#really fucked up and good wow.
do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up
i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.
she's never corrected anybody whose called her an elf either.
never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-
i wish the half-elf thing was built upon more. also, underrated marcille line:
okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.
the first reaction we get from Marcille is this huge panel that takes up half of the page
she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later
so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions
"you'll live out your entire life [...] and die that way too"
"a hundred years from now, nobody will be there"
Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.
I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.
On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.
Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.
And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.
Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.
Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it
and look at how exasperated and resigned she looks
And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.
(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)
The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.
And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)
I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.
and one last very important panel, right after Mithrun tells her that all her desires would be devoured
In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.
(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)
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I gotta say I did not expect I’d love Miles this much, enough to look up shit like Secret War and Civil War II reading order, and worse, subject myself to Bendis’ writing of all things (he’s the reason why I stopped being a comic stan 5 years ago. I were a DC/ Superfam fan. You know the beef was BEEFING). Like, my tolerance of that dude now only stops at him being one of Miles’ creators. So that better writers can do the kid justice years later. That’s it.
Like, why is the “r u and Ganke together haha” a whole shtick that comes up multiple times during his run? It’s so annoying and painful to read. Miles can go around being paired up with different girls but the moment THAT question came up you know he gonna be super defensive and >:( about it which, eh, just does not line up with anything else happening in whatever story is happening at the time. At all.
The only silver of light is that Miles actually never says he doesn’t like boys, he just denies ever dating Ganke. Like, he could just say he doesn’t swing that way and the question would have stopped, but he doesn’t. So I know he be running around kissing the punk-est boy in the whole spider verse, ha!
Idk I’m near the end of Bendis’ run and some of it r good but a lot of them put me thru excruciating pain (cringe) so I have to complain about it.
Did I mention I were a DC stan 6 years ago? I were a DC stan 6 years ago so this isn’t even my first rodeo with white dudes writing weirdest things in American comic, but I just can’t believe I got dragged into this again because Miles blinks his bambi eyes on screen and makes me want to rotate him in my brain so I need to know the lore of him in every medium, apparently.
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You know, I'd like them and I think they are thr least insane villains in this damn story. But...I dont get their motivations.
Ok so La Brava looks up to Gentle and wants to help him. Ok.
What he wants to do? He invades the UA bc ?????
It felt like filler but is not. Also how he made money to pay for everything(unless he steals it) like, clothes and cameras don't grow in trees.
I think he should have target HC instead of UA and then you can have Izu and Gentle have a chat.
My opinion here.
He just feels ...a filler. Stans shout how he is a proof villains can be redeemed...when not really, if he got a break of Tartarus...is bc of a war and not sure if his crimes will be forgiving. Hm, considering HC is dead has one guy to oversea everything this could very well lead to some surviving villains either vanishing or being forgiving (proofing they arent with Shig)
But doubt Hori will touch on this.
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tell me about drawtectives. what is this little show.
oooooh my god oh my god. they are my guys. so.
drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.
there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.
so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)
rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.
so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.
and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.
they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."
and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."
god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.
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Made in Abyss is a super good anime with gorgeous animation and music and top notch worldbuilding and a plot/string of mysteries that really sink their claws into you and get the old gears going. But it's also an anime with a pretty substantial amount of 'the mangaka's barely disguised fetishes' so if your tolerance for anime bullshit is low, I've devised a drinking game to help you through it so you too can experience an otherwise marvelous and psychologically damaging story. So you need to take a drink/shot every time:
A) someone vomits
B) a character draws attention to or talks about a child characters body
C) piss happens
D) something I'm just going to call The Torment. You will know what I mean when these scenes happen.
So yeah. Highly recommend Made in Abyss if you like really good worldbuilding, a solid plot, endearing characters, and also don't mind seeing terrible awful painful body horror things happen to children.
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I think it's extremely funny that Taylor Swift just beat the gay allegations so completely, and her new song is playing out an intox kink with Florence Welch
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Wiggins!) the bizarre thing about the vampire men in the cullen family all seem to be at least subconsciously what Smeyer wants Bella to have but can’t seem to get over her initial vision of what she saw in her drafts or whatever. It’s odd that every single one of the Cullen men are like strongly devoted (but mostly devoid of personality because it’s so Bella centric) but when you compare them to Edward they seem interesting in some ways. Like Narratively we’re supposed to have this threat that Edward is constantly holding back from killer her but I don’t feel like we see that. Conversely, Jasper is constantly the one who is suffering about human smells and is the more vampire-like. But he’s also a glorified lap dog. So it’s like ‘oh he’s a monster but he’ll never hurt me” (things Alice has said out loud. Man even psychics slip up. I swear her powers weren’t so accurate until Smeyer needed an excuse for plot reasons)
Emmett feels like when some women say they like waifish guys because they don’t want to seem like they’re vapid for liking “big dudes with muscles” so of course you pair Emmett with the “shallow blonde”
Carlisle, I swear only exists so Edward has someone to model but I would also argue that he’s proto-Edward before whatever reworking she had to do when writing Twilight for a YA audience and brought him back as a different character.
