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#since that's where i drew all my examples
hansoeii · 2 days
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Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??
I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?
Hey hey!
Thank you so much!
I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!
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(yes, I was really into danmei and kpop back then, haha)
I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)
2020
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I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.
2021
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Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.
2022
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This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.
2023
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And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!
Now here comes some actual advice, haha:
What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!
I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.
Here are some cool faces I found on pinterest!
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I have a pinterest board with many more!
One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.
This is a great video on it:
6 Ways to Draw Anything by Proko
Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!
And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!
I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)
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zombeebunnie · 2 days
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Trembling Essence:💙Background + script updates💙
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Hi hi and welcome new followers, this week mainly focused on art practice. I'm still getting back into the flow of working on the full game so this post might be very short. :]
Anywho, here are some of the backgrounds I drew up as practice.
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I was going to use these in the beginning of the game but the immersive symbolism I was going for didn't match up to my liking. It just finished raining in the swamp where you're located at which leaves the area feeling tolerably cold but oddly humid with a hint of decay/mold in the air. I'm aiming for a dreary night theme that gives off a foreboding and a gloomy atmosphere. These give off a "fairy-forest" concept which I don't like all that much. Here's some reference examples of what I hope to bring next time:
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I'm also in the process of creating a map for myself to make things easier to layout since certain endings are being changed. This due to specific areas taking place in the forest and not the swamp which have their own unique form of symbolism. I tried to convey this in the March 2023/[Extended Demo] but it's hard to tell the difference between the areas.
I can't guarantee this fully but if you choose to explore around the area there might be small parallax effects that move around automatically. It was something I wanted to try back in the [Extended Demo] but this would've pushed the update farther out into the year.
Lastly, happy belated birthday to Noah! His birthday is May 7th! :]
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I wasn't able to draw a birthday doodle yet so enjoy this unrelated sneak peek practice sketch I did a few days ago. :,,]
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My Q&A / Ask box has been reset!
Thank you to those who have sent in asks in the past, unfortunately they all disappeared except for 1 while I was gone. I have no idea what happened but I can only guess it just got reset.
If you have any questions about Trembling Essence/Noah feel free to ask or resend them in here please. This makes it easier for me to see and answer accordingly! I would really like to hear from you guys!
This is all I have done so far but I'm enjoying the process even if it's a bit small, Thank you guys for the patience and continued support and patience I really appreciate it. :,]
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vegaseatsass · 25 days
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I made and deleted a post about this a few weeks ago but I've been thinking a lot about projecting onto toxic ships/dynamics in fiction, and not onto the romantic parts ("I relate to Pete in Vegaspete because I want someone to unlock me to human touch") but onto the very toxic parts ("I relate to Vegas in Vegasporsche because he's lying his ass off and orchestrating Porsche's downfall, and mentally blaming Porsche for everything he's planning to do to him, for believing the wrong things and choosing the wrong side, AND for falling for Vegas's obvious facade! Dummy I've always been your enemy it's SO OBVIOUS!! Yet in the moment, when they're riding bikes or hugging and Vegas is compartmentalizing, he does genuinely care about Porsche and feel honest affection for him, and that's what sells the lie... and makes Vegas hate himself for his traitorous weakness and want to sabotage any sincere moments they have"), and how huge this distinction feels to me. So I wanted to do like a Tell me the most toxic fictional thing you overidentify with meme.
Not sure that's the best way to word it, and you don't have to (and probably shouldn't) explain why, but like. Don't tell me "I relate to Korn as a parent;" tell me "I relate to Korn when he's preventing his children from competing by pitting them against their cousins instead, because he can blame that on their grandfather and his brother and not himself, and pretend his kids are fine and it's just the cousins who are getting destroyed". Does that make sense? This way also I don't have to know your toxic blorbo to understand your toxic emotion. Anyway do it
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Lesson 1: "White Man Painted Black"?
Okay, I recognize that this is a strong foot to step off on! But! If you learn nothing else from this series, if you decide for whatever reason to forsake me: this is the ONE perspective I'd like you to take away!
You may have heard this quote before, when Black fans deride a character design as 'a white man with the brown bucket tool'. On its face, it means exactly what was said. But specifically, what it means is that we recognize that whomever designed the character drew the way they normally draw for a 'default' character in their mind- default usually meaning White/Eurocentric features- and they added a shade of brown within the line art to make that character now 'Black'.
Now if you're feeling defensive, wait just a moment! This discomfort is not inherently a bad thing!
I'm going to use both a 'real world' example first, to show you what your Black fans and peers are seeing, and perhaps you will also understand our discomfort!
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(if anyone was curious, my folder for this lesson is titled 'brad' lmao and you'll see why)
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(I'll have y'all know that I actually worked very hard to make Blackface Brad look mildly presentable lmao I'm sorry, I'm wheezing, I can hardly breathe looking at him 🤣)
You see how, despite knowing where this was going, and using one of the darkest shades of brown in my Skin Tones arsenal, you still know that that's Brad Pitt? That nothing about his hair texture, his lips, his nose, or really anything other than the palette change... changed? And you can still see that?
It's incredibly hurtful to be told that that's supposed to be you. You know it's not, you know why it's not, but rather than hearing how it makes you feel unseen and what they could do to be better (since they wanted to draw a Black character!), the artist lashes out at you.
And as an artist, you might have worked VERY HARD to do this! That might be a real handsome guy you drew!! But... is he really Black? Did you walk into it with the intention, that you were drawing a Black Character, or did you draw a character that just happened to be Black? It seems like a silly thing, but it matters!
Okay. I just finished laughing over Brad. Now let's get into some more perspective changes:
Now, imagine you drew a character. You want to make her Black, so you change the hair and skin colors. All right! You have your Black character... right?
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Changed ONE feature about her? (You should obviously change more than one feature, but let's just go with the simplified example.)
What if, instead of just changing her palette, we changed her:
Hair?
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There isn't nearly enough time in the world, let alone in this little scribble and blurb, for me to describe the IMPORTANCE of Black hair in Black character design. There are so many ways to do curls, afros, braids, twists, locs, SO MANY HAIRSTYLES!! Get used to searching in the 3C-4C hair textures!!!! I plan on doing an entire lesson or two on hair alone, but suffice it to say, Hair Texture is thee BIGGEST giveaway that you 'painted a white person Black'- from cartoon styles to realistic! It reveals itself in your writing as well- just based on how your character takes care of their hair, how your describe the texture, how other people might perceive it... it lets me know just how much research was done. Because we can have straight hair! But again, that's a conversation for a whole 'nother lesson so- come back later 👀?
