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#redrawing stuff is so satisfying
emi-fanarts · 2 years
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“You know I still love you, right?”
I saw many people reblog this post recently and I just... cringed… so I redrew it
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fuumiku · 5 months
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They’re really interesting foils in many ways. I’ve always thought that Marcille & Mithrun have underrated dynamic potential. Give me the cringefail dungeon lords. Give me the elves with ears-centric metaphorical self-image issues. Give me the academic elites whose deepest strongest desires will always remain unreachable and the only option is to turn to the corrupt forbidden fruit of a demon pact. I am so so normal about Mithrun and Marcille
I wonder if the resemblance between captain Mithrun and general Hagreus aka Marcille’s fave in Dalclan is intentional… They definitely look very alike. It could represent idealization vs reality? Something something the romanticization of elves and their societal drama in their fiction vs a very real and imperfect product of their military system. The canaries certainly aren’t glamorous next to whatever Hagreus is the general of. I feel like she never had the opportunity to notice the resemblance herself bc within seconds of meeting him he was wrestling her on the ground but. If she had… She would so think he should have been his actor in the tallman stage play of Daltian Clan in that new extra comic hehe. I love the little details like Hagreus’ lips being drawn with extra details because they’re full and pretty while Mithrun’s lips are drawn with extra details because they’re chapped lmao.
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This art is all silly and surface level but in my head mithrille is like so dramatic and I make up daltian clan level big plots with them gbdgd. I made a spotify playlist for mithrun if y’all interested, rn it’s mostly centered around cravings that consume and losing yourself and illusions inspired from his time as dungeon lord but it’s branching out. Varied vibes, levels of intensity and degrees of confusion and await you ✨ I would emotionally rant about Chainsaw Man ost lyrics and how they tie in with Mithrun and the winged lion’s relationship but this post is already a monster
I want more of these two please please please pleaseee just one or two interactions in the new canon content coming up… All they ever did was debate philosophy on desires and human self-fulfillment and try to murder each other, please… I never get to gush about them and I can’t shut up so if you want more thoughts I talk about them more below
To get a girl to peacefully accept arrest follow these simple steps: in private, ominously stand above her and forcefully interrogate her, while in public, tell her you’ve met before (untrue and also not a pickup line, you’re just face blind) and interrogate her with a thin veneer of decorum. If all else fails, threaten and follow through on said threat. My guy needs more than just physical therapy I’m afraid
Sorry if most of these were Marcille-centric with Mithrun standing there looking cool, if I were doing these more from Mithrun’s pov things would be like "She’s a bit much but I guess I don’t mind hanging around her." or "Oh you’re a half-elf? -insert elven supremacist rethoric-" or "I have to keep her from becoming demon stew." immediately followed by "Did someone say demon? Kill kill kill kill kill" since these are set prior to like really knowing another. Then things would be more like "huh she has bad tastes in novels but her magic research is pretty interesting" and "I’m lonely and don’t understand myself— Oh she loves talking about feelings? Oh shi-" That last one is an aspect of why I like Marcille and Mithrun’s potential dynamic lol. She’s very… Emotionally intelligent alongside being impulsive. You think you have no feelings because the world has beaten them out of you? Think again!! Marcille be upon ye! -In a therapy sort of way but mostly in a connecting with people and your own self through interpersonal relationships and talking kinda way. I just think a lively, upbeat, annoying friend way too interested in your personal life would do him good, the canaries are nice but like if Marcille went to prison and was a sort of extra new bunkmate I think that’d be interesting and fun to read is what I’m saying
Unlike Kabru she wants all the useless messy filler of his backstory, eating chips while listening. Like two chibi sets side by side, "me and my fellow canaries, name name and name-" "Hold on we don’t need to know that." Vs "Then we were to sleep on the third floor of the dungeon, which had the look of a mausoleum, and name and name got into a fight over the campfire placement." while Marcille is like uh-huh what next what next while kicking her feet. She thinks of pre-dungeon pompous Mithrun and is like omg you went through a character arc and become better as a person- and then he opens his mouth and she’s like nevermind let’s keep working on that. She would also go "ew ur hair is greasy" and give him a full hair care treatment. What I’m saying is I need them to be forced to spend time in a dungeon together and become besties through a life or death roadtrip
Marcille is insecure about her ears, long, like an elf’s pride should be, but rounder, inelegant. Seeing Mithrun though, the epitome of beauty, with his half-cut ears make it a sillier thought. Not sure if Mithrun is the best person to reconnect with ur elven culture with but it sure is an option Marcille would so appreciate being around someone both cool headed and kind, I genuinely think they’d get along, like not that Senshi isn’t that too most of the time but I think Mithrun would be in a way that’s more refreshing to her. I’d be so curious about them discussing Dalclan, I doubt he’d have read it but she could make him read it, maybe post-canon with the excuse that they’re trying to find him a new hobby hah. He’d tear into the writing and everything but it’d be a fun time, I like to think that it’d make him a bit less prejudiced. Marcille @ Mithrun "👉👈 Soo maybe you don’t know these books they’re pretty recent having come out 50 years ago but…"
