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#shui fic
shuinami · 8 months
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Part 1: What Exactly is Hobie’s Accent and Who Has It?
Part 2: When, Where, Why (Black Londoner Culture since Windrush) | Part 3: How (Writing Tips)
As a black Londoner, a large reason Hobie is so special to me is because I really saw and heard myself in him, while also not seeing a stereotype or typical, lacking in nuance portrayal of a black Londoner.
A lot of people have given great advice about how to write the dialogue of a British person; however, though the U.K. is a small place, different areas, like anywhere, have very different cultures and accents. Even somewhere as geographically small as London has a few different native accents, as many of you have picked up on, Cockney is one but there is also Received Pronunciation (RP), Estuary English and the one Hobie uses for most of his intro: Multicultural London English (MLE). 
I’m an MLE user myself, as are most black Londoners, including Daniel Kaluuya (who voices Hobie and was asked to make the dialogue sound authentic). Aside from tilting my head in slight confusion at some of the slang floating around the fandom, one of the last times I rewatched the movie, I noticed Hobie actually only uses one relatively ubiquitous Cockney phrase… and apparently, it was used inauthentically? On the other hand, he uses quite a few MLE phrases and constructions but it seems few people represent that in their fan content. 
It made me want to give my two cents and some advice on how to write the dialogue of an MLE user since I haven’t seen anyone do something like this yet.
In addition, I wanted to give a little bit of context about life as a black Londoner, since Windrush brought the first mass migration of black people to England in 1948 until now, since it’s another thing that I haven’t seen anyone talk about how it differs from the typical depictions of British life. And also how that intersected with punk culture and what it says about Hobie. Everyone is entitled to their personal interpretations but, of course, as someone who Hobie’s a bit closer to home for than most, I felt a lot of people are missing a key part of who he is without understanding the youth culture of black Londoners.
To answer these questions, I think it would be good to put names to the four main London accents so you can understand exactly what Hobie’s purposefully mixed accent is made up of and the one thing it is not.
I also want to say before we get into it that some people have unique accents/accents that may not seem to match their status or ethnicity, etc. so it’s not that nobody speaks using other accents but if we hear it, it would be noticeable.
Starting off, we have Received Pronunciation which is that posh, fancy and stuffy accent you probably first associated a British accent with. This is the accent of the rich, associated with types who go to private schools like Eton, with the royals’ accents and political figures. Nothing to do with Hobie.
On the opposite end of the spectrum, there’s Cockney. Cockney is an interesting one; it’s a term referring to people that are from East London, and according to Google “traditionally one born within the hearing of the Bow Bells” which means in earshot of the bells of St Mary-le-Bow Church. 
The term is also used to cover the accent and slang; the Cockney accent is not necessarily exclusive to Cockney people but rather is one that, nowadays, floats around the working class. The culture, on the other hand, such as familiarity with rhyming slang and stuff like eating jellied eels is not so ubiquitous amongst the working class not from the area. An example of a Cockney with this accent would be Danny Dyer, who plays Mick Carter in EastEnders and some of the other characters also have a proper Cockney accent. Here’s an iconic clip from EastEnders that showcases the Cockney accent lol
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However, there is a more general accent, which refers to the varying mixtures of RP and cockney that most Londoners have: Estuary English. The estuary in the term refers to the Thames Estuary in the South East of England, near but outside of London. The accent is not locked there, however, and extends to London, especially as people have tended to move further out from London with time due to housing prices and thus accents of outer and inner parts of London mix. It’s not associated with class the way the other two previous accents are.
There are no clear boundaries between Estuary English and Cockney, mainly due to upward mobility and movement around London. I’m not a linguist so it’s hard to describe but I would personally say that proper Cockney has some ways of pronouncing things that even Estuary English speakers on the Cockney end of the spectrum don’t typically do. 
Some examples I would consider Estuary English or more typical accents would be those of people like Amelia Dimoldenberg (chicken shop girl 😂) and Tom Holland; on the more Cockney end of this accent, you’d have people like Adele (who I’m pretty sure has Cockney family members).
Then there’s Multicultural London English, influenced mainly by the dialects of the ethnic immigrants that have come to the U.K., most notably Jamaican Patois but also, more recently, borrowing a lot from West African Pidgin languages, as well as some words and phrases here and there from other immigrant communities. Most black people speak MLE and many other ethnic Londoners do too, as due to the effects of colonization and structural racism, many are relegated to the working classes and live in community together. Examples of this accent would be John Boyega, Jasmine Jobson, Letitia Wright and, of course, Daniel Kaluuya.
Now that we’ve got the accents down, which does Hobie have?
While the term Cockney is thrown around a lot, there is a strong implication that Hobie was born and raised in Camden, especially given the casting of Daniel Kaluuya, who was born and raised in that area himself. 
Here’s a map of London, I split us up based on how I understand people typically refer to it, which is a mix of geography, government designation and postcodes. The rainbow in the middle is considered Central London, it’s a very commercial and touristy area, where all our classic landmarks are and it’s very expensive to live there. 
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Part of the borough of Camden is in central London and, currently, it starts to get more residential near Camden Market, which is 3 miles away from St Mary-le-Bow-Church, aka. The Bow Bells. A true Cockney is said to be within 3 miles or earshot of the bells (for geographical reasons, the sound carries more East). I’m not sure about the balance of residential to commercial areas in the 70s, although apparently, the area near Camden Lock was industrial. London has changed and expanded over time so someone from an east-most part of Camden at a point probably would have been easily counted as Cockney but I have no clue about the timeline. It’s uncertain whether or not Hobie would fit the criteria but if he was born today, Hobie definitely wouldn’t be considered or consider himself a Cockney. 
So again, while there’s no clear distinction of what makes a Cockney accent, Hobie is probably not a Cockney (unless you hc as such).
Does that mean he uses Estuary English? I would say no. I think his accent is predominantly Cockney and he uses some of the slang, as most Londoners do, but being black and not from East London, he mostly uses MLE slang and sentence constructions.
