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#shannon's writing
shannonallaround · 2 days
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When you love your friend's au so much that you write fanfic for it
Based on @punkinspice's @shadouge-family-au ***
Everyone froze as the glass shattered on the floor. 
Then little three-year-old Monty started crying because it scared him, quickly followed his twin sister Mabel, who cried because he was crying. Chase (who was five, almost six) simply looked at the glass mess and said “Oh oh.” 
Amy tiptoed around the kitchen table to reach the crying twins, soothing them with gentle hugs and soft words. She glanced up at her husband. 
Sonic stood exactly where he’d been when the glass had left his hand (by the kitchen sink). He stared at the floor, expression unreadable; a rare moment of him being perfectly still. 
He’s normally fast enough to catch things like that, Amy thought to herself. “Sonic?”
No answer. 
Any hid a worried purse of her lips, instead turning to her oldest. “Chase, you still have your shoes on—can you grab the broom for mama so she can clean up the mess?” 
Sonic then seemed to jerk awake. “Sorry. I’ll get it.” He quickly left the room, not meeting Amy’s eyes. Amy heard the shutting of a cupboard, followed by Sonic returning with a broom and dustpan in hand. 
“Let me help, Dad!” 
Chase had gotten down from his chair and now stood by his dad amid the mess. Sonic looked down into his son’s eyes, and managed a smile—small, but grateful. 
“Thanks, kiddo.” 
Chase chatted away about what he wanted to do after dinner while diligently holding the dustpan in place. He made Sonic chuckle once or twice, oblivious of the tightness in his dad’s shoulders. Eventually, he and his twin siblings left the room to play. Amy stood and took the broom from Sonic. 
“I’ll finish here,” she said, gesturing with her head at the living room. “Why don’t you go relax? It’s been a long day. I’ll join you in a minute.” 
Sonic looked at her, his eyes somewhat distant, but he gave her a half smile and nodded. Amy heard him sigh as he left, noticing him shove his hands behind his quills as he plopped down on their woven pink couch. 
A few minutes and a vacuuming job later (just to be safe), Amy came into the living room and sat beside Sonic. He stared up at the ceiling, frowning at nothing.
If Amy was going to get anything out of him, it was now or never. 
“What’s on your mind, Sonic?”
Sonic sighed through his nose. He closed his eyes as if thinking of what to say. In the end, he gave a defeated shrug. “You’ve seemed on edge for a few days, now,” Amy said carefully. “Ever since our last fight with Eggman.” 
Sonic’s eyes flew open. “I hate that man,” he spat out. He sat up, face scrunched with more choice, but unsaid, words. Amy stared at him, surprised at his strong language. Certainly it was universal knowledge that Sonic didn’t like Eggman (and frankly, Amy hated the man too), but to hear her husband say it outright in such frank terms was… unusual. 
“Are you upset about the forest he ruined?” Another sigh. “Yes… and no.” Sonic leaned forward, pressing his mouth against folded hands. He took a deep breath.  
“Do you… ever think about us as kids?”
Amy tilted her head. “How so?”
“You know… all the stuff we did.” Sonic stared at his shoes. “How… crazy it was that we were kids?” 
Amy took a small breath, understanding his meaning. She bit her lip. “Yes. All the time.” She waited for Sonic to continue, but he went quiet then. He began tapping his foot at the base of the couch—a nervous habit when he was thinking. 
“My earliest memories are running,” Sonic said finally. “I was, I dunno—maybe four? Five? Chase’s age. I didn’t know where I came from or where I was going, and I didn’t care. It didn’t matter. I thought I was fine. I was fine! I couldn’t even talk yet, and I was fine! I just ran wherever the wind took me.” He took a shaky breath. “But imagining our kids in the same position just-!” 
He cut himself off, burying his head in his hands. After a moment, he dropped them into his lap. 
“We were so young.”
Amy nodded slowly. “We were very young,” she echoed. After a moment, she asked “Does that scare you?” 
Sonic’s face scrunched again, but not in anger this time. “I was never afraid for myself growing up. I knew I’d be fine. But I was afraid for Tails, when he came into the picture. Some days I was so scared I didn’t know what to do with myself. And I guess, now… I’m afraid for them, too.” He ran a trembling hand down his face, forcing a laugh. “Heh… Guess things don’t change as much as you think they would, huh?” 
“No,” Amy said, watching him, “I guess they don’t.” She put a soft hand on Sonic’s knee, leaning into him. “But I think that’s a good thing. It means you love them.” 
Sonic sighed, his hand going to his forehead. “I just… I don’t know how to do this.” 
“Do what?”
“Raise our kids! Especially when we’re practically badnik magnets! It’s a miracle Eggman doesn’t send a squadron after us every week!” 