I’ve been in a Mithrun phase I want to make and read Mithrun-centric fics and angst so baaad. I razz him a lot here but he’s literally a traumatized military man that became obsessed with revenge due to bad coping and neglects himself in the process idk not much for him going on and some of it is because he has to work on himself, but hey no one’s perfect it all comes from a place of love and relating though I prommy. He’s the one ungodly angsty squeaky toy blorbo with brain damage rep I have don’t take him from me
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I’s the b’y that built the boat I’s the b’y that sailed her I’s the b’y that sunk the ship You’re the one that saved me
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sysig · 11 months
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Twisted Phoenix (Patreon)
#Doodles#Just Desserts#Villainsona#True Villainy AU#Vent I guess?? Lol#Features Kaiein: Checks out lol#Charm is just constantly the ''Aren't you tired of being nice'' meme haha#Got caught in a thought spiral the other day :/ Wanted that to change! Most easily summarized with what she says#Honestly kinda thinking that one along the lines of the Hero/Villain greeting/standoff#Gosh I want to redraw that one already hgg! It suits the TVAU so well!!!#Well I've got other TVAU stuff anyhow#More Classic first tho - no that's not blood lol it's just dyes#Anyone remember Pudding Layer Cake? Probably not I'd kinda like to draw them again too ♪#It did make me consider how food-safe dyes might affect JDCitizens' blood tho - would it get into their blood stream or just be digested?#I have enough rainbow-blood characters lol but it Could be fun to have one more! Lol probably not tho#Anyway yeah she just wrecked shop but literally at the dye place - an easy thing to do when you're Literally on fire#Hurting people? ❌ Destruction of property? ☑️#Okay Now TVAU stuff lol#Charm is not in a great place even when she retakes the throne#That's a weird thought haha - that she's been there before but was convinced she wasn't satisfied the first time so she did it all again#Guess that tracks at least - if the first time didn't soothe her why would it this time#Some Hamlet - dripping poison into the ruler's ear - fed lies and vitriol and pain to bolster her fear and desperation#Isn't he just so helpful#And ending off with a mirror motif!! Heck!!! Can't believe I haven't done it before now I Love mirror motifs and she has So many forms lol#Even if she feels like she doesn't have anyone else - doesn't trust anyone to not reject or fear her - anyone she hasn't irreparably hurt#There's always someone she could return to - return to being - and maybe start to build back up#The difference in their wings hh <3 And that Charm Classic isn't Evil Time! She just wants her back! She can be better she just knows it!#The TVAU is hard on her :(
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the-nysh · 1 year
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this is not at all an indictment against Murata as the man has already proven a dozen times over to be incredibly dedicated to OPM, but is it just me or has his art quality since the Psykorochi fight seemed to have lowered on average? Not to say he's incapable of still creating spectacular illustrations but it feels like he's opted for a more cartoony and less detailed style over all.
He's been adjusting his workflow to prioritize speed lately (while noting what new approaches/techniques he's been attempting on twitter) for more consistently scheduled releases, so yes he's been going thru some trial and error for a while now. His more 'cutesy' style (with larger 'moe' eyes for most characters) seems to be a thing, as it's been noted by several readers - so your mileage may vary on how much you 'like' that look, but if there's anything Murata's personally not satisfied with you can bet he'll redraw stuff in higher detail (including improving the assistants' background work) for the volumes later!
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chiropteracupola · 2 years
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he could do with a little Being Held, I think.
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Prompt: The Prefect's Obsession.
Pairing: Yandere!Prefect/ Yuu and Reader/ Player (can be read as platonic or romantic)
Genre: Yandere
TW: Obsessive behaviour...? Let me know if anything else should be added ^^ (Reader and Yuu are two different individuals.)
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AN: I initially had the prompt 'obsession', but reading @roseapov 's Player and Overseer thing gave me this idea; what if Yuu was more than just a puppet, and equally as obsessed with the player as the rest of the twst cast? I'm trying to explore how to write more unsettling kind of stuff, since I'm pretty good at writing regular ol' angst and fluff if I do say so myself ^^ somehow twst brings out this side of me lol. Anyways, as always, I hope you enjoy!
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The Prefect was made aware of your presence in their life during the first ever battle they fought, against the blot monster in the Dwarves' Mines.
They remember the rush of energy that filled them, the authority with which they barked out orders for their friends to fight. The intensity of the battle had had little effect on them (even though a small part in the back of their brain said that they should have been freaking out) as they instructed their friends, while their own strings were pulled by another.
Till then, the Prefect had only felt someone's intent gaze, even when no one was there. At times a little rhythm would be thrumming under their skin, sometimes soft and slow, other times fast-paced and exhilarating. But the way you had possessed their body, taken over their actions to lead them and their friends to victory, was what astonished and scared them the most.
They hated it at first. After all, who would like to have no control over their actions in a life-or-death situation? But as time went by, and you led them to victory and safety so many more times, the Prefect grew fonder of you.
The many hours you spent, watching them repair Ramshackle or handle Grim and the rest of the first years endeared you to them. You were so patient, so kind-hearted to be helping this magicless human navigate the challenges of being transported to a magical world. Their desire to know you, to thank you grew day by day, minute by minute. After all, without your help they would not have gotten this far. Somewhere, the lines between genuine gratefulness and blinded devotion blurred, and the Prefect had no intention of redrawing those lines, ever again.
