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#same with archer imo
yaboisnelf · 1 year
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remember when kori said dick ran away with bruce's credit card in one pocket and roy in the other. yeah. get his ass kori. 🛼🛼‼️‼️
happy pride and spiderman movie day
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gayleviticus · 1 year
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I'm convinced a solid 90% of cases where fma 03 feels messy and hard to follow can be traced back simply to the writers feeling a need to insert kimblee and archer into as many storylines as possible
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madillhethen · 2 years
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Omg, Saber actually...does housework. She doesn’t just spend all day waiting around for Shirou. That’s great.
But also like....dammit, Shirou, Saber is the King of Knights, reduced to putting towels away 😂
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I love her casual clothes, it screams librarian and comfortable introvert. Also...I would love to see her in a dress 
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Oh, Shirou, are you learning to treat yourself kindly? I think there’s still a rampant adult version of yourself gunning to kill you though we’ve yet to see him.
Oh, yeah, if you dig up enough facts you can pull out some similarities and differences between Medusa and Saber in a similar regard with Cu and Archer. Though there’re less blunt about it compared to the obvious Red vs Blue (throw in Yellow too if you’d like). Maybe I will post something later in regards to these two--some requirements for Arthurian lore is needed though since I lack a lot of it.
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I applaud Sakura. Great job. Using methods that are both devious yet effective. 
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jq37 · 6 days
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Just to throw my two cents on the Rat Grinder discourse: They weren't worth the Intrepid Heroes' time. We didn't get the full picture of what's going on with the Grinders until the last quarter of the season. Before that they were just this other clique that hate the main characters, so in-character why would the Bad Kids bother giving them so much attention when they've got so much of their own crap going on. Kristens quest to get Cassandra back and her presidential campaign, Gorgugs courseload, Riz's million and one plates that he's been spinning all season, Adaines financial problems, Figs curse and her doubts about what she wants to do with her life. Fabian's the only one who might have had the time, but he had to be Maximum Legend. There genuinely was no time or even an incentive on the IH's side to develop the Rat Grinders characters.
I still think it's fucked up that these teenagers got taken advantage of by adults they trusted, but we didn't learn any of that until we only had two roleplay episodes left. Too little too late to even try anything diplomatic even if they didn't spend all their time after the Last Stand in hiding.
And a thing about Ivy that no one is roasting her about and really should: An elven archer? Really? Wow, never seen that before.
Yeah totally. Like, from a meta level, I see where the players themselves could have been more curious about the Rat Grinders. There are obvious plot threads that could have been teased out there (though, in fairness to the cast, the adult manipulation aspect didn't become clear until way later in the season--the rivalry and foil aspects were more obvious). This final confrontation could look really different if they'd played that all the way out all season.
But in character? The Bad Kids really didn't have a good reason to waste time on the Rat Grinders. They came into this school year already burnt out from their Night Yorb quest and wanting a break. But they don't get that because they immediately are beset by problems they have to deal with--Kristen's god is on death's door from neglect and she's on the brink of expulsion, Riz is running himself ragged trying to boost his resume for college, Fig is having a whole ass existential crisis, Adaine is struggling with money issues she doesn't want to talk about, Gorgug is taking FOUR YEARS of school at the same time, and Fabian is multiclassing and dealing with his empty house/not having parental support (or Cathilda's support) for the first time. They are dealing with SO MUCH high stakes, personal stuff before the plot even kicks in. And, mechanics-wise, this is represented with the downtime system that means that any time they spend on the RG's is time they can't spend on something that matters more to them. IMO, not prioritizing your haters is actually pretty mature. Like, they weren't proactively using their free time to bully them or anything (except for arguably Fig). They were snippy with them when they crossed their paths and that was it. As opposed to the Rat Grinders who literally had to be told by Jace to stop antagonizing the Bad Kids (though they must have been pretty ineffectual at it because the Bad Kids hardly noticed, which I bet stung considering they were so obsessed).
And also, it's not like they didn't try at all with the Rat Grinders. Early Insight checks on Kipperlilly just got, "This is a polished steel orb of a personality" which doesn't sound very worth interacting with in a sympathetic way if at all and then the next big thing they learn is that she had hated Riz since Freshman Year and that she wants Riz and Kristen dead. And that's AFTER we saw her smile and kill her party cleric. In their position I'm not spending further time trying to empathize with this person, I have made my judgement and it's up to the Jawbones of the world to find if there's something in there to be rehabilitated.
And that's not the only case. Adaine straight up saved Ruben from disintegration during the Frosty Folk battle when she easily could have saved the spell slot, but that didn't soften him towards the Bad Kids any. Adaine also was really keen to Scry on the Rat Grinders to find out what was happening at their meetings. But, in scene at least, she was never able to do that so we never got a scene of them, huddled together, clearly unsure about the path they're on but not feeling like they can walk it back or say no to the authority figures in their lives. She didn't get anything humanizing that would cause her to rethink their position on them the way that she did with Aelwyn for instance. So why would they think they're anything but gleeful co-conspirators?
Hell, the one RG Adaine was even slightly curious about was Oisin and now we know that he was feigning interest in her which, man, can you imagine how much worse that would have felt if she'd actually taken the bait and pursued him beyond just thinking he was cute? Of course, it's possible that her interacting with him more along with some good charm rolls could have changed the narrative in some way but we can only go off of what we know to be true in canon and those facts are (1) He tried to get closer to Adaine while actively planning the downfall of her and her friends, (2) he (along with Ivy) was mean to Buddy behind his back while tricking him into a plan that would force him to go against his religious beliefs, and (3) he called his KVX related dragon ancestors to try to kill the Bad Kids and endanger the entire student body population. Three strikes, you're out. If I'm a Bad Kid I'm not super interested in whatever else is going on with him. And again, literally all of Adaine's friends (except Riz) gave her help to do an Insight check on him during their confrontation in the hallway so she was looking for something there worth engaging with, but she didn't get much.
Fig was fully doing CIA, MKUltra, Fantasy Geneva Convention violations on Ruben to try see if she could get information or flip him. I think she did it in an objectively insane way so I'm not entirely shocked that it didn't yield the exact results she was looking for. But she never found the smoking gun (or whatever the opposite of that is) in his head that would absolve him/show the Rat Grinders were being controlled and her messing with his dreams never flared his conscience enough to make him try to break free (as far as we know) which is what I assume she was going for. If I was Ruben looking for a way out but scared of the repercussions, I might go to Adaine who saved me from certain death earlier the same year and has helped saved the world 3 times with her party and their friends in high (and low) places. Maybe that's what Fig thought might happen but it didn't so from Fig's POV? Gave him a chance. Time to start blasting. And again, at that age, if I walked in to the first day of class and the first thing this random boy does is sneer at me and flaunt his musical success, I'm popping up on his Nemesis Alert at that moment. Doubly so after he tries to trick me and my friends into doing drugs so we get expelled. I'm surprised she tried at all with him.