I believe this was the creative intention, given the casting of Daniel Kaluuya, most known for his roles in movies tackling black issues, and the freedom he was given to make the dialogue authentic, meaning Hobie’s blackness is a core part of his character design for Spider-Verse. You can also hear Daniel exaggerating the accent for Hobie at points; as he’s said himself, it’s not just his regular accent, which might not be too obvious to those not so used to London accents. It's a more Cockney accent, particularly in the intro, that he’s putting on instead of speaking normally, despite not necessarily using much Cockney lingo. Bear in mind, that Daniel naturally has a stronger Cockney twang to his natural speaking voice than a lot of MLE speakers.
Returning to the point that the one Cockney phrase, “scooby doo” was used inauthentically; it’s worth noting that you’ll be hard-pressed to find an up-to-date and thorough reference or guide on how to write the use of Cockney slang authentically because Cockney is a somewhat dated culture. For example, jellied eels? Not a common thing anymore, Some people, probably older East Londoners, still do eat them but extremely few places sell them and most of us will have never even seen them in our lives. As mentioned above, upward mobility along with people moving around means that the accent, slang and general culture have been watered down over time. On top of that, a lot of East London has been gentrified, such as the Isle of Dogs (in Tower Hamlets), which has had Canary Wharf transformed - a mall, a business centre and a major transport link and Stratford (in Newham), which has similarly had a giant mall and major transport links added to it.
Some Cockney rhyming slang stuck and is known to all Londoners, such as “telling porkies/porky pies” and “copper”. “I ain’t got a scooby (doo)” is a more common one, although not even that is known to all. Typically, Cockneys only say the first half of the rhyming slang phrase (even if it no longer rhymes). I couldn’t tell you which Cockney rhyming slang phrases have been absorbed into more general London vocab other than those, because again, it’s not used as most lists you could probably find online have it written out in full but know that a lot of phrases have been absorbed. 
Cockney slang is an oral tradition of the working class and so until more recently, when literacy rates went up, probably wouldn’t have been written, on top of people tending to write in standard English instead of using slang when writing. Unless you’re talking to a boomer/gen-x/older millennial from East London, it’s not so likely that you could read off a list of cockney phrases to a Londoner and they would be familiar with them. Because Daniel Kaluuya and I’m guessing the other people involved in writing Hobie’s dialogue aren’t Cockneys, well, that’s how we ended up with what we got.
So, whilst a dated dialect probably would be perfect for Hobie, it’s hard to get right or for it to read as natural to a Londoner because it’s difficult to pinpoint people that still talk like that on a regular basis, even in East London and it’s ESPECIALLY not black people/MLE users that talk like that these days. Cockney Rhyming slang was code language, after all so it figures that it’s a bit elusive.
Funnily enough, Hobie’s use of MLE is probably a slight anachronism, a little ahead of his time. Because the mass migration of Caribbeans began in 1948, by the 70s, most young black people would be the first big wave of second gens or immigrants themselves; ‘Black British’ culture would’ve still been quite young and not had enough time to carve itself as its own thing. The MLE we (including Hobie in the movie) use today started to really be what it is today in the 90s. Point being, you’re not going to find documentation of black Londoners from the 70s or early 80s who talk like Hobie.
Basically… Hobie’s accent is not authentic to the time period so if you wanted to write a historically authentic accent/slang… then you probably wouldn’t really write one… buuut it’s less fun and less Hobie! So let’s learn about black British youth culture and racism in London since the 70s, then we can understand the context in which the language is used before we learn the lingo + how to use it 😎
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haruchi-slit · 4 months
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ADULTERY&LOLIPOPS
a/n: Shiu needs more attention ):<
synopsis: shiu has a unhealthy marriage, While you have a toxic relationship with your husband, so to soothe your frustrations, you started seeing other men... specifically Shiu.
"mhm, so what happened next, fuck- baby!" Shiu babbled, thru his kiss in your lips, tasting his lemon flavored lolipop, lustfully kissing your red swollen lips,
"Ha-! he fucking brought his woman, and had her moaning so f-fucking loud!" you hissed thru the kiss the two of you were sharing, pausing every breath as you told him,
"Oh yeah?~, then let me make you moan- so fucking loud it'll never compare to that girl's moan hmm?" Shiu says, leading his kisses down to your shoulders then to your chest, "I'd love that- s'fucking much" you answered, squirming from his touch, your lips once again collide, as he skillfully removes your bralette that was hanging for it's dear life,
"Mhm, I'mma make you scream sooo fuckin' loud." he chuckles, "should bring you oh- home sometimes, that- fucker!" you retort, struggling to form a sentence, as he trace your body with the tip of his index finger, he scoffed. He leads his hands down on your wet laced panties, he chuckles,
"Are you this stressed, Darling?" he coos, massaging your vulva in a circular motion-
"mhm, i'm so fucked up i might lose it- ah!"
you exclaimed, Shui continues to massage your vulva but he purposely miss your clit, making you beg and become soo fucking needy, so needy that you pressed his hands on your gapping pussy lips, pleasure spikes to your spine- squirming, as the pads of his palms hit your clitoral hood, holding his hand tight on your pussy, bucking your hips back in forth giving your self pleasure with every thrust you make
"Can't wait? such an impatient lady." he teased balling his hand up into a fist, preventing you to please your self using his hand..he removes his hand from you panties and sat you on his lap- removing your panties with a slight of hand,
"Please, shiu you know how much i need your fucking, it's a remedy- fuck!" you stumbled upon your words unsure if you'll convince him, he swirls his lolipop in his mouth.
"I'm all ears babe, maybe beg some more and I'll fuck your brains out huh?" he replies, playing with your vagina, teasing your entrance, but never going in it, your pussy was dripping wet on top of his clothed boner, his pants was wet from your arousal,
"Shiu, fuck- honey please...i need you, i want you so fucking much, i need you to fuck me, please, please, please, pretty- fucking please!" you cried out you had enough of his teasing and gave in, lowering your pride "please.." you said once again begging him with such damn beautiful puppy eyes gripping so tight on his thighs, he finally gave in throwing you to the couch- unbuckling his pants, freeing his boner, his cock quickly sprung out off his pants as soon he pulls his boxer out, he then loosen his necktie and removes it from his neck- he ties it around your eyes, blindfold it, you were all in fours in the couch as you let him blindfold you.