Lips?
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I love our lips, I really do. There's a long history of shaming Black women in particular for the way our lips look. So when I see them done in all their glory, it makes me very happy. Two-toned lips vary in shade and intensity, so make sure you're using references if you want to be 'realistic', but it doesn't have to be that hard. Even a little subtle shift like this in the design/story description lets me know that a creator was thinking about me.
Nose?
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One thing I've noticed ever since I starting drawing is that... people in a lot of mangas/manhwas barely have noses! I admit, out of all the features on the face, the nose isn't the most important. I think they should be, especially when you want to emphasize that your characters look different! People have different types of noses! I especially want to gear this towards those with a goal of drawing realistic portraits and the like- there, the nose is ANOTHER dead giveaway. There are Black people with aquiline and straight noses- we aren't a monolith- but is that why you drew it? Consider why you went for that nose specifically. That's part of the intent, in all this!
Now, you might be looking at me and going "Ice... this is just character design". To which my answer is: Yes! It is! It feels so basic, and yet if you ask your Black friends/peers how often they've come across this feeling of not being properly drawn/written, from fanart to professionally produced works, it's unfortunately common despite how simple of a concept it is.
I hope that you can walk away from my first lil lesson with new eyes. Remember, it's the thought that counts, but the action that delivers!
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ofloveandstardust · 2 months
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A/N: I saw that Cain and Abel aren't like present in the show and I know they're technically Adam and Eve's kids, but let me have this please— I just wanna gush about this since it's been invading my mind.
cw: fem!reader (no pronouns, but reader is called wife/mama/mommy/mother)
Imagine: Being Adam's wife and having two sons with him.
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I can definitely see him being excited over having sons. Like, hell yeah! But but but also— I have this feeling in my gut that he'd be okay with being a girl dad, sooo after having your sons he's just like "Wifey, Sugartits, Babycakes—" Any nickname under the sun until you finally ask him what he wants and he just says he wants a daughter.
You can't tell me he didn't name Abel— and 💀 It's even funnier since Abel does have a little more resemblance of his father than Cain does. Cain was named by you and looks more like you. However, you can say his attitude is similar to Adam's. I can see them both having Adam's eyes when thinking up of how they'd look, but I'm leaving things up in the air. Just for this, because I think it'd be neat, the boys are twins. Cain is the older twin while Abel is the younger one.
Cain is kind of a menace...but still a good kid. He always pulls that "Because I'm the oldest" card with Abel and if he ever whacked his brother and he started crying, Cain immediately does that thing where the sibling just panics and stops them from crying or else he's getting in trouble with mama and papa. He teases his younger brother, but will get upset if anyone tries to bully Abel. Oh, but the biggest menace he is towards? Adam. Cain doesn't hate his dad at all. No, he just prefers you more and lowkey is a mama's boy. Adam can have Mr. Perfect (Abel), but he at least has mama.
Then Adam just straight up has beef with his own son 💀 Because Cain takes up your time and he swears the little shit is taunting him when you're not looking. Cain comes up when you and Adam are kissing or anything like that, holding his hands up like, "I want Mama's kisses too... 🥺" You can't resist because that's your baby and he's so adorable. There's this stare down between Adam and Cain...meanwhile Abel, being the good bean that he is, waddles towards you all and goes, "Mama! Papa! Look what I drew! :D" and it's just a sweet little drawing of him, his brother, you and Adam.
Speaking of Abel, he's a good boi. Cain calls him Mr. Perfect sometimes because Abel has some natural talent. He's especially good with music, much to Adam's delight. Still, he looks up to his brother and despite Cain's jealousy, they do get along nicely. They have this little game where they're building their own city and decide over several elements of it. Abel somehow always brings sheep into the mix, but his brother isn't complaining.
Abel doesn't play favorites and says he loves you and Adam equally. He always wants to make sure the two of you are present at the same time when showing his accomplishments or what he's found. Speaking of which, he has special interests that last for a while until he moves on to another one or some just last a very long time. An example would be sheep, as mentioned before. He even has a lamb plushie (I can see him watching Lamb Chop's Play Along and loving the show). Cain knows how precious this little lamb is to Abel and will raise chaos if it ever gets lost or stolen (he calls the plush "The Chosen").
Here's a funny little thing: the boys not recognizing Adam in the mask he wears. From the day they were born, they always saw their father without his mask and have grown used to seeing his actual face. One day, they ask you where he was and you tell them it's work related but he'll be back to teach them some new songs. Just imagine Adam coming back, calling out that he's home, which cause the boys to rush up to him. Then they just stop because... "Mama, who's this stranger in our house!?" Abel literally starts crying— saying this isn't papa. Meanwhile Cain's mind immediately says violence is the answer (thanks, Adam). You have to calm both boys down and explain to them about the mask.
Flight lessons are stressful. It all started when Cain began jumping off of the furniture and escalated to him jumping off the bunk bed (because it'd be adorable for them to have bunk beds). So, it seems like it was time to show the boys how to use their wings. It's harder than it looks. Abel isn't okay with jumping off from anywhere unless Cain is going to jump with him. Fine with his brother because he enjoys doing this. Eventually, they're able to fly and it's a joy! They can fly around Heaven with you and Adam and it's absolutely adorable.
Cain and Abel have different ways to refer to you and Adam. Cain calls Adam 'dad' or 'papa' but does call him 'father' when he's upset or serious. Meanwhile, he calls you 'mama', 'mommy', or 'mom' (mom is more frequent when around others or strangers) and it's rare when he calls you mother. Abel just calls you two mama and papa. He'll only use mother and father if he's around people he doesn't know or meeting for the first time.
I have more thoughts about these little beans such as how they are around Lute (#1 and only Babysitter), Emily (Abel affectionately calls her Auntie Em), Sera and possibly Lucifer and Charlie (because you can't tell me Adam would not brag about having kids 💀). Like, I can see Cain being brutally honest when he first sees Lucifer because he's that type of kid. Will 100% make a comment about the man's height. There's also the fact that both boys are into music like their father. Abel once asked, "So if that's Queen, then who's the King?" when Adam tells them about Queen. Also, I can very much see Cain getting into gardening. If you want more of these then let me know!
