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"Let's Have a Talk, First"- Stereotypes, pt 1
Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.
There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!
Point #1: DEVELOP THE CHARACTER!! WRITE!!
Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.
None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!
Black people are PEOPLE! Write us as such!
If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.
I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!
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My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!
POINT #2: YOU CAN'T CONTROL THE READERS!!
Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.
That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.
It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.
But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.
My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.
People were HORRIFIC about Louis.
It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.
My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.
POINT #3: WHY is something a stereotype?
While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.
For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.
But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)
I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.
POINT #4: WATCH BLACK NARRATIVES!
As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!
I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!
POINT#5: You are NOT Black!
This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!
For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?
An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!
I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.
Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.
My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.
Conclusion
We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!
And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!
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goldsbitch · 1 day
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Hypochondria
The emotions and glimpses of daily life of this random girl followed Lando throughout his whole. Whenever she's sad, he knows. Her celebrations sort of become his celebrations. For him, it's like breathing - just another part of his life. That is until he meets her.
soulmate au
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Lando knew the moment he saw her. And it was at that point when he thought he was truly going crazy.
For his whole life, he thought it was just some fantasy that he planted in his mind in early age and was impossible to get rid off.
He froze completely. Panicked, went into fight or flight mode, these two fighting each other so hard that he just stood there, staring like a creep. Thank god she was far away enough and probably did not notice.
His second immediate reaction was anger. Did she really not notice him? The audacity? How can she roam around his brain for his whole life and then not react when she sees him? Her being in the paddock meant that she definitely knew who he was, people don't just end up by chance there.
Except maybe she did. Her outfit gave away that she was one of the medics from the medical team. Of course she would be. Saving lives, doing something proper meaningful. Not driving around in circles and making a big deal out of it, like he did. Never in his life did he feel as selfish and sort of shameful for his choice of career.
He began to insert ideas into her head, despite not having spoken a single word to her. She was probably someone who valued intelligence, people who were book smart, humble heroes in the society who were focus on dedicating their lives to saving others.
Not those who were recklessly driving around in circles. There was no way she'd see him fit to her. That was not going to stop him. Her being one of the medics provided a great opportunity. Hypochondria? So be it.
His mind was spiraling out of control.
//
For as long as he could remember, he had dreams (and something he would not dare call visions) about this one girl. As if he was watching glimpses of her life, little moments, bits and pieces. But it was almost constant. He was so used to it at this point that he found it relaxing. It was very confusing growing up. Every adult around him was freaking out when his childhood imaginary friend phase would just not go away. So once he realized that people were thinking he's weird, he just stopped talking about it. It was also a big revelation to him when he found out that other people did not have these visions in their head so intensively. When he was 17 he had an obsession phase, where he researched the fuck out of how brains worked, but nothing seemed to match. His dreams did not provide him with anything specific, no details about place, vague signs that this person he kept seeing at least lived in the same time frame as he did. It was little things he saw and felt, as if her emotions traveled to him. He'd seen her happy, laughing with friends while she tried weed for the first time, getting nervous by her exams and debating whether to brush her teeth in the evening. Her becoming a medic now finally answered few questions. Often he would wonder why was she studying so much. His blurry dreams blocking these specifics out, just to make it all more frustrating. Observing her having a a crush on someone was unnerving and eventually, seeing little things from her romantic relationship just made him supremely mad. He was glad that was over, because at one point, it had started to seriously mess up his mood. He genuinely celebrated the break up. Incredible amounts of little moments and details that were conveyed to him, but no idea on where or who she was. He just had this knowledge in his head about someone who he doubted actually existed.
And now she was probably standing right across the track. It was a lot to take in.
//
Most of the medical team traveled with them, as far as Lando was aware. Never really paid that much of attention to that department until then. So he figured he's only have few days to capture her attention, she might have been local. He was already contemplating moving here to join her life. That's when he decided to get a full medical check up upon request.
He complained nonstop about a pain in his stomach - vague enough for many possibilities having to be ruled out.
It quickly started feeling like playing a video game. Having to jump through levels in order to get to his "boss".
He spent an hour in the medical centre, where he was taken immediately after his first comment about his fictional pain, because everyone still had in fresh memory the saga of Carlos's appendix. "This is gonna be easy" he thought to himself, because one of the first people he saw passing by was her. He was not even trying to hide when observing her. The way her hair fell out of a messy bun. A concentrated look as she was attending one of the staff members, listening attentively and taking care of their wound. The whole place seemed to glow up by her presence. He wondered how it felt when her fingertips touched the skin of another person and was almost jealous of the person she was treating. On par with his bad luck, the drivers had a dedicated doctor on call, so he was taken to a different private room where he had to undergo a full medical scan, with of course nothing being found. When he got out, she was no longer there. All for nothing.
//
The rest of his day was covered in a brain fog, he sort of floated through the media day, feeling like he was not really there. He let Oscar totally step up to be the main star this time. As if he could give a fuck.