"don't come crying and complaining to me that your body hurts, you begged so good for it" Shiu says as his pants dropped to the floor, grabbing his belt from the ground he once again approached you, he grabs your ass cheeks and spat on your pussy, you jolt from the sudden contact, he smears his spat with your wetness using it as a lubricant, he pounds his hips in you leaving you with a hanging mouth, his slightly curved cock helps him to reach your gummy walls, hitting and obliterating your g-spot, abusing it at it's limit, he snaps his hips until his balls was so deep in your pussy.
"you're being too spoiled at this point
y/n."
he says smacking his belt on the fat of your ass, "aghh-!!" you screamed, as your ass vibrates from Shiu's consistent spanking with his belt, pulling your hair and his necktie on your eyes at the back whispering all the mean things that he could fucking do to you, he lets go of your hair, then he reached down to your puffed clit, rubbing it so slow, so slow that it was painfully hard to resist to become so fucking needy- your arms was holding tight on the cover of his bed, your arms were numb and hanging for its purpose, you failed to keep your arms to support your body, so your arms gave out with your hands beneath your chest and stomach, Shiu held your ass up as he props himself to thrust faster in you,
"hold my lolipop for me babe-" he says as he pops his lolipop out holding it as a cigarette, putting the bottom of the stick on your butthole, "Shiu!~" you whined as you feel the lolipop stick in your ass
"try to keep that still and I'll give you your reward sweet plum." he says as he went ballistic thrusting in and out off your pussy, making you scream in pleasure arching your back for him to hit deep in your womb, as he thrust non-stop you felt the familiar knot building up in your abdomen, you were close, and you knew that.
"shit! shit! shit! im going to c-cum, Shiu- shiu- shiu- shit! im going- im going to fucking cum!" you exclaimed as you came on top of his shaft, cumming messily on top of him, but that doesn't stop him from thrusting and rubbing your clit, he makes you see stars, stimulating your much more to the edge,
"F-fuck, y/n, baby.." he groans thrusting non-stop, "Shiu! s-stop wait i think- ugh im going to pee!" you panicked telling him to stop but he cackled at your worried state,
"your husband- hasn't made you squirt before hmm? let me be the first then~" he says thrusting once more in your overstimulated pussy, "Shiu- fuck sooo good, shit!" you screamed squirting on top of his cock as he cums in your gummy walls, shooting thick ropes of cum, your tongue lolled out, crying from pleasure, he kisses your forehead and shoulder,
"you did so fucking well baby~" he whispered on your ear as he carries you to bed.
THE NEXT DAY:
You woke up beside him, putting on your black suit, fixing your necktie, ready to go to work- "you're going to work?" shiu says as he rumbles out off bed "yes i am- coffee's on the counter, and uh..see you, see you next week?"
"yeah see you next week y/n." he smiles, as you walked your way out, "take care" he adds as you left out off his house.
a/n: "sana tayong dalwa nalang nagkatuluyan, 'di sana nalunod sa kalungkutan" (in English: I wish the two of us could've been the ones who had stayed together, we wouldn't have drowned in sadness) damn this lyrics hit so hard Lol (song: homebdy by DEMI)
(the lollipop fell out as he was carrying you don't worry)
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fujobritta · 1 day
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thinking about how jim rash possibly copied a trobed fanfic when writing basic human anatomy . its so insane to me
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waterbottlqueen · 1 year
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rewatching saiki k for the 5th (? i forgot at some point) time!!! 
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lizzieonka · 1 year
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Alright, I'm the right amount of confused and depressed atm to continue my Years of Intoxication fic, "All Roads, They Lead Me Here."
Will start on chapter 4 after washing the dishes
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deadlyflan · 2 years
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TMNT Micro Fic #2
Leonardo limped back from kitchen and sighed one of those sighs. The kind of sigh that set Raphael’s teeth on edge. The kind of sigh that started Michelangelo preparing excuses. The kind of sigh that Donatello steeled himself not to take personally.
Picking his way through the paper wrappers, loose bottles, and cotton balls, Leonardo very carefully moved a handful of bandage wraps off the the sofa. He draped his ice pack over his elevated knee. Leo selected an unused and unspooled bandage and started to wind it. Pointedly. Silently. Very loudly judgmentally silently.
His brothers sagged over various other furniture and just as pointedly obviously ignored Leonardo’s accusatory tidying. They knew how it was. He was tired and injured post-battle. His base level of passive aggressive got aggressively passive aggressive when he was run down. His brothers, also battered and exhausted, simply did not have any more ‘team spirit’ left for cleaning.
He finished winding the bandages he could reach from the sofa. The silence stretched, and his brothers held their breath. Maybe Leo was satisfied? Maybe the ‘lead by example’ cleaning martyr routine was over? He had taken some serious hits this time. Maybe he was actually relaxing?
Leo stood up.
Dammit.
Maybe he just needed something to drink.
Crinkling sounds. Wrappers from bandaids and sterile gauze.
Raph’s eyes opened. He stared at the ceiling, counting down from 20. He could still feel his bloody nose draining into the back of his throat and his face felt like roadkill and here was his injured, idiot, neurotic brother limping around the freaking living room like a shell-backed Cinderella, gathering up loose bottles of disinfectant and trash while his very-necessary ice pack melted on the sofa—
Michelangelo called out lazily from the beanbag, “I read this funny thing on the internet the other day.” The smile in his pause was audible. A pretty good trick for a guy with fresh stitches. “Every corpse on Mt. Everest was once a Very Motivated(tm) person.”
Mikey applied ‘trademark’ to all the dead people on Everest and knocked Raph right out of his anger. He barked a laugh and snorted painfully before clutching his head. Chuckling and changing out the wad of gauze up his nose, Raph flashed a loose-toothed smile at Mikey. “Yeah. Mountaineer Leo, come back to base camp.”
Donatello giggled from the recliner, but didn’t sit up. Bruised ribs. He moaned. Shouldn’t have laughed.
“Oh for—I'm not asking you to climb mountains! Just clean up after yourselves!” Leonardo finally spoke! Even without looking, Donatello knew Leo’s hands were on his hips.
Raphael groaned, “We'll do it in the morning!”
“Yeah, Leo. We just saved the city.” Michelangelo wadded the paper from his gauze pads into a ball and threw it at Leo’s head.
