 3D models so that’s not an outlier.
The range of motion in P03′s arm seems pretty similar to a human arm; he has a ball-and-socket joint on the shoulder and a hinge joint on his elbow plus separate segments for the “wrist” and “hand”. The only thing it probably can’t do is twist its forearm.
I don’t have any idea what either of the cranks do. The head crank moves when it changes its expression so it might have something to do with its display, but the arm crank is only shown doing anything on the G0lly Uberbot hologram. My best guess is that P03 used to have a lot more built-in functions but ended up removing them in order to operate faster so a lot of the buttons and switches on it are just vestigial leftovers. (The idea of the arm crank being able to function as a hand-crank motor in a pinch is really funny though. Spin it a few times when P03 is out of power and you can generate just enough battery for it to tell you to fuck off then go back into sleep mode again).
I have no idea how the levitation works either. It’s cool and that’s why it works. No need to get more complicated than that.
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kamomie · 8 months
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This is kind of a view on q!Bad's current personality and it's heavily based on my own experience with my personality and how quickly people will define you by your worst traits during your worst moments. I Mostly wrote this for my own peace of mind but feel free to read and engage however you want :D
I've been seeing the sentiment that q!Bad is being his true self rn, because he snapped and went "back"(?) to his true self.
I disagree. q!Bad isn't being the person he "really" is. He's being the person he becomes under extreme emotional distress.
Was he always a good manipulator? Yes. Was he always hypocritical? Yeah. Was he always paranoid? Yep. Was he always somewhat morally dubious and willing to do what others wouldn't? Yeah.
Did he ever really cause harm to anyone before this arc? Not really. He annoyed people a lot, but it was never the way it is now.
All his worst traits have amplified and his good traits are somewhat surpressed. And he has traits that are unusual for him. Like, he's been awfully meaner to people and doing dangerous pranks that he normally wouldn't. He was always capable of a degree of cruelty and violence, but not towards his friends.
The worst part is before the eggs went missing he was dealing with a lot of emotional turmoil, after the furniture shit and being imprisoned on no proof. Like it has been shit upon shit for q!Bad lately. Like his trust issues have been sky high, and it really culminated today, with him telling q!forever outright that he's not welcome in his home...
Anyways, the person q!Bad was when he was stable/"under normal conditions", was kind, caring, helpful, trustworthy/reliable, protective, paranoid, childish, hypocritical, a bit of a liar, and a bit of a manipulator. That was so much more his true self than what he is now.
However this arc is one that might permanently alter how q!Bad is as a person. I honestly don't see him return to how he was before and if he does, it'll take awhile.
I'm sad.
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jamiesfootball · 9 months
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What are your thoughts on Ted? Is it good he went home?
These are two separate answers but I'm gonna try to combine them into one thought bubble (bear with me).
My short answer regarding Ted's ending is that you can't create a fully fleshed out character for 2-3 seasons and then in the final hour decide he was Mary Poppins all along. The Mary Poppins is meant to be strange, not-quite of normal ilk. She's the static character who leads the change in others, the one who inspires. You don't usually see the inner thoughts and workings of a static character.
From the very first time the audience meets Ted, we understand that this is not a static character because he is literally one of our starting POVs. We see his uncertainty about flying across the globe to go teach a sport he doesn't understand. We see him turning to Beard for reassurance. We see him stick his hand out where it isn't wanted while he tries to find common ground with people in a new country. We see the beginnings of a panic attack at the press conference.
That is is episode one. He is not a static character. He is not a strange and unusual person impossible to understand. He is inspiring, yes, but that is because of his humanity- his kindness.
He is not a Mary Poppins.
Ted is at his most interesting when he is a complicated, struggling, but ultimately kind man who tries his best to show genuine empathy and compassion towards others. The fact that this same trait doubles as a flaw is equally intriguing.
Ted can reassure Sam that Jamie won't be coming back, or Ted can reach out to Jamie when he's struggling and ask him to come back. Both are acts of kindness. He can not do both.
Ted can show Rebecca empathy and understanding for her trying to sabotage Richmond, but it ties his hands on being honest to Jamie about why he was sent away in the first place.
In trying to balance kindness, Ted struggles to be direct. He struggles to come right out and tell people how he's feeling about situations. Despite encouraging other people to talk about their feelings, he dances around his own and avoids awkward confrontations. I think that is the flaw that Ted most needed to explore. At the same time, I hesitate to say he could have learned too much given how he was struggling to process his own trauma with his dad and how it effected his relationships with those around him. (Put a pin here, I'll be back for it in a later.)