Over the years of having to life with this strange connection, he managed to block it out temporarily for moment when he really need to focus. This time, he was doing the exact opposite. Trying to somehow "connect" to this personal bluetooth he had in his head.
Finally, after few hours he felt something. A light wave of anxiety, as she opened her email. Then a wave of disappointment, despair and her giving up. He was more than able to not get affected by her emotions - usually. This time it was sort of in tune with his own mix of emotions, so if he was a downer before it progressed perfectly into him shutting off completely.
//
He managed to completely forget that his latest girlfriend, if that was the right word to use, was coming over. He only realized when he saw a pair of female shoes thrown by the door of his hotel room. A wave of guilt washed over him. He was being an asshole again. As they greeted each other, he tried to kiss her as much as he could, trying to avoid unnecessary conversation. Maybe this reality check was good. He often got lost in his own head, listening sad song to fill this strange void - or he would party too much. Now, there was a real person standing in front of him, a super hot girl who liked him and was not annoying. He figured there was no point in drowning in his own delusions.
Letting her fuck his brains out worked, at least until the next morning.
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hannie-dul-set · 2 days
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STAR STUDDED BAGGAGE [3].
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SYNOPSIS. the saying “never meet your idols” exists for a reason. you just didn’t expect the reason to be because said idols would end up declaring that you’re their alleged lover from a past life (past lives, rather). now you have three big celebrities vying for your attention, and it’s not as dreamlike as you imagined it to be.
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PAIRINGS. choi yeonjun, choi soobin, choi beomgyu x female! reader. GENRES. reincarnation! au, celebrity! au (soloist! yeonjun, actor! soobin, rock band member! beomgyu), slight college! au, slight historical! au, rom-com, angst, reverse harem woohoo. WARNINGS. swearing, talks about stalking, talks about death, data privacy violations, so much emotional whiplash yummy, a very long conversation, google dependent historical information. WORD COUNT. 6.3k.
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NOTE. this chapter finally made its way out hell 😭😭😭 per usual, please let me know your thoughts on the chapter! a single comment on ao3 inspired me to finish this, so ur feedback really means a lot! enjoy<3
MASTERLIST | NEXT >
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CHAPTER 3 — can we go back to being parasocial?
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IF SOMEONE HEARS YOUR SUMMARY OF THE EVENTS THAT UNFOLDED WITHIN THE PAST FEW DAYS, they may accuse you of lying. Delusional, even. You’d think the same had you not been the center of it all— yet the proof is in your pockets. Your phone. In the album Choi Yeonjun failed to sign, stuffed inside your bag at the last minute before you left your apartment earlier.
The summary. Right. Yes.
“Can they stop sharing that video of Yeonjun excessively flirting with a fan?! I’m going to kill myself if I see it one more time.”
You were lucky enough to nab a fansign slot. But instead of getting Choi Yeonjun’s signature, you ended up getting a kiss of a hand instead, along with a scrawl of numbers on your album that you’re far too terrified to try to dial.
“Hey, send me our photo with Soobin the other day,” nudges Huening from beside you. “I’m gonna print it out and put it in a locket and use it as a family heirloom.”
You bumped into one of your favorite actors, Choi Soobin, in the middle of a late night convenience store run with your friends to fuel your group all nighter, stained his shirt with your ice cream, and got a photo with him in the process.
“By the way, have you called the business card yet? What are you gonna do with your broken phone screen?”
And Choi Beomgyu may or may not have professed his undying love for you, asked for your hand in marriage, and started crying in front of you in less than ten fucking minutes.
“She’s zoned out.”
The problem is, you can’t even bask in the delightful absurdity of it all because one common thread from all those three separate instances has been keeping you up for nights. It’s clawing at your brain, lingering in the back of your mind like an incessant stalker— which, mind you, is not a pleasant feeling when the very causes of such disturbance were once the bringers of joy and all things good in your otherwise meaningless life as a cog in the capitalist machinery that is society.
“Hello? Are you awake?”
Said problem being the fact that you’re pretty sure they all called you by your name at one point.
How the fuck do they know your name?
“I deleted Twitter. I Airdropped it to you. No, I have not called it yet. Now please let me think in peace.”
Crazy. This is all too crazy. In the first place, what are the odds that you bump into three celebrities within one week’s time? Is this some sort of prank, or something? Are those three filming a hidden camera show together? No, no. That couldn’t be because there’s no fucking way a company is sane enough to stage a risky hidden camera prank during a fansign knowing full well how obsessive and insane fans can get. You’re lucky your face wasn’t caught in any of the videos circulating online— video of you and Choi Yeonjun, mostly him, acting out a fucking sageuk. You’re lucky you haven’t been doxxed yet.
“Finish your sandwich,” Taehyun clicks his tongue, nudging your food closer to you, and you sigh heavily. Maybe you’re just wrong, you think, taking a bite from the bread. Maybe this is just a misunderstanding. Maybe you’re just overthinking.