He batted it away and glared at Mikey as if Michelangelo had just smacked trash into the hallway by himself! Such injustice! 
Since they were all registering complaints, Donatello added his. “Just let us bleed into our bandages for a second.” He was probably going to sleep in the recliner tonight. Soon. Now? Maybe now.
“We’ve all been hurt far worse! And the first aid kit is all over the room!”
“Your teeth are gonna be all over the ro—“
Michelangelo saved Leonardo’s teeth with a terrible betrayal. “Weren't you supposed to be icing your knee, Leo?”
“Gottfried Leibniz! Did he get up?” The recliner creaked ominously. “Leo. If you make me sit up to glare at you, I will zip tie you to a table.”
Leonardo made a tactical assessment. “Donnie, you couldn’t—“
“Okay. He couldn't." Michelangelo groped around for more trash to throw at Leo. "But Raph and I could.”
“Yeah. I’m in.” Raphael wiggled his nose. Had it stopped bleeding yet?
Leonardo limped back to his seat with poor grace. “Fine.” He repositioned his ice pack with the air of a sulky general in retreat. Sun Tzu’s Art of War had been silent on the topic of clutter but crystal clear on avoiding a fight with a superior force. Two against one put Leo back on the sofa.
Raphael rolled his watery eyes. “We'll get the mess later. Geez.”
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waterbottlwrites · 1 year
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HI HI HELLO!!! it’s me, shui!!! on a different account, obviously. here, i’ll be posting some of the fics i’ve already written, as well as new fics and little wips/sneakpeeks!!!
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aziraphales-library · 2 months
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Hi! I'm very new to reading GO fics and was looking for recs.
I just finished reading "Demonology and the Tri-Phasic Model of Trauma: An Integrative Approach" by Nnm, and it left me on such a fic high I need more. I'd love reading Crowley centered fics with a dash of nutmeg (therapy/emotional introspection), some heart wrenching bits and also a happy ineffable husbands ending. I was wondering if you could point me towards something of the sort?
Thanks in advance, and also thank you for your service to the fandom!
Hello and welcome! If you're new you might want to check out our #fandom favourites tag (of which Demonology and the Tri-Phasic is one). We also have #therapy and #crowley-centric tags, which you may be interested in. Here are some Crowley-centric introspection fics for you that I personally love...
Do You Feel Loved? by mikripetra (T)
Crowley’s smile twists downwards. “So…still in favor of ‘the Great Plan,’ then?” “Exactly!” beams Aziraphale. “She never meant for us to go through with the Apocalypse. She planned it this way from the very Beginning, don’t you see? Everything we’ve done, everything that’s happened- every bit of it was what She intended.” Crowley swallows reflexively. His mouth tastes like ash.
this message is a warning about danger (about love) by darcylindbergh (E)
He knows Aziraphale wonders about it, sometimes. The snake. Crowley’s always careful with it. He’s always careful to make it seem like it should be impressive, to posture and pose and tease; or else he’s careful to make it seem like a joke, to fill it to the brim with bravado and confidence until it’s practically sour on his own tongue, laughing and showing off. He doesn’t ever say that he’s afraid, afterwards, and there’s not really much else to be said.
Sin Pays But Botany Doesn’t by Anonymous (G)
After averting the apocalypse, Crowley is living in his car with a lot of free time on his hands. He posts a YouTube video talking about plants as a joke but finds internet famedom where a punchline should be. Being a YouTube botanist agrees with him, though. He likes talking about plants, and he usually doesn’t find many opportunities to do that outside of YouTube. So, Crowley adopts traveling the world in search of plants to film as a new hobby. Kept in the dark about this new hobby, Aziraphale, who is used to being Crowley’s sole object of attention and is unused to having to compete with anything for Crowley’s time, is curious about where Crowley goes when he’s not in London.
Crowley and His Army of Grandmothers by burnt_oranges (NR)
Crowley had impulsively stopped by Artisan Du Chocolate, the next place on Aziraphale’s meticulously ordered list of chocolatiers to sample, and now Crowley wonders--is it too much? He had bought a hundred fucking pounds’ worth of chocolate, of course it’s too much, but would Aziraphale notice that it was too much? That is the question.
I Only Have Eyes For You by Twilightcitysky (M)
After narrowly escaping execution, Aziraphale and Crowley want to fly under the radar for a while. Worried that performing miracles will reveal their location to their former bosses, they relocate to the country and stop using their powers. Meanwhile, Aziraphale is ready to start moving faster... and Crowley has a secret. Can he keep Aziraphale from realizing what's changed while juggling moving trucks, furniture assembly, inquisitive mediums, attacks of Feng Shui, and the mortifying ordeal of grocery shopping? A fic about moving in together, finding yourself, and finding one another.
- Mod D
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spncupcake · 1 year
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Daryl Dixon Masterlist
The Walking Dead Masterlist
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Favs ✨
Theteasetwrites
The Beginning Is the End Is the Beginning
18+ Minors DNI. Series follows the show S1-11. fic rec
Merciless Beauty (7parts + counting) 18+ Minors DNI. fic rec
Fifty Kisses fluff fic rec ✨
Lace & Silk 18+ Minors DNI. fic rec ✨
Devnmon
Eyes on the Road 18+ Minors DNI fic rec
The Perfect Gift fic rec ✨
So Good for Me 18+ Minors DNI fic rec ✨
Just a Picture 18+ Suggestive. Minors DNI fic rec ✨
Daryl-Dixon-Daydreams
In Silence (4 parts) fic rec
Sacrifice (29 parts) fic rec ✨
Endings & Beginnings fic rec ✨
Approval fic rec ✨
collecting-stories
Georgia (28 parts & counting) fic rec ✨
Weretheones
No Rush 18+ Minors DNI fic rec✨
Silver Springs major angst, but oh so good fic rec ✨
Haruhey
Point of View 18+ Minors DNI fic rec ✨
Normanplusdaryl
You, You, You fic rec
Ficnation
Baby Talk fic rec ✨
Pinkandblueblurbs
Knots 18+ Minors DNI fic rec ✨
Baked 18+ Minors DNI fic rec ✨
Dreamingdixon
Feng Shui fic rec
Random:
My Woman fic rec
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00127am · 3 months
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ASTEROID BLUES is a cowboy-bebop inspired, x afab! reader fic series that revolves around the futuristic misadventures of easygoing bounty hunter, ln yn.
info. wanted posters are not full plot synopsis. for individual fic information, please click on the 'here' underneath each section. sfw fics will be posted on 00127AM, while all nsfw works will be posted on ROCKSTARYUTA.
soundtrack. tank! seatbelts young jesus logic kimidakenotenshi soul scream interlude: past to present nct u
living bounty to bounty, who's your first target?