They could tell when you weren't with them. The lightness they felt when under your watchful (and loving, hopefully) eyes would go away sometimes, leaving them to mindlessly wander, waiting for you to come back. Of course, they wouldn't hold your occasional absences against you. They couldn't even bring themself to think something so blasphemous as to hold a grudge against you. But they also couldn't suppress the fear and anxiety that ate away at them each time you left, wondering whether you would come back, when you would come back, and how long you would stay with them the next time.
You, who they had never seen, had more of an impact and importance in their life than the boys of the seven dorms they had become fast friends with.
A conversation with Riddle after one of their lessons together revealed that the boys were also aware of a greater entity watching over them. They called you by a special name, one initially used by Idia and then adopted by everyone else.
Player.
Prefect tested the word, satisfied by the way it rolled off their tongue. Because they control us, just like a player would their game characters.
The Prefect became the subject of more attention fairly quickly after it became known that they were aware of the player and not just a oblivious puppet as Azul had theorized earlier. Considering that you used the Prefect exclusively to interact with everyone, the boys would try to spend as much time as they could in their presence, in hopes of feeling the your 'grace' and monopolizing it. It was just a feeling, one that they could all experience but none could explain. Your presence through the Prefect calmed them. Even when they thought themselves to be alright, the feeling of your presence would help soothe parts of themself they weren't aware needed soothing.
But the Prefect...They hated it.
The way they all milled around them, hungry for any indication of your presence, your validation. The way they stuck close to them, waiting to bask in the familiar warmth and calm that surrounded the Prefect when you visited them. To the Prefect, they were quickly turning from friends to insistent, irritating flies buzzing around.
Nobody deserved to be in your presence. Nobody but them. Because you chose the Prefect as your vessel, a blank slate for you to use to mercifully interfere in the lives of those who didn't deserve you.
The Prefect felt a sense of pride at the thought of being your puppet, at your mercy and for you to do what you wish with them. No greater honour could have been conferred to them and their existence than to create miracles in your name, under your guidance.
Of course, this... devotion meant that the Prefect often wondered about you. While you watched over them as they attended their lessons, the Prefect wondered if you liked to learn History; perhaps you were more into sports and fitness. Or perhaps alchemy was more your pace?
The Prefect also liked to imagine that their features somewhat mirrored yours. Perhaps your eyes were similar, or the curve of your nose, or perhaps your skin tone. After all, there must be something common between an entity and their vessel, to show that they are bound to each other, right?
As they looked down at your fallen form, however, they could not see any similarity. Not even a passing resemblance.
You were different, breathtakingly so.
Having spent the most amount of time in your presence, there was no way the Prefect could have made a mistake. The light sheen of grace that clung to your skin was enough of an indicator of your identity. The Prefect watched, mesmerized by your (e/c) eyes that held a mix of awe and curiosity, your apologies for bumping into them ignored in favour of staring at your face, searing each and every feature into their brain.
The Player.
The player was in Twisted Wonderland.
The player was in Twisted Wonderland?
But how?
Briefly, as Yuu extended a hand to help you up, they wondered if you had been unceremoniously dumped into this twisted world of magic and monsters, the same way they had. Their blood began boiling under their skin at the thought that some being (could this mean there were beings greater than you?) would treat you so carelessly, as if you did not hold power over some of the most important figures in Twisted Wonderland.
Prefect watched you stand with their help, a soft and grateful "Thank you," slipping through your lips and setting their every nerve on fire. The timbre of your voice, the slight awe in your words and the grateful light in your eyes as you looked at them, it was all so much. Too much, and yet still not nearly enough.
And then, a small voice spoke up from deep within them. 'The Player is here. And nobody knows.'
For if they had, if they had the slightest of an inkling that their beloved deity was amongst them, the housewardens would do their best to have you for themselves. Each dorm would declare an outright war on the others if it meant having you by their side.
But if you could be persuaded to join one before the others even found out...
They gave you a big smile, reverently noting the slight blush you sported. How cute. "No need to apologize. I wasn't looking where I was going either. But.. I haven't seen you around here before. I'm Yuu, what's your name?" They asked, hoping to not scare you off by seeming over eager.
"Ah, I'm (Name)," you answered, a bashful smile on your face. They cooed over your warm smile and sparkling eyes internally. So naive, so trusting; no wonder you cared about everyone, even those that had hurt your vessel, and by extension, you.
"I'm in the process of transferring from Aravae Arcane Academy," you continued, and their smile almost slipped from their face. You were in the process of transferring into Night Raven College? That too, from an obscure academy situated Sevens knows where? How long had it been since you had decided to grace Twisted Wonderland with your actual presence? How long had they been unaware of their beloved deity being so close? How long had they been unable to serve you as they should have?
The Prefect pushed the thoughts down, deep down, where it would never see the light of day ever again. You were here. Through some miracle, you were right in front of them, where they could touch you if you permitted (for they would never lay a hand on you without your permission).
And you would stay. The Prefect would go through it all again, fight the Great Seven even, if only to ensure that you would stay close to them. Where they could bask in your glory and serve you as they are meant to. A loyal follower devoting their heart, soul and mind to their beloved deity.