Amy rubbed his knee reassuringly. “Even if he did, you know Tails’ security system would warn us long before anyone was in danger.” 
“I know…” 
Amy thought a moment, then she leaned forward, trying to see her husband’s face. “You know, you know how to do this better than you think you do. You forget that you raised Tails.” 
A husky laugh, almost desperate. “I didn’t know what I was doing then, either! It's a miracle that kid's even alive! I pulled him into so many things without even a second thought, and I had no idea how to raise a kid, I—!” 
Sonic felt Amy’s hand on his chin then. It rested there for a moment, and then he relaxed just enough to let it guide him, lifting and turning his head so he could meet her gaze. Amy beamed at him, eyes soft and gentle. “And look how well Tails turned out.” 
Sonic stared at her. Then suddenly he realized his cheeks were wet, and he went to wipe them with his gloves. Instead, Sonic found himself sinking into his hands. He gasped. 
Amy started as her husband began to sob. A second later, she slid over again on the couch and encircled him in her arms, leaning her cheek against the side of his head, rubbing a soothing hand along his back between his quills. 
“I don’t deserve you,” Sonic coughed out from behind his hands. 
“I don’t deserve you,” Amy whispered back. She continued to rub between his quills. Then she kissed his head, feeling him tremble beneath her touch.
“Do any of us really know what we’re doing?” she eventually murmured in his ear. “We’ve never done this before, and that’s scary. I’ll admit, I worry about our kids sometimes too.” 
She continued as Sonic struggled to catch his breath. “We don’t know what the future holds. But,” she said, a soft smile in her voice, “you don’t have to do this alone. You won’t be alone—I’ll be with you every step of the way. We’re in this together.” She kissed his head again. “It’ll be another grand adventure.” 
A few more shuddering breaths from Sonic, and he gradually began to still. Then he nodded, though his head still rested in his hands. “Another adventure,” he whispered. “Like it’s always been.” 
“Like it’s always been,” Amy nodded affirmative. She moved her hands to hug him around his shoulders. 
They sat there for a few minutes, neither willing to move. They could hear their three little ones playing in the other room. Monty laughed. 
“You know what I think?” Amy eventually asked. “I think that, with our kids along for the ride, it’ll be even more fun. More so than it’s ever been before.”
At that, Sonic finally smiled. “Yeah…” He lowered his hands, revealing it, then he glanced her way. “The more the merrier, right?” 
Amy giggled. “Right!” 
She stroked Sonic’s cheek for a moment. Then she stood and took Sonic’s hand. Surprised, he followed her outside onto their balcony. It had been built directly onto the tree that had become their literal treehouse, overlooking their backyard. Sonic stopped beside Amy. 
“Woah…”
A vibrant explosion of oranges and deep pinks greeted them as the sun set over the distant mountains. They stared at the glorious sight, still holding hands. 
“The beauty still gets me every time,” said Sonic.
“Yes,” Amy sighed. 
After a moment, Sonic cleared his throat. "Sorry that I—" 
“No. It’s ok.” Amy looked away from the sky and into her husband’s eyes. She squeezed his hand. “I’m glad you told me.”
Sonic’s cheeks tinged pink as he smiled, rubbing the back of his head with his free hand. “Tryin’ to be better.” Then he met her eyes. “Thanks for listening.” 
Amy grinned. “Like I said: we’re in this together.” Then she pecked him on the cheek, which made Sonic laugh and blush harder. He squeezed her hand in return. He pulled her into a hug, his arms around her waist, head resting on hers while facing the sunset. 
“You know… I may still be scared silly,” he said, “but there’s no one else I’d rather be with on this crazy new family adventure than with you.”
Amy now felt herself blush. “Oh, Sonic.” She leaned into the fur on his chest, smiling as the sun ducked behind the horizon. “Me too.” 
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perfectfeelings · 3 months
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You have to let go of what could have been, how you should have acted and what you wish you would have said differently. You have to accept that you can’t change the past experiences, opinions of others at that moment in time or outcomes from their choices or yours. When you finally recognize that truth then you will understand the true meaning of forgiveness of yourself and others. From this point you will finally be free.
Shannon L. Alder
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thoughtkick · 3 months
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Never give up on someone with mental illness. When “I” is replaced by “we”, illness becomes wellness.
Shannon L. Alder
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perfectquote · 1 month
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Abusers don’t abuse every day. They have good moments. Days when they do the right things. Moments when they say the correct words. when this happens, the key is to remember that it is just an abuser having a good day, but still an abuser based on all the other days.