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zarla-s · 1 month
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Please don't take this as me being angry or trying to be rude or anything, but this ask is... baffling to me?? For a variety of reasons, haha.
Like, I don't set out to create a "fandom" around my stuff when I do things, I just do them cause I feel like it and sometimes I get lucky enough that people enjoy it and feel inspired to create or talk about it! I'm not really trying to fill a void left by one of these "fandoms" by making a new "fandom" around things I make, I'm just doing stuff.
The idea of a stockpile of interests getting too big is also bizarre to me? Like... for an example of both things, you can watch Stamp on the Ground, it's chock full of all kinds of weird obscure interests of mine I just put in there because I liked them, and I since have many many more. There isn't really a limit to how many interests you can have!
Mentioning abandoning TF2 is also very funny to me because I kind of already did that once?? When I started drawing it again in 2023 I was coming back to it, the last time I drew anything for it was 2009. Twelve years where I didn't even touch it! Starting up again was the last thing I expected and yet here I am!
Which relates to the greater point I guess which is that my interests and inspiration don't just die and disappear, they just go dormant. They're always waiting there for the right cue to wake them up, and I can never predict when it happens. TF2 is the most recent example! But Vargas is a long-running one, I take huge hiatuses from it where I don't write or draw or think about it for a long time, but it's always there in the back of my mind. I went absolutely nuts for it around 2020 and then it went back to sleep for the most part, but I still get ideas every now and then. It's not gone. It's just taking a break.
All the things I like and make stuff for are like that. There are a few I don't see myself coming back to any time soon, but then again I thought that about TF2 and now I've made the most elaborate site I've ever made for it. I can't predict these things. What'll be next? I have no idea. MGS again? StarCon2? Ace Attorney? Or maybe it'll be something new? Who knows!
And I think describing one of those "fandoms" as crumbling and dying is a bit unfair... I don't think of it like that. I mean, I started Vargas in 2003 and I last updated it in 2021 and I'm still hearing from new people that just got into it! All the stuff I've made is still "alive" in that way. I do feel guilty in that transition period between one interest and another because I feel like I'm disappointing people who followed me for that one thing though, haha. But what can you do? Gotta do my thing! Follow where my heart leads me! Not everyone's going to be along for the ride, and that's fine.
(Those of you have stuck around through all my different interests, I appreciate you deeply <3)
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jakeyp · 7 months
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Hey guys!! Here's a tutorial on how to create those little animated doodles for your gifs so that you don't have to look for the exact overlay you want for hours 👍 This tutorial was requested by @fabines :) It's a long process but it's not too difficult, you just need to know the very basics of gif making! The steps are below the cut :)
1.
First we're going to have our gif ready, and make sure you know how many frames it is!! It should preferrably be an even number! (or a divisible number)
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Now we're going to make another gif, which will be the lil animated doodle. Go to file > new or press ctrl+n. Create a new document that's going to be 300x300 px, and we'll make the background black:
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3.
Now we're going to use a brush to paint the doodle! We're gonna set the size to 4px-7px depending on how thick you want it to be (here i used a 4px brush) and the hardness to 100%, and we're going to trace our doodle on a new layer:
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It does not have to be perfect!! It took me a while to get that crown and it looks half assed 😭 if you can use something other than your mouse like a tablet or something i definitely recommend you do it :)
Now we're going to click on "Create Video Timeline":
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Now the bottom of our workspace is gonna look like this:
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We're going to click on those three little boxes on the bottom left to convert to frame animation:
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And there's that! Now for the slightly tricky part.
4.
We're going to set the layer where we drew the doodle to 40% opacity:
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And on a new layer, we're going to trace the same doodle:
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As you can see it doesn't look the same and it's because it doesnt have to be, that's how we're going to make it look animated!
We're going to repeat that process a few times! What i do to not get confused is that for examples when i'm going to draw layer 3 i first make layer 2 invisble, and then for layer 4 i also make layer 3 invisible and so on
My gif here:
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is 40 frames, which means i can make 8 different variations of my doodle and duplicate each 4 times. This is why it's important that you know how many frames your gif is! And it's even much easier if it's an even number.
But what are we going to do to make it look animated? Well, it's all about using the timeline! First, make sure that the frame delay is set to the same as your base gif. I usually set it to 0,05:
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Now our first layer can go back to 100% opacity, since we're going to use it too:
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So this is what we have so far:
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Only layer 1 is visible. So what we're gonna do is click this little plus icon:
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It duplicates our frame. And on our layer section we're going to make layer 1 invisible and instead make layer 2 visible, and you'll notice that now our first two frames correspond to our first two layers:
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And we're going to do the same thing for each layer! Add a new frame, make layer a invisible, make layer b visible, and so on! Here's what my crown looks like after doing this process with my 8 layers:
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As you can see it's too fast, so that's why i'm going to duplicate each frame 4 times, so each variation has 5 frames on the timeline, and that's how we're going to get the same amount of frames as our base gif:
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So once we have our animated doodle it's very easy from here! We're going to click on the bottom left again to convert our frame animation to a video timeline:
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And we're going to select all of our layers (ctrl+alt+a in windows or just go to select > all layers) and convert them to a smart object (right click > convert to smart object):
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So we're going to select our doodle and copy + paste it on top of your base gif, and we're going to set it to lighten or screen, whichever you prefer:
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So now we place our doodle where we want it, make it whatever size we want, rotate it... and we're freaking done!
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I hope at least half of this made sense akdhsk if you have any questions feel free to send an ask! 💙
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folder-stuff · 11 months
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I steamed with these drawings for a long time, but it was worth it.
When I drew the designs of the guardians, all sorts of ideas came to mind about what happened while Cornelia lived in Meridian. I really like what I came up with, and I'll try to explain why I drew it all at all.
In general, as you know, in this alternative, Cornelia went with Caleb to Meridian, leaving her family and friends, as well as the post of a guardian. This event has greatly shaken Will's confidence in herself as a leader who is obliged to unite girls. Especially after the arch with Nerissa, where she almost lost the Heart of Kandrakar. And don't forget about Taranee's doubts, because of which she even left the team in the canon. In general, Will had reasons to give the leader's place to a new member of the team - Orube. "Maybe someone else can handle it better?" she thought.
At first, it seemed to be a good idea to run away from responsibility. However, girls didn't think so. No one recognized Orube as a leader for many reasons, one of which was Will's authority as the previous head. And when the girls were looking for support in her, she couldn't provide it, because she's not as solid as Orube or Cornelia. Will is a sensitive nature, the heart of the team, not its foundation, and she isn't able to return everyone from heaven to earth because of her character.
