#sahara noir
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MEGABOOTY OF THE BUSTY SAHARA
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(via Trust Flow by Sahara Rose ft Willy Noir (Official Music Video) - YouTube)
Trust, flow, surrender, let go, I’m the one I’ve been waiting for ...
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Chicago Powder Room
#Inspiration for a black cabinets#two-piece toilet#black walls#undermount sink#white countertops#and floating vanity eclectic black tile mosaic tile floor#multicolored floor#and wallpaper powder room remodel. brizo#sahara noir polished wall tile#bathroom#black and gold#kholer black toilet#powder room
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Bathroom - Powder Room
#Idea for a powder room with an eclectic black tile floor#multicolored wallpaper#and a two-piece toilet#as well as black cabinets#black walls#an undermount sink#white countertops#and a floating vanity. chandelier#sahara noir polished wall tile#kholer black toilet#brizo#black and gold
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Panic attack in Paradise
“Well, you did tell him to.”
Marinette paused mid-pace, her thoughts colliding. “What did I expect? That Chat Noir would ignore my advice? That he wouldn't seize the chance I practically handed to him?” She was battling with her own advice, feeling a blend of hope and fear at the prospect of what might unfold.
“What should I do?” Her voice was barely a whisper.
“Text him back.”
“Won't that make me seem desperate?”
Tikki looked at her with an expression as dry as the Sahara.
Desperate had long since passed when she tried to be her own wingman.
Picking up her phone, Marinette's fingers hovered over the keyboard. She was torn. On the one hand, she wanted to maintain Ladybug's aloof persona, but on the other, as Marinette, she longed to dive into the deep end of her feelings for Chat Noir.
#miraculous ladybug#miraculous#miraculous lb#marinette dupain cheng#adrien agreste#chat noir#ladynoir#ladybug#adrienette#miraculous fanfic#miraculous fanfiction
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Note here so people see it: If you send me an ask and I don’t reply it means tumblr deleted it before I got to answer. It keeps happening I’m sorry I’m not ignoring you. Unless it’s a racist ask then I’m totally ignoring you.
Pinned post with a presentation and the meaning of some words and expression I might use.
Starting with posts I suggest you.
List of some of the victims of police violence in France (not updated since I posted it)
Ressources about Western Sahara
Ressources about French colonialism in Algeria
Algerian movies and movies about Algeria or Algerians (the original post and the first reblog has Algerian movies only, the third one has French movies too as well as documentaries and I cannot vouch for all of them some are… well they are what they are)
Things for which the French blame Muslims
Me:
Siham/Sissa, 29, Algerian and very proud of it (born and raised in France also have the French citizenship but France keep telling me I’m not French and Algeria keep telling me I’m a daughter of our land so the choice was made for me).
Firm believer of the right to self determination and the right to resist colonialism in any way. So if you don’t stand with Palestine and Western Sahara you’re not my ally.
I don’t want you to pretend to support us under my posts if you’re not willing to give that same support to Palestinians and Sahrawi people. Your fake support meant to make yourself look and feel good is not needed and certainly not wanted.
There’s no such thing as a neutral or innocent colonizer/settler. If you believe they exist you’re not my ally.
You can ask questions I will try to answer the best I can that being said I’m not here to coddle you if I feel like insulting you because you’re being a racist piece of shit I will insult you. I don’t believe in “being mean with racists only prove them right” bitches already refuse to see us as humans my fuck you won’t change anything.
I’m also a feminist (screw white feminism).
Homophobes and transphobes can go choke on their own hatred their “ally ship” is not wanted either under my posts.
Some definitions:
Shahid (plural shouhada): it’s supposed to mean martyr in a religious sense BUT in Algeria we use it for freedom fighters who were killed as well as those who fought and died during the war because they were sick or wounded regardless of their religion. Frantz Fanon for example is considered to be a Shahid and as such is buried in the Shouhada square of the cemetery.
Moudjahid (plural moudjahidine): again it’s supposed to be a religious term to designate people who fight to protect Islam but in Algeria we use it for all freedom fighters who fought for the independence. Maurice Audin was not Muslim but he is considered to be a Moudjahid.
Allah yarham *…*: It means “May God have mercy on *…*. It’s the proper thing to say when talking about a Muslim who died. I will use it mostly when talking about the Shouhada here but that’s something you’re supposed to say for all Muslims who died.
Tahiya Al djazair (horra): Long live to (a free) Algeria. The horra is optional.
Pied noir: A European settler in Algeria and ONLY in Algeria
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THE H-MAN (1958, BIJO TO EKITAI NINGEN) – Episode 173 – Decades Of Horror: The Classic Era
“What if by some bizarre phenomenon, his physical form just melted away? Would that fit your crime scene?” Hmm … bizarre phenomenon? Let’s run with it. Join this episode’s Grue-Crew – Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr along with guest host Chris Peters – as they discuss Toho’s The H-Man (1958), directed by the great Ishirô Honda.