Your expression changed into one of slight embarassment and awkwardness, and that is when the Prefect realized they might have been just a little too intent with their staring. Nervously chuckling, they said, "Ah, okay. That explains it, I guess."
You chuckled as well, and the Prefect felt as though fate was smiling down upon them. This, this was their reward for going through all that they had. This was what they were meant for. "Yeah... I am kinda lost though. I was supposed to meet the Headmage, but..." You trailed off, and they nodded understandingly.
"Yeah, the grounds can be real hard to navigate. But don't worry! I'll help you get to the Headmage's office. He should be there, if he's not doing any surprise class supervisions today," they chirped.
"That would be nice. Oh, but, I don't want to trouble you. I mean, you must be busy..."
"It's no problem, really! I'm always happy to help!"
"Oh, well... If its not much trouble, please lead the way."
"Sure! Oh, by the way, do you have any dorm you'd like to be in? I know the Dark Mirror sorts students into dorms, but people do change their dorms sometimes if they want to..."
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indieyuugure · 8 months
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(My response to @hyperchef ‘s reblog of this post)
Making an exaggerated expression that doesn’t look weird is mostly about figuring out what to exaggerate in order to convey the desired emotion. For instance, when a character is angry, exaggerate their brow line. When a character is happy, exaggerate their smile. When a character is sad, exaggerate their eyes. Examples:
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By accentuating certain features, you can convey more intense emotions without it looking weird or off. Most emotions have a main focus point to which we subconsciously notice and use to figure out what someone else is feeling. Some more complex ones would be Disgust exaggerates the mouth, surprise accentuates the eyebrows, eyes and hair, sleepy exaggerates the mouth, eyes and eyebrows, and pain exaggerates everything all at once.
So for your eyes, problem, there are some tricks for drawing the tmnt eyes. Now I’m not sure exactly which style you’re talking about, but since you said you previously were working with realistic shapes, I’m guessing you’re having trouble with the Rise style.
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Rise seems to have a “standard shape” for their eyes. It’s generally a rounded parallelogram. It’s composed of four convex lines that are sharpest at the eye’s tear ducts and point. The bottom is typically flat, though Leo and Donnie often have the top be completely flat and the bottom much more round, like a semi-circle.
As for the pupils, I honestly struggle a lot with this as well. I think the most important thing is to establish almost like certain standard sizes. So just keep scribbling a circle until you think it’s the appropriate size to be your standard middle size. From there you can make it bigger or smaller depending on the emotion.
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so if the one on the far left is the standard, then the one in the middle is a sad smile and the one on the right is horrified shock.
You have to be careful though, I’ve found through my experience that it’s easy to become desensitized to this kind of thing. You draw a small pupil to show shock but after looking at it too long or drawing to many characters expressing that emotion, somehow it doesn’t look small enough anymore.
The same can happen in the other direction, you want a sweet expression but for some reason as soon as you’re happy with how big and round the pupil is, it’s already not enough. This is cause by you setting your eye to think that that is the standard size and now you think that the pinprick is the mid point, so “surprised” has to be smaller than that.
It’s actually really easy to undo this phenomenon, just erase the pupil, draw you pre-established standard, look at it for minute, then erase it and go back to what you were doing. This kind of thing is about relativity.
If you’re still having trouble with this stuff, you can message me with more questions that I can help you with and answer!
I hope you found this helpful. Expressions are tricky to nail. I usually draw and redraw the expressions in ROTP two or three times before I’m satisfied, and even then I’m constantly tweaking them. Don’t feel bad for not absolutely nailing it on the first try, just make sure you keep trying and tweaking your technique until you can make something you’re proud of!
Good questions! :]
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catsharky · 4 months
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I've just discovered your Rolan x Tav comic.
It's SO neat and accurate, in matter of deign and details!
In case you don't mind, of course, I have some questions you maybe have answered before:
What software do you work with? What kind of pencils do you use? How do you manage to set so neat and clean results? Do you need many references for that or is just a gift you have? How many years have you been drawing to achieve those results?
I don't mind at all! And I don't believe I've answered any of these questions before, at least not since I started doing my comics.
For software I mainly use Clip Studio, though I do also use PaintTool Sai (v2) for certain things that I feel it does better. All of my Mass Effect comics are lined in Sai, for example because things like armour have a lot more inorganic shapes and require long, sweeping, unbroken lines, and I like the pen stabilization in Sai far better than CSP's for that sort of thing.
For how long I've been doing art, I've been at it basically nonstop since I was 9 (so 20 years now, jeez). I was in an art program throughout highschool, went to college for art/animation for 4 years, and I'll have been working professionally as an animator for 8 years in May! So there's a lot of practice there for sure.
And yeah, I use a ton of references. Usually a good chunk of the time I'll spend on something is just collecting or making the reference material I need for it.
I'm putting the rest under a read more because it's pretty long:
(Tumblr keeps eating my formatting so sorry if this is a little scuffed)
Because I'm normally working full time and doing this stuff in my free time after hours and on weekends, if I know I'm going to be drawing something a *lot*, I'll usually put together some kind of reference for myself in 3D so I can take some of the brainwork out of it and get more out of my evenings even when I'm feeling fried. It also means I put as little extra strain on my wrist as possible because I injured it a number of years back and it gets angry at me if I go for too many hours in a day.