Hence the main conflict was born: Will couldn't cope with the role of the guardian of the earth, since she wasn't able to take the position of Cornelia in the team. She felt out of place and understood that she used to be more effective. Against the background of the defeat that has already happened after Cornelia's departure and Taranee's doubts, this aggravated the feeling of failure, inferiority complex and hesitation. Confidence is the main quality of the guardian of the earth, and she lost it without even starting to develop in herself.
This is where the main dilemma began: she wanted the leader's place back. But not only because she realized her incompetence as a guardian of the earth. It's also about the Heart of Kandrakar. From the very moment of Orube's appearance and the transfer of the Heart, Will heard its call, at first barely perceptible, but growing stronger every day. With the understanding of where she really belonged, Will missed the feeling of unity with the Heart of Kandrakar, with its warmth and power. And it scared her. Because she began to see Nerissa in herself, to hear her phrases in her head and to dream that she's turning into a recently defeated enemy...
This is exactly what I wanted to convey in my first work: the binding vines that strangle Will and don't allow her to move; the imitation of the Heart of Kandrakar, which no longer belongs to her; fear from the desire to possess what she can no longer possess.
I hope I have enough strength to make a post about Orube, because I did the drawing for a long time and was a little tired =_=
In the second picture, I wanted to show Will's routine and her new powers. She conjures only plants, often flowers, as it's more difficult for her to cope with heavy stones and hard earth. This is due to fading self-confidence and lack of firmness in actions and decisions. She's effective in combat, but things don't always work out the way she intended, which makes her angry at the plants, as if they're a computer hanging at the wrong moment. She had to learn to cope with vines and flowers so that they were useful.
Also, these plants often get in the way and grow when and where it isn't necessary. For example, they can cling to the legs and grow while Will sleeps.
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thelov3lybookworm · 2 months
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White Roses And Lies.
Summary: Rhysand and Y/n realise they might not make it to starfall. They make the most of what they have to celebrate.
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A/n: im convinced rhysie poo is going to murder me because all the fics i have ever written for him are sad 😇
Anyways, this is a lil smth for the third prompt for @starfallweek
(also you can all fault @thehighladywrites for making me hurt rhysie poo because she picked him to be hurt)
Enjoy!
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Y/n glanced up from where she was picking chamomile from the wild bushes in her backyard, her eyes squinting to make out the shape materialising out of nowhere.
"Rhys? Is that you?"
No sooner had the words left her lips that he appeared fully, stumbling forward.
A wide smile split her lips, and she moved too, just happy to see her lover.
It was just one moment before the two of them were wrapped in each other's embrace, but it was enough for Y/n to realise that he did not have the big smile he usually had on when he met Y/n.
He looked haggard, like he hadn't slept or eaten in decades, but what scared Y/n more was the fact that those were tear stains on his cheeks.
He crushed her to his chest, his arms wrapped so tight around her it was hard to breathe. Concerned, Y/n tried to push away from Rhys.
He wouldn't let go.
"They're hunting us." Rhys spoke directly into Y/n ear, pressing his face into her hair.
Y/n froze, her struggle to breathe now forgotten.
"W-what?"
If possible, he pulled her even closer. "My father. He told his courtiers to hunt us. You and me."
All of a sudden, it all clicked for Y/n.
She didn't even bother to pull away from him and ask for an explanation then. She just wrapped her arms around him, and let her head rest on his shoulder, under his jaw.
After all, she knew low born fae and high fae, especially a high lord's heir, were never supposed to even talk, let alone be involved.
She'd always known it was all a moment's bliss, but who could have faulted her for having hope?
"We were always doomed." She mumbled into the expensive fabric of his shirt, a tear escaping her left eye and staining the fine material.
She felt Rhys shaking his head against her, and her heart clenched when a torturous sob ripped out of him.
"Why Y/n?" He questioned, his voice wobbling and choked with tears. "Why us?"
She said nothing, because there was nothing to say. She simply rubbed his back, and let him cry.
"Why couldn't we have been an example that the class system was bullshit? Why could I not have had a better father? Why could I not have been born as a lower fae-"
"Rhys."
"Why did he find out about it? Why-"
"Rhys-"
"Why hasn't he fucking died yet? Why-"
"RHYS!"
He stopped then, stiffening a little.
"Rhys please." Y/n's voice broke, and he finally loosened his hold on her. She quickly drew in a deep breath, her first full one since Rhys had showed up, and looked up at him.
She did not let go of him, but leaned back so she could see him better.
"Its starfall." She smiled a little as she spoke, but apparently that was the wrong thing to say, as another tear escaped those eyes that had captivated her since the moment hers had met them.
"Exactly. I was planning on sneaking away to meet you once the stars started making the journey, and he found me. He broke my mental walls, and he found out."
Y/n swallowed, looking around for anything to help her. She found a flower staring back at her.
A white rose.
The white rose he had gifted her once he had started courting her, one she had decided to plant.
Quietly, she untangled herself from Rhys and walked over to study it. He followed her like she knew he would.
"Do you remember when you first gave me this rose?"
A smile bloomed on his face just like everytime she reminded him of that day. "I can never forget it."
Her face split too at the sight of his happy face. "Me neither."
He stared a the flower a moment longer, then turned to her, the look on his face knowing. "You're trying to distract me, aren't you?"
She grinned sheepishly. "I mean, whatever works, right?"
He laughed, the sound wet and full of sorrow, yet so full of joy as he sat back, his arms coming to rest on his raised knees.
"Y/n... I hope you know I love you. That no matter what tomorrow holds for us, whether they do hunt us down, I will love you forever. Even when I'm nothing but bones and dust in the wind, I'll be yours."
Y/n had to look away at that in order to stop herself from breaking down.
"I do. I love you too Rhys, more than you can know. More than words are capable of expressing."
Rhys glanced up, towards the clear sky, just as a star shot past.
His eyes lit up. "Look!"
Y/n followed his gaze, nodding and laughing at the childlike glee in his voice.
"Starfall has begun." Y/n mumbled, laying her head on his shoulder.
Suddenly, his demeanour changed. "This could be our last starfall."
Y/n sighed. "So let's enjoy it Rhys."