Shannon Thomas
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wikiangela · 1 month
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seeing any hate on bucktommy and tommy or especially on my fellow buddie shippers who enjoy and ship bucktommy too has me like:
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flibbetygibbetsbro · 3 months
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None of ya'll are ready to admit the fact that 9.5 (IF DONE WELL) is the perfect way to finally put a greater focus on the problems of Elvin Government, matchmaking systems, etc. Like???? Can you imagine Keefe finding out that most juveniles cannot be tried and treated as adults in some countries and wondering how beneficial a system like that would have been for, like, YOU KNOW, Lihn?
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19burstraat · 2 months
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wanna shoutout joseph trapanese's score for s&b, bc for all that we talk abt the adaptation, the score doesn't get brought up much, and it makes me so crazyyyy it's one of the best bits about the show. shipwrecked??!? ravka??? that unreleased piece of music from season 1 where alexei recounts what he saw on the skiff? that OTHER piece of unreleased music from season 1, the organ when inej saves kaz in the chapel, that is singlehandedly responsible for the reignition of my obsession w SOC? the cheeky little flute run in wylan's theme? the fact that brother is a slightly off-kilter reprise of helpful goat? the fast as fuck electric strings in I'm here for the killers that wanders into that very menacing buildup in the final minute? the ticking pocketwatch motif???? hope is dangerous hot-wired my brain forever and was on my spotify wrapped last year. 1:30-1:44 of that goddamn track.... oughhh. same for how will you have me. makes me UNWELL. I KNOW it's just association/nostalgia, but this is what soc sounds like to me forever now. every time I hear that goddamn helpful goat motif (it starts at like 0:28 in the original and then is scattered around a lot in season 2) I want to throw up but like in a good way. I love it I love it I love it music is so important to adaptationssss
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virtuouslibertines69 · 6 months
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"If you're going to love someone or something then don't be a slow leaking faucet----be a hurricane.” ― Shannon L. Alder Art by Muhammed Salah
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quotefeeling · 6 months
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I want you and I don’t want to be a luxury. I want you to need me. I want you to not be able to concentrate because you’re thinking about me. I want you to reach for your phone because you thought of something you have to share with me. I want you to not even be able to breathe at the thought of never seeing me again, because that’s how I feel about you.
Shannon Stacey, All He Ever Needed
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lucyshypemaster · 4 months
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you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.
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shannonallaround · 5 months
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Sonic Prime Story Snippet 1/2 (post S3E1)
Shadow woke up coughing.
Everything hurt. He was pretty sure he had cracked a rib, what with the sharp seizing pain he felt every time he took a breath. Great—just what he needed.
Shadow groaned as he tried to get his bearings. He lay sprawled out on rough rock; looking up, he saw an opening far above him, framed by the jagged earth. Barely any light reached him. Shadow rubbed his face; he vaguely recalled getting punched by that metal hedgehog and then falling. He must have ended up in the fissure Nine had made while trying to stop him and Sonic.
Shadow stared up at the opening, and for a moment, panic filled him. Had Sonic—?
Yes. Shadow breathed a sigh of relief as his memory settled into place. He had successfully thrown Sonic over the fissure, past the force field barrier, and out one of the cracks in the Grim. He was safe... for now. With those bird robots Nine had sent out after him, however, that wouldn't last long. He had to get up. Shadow pushed against the rocks beneath him to sit, only to nearly topple over as a dizzy spell hit him. (He really had taken a nasty beating to the head.) As Shadow waited for the pounding to ease, hand to his temple, he heard something that made him tense: clanking metal footsteps.
Knocking Shadow out wasn't enough; Nine had sent his robot henchmen to finish the job. As silently as possible, Shadow rolled over and ducked down behind the rocks he had been lying on. He suppressed a pained grunt as he landed. It was only a matter of time before they found him down here; undoubtedly Nine had equipped his bots with infrared vision, and while Shadow's night vision was decent, it was clear who would have the advantage in the dark. More metal steps; they were all down here, looking for him. He had to get out, now.
Shadow slipped further behind the rocks, listening to pinpoint his enemies' locations. Rockets propelled something slowly through the air—not twenty feet away, Shadow guessed. It had to be that Rouge bot, combing every pebble it came across for signs of him. The bot wasn't nearly as graceful in the air as the real thing—nothing and no one could out-fly Rouge the Bat. Shadow took a silent breath, shaking his head slightly to clear it; he couldn't afford any distracting thoughts now. He had one shot at this. The hovering came closer.
Three... two...!
Shadow shot off like a bullet. He hit the Rouge bot dead-on, knocking it off balance in the air. In an instant, he was on top of it, and in one swift movement Shadow grabbed the wings and angeled them up, sending them both on an upward trajectory towards—!
WHAM! 200 pounds of metal smashed into Shadow from the left, sending him flying off the Rouge bot. He smashed into the rock wall with so much force that his ears rang. He fell to the floor in a heap.