WANTED DEAD OR ALIVE ──── ✈︎ sfw johnny suh ⌖ space cowboy ― fellow bounty hunter wanted for his ... unorthodox methods. the only problem? he's hunting you too. SESSION I. black dog serenade kim jungwoo ⌖ high roller ― wanted for a number of debts owed to some of the galaxy's most powerful syndicates. try not to get too distracted by that charm of his, or else you'll find yourself toeing the line between professional and personal. SESSION II. gateway shuffle huang guanheng ⌖ bartender ― wanted for the commodification and underground auction of information. secrets traded for a drink. watch your words and your glass. SESSION III. easy come, easy go lee donghyuck ⌖ con artist ― wanted for fraud, embezzlement, and that silver tongue of his that seems to constantly get him into trouble. or save him from it. whatever you do, just don't manage to become his next mark. SESSION IV. see you space cowgirl, someday, somewhere! liu yangyang ⌖ pilot ― wanted for illegal gambling and racing. in his world, the most important thing is staying one step ahead--so don't fall behind. SESSION V. boogie woogie feng shui zhong chenle ⌖ heir ― wanted for his outrageously large fortune tied to his namesake. he's playing a dangerous game in the galaxy's elite circles, so tread carefully, lest you become entangled with his high-stakes world. SESSION VI. honky tonk woman oh sion ⌖ journalist ― wanted for learning something he shouldn't have, wrong place, wrong time. whatever you do, don't underestimate him. after all, you know what they say, the pen is mightier than the sword. SESSION VII. stray dog strut maeda riku ⌖ thief ― wanted for his most audacious heist yet. a heist that involved stealing from the wrong person this time around. a person who wants the phantoms thief's head on a platter. be vigilant, or you might miss him before you even know he's there. SESSION VIII. see you space samurai click here if you have any further information about these fugitives
BOUNTY WORTH ₩2,500,000
WANTED DEAD OR ALIVE ──── ✈︎ ®️ nsfw moon taeil ⌖ ceo ― wanted for the enterprise he has built from the ground-up. it's a shame that the only way to get to him is to become his personal assistant. SESSION IX. you're gonna carry that weight lee taeyong ⌖ hacker ― wanted for the infiltration and theft of millions of megabytes from the 119 conglomerate. he probably knows where you are before you do. ever heard of a digital footprint? SESSION X. cowboy funk nakamoto yuta ⌖ hit man ― wanted for the assassination of the galaxy's most prominent politician. watch your back. in his line of work, you rarely see him until it's too late. SESSION XI. hard luck woman qian kun ⌖ igp officer ― wanted for arresting the son of one of the most notorious cartels in the galaxy. he's not very willing to roll over and be captured, certainly not when he's trying to arrest you. SESSION XII. waltz for venus kim doyoung ⌖ doctor ― wanted for preforming back room operations and illegal modifications. his medical expertise is only second to his ethical ambiguity. try not to lose a limb. SESSION XIII. ganymede elegy xiao dejun ⌖ entertainer ― wanted for his most recent scandal involving a heated affair with the igp chief's wife. one that was destined to end poorly from the start. the world is his stage, avoid getting caught in the spotlight. SESSION XIV. pierrot la fou mark lee ⌖ collector ― wanted for the prized artifact that lies deep within his vault. seems like your employer is willing to do anything to get their hands on it, including sending you to charm your way into stealing it. SESSION XV. brain scratch lee jeno ⌖ informant ― wanted for the dissemination of information regarding neo zone tech. hailed as a whistleblower, he's wanted galaxy-wide. just don't believe everything he says, or you might just find yourself amidst one of his rumors. SESSION XVI. sympathy for the devil click here if you have any further information about these fugitives
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taglist. @evilsailorsenshi @222brainrot @firstdonutllamafarm @yangasm @sunflowerbebe07 @scinclaitnoir @hyuka-bby thank you for supporting me! ♡ ⤷ for those who are / are not on my general taglist : please let me know if you would like to be included on any of these fics taglist!
──── ✈ see you space cowboy ...
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stardust-falling · 9 months
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Explain your choice in the tag if you'd like! For the three unnamed peaks, I've used my original fan-peaks that I use in my fic writing :>
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shuinami · 8 months
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Part 2: Why is the accent? Where and when does Hobie come from? Part 1: Who, What (London Accents) | Part 3: How (Writing Tips)
In this section, we'll touch on racism since the 70s, black Londoner youth culture and how punk has historically interacted with those things.
To begin, let’s answer the question of what the hell all us black people are doing here in the U.K. 😂
Long story short, after World War II, the U.K. invited subjects of the empire over, in need of help rebuilding the place and doing essential work after getting bombed and stuff. There was further incentive on the subjects’ side to come as many of their men had been sent off for the war but were out of work and not properly compensated upon their return, leading to a poor economy and many people hoping for better in the ‘mother country’. Caribbean people, mostly Jamaicans, came over from then right through the 60s but were not welcomed and treated as British as many of them thought they might be… cause, you know, racism. 
In 1962, 1968, 1971 and 1981, legislation was passed that made it incredibly difficult for black Caribbeans to come over, even to this day, which led to the migration of black people shifting to predominantly Africans, mostly West Africans, in the 80s, who would come for education and work purposes mostly. (For context, in the 2020s, there are more African people than Caribbean people in the U.K.). In the 70s and 90s, East Africans fleeing conflict have also immigrated en masse, although the numbers were quite a bit smaller than the West African and black Caribbean diaspora.
[not an expansive breakdown of all ethnicities, I just wanted to talk about the most populous black nationalities for the general gist of where black British life really got on a roll]
So, onto life as a black person in the U.K. 
It’s important to remember that the U.K. was racist as fuck AND did not have Jim Crow laws or a history of relegating certain cities or neighbourhoods to ethnic minorities because, by the time we had been invited, there were not so many of us living in England for such laws to be deemed necessary (by racists). 