She knew he had a retort at the tip of his tongue, so she pulled away, meeting his eyes as she began pushing him to the dirt so he would lay down.
"It's our last starfall Rhys, so let us enjoy it." She stared at his eyes intensely to make sure he understood. "Hmm?"
He nodded, and she smiled again, laying down next to him, uncaring that her clothes were getting dirty as she lay her head on his chest.
His heartbeat was calm, so at odds with the erratic rhythm it had beat when he arrived.
And so, there, in the middle of nowhere, on the hard ground in front of Y/n's small hut, under the star filled sky, Y/n got lost in the soft sounds of Rhys's breathing.
And sure, those were the sounds of warriors and fae males who served the high lord coming closer, and those were definitely the barks of the hunting hounds, but here, nothing existed other than Y/n and her lover.
Not an heir, not a high born fae. Not a low born fae, not the scum stuck under the boot of the higher ups.
Just him, and her.
And as she felt his presence in her mind, grabbing hold of her conscious, she smiled and closed her eyes- the white rose twinkling in the light like an enchantment her last sight, a testament to their love- content and satisfied despite the unexpected and quick end to their story.
Go to sleep my love. I'll be there when you wake up.
Y/n didn't point out that she knew it was a lie, for right now, that was all she needed as she lost herself.
Lost herself in the sound of his voice in her mind, his scent in her lungs and his love in her heart.
•○🌑○•
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mj-ackerman · 2 months
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Translation of Tatsuya Endo's Interview with Katsumaru: (You can read the original here X)
Katsumaru: My wife and child are both big fans of "Spy x Family", so they were both excited for me to be able to meet you today. Why did you choose the theme "Spy" in the first place?
Endo: I didn't have any particular desire to draw a spy story or something like that, but I had always liked military kinds of things and was interested in war related things, so when I combined those aspects with the theme of "lies", it naturally ended up as a spy story. However, I haven't seen many spy movies, and for movies like "007", I've only seen one or two of them.
Katsumaru: What? Really? The information about spies that appears in the story, even for someone like me who's been an avid follower of the genre, gives an impression that it's very well thought out. How on earth did you acquire such knowledge?
Endo: Most of it is from books. And then some of it is from documentary films and the likes. There was an old movie called "Shiri" (This is a 1999 Korean film), it's about the battle between North Korean Special Operation Forces and South Korean Intelligence Agency. I liked that very much.
Katsumaru: The setting, in which the husband, Loid, is a spy and the wife, Yor, is an assassin, reminded me of the movie "Mr & Mrs Smith"
Endo: When the series was just starting, I see that title being mentioned a lot in the comments, but to be honest I've never seen it before....(Laughs). I didn't have much time to prepare for the serialization, and since it's a comedy, I thought I didn't have to be that particular about the settings as I drew it. I incorporated the knowledge I had gained from books, but since it's still a manga, I kept the "No way, that's impossible" aspects to it.
Katsumaru: I think it has a really good balance between realistic depiction and entertainment. Spies are part of everyday life, and some of them even established a "fake family" as in "SPY X FAMILY". In reality, there are cases where married couples had been living together without realizing that their husbands are spies.
Endo: That balance is what I pay the most attention to. I guess you can say it's a process of determining the "minimum level of reality" in each scene.
Katsumaru: How concerned are you about the difference between "reality and manga", Endo-sensei?
Endo: This one is difficult. It's a case by case basis, but in manga, there are many parts where I can just go "let's fake the reality at this part for the time being". When you're working alone, you don't have time to do research about this or that fact. However, in anime, you have to create much more detailed settings, so there isn't much room to put on tricks. When the anime team would ask me "What would happen in this part?" I would often reply with "I'm sorry but I haven't thought about it yet...." (Laughs).
Katsumaru: Have you not strictly defined the scene or time period the story is set in yet?
Endo: I had the image of the period setting somewhere between the 1960s and 1970s. I'm trying to explore what I can do with the technologies in this era thinking "This technology might be possible". I also have softened the reality of things, such as the political form. The cold war between the East and West is also part of the motif, but if you just tell the readers that "it's a conflict of ideologies" , it won't make sense to them. So, I put it into a form that is easy to understand as a manga, there are also some parts that I, myself don't know about after all. Similarly, in the real world, for example, spies probably have very few horizontal connections, right? Like for security reasons. However, as a manga, in order to develop the story, it was necessary for me to depict conversations between spies. All the more that this is a comedy story, so it wouldn't work without conversation. It's difficult to find the right flavor between the two.
Katsumaru: It's pretty unique that you came up with the name "Dalc" which is similar to the name of the currency "Mark" (It's Deutsche Mark which is no longer in use since 2002) used in Germany.
Endo: It's actually a combination of "Mark" and "Dollar". I often use names of places and buildings that actually exist in real life. However, I have a pretty bad memory, so I often ask myself later "Where did I get the name of this place again?" (Laughs)
Katsumaru: Is there any expert historical research or supervision of intelligence agencies involved in this?
Endo: I basically think about all the detailed settings all by myself.
Katsumaru: Since the real-life aspects are well-constructed, I thought an expert in international politics was involved in supervising this.
Endo: There are also some readers who read too deep into the historical situation, but I didn't actually put much thought into the details in writing the story. This is just a fictional country called "Westalis and Ostania" after all.
Katsumaru: In "Spy x Family", there are some Russian-speaking names such as "Anya" and "Yuri" that appears, but spies in that country uses more analog method. For example, "flash contact", in which documents are handed over to another person as they pass each other, or a "drop dead", in which documents are hidden in an agreed-upon location and later picked up by a colleague. There is also a method for communication. Although this method is considered extremely inefficient, it is sometimes considered to be highly secure because it prevents interception of communications.
Endo: So there's still that kind of analogs even now huh? Now that technology has developed and everything is digitalized, I certainly think it's much safer now. In other countries, there are organization such as M16 (United Kingdom Secret Intelligence Service) and CIA (US Central Intelligence Agency), Japan also has organizations with such characteristics.
Katsumaru: The "Tokyo Metropolitan Police Department Public Security Bureau (Public Safety)", where I worked, is the counterintelligence arm of Japan. In "VIVANT" (It's a 2023 Japanese Drama), which I supervised, Hiroshi Abe and Ryo Ryusei are playing roles with these type of characters. We have obtained as collaborators people who have a lot of information and people who are in position to meet various people such as reporter.