Shadow could hear his attacker approaching as he tried to push himself up. He panted as his arms shook, each breath torture. A sharp kick sent him back into the wall. Shadow glanced up just as the heavy metal foot of the Knuckles bot crashed down onto his chest.
Stars exploded behind Shadow's eyes. He gasped as daggers seemed to shoot through him, slashing at his battered ribs, his scream caught in his throat. He wheezed, hands clawing at the robot, but they slipped uselessly across the smooth metal surface; he was pinned, and pinned good.
The robot pressed down harder. Shadow could hardly breathe. The haze of pain blurred his vision; it dulled his thoughts; it sent the world spinning. His struggling slowly weakened. Through the haze, Shadow sensed another figure approaching. He looked up to see their backlit silhouette—the Amy bot. Shadow's eyes widened as the machine whipped out its hammer and swung it at him with inhuman speed.
Everything went black. *** The robots stood over their defeated foe, completely still. They did not celebrate their victory; they simply awaited orders. After a moment, static broke over their coms. "Bring him to me." 
------- Read Part 2 here.
DO NOT TAG AS SHIP
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perfectfeelings · 4 months
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You have to let go of what could have been, how you should have acted and what you wish you would have said differently. You have to accept that you can’t change the past experiences, opinions of others at that moment in time or outcomes from their choices or yours. When you finally recognize that truth then you will understand the true meaning of forgiveness of yourself and others. From this point you will finally be free.
Shannon L. Alder
819 notes · View notes
thoughtkick · 18 days
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I want you and I don’t want to be a luxury. I want you to need me. I want you to not be able to concentrate because you’re thinking about me. I want you to reach for your phone because you thought of something you have to share with me. I want you to not even be able to breathe at the thought of never seeing me again, because that’s how I feel about you.
Shannon Stacey, All He Ever Needed
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resqectable · 3 days
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I want you and I don’t want to be a luxury. I want you to need me. I want you to not be able to concentrate because you’re thinking about me. I want you to reach for your phone because you thought of something you have to share with me. I want you to not even be able to breathe at the thought of never seeing me again, because that’s how I feel about you.
Shannon Stacey, All He Ever Needed
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perfectquote · 2 months
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I want you and I don’t want to be a luxury. I want you to need me. I want you to not be able to concentrate because you’re thinking about me. I want you to reach for your phone because you thought of something you have to share with me. I want you to not even be able to breathe at the thought of never seeing me again, because that’s how I feel about you.
Shannon Stacey, All He Ever Needed
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stagefoureddiediaz · 11 days
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7x07 Costume Meta
Well!! Where does one even start with this episode!!!
We start with Hen - thats where! Well actually we start by saying that no Bobby or Athena in this meta - as they were only seen in uniform!
I also want to say - starting with this one, I'm going to have to pull back from the very full on costume meta's I've been putting out each week - work has got incredibly busy (I'm about to undertake a massive multi £million project) and I just don't have the capacity - mentally and physically or the time, to write meta for every single one of our main (and the regulars/guest) cast. These metas take a huge amount of effort and energy and while I love writing them, I need to have the time to pursue other things alongside them, (which I currently don't) and give myself time to rest - I don't want my AuDHD to spiral me into burnout.
So while I'm still going to be putting out a costume meta each week, I cannot guarantee which or how many characters and costumes I talk about - I may do all the characters but not all their costumes or just a few of the characters but all their costumes - it depends on my capacity that week. I will commit to doing Buck and Eddie every week (unles they're only in uniform) because they are the reason I started doing these metas in the forstplace and are my blorbos!
I hope you can understand and still enjoy what I do produce and my inbox will always be open if you have specific questions you'd like to ask! Thanks for understanding
Now on with the meta - below the cut as usual!
Hen
Hens costumes go on a bit of a journey in this episode
Not going to lie - this t-shirt - I am obsessed with it as a choice for Hen and for this scene. Loewe t-shirts start at $300 - I am clearly in the wrong job and universe!! But that aside - we have this bright cyan blue (because its a cyanotype design!) which means trust and loyalty, but it is combined with a cow parsley print and cow parsley in flower language means safety sanctuary and refuge - due to its prevelance in church yards and churches being places where one could seek sanctuary (hisotrically speaking). So this is hen offering all of those things to Mara (on behalf of the Wilson family) and that is just beautiful to see.
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Hen in a bright pink hoodie when the pink = naivety and innocence theme we have for this season is going strong, it does also play into the idea of secrets and cheating a bit as well - as we see Deidra give them a way to contact Maras half brothers family, and the implication that Mara's mother cheated on Maras father is made clear as well.
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Then we get this birth of love jumper with pink roses on a gold background. gold in colour theory mean optimism, enlightenment and prosperity and with pink roses meaning gratitude and new beginnings, the symbolism of the sweater is pretty clear - even without the words 'the birth of love' wrtien on it - along with mara being in yellow and back in contact with her baby brother, all things are looking pretty positive in the Wilson household right now!