But to give you an example, for Ember I have a Sculpt of her head that I can use to reference any angle I want, or to draw directly over top of for tricky angles. How I draw her isn't quite 1:1 to the model, but it gives me a base structure and landmarks I can build on top of.
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My basic workflow is to take the angle I want, draw over it using the model as a guide (while picking and choosing where to stay true to it and where to say fuck it and do what I want), then I get rid of the 3D and do another pass, tweaking and redrawing anything I'm not totally happy until I'm satisfied with how it looks. I draw Ember with a slightly softer, more rounded face than the model has, for instance. Just because something looks right in 3D doesn't always mean it looks right once translated to 2D and I don't care if something is technically "correct" if it doesn't feel right or isn't conveying what I want it to properly.
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I'm also always checking reference screenshots to make sure I'm in the right ballpark of how something should look. I actually have a wall of photos next to my desk and while I didn't put them up for that purpose, it has come in surprisingly handy for quickly checking face or hair details when needed. I also just have a big folder of screenshots and other saved reference material.
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I don't have a problem noooo~ 😅
Additionally, if my art has a background these days, there is a 100% chance that's a 3D set I built in Blender because I hate drawing backgrounds, but I do like building them in 3D.
Here's two examples: the area around Astarion's bed, which I built out of some of the in-game assets like a lego set (this was a pain in the ass, it probably would have been faster to just build it from scratch based on screenshots 😩) and a closet I modelled for something that's still a WIP.
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I'll get the angle I want, have Blender generate some linework from it and then grab a basic render of it to slap into CSP so I can draw the characters over top of it.
And as for brushes: the main brush I use in CSP is just the default 'Real G-Pen', with opacity effects turned off and these pressure settings: (I like to keep it simple, and I have a bit of a heavy hand so the altered pen pressure just helps me get a smoother taper). I change up the stabilizer settings depending on what I'm doing. Lower for things that need short, quick lines like hair and higher for most other things.
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For Sai, I use a 9B pencil I found a number of years ago on Deviantart (I think?) and I wish I could link you to the original post I got the settings from, but Deviantart's search is... bad and I'm unable to find it again.
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I hope that answered all your questions! If not, feel free to ask more!
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annadiplosis · 10 months
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I’VE HAD THIS BLOG FOR 10 YEARS
Here’s to many more years of fish, vampires, aliens and bird people! To everyone who follows me and/or has praised my art, in any way, at any point, thank you, from the bottom of my heart.
I’ll be ranting about art progress and style changes under the cut, but before that, just a reminder that I’m going through a complicated time in my life and if you want to support me and my art there’s a few ways to do so.
Now back to my goofy doodles.
Maybe because I've drawn ever since I can remember, I've never felt a ton of pressure to improve my art skills. It's always been something I knew was going to happen as long as I kept drawing, and that's what I've been doing. I try not to stress too much about staying consistent with my practice or achieving any self-imposed goals. I like to discover what I'm able to do, one drawing at a time.
I also believe progress is not linear, and not every single piece is better than the last. While my 2023 art shows a higher skill level than that of 2013, I think some of my older work looks perfect the way it is. I'm drawn to expressiveness, movement, and compelling characters, and that can be achieved at any level. I've gotten better at some technical aspects, of course; my linework is far more decisive than it was before, and my endless battle with color palettes gets easier every day. I'm also capable of unwillingly drawing the crappiest, most horrendous doodle you've ever seen, just as I was in 2013. Just as we all are. I'm not sure why I find that reassuring, but I do.
When I started this blog, what really worried me was developing a distinct style. I studied other artists and stole specific elements of their work, sometimes drawing and redrawing the exact same thing until I was satisfied with the result. At some point, and I can't exactly tell you when or why, I stopped caring about that. It's not that I thought I'd found My Perfect Style, because that doesn't exist. I guess I started focusing on other stuff, and that's when my actual style started coming together. I followed my instincts, tried to strike a balance between what came naturally to me and what I was envisioning every particular piece to look like, and it worked. Any alteration my style has gone through since then has been unplanned and intuitive, and I can't see myself approaching art in any other way. I'm excited to discover what kind of artist I'll be in ten more years.
Thanks for reading this far! Warm regards from me and every notebook I've used since opening this blog (#9 to #37 in my overall archive) ♡
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neiksduckyducklab · 4 months
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you know the part about holiday season i actually like? gifts! and i actually got some pretty cool stuff this year!
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my mom got me two comic collections, a Duck Avenger themed one and a Gyro themed one!
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the Duck Avenger one is a really interesting read! it contains D.A.'s origin story and some older adventures...
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it even has the first story in which Mad Ducktor appeared! even though i already read it online, it's a totally different feeling to own a physical copy of it lol
the Gyro collection has a bunch of stories with him as the main character, which was a huge breath of fresh air considering I almost never see stories like that
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it's also fun to see him drawn in so many artstyles! a lot of these panels make for really good references
overall? i can consider myself satisfied. I'll definitely try and redraw some of these panels for exercise
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masochismustango · 8 months
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So, summertime is over and it’s autumn outside, which days are still pretty warm.
It’s a shame I had to spend most of the time traveling, visiting stuff and being busy with entrance examinations to the master’s program, because that is the reason I didn’t draw much.