Fabian absolutely tried to interact with Ivy--in large part for self interested reasons of course, but that doesn't change that he did it. And she came across as callous and unkind from the jump. Their final conversation before the latest episode is the one where she talks about wearing Mazey like a sweater and then says that Fabian missed his chance with her before stalking off. That's a pretty open and shut interaction. No way 17 year old me is like, "Hmm, but why is she acting so mean? Perhaps I should examine that more closely to further understand her." Nah, I've decided she sucks.
And Kristen has tried with Buddy literally up until the last moment. She rolled an Insight check on him right before the fight started and she got a 1. She got nothing from him.
Mary Ann is actually the only Rat Grinder who hasn't done anything to make a bad impression on the Bad Kids--the only thing she did was have a really good Bloodrush tryout. So no reason to hate her specifically (and, in fact, she is also the only Rat Grinder that at least half of them are positively obsessed with), but no reason to explore her further. And Kristen still tried giving her a stuffed animal and her response was that she already had that one and that she was going to give it away. What are they supposed to do with that?
Even when they tried, they didn't get information that was worth chasing when they were so busy and had to manage their free time. Gorgug didn't even slot in downtime to talk to his bio parents when they visited. Why would he spend any time on Mary Ann to figure out her deal? Maybe if they were given more explicit opportunities to interact with them in passing. If Mary Ann was shown at Bloodrush Games. If during class time Oisin tried to interact with Adaine. If Kristen ran into Buddy and Bucky talking. If any of their forays into talking to them or looking into them yielded anything actionable or that piqued their interest--they opened the door for Brennan to give them something more than once. But they never got anything that was worth investing more of their limited time into.
(And also, they didn't learn that Porter was involved until WAY into the last quarter of the episodes. Which absolutely could have changed things since, as far as they knew the RG's were working alone to raise this god which isn't crazy for them to think because Kristen literally did that last year and it was of her own free will. If they knew early that the RG's were smaller players in Porter's plot then maybe they would have been in more of a rescue mindset--especially since Fig has always mistrusted him--but that's not information they had and by the time they got it, the RG's were in deep hiding, like you said.)
And so, coming into the last few episodes, that's who the Rat Grinders are to the Bad Kids. A group of kids who they first heard about in the context of, "they famously hate you," even though they'd never interacted before. A group of kids who they already thought sucked even before they tried to kill the entire study body an hour ago. A group of kids who are trying to doom all of Elmville to eternal rage and who are willing and ready to kill them to do it.
With that context, yeah I think their actions are pretty understandable.
(Also, lmao. Yeah, I think calling Ivy basic would probably hurt her more than most things you could say to her.)
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just-null-cult · 8 months
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i've always wanted to try out this trend! i didnt think i drew him that different. i was wrong. very wrong.
hes so baby girl in my style what the fuck. oh i know, i was just drawing what gege meant to draw. dw, i got his telepathic brainwaves 👍
[time lapse + my headcanons for Noritoshi's appearance under the cut]
some headcanons i have while drawing him are semi obvious while others are bc i like it ahehahhaheha
cupid's bow lips! this was semi inspired by Mizuki Umetsu, the actor for Noritoshi in the jjk stage play! hes so. pretty. perfect guy for the role imo! i was captivated therefore my views changed.
longer hair! the thought that his bangs(? are the same length, or longer, as the rest of his hair is nice.. it also makes his inevitable haircut much more refreshing! i also just like long hair and its a fucking waste not to do whatever the i want.
thicker brows and visible eyelashes! i naturally draw thicker eyebrows because it looks pretty, but the eyelashes is so fucking canon bro. dont even fight me on this, you'll lose. i read a fic about Noritoshi where it said he took good care of himself and his appearance inspired jealousy. that fucked me up man, so now i draw him as beautiful as i can.
monolids! I've looked through the manga and i think its highly implied that Noritoshi has monolids? yk those lines in between the eye and eyebrow, he doesnt have them in the manga. i thought it was because of the expressions he had, but no. the others have them, except geto! so geto also having monolids is so fr in my head. i like that feature abt him.
loose hairs! the hairs that i draw on his face. they make him look so cute and a bit more relaxed. he's not trying to be perfect nor have a single strand out of place. he's just a bit more at ease... though if there's something important he has to go through, he sharpens up. becomes.. stiffer?
I UNINTENTIONALLY MADE HIS CHEST LOOK A BIT BIGGER IN MY STYLE AND I WANT TO APOLOGIZE, BUT I'D BE A LIAR. DOES THIS COUNT AS A HEADCANON??? I JUST THINK... SINCE. YK. HES AN ARCHER. AND DOES TRAINING. AND COMBAT. AND DOES ALL THOSE HIGH JUMPS... HIS CHEST. ITD BE A BIT BIGGER FOR HIS STATURE.. omfg. that'd imply that his legs are fucking insane. and his arms too, since he has to pull back all those arrows so quickly.. oh my fuck. this. this is a revelation. what are you hiding under those robes noritoshi...???? one day.. one day we'll see...
oh my fucking god i forgot that i wrote shit while drawing. please ignore my fucking stupid writings AND THE STUPID ASS THING IN THE MIDDLE I FORGOT ABT WHILE DRAWING..
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Thoughts on the Eras Tour II after Paris
After four nights in Paris of the new Eras tour setlist and a bit of digestion time, here are my thoughts on it:
New outfits: SO GOOD! Love all the new costumes, especially the lesbian flag lover bodysuit and the TTPD dress 😍 Question though: Are the 1989 multi colour sets now mix and match? Because that would give us 16 possible new outfits, not including the shoes!
Set list changes: I don't mind the songs that we've lost and the combination of folklore and evermore, it makes space for a long TTPD set and that's totally worth it imo. Still cannot believe we were right about the Archer and Long Live being replaced by BDILH and WAOLOM. That's so savage, she's really not pleading with her audience anymore, mockery and middle fingers all the way! Female rage: the musical indeed.
TTPD set: We got blessed! This set is so unbelievable good, it's unreal. The haunted house vibe of WAOLOM, the church visuals for BDILH, being 'beamed up' for Down Bad, the colourless throwback to the ME! mv (😭) and the little theatrical transition into ICDIWABH (which is both devastating and funny at the same time). I will be watching every livestream of this until August.
Surprise songs: No more rules, all bets are off! Repeats, mashups, guest appearances, everything is fair game now. But we still know what will happen when she eventually plays I Did Something Bad, right? ;)
Paris N4: I didn't even know the 🏈 dude was there until I saw it on here this morning. I recommend not joining livestreams until the show has started and falling sleep/switching off after Mastermind.
Chill your boots, guys, he owes her some return investment after all of the games she attended for him. Yes, she said 'fuck 'em it's over' but we need to exercise patience. If it annoys you that he's there, that's valid, but it's honestly so easy to ignore. And no, the 1989 set last night was NOT Chiefs colours, it was orange and gold/yellow.
Let the swifties believe that she serenaded her man last night, we know the songs she sang were all Karlie songs. And the combinations last night were really so telling, all songs about coming home and beginning anew with your other half. We're getting there guys, have patience. On to Stockholm next, brace yourselves for 17/5 (175) day!!
