I’m thinking so many thoughts after that episode, which was wonderful and hilarious, but something I’m very much thinking about is where someone on twitter pointed out the contrast between Rupert going to the club every single day for six weeks to wear Rebecca down vs Ted coming to her office every day for biscuits and genuinely wanting to get to know her. I’m especially thinking about how this adds some more context to Rebecca’s point of view on that as well. We see her disparagingly calling him ‘relentless, and nice’, and her desire for her love of the biscuits to not make her dependent on him providing her with something.
The moment I’m thinking about most is the one at the end of episode 5, where Ted storms in after finding out she sent Jamie away. The biscuit reveal at the end has always felt crucial in this way, but even more so in this context. Her experience has been with the relentless interest and charm until the other person pulled back the layer of charm and showed that this charming nature wasn’t genuine, and in a way I think here, as Ted yells at her, it lets her feel a bit vindicated, or at least secure, in her belief, or lack of belief, in the nature of other people. But then Ted continues the biscuits, and the extension of kindness they represent, no matter how angry he is, and not only that but reveals he has been (without having told her) baking the biscuits himself. His only deceit was hiding an extra kindness he didn't even seek self serving credit for, despite knowing how much she liked the biscuits. Obviously this works so interestingly as another anti-Rupert parallel in a Ted/Rebecca sense, but I love it even just generally in the context of how it’s visible that this is what shakes Rebecca in that scene, because it shakes the view she has of how people treat people after her abusive marriage and isolation, which is allowing her to go on with the plan that will hurt so many of them. It disarms her because even when she has done something bad, and Ted is expressing legitimate annoyance about it, he will not stop extending this relentless kindness and generosity to her, even when he has not got what he wanted, the way she experienced Rupert doing once he had got what he wanted. Ted’s not only relentless, not only nice, he’s also sincere.
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i like to play minecraft on peaceful survival bc im essentially using it like a building sim where i can find materials to build cool houses/cities out of. i have a few games where i play normal survival minecraft though, and they always throw me off bc im still using it as a building sim except it takes me twice as long because this time i have to kill all these fucking skeletons on the way to get dye for glazed terracotta
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ok so
the instructions were for Wally, not the whrp/qa/You. which is especially interesting, because I think we all assumed they were instructions from Wally - after all, he's the one telling the whrp that they have work to do, he's sending envelopes (assumedly), he's sort of the driving force behind the whole in-universe project. he calls the shots, in a way. he's the one with the phone.
so who the hell is giving Wally instructions?
is it related to the distorted "extra" voice under Wally's in some of his hidden record audios? is it related to Sally's "monster"? is there someone else in Home?
just... there's a whole 'nother layer underneath Wally that i think is really scary. there's something else there, i feel. i Fear. i wonder if Wally is aware of it, or if he isn't quite as aware as we all - including him - like to think. how aware can a puppet be if they can't see their own strings (so to speak)? it's one thing to know what you are, and another entirely to understand what that entails.
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Hannibal is immensely entertaining if you either think about it too much or not at all...anything in between and it's a mess
Ex: Hannibal says "Killing must feel good to God too, he does it all the time."
Overthink- God is a supreme being who has power over all. Taking another's life proves that one can achieve absolute power over another, if only for a brief time. By saying that killing feels good to God, one is asserting that murder is the ultimate expression of power and divine justice. Murderers have a divine sanction.
Underthink- heheh the murder man gaslights his crush into murder heheheh
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i was pondering Ford's underground sanctuary in Whispering Rock, and it got me thinking... what if there were others?
Lucrecia's (pictured here) is built into a series of caves within a jagged rock formation. the only entrance is underwater, and the strong currents make access almost impossible without the aid of a skilled hydrokinesis user. a series of tidal generators provide power, and like Ford's sanctuary it has a suite of surveillance and telecommunications equipment.
obviously, it hasn't been used in a long, long time, but most of the machinery in there still seems to be in good condition. it's pretty remote, but if you needed somewhere to hide out for a bit, it's hard to do much better than "nigh-inaccessible cave in the middle of the ocean".
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watching joel's water bucket clutch task from every pov, a part of me is still like "he's going to make it he's going to make it" only for him to fail miserably each time
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I was teaching Ophelia’s death scene this week and one of my classes spontaneously giggled when she died (because they are 16 years old and emotionally immature) and I said, in a shocked voice, “it is NOT funny” and they all insisted that it was and so I let it go but then the next day I showed them some Ophelia art, made them think about how sinister it was that her death happens offstage but is still described in such detail for the viewer, which tells us she was WATCHED but not HELPED as she died, and then played a clip from Branagh’s Hamlet of Kate Winslet singing a mourning song for her father and when I tell you how satisfying it was to hear a total and complete hush fall over the room
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