The class schedule’s pretty confusing, so I’ll get to know about it and get clarification at tomorrow’s meeting at my university, because there’s hope that I’ll have more spare time.
In any case, I succeeded in starting to work on redrawing stuff of the concept art drawn by Mike Smith for “The Boxtrolls”, where the early versions of Archibald Snatcher, Eggs, Winnie, Fish, Shoe and some cabbagehead dude were portrayed. I want to draw the same thing, but with the final appearances of the given characters. I still don’t use the tablet or something like that, so I do all the sketches traditionally and that kind of stuff takes a lot of time.
And as you’ve probably guessed, it took a lot of time to portray Archie, but I’m pretty satisfied with the result of my kinda hard work, so I decided to post the sketch of him first to put on airs a bit. I dare say I enjoyed drawing him that carefully, I would call it a character study as well at some point. 
Long story short, I’m happy with the complete sketch and I want you to share that feeling with me too! Hope you like it!
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yan-snowcave · 18 days
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Name : Robin Adler [ᵇᵉˡᵒⁿᵍˢ ᵗᵒ @turnthepagevn ]
Dragon Species : Lung
Gender : Male
Dragon Power : Water manipulation
Description :
A long serpentine, emerald scaled dragon who's color fades into a darker shade of green near the end of the tail and turning fully black near the tip of the tail. It posseses two front arms & legs all of them are the same emerald green color as the main body. The paws each have three digits who's tips are light green in color, each digit has a sharp, white claw (the front paws are much thinner while the ones on the back paws are thicker.)
It has two mighty antlers on top of it's head surrounded by a dark green mane thats being held toghether in a pony tail of sorts. On each side of it's snout it has two very long, whisker like hairs that seem to float around and react to his emotions.
Other Information :
- On top of his new Draconic water powers, Robin kept his Eldritch Powers. Most of the workers aren't even sure if he really was changed by the virus or just changed into this form to mess with the current Staff.
- Robin can change his size to whatever he desires.
- He has a hoard of books that everyone, including himself, call "The library" [he also runs it like a library.]
- Robin can make his furr disapear and re-appear at will. It is not uncommon to see him have a full mane going down to the tip of his tail one day and the next to have just his pony tail again.
[I so forgot I had this laying around in my drafts, I think its from 2023 or so :'D God poor, Robin was here all alone, I'm so sorry to everyone who was waitinf for Dragon!Robin to drop! I really need to re-work the AU a bit or like overhaul it entierly. Maybe once I get a drawing Tablet I can redraw these guys and Improve stuff overall. I'm also not 100% satisfied with Robins design so his dragon form would so get a re-design!]
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mepad-daily · 4 months
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╰☆☆ ꒰ 💠 ꒱ Heyo!! Welcome to Mepad Daily. ꒱ ˎˊ˗
Acc made: 1/1/24, kickin’ off the new year with a new Mepad Daily blog ! Since the Twitter one is kinda… yk dead?
Another daily character blog… kinda like @ii-daily-soap.. meh who cares, Mepad isn’t likeeee a loud character in the community. So Mepad stans, heres a rare gem! 💠 Just moments of our beloved huggable scrimblo Mepad moments on the show :3
☎️ When in doubt, just DM @coccinellaaa for any questions.
Mass like or RB ? We are okay with it ! ^^
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#mepad posting = mepad pics daily posts (to make it organized)
#not mepad = not mepad :3
#submission = submissions of art or images tytyyyy
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questions n’ art submissions r allowed i forgot to mention :] you can also submit mepad images or sumn if ya want :]
Use the ask box reasonably and responsibly 💓 DO NOT use the ask box to troll, please do a lil trollin’ elsewhere mk? Mk. :]
☆☆ Submission Rules!! ☆☆
Mepad scenes from ii, extra scenes from AE, art, self ship, oc x mepad, minimal gore art, sfw art, comfort art, scene redraws, gijinkas n’ humanizations, fanfiction, scene redraw, doodles, edits, kinsona, thingies you made based off of mepad, other ppl’s art WITH permission, just normal stuffs based off of Mepad ✅
anything rancid; nudity, proship, comship, meeple/steve cobs x mepad, other ppl’s art WITHOUT permission, no mepad in submission ❌ ANY OF THESE ARE A NO GO.
more mepad less toxicity ! y’know ? ^^ If we needa tell ya more than 3 times to knock off any rancid behavior, thenn sorryyy bucko! Ya gettin’ the BLOCK GLOCK 🔫🔫 We ain’t got an issue sweeping negative bacteria away! But I’m sure all of ya mepad stans are fine y'all are all lovely (^з^)-☆
SEND AS MUCH AS SUBMISSIONS AS YOU WANT !!! 🎺🎺
DM this blog for removal of submission or anything else .
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Ran by: @coccinellaaa n’ @starigen ; both feral Mepad fans. 💜🩵
Thats kinda all, so happy stimming y’all ! Hope we satisfy ya.