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archerandthefoxx · 8 months
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AND OMG WE FINALLY HAVE THE MAP.
- So we're definitely going back in time because it has Merrywood Manor and Merrywood Village...not as ruins? (I don't know how to word it)
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- And not only that but the tree of souls lines up with the Hollow
- (Only question is where is Wolf Hall on TBONA map?)
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- So I'm pretty sure this book is just going to uncover everything from the past. Who was LaLa in love with? Who is Apollo and how was he able to take away Eva's memory? How did Jacks become a Fate? And all the slaughterwood/valor beef
- (just saying as many theories as possible to have this as proof if I end up right for anything lol) On the map for ACFTL, it has a location called the Hunt. What if we go back in time to see when Jacks was only 'The Archer' and we witness him kill the first fox (probably Evangeline). It is said in the story of the ballad of the Archer and the fox that the Archer (Jacks) was hired by a group of people to kill the fox. What if 'The Hunt' is where the Archer went to find someone to hire him to hunt an animal.
- Just a random thought: I know that Apollo is our bad guy because he was the one that stole Evangeline's memories etc. But what if the real bad guy has yet to be formally introduced? IMO I think it's Aurora.
- Partly because first and foremost, Aurora's and Jacks name carved in the Hollow. When Eva noticed, he seemed genuinely confused.
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- And I can't remember where but at some point he referred to Aurora as a pest
-What if Aurora was obsessed with Jacks (the same way he was obsessed with Tella) and he obviously didn't reciprocate the feelings and she realised he probably loved someone else and decided to place the curse on him.
-If this is all correct, then what curse was placed on him; the curse of the Archer and the fox or his curse as a Fate or both?
- Oh and also, I think Evangeline is like some reincarnation of the first fox or they knew each other in the past. One piece of proof:
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- "Too familiar nickname" : said right after he called her "Little Fox" for the first time.
-Tbh I have more proof but I think I'll save it for another post.
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azure-firecracker · 3 months
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ATLA Live Action Stream of Consciousness (Episode 6, Part 2).
THE AANG/ZUKO HEIGHT DIFFERENCE!
This section is basically a copy of the original show which is why I have no problems with it lmao.
Zhao’s poor scribe is just trying to do his job.
Tell me why Zuko is better at sword fighting than all of these adults.
TEAMWORK!! FORESHADOWING!!
I want to marry a Yuyan archer part 2.
Ooh a longer Aang/Zuko convo? It’s all generic and I don’t care I like it anyway.
Aang being cute and funny is everything I need. He needs to do more of it.
Of course Zuko has a favorite kind of pen.
Their friendship is everything to me.
“Of course it’s what everyone expects of me” ME ON THE FLOOR! (I like that we know it’s not what Zuko really wants-what he wants is way more complicated. Same goes for Azula but she’s not here and I doubt they’ll give her something like this).
Oh Aang Zuko isn’t ready to be better yet.
Zuko your trauma is showing.
Agni Kai flashback.
THEY GAVE BABY AZULA BANGS?!?! Amazing decision.
Ozai are you actually mad rn? (In the OG it seemed like he was asserting his power rather than really caring).
Ooh Iroh’s trying to intervene that’s an interesting take.
I knew Zuko was going to fight and unlike the rest of the fandom I don’t have strong feelings about it. It’s clear he only fights back because he thinks that’s what Ozai wants.
Azula definitely looks concerned/in shock in these shots imo. I do like that change from the original show since they’re showing her humanity.
Nice callback on “compassion is a sign of weakness.”
Azula’s expression during the Agni Kai with Zuko and Ozai is the same one she had on when Ozai burned the spy in episode 3. I think it’s dissociation mostly, not wanting to acknowledge what’s happening or having to not process it because she knows it could happen to her. (Or a trauma response)
How did Iroh get his hair bun back?
Zuko does care too much Iroh’s right.
Ozai playing fake nice in this scene is chilling, and a welcome update.
“Sometimes the weak can become stronger. Sometimes you have to give them a chance.” Zuko we know you’re talking about yourself (still a great line though)
URSA MENTION?! I need more fire family flashbacks if they get book 2.
Does Ozai think this is good parenting?
I knew the 41st was Zuko’s crew already but I love that change just like everyone else.
Zuko saying “I’m fine” is peak teenager core.
Zuko and Iroh are giving parent child here.
This is a great scene with the crew it’s so sweet.
This episode has Zuko crying too much it’s not good for me.
I like the theme of friendship in this little monologue. If they’d build up the gaang’s friendship more it would mean more to me.
Wait what happened to Gyatso? I don’t get it.
The parallel father figure narrations in episodes 5 and 6 are good.
Zuko’s mirror bit ofc reminded me of Azula’s mirror in book 3.
THAT WAS A GOOD LAST LINE!
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metatronhateblog · 6 months
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The Opening Sequence Pt 2 The Cemetery
Welcome back to the opening sequence breakdown. It only took me forever to get back to this thanks to con crunching (curse you Crowley's leather vest), split attention, and work. Today I will be, you guessed it cause you probably read the title, talking about the cemetery sequence.
Now there isn't too terribly much here, and I'm sure a lot of this has already been talked about. I've no doubt people were smart enough to already find all this.
But as I have no self control and am in fact procrastinating finishing my Crowley cosplay, here we are. I promise we'll get into some more....weird? Less noticeable??? I don't even know? Stuff as time goes on. We're just starting off with the basics cause it's easier on my brain.
So in the cemetery, we already know that Jim is hiding out behind some headstones next to the mausoleum they enter. Nothing too weird there, aside from the fact he's hiding. BUT WE'RE NOT HERE TO TALK ABOUT JIM.
Instead I'm here to talk about all the weird little things on the headstones. Again, I wouldn't be surprised if it's all already been found, I just personally haven't seen anyone talk about it?
We start off seeing this little mausoleum that says 'ARCHER' on it
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Which we also see make an appearance in episode 3, when our beloveds are in Edinburgh.
(Did I start this draft then immediately drop everything to lighten/color correct all of season 2 episode three so I could see if there was anything in the background? Maybe...)
Then we have our lovely statue of the one and only beloved yet self absorbed Gabriel. Again, nothing too fancy.
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And this little cross with an very interesting symbol on it right next to Gabriel. The symbol from a glance looks to be a money sign but when you take a closer look, I think it's actually three crosses? Or maybe one cross with two little lines on either side and a big 'S' slapped over top.
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Then we have our 'Everyday' headstone which is of no surprise due to reoccurring song appearances in the season.
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But then something else caught my eye while I was making this post that I didn't notice previously... See that little guy up in the corner of the everyday headstone?
Him?
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yeah well idk who he's supposed to be but he's not the only one...
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And then a third that is hidden behind a cross
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Perhaps important characters? Or maybe a little hint about something that I don't know yet. Or maybe even just put there to fill in the background with no meaning....who knows.
Either way these gentlemen (or ladies) appear in the actual episode behind the Gabriel statue.
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Then here we have two...stone caskets? Above ground graves? Where they both look the same, but one appears to be crossed out, maybe worn away with time, and you can't see the other because it's hidden by a headstone that says 'Peter Paintball.'