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Maddie
its all about the pale blues and lavenders for Maddie this week.
The pale blue we see Maddie in here plays into the same blue theming we've seen Buck wearing since the end of season 5 - this is all about Maddie getting some closure and moving on from her past - leaving Doug and the trauma he put her through in the past. The blue bookends that mini arc for Maddie in this episode - showing her still doing a bit of processing over her trauma surrounding Doug and his kidnapping of her.
We also get the tan coloured jacket with its golden wrm undetones - its within the brown spectrum of the colour wheel and therefore plays into the theme of stability and protection.
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We also get this beautiful lavender colour in the middle of it all as well. Lavender is a colour of cleansing and tranquility - which ties in nicely to Maddies pale blue closure and moving on journey for the episode.
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Buck
Buck decided to just play out the green and blue colour theme on his own this week - the dark bottle green shirt with a navy blue apron thats messy and stained is an interesting choice! This is the second time this season we've seen Buck in this dark green shade, and both times have been around Eddie and both scenes have related to issues with Eddies relationship with Marisol and the idea of keeping secrets of some description.
combine this with the other times we've seen Buck wearing this dark bottle green and things become even more interesting
-2x18 - Buck and Ali relationship end -3x12 - skateboarding -3x16 - when Buck takes Red to see Cindy -5x13 - when he confesses to Taylor about kissing Lucy -5x18 - when he breaks up with Taylor
the skateboarding scene is the only one that doesn't fully fit the bottle green narrative at play in the other three scenes - its also the only other scene where there is no blue present - Eddie is wearing white and buff, so it can be discounted from the pattern by virtue of the lack of blue.
All 4 of the other scenes involve a relationship crisis point of some description - Ali all but ends their relationship (side point here, Buck is also wearing blue and green in this scene as the hoodie is lined in navy blue).
- Red discovers Cindy has dementia and cannot remember him - ending any hope of that relationship being something he can pursue. This scene does however sit slightly apart from the later scenes as well - by virtue of Red being the character involved - and not someone Buck has a close personal relationship with - Red is a new friend.
Buck confessing he kissed Lucy puts his relationship with Taylor in jeopardy and it then ends in 5x18 - both of these scenes play into the theme of the lack of trust and of secrets on top of the relationship crisis points.
So to combine those scenes with the two from this season - all involve a crisis point in a close relationship along with secrets and to a greater or lesser extent a lack of trust, leading to a breakdown or termination of a relationship. So while on the surface this is all pointing towards some form of relationship termination, my feeling is that isn't the whole story. I do think it still points towards a relationship crisis point for Buck and Eddie (as well as Eddie and Marisol and Eddie and Kim) when the fact Eddie is cheating on Marisol comes to light, the fact that Buck is also the one wearing the blue and not Eddie, points me towards thinking that Buck will also be the one to ensure that any break between him and Eddie is only temporary - because ultimately Buck has been on both sides of the coin - he has been cheated on (Abby did't technically end their relationship so Buck was technically being cheated on) and been the one to do the cheating.
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Chris
Chris is the only colour in this scene - we have Eddie in white and buff and Marisol in white and black - both effectively devoid of colour - meanwhile Chris is sat between them wearing green and red - and check gets thrown into the mix as well.
The fact he is placed directly between them for most of the scene is an indicator that it is this 'family' dynamic that is going to fall under the curse of the check pattern - the check is foreshadowing the entrance of Kim later in the scene, as well as the future end of the relationship between Eddie and Marisol and Chris and Marisol.
The green is also closer to Eddies army greens than we've seen Chris in before - playing into the idea of Chris and Eddie being similar in their behaviours and mannerisms - again its a form of foreshadowing Eddies cheating arc sitting in parallel to Chris's one.
Meanwhile the red is a signal of danger (it can mean passion, love etc as well, but in this instance - as its being used in check pattern - its more a symbol of danger - a warning!).
I'm also fascinated by the foreshadowing this outfit gives us as well - the red and green of Buck and later outfits - a signifier perhaps of the check also hinting at conflict ahead for Buck and Eddie over the fact Eddie is lying to Buck and to Chris - as the use of the two colours on all three of them in the episode (and only the three of them) really highlights them as a unit once again.
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Then we have Chris in a white tee and a two tone denim jacket. I am sincerley hoping that the white tee is not a signifier of the same things as Buck being in white - Chris so rarely wears white, that I am hoping it is merely playing into the idea that Chris is a true innocent in the tangled web that Eddie is weaving - the web centred around his internalised idea that he needs to find another mother figure for Chris.