Decades of Horror: The Classic Era
Episode 173 – The H-Man (1958)
Join the Crew on the Gruesome Magazine YouTube channel!
Subscribe today! And click the alert to get notified of new content!
https://youtube.com/gruesomemagazine
ANNOUNCEMENT
Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL
Which all now include video episodes of The Classic Era!
Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website.
Across All OTT platforms, as well as mobile, tablet, and desktop.
https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/
When a narcotics dealer disappears, leaving only his clothes, Tokyo police are stumped. A scientist claims H-Bomb tests in the Pacific have created radioactive creatures – “H-Men” – who ooze like slime and liquify anyone they touch.
Directed by: Ishirô Honda
Writing Credits: Takeshi Kimura (written by); Hideo Unagami (story)
Produced by: Tomoyuki Tanaka
Music by: Masaru Satô
Cinematography by: Hajime Koizumi
Editing by: Kazuji Taira
Production Design by: Takeo Kita
Special Effects by: Eiji Tsuburaya (director of special effects)
Selected Cast:
Yumi Shirakawa as Chikako Arai, singer in the nightclub
Kenji Sahara as Dr. Masada
Akihiko Hirata as Inspector Tominaga
Eitarô Ozawa as Police Sgt. Miyashita (as Eitaro Ozawa)
Koreya Senda as Dr. Maki
Makoto Satô as Uchida, gangster
Yoshifumi Tajima as Detective Sakata
Yoshio Tsuchiya as Detective Taguchi
Ayumi Sonoda as Emi, lead exotic dancer
Hisaya Itô as Misaki, the dissolved gangster
Nadao Kirino as Shimazaki, the waiter-thug
Naomi Shiraishi as Mineko, Dr. Maki’s assistant
Tetsu Nakamura as Mr. Chin, gangster
Tadao Nakamaru as Detective Seki
Minosuke Yamada as Chief of Inspectors Kusuda
Akira Sera as Horita – Fisherman
Haruya Katô as Sochan – Fisherman
Yasuhiro Shigenobu as Yasukichi – Fisherman
Senkichi Ômura as Daichan, 1st dissolved fisherman (Let me try on the pants!)
Haruo Nakajima as Chosuke, 2nd dissolved fisherman & Liquid Human Being
Shigeo Katô as Matchan, 3rd dissolved fisherman
Paul Frees as Various Voices (American dubbing)
Are you ready to battle an invasion of liquified men? Watch out, The Blob (1958), The H-Man (1958) is here to make you rue the day. Toho Films and director Ishirô Honda (Godzilla, 1954) blend sci-fi, horror, film noir, and… cabaret… for all kinds of horrifying shenanigans. Yup, people liquify left and right throughout the short 87-minute runtime. That’s right, only gooey globs of clothes and hairpieces remain. Join the Grue-Crew along with special guest-host Chris Peters (aka, José) as they revisit and review this unusual yet highly entertaining entry from the film company that gave the world Akira Kurosawa, Ishirô Honda, Godzilla, Mothra, and so much more.
At the time of this writing, The H-Man is available for streaming from the Classic Horror Movie Channel, Classic Sci-Fi Movie Channel, and Tubi.
You may be interested in these other Decades of Horror episodes focused on Ishirô Honda-directed films:
GODZILLA (1954, GOJIRA) – Episode 58 – Decades of Horror: The Classic Era
HALF HUMAN (JÛ JIN YUKI OTOKO, 1955) – Episode 16 – Decades of Horror: The Classic Era
RODAN (1956) – Episode 101 – Decades of Horror: The Classic Era
MATANGO (1963, ATTACK OF THE MUSHROOM PEOPLE) – Episode 135 – Decades of Horror: The Classic Era
THE WAR OF THE GARGANTUAS (FURANKENSHUTAIN NO KAIJÛ: SANDA TAI GAIRA, 1966) – Episode 57 – Decades of Horror: The Classic Era
SPACE AMOEBA (1970, YOG: MONSTER FROM SPACE) – Episode 127 – Decades of Horror 1970s
TERROR OF MECHAGODZILLA (1975) – Episode 165 – Decades of Horror 1970s
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by guest host Scott Wells is King of the Zombies (1941), a horror comedy directed by Jean Yarbrough (The Devil Bat, 1940; House of Horrors, 1946; The She-Wolf of London, 1946) and starring Dick Purcell, Joanne Woodbury, Henry Victor, and the great Mantan Moreland.
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of them, “Thank you so much for watching and listening!”
Check out this episode!
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Quand la bataille écologique inspire les artistes.
Depuis plusieurs décennies, un cri d’alerte se fait de plus en plus ressentir sur l’ensemble de la planète. À l’heure où le réchauffement climatique se fait sentir chaque année un peu plus et où l’écosystème est davantage fragilisé, des actions voient le jour un peu partout.