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art by em year in review 2023!
for the fourth time, i present to you a selection of the art i did this year! this definitely was the Year of Understanding Procreate, and i think it paid off. as usual, reflections under the cut.
january: i saw @malcolm-f-tucker tag a picture of abigail thaw with a comment about a theresa faceclaim and it left no survivors, i.e. i decided that theresa should have greying hair and did not look back. this was from when i was still trying to figure out what brush to use for lineart in procreate. luckily i had learned my lesson from the sketchbook learning curve and realized that what i liked for lineart would most likely be in the pencil section. however i wasn’t a huge fan of the brush i used in this one, so i didn’t use it again. instead, for later pieces, i decided to customize the 6b pencil brush to my liking, and…
february: …this came out of it! this is still one of my favorite things i have ever drawn, and it’s my favorite thing i’ve drawn yet for herc and linda. this piece really convinced me to use overlay layers more in my art, and the amount of detail i managed to capture in this one still amazes me now. and before anyone asks, yes, they are doing specific things in the startup procedure for an airbus a320-family aircraft, except linda is doing things off the CM1 checklist and herc is doing something off the CM2 checklist, which i learned later is not really something that is done. let’s just say herc is not the tightest stickler to convention.
march: one half of an intended two pieces centered around the f1 au (which, regrettably, i have yet to continue… i just reread what little of the second part is on ao3 and god, it slaps actually, i really need to continue it so bad) depicting a pivotal scene from around the outside, where theresa and linda decide to put aside a childhood feud at the top of the banked curve at monza. at sunset. on theresa’s birthday. i know, very meaningful, incredibly homoerotic. read the fic to see how well that turns out!
april: i always knew i wanted to redraw the first filipino!hercolyn thing i did back in 2020, the one that completely solidified in my mind the notion that These Characters Are Filipino, Actually, and when i got comfortable in procreate i quickly jumped on that. (if you notice, a lot of the stuff i did this year were redraws of old pieces i really liked but wasn’t fully satisfied with.) of course i wanted to draw them in the traditional clothes in my parents’ and grandparents’ wedding pictures. the implication of this being, of course, that this is the soft shoe shuffle wedding. i have a fic planned centered around that, from douglas’ perspective. now that grad school apps are basically done, if my honors thesis doesn’t kick me too hard, i’d love to get on that as soon as i can.
may: YOU JUST GOT COLINED! SEND THIS TO A FRIEND TO TOTALLY COLIN THEM! ah, colin fairbairn: the figure whose presence haunts all of newcastle but is never actually. named. (much to the chagrin of a lot of people who genuinely thought linda’s dad was named colin bc i Wouldn’t Shut Up About It) i just love him so much and i love this piece, i wanted to depict the wistfulness of an older colin whose airline is on the verge of collapse, who has been secure in his job as chief pilot of air cal, who looks out over glasgow airport (that’s glasgow’s runway in the background) and wonders if it’s time to put himself out to pasture. wondering what he could have done differently. it’s okay bby. there’s no way that you could have prevented this. but he’d never believe it. he’s too duty bound. he lives in my head rent free.
june: another redraw, this time of a piece from 2021. i was so happy with this one, and i am very happy with it still! everything about the older piece i loved was improved massively by this redraw: the poses, the proportions, the line work, the coloring. honestly, just thinking about the two of them just existing in the airport, overlooked by bustling passengers, just part of the landscape, but having such a rich history and relationship between them… it’s something i think about a lot and i love it.
july: this comprises the third part of an unofficial trilogy of drawings i did centered around douglas/martin/theresa. in each one, i centered a different member of the ot3: i did one centering martin last year, one centering douglas in the spring, and this one centers theresa between douglas and martin. i really enjoy how i did the expressions in this one: martin, looking out toward the planes; theresa, following his gaze, eager to share in the passion they both have; and douglas, looking down at both of them (yeah i think they’re both shorter than him. i think it’s cute). i feel like when i draw these three, where they look and how they look is very important to me.
august: can you believe before this point i had never drawn herc and douglas together? yeah, me too. anyway, them 🤍 i’ve literally only ever drawn them as older men so trying to draw them younger was. lowkey kind of hard. i’m hoping to revisit air england herc and douglas in the future, especially since i didn’t intend for this to be anything more than a quick bit due to those bisexual divorcee brackets (which i don’t know what became of them in the end except that douglas got through and herc didn’t, lmao)
september: unposted self-portrait done as a part of my aerospace fellowship application i wound up getting rejected from because they required me to do a creative component. not much to say here. anyways.
october: yet another redraw, this time of a portrait of herc, carolyn, linda, and arthur i did a year prior, in october of 2022. i like to think that lfeu!herc carries pictures of linda, arthur, and carolyn in his wallet: he had never wanted to be the family man for most of his life, but in his new life, this new form, he can play it well. something about the coloring seems a little off to me: i think i may have to go in and adjust arthur’s skin tone because i think it doesn’t look 100% right. but i love this one too. i hemmed and hawed for ages over what they should be wearing but in the end i put them in what they’d wear for work bc i couldn’t think anymore. but it turned out super cute and i think it emphasizes what brought the four of them together in the first place: aviation.
november: a cute little doodle of young!colin with baby linda, from a bigger piece. something i generally feel like i’ve gotten stronger with this year has been drawing a larger variety of poses. i discovered that procreate allows you to import reference images in a smaller window that can be very easily dragged around and resized, which was a massive improvement over my previous strategy with sketchbook, which had been to import reference images as their own layers. often, moving it around or resizing reference images resulted in some loss of quality. anyways there’s something just so tender about colin and linda and i love to revisit them.