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Marisol
Marisol in back and white stripes is paying into stripe theory rather nicely - its indicating that change is coming. We see the beginnings of that change later in the scene with the introduction of Kim. The choice to have the stripes in black and white is also telling - its a literal representation of things being black and white and plays into the theme of Eddie and Marisol's relationship lacking colour - its very telling that both her and Eddie have worn black and or white around each other far more than any other colours, I'm not saying we haven't seen them in other colours - we have - Marisol has also worn the bright pink top in 7x01 and the blue dressing gown (and the blue top from later) and Eddie has worn his army green but the fact of the matter is that black and white are the over arching colours the two of them wear in relation to one another and tied into that is the fact that none of the scenes she has been involved in have been about establishing her as a character in her own right - all of her scenes have been set up for either Chris or Eddie - the audience is being given very little to endear her to them and the black and white also plays that out - in fact we have had more establishment of Eddie and Tommy as friends in one episode than we have had of Eddie and Marisol as a couple across multiple episodes.
There is also the fact that white means purity and innocence - which as a novice nun is on theme for her - but it also plays into the idea that she is also an innocent party in the road Eddie is about to send them on.
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We also get more Marisol in Blue - its a bright blue that is very reminiscent of the bright blue that the Virgin Mary is depicted wearing in Catholic art - it plays into the theme of Eddies Catholic guilt that was established in 7x05 when Eddie found out she was a novice nun - its just yet more layering of this positioning her as a representation of the Catholic faith - as a representation of purity and goodness - she is intentionally meant to seen bland and too good an pure - its her literal narrative purpose.
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Kim
Ok sooo Kim the Shannon Doppelgänger! They've done a great job with costuming her to make her look very differnet to Shannon - which is a key thing. To start with all the colours we've seen her in so far sit on the opposite side of the colour wheel from Shannon - who was much more in the yellow orange and pink side of the wheel, while Kim here sits in the blue side of the wheel - interestingly the same side of the Wheel that Buck sits on. I've spoken at length about How Buck in the pale blues we've seen him wearing since the end of season five was about his journey of self discovery and figuring out who he is and what he wants - about moving forward and leaving the past in the past. The same could be said for Eddie here its just manifesting in a very differnet way - Kim is a projection of Shannon, so moving on from Shannon and leaving her ghost in the past is what Eddies journey is all about.
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I am fascinated by the fact that this suit choice - with its vertical striped pattern and white shirt underneath also plays into 6x01 Buck and the lasagne of it all - especially considering we see Buck attempting a new lasagne later in the episode - there is something in the concept that Buck getting his lasagne right in that blue zip front jacket when Eddie is there to eat it, and then not getting the new lasagne he is trying out right when Eddie is not going to be eating it - things being successful and right when the three of them are together as the Buckley-Diaz family, but not being successful or right when one of them isn't present.
This as a concept places Buck along side Shannon - something we've already seen explicitly stated on screen in this season and in direct contrast to Kim - because not only is Kim a doppelgänger for Shannon, she becomes a doppelgänger for buck as well.
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The blue and white striped top in the second Kim scene also mirrors Buck costumes from season 6 - the vertical stripes and the use of blue and white - it further emphasises the paralleling of the pair of them - because the implications are clear - Eddie thinking he's found this second chance with Shannon - a second chance at happiness with when the reality is that Buck has been there all along - it plays perfectly into the Vertigo arc that Tim is using as well - Buck in the place of Midge - the best friend but the actual right fit for Eddie who has been there all along.
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This black sheer top and leather jacket with the knotted updo is playing into so many themes that it makes me happy! the first and most obvious one is that its a very stereotypical 'other woman' outfit - the sophisticated seductress. It also plays her into the opposite of Shannon - dark versus light - all the flashbacks of Shannon we saw in this episode were brightly lit and bathed in light - giving her an angelic and heavenly aura - a play on her status as an angel (both in terms of her being dead, but also in terms of Eddie having rose tinted glasses on in regards to their relationship and her as a person - that common trait of making saints of the dead - especially when their death was traumatic and left things unfinished - as we have with Eddie)- Kim her is lit far more darkly and the glow of the light has a much more orange and therefore darker tone to it - its a play on temptation - the updo and leather also give her a slightly serpent like air - she is Eve tempting Adam to eat the fruit - it is serpent like. This theme plays on the other religious theme we've had established around Eddie - with Marisol being placed into this Virgin Mary role - here we have Kim being placed into her opposition as the devil - I am not saying she is evil - this is about Eddie being tempted by trying to get back what he has lost - she is a physical manifestation of what is happening - of Eddies internal struggles with his catholic guilt - much in the same way Marisol is a manifestation of the opposite side of that catholic guilt coin - they are the extremes that are pulling on Eddie in physical form and Eddie needs to find the balance.