Plusieurs artistes se sont mobilisés afin de déclencher cette bataille pour la protection et la préservation des écosystèmes. Inspirés par cette thématique de conservation de l’environnement, ils créent des œuvres qui sortent de l’ordinaire et qui peuvent être facilement critique par le public car certes ces œuvres soulèvent une problématique très intéressante concernant la préservation de l’environnement mais ces mêmes œuvres sont majoritairement conciliés avec des innovations technologie. Ces mêmes innovations technologiques qui sont majoritairement la cause de la dégradation des écosystèmes.
Est-ce un moyen pour les artistes de concilier leur art disant à la pointe de la technologie avec la cause environnementale ?
A l’occasion de son exposition le 15 février 2024 à la médiathèque chantemerle de Corbeil Essonne, Marylou Petot Lauréate de la bourse FoRTE d’ île de France nous a surpris avec son œuvre sans pareil et plutôt bestiale qui se nomme « Bestioles électroniques ��. Cette œuvre était très impressionnante car elle nous plongeant dans une sorte de jungle artificielle car nous étions dans un noir complet et au moindre mouvement des bruits d’insectes ou d’oiseaux se faisaient entendre. Un fait bien que surprenant, des bruits tels des bourdonnements d’abeilles ou encore de moustiques, des cris tels que ceux d’oiseaux en pleine forêt. Mais ce qui était encore plus surprenant c’est toute cette atmosphère était tout bonnement un circuit électrique, de l’électricité produisant des bruits semblables à ceux animaux ? C’est tout bonnement incroyable, cette même technologie qui fait partie des ravages en participant à la dégradation de l’écosystème peut donc aussi servir à une sorte de simulation de la nature ou voir même à un moyen de sensibilisation ou encore une arme pour cette bataille écologique. Marylou en conciliant ces deux entités que tout sépare, ces deux entités opposables rien que par leur essence même a tout bonnement fait un énorme pat dans cette bataille écologique.
Karine Bonneval une grande artiste ayant également un penchant pour la cause écologique nous a fait découvrir son exposition « Se Planter » au sein du domaine de chamarande. Cette exposition proposait des écologies alternatives pour respirer, bouger, écouter le monde végétal. La première exposition s’est fait dans l’orangerie du domaine où nous avons pu voir des créations tout bonnement incroyables, les toucher, les sentir, et parfois les ressentir. Ces créations étaient faite le plus souvent à partir d’arbres, de plantes ou encore de papiers mâchés.
Ensuite, l’exposition a continué à l’intérieur du château où nous avons pu observer une œuvre en sucre « Saccharumania » fessant référence à la canne à sucre ou encore une œuvre comportant des noix.
Ces œuvres ont une fois de plus ont concilié des entités purement opposables et surtout par cette exposition Karine ajoute sa pierre à l’édifice pour la lutte pour la préservation des écosystèmes.
Sahara ATIPO
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Fem!TWST Headcanons - KPop songs that suit them/what they listen to
TWST Masterlist: https://www.tumblr.com/wannabeabogwitch/713354988973342721/twisted-wonderland-masterlist?source=share
I know a lot of these are the same groups, but it's because I am biased. LOL Also, these songs are bangers, at least, imo and I just felt like some of them really fit the characters or they'd definitely listen to these songs. Some of them are there Japanese releases, just because I feel they'd fit too. I had a lot of fun with this! lol
Heartslabyul
Rina Rosehearts:
Wonderland - Alexa (It was a song for American Song contest, but Alexa is Kpop artist and not only is the song title fitting, but some of the lyrics too, referring to the rabbit hole and 'off with your head', at least in the English version, it's different in the Korean version, but still very fitting.)
Hear The Wind Sing - GFRIEND
Renaissance - WJSN/Cosmic Girls
Don't Look At Me Like That - Song Ji-eun
Queendom - Red Velvet
Trinity Clover:
Ice Cream Cake - Red Velvet
House of Cards - BTS
Awake - Jin (BTS)
Coffee - BTS
Wonderland - Dreamcatcher
Kate Diamond:
Noir - Sunmi (The song is about people being addicted to social media and doing anything for likes, so it's very fitting.)
The Feels - TWICE
Helicopter - CLC
PSY ft. SUGA (BTS) - That That
Mascara - XG
TGIF - XG
Alice Trappola:
So What - LOONA
Pierrot laughs at us - IU (cover) (Original is by Kim Wan-Sun. (The lyrics feel fitting. Like, behind this character, they might not be as happy or playful as they seem on the outside.)
FIRE - BTS (Troublemaker through and through)
Trap - Dreamcatcher
Lucky One - EXO
Eve, Psyche and The Bluebeard's Wife - LE SSERAFIM
Diane Spade:
Begin - Jungkook (BTS)
Growl - EXO
Can't Stop Me - TWICE
If You - Big Bang
Tomboy - (G)-Idle
Savanaclaw
Leona Kingscholar:
Lion - (G)- Idle
PTT - LOONA
Who Dat B - Jessi
Uh Oh - (G) - Idle (I feel like the lyrics fit her, idk)
If I Ruled The World - BTS
Kitty Run - Alexa
Roxie Bucchi:
Hann - (G)- Idle
Cookie Jar - Red Velvet (Okay, it's one of their Japanese releases, but I'm gonna put it here anyway.)