The only problem was that we didn't have enough people. The CIA has a large number of subordinates under it's station chief, and a large budget. When I was temporary transfered to a Japanese embassy overseas, I was alone, my budget was limited, and I was also reponsible for issuing passports, so there is no doubt that working at an intelligence agency overseas with better environment had allowed me to concentrate more on my mission.
Endo: Do you hire locals overseas?
Katsumaru: There are times when we ask locals to work with us by paying them a reward. Or, we can ask them to connect us with people who has information. The Public Safety is very good at finding and training people who can bring good quality information and can do good work.
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mochiiniko · 2 months
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follow up to this ask! this time im just gonna be talking about my coloring process (i also want to let you all know that im not an expert in color theory since im still learning, im quite literally just going random bullshit go on the blending modes 💀 lots of explanation under the cut)
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the three blending modes i mainly use are exclusion, hard light, and overlay. from the guide above you could see how the blending modes work on their own, and how they look like combined altogether. the cool thing about blending mode layers is that it really is all about experimentation and finding the best combination for a piece (also to any fellow inabakumori enjoyers GRAHH lagtrain pose jumpscare)
i went through a bunch of blending mode phases before i ended up with those main three, though it's funny how ive been using the same overlay color for about 4 years now (multiply used to be one of them, and i still use it from time to time, just not as much). im gonna be honest the whole reason why i know about blending modes being helpful was because one time i accidentally had the fill bucket on and had a certified eureka moment 😭
the best way i could explain these three modes is:
exclusion - honestly i still dont understand how it works either 💀 when i use a really saturated blue color and lower the opacity, it gives a cooler feeling to the palette. feels like a mix of multiply and overlay with how it adjusts the colors without making it darker
hard light - gives more saturation and color
overlay - gives off a glowy effect, especially if the lineart isnt completely solid (this is why it isnt clipped on the folder as shown in the example below, keeping it above the layers gets that glowy effect)
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i still use the same colors for exclusion and overlay (while i do alter them with hue saturation brightness from time to time, i just use the same blue and brown for most of my works) though hard light is what i use to make drawings lean towards a temperature
i tend to use warm colors a lot because i think theyre neat and also im biased sorry <3. as a warm palette example, i drew yinu and used this orange color on hard light and lowered the opacity
cold colors have a similar process, it's just the matter of adjusting the hard light layer. i wouldnt really say it's completely cold since i still add warm colors because im still biased </3. as a cold palette example, i drew sayu and used this purple-pink (??) color with the same settings
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when it comes to drawings that have characters with contrasting palettes, it does take a bit of trial and error but i most of the time i mix both warm and cold methods like the example above. this also helps for art with several characters in general, since the blending modes help make the colors go well together despite the variety
theres also instances where i dont always use the warm + cold combo, since sometimes drawings lean towards a specific temperature instead (like environments with set lighting/shading, so usually i follow that even with characters with different palettes)
tldr; there are lots of palette combos you could make, not necessarily with just the three blending modes i mention. random bullshit go genuinely helps with experimenting with colors!!
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clownwritesfanfic · 8 months
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Hello there dear! Can I request Willy wonka (2005) with an s/o that’s an artist (traditional or digital) that shows their love through their art? Example: S/o drew a picture of Willy and themselves together (cuddling, kissing, or just some shitpost of them being silly) and shows it to him?
Absolutely! I also like to make art so this will be fun! I’m going to do it in head canon form cuz I think it will be easier :) sorry if it’s not exactly what you envisioned or if it’s too short
Gender neutral reader
Willy Wonka with an Artist S/O
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If you can recall, I mentioned that I think Willy himself is surprisingly good at drawing in my SFW headcanons.
He keeps his drawings of anything other than concepts for new products or blueprints for a new room, private. He’s too embarrassed to show anyone.
That being said, he loves when you show him your work!
It’s best to show him at a time where he isn’t busy otherwise he’d brush you off. It’s not that he doesn’t want to see it, he’s just preoccupied with work and once he’s focused on something it’s hard for him to tear away sometimes.
If you ever have an idea for a new candy: DRAW IT!!! He’d love to see it and would do his best to make it a reality.
As for drawing you and him together? He’d be a little flustered but he’d adore it.
One of his love languages is gift giving so he’d very much enjoy any art you gift him.
His reactions are a little underwhelming sometimes but it doesn’t mean he loves them any less.
“Oh look at that. It’s us sitting near the chocolate river. How cute.”
No matter what though he always gives you a cute smile.
If you go through art block he’ll notice since you haven’t shown him anything recently and he’ll bring you to a room in the factory that you either haven’t been to in a while or at all and hope he can spark that creativity again.
If you draw any of the Oompa Loompa’s and show them, they will go crazy. They love drawings of themselves and it always makes Willy happy to see you getting along with them.
Sometimes Willy and you will sit in silence, maybe have some music playing quietly, while you both draw. Him on concept art (or maybe a secret portrait of you) and you, drawing him. He loves those moments.
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ghenry · 20 days
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Rewatched the Avatar TLA series with my partner recently, and fell in love with the world and characters all over again. I especially love the journey Zuko goes through the show as a character.
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Zuko, son of Fire Lord Ozai. He seems pretty by-the-books at first as this angry villain, but something that makes him immediately unique for this kind of setting is his young age. He's barely older than Aang, our child protagonist.
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"You're just a child." "Well, you're just a teenager!"
Although early on you start getting the idea that there's more nuance to him than this villain trying to incapacitate our protag, he shows some depth in his character here and there, usually through his uncle Iroh, a wise warrior that's there to aid and comfort his nephew, joining his banished trip on his own accord. While he's on the villain's side, it's worth noting he never hurts or intimidates innocent people, only ever fighting those already attacking or threatening him.
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Even so, Zuko made it blatantly clear what his intents were. "I must capture the avatar to regain my honor." And he barely changed his mind about this throughout the entire first season, even when the two helped each-other out of hopeless circumstances, hinting that they're not meant to be sworn enemies.
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"If we knew each-other back then, do you think we could've been friends too?"
Knowing the show and how it transpires across all 3 seasons, it's interesting seeing the intent the writers and showrunners had for these characters, and their hidden depth, all the way back in this first season. One of the finest examples would be Iroh sharing Zuko's history with fellow soldiers. A history which helps said soldiers --and in turn, the audience-- empathize with him.