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Eddie
Boy oh boy do we have a lot to talk about with Eddie this week!1
There are three key themes at play with Eddie in his costuming this week and its so so good, I'm obsessed with the choices being made.
Starting out with this white tee and buff suede jacket which ties into three separate scenes which are key in relation to Christopher and Eddies relationships with women and the the theme of Eddie looking for a mother for him.
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up first - the moment Eddie lets Shannon back into Christophers life - this one is pretty obvious on the mother front - Eddie is literally letting Christophers actual mother back into his life. this jacket is closer to brown than the buff colour of the one above, but it still plays into the theme - its the point at which the theme is established.
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Then we have Eddies talk with Bobby about Shannon and re proposing to her as well as the possibly of her being pregnant again. Its a key turning point in his the relationship with Shannon - it is the moment that idealisation starts to creep into Eddies perspective on her and the moment when past, present and future collide - the concept of having Shannon and not having Shannon.
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Finally we have the skateboarding scene - which while being a key moment of bonding as the Buckely-Diaz dynamic continues to be established in season 3. The jacket here is the closest to the one from 7x07 and this scene comes on the back of a couple of scenes with Ana - who was wearing pale blue in one and white (with red flowers) in the second.
All of these scenes when combined with the scenes from 7x07 establish this white tee - buff/beige jacket or shirt colour way as being about Christopher and Eddies desire to give him a mother figure - that the final scene - the skateboard scene very clearly shows Buck becoming a key figure in Christophers upbringing in a far more visual and physical way - Eddie is and active participant rather than standing on the sidelines as he is in all the others - along with the choice to show buck in the dark green in the same episodes - showing Buck in a semi parental role back then to show him in an even more parental role in this one (the 'we won't wait up' was a definite choice on the script front when it had been established that Chris was staying over at Bucks and Eddie wasn't returning until the following day) - especially when you also have Chris wearing red in both episodes.
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Eddie in a black shirt - one that is the same as the one from 7x06.
There is a lot at play with this black shirt, and a lot at play with black on Eddie more widely, but first up - The Christopher watch. It was so very present in this episode - the shirt cuff has been tucked underneath the watch to ensure that it is visible - because they want to ensure that we see that Christopher is still front and centre in Eddies mind through all of this - it is an indicator that Eddie is not dating any of these women for himself - they are all in one way or another for Chris.
The clincher on the watch front is that the first time we see it is when he goes on his first date with Ana - the first time he is trying to 'recapture' the magic he had with Shannon and the first time he starts dating to try and give Chris a mother figurre. The fact it is so present when he goes back to the store to see Kim the Shannon doppelgänger is proof enough that this is as much about Chris as it is Eddie - the ghost of Shannon continues to loom large in both of their lives and Eddie is very much still trying to find her again for the both of them.
The other - slightly more unhinged aspect of this is that he wears the Christopher watch out to his date with Kim later on - making it still about Christopher. The reason this is unhinged is that the one time we have seen Eddie go out on something resembling a date and not wear the Christopher watch was the poker night with Buck - I said at the time the fact that both Eddie and buck were wearing new watches was important - here we start to see its significance play out - that poker night was for Eddie (and Buck), not for Christopher in any way - if Marisol or Kim were meant to be endgame or even truly long term - then he would be wearing that watch on his dates with one of them - the fact he hasn't speaks volumes (and speaks volumes for the buddie of it all!).
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the shirt itself being worn for this meeting and coming off the back of two key scenes in 7x06 tells its own story. Whilst Bucks coming out to Eddie scene is about his coming out, it is also about establishing Eddie not knowing/realising that Tommy was gay, as well as about the idea of
His wearing it to reverse his relationship with Marisol back to them not living together - to start over is obvious - the magic with her wasn't magicking, but because of his determination (subconsciously) to find a mother for Chris he rewinds rather than ending the relationship. This remains the key scene for this shirt in that episode and ties into his wearing it in this one - its all about rewinding the clock and trying again.
The thing with Eddie in black (apart from the singlets which are their own themed thing - although it still ties into the wider Eddie in black theme) is that its a colour he has worn so specifically in relation to his mental health and in connection with Christopher (and Shannon).
I'm not going to go through every instance of him wearing black - it would take way to long, but I am going to pick out a few key moments when he is wearing it - specifically shirts
2x17 - the reproposal/ divorce scene 3x12 - parent teacher night at school - mets Ana for the first time 3x15 - Christopher birth (flash back scene) 4x13 - follow your heart not Christophers scene 5x01 - Panic attack scene 5x10 - tells Carla about the hostage situation - after Chris's meltdown 5x17 - Ramons retirement party
We also have him in 6x11 in his widows weeds at Bucks bedside and in 6x17 a long sleeved waffle tee when he 're' meets Marisol at the DIY store
In regards to Marisol - he has worn black more than any other colour in relation to her (not that they've had many scenes together, but half of their scenes have been in black, and that includes their 're' meeting in the hardware store - not technically their first meeting, but Eddie was in uniform the first time they met.