Sahara - Dreamcatcher
Spine Breaker - BTS
Catch Me If You Can - Girls' Generation/SNSD
Jacqueline Howl:
Not Today - BTS
Wolf - EXO
Break The Wall - Dreamcatcher
Revolution - Alexa
Yes I am - Mamamoo
Octavinelle
Azula Ashengrotto:
Mermaid - United Cube
Disturbance - BoA (I just feel like she'd listen to this song for some reason)
Jazz Bar - Dreamcatcher
Piano Man - Mamamoo
Wind flower - Mamamoo
Ditto - New Jeans
Jade Leech:
Still With You - Jungkook (BTS)
Rain - BTS
Who am I - Weki Meki (I just feel like she'd listen to this song, idk)
Lo Siento - Super Junior, Leslie Grace and Play-N-Skillz
water color - Wheein
Florence Leech:
Why Not - LOONA
CRAZY - 4Minute
Fantastic Baby - Big Bang
No Dot - SuA (Dreamcatcher)
Monster - EXO
Scarabia
Kalima el-Asim:
Fancy - Twice
Dionysus - BTS
Happiness - Red Velvet
Hope World - J-Hope
Dazzle Dazzle - Weki Meki
Some Love - Dreamcatcher (The lyrics are very positive and I feel like it fits such a ray of sunshine!)
Jamillah Viper:
Shadow Play - Pink Fantasy
HATE - 4Minute
Red Sun - Dreamcatcher
Cypher Part 3: KIller - RM, SUGA and J-Hope (BTS) ft. Supreme Boi
Hello Bitches - CL
ICY - ITZY
Black Mamba - aespa
Impurities - LE SSERAFIM
Pomefiore
Viola Schoenheit:
Pose - Red Velvet
Vogue - Alexa
I'm a B - Hwasa
Woman - BoA
Snapping - Chungha
ME - CLC
Movie Star - MIJOO
Rochelle Hunt:
Love Shot - EXO (She's a Huntress and a total simp, so this song feels fitting somehow. lol)
BEcause - Dreamcatcher (She a stalker, so this song is quite fitting and I feel like if a character were likely to go yandere, it'd be her. lol)
Peekaboo - Red Velvet
Psycho - Red Velvet (She ain't actually psycho, but the song just sounds like something she'd listen to.)
I Like It Pt.2 - BTS (Another Japanese release)
Elise Felmier:
District 9 - Stray Kids
I Will Show You - Ailee
N.O - BTS
Apple - GFRIEND
Fairytail - Dreamcatcher
The Great Mermaid - LE SSERAFIM
Ignihyde
Idia Shroud:
Blue & Grey - BTS (For when she feels down)
Red Light - F(X)
In The Frozen - Dreamcatcher
Bomb - Alexa
BBoom BBoom - Momoland
Orthea Shroud:
Alien - Lee Suhyun (It's a bop and Idk, I feel like it just works somehow)
FINGERTIP - GFRIEND
Blue Bird - April
Diasomnia
Mallea Draconia:
Let Me In - Haseul (LOONA)
Fantasy - Pink Fantasy
Entrancing - Dreamcatcher (Siyeon solo)
MAMA - EXO-K
Full Moon - Dreamcatcher
Lillia Vanrouge:
Poison - Pink Fantasy
Tension - Dreamcatcher
Delight - Rolling Quartz
Lucifer - SHINee
Sins Of Society - DUOXINI (Okay, so this group is a thrash metal group, but they are still Korean and well, when I put Kpop, I meant other genres of music in Korea too.)
No Celestial - LE SSERAFIM
Sylvia:
Rainy Day - Dreamcatcher
Be Calm - Hwasa (Mamamoo)
Rain - Taeyeon
Fifth Season - Oh My Girl
Dreamcatcher - GFRIEND
Bicycle - RM
Serena Zigvolt:
(Had some trouble thinking of songs for this character.)
MAISON - Dreamcatcher
Kill This Love - Blackpink (It has that military-like sound and it feels pretty fitting)
Picky Picky - Weki Meki
Overdose - EXO
#TWST#Fem!TWST#KPop#Disney Twisted Wonderland#Twisted Wonderland#Fem!TWST characters#Fem!Twisted Wonderland#Headcanons
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Dans les années 1950, juste avant les indépendances, le monde en perdition n’était pas l’Afrique, mais l’Asie qui paraissait alors condamnée par de terrifiantes famines et de sanglants conflits : guerre civile chinoise, guerres de Corée, guerres d’Indochine et guerres indo-pakistanaises. En comparaison, durant la décennie 1950-1960, les habitants de l'Afrique mangeaient à leur faim, étaient gratuitement soignés et pouvaient se déplacer le long de routes ou de pistes entretenues sans risquer de se faire attaquer et rançonner.