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I have no clue who Peter paintball is. Maybe it's a reference to Season 1, or maybe it's someone on the crew or something. But I have no Earthly clue.
Moving on. As our boys continue their cemetery date with a trail of people and creatures and...objects? Behind them. We see the mastermind behind our Clerkenwell Diamond Robbery. Miss Austen herself.
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I'm just as unphased at her name being in this cemetery as I am 'everyday.'
From here, I've had to do a lot of tweaking and playing with the lighting, and I won't lie, some things are still kind of...not quite able to be made out imo. So now we have...
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A two for one that kind of leaves my brain churning questions like butter. I'll start with the more legible one.
"Here lies the former shell of Beelzebub."
I mean 'they're just such a little ray of sunshine' so of course this headstone makes sense. But also...why? What exactly does this mean. Like what's it referring to? I get that demons are dead inside which...mood. But could this possibly be referring to whoever Beelzebub was before falling? Or maybe the fact that Beelzebub feels some sort of happiness after meeting Gabriel and therefore the shell has been buried? I don't know. I just sit here and mull this over sometimes and maybe it's not a detail I should agonize over, but still.
Then we have 'here lies...Adam...' with the words underneath that I can only barely make out some of. I have tried fixing this so many different ways, and maybe it's just my lacking photo editing skills but still. I believe Neil has said this headstone is referring to Adam as in Adam and Eve? (Correct me if I'm wrong.) And if I squint I can make out....(from my best attempt at cleaning this up enough to see it)
"I do not understand, surely your very existence requires....of the world..."
Some of the words I can't make out, and the whole bottom line is a mystery to me because it's blocked entirely by the shadow that I can't fix.
Buuuuuut using my skills of deduction I'm going to assume this is a quote from Adam in the show? Gonna assume show and not book all things considered. (Upon further investigation it's Death who says this to Adam.) I can't remember. But the quote is something like
"I do not understand, surely your very existence requires the ending of the world. It is written."
Which...well hell that's a very interesting thing to put on a headstone (once again questioning which Adam Neil said that headstone belongs to...)
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(Maybe it's a reference to Adam Young but Neil is saying he's not dead? Because he never actually confirms which Adam this is a reference to but I suppose it could be either considering it begins and 'ends' with an Adam.
But the thing I find really interesting is actually the headstone right next to it, also a take on something Death says in season 1.
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'Left early to beat the rush.'
Which. Hell this one took me by surprise the first time I read it. Death says it to the mail man in Season 1 'Think of it as leaving early to beat the rush.' And if I recall correctly (I don't know where the source is) Neil has said something similar about Terry? So for all I know this headstone could be a nod to Terry Pratchett....or it could be two very interesting Death quotes on back to back headstones.
Could the Adam one possibly be referring to the fact that Adam, by the end of season 1, technically reversed the end of the world? Or something along those lines? I just find it weird that amongst a bunch of (i'm using this word lightly) joke headstones we have two very intriguing Death quotes....
Finally, we have this little interesting bit on the side right here.
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We have that symbol from before but a little clearer now...and? A head? There's a bust here in the corner in front of Gabriel.
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At first glance it reminds me of the Gabriel angel statue...and maybe this is supposed to be Gabriel...But if you look a little closer...you can see a button up.
Now this is the best shot I can manage of it.
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This looks specifically like Jim. Not Gabriel, but Jim. It's dressed similarly and I think that's his hairstyle. The face looks similar. I momentarily thought it might be Aziraphale or even Crowley but that wouldn't make sense...right?
So for now, I'm thinking that this is a bust of Jim. Very interesting considering Jimbriel is hiding right in front of it and there's a different statue of the Archangel Gabriel earlier in the cemetery....So what the heck is this all about...
Now if I missed any, or if any of the headstones in the background have writing that is hard to make out, let me know and I'll update this post.
But as I said before, I'm sure someone has already done this. Consider this a reference post, maybe let your gears turn a bit about some of the epitaphs because they're certainly some head scratchers if you ask me.
Thank you for reading this, and keep a look out for more of the opening sequence breakdown series in which I slowly lose more and more of my mind staring at this thing and picking out little tiny details.
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ok. sorry to post discourse here but continuing to quietly seethe about it is unproductive & will eventually make me explode. so.
here is why I have come to really hate the cane user goodtimeswithscar headcanon!
(first of all, a disclaimer; I'm aware that Scar doesn't care about people portraying him in fanworks with or without his irl disability. I'm not white knighting for him. This rant is on the behalf of myself & my disabled friends who have similar feelings on it.)
Because Scar is disabled in real life, a lot of fans also want to portray his character as disabled in fanart too. Which is awesome! not a bad thing!
It is difficult though. Scar, playing Minecraft, is piloting an effectively able-bodied character. With his disability & the tech available in real life, IRL-Scar wouldn't be able to navigate the world the way he does in game.
To portray character-Scar as disabled in the same way he is in real life would be to massively change how Hermitcraft and Minecraft as a game function. Which I think I've seen some people figure out how to do! Which is awesome! But obviously, it's not an easy thing to do.
So it seems that the thought process of many artists is, okay, so I can't make him as disabled as he is in real life. But I still want to portray him as disabled for representation!
So boom, a cane, a simple and obvious visual indicator of disability to draw character-Scar with! ...which doesn't require thinking about how his disability would impact him in-world, at all.
Of the people who do this, I've only once seen anyone talk about about what Scar's disability is, how it affects his life, how he functions with it and how it limits him. I hope it's needless to say that if you haven't put any thought into how a character is disabled, then... that isn't a disabled character.
Beyond that, many artists who draw Scar as a cane user will only include it when it's easy. It's not so simple to mine, or build, or have an archer superhero persona, or run around the server in general with a cane. So as soon as the context makes it inconvenient, the cane is gone, making it essentially a prop, not a genuine disability aid. (Of course, there are ambulatory cane users. But it's real obvious if the cane being there or not in art is completely based on convenience.)
When the headcanon is used like this, it isn't to show a genuinely disabled character. It's just for the look of one, which can be forgotten whenever it doesn't suit the context.
Scar is a very popular character. And this headcanon is getting more and more common. There isn't any getting away from it short of blocking Scar tags entirely. The constant message I feel like I'm getting from this fandom is that cane users — like myself — are just the version of disability that's easier to ignore.
I know people who do this aren't trying to cause harm, or purposefully being ableist. But it still is. Giving a character the watered-down aesthetic of disability while still being effectively able bodied isn't representation. It sucks, and imo it's better to portray Scar as non-disabled than to do this.
(And yes, I know this isn't always how it goes. Some people who headcanon Scar as a cane user do write him as genuinely disabled, especially people who are projecting their own disability. No salt to them, this isn't who the post is directed at.)
So. my points are these, I guess.
please. please don't just slap a cane on your Scar design and go Yay representation! it doesn't work like that.
In general, if you want to write or draw a disabled character, you need to spend time thinking about what their disability is and how it impacts their life. And show it.