The black is playing two roles with Eddie - there is the fact that it has duel meaning - it is associated with magic - specifically dark magic as well as darkness/depression, secrets and power. I know I haven't listed all of the scenes he wears black and long sleeves above - but the fact that those scenes I've listed are so very central to Eddie, fatherhood and the various women in his life is pretty telling. The fact that both Ana and Marisol were both met in scenes where he was in black or that so many of the other scenes were connected to pivotal moments in his relationships with all three women (Shannon, Ana and Marisol) - in the same way the the dark green has been for Buck - and the fact that so many of the scenes tie into the theme of his heart and not following it plays into this idea that he is in mourning - that his grief is central to all of these relationships - and that includes this new one with Kim.
Setting his first meeting (as in actual conversation) with Kim against this backdrop of his previous relationships, grief and his 'struggle's with fatherhood (including his relationship with his own father) sets this relationship off on the wrong foot regardless of the cheating aspect or the fact she is Shannons doppelgänger.
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Sorry, both the pictures from 7x07 have terrible lighting - it was basically impossible to get a good still of either shirt that showed off the colour!!!! I am however obsessed with the choice to put Eddie in maroon twice in this episode - and in long sleeves at that!
The reason for my obsession - the way it plays into yet another Christopher theme. Eddie wearing Maroon long sleeved shirts (espeically Henleys) in relation to Christopher and his choices as a parent. So in this Episode it happens twice - we have his meal in the Diaz kitchen with Marisol, and then at the end of the Episode - his date with Kim - While neither scene directly involves Chris, both play into this idea of everything Eddie does in terms of his relationships in connected to Chirs - he daydreams about bringing Shannon back into Christophers life - in a better more honest way than he actually managed to do in the real world (proof of his rose tinted glasses being firmly on when it comes to Shannon) - righting the wrongs he feels he did her, then later on he drops Chris off with Buck (the other actual parental figure in Chris's life) before going on a secret date wit ha woman who looks like Shannon and Eddie is viewing as a second chance - a second chance not just for himself, but also for Chris - because Chris is missing his mom - something the show established early on in the season and the trigger that is sending Eddie into this current spiral.
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All of the scenes Eddie has worn this colour in previously (by this I mean without the presence of other colours via jackets etc) - and they're aren't that many - are deeply connected to Chris and Eddies struggles with fatherhood.
We have this scene from 2x10 when Chris confesses his Christmas wish is to have his mom back - which leads to Eddie feeling guilty about his choices as a father and ultimately leads to Shannons return to Christophers life.
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then we have Fight club Eddie in the aftermath of nearly killing a man from 3x08 - This is the only other time we see him in a Henley and the fact that the conversation he has with Bobby is so heavily intertwined with the concept of Eddie needing to be in control for Christopher - he is once again at the heart of the scene, even in his physical absence from it. It is also turning out to be an even more key scene - Bobby makes the all important comment
'Eddie I just want to make sure you don't think you have to lose everything, before you can allow yourself to feel anything'
this line is very much coming into play now - Eddie did not listen to Bobbys advice and is now setting himself on a course to lose everything. That implies that he will then finally start to feel things - able to move past his continued grief and build a future for himself. The overarching implication is that Eddie has remained in fight club mode since this scene - just that the fight club is internalised and with himself - his failings as a husband and father.
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Chris goes off to summer camp in 3x18 - again a scene about Chris and Eddies role as father
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and finally his first date with Ana - this scene while not obviously about Chris in the moment - is in fact all about Chris - we see it borne out over the course of Eddies relationship with Ana, but the key factor is that this is the first time we see Eddie wearing a different watch to his work watch - a second watch - his Christopher watch - which I explained the significance of above.
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I've also included this tee from 6x12 because although it has short sleeves rather than long ones, it is adjacent to all of the above - he is making Christophers lunch while he and Buck talk later on after Buck has enjoyed his nap on Eddies couch, but it is also the closest they have come to talking about the will. Eddie is also not wearing a watch at all at this point - in a precursor to the poker date two episodes later, this moment - about letting yourself feel things rather than boxing them up inside feels like a key counterpoint to the reality of Eddies arc for this season.
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The other thing about the red shirt black jacket combination along with all the above, is that it also juxtaposes the date with Vanessa that Pepa set him up on - the idea of wanting to be on a date versus not wanting to be on a date, whilst also ensuring black is a central theme with Eddies costuming arc this season.
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Thats all for this week - Sorry again that it took so long to get written and posted - but I hope you enjoyed it none the less!
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