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Behind Zuko's scarred face is a story about a boy already feeling lost and unsure of himself, stumbling into a tragedy where his father --in sheer arrogance-- abused his son to a high degree in front of all his subordinates, in a heinous act he would call punishment.
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Ever since then, he was banished to travel across the world to search for the avatar, a task his father felt was worthless, but was the same as leaving him out to die. This isn't the origin of a villain, but a downtrodden individual who couldn't find his place in life.
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What Zuko called "honor" over and over again wasn't that, but his father's love. He already lost his mother, and instead yearned for his father's approval and affection. This culminated to his ultimate betrayal, siding with his sister and turning his back on his uncle, which lead to his imprisonment. During a crossroad and moment of insecurity, he threw his uncle Iroh to the wolves because he thought he would regain his honor and earn his right to be a part of his family once again.
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Zuko would be welcomed back into his family, he retrieved what he thought was his honor --and what he thought was genuine love from his father.
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"You have redeemed yourself, my son."
But even then, he still felt lost, alone, and without a sense of direction. Nothing changed, his soul still felt incomplete.
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"For so long, I thought that if my dad accepted me, I'd be happy. My dad talks to me, he even thinks I'm a hero! Everything should be perfect, right? I should be happy now, but I'm not! I'm angrier than ever, and I don't know why!"
It took him a long time (about 2 and a half seasons) to realize he didn't need this sense of "honor" and what he was chasing was just a farce. His father only showed Zuko "love" when he seemed useful, an asset that was helping his fascist conquering of multiple nations by killing the Avatar.
All of this drew to an enthralling, terrifying, heart-wrenching moment between him and his father during the day of the eclipse. He used the minutes they could not fire bend as an opportunity to let out the truth and his own epiphany. He admitted that he never killed Aang --didn't even try, for that matter-- and that he's going to help him defeat his father's regime. Ozai immediately despised Zuko for this, proving his 'love' was conditional and hollow. And at that moment, as soon as the eclipse ceased, he attempted to kill his own son right then and there in a moment that never fails to draw tears out of me as soon as it happens.
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Zuko survived his father's lethal attack, only by sheer will, and a lighting-redirection technique his uncle happened to teach him a while back, emphasizing how important Iroh is to him. Iroh is the father figure that truly loved Zuko unconditionally. Ozai, his biological father, could only grant him death. His uncle Iroh, at that moment, inadvertently granted him life.
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And Zuko's story (mostly) ends in the middle of the 4-part finale. With the help of his friends, he tracked down Iroh who escaped from prison. The moment he sees his uncle, he breaks down as he's horribly ashamed of his actions, expecting Iroh to shun him as he feels he does not deserve his uncle's love after what he did to him.
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"I was never angry with you . . . I was sad, because I was afraid you lost your way."
But Iroh doesn't hesitate to embrace him. Like I said, his love is unconditional. He knew Zuko wasn't evil, he was only being manipulated by the likes of his father and sister. He knew Zuko would find the right path, restore his own honor, and come back to him. It's such a beautiful moment and the soul-piercing conclusion to Zuko's story, a story they were building up since the literal first episode.
Of course, there's also Azula, his sister. She was considered a prodigy with her amazing fire bending abilities, mastering the skill of bending lightning, something only her father and uncle were able to do before her.
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She was a spitting image of her father; fierce, manipulative, wrathful, the only thing she shared with her brother Zuko was their sense of determination. But we don't learn what really drives Azula until the finale. It's similar to Zuko. He felt incomplete without his father's love. While this was implied before the finale, Azula felt she was missing her mother's love.
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While I think the argument could be made that this was just her own projection, it's important that this shows how --despite her more respected place in their family and nation-- she was just as broken and spiritually lost as Zuko. While Ozai showered his daughter with praise for all of her life, Azula felt her mother didn't love her, which ate away at her, deep inside. Much like Zuko, who felt he was fighting to earn his father's love.
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Azula, to me, represents Zuko's future if he let his father manipulate him, just like Azula did to him. Would he have become this tyrannical fire lord if he just listened to his father, abandoned his inhibitions, and ensured his nation's regime? Maybe. But like Azula's interrupted crowning, it would have been shallow, lonely, and without any real sense of self-worth. Nothing to show for it but a broken mind.
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Instead, Zuko became the fire lord on his own terms, and with the entire world in support of him, as he helped this quest for peace and balance across the nations. He earned his place in life through his own will, his own actions, and his amazing uncle who only wanted the best for him. He restored his honor himself, with lifelong friends by his side.
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That's it, that's all I wanted to write about. This show rules.
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Note
(Warning for rape mentions, this one’s a little heavy)
🚩
(So I can find it later)
AITA for hardblocking my former friend and did I overreact over a roleplay blog?
Basically, I found a roleplay on Tumblr while I was scrolling through some NSFW tags. The post I first saw that drew me to it was tame sexual fantasies in comparison to what I found on the rest of the blog.
Basically it was a rape-fetish blog, which on its own is none of my business but I was reading a few of their posts and something stuck out about them.
They kept talking about one specific person they want to rape, and at first I didn’t think much of it, but the details got creepier as I read. It weirdly seemed like they were describing me, or at least that the descriptions were very similar to me.
The girl they fantasized about had the same hair colour and length as me (as far as I could tell), was about my height (they were described as short and I am short), even things down to a shirt I happen to own, and a recent post described her smelling like a specific new perfume, a scent that I just so happen to have bought and tried a few days before the date on that post.
I tried to shake it off as nothing but the name was all too much. They censored the name a a letter then a bunch of asterisks (for example S*****) and the letter they used and the number of asterisks lined up way too perfectly for my own actual name.
Then I found an old post on the account that was a rant about how the user had themselves been sexually assaulted and then described the attack in fair detail.
That stuck out because somebody I thought was a friend had gone through an assault like that, very similar (as far as I knew) to how it was described.
I blocked and reported the account, then I blocked them on everything, from Tumblr to Facebook. They’ve been trying to contact me since but I’ve ignored every attempt.
Maybe I overreacted and am seeing patterns that really aren’t there? As far as I know that blog has been deleted off Tumblr, or at least I hope it has. I know that people can be into different things, and that being raped can make you want to take that control back, but now I’m paranoid that what if this actually happens, they act out these fantasies? I want to believe they wouldn’t, they’re not like that, but I can’t. I can’t contact the police because they haven’t actually done anything, and in my area you need reasons for restraining orders and all that stuff. Rape victims aren’t taken seriously where I’m from.