Living literally side by side, often in the same building, with people who wanted to see them brutalized had a big impact on how black British people navigated life back then and has residual cultural effects on how we behave to this day. 
One thing that stood out to me was the line where Hobie says he has “a laugh at the pub with the mandem”. As many of you will know, the pub is a large part of general British culture as the main drinking scene. Until more recently, you couldn’t just go and buy alcohol from the supermarket or whatever like you can now, so people had to go to the pub for a drink. Additionally, during times when getting clean water was unreliable due to cholera outbreaks, a drink from the pub was safer than drinking water.
It’s also important to know that, unlike clubs, many pubs sell food and are family-friendly, so while it’s not likely for a little kid to be bouncing to go the pub because it’s just basically like a restaurant to them, it’s a place that a child can be used to going to.
Not only do pubs sell food, but pubs also are places that are mostly used to watch football, as well as play pool, participate in pub quizzes (competitive general knowledge pop quizzes done in teams) and generally be out late to sit and talk.
That being said, as I mentioned before, how black people navigate where we live is different to how white people do.
Whilst many black people will go to the pub with their work colleagues or with their mixed friend groups, pubs generally have never been a haunt for black adolescents.
Instead, black drinking culture is more associated with dance and music, i.e. house parties, clubs (particularly clubs or club nights where music popular amongst the black community is played and, in older times, basement boozers) and lounges. Unlike white counterparts, most black kids will not have grown up going to the pub or around people who went and would not be used to going until they got invited out, likely by workmates.
To this day, although racism has chilled out so much since the mid-20th century, a lot of younger people actually still have a latent fear of facing racism from white football hooligan types and drunk, older white people in pubs. If you went to a pub, you typically wouldn’t see many young black people in there, if any. 
The epitome of this mindset was on display during the last World Cup, during which Gen Z black U.K. TikTok was filled with half-jokes about the brutality they would face sitting in the pub to watch an England game if a black team member were to miss a kick or otherwise make a mistake. It was something we joked about in real life too and there was a rumour that went around - which many of us believed to be true - that two black guys had been thrown in the Thames because the black players had missed the penalty kicks they took. 
It was just a rumour, however, people did take to racially abusing the players online and, whilst it wasn’t true, you can see what the general attitude towards pubs tends to be and why it’s not a hotspot for black youth. 
There are U.K. pubs that historically have had more black patronage in black communities but there’s only a few and they’re not really a thing in London.
Knowing that, it’s not to say that no young black people frequent pubs, but it means that it says something about Hobie that he does (or his world, which we’ll talk about later). What it says exactly is up to your headcanon, but it’s worth noting that it’s not typical for a black teenager in London to hang out at the pub, even if they are rebellious and not concerned by the drinking age.
So you may be thinking, damn, why do pubs have such a reputation? What happened that meant that - to this day - there’s such a divide?
While the U.K. was always racist and was unwelcoming to those who arrived during the Windrush period, it continued to get worse going into the 70s. The increasing popularity of the fascistic political party called the ‘National Front’ saw the rise of ‘the immigrants are taking our jobs’ rhetoric used to appeal to the white working class that persists, to a less extreme, today, such as with the political party UKIP, as well as the English Defense League (EDL), both of which have taken on a more Islamophobic angle than the focused and explicit anti-black & anti-browness of the National Front. The National Front’s supporters would chant and sing stuff like “We’re gonna send the blacks back”.
In daily life, black kids had to deal with shameless racism, bullying and violence from their white peers. There was a ‘sus’ law implemented, which essentially made it so that police could (and very much did) stop and arrest any black person they saw on the street that they felt was ““““suspected person””””, which included unprovable and outrageously ridiculous bullshit like being suspected of ‘loitering with the intent to steal’ (so basically, if you’re black and outside, you were - and still are, especially if you’re young - likely to be suspected of this). As mentioned earlier, there were people who would watch games and get drunk in the pub, then go out into the streets on a destructive rampage would also take those opportunities of chaos to physically assault black and brown people.
All of this was on top of institutional racism and micro-aggressions like we have today but turned up to 10. Minorities didn’t feel safe going around their own city alone for fear of getting mobbed or having rocks thrown at them. Even in their own homes, racists were putting literal shit and bombs in their letterboxes. The popularity of the National Front saw a rise in Nazism - an especially wild expression of racism, considering the Nazis had bombed the fuck out of London in WW2, which was the reason the U.K. went crying to the subjects for help in the first place. 
So, naturally, ethnic Londoners tended to craft and operate in their own spaces when it came to leisure, more attuned to the cultures from their family’s countries of origin as well as the kinds where they were just generally more accepted for who they are. Though no longer out of necessity for safety, this aspect of Black British culture persists today, to a lesser extent though, and latent anxieties about acts of extreme racism still remain in the collective subconscious, even though most young people today will have never experienced such extremes.
Just for clarity, this is not to say black people are afraid of white people in general, I’m not sure that could even have been said in the 70s, since there were also plenty of non-racist (aka normal) people too. Back then, the culture was probably a lot more gatekept than it has been for the past few decades, but I’m trying to explain why black British culture and black British life is a different experience to being white British, it’s not only experiencing racism, but it’s also that we just do different stuff cause we historically didn’t feel welcome at their figurative tables and thus did our own thing mostly. It’s why you still get friend groups that are predominantly black despite everyone’s families likely coming from different countries with different cultures, because we relate in terms of black British culture and not feeling especially understood amongst white counterparts. But if white people make us feel like they are down with us, we’re down with them, as one would hope lol.
Speaking of down white people, another huge part of Hobie’s character is that he’s a punk, of course.
So, not gonna lie to you guys, due to the things I just stated about how black people had to navigate the world and craft their own spaces in order to feel comfortable and safe, the punk scene (as we would think of it) has never been a thing that was popular amongst black British people. It’s a predominantly white scene and during the 70s was not unaffected by rising Nazism. To this day, there are still Nazi punks and what we call dirtbag leftists, so you can imagine, at the time, though there were and still are more non-racist white punks, there were enough Nazis that a. it’s not something that seemed welcoming to black people and b. non-racist White punks in the 70s felt that the Nazi problem was bad enough that they needed to do something big about it, which we’ll get onto. 