If you're going to take away a character's disability whenever it isn't convenient then just. don't make a disabled character at all.
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forevertrueblue · 14 days
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Notes taken during Eras Tour Paris N1 livestream
I like the new Lover outfit(s). I've been waiting for Taylor to embrace orange more so that was nice to see! Sad about The Archer getting cut but I guess I get it?
Nice to see the silver brought back from the Fearless tour. Not much else to say about that era.
Red third now, okay. Nice shirt lol and also like the new bodysuit! I don't care for most of the inclusions in this era tbh since it's mostly the singles and the majority of Red's singles are mid IMO. And All Too Well 10 Minute Version staying is surely going to end up pissing me off in the long run when we find out what else is cut.
I like the new Speak Now dress but Long Live being cut is AWFUL, like there were only two songs in this era to begin with, cut something from Red instead ffs. (I swear I do like Red but the album is better than the way it's represented on this tour.)
Reputation is the same which I'm cool with since I liked the way that era was to begin with!
I've been predicting Folkmore combined which I'm not happy about but I think this is it. Pretty yellow dress. Glad Cardgian is safe but she's singing it on the roof and I do prefer Invisible String or The One. :( Glad all three triangle songs are safe because it's weird to do some but not the others especially if she's talking about that storyline in the Betty speech. Some of them were chopped down but that's okay, I guess.
Okay yeah Champagne Problems so a combo. I knew that one was gonna be safe from the rehearsal footage. Few more Folklore songs...okay finally more Evermore! Marjorie and Willow! It would have been weird for her to cut either of those (for different reasons). But TLGAD and Tolerate It are pretty big losses. I don't LOVE Tolerate It but the performance was different from anything else on the tour.
1989, nothing cut. (Something really should have been cut from both this and Red, but it probably would have been Wildest Dreams which is one I really love so glad it's safe!) I don't like the new outfit because of the colors looking strange together in this context.
TTPD looks like the dancers are prisoners for the first part of the set which eh, don't really love how basic the outfits are. Taylor's dress with the poetry is nice though (can't wait for someone with eagle eyes to decipher it!). Happy that So High School was included, if only for a bit, to get that Anthology rep in there. Pleasantly surprised by WAOLOM because people had me convinved she'd destroy her voice if she did it (hoping they're wrong lol). Some of these song choices are dull af (both Fortnight and Down Bad for a stadium show, really?) But LOVE the intro and performance of ICDIWABH! I kind of think this should have been the new finale set but I get why it's being kept the same.
Nice new dress for surprise songs. Paris was a predictable choice and I figured the other would be from TTPD, but was expecting an anthology track.
I love the Midnights set (surprising since the album isn't my fave) but if she doesn't cut something from it I'm gonna be annoyed. And that something better not be Vigilante Shit. Aaaaand the whole thing remains intact.
TLDR: The best eras (literally my top 4 albums were the ones that lost songs and my top 2 were combined) were chopped down and the more basic (dare I say mid) ones remain completely intact making the tour a bit more of a generic pop show on the whole. I understand cuts needed to happen but the wrong ones were made IMO.
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potatoesandsunshine · 1 month
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ok for the benefit of everyone i am putting my ttpd thoughts under the cut bc i had a lot of them. i did listen to the album and i had a fun time writing my opinions as i went! i haven't done any of the extra songs yet but i probably will tomorrow.
overall thoughts: i like this album pretty well! definitely more to my taste than midnights. i'm not instantly in love with it, but i will listen to at least some of the songs a lot and i'll give the whole thing a few more chances to grow on me. kind of a 7/10 for me personally - i'm not sold on songs as vehicles for Lore, i need to think it's a good song to listen to if i'm going to like it. i wanted more differences in tempo or dynamics throughout; at times songs felt a little same-y. anyway, my first impressions song by song!
Fortnight: honestly i just don't love the word fortnight there are too many T's in it. overall 7/10. i like it but i want a tempo change or something.
TTPD: the lyrics... babe. but at least she figured out how to say fuck like a normal person. "Gonna troll you" is also a lot. 5/10 doesn't hugely do it for me, would skip.
MBOBHFT: like this one more. she's doing that thing she does where there are more words crammed into the verse than she needs but the chorus really does it for me. 7.5/10
Down Bad: i like the dreamy vibes. weirdly reminds me of another song? specifically fuck it if i can't have him; my brain is itching. anyway 7/10? WAIT if i can't have you kelly clarkson. (not totally convinced that was it. still can't place it)
So Long, London: wish it had instruments? interesting cadence, reminds me of Lana a little. i wish she didn't use so many modifiers but it's a decent song 7/10
BDILH: y'know i like the message. she's right fuck swifties. we're handshake about this. this one is pretty good! 7.5/10. too long though. has the staying power of like a 4 min song (i think everyone was so extremely weird about this situation and it makes sense that she thinks so too)
FOTS: again i just want less synths. i like the chorus a lot actually. kinda over how she uses American. wait what's happening to this song. solid 7/10
Florida!!!: Florence!!! this one was a guaranteed hit for me. fav so far for sure. 9/10 going on the playlist (the no-skip tswift playlist)
Guilty as Sin?: starting to feel a little samey! not a ton of tempo differences on this album. wild to write a song about wanting this hard. feels kinda honest which is refreshing after midnights. not super my song but i don't hate it. 6.5/10 JESUS COMPARISON??? (this added a point. i feel like people throw out 'unhinged' about her when she's always struck me as an extremely precise planner but this was still a big moment for me. she should do more stuff like this. she should get weirder.)
WAoLOM?: stranger things ass imagery. i like the scream i want more variation in dynamics. pretty good song! i like it as a continuation of anti-hero. 8/10. on the playlist
ICFH(NRIC): we love talking about him and smoke i will be listening to colors. i wish it was faster! but i like it. 8/10
loml: again with the modifiers. nice lyrics in this one imo. kinda sounds like you're losing me. 8/10
ICDIWaBH: very mastermind intro! again w/ the thesaurus problem. thank you. thank you. faster song. 9/10 on the playlist. get a therapist fr girl
TSMWEL: she said you get one fast song. piano!!! honestly i like the way it builds and i like the paranoia. again, feels honest. 7.5/10
The Alchemy: i like it! reminds me of the archer + willow. god she loves a sports metaphor. i will listen to this more. 8.5/10
Clara Bow: kinda feels like an Olivia dig. been very interesting to see the progression of The Lucky One -> here. can't pretend you're not the establishment. 7/10
and just for fun - here it is in the glitter gel pen :P i had fun with this! i'll probably do it for the other tracks too - it was like pretending to be a reaction channel
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Theon survey songs + links:
@feed-me-a-penny and @team-mom-wannabe In case you still want to see the songs that have been submitted until now.
I found an acoustic version of the song Worms by Lolly Jane Blue on a Theon fan mix once and then lyrics really latched onto my Throne synapses! Very ADWD chapters, I think
The Lighthouse by Halsey; What the Water Gave Me by Florence; Piledriver Waltz by Arctic Monkeys; Ship to Wreck by Florence; Stone by Jaymes Young; Let Me Drown by Orville Peck; Atlantis by Seafret; Wade in the Water by Eva Cassidy; I Don't Want to Talk About Me by Stereo Jane; Sail Away Sweet Sister by Queen; and honestly every song on Everything Ends by Materia.