Should I have heard them out? AITA for overreacting?
What are these acronyms?
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the-solar-system52 · 4 months
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INK DEMON AND BENDY THEORY
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So Bendy's official Instagram account just posted something very interesting, and I want to theorise about it!
For awhile the social media account for Bendy have been doing these posts where Bendy takes a photo of a location from BATDR and steals an item from that location, and people have to guess what he took. I thought it was just an unimportant game to give the social media managers something to do, like Steelwool's 'Guess The Sketch', but now it's actually important.
The picture shows that Bendy built all his stolen items in the shape of his Ink Demon form, with an interesting caption. Some fans have took this post to mean that Ink Demon ordered small Bendy to make a statue of him, but I don't think that's true.
I'm a big fan of the "Bendy is the Ink Demon with the mind of a child, and they are NOT seperate people" theory, and I don't think this post disproves that.
So if you know my past TPOH and FNAF theories, then you know its time for another round of:
SOLAR NEEDLESSLY OVERANALYZING THE GRAMATICAL STRUCTURE OF SENTENCES TO MAKE A THEORY EVEN THOUGH MOST PEOPLE DON'T PAY THAT MUCH ATTENTION TO HOW THEY PHRASE THINGS
Lets dissect this single sentence like a frog!!
"His inner Ink Demon is always on his mind-"
If Joey Drew Studios had phrased this as "IN his mind", then I see how this would be more literal. Meaning that the Ink Demon is a separate entity to Bendy and is literally living IN his mind.
But they didn't, they said "ON his mind". This phrase is usually used more metaphorically. If I'm hungry, I can say that dinner is 'on my mind', but that doesn't mean my dinner is actuallly INSIDE my brain. All this means is that Bendy has been thinking about his memories of his Ink Demon form, and therefore made a statue of him when he looked like that. Possibly to try and communicate his complicated feelings through art, or maybe he collected those specific items almost subconsciously.
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Second of all, if the Ink Demon really was ordering Bendy around from inside his mind to make that statue for him, then I don't think it looks right. In BATIM, there are multiple shrines made by followers of the Ink Demon like Sammy, that look more demonic. As you can see, Bendy's statue doesn't look anything like that. Not a candle or pentagram in site! I feel like if this was made by the request of the Ink Demon, it would look way more like the ones from BATIM. But it doesn't! Instead, I think it looks more like it was made by Bendy on his own accord, like a children's drawing.
"His inner Ink Demon-"
Again, Joey Drew Studios decided to take the less-literal more-metaphorical route of this phrasing. If they just said "THE ink demon" then it would imply the Ink Demon as his own separate entity. But saying "inner" when referring to a buried memory of someone's past is not uncommon to do for regular use as well. For example, if I draw cats a certain way then I can say it's my "inner warrior cats fan" coming out. That doesn't mean there's actually a warrior cats fan inside my brain ordering me around, it's symbolic.
"on his mind, searching for an exit."
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This also doesn't disprove my theory. The Keepers technology is preventing him from turning into his Ink Demom form. This means he can't use his powers and is weaker and smaller. It's clear he at least vaguely remembers what the Keepers did to him because of how scared he is of the GENT building.
Since he is in an incredibly hostile environment, it's no surprise he'd be thinking of a time where he wasn't as vulnerable. And he would also be trying to find a way to be strong again, in his own child-like way. Which explains the statue.
Personally, I find this all way more interesting then "rrr ink demon scary rrr", but to each their own.
I have more evidence for my "Bendy is the Ink Demon with the mind of a child, and they are NOT seperate people" theory outside of this instagram description, but I've already written enough for this post. I may make another post about it but we'll see. Please comment if you have anything else to add ^^
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madlad-sadgal · 10 months
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Y'all liked it so here's a few more things I noticed in my watching of Nimona (again).
Nimona Spoilers!
We get a small section of Ball's innocence wall, and we see that his primary suspect is none other than Thodeus "Todd" Sureblade. Also, Blackheart is used everywhere, most likely as a nod to the comic, but also as what the media has dubbed this new villain, as we do as a society in real life. Giving certain famous serial killers names is an example.
Nimona did some drawings and said it was because she wanted her resume to pop, but it was most likely because she can't write or read as no one really took the time to explain it or teach her.
"Lay low until we RISE LIKE A FIERY PHOENIX FROM THE ASHES TO OVERTHROW THE GOVERNMENT!" Nimona not only spoiled her shifting into a phoenix to save the realm from the canon, but also her coming back (rising from her ashes like a phoenix)
We get another shot of Bal's innocence wall, and there we see a place where he circled in red "Who has the ressources for a laser like that?" And honestly, to me, it reminded me of what the canon did, which would explain the Director, since she clearly has access to the canons. The laser in Bal's sword, the laser in her staff, and finally the laser from the canon. Everything was her.
The Director was most likely acting overly dramatic when talking to Bal because she wanted to reinforce the guilt, and maybe even gaslight him into thinking it was his fault.
As the Director is leaving, we can see Nimona sneaking in as a mouse in the bottom left corner.
When we see the beat up knights, in the upper left corner, you can see a knight stuck in a vending machine, which I just found funny.
The light reflecting off Nimona's eyes, indicating her clear difference from everyone else.
When Nimona throws her axe, it hits a knight in the background who then falls off a ledge and falls down a few stories, so she may have actually killed someone.
We can clearly see Ambrosius go through so many emotions when he sees Bal again; relief that he's alive and he didn't kill him, guilt for his arm when he glanced at the prosthetic, confusion when Nimona calls him Nemesis, and surprise when she drags Bal away. Also, when she drags him into the closet, we get a short shot of Ambrosius half way through unsheathing his sword.
Bal's "Did you see the way he looked at me?" Being a parallel to Nimona's "Did you see the way that little girl looked at me?"
Nimona quite literally rips a pole in half and bends it over the door to keep it closed, showing a great amount of strength.
The "You're gonna die in this closet!" Joke that we all catches but I still wanted to point out because it's funny.
As Nimona is falling through the floors as a whale, she tells us that Todd canonically has a small dick ("Cold in here?")
I saw this pointed out once, but still wanted to as well, but Nimona says that she spruced up the Lair by making it more evil, but she quite literally adds Christmas lights, showing her childish side.
When we get another shot of the new murder wall, we can see the picture of Todd again, except Nimona drew a fist punching him in the face.
That's what I have so far. Might do more if y'all like this!
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