Because we’re not a monolith, of course, there were black punks such as Poly Styrene, the lead singer of X-Ray Spex, and Basement 5, a punk-reggae band (remember this), but other than that, I haven’t been able to find documentation of black punk life in particular, nor have I been able to get any personal accounts from family. Punk is a small-ish scene to begin with, so you can imagine that the black people who participated are very few. Here, I’m not trying to say that few black people enjoyed listening to the music as part of their taste, I’m pretty sure a lot of young people would have liked the music but not necessarily been active in the scene/culture in the way that white counterparts were. 
Again, the fact that Hobie is a full-out punk as a black teen says something about him or his world; what in particular, is totally up to interpretation and headcanon, but understand that it’s another unique behaviour.
A similar thing that did include black people was ‘skinhead’ culture, something that emerged from and celebrated the working class, especially Jamaican people, in the 1960s, but it was co-opted by ‘punk’ and white people, then drifted away from its associations with and relevance amongst black people and became most popular amongst Nazis in the 80s, associated with the ‘British Movement’. Most people will think of racist white football hooligan types when they think of skinheads nowadays, even though in reality, for both punks and skinheads, not all people in these subcultures are racist/fascist. 
As I mentioned earlier, because minorities were living side by side with working-class white people, a lot of stuff that wasn’t kind of gatekeepy (i.e. super black) has always been at risk of being yanked from us and has historically been done by literal Nazis and I’m sure this plays a part in alternative scenes that stray very far from the cultures we’re raised in not being the most popular amongst us.
Nonetheless, non-racist punks and black people agreed on a lot of core points about classism/capitalism and the need to stomp out racism, which led to white punks starting the Rock Against Racism (RAR) organisation, which held concerts across the country with the intention of bringing people together to take a stand against racism. If you’re able to, I recommend watching the documentary about it called White Riot (2019), which whilst it does include some black interviewees, focuses on the white punks’ side of things and the racism of the time, as opposed to black life. Still worth the watch :)
Other than punk rock, you know what other acts were invited to play at these RAR concerts?
 Black musicians who played funk and reggae were also invited. Even though their music taste was different, the message was the same. Additionally, it might surprise non-British people to hear but even white British people have long loved themselves some reggae, hence Bob Marley’s popularity here.
Reggae is a genre that is often used to speak on politics and social issues, it’s why Rastafarians love it and make such music. So, whilst the punk-reggae fusion of Basement 5 might sound strange today when reggae is not as popular as it once was, it makes total sense why. You can also see references to the London punk scene in the 70s (the time he was living in London) in Bob Marley’s song “Punky Reggae Party”.
I mention this to emphasise how the blackness of black British people, even in white space, has not typically proven to give way, that to be punk or believe in such values is not to relinquish all traces of black culture. I also say this to say, as I’ve said in a previous post bouncing off of Daniel Kaluuya’s thoughts on ‘punk’, that people who are adamant Hobie would not listen to genres of music that are popular with or created by predominantly black people alongside the more typical punk rock give off strange vibes. There’s no precedent for a black person to totally give up that part of them that they would’ve grown up with just because they’ve solidified a political view. Of course, some people are less into it than others, as I said earlier, black people are not a monolith, but given all this context, I’m begging people to not post things like ‘Hobie would never listen to [insert black genre here] because he’s a punk! Other people’s headcanons/playlists are stupid and they’re punk posers!’. 
You can believe he only listens to genres of rock, and that’s fine, but stop telling black people that their headcanons where they project their more black tastes onto Hobie are inaccurate because they aren’t and it’s very strange to gatekeep interpretations of a black character from blackness in that way.
If you do want to know some genres popular amongst or pioneered by black British people, most of which popped off in the 90s, look to grime (hip hop, electronic), garage (electronic), drum n bass (electronic), jungle (electronic), U.K. drill (hip hop), afroswing (hip hop, r&b), reggae, dancehall (hip hop, reggae), hip hop, funk and r&b. I’d say pop since it’s popular amongst all ethnicities lol but, since Hobie is a punk, you’re gonna wanna exchange that for rock and indie, though I think it’s also fair to think there’s a few pop songs that Hobie would like, since being an anarcho-communist doesn’t mean you can’t have a little fun, idk. Headcanons and stuff are not really what I’m here to share or enforce. Plus, of course, a lot of these genres are anachronistic but, at the same time, I’m pretty sure most people’s playlists feature more modern songs anyway, hell, even the song selected as Hobie’s intro is from 2011.
And none of this is not to downplay Hobie’s love of rock genres either.
I did make a playlist for myself, if anyone wants it or recommendations you can drop an ask 🤓
In the past few years, there’s been a noticeable growth of alternative life in London black youth culture, notably the roller-skating scene, as well as more people participating in more classic takes on alternative culture like goths, punks, etc. and, of course, black nerd culture has been popping since the late 90s. The black people participating in these alternative cultures aren’t relinquishing their blackness, putting hip-hop in the bin and whatnot - people can be multi-faceted.
What I hope you take away from this is that Hobie is a unique and nuanced character, he’s not a typical representation of any of the things he is, which is personally why I love him so much. I also hope you understand that being a black punk in the U.K., before more recent times, would have been a different thing to being a white punk because, not only are you participating in a counter-culture, you’re going outside the safety net and norms of black British culture which has been positioned as inherently counter-cultural anyways and is one you can never hide your associations with or come out of. It says a lot about him, it comes down to headcanon what, but it’s important to recognise that these aspects of him are not a given but things that would have been purposeful developments or huge moments of self-discovery in his life.
Headcanons are something that throws somewhat of a spanner into the works. Everything I’ve said is historically accurate but we also don’t know that Earth-138’s New London would reflect all these aspects of our Earth’s London. Perhaps 138 is written in a race-blind kind of way or, not coming from black British culture, the writers may not envision the world authentically from our point of view and might be unaware of how it’s different; maybe the execs would not allow them to tap into the racist aspect of Nazism and have the writers keep it vague for marketability's sake; hell, maybe the date on the mugshot was just an Easter egg and not a canon-accurate date, who knows? 