SOOO many. Ooohhh boy, I hope you like long answers, because you are going to hate me if you don't (you probably already do, I cannot shut up if I'm under the guise of anonymity lol). In terms of poetry, I will forever love this quote by Jenny Holzer: "In a dream you saw a way to survive and you were full of joy". It's so Theon, and I actually have it tattooed on me lol. Social Skills training is also a great poem for Theon ([PRIVATE INFORMATION]... hits so hard for so many reasons when paralleling w Theon), here are some raw verses: "Gloria Steinem says women lose power as they age and yet the loudest voice in my head is my mother. Studies show that the mother we have in mind isn't the mother that exists. Mine says: what the fuck are you crying for? / Studies show the baby monkey will pick the fake monkey with fake fur over the furless wire monkey with milk, without contest. Studies show to negate something is to think it anyway. I'm not sad. I'm not sad. / History is a kind of study. History says we forgave the executioner. Before we mopped the blood, we asked: Lord Judge, have I executed well? Studies suggest yes. What the fuck are you crying for, officer? The wire mother teaches me to say, while studies suggest, Solmaz, have you thanked your executioner today?" Just literally everything about that poem hits me right in the Theon feels. Like, are you kidding me? Then The House That Dripped Blood by Mountain Goats is great for imagining Theon circa his Prince in Winterfell era. The lyrics are all about a house haunted by the pain trapped in there, which seems perfect for Winterfell imo. Any Florence + The Machine, but Heavy In Your Arms for painful throbb feels. Would by Alice in Chains has the right mood and great lyricism for Theon/Reek angst too! Then Everyone's Victim by Lisa Germano just has the right mood I feel for thramsay stuff, same vein as Would by Alice in Chains.
pearl diver by mitski, he doesn’t know why by the fleet foxes, cocaine and abel by amigo the devil
So many, a bunch of guns n roses songs, and dead hearts by stars
Dio Ed Io by Charles Wright, there are more but I'm all burnt out typing AHHH!!!
Cry for Judas the mountain goats "long black night/morning frost/I'm still here/ but all is lost" There is a light that never goes out The smiths. Robb and Theon vibes "to die by your side/ is such a heavenly way to die"
“archers never made good kings, fly headfirst into everything” -archers, the ballroom thieves
Almost Human (Aurelio Voltaire) for the Lucifer association
Putting the dog to sleep by the antlers!
call them brothers - regina spektor (that’s it, it’s split, it won’t recover just frame the halves and call them brothers find your fathers and your mothers if you remember who they are over and over they call us their friends can’t we find something else to pretend? like nobody won and we’re safe at the end) that’s okay - the hush sound (you were a child who was made of glass you carried a black heart passed down from your dad if somebody loved you they’d tell you by now we all turn away when you’re down you want to go back to where you felt safe to hear your brother’s laughter, see your mother’s face your childhood home is just powder-white bones and you’ll never find your way back) house of wolves - my chemical romance (well, i think i’m gonna burn in hell everybody burn the house right down and say what i want to say tell me i’m an angel / take this to my grave tell me i’m a bad man / kick me like a stray) mama - my chemical romance (well mother, what the war did to my legs and to my tongue you should have raised a baby girl i should have been a better son if you can coddle the infection they can amputate at once i should have been - i should have been a better son) JUDAS - the reverent marigold (god knew his face and held it but it still didn’t save him and i see far horizons where the lambs lie with the lions but there are poppies growing over where my friends are lying and paul had an old name, but we never use it you may call me traitor but my lover calls me judas)
i have a playlist, some accidentally theon lyrics i enjoyed is bad medicine by liz green (...) For every man wants more than he, ever did before He’s still got no way out We’ve got no way out No way out We’ve got no way out of this So if my eyes turn black and my teeth fall out and my hairs caught up in rags Don’t give me none of that medicine ‘cos I’ll spit it right back out He tried so hard to fit in but he never really got a chance Before he spoke they burnt him, cut him, roped him and finally put him in the ground He said ‘I’ve been though war, and I’ve been though law and I’ve climbed that hill so cold Yeah I’ve been though more than you’ll ever know still they never let me go And every man wants more than he, ever did before He’s still got no way out We’ve got no way out No way out We’ve got no way out of this So if my eyes turn black and my teeth fall out and my hairs caught up in rags Don’t give me none of that medicine ‘cos I’ll spit it right back out Oh yeah, I’ll spit it right Yeah I’ll spit it right Oh I’ll spit it right back out I will spit it right I will spit it right I will spit it right back out
I love Mr. Tambourine Man for Theon. Especially this line: “Then take me disappearin' through the smoke rings of my mind, Down the foggy ruins of time, far past the frozen leaves, The haunted, frightened trees, out to the windy beach, Far from the twisted reach of crazy sorrow. Yes, to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, circled by the circus sands, With all memory and fate driven deep beneath the waves, Let me forget about today until tomorrow.” I also love Hurt by Nine Inch nails- All the lyrics and the entire soundscape of that song is Theon to me. Absolutely intense and amazing. And I also love and associate A Hard Rain's A-Gonna Fall with Theon. The "seven sad forests" the "dozen dead oceans" the "newborn baby with wolves all around it." But all the imagery in that song is so cool and very appropriate for asoiaf in general .
Oh man, so so many but to name a few: 1. How Soon is Now by the Smiths ("I am the son and heir of nothing in particular" / I am human and I need to be loved just like everybody else does") 2. Sorrowing Man by City and Colour ("Sorrowing man, look how worn you've become. You once were lord of the barren sea. There's blood on your hands." / "Oh, how you have lost your way." 3. Crystal Ball by Keane ("I lost my heart, I buried it too deep, under the iron sea." / "I'm fading out, everything I know is wrong, So put me where I belong.") 4. Bravado by Lorde ("I learned not to want The quiet of the room with no one around to find me out. I want the applause the approval." 5. Hurt by Johnny Cash ("And you could have it all, my empire of dirt. I will let you down. I will make you hurt" / What have I become? My sweetest friend. Everyone I know goes away in the end."
iron by woodkid seven nation army (in a way) bones in the ocean under the water by the pretty reckless
"Oh No" by Marina & the Diamonds; "Bones" by Ms Mr; "The Ocean" by Dar Williams
i'm a marionette by ABBA starring role by marina and the diamonds asleep by the smiths i still have faith in you by ABBA judas by lady gaga california dreamin' by the mamas & the papas al andar by ABBA crucified by army of lovers i'm not coming home by the cowmen no more from into the woods oh i know by only natural waiting around to die by the be good tanyas
Smoke filled room - daughter
Gilded Lily : I remember when you told me it’s an every decision (Theon’s oath to Robb) But with my double vision, how was I supposed to see the way ? (Double vision : Greyjoy/Stark) Haven’t I given enough? Always the fool with the slowest heart (softie boi ) I know you’ll take me with you ( could refer to Robb or Ramsay as they die that they take a piece or the whole of him with) Every city’s got a graveyard (kinda makes me think of his prince of Winterfell era) Now I’m sleeping in the backyard (Well, his Reek moment ofc)
a spanish song by my fave band ever Fito y fitipaldis - Antes de que cuente diez (Before I count to ten) some verses i really like from it are: I got lost in a cross of words. They missed wrote down the address. I already engraved my name on a bullet. I've already tried the cannon fodder I already have everything under control. And someone said no, no, no, no, no That now the wind is coming from the other side Leave me the rudder And someone said no, no, no. What will take me to the end? It will be my steps, not the way. You don't see that you always go behind. When you pursue destiny And I won't feel strange again. Even if you don't get to know me And I won't love you so much again. And I won't stop loving you again I stopped flying, I sank into the mud. And between so much mud I found myself. Some warmth without your hugs Now I know that I will never come back.
