First page of a NejiTen comic 🕊🗡
“Birthday present”
Page 1
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Friendly reminder that A Land for All is an excellent organization that is still, even now, working to create an equitable resolution to the conflict. Please check them out:
I also strongly recommend reading through their full proposal here.
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another day another fern and jermaine sketch dump whats upppp
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warmup + wing anatomy practice sketch from earlier
[ID in alt]
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while we're talking about it though that's something really fundamental to spock's character I think in a way I don't always see discussed, that by joining starfleet he's making the explicit and intentional choice that he'd rather be seen as a perfect example of an alien amongst humans than as an imperfect vulcan amongst vulcans. I see this framed a lot as him being more accepted in starfleet than he was on vulcan, and I really don't think that's the case at all: he's still very attached to vulcan, and we see all the prejudice he has to face and how little he's understood in starfleet. but what it comes down to is that he'd rather exist in a place where no one understands him and so he has nothing to prove -- even if that means being very alone -- than in a place where he's surrounded by the familiar & meaningful but everyone can see the ways he can't quite fit. if that makes sense
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Proposal: you fuck my brains out and I give you cuddles and kisses and giddy I love yous and thank yous the rest of the night
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hit the point in my writing where all of my stuff from the last few years feels absolutely awful to me, but i haven't been writing enough to have improved at all, so i don't think i can really do any better now. this means i don't want to write anything new because i know in advance it'll be bad. its the art conundrum that plagues basically everyone, but in a form i'm less experienced with combating... i have to fight through the pain. for my beautiful neopets fanfic/fancomic epic tale i want to write, even if im the only one who ever reads it. i could be cringe but free. if i just believe
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I've watched and adored Encanto, Wolfwalkers, Across the Spider-Verse, Puss in Boots: The Last Wish, and Guillermo del Toro's Pinocchio. All absolutely incredible animated films that I'm sure will be held up as classics even 20 years from now.
With that said, Nimona is frankly a good step above all of them and my choice for animated film of the decade so far (at least for what I've heard of). An absolutely stellar film on every level. Do yourself a favor and watch it all on YouTube these next few days!
Does it stand a chance at the Oscars? Absolutely not, especially since even the Annies were dominated by Spider-Man. But it would absolutely deserve to. (And again, I adore Spider-Verse and still think it's 100% worthy of the Oscar on its own. It's basically the reverse of the Puss in Boots vs. Pinocchio situation last year. They're both masterpieces, only this time the slightly better masterpiece is almost certainly gonna get left in the cold.)
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i know aging isn't the end of the world and 24 isn't that old and life isn't a race etc etc etc. however,
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season 8 finale was heartbreaking. the ending was perfect for the show and the characters. but that sequence where he's on the floor debating with himself if he should live or die was too real. just heartbroken.
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Fucking finally making a tool stand
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Man not to get depressing about Ken Ishikawa because the man’s legacy has been honored and will likely continued to be but sometimes I think about how it’s sad how Getter is the only works of his that really gets acknowledgment when you compare him to his mentor, Go Nagai, who has at least three main series that come to mind when his name is mentioned. Ishikawa wrote so much in between the second and third arc of getter when toei stopped making an anime for it, his art style and narrative themes changing so much that in a way it shaped the later arcs of where Getter would go, but none of it gets super acknowledged despite the fact the getter OVAs referenced them.
Ryomas iconic appearance from Arma? Stole that fit from Shinichi, main character of Majuu Sensen. The entire time travel arc in new where they get sent to the past and the gods who show up later? All taken out of another one of his works, Kyomu Senki. Majuu Sensen got the luckier side of being translated but Kyomu Senki I hear still hasn’t gotten it, and that’s just the tip of the iceberg for the stuff he’s written that’s been forgotten about.
We were really lucky to get arc anime but will ishikawas other works ever see the light of day getting more adaptations in this day and age when they’re hardly acknowledged outside of his actual diehard fans? Probably not. Which is a god damn shame.
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i hate open topic essays where u can write about anything u want i have way too much to say about everything that i can never narrow it down enough and i always end up writing about a lot of connected ideas that aren’t sticking to the topic and then i give up 😭😭😭😭😭
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If anyone's wondering why I want the info on all the cool animatronics from the books...
First: They're cool. I just think some of these guys are neat! There's a seadragon okay?? And sharks!! And that's cool as fuck!!
Second: Very relevant to Meteors AU! Meteors also gives me perfect opportunities to explore a world outside of the Plex, which can and does include other Fazbear locations. If there's a cool location or animatronic concept in the books, I can explore them through Roxy and Cassie's eyes in my own way. Like the penguins mentioned in Submechanophobia? Eddie can be repairing one that Roxy snags from the workshop to make friends while no one's looking. Felix/Sly the shark? Can get Roxy more comfortable with water stuff. Tiger Rock? Another access point to the horrors that Fazbear have committed.
And through all of this, Roxy has a unique perspective. She knows what Fazbear is like. She knows how it feels to be a fully aware animatronic. She knows what it's like to be expected to show a marketable appearance and to struggle to do so. She knows the fear of the consequences for mistakes that cost the company money. She can tell when an animatronic is acting of their own volition and not their strict programming. The question is, can they tell? Do they know what she was? What she is now? What she's trying to do when she talks to them one on one? Would they answer her if she asked how they're really doing?
And would they appreciate her offering a safe place to hide at the Pizzaplex should they ever need it?
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Pac no! Don’t eat the Super Anime Transformation Berry™!
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