Ce temps lointain était celui des colonies, époque dont il est impossible de parler d’une manière objective et au sujet de laquelle il est obligatoire de dire que ce fut l’enfer sur terre…
Or, soixante-dix ans plus tard, le contraste est saisissant avec des dizaines de milliers de migrants qui se livrent au bon vouloir de gangs qui les lancent dans de mortelles traversées en direction de la « terre promise » européenne. Les crises alimentaires sont permanentes, les infrastructures de santé ont disparu, l'insécurité est généralisée et la pauvreté atteint des niveaux sidérants. Quotidiennement, les journaux et les divers organes d'information font état de famines, d'épidémies, de massacres qui montrent que le continent africain s’enfonce chaque jour un peu plus dans un néant dans lequel surnagent quelques îlots pétroliers.
Que s’est-il donc passé pour que, malgré ses immenses richesses naturelles et en dépit des océans d'aides aveuglément déversées par les pays dits riches, l'Afrique connaisse un tel naufrage, ne parvenant même plus à nourrir sa population ?
Et que l’on ne vienne pas nous parler des aléas climatiques car le continent possède certaines des terres les plus fertiles de la planète sur lesquelles jusqu'à trois récoltes annuelles sont possibles. De plus, l'agriculture africaine n'est pas paralysée par un long hiver, par un tapis neigeux ou par les glaces. Avec ses de 9.000.000 km2, le Sahara représente certes environ 25% de la superficie du continent, mais proportionnellement moins que la toundra eurasienne ou nord-américaine où l'on ne parle pourtant pas de malédiction.
Le problème est que le continent africain s’auto-suicide avec sa démographie, car, chaque année, l’écart se creuse entre le nombre de bouches à nourrir et les productions alimentaires. La catastrophe est donc programmée. Un exemple : au Sahel, les 10 à 20 millions d'habitants d'avant la colonisation sont aujourd'hui 180 millions. Voilà qui explique pourquoi la subtile alchimie de ce fragile milieu de 3 millions de km2 a été détruite. Au même moment, les 40 millions de Sibériens sont à l'aise sur plus de 13 millions de km2 d’une nature hostile.
La réalité est que les Africains n'étant pas des Européens pauvres à la peau noire, parce que le corps social africain n’est pas celui de l’Europe, ou celui de l’Asie, nos modèles politiques n'y ont pas réussi.
Or, si la greffe européenne n'a pas pris sur le porte-greffe africain, c’est parce que, comme le dit le proverbe congolais : « Ce n’est pas parce qu’il pousse au bord du marigot que le manguier devient crocodile. »
© Bernard Lugan - L’Afrique réelle n°157 - Janvier 2023
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songs 2 listen 2 at full volume/my fav songs
dream of you
zoom
fantastic baby
fire saturday
fine
girls like us
girls talk
stripper
$$$
step back
DUMB DUMB - somi
run away - txt
abracadabra
adios
snapping
ALL IN
ancient dreams in a modern land
apple
back door
the baddest
the baddest female
bazooka!
beam beam
beauty full
bicycle
black mamba
black or white
blink
blow your mind
bon bon chocolat
boombayah
boyfriend
the boys
breaking out
bring the noize
burn - sunmi
butterfly - wjsn
can’t get you out of my mind
carpool
cast pearls before swine
cause i’m god girl
changing!
cheese
cherry - itzy
chica
chiquita
cheese in the trap
close to me
c’mon
coin
crazy kids
comme does garçons
#cookie jar
cool
cooler than me
cool for the summer
dangerous in love
ddd
kill this love
ddu du ddu du
dmt
do it again
domino
don’t give a what
i’m the trend
dumdi dumdi
don’t know what to do
donttrustme
do what we like
dun dun
egoist
eight
electra heart
empire - gidle
everybody’s got a $ecret
everyday
e.v.o.l
fake & true
fancy
first
flipp!ng a coin
forever young
funky boy
gee
get it
get loud
get up
gingamingayo
girls are back
given-taken
good girl
gotta go - sunmi
got that boom
the great mermaid
gunshot
g.u.y.
happily ever after
hate me, hurt me, love me
helicopter
hide & seek
hit
holiday
hobgoblin
hollywood
honey
hot - twice
hot summer
i am the best
iD
i don’t miss u
i’m not cool
in my dreams
in & out
umpah umpah
sunny side up!
tiki-taka (99%)
in the summer
is this bad bitch number?
jigsaw
joker
july 7th
jumpin’
killing me
la di da
boca
lalalay
uh-oh
latata
liar
louder
love4eva
hi high
love dive
love fool
love foolish
love line
love spell
love to hate me
lucid dream
luckitty-cat
lunatic
luv me
mago
maison
make me go
maria
how you like that
pretty savage
marionette
mary jane holland
me
memeM
memories
mercy
milkshake
miniskirt
mirror mirror
monster
mr.mr.
mr. taxi
mumumumuch
highway to heaven
my bag
my heart skip a beat
naughty
neon
never stop me
nobody like you
noir
player
not friends
oh!
oh sorry ya
oops!