Yeah a rant
hello again bestie Wiglet! (note to self: learn Photoshop so i can shop Jacob's bad wig onto a pic of Piglet)
this is such an interesting take! thanks for sharing. i totally see what you're saying. in all the Cullen men we see both a blend of softness & devotion *and*, interestingly enough, a patchwork of patriarchal ideas of what a man "should" be. & this idea comes to the forefront with the depiction of the love interests
smeyer wants us to see Edward as the chivalric gentlemen from the Days of Yore. we see this in the opening doors, the cutsey little romance taglines ("you are my life now," "look after my heart; i've left it with you," "so the lion fell in love" etc), the knight saving the damsel in distress, the expensive tokens of his affection, etc.
at the same time, in both Edward & Jacob we see the crude traits of the Patriarchy Dreamboat kinda guy. if i had to sum it up, it's like the guy you see in 80s movies. "bad boy." "opposites attract." he's a jerk. he's a hunk. he's domineering. he's allowed to show emotion only & especially if that emotion is anger. he's persistent in his efforts to get the girl, going so far as to kiss her without her consent if it's For a Good Cause (Edward in New Moon post-Volterra, Jacob in Eclipse). he's a cool guy who's In Control 👉😎👉
perhaps that's why the Twilight saga appealed so such a large swath of women & girls. the women, who grew up with the notion that they could have the true love of their dreams so long as they submitted to the patriarchal social contract, saw the contract being fulfilled in Edward. (i.e., "you can be the king if you treat me like a princess.")
on the other hand, the 90s/00s girlies who grew up in the midst of a feminist revolution & who could see the glimmer of a dismantled patriarchy on the horizon were attracted to Edward for the flashes of radical feminist love they saw: the unapologetic expressions of emotion, the honesty of him sharing his vulnerabilities & weaknesses, Bella's ability to override Edward's will when necessary, etc.
sorry, i know this isn't really the crux of the rant you submitted, but it is extremely interesting to see these contradictions playing out in all the male characters of the saga. it's almost like smeyer is having this internal debate with herself without even realizing it...
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Something that also bugs me is how people often fail to realize that gray characters used to be the norm (unless we're talking about medias intended for children, and even then there used to be many more "lovable assholes" idk think of Team Rockets Jesse and James).
Characters aren't supposed to be all good or all bad or whatever, characters are people, and people are a multitude. There are nazis that run animal rescue centers, there are terfs who save lives as paramedics, there are rapists who devolve tens of thousands of money towards charities.
Saying something like "this character can't do Bad Things because they are Supposed To Be Good" is stupid. If a character is good or bad is something you decide based on the sum of their actions, not the other way around.
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what do you fucking mean that's how charlie dies. THAT'S HOW CHARLIE DIES??? i mean i know the show has a penchant for killing off every character who's not a winchester brother or an angel of thursday but good god. what the fuck. charlie was such a good and enjoyable recurring character, and she had such a fandom impact that i've seen, and she's only around for THREE SEASONS?? (sidebar: it's amazing she has the presence she does for only being around for a couple episodes in the long run!) but: was this necessary? and she just dies offscreen after her skills are utilized to progress the plot of decoding the book of the damned?? oh my god. what in the actual fuck. i'm finding myself getting genuinely very upset at her death. she did not fucking deserve that. and i can absolutely see why the fan response to her death is what it is now. completely fucking unjustified and throwaway and useless.
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All the Eds have issues in their home lives, but there is something about Edd’s family situation that I just find endlessly fascinating. Just really delving into the complicated baggage surrounding it, and how uniquely fucked up it is.
The fact that there is so much distance and lack of communication between Edd and his parents really brings up a lot of questions about WHAT their actual interactions are even like. I mean, while they are largely absent (even for a show whose whole premise does not include parents being visible), it is implied that they, or at least one of them comes home. Do they even talk to their son when they are there?
I think the thing that really gets me is that, while yes they do supply for their son’s physical needs: a comfortable home, food, etc. the emotional needs are completely neglected. Which speaks to a super specific, entitled suburban kind of disinterest that I find uniquely cruel.
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what if. Amy “fix-it” because hallucifer makes sam so paranoid about dean leaving for no reason that sam gives in and follows him and is witness to the whole thing
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Yesterday's "I would give anything to be going down on my gf" mood: I want her hands in my hair holding me down and making me take her cock into my throat like a good little hole
Today's "I would give anything to be going down on my gf" mood: I wanna toss her on the bed and pin her wrists by her hips and suck the head of her clit and lick her taint and tongue her ass till she's crying and can't remember how to talk anymore
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todays orv mood: standing at the water dispenser under my dorm building waiting for my instant noodles to cook just pacing in circles and swearing
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