You eat your lunch and steal some wet wipes from Gaeul in between. Right. It’s not like you’re ever gonna bump into them again. You live in, as cliche as it sounds, two different worlds after all. You’re just gonna watch their dramas, listen to their music, enjoy their performances, and that’s it that’s it that’s it.
“Prof Jang sent a message. Class is canceled.”
But still—
“Woohoo! Let’s go to the new dessert shop that opened downtown.”
Choi Beomgyu’s voice saying I love you, Choi Soobin’s cologne wafting in the air you were breathing in, and Choi Yeonjun’s lips pressed against your skin.
How can a sane person just forget about all of that?!
“Why do you look like you’re fantasizing about perverted shit?” Woohyun slaps you in the face with a reality check. This is fucking stupid.
“I’m not fantasizing,” you grunt, because they were events that actually fucking happened— they weren’t birthed from your brain’s insanity. “Anyway, dessert? Where is it?” You ignore your burning face, hoping that your friends decide to ignore it too, but Gaeul has her eyes narrowed at you. Crap. She didn’t recognize that it’s you in the videos right? Holy fucking hell, you’d rather die.
“Aren’t you gonna answer that?”
Oh. Well. That’s— that’s something. A good something because she hasn’t suspected you yet, moitioning instead to your cracked phone that has been buzzing under your notice because you’ve been thinking way too fucking much.
You check the caller ID, but it’s an unknown number, and it doesn’t match the business card you got from your run in with the alleged Choi Beomgyu. “Hello?” you answer, and a voice you don’t recognize says your name and asks if it’s you. “Yes, this is her. Who’s this?”
Another item added to the weird as fuck things that happened to your this week. You excuse yourself from your friends, and with knitted brows, you listen to the stranger at the other end of the line. “You met Choi Soobin the other day at a 7-Eleven in Gangnam, right?” The fuck? Did someone see you that day? Is this a stalker? “This is his manager. Lee Byeongho. I would like to speak with you regarding a certain matter.”
Now, hold the fucking phone.
“Is everything alright?”
You respond to Huening’s concern with a stiff smile before turning away from them. “Did I do something wrong?” you fuss into the call. “I didn’t post any of the photos from that day. I never talked about it online either, and I’m pretty sure my friends haven’t either. Wait. Wait a minute. How did you get my number?”
“Yes, it was difficult to obtain knowing only your first name and university.” That doesn’t answer your question. That just gave you more questions. “But, no. You aren’t in trouble. Actually...I called because you’re the only one who can help us— help Soobin— get out of trouble.”
Your face scrunches up.
“I’m at your campus right now. Parking lot. Do you mind meeting me for a moment?”
Just what did you get yourself into?
“You haven’t finished your food. Where are you going?”
“Somewhere,” you reply, quickly snatching your half-eaten sandwich from the table as your friends follow your swift movements with matching looks of confusion. “I’ll be right back. It’s nothing, don’t worry.” However, you are quite worried. You’re pretty sure Lee Manager, or whatever, is committing some data privacy crimes against you, but the one thing you want at the moment is answers. Your brain is about to explode from all the fucking questions and confusion. There’s a sliver of hope that meeting up with this sketchy guy can answer a few of them. You’d take that chance to air out your head.
There’s a black van in the parking lot. It’s the first thing you noticed because one of its doors are open, and there’s a familiar looking guy waiting just in front of the exposed seats. 
He notices you approaching. “It’s nice to finally meet you,” he says. What’s with men you’re meeting for the first time treating you with familiarity? You’re going to rip your hair out and throw yourself into moving traffic.
“Sure, but can you get to the point?” you stiffly say. “I’m a little busy. I still have classes in a bit.”
“Of course, I’m sorry. This whole situation must’ve come off as a shock to you.” Great, now you’re feeling bad. Soobin’s manager (allegedly) looks like he’s been through a whole lot as well. “Anyway. You are a fan of Choi Soobin, correct?”
“Well,” you blink. “Yes.”
“How about the dramas Kang Jaehee has written and directed?” he follows up. “Are you a fan of those as well?”
Your brows furrow. “I guess?” Peach Tree. That Summer. Mogi. Those are the titles that come right at the top of your head. “What does that have to do anything with me?” Manager Lee spares you a look of pity. You feel like this meet-up is just set out to making you even more fucking confused.
“I sincerely apologize. I didn’t want to drag you into this either, but I’m afraid you’re the only option I have,” says Manager Lee despondently. “Since...since you are a fan of Soobin, and I assume that means you also care about his career, so—”
He pauses. Like he’s practicing the next set of words he’s about to say inside his head.
“—do you mind meeting up with him to convince him to take the lead role for Kang Jaehee’s upcoming drama?”
But nothing could’ve prepared you for that.
What.
What the fuck?
“Mr Manager. Sir,” you start, appalled beyond comprehension. “I’d appreciate it if you start making a bit more sense.” 
“Trust me, I can’t believe I’m doing this either.”
You’re speechless. Your mouth is hanging open with no words coming out because, again, what the fuck? Manager Lee looks just as defeated as you, as if he weren’t the one who had just presented that ridiculous proposal. You