I dont know many poems but sinnerman by nina simon and sorry by karine polwart and some other songs in my own language :)
honestly.. robb and theon are kinda two ghosts by harry styles if you squint
All of Radiohead tbh
Pardon this next block of text where I name random music. I have to say something about the album The Downward Spiral by NIN being huge Theon material to me (the instrumental track named after the album is so TWOW Stannis execution presumably foiled by old gods activity. also Hurt but everyone's saying that. ummm THE BECOMING.). Ptolemaea by Ethel Cain. 1906 by the West Coast Art Pop Experimental Band is so Bolton Occupation of Winterfell. Avalanche by Kyle John Kenowski. Sister Europe by The Psychedelic Furs feels TWOW Asha and Theon returning to the islands or something. Sweat by Oingo Boingo. All We Ever Wanted Was Everything by Bauhaus young Theon in Winterfell. King Rat by Modest Mouse feels either Jeyne and Theon escaping Winterfell or Theon and the invasion of Winterfell. I think I'm saying too much but I hate having things out of context, but I can't just parrot an entire playlist here: these are all ruthlessly selected from my playlist on spotify called [PRIVATE INFORMATION] (Epitaph by King Crimson inspired me to make the playlist) that has these plus more but fair warning it's under construction for my reread I've been doing this summer :^) . Um. A Plague of Lighthouse Keepers by Van Der Graaf Generator but it's 23 minutes long and all over the timeline sorrrrry I like prog rock so much. On Kyra thoughts: Please listen to To The Dogs or Whoever by Josh Ritter for Kyra and the keys thoughts.
Remy Zero - Prophecy: You walk this world like you’re a ghost / Your hands are coming through the needles / Sick of your tragic and your evils / I am the keeper of the songs of everyone / [...] / This is a coming of the times / You are a witness to the movement / If all you’re seeing is your lies / You had your chance, but now you’ve blown it / You want this world so you can own it / I am the keeper of the songs of everyone / / Look into the sun and see your soul is dying / Used to feel the faith, but now you’re tired of trying / Should have left alone what you have stolen from everyone / Mmm, how ya feelin’? Seems a little sick to me now / / From the light on high / A chance to change your fate / Forgiveness falling down / On those who chose to wait / Remember the time / Find yourself home again / Deep within your life / Find yourself home again / Find yourself home again / It’s a choice / You have chosen your own T.S. Eliot - The Love Song of J. Alfred Prufrock: And I have known the eyes already, known them all— / The eyes that fix you in a formulated phrase, / And when I am formulated, sprawling on a pin, / When I am pinned and wriggling on the wall, / Then how should I begin / To spit out all the butt-ends of my days and ways? / And how should I presume? / [...] I should have been a pair of ragged claws / Scuttling across the floors of silent seas. [...] I shall wear white flannel trousers, and walk upon the beach. / I have heard the mermaids singing, each to each. / I do not think that they will sing to me. / I have seen them riding seaward on the waves / Combing the white hair of the waves blown back / When the wind blows the water white and black. / We have lingered in the chambers of the sea / By sea-girls wreathed with seaweed red and brown / Till human voices wake us, and we drown.
Century Eyes by Shearwater (You are not the last of this house / Nor the first to go over the side / Remember the wrecks of those elegant ships / “Turn it off! Turn it off!” / Look with century eyes till they make you go blind) Two Evils by Bastille (I’m the lesser of two evils / Or am I, am I tricking myself nice? / If I’m a lesser of two evils / Who’s this man, who’s this act I hide behind?) Hurt Feelings by Flight of the Conchords (It’s my birthday, 2003 / Waitin’ for a call from my family / They forgot about me / I got hurt feelings, I got hurt feelings)
The Devil's Backbone by The Civil Wars
Lots ([PRIVATE INFORMATION I'M NOT GONNA DO MY COUNTRY DIRTY LIKE THIS] but a very tragicomical and delusional version), but I'm going to list purely English stuff for the sake of it: "Crucify your mind" by Rodriguez is my go to Theon song and I know no one knows or cares about Rodriguez and this might as well be one of those situations where this only works in my head, but fuck it: Was it a huntsman or a player That made you pay the cost That now assumes relaxed positions And prostitutes your loss? Were you tortured by your own thirst In those pleasures that you seek That made you Tom the curious That makes you James the weak? And you claim you got something going Something you call unique But I've seen your self-pity showing As the tears rolled down your cheeks […] So con-convince your mirror As you've always done before Giving substance to shadows Giving substance ever more And you assume you got something to offer Secrets shiny and new But how much of you is repetition That you didn't whisper to him too? "All these things that I've done" by The Killers has some vibes and lyrics too but god do I feel like an idiot for saying that.
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taylortruther · 8 months
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How do you interpret The Archer’s first verse?
Combat I’m ready for combat
I say I don’t want that but what if I do?
Cause cruelty wins in the movies
I’ve got a hundred thrown out speeches I almost said to you
imo she is admitting that - despite wanting a loving relationship that is tender and trusting - her actions and instincts don't support that. she is describing how her instinct is to be on the defensive all the time: lash out to protect herself, even start conflict, because it's how she feels safe. and conflict in relationships might be romantic or move the plot along in a film, and drama in general can feel like passion, but she is realizing that irl conflict and drama can destroy you and your relationships.
some additional thoughts that add context to my understanding of this verse (archer lyrics in bold):
"i jump from the train, i ride off alone" and "this is how the world works, you gotta leave before you get left" -> "help me hold onto you!" - her defense mechanism is to cut and run out of fear she'll be hurt by the other person, and she's begging for help to avoid this.
imo this means literally leaving and cutting people out ("i packed my bags, left cornelia street before you even knew i was gone" or "there's a justice system inside your head, for names you'll never speak again, and you make your ruthless rulings") but could also mean figuratively isolating or treating someone poorly to push them away ("my words shoot to kill when i'm mad, i have a lot of regrets about that" and "i lived like an island, punished you with silence")
"i search for your dark side" - her inner voice is telling her that everyone will betray her (which we see illustrated in the anti-hero mv, where her inner destructive self literally teachers her "EVERYONE WILL BETRAY YOU.") she laments that she makes bad choices, trusting people who don't have her best interests in mind ("all of my enemies started out friends") but she also loathes herself for trusting them in the first place ("and i know i make the same mistakes every time, bridges burn, i never learn") - and maybe this is a form of self-sabotage. she loves to "give people what they want" but it becomes a form of self-sacrifice ("who could ever leave me, darling, but who could stay?")