december: last but not least, we finish off the way we started, with theresa (and an added douglas lol). and boy, how different does december look from january? granted, it’s a different angle, but i personally think there is so much more dimension at the end of the year compared to the beginning. i was less afraid of using overlays to enhance the coloring. and the brush i wound up settling on for lineart really ended up serving me well this whole year, culminating in this piece. not much to say on this one, i like it a lot :)
overall thoughts: i didn’t think i drew as much as i wanted to this year, but looking back i still think i made really good progress and improved a lot from last year, so i’m still happy. definitely want to draw more next year, explore new subjects, and maybe work on redrawing more pieces from previous years because those projects have been very fun to undertake.
once again i want to say a big thank you to everyone who’s ever shared or commented or left a like on anything i’ve drawn: it will have been 10 years next year since the end of the show i primarily create fanwork for, and to still have people out there who like what i do is such a gift. yes i create for myself, but i do also like receiving feedback from others and sharing it with others, so thank you thank you thank you. and happiest of new years to all :)
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stilettomafiosas · 4 months
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If you don't mind my asking; how did you develop your art style? I've been trying to work on developing my own style but I don't know where to even start. Your style seems so well developed, and I utterly adore it.
;w; its so kind of you to say so!! thank you!! I wish I could offer some insightful or exciting advice haha but I do have a short and a long answer!
the short answer: its the boring yet tried and true tip youll hear from everyone 😭😭 it all comes from a lot of practice over a lot of time!!
i kind of hate hearing that too because it seems dismissive BUT the practice isnt just drawing as much as possible, its also looking at art from other people, paying attention to the colors n shapes n composition around you, and at times just Thinking...
the long answer: style is ... hard to pinpoint! and in some ways, aiming to have your own very distinct style (and that being your main goal) can be restricting. focusing on that can keep you in a box of what's recognizable as Yours and hesitant to experiment or make changes. Ive seen some people who get hung up on making themselves a Brand draw no differently today than they did 10 years ago because they admit making changes or venturing into new subjects/styles "flop".... (and if your livelihood comes from selling art or merchandise and you rely on engagement to pay your bills thats another thing but as a hobby artist myself im talking more about a goal of just getting better at your craft in a way that makes you, personally, happy and satisfied and proud of it vs making what an audience wants to see and feeling rejected in pursuing other creative endeavors)
a lot of style development just progresses naturally over time as you absorb more art around you and train your mind to distinctly pick out what you like about other artwork and why. :] its all about the influence and how you incorporate that into your own work! so many of my artistic choices come from other artists, and the more you draw and the more you study other art, it becomes something thats a unique blend of You, even if not necessarily something immediately and strikingly unique that anyone could recognize as yours, its You cuz of the choices made in it and all the influences you enjoyed enough to pick up.
for me, it was pretty much doing studies + compiling an "inspiration/reference" folder (for doing studies) :3 ive been doing that since I was in elementary school and just drawing on loose leaf college ruled paper... I started out copying drawings in the funny papers we got on sundays, going to the library to get those "history of disney" kinda books that show a lot of cels or concept art, googling looney tunes screenshots to copy... it was So much copy, copy, copy. in my teen years it was shonen jump, i'd trace panels from naruto and one piece and shaman king, i'd freehand it, i'd redraw pages in my own way... and more recently ive kept it up with other interests (opening a catalog of model cars and filling sketchbook pages with car drawings... taking photos of cool scenery or bugs i see and blocking out the composition to figure out Why it looks appealing... going through an invertebrate zoology textbook and drawing creatures to understand their shapes/distinguishing features so i can anthropomorphize them in fun ways)
it might seem contradictory that spending a lot of time copying stuff leads to something thats your own but it does!! so much of art really does come from that internal library you build up, and building it up happens thru all that observation and exercising your hand to match up movements with the images in your head, and gaining experience + refining memory of how certain things are built or shaped or constructed. thats probably the number one tip i'd give to anyone who wants art advice... get a little sketchbook thats JUST for your eyes, and fill it totally up with stuff you copy. youll learn SO much and feel really refreshed for your own original works!
and if you feel discouraged, keep in mind that things tend to look better from an outside perspective! you see my art as having a developed style, and i very much appreciate that comment cuz to me, it's jumbled haha. i can draw the same character in very different ways in the same day... even the way i draw hands varies depending on what set of ocs I'm playing with. each of my stories presents some different artistic choices, and draws from a few different inspirations, so even if all the characters and the ways i draw them are recognizable as my art, they would still look a bit strange if they were all together because I have multiple "styles" ehehe
so in short, rock on with making art thats enjoyable for you and dont let an idealistic goal of a distinct style hinder you from having fun with the process & being proud of what you make. cuz honestly if you hold out waiting for the moment of realization that youve developed a style, you might never have that moment! not for lack of having anything distinct about your art, but just because its natural to be more critical and lost in the details of your own work than an audience would be. you likely already have aspects in your art that are recognizable as yours! consistency is good in some regards (like animation or comics) but dont be hesitant about trying things that are new or drastically different from your usual!
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