Pivoting back to Ted's purpose in the narrative, unfortunately as the show ran through season three, it became too near-sighted on The Message and in turn lost sight of making sure the characters had fulfilling interactions with each other. This especially becomes apparent when it comes to Ted, whose motto in season one is 'be curious not judgemental.' I maintain that season three was a low point for Ted emotionally, and if I were to assign a reason in-universe as to why Ted seemed so off from his usual self, it would be that in his depression, he no longer had the energy to realize he wasn't being curious. One indication of this would be how many times Ted casts assumptions on people in season three, compared to his hey-do-you-think conversational openers from earlier seasons. Some examples would include:
-never trying to figure out what makes Zava tick (this is a big one to me. I think season one Ted would have been all over trying to crack Zava like a nut)
-assuming he already knows why Jamie is upset about Zava joining the team and brushing it off
-assuming that Dr Jacob would propose + assuming that Michelle would say yes instead of trying to ferret out whether
-his assumptions about Henry being bullied (the knee-jerk reaction as a parent to protect your kid is understandable, the lack of delving into the situation and why it happened are more what I mean here)
-his whole conversation with Jamie about his dad. Other people in more succinct words have pointed out how it feels like he fully projected what he needed to hear onto Jamie's situation, and I think that's fairly accurate. This was not a 'talk to me and tell me what's going on so I can better understand how i need to help you' conversation. This was a 'oh that's whats going on? how about you do this? that work? alright then' talk.
So the finale struts back around and Ted has made a decision. He's going home. And it's meant to feel like closure. They play the Cat Stevens song and it's supposed to feel like Ted has finally made a step in the right direction (which is certainly one take on those lyrics but I digress). He's going back home. He's going to be with his son. He's letting go of the damage his father leaving did to him. He's giving up on something and he's finally okay with that. He left Richmond better than he found it and that's what matters.
Everyone else can cry but he's not crying. He's finally with Henry again.
So here's my two cents. And this is definitely just my opinion but-
THAT'S FUCKING STUPID.
Because the only way that Henry OR Richmond exists is in a false dichotomy wherein the two cannot possibly coincide, despite the fact that there are MANY KIDS' SHOWS ABOUT CHILDREN MOVING TO NEW LOCATIONS EVEN NEW COUNTRIES because that is a NORMAL THING THAT HAPPENS IN THE NORMAL WORLD ALL THE TIME.
Like holy shit that is. That is just the plot of a Disney channel show. 'My dad the football coach moved to england to coach the other football.' That is just the plot of a Disney channel original movie with a $300 budget that magically gets a sequel. Is that what I'm supposed to say 'oh no, that could never happen' over? Because I"m already watching a TV show. You can put a show in another show- I'm fine with that.
Remember that pin above? Time to pull it out. Because you know what would have been a more narratively satisfying conclusion?
If Ted had actually asked Henry and Michelle if they'd liked to move to London to be closer to him. If he had actually expressed his fucking need to have both his Kansas family and his Richmond family close to him. Maybe they would have said no, maybe they would have said yes, but you know what? It would have at least opened the door to the discussion about what Ted might need as a person moving forward, whichever way the chips fell. At least he would have done the one thing we didn't see him do all show:
Ask for something for himself. Because he wants it. Not for the good of his family, or the team, or anyone else. Just for Ted.
I am not saying his son isn't the most important thing in his life. I am saying as a goddamn adult person, you can NOT mold your life around your kids. You can't. Full stop. It is not healthy. You put your kid's needs above your own, but as a parent your needs have to come second. You have to take care of your own emotional health so that you have the bandwidth to give them support. You have to set the example of what healthy boundaries and taking care of yourself looks like.
Could Ted make new social connections back in Kansas? Well that's the thing isn't it- season one Ted could have. Easily. Season three Ted? The one who's checked out and looks tired all the time and isn't even following his own motto anymore and didn't even cry like he'd miss his friends when he was leaving? I'm not sure about that Ted. I'm worried about that Ted. I'm worried he's going to put himself in a situation where for the next 9 years of his life his only priority is going to be keeping Henry happy by giving Henry the attention he never got from his own father. And after that? Henry's an adult. Henry has to go live his own life.
And Henry's going to be able to tell, by the way, if his dad is struggling. Whatever Ted's emotional health is like, Henry is going to pick up on it. This isn't a one way road. Kids notice.
Ted untangled himself enough to admit that what he wants is to be close to Henry. I commend that. But then he decided that there was only one way to do that, and he didn't look any further than that. The narrative didn't look any further than that. For a show that itself raises the topic of mental health, it feels tone-deaf to pretend that Ted moving away from his entire support group is a happy ending. He doesn't even have Beard!
So to summarize: what do I think about Ted? I think he's a fascinating character. I think he has a genuine kindness to him that is rare. I think he is flawed, and a little bent up on the inside, and he's got a lot of issues to work through. And I think the show did him a disservice by painting him going back to Kansas as a sign that everything was going to be okay.
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