"i've been the archer, i've been the prey" - she's been hurt by cruelty, but she's also been cruel to others. and this is why so much of her pasts haunts her ("i pace like a ghost, the room is on fire, invisible smoke" and "when my depression works the graveyard shift, all of the people i've ghosted stand there in the room.") she has so much regret over the mistakes she's made, her own flaws, the people she's hurt. she wants love, but it's a cycle: who could ever hurt her when she's so great, but who could stay when she's so cruel? she's so tired, "i never grow up, it's getting so old"... she wants to escape it.
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abiiors · 6 months
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tv show recs:
something 2015ish (means 22 episodes, 40ish min log) -> limitless tv show (continuation of the movie), kind of white, mc is manic pixie dreamboy but he wears the coolest sweaters, fun times. i would take that drug.
if you are good with horror and have not watched mike flanagan's stuff id rec it. if you are not good w horror i would still rec haunting of hill house because it is heartwrenchingly beautiful. but ya it has scary points.
i watched mrs davis recently and the tv show is bonkers, but episode 9 pays off bcs the reveal is great. perfect if you are like a person who has worked with code and programming. also there is jesus there and he lowkey hot.
fisk on netflix (australian and funny af)
succession (my top 3 ever) if you havent seen it - billionaires are horrible people but the dialogue slaps. no but fr this show is so high in quality
love death robots
mindhunter (fincher is cool, interesting topic, leaves you wanting more imo)... also about serial killing and all so if u dont like that oops
DIRK GENTLY HOLLISTIC DETECTIVE AGENCY (forget everything else, give this a shot, but like just... it's a tumblr insane show)
anne with an e - perfect for fall vibes! also anne would have had a tumblr
if you like animated stuff i enjoyed final space so much, it's a cute lil animated series
also archer, which is less cute and more satirical
the boys and gen v on prime are fun (if violent and gory)
the white lotus - again horrible rich people, some karma
or go with an old classic: buffy the vampire slayer (though that has a lot of seasons)
omg omg so many suggestions, thank you!!! i obviously must answer them point by point haha
i did not know there was a limitless tv show haha. would also 100% take that pill PLSSSS i would be unstoppable
i asked for tv shows because i just spend weeks binging all the mike flannagan shows haha. i really likes hill house but i don't think anything is going to top midnight mass for me (which was my first flannagan that i watched last year!)
oh i'd never heard of mrs davis but it sounds cool!
same with fisk
i have seen literally everyone and their mother talk about succession and how good it is but i'm just a bit scared that it would end up being overhyped haha. regardless, it's on my list so thanks for reminding me of that
love death robots <333 i love that show!!
same for mindhunter!!! i will not forgive david fincher for abandoning it like how dare he (me when i abandon fics)
oh oh, a while ago i worked on a book based on dirk gently an the author hyped it so much that i ended up watching it haha
anne with an e <33
not super into animated stuff unfortunately!!
and i have never heard of the rest of them except the white lotus
LOVEDDDD white lotus, can't wait for s3. justice for jennifer coolidge
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theworldbrewery · 8 months
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In your opinion, would a ranged battlemaster fighter work well mechanically? I'm aware that many of the Maneuvers are for melee fighting, but I've been toying around with an idea for a crossbow or gun wielding battlemaster. Tbh the only reason that I'm concerned about the "functionality" of it is because the rest of my group minmaxes like crazy and I don't want my character to die cuz it can't keep up with the rest of the group. Not to yuck their yum or say I'm not having fun in the group! I just wanna know if this is a build that will hold up.
I am pretty much constantly thinking about Battle Master maneuver strats, so you came to the right place!
A few key points:
The only Core Rulebook maneuvers that require you to be in melee when attacking are feinting attack, lunging attack, and sweeping attack (pushing attack is in a grey area; I would rule the "pushed up to 15 feet away from you" as being up to 15 feet in a direction away from your location, not that 15 is a limiting distance from your character--but another DM might not agree).
Parry and riposte involve an enemy getting into melee with you, which is possible even if you're a ranged attacker, but not necessarily ideal.
Disarming strike, distracting strike, goading attack, menacing attack, precision attack, and trip attack are all delicious options for a ranged attacker to take. (Ambush, from TCoE, is another good choice)
Basically, you should always have *some* means of melee attack if you're going to choose this subclass, because you can't guarantee that your enemies won't move around the battlefield and Get You. But in general, focusing your skillset around ranged attacks is perfectly possible.
Battlemaster mechanics are made for manipulating your enemies' and allies' options. A disarming strike gives an ally in melee a chance to steal the enemy's weapon, for example. Other options mentioned above might give your allies' attacks advantage, put the enemies at disadvantage, or impose other conditions (frightened, prone) in addition to more standard effects like dealing extra damage or boosting your own rolls.
With that in mind -- if you have a caster-heavy party and they also enjoy these types of strategic moves, you will want to choose your maneuvers with care. Nerfing an enemy will always feel cool, but with AOE effects, they can often hit multiple enemies with their effects at the same time. Assuming you're playing with people who aren't all about hogging the spotlight, though, you can just tell them this is a mechanical role you're planning to take, and they will likely not step all over your fun.
Now, as you've noted, the Battle Master isn't built with ranged combat in mind. There is another option: the Arcane Archer. It works in a similar way; you get a limited number of special effects you can apply to your ranged attacks. These effects are explicitly magical, but they are not spells. The main caveats to this proposal are as follows:
This subclass calls for a high (or at least decent) Intelligence score, since the save DCs are calculated using that ability.
You get fewer uses per short/long rest. When you take the subclass, you get two uses of the special "arcane shot" effects per short rest, instead of the 4 you start with in Battle Master.
This is likely negotiable with the right DM, but Arcane Archer is dedicated to archers specifically -- no firearms allowed, RAW.
With that information at hand, I really do recommend reviewing the list of Arcane Shot options -- they're long, so I can't recap them all here, but they tend to work more like particularly beefy cantrips with multiple damage effects and an additional, usually single-round debuff, e.g. reduced speed, banishing an enemy for a round, or limiting the enemy's field of vision.
To me, this subclass needs some reworking (a core subclass ability shouldn't be a two-and-done, IMO), but it has a charm of its own. In many ways, these two subclasses are mirrors of one another. I just think that structurally, Battle Master is more mechanically sound -- and therefore, unless you have a homebrew-minded DM, you should probably go for that one.
(Also! If you're concerned about the so-called "caster-martial divide" or other "power creep" issues, talk with your DM about it! They ostensibly want you to have a good time and not feel left behind, so if a liberal hand with martial-oriented items you can use to offset some of those power gaps.)
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