Satoyama are traditional peasant landscapes, combining rice agriculture and water management with woodlands. The woodlands—the heart of the satoyama concept—were once disturbed, and thus maintained, through their use for firewood and charcoal-making as well as nontimber forest products. Today, the most valuable product of the satoyama woodland is matsutake. To restore woodlands for matsutake encourages a suite of other living things: pines and oaks, understory herbs, insects, birds. Restoration requires disturbance—but disturbance to enhance diversity and the healthy functioning of ecosystems. Some kinds of ecosystems, advocates argue, flourish with human activities.
Ecological restoration programs around the world use human action to rearrange natural landscapes. What distinguishes satoyama revitalization, for me, is the idea that human activities should be part of the forest in the same way as nonhuman activities. Humans, pines, matsutake, and other species should all make the landscape together, in this project. One Japanese scientist explained matsutake as the result of “unintentional cultivation,” because human disturbance makes the presence of matsutake more likely—despite the fact that humans are entirely incapable of cultivating the mushroom. Indeed, one could say that pines, matsutake, and humans all cultivate each other unintentionally. They make each other’s world-making projects possible. This idiom has allowed me to consider how landscapes more generally are products of unintentional design, that is, the overlapping world-making activities of many agents, human and not human. The design is clear in the landscape’s ecosystem. But none of the agents have planned this effect. Humans join others in making landscapes of unintentional design.
Anna Lowenhaupt Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins
NOVARA JAZZ 2023 DIARY : DALLA MUSICA PER GLI OCCHI ALLA SANA FOLLIA DEL JAZZ
È noto che il jazz sia un genere musicale molto visivo e che il binomio jazz-fotografia sia quasi un’associazione mentale automatica e, non credo sia un caso, che la XX edizione di Novara Jazz si apra con una mostra fotografica, quella di Luciano Rossetti, storico commentatore per immagini del festival novarese, che si intitola “Vent’anni di Novara Jazz” e che è ospitata, sino al termine del festival, presso il Broletto Café nel cortile dell’omonimo complesso monumentale. Le immagini, naturalmente in b/n come si conviene a quasi tutta la fotografia del jazz, e non chiedete il perché tanto nessuno vi saprà dare una risposta convincente, sono di quelle che non passano inosservate come quella di Alexander Hawkins gioiosamente ritratto davanti al pianoforte in Casa Bossi a Novara o quella del memorabile solo di Peter Evans nella Basilica di San Gaudenzio: non per nulla Rossetti vinse nel 2021 il Jazz Journalism Association Award. La musica si accende alle 21 a Nòva per il raffinatissimo concerto dei “Satoyama”, un jazz che potremmo definire d’ambiente, ma nel senso pieno della parola, poiché il gruppo guidato da Luca Benedetto (tromba e tastiera) ha davvero un occhio speciale per l’ambiente, tanto che a fine concerto, dopo aver fatto salmodiare all’unisono un pubblico attento e partecipe, ha donato loro un seme di un albero da piantare (e possibilmente far crescere). E la musica? Immaginifica e onirica, di colore blu oltremare, elemento importante per il gruppo, placenta, luogo simbolico e fisico. Sonorità che si trasformano in qualcosa che non erano e che diventano qualcosa che potrebbero essere stato. Una gamma multiforme di suoni e di colori che creano un campo di concentrazione magnetica tra chi suona e chi ascolta. “Non sarà la bellezza a salvare il mondo, ma dovremmo essere noi a salvare la bellezza” dice in chiusura Luca Benedetto e sono parole in perfetta consonanza con la loro musica. Gruppo notevolissimo composto, oltre che da Benedetto, anche da Christian Russano (chitarra ed elettronica), Marco Belfiore (contrabbasso ed elettronica), Gabriele Luttino (batteria, glokenspiel ed elettronica).
Altro registro per Caterina Palazzi e Sudoku Killer nel secondo concerto della serata, sempre a Nòva. Discorso musicale ispirato ad alcune singolari patologie psichiatriche, che sembra voler colpire allo stomaco l’ascoltatore, ma in realtà si tratta di un jazz molto sofisticato con significative origini di rock energetico, con un tocco di (sana) follia. Il sax tenore di Sergio Pomante, la batteria di Maurizio Chiavaro, la chitarra di Giacomo Ancillotto e il magnifico contrabbasso di Caterina Palazzo, leader del gruppo, declinano la follia paranoide in una godibilissima sessione di jazz duro e scarno, acido e livido, ma di diamantina purezza. Al termine consueta jam session della Scuola Dedalo. In questi casi si dice che il festival comincia sotto i migliori auspici…
The Dog in Satoyama by Katsuaki Shoda
Via Flickr:
Satoyama is a Japanese term that refers to traditional rural landscapes reflecting the harmonious coexistence of people and nature, typically characterized by mountainous areas surrounded by cultivated fields and forests.
The Original Transplants Podcast Episode 68: Rookie Numbers finds Satoyama Homestead stewards Will and Sarah surprised to discover that Feedspot has named us #8 in the 20 best horticulture podcasts in the world. We introduce plans for a NCAA-style fruit bracket to determine once and for all what is the best fruit produced on the homestead. We visit the apiary, where Will is treating for varroa mite and recounting his adventures speaking about bees at a library with a resident observation hive. Will's beekeeping thriller, Here, the Bees Sting, is available everywhere books are bought (...and even on some pirating sites!). Almost one-year-old Lucy enjoys tea-time visits to the chicken coop, where matriarch seven-year-old black australorp brooder hen Mayapple still lays the occasional egg. Sarah is embarking on a pasture management project to establish white clover and replace encroaching weeds. In the edible landscape, tomatoes, peppers, okra are performing well, while summer and winter squash and melon are struggling along. Sarah discovered a new favorite way to prepare okra, with a tomato-yogurt sauce as the north Indian dish dahi bhindi. The stewards are busy reclaiming the yard from nature after Sarah's pregnancy-induced hiatus, and are trying to 'mulch all the things' before this winter's snowpack. For homestead fun, the stewards enjoyed watching a family of wrens raise their fledglings in the bark cavity of a natural white oak fence post along their garden, and are looking forward to filling the chest freezer with produce, chiles rellenos, sustainably farm-raised meat, and venison. For homestead chores, Will has been on varmint control, while Sarah has installed downspout diverter kits on both rain barrels to stave off foundation damage. In agriculture news, Will shares a detective story about a persimmon orchard submitted by listener Wyoming (now Georgia) Jo, and Sarah goes nuts for nut trees with the Northern Nut Growers Association and Chestnut Growers in America when Lancaster Farming reports on their conference in Reading, PA.
Episode Notes (below the jump)
Feedspot - 20 Best Horticulture Podcasts https://blog.feedspot.com/horticulture_podcasts/
PennState Extension - Weed Management in Pastures https://extension.psu.edu/weed-management-in-pastures
Pooja - Dahi Bhindi/Tangy Indian Okra in Yogurt http://poojascookery.com/dahi-bhindi-tangy-indian-okra/
elizapples - "In the early 1900s, there was an Illinois attorney, Floyd Sonneman, who had it bad for persimmons."
Dan Sullivan for Lancaster Farming - Nut Tree Growers Converge in Reading, PA for Annual Conference https://www.lancasterfarming.com/news/main_edition/nut-tree-growers-converge-in-reading-pennsylvania-for-annual-conference/article_77d486f4-1827-11ed-bc0f-c35fe142fde9.html