On top of that, if you headcanon Hobie as a transracial adoptee (meaning adopted by people of another race) or that he was orphaned at a very young age or otherwise not enculturated and socialised as a black boy, maybe none of this applies. 
From the current slang to the casting of Daniel Kaluuya, it seems clear to me that, in tandem with the retro vibe, Hobie has been designed to also evoke more contemporary ideas of blackness so the full picture of what the writers have in mind is anyone’s guess at this point.
That being said, I feel like those conclusions would all take some stretching and reaching to come to. I’m not here to tell you what you can and cannot interpret or write, but I’m just trying to give some information so you can write more accurately and understand Hobie and Black Londoner life better.
So, now you understand where we’re coming from, I think you’re ready for the writing advice 😎
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neeshachar · 3 months
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I just saw a post talking of the Black Water Arc and got inspired, but it disappeared into ether before I could interact with it.
Anyways, here's something I always wanted to be cleared out about He Xuan.
Black Water Arc spoilers | Tgcf Book 3 spoilers | White-No-Face reveal spoilers
He Xuan was NOT deliberate in befriending Shi Qingxuan in his plan of revenge. He did not even know SQX was tied to any of it.
He Xuan, immediately upon death, knew only one thing for certain, the heavens had something to do with it. He did not know what, he did not know who. It is cleared upon after the Bai Wuxiang reveals, that He Xuan learning of his fate was a part of Jun Wu's plan. Jun Wu wanted the other powerful heavenly officials weakened and out of his way. So, along with Jun Wu guiding XL to quests that specifically resulted in Pei Ming's loss of power, he also orchestrated a way to bring Shi Wudu down. So he let it slip to He Xuan that it was the water master who destroyed his life and it was him that HX needed revenge against. And this was done only right before the events leading to the Black Water Arc.
Yes He Xuan was driven, for the five hundred or so years, by revenge but it wasn't particular, it wasn't direct. He spent his time in the heavens spying in every possible gods in every possible direction, with hundreds of clones. It was Shi Qingxuan who decided to take particular liking to the Earth Master and be "best friends". So I believe that the centuries of their friendship (or more) was not disingenuous for He Xuan.
In most fan fics and interpretations, it is shown that when He Xuan "likes" or "builds a relationship" with Shi Qingxuan, it's with the prior knowledge that they are in his path of revenge. And I find that so cruel and not in character for He Xuan. Knowing the kind of person He Xuan was in life, how are we to believe he would be so cruel to allow SQX to love him, fully knowing what end awaits them? To ascend is human, to fall is also human. Hei Shui (Black Water) is still He Xuan in death.
Thus, whatever the nature of their relationship was, I maintain He Xuan wouldn't do that (and it would be so especially cruel if their relationship was intimate). This is further shown in his desperate attempts to make Shi Qingxuan see what his brother had done to the scholar he once was, to fall out of support for his brother, to just be fair and safe !
He revenge for Shi Wudu is righteous, it is fair and it is poetic, even. But the end to his and SQX, isn't fair to anyone. In the end they had to be on oppsite sides, as SQX chooses Shi Wudu (and of course they do, Shi Wudu is the parent that cared for them for their entire existence!). And that is a betrayal for He Xuan.
All of this is to say, He xuan loved Shi Quan too, he did not know Shi Qingxuan was someone connected to his destruction, and thus SQX (and him, as well) were just collateral damage in his oath of damage. He Xuan was not cruel and calculating with SQX from the beginning (well he was, but in a deceiving everyone in heavens with false identity and ulterior motives way, NOT in a I know I'm going to cause you unimaginable hurt in the future but will still let you form emotional and/or intimate connection with me way. )
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dejwrld · 7 months
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀════ ʚ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ɞ ════⠀⠀⠀⠀
complete masterlist in alphabetical order and by fandom/media. also included upcoming fics & occasional posting schedule.
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꒰ 📷 — ATTACK ON TITAN ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ meanie, jean kirstein ⁎⁺˳ ✧༚ extra credit, levi ackerman
꒰ 📷 — BLEACH ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ best mistake, grimmjow jaegerjaquez ⁎⁺˳ ✧༚ the one that got away, jūshirō ukitake ⁎⁺˳ ✧༚ breeding, shunsui kyōraku ⁎⁺˳ ✧༚ wrong, yoruichi shihouin
꒰ 📷 — CALL OF DUTY ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ blind date, john 'soap' mactavish ⁎⁺˳ ✧༚ demon time, simon 'ghost' riley
꒰ 📷 — HAIKYUU ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ happy together, ushijima wakatoshi ⁎⁺˳ ✧༚ marry you, ushijima wakatoshi ⁎⁺˳ ✧༚ no distractions, ushijima wakatoshi
꒰ 📷 — JUJUTSUI KAISEN ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ summer of 22', choso kamo ⁎⁺˳ ✧༚ tell me you love me, choso kamo ⁎⁺˳ ✧༚ after the after party, choso kamo ⁎⁺˳ ✧༚ bystander, geto suguru — 1 ⁎⁺˳ ✧༚ face sitting, gojo satoru ⁎⁺˳ ✧༚ study session, hiromi higuruma ⁎⁺˳ ✧༚ babymaking, nanami kento — repost ⁎⁺˳ ✧༚ masquerade, naoya zenin ⁎⁺˳ ✧༚ partition, shui kong ⁎⁺˳ ✧༚ untitled, sukuna ryomen ⁎⁺˳ ✧༚ facetime, takuma ino
꒰ 📷 — MORTAL KOMBAT ꒱ؘ ࿐ ࿔*:・
⁎⁺˳ ✧༚ cold as ice, kuai liang
꒰ 📷 — VINLAND SAGA ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ curiosity, canute
꒰ 📷 — MISC ꒱ؘ ࿐ ࿔*:・゚
⁎⁺˳ ✧༚ cam boy, dabi ⁎⁺˳ ✧༚ guardian angel, sephiroth
⤷‧₊˚ ʚ₊˚‧ ✿ ꒱ last updated: 03/31/24
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waterbottlqueen · 1 year
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cw: eyestrain
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lizzieonka · 1 year
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Going through my All Roads fic to remind myself what happened... and oh my god, I actually published this??? asdefghjkl; the prose is so cliche and cringe heeeelp
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