oopsy
oscar
pantomime
parade
anymore
love it if we made it
bees & honey
paradisin’
party
pieces of love
ping pong - hyuna&dawn
ping pong - cherry bullet
pirate
piri
pitapat
play
pop/stars
pretty psycho
paint the town
queen - 3ye
queen - twice
rainbow
really bad boy
rollin’ - brave girls
rookie
royal
eleven
savage
run2u
bamboleo
run the world (girls)
sahara
salute
say my name
see u later
senorita
sexxx dreams
shake it
shot clock
show
shut down
siesta
siren
smiley
solar
sorry not sorry - itzy
spark
stay tonight
dumhdurum
stuck in my head
sunset
unnatural
super moon
sweet & easy
swine
thank you
thunderous
ting ting ting
tomboy
touchdown
trap
trick it
turn it up
turn me on
uni
untouchable
va va voom
pound the alarm
ven para
vivid
voltage
wa da da
want it?
wave
we go
what’s your name
whatta man
what the flower
who dis?
wildside
wild wild west
wish you were sober
woo!ah!
wow thing
yeppi yeppi
yessir
you and me together
you better not
yummy yummy love
zoo - red velvet
zombie
expectations - girls day
the long night
rum pum pum pum
happiness
that kavka shishido song that’s like dadida idk the translation💀
holler - girls generation
home - yezi
like a cat
locked inside a door
perfect world
baby blue love
fuK u lol
no love again
zimzalabim
oh my summer
pretty boys
psycho - soyeon
follow the white rabbit
people watching
breakfast at a funeral
fire - taeyeon
fire - 2ne1
i`m a B
red lights
selfish - moonbyul
lovers in the night
popsicle
bother me
something
show! show! show!
lxxk 2 u
your teeth in my neck
flowerld
heat - loona
0x1=lovesong
door
fairy of shampoo
lion
fearless
good boy gone bad
wannabe
ffw
running up that hill
rock with you
what you waiting for? - gwen stafani
chi mat ba ram
grwm
hula hoop
wow
stereotype
so bad
butterfly - loona
cherry (real miracle)
love cherry motion
what you waiting for - somi
dumb dumb - red velvet
good day
i’m so sick
1-4-3
like this summer
love shhh!
mayday - sohodolls
heart attack - loona
tank
o.o
blue flame
circus
ready or not
drive
purr
dancing queen - girls generation
bungee
deep
privacy
telepath
overdrive
pose - loona
maniac
sassy me
doomchita
classy
don’t call me again
sweet summer day
xoxo
slow down - stayc
jackpot - red velvet
stylish
sweet talk
tamed-dashed
top girl
lalisa
that that
sappy
falling in love
after school
hello - joy
feel my rhythm
miroh
taste
buenos aires
good luck
b.b.b big baby baby
catch the stars
ring my bell
that’s a no no
the night is still young
short hair
pop
villain
up!
x
devil
xs
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A Monumental Disaster
A Monumental Disaster
by UpTooLateArt
There came a point when you had to say enough was enough – and Eiffel was so THERE.
Constantly being flung about – knocked over – severed in two – bent in demeaning poses – vanished from existence – sent to the Sahara – flooded – completely obliterated – dressed up like a Christmas tree…. There was only so much a tower could take.
[The Eiffel Tower gets akumatised]
Words: 1611, Chapters: 1/1, Language: English
Fandoms: Miraculous Ladybug
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Categories: F/M
Characters: Adrien Agreste | Chat Noir, Marinette Dupain-Cheng | Ladybug, eiffel tower, Arc de Triomphe, Notre Dame Cathedral
Relationships: Adrien Agreste | Chat Noir & Marinette Dupain-Cheng | Ladybug, Adrien Agreste | Chat Noir/Marinette Dupain-Cheng | Ladybug
Additional Tags: Crack, Short One Shot, Random & Short, I don't even remember why I thought to do this, Poor Eiffey, This came out better than I expected, And it inspired a much more serious idea, watch this space, But for now...the Eiffel Tower gets akumatised
Read Here: https://archiveofourown.org/works/43033578
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Thanks so much for the work you do educating people on the islamophobia in France. It's hard to live as a muslim here every day. Je suis Marocaine élevée en France, et je me reconnais quand tu dis que la France te rejette mais ton pays t'accueilles à bras ouverts. Les relations entre nos pays sont pas super, mais perso j'espère que le Maroc un jour laissera le Sahara Occidental tranquille, je suis du côté de l'Algérie pour ça lol. Les marocains sont brainwashed sur ce pb.
La France a trop essayé de passer pour un pays anti raciste plein de liberté alors que pas du tout donc c’est important d’en parler.
En étant en France on est obligé d’être solidaire entre nous. Perso je suis convaincu qu’ils détestent les Algériens spécifiquement plus que les autres mais n’empêche qu’on est quand même tous dans la même galère parce que comme j’ai du la dernière fois avant de nous attaquer ça demande pas le livret de famille, un test ADN ou de réciter la shahada. Ils nous mettent tous dans le même sac. Même les arabes et noirs non musulmans sont ciblés par l’islamophobie ici. Bref.
Concernant le Sahara occidental Inch’Allah ils seront libres bientôt. Pour avoir parler avec des marocains je sais que même si vous êtes pas la majorité vous êtes nombreux à être en faveur de la libération du Sahara donc pas de soucis avec vous! Puis une des raisons qui fait que la situation bouge pas c’est que ça arrange bien l’Occident qui soutient l’occupation du Sahara Occidental parce que ça divise l’Algérie et le Maroc. C’est comme la normalisation avec Israël. Perso je suis convaincu que ça a été fait aussi pour plus de division entre l’Algerie et le Maroc en ramenant Israël à nos frontières et en essayant de faire en sorte que même si le Sahara Occidental est libéré y’ait pas de réconciliation à cause de la normalisation. Temps que l’Afrique est pas unis et solidaire ils peuvent plus facilement la piller donc ça les arrange.
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23 janvier : le jour de l’abolition de l’esclavage en Tunisie
La Tunisie est fière d’avoir été l’un des tout premiers pays au monde à avoir aboli l’esclavage, elle l’a fait en 1846 soit deux ans avant la France. Seuls, Haïti, l’Argentine et le Royaume-Uni l’ont précédé. Elle est donc le premier pays arabe à avoir pris cette décision, bien avant le Maroc (1922), l’Arabie saoudite (1963) ou la Mauritanie (1981).
La commémoration, en revanche est récente et de meure discrète. C’est le 23 janvier 2019, que le président tunisien, Béji Caid Essebsi, a annoncé la création d’une Journée nationale de l'abolition de l'esclavage (اليوم الوطني لإلغاء الرق). Ce jour férié n’est pas chômé mais la célébration permet chaque année de rappeler une réalité bien occultée de la Tunisie ancienne.
Décrétée le 23 janvier 1846, par Ahmed Bey, l'abolition de l'esclavage avait toutefois été précédée par une interdiction de vente d'esclaves dès 1841 et de la décision, en 1842, que tout enfant né à Tunis, était libre.
Les esclaves, comme ceux qui ont été déportés en Amérique où aux Antilles par les Européens, provenaient principalement de la traite africaine qui arrivait en Tunisie par le Sahara. Jusqu’en 1841, la Tunisie recevait un millier d’esclaves noirs chaque année, ils étaient appelés les Abid ou les Chouchen. Il y avait aussi des esclaves berbères, les Akli, provenant des razzias entre tribus, ainsi que des esclaves européens, capturés lors de raids sur les côtes méditerranéennes ou les prises de navires marchands, c’était les Mamelouk. Ces derniers représentaient 10 à 20% des captifs selon les époques. Certains ont eu des destinées singulières. La propre mère d’Ahmed Bey, le souverain qui a aboli l’esclavage, était une esclave sarde.
En Tunisie, il en reste des stigmates et des non-dits : aujourd’hui encore des enfants naissent avec les termes atig (affranchi) ou chouchane (« esclave ») accolés à leur nom. Une véritable stigmatisation dans un pays où les Tunisiens noirs ont encore du mal à trouver leur place, surtout depuis que Kaïs Saïed, le très autoritaire président actuel, par ses discours aux relents racistes, a lancé la chasse aux immigrés africains à qui l’Europe a fermé ses portes.
Les autorités tunisiennes veulent se débarrasser des migrants africains. Mais certains profitent de leur précarité soudaine en Tunisie pour les asservir. On assiste à un retour d’une forme d’esclavage encore courante dans les pays du Golfe : des femmes migrantes subsahariennes, à qui on a confisqué le passeport, sont aujourd’hui employées comme domestiques, contre leur gré et sans salaire.
Un article de l'Almanach international des éditions BiblioMonde, 22 janvier 2024
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Lizzie meets Martyn
Dog hadn’t had any meaningful expectations when it came to the last few days before the end of the world, but he never could have expected what he got.
Form shapes nature. There are certain behaviors that are typical of small dogs simply because it is encoded into their genes. Dog’s Master, Lord Martyn, formerly known as Death, Destroyer of Worlds, hadn’t been doing much in the way of world-level destruction. Since Dog was no longer a raging Hellhound, he was given a good deal of free time to spend bothering cats and searching for crumbs. Upon meeting Pearl’s dog, Tilly, he had tried to reduce her to ash by way of the usual smoldering glare, but when that didn’t work, the pair hit it off and became close friends. Tilly was happy to show him the most interesting parts of Tadfield, tagging along with Them in all their adventures.
Form shapes nature, and Dog’s nature was changing.
On Dog’s third day in Tadfield, he and Martyn went to investigate Critter Cottage on a mission delegated by Them. Martyn was surprised to find that on the lawn was a woman with pink hair and space buns who was smashing flower pots in her frustration.
“‘Scuse me,” Martyn said.
He tilted his head in a way that implied a question without asking.
“It’s dumb,” she said. “I just… I lost my book. It’s been in my family for over three hundred years, and I lost it.”
“I could help you look,” he offered. “I’m Martyn Littlewood. I live on Sahara St.”
“Lizzie. Lizzie Shadow. I’m just visiting. Are you from around here?”
“This is my world, from the fields to the forests and from the quarry to the pond,” Martyn said, pointing to their respective locations.
“So you know the area really well?”
“Better than anybody, I reckon.”
“Have you seen two men in a black car?”
Martyn’s eyes lit up. “Book thieves!” He put on a noir detective voice. “I’ll take the case.”
“They didn’t steal it! Or, at least, they didn’t mean to. But if you haven’t seen them, they may have left.”
“Could be,” Martyn said. “I wrote a book once. It had cowboys and pirates and dragons, so it was probably a whole lot better than any book you’ve lost.” He declined to mention the long, spiraling description of a boy falling endlessly through blank space that he did not remember writing.
Lizzie laughed. She decided that she liked Martyn. If she had been in full control of her mind at the time, she may have realized that any thoughts about him that tried to go beyond her superficial first impressions simply slipped from her mind. No one was in full control of their mind around Martyn. “Do you want some lemonade?” she offered.
Martyn, like every other child from the town, had been raised by overly cautious parents who repeated the words “Stranger Danger” at every opportunity. Martyn, however, was not in the habit of being afraid.
“Sure,” he said. “We can battle the witch in the cottage to get it.”
Lizzie hesitated. “That’s my cottage. But I’m not a witch. I’m an occultist.”
“Oh,” Martyn said. “That’s alright, then.”
But Dog wouldn’t enter the cottage.
There had been a horseshoe above the door of Critter Cottage for hundreds of years. Previous residents during a large plague thought it would help keep them safe. They were, of course, wrong, but horseshoes above doorways do have strength in blocking Hellish forces such as reformed Hellhounds.
However, Dog could not ignore the call of Lord Martyn, who commanded him to enter. None of them noticed the horseshoe cooling as a little bit of Hell burned away.
—
Martyn decided that he liked Lizzie.
She was nice to him, for a start. She was old in the eyes of an eleven-year-old, but she wasn’t really old, not like his parents or R.P. Tyler. She was like a high schooler or someone cool like that. Plus, she knew all sorts of interesting things.
Turns out that an occultist wasn’t an eye doctor, contrary to Martyn’s first thought. Lizzie was sort of like a witch; she saw people’s auras and could detect ley lines and had a box of notes in old-timey language that Martyn struggled to interpret. She was not just cool; more importantly, she was interesting.
She hadn’t been able to see Martyn’s aura, though. And that seemed to worry her.
It was only when Martyn wondered aloud that his schooling hadn’t taught him nearly as much as Lizzie had that things became really interesting.
“School is an oppressive tool of the state,” Lizzie said, “so they won’t teach you about things that matter, like nuclear power stations, which we have to get rid of.”
This piqued Martyn’s interest. He liked knowing things more than he liked learning, and it certainly felt like his classes in school didn’t matter. Additionally, he had visited a nuclear power station once, and it had been far less interesting than he thought it would be, severely lacking in any bubbling vats or unnaturally bright colors. From that moment through the end of the conversation, he latched onto every word.
Lizzie believed in things. She believed in saving turtles and whales and all sorts of exotic species Martyn had never heard of. She believed in whole grain breads and recycled paper and local businesses and getting colonizers out of colonized areas. She believed that oil companies were destroying the environment, that meat packaging companies were destroying the environment, that steel companies were destroying the environment, and that fashion companies were, you guessed it, also destroying the environment. She did not believe in world leaders or large governments, and she hated any form of military. She believed in power to the people; more specifically, she believed in power to the youth. She was one of those people who is an odd cross between a pessimist and an optimist, but she had the extra layer of being very aware that the end of the world was mere days away, though she didn’t share this with Martyn.
Having been given limited internet access, Martyn was not aware of the things she spoke about. He had vaguely heard of environmental issues, but in truth, he had not recognized enough of the words used in these discussions to concern himself with them. South American rainforests were a closed book to Martyn, and it wasn’t even made of recycled paper.
Lizzie believed in things in a very intense way. She didn’t have beliefs so much as she had one enormous, amorphous belief in a great many areas that she had melded into one. On any scale of mountain moving, she could move at least half an Alp. However, Martyn could move anywhere between two and fifteen thousand Everests.
Lizzie, unaware of this, thought nothing of letting Martyn borrow a few issues of the Hermiton Herald, a magazine she had never read and only subscribed to in support of a friend who was one of its editors. He had been drawn to the interesting covers depicting deep-sea monsters and sunken continents and UFOs and the eye-catching headlines blaming everything on the government. And so, he left Critter Cottage with an armful of conspiracy magazines and two pockets of organic candies.
It may have helped the situation if Lizzie had realized exactly why she couldn’t see Martyn’s aura. It was the same reason why people in Times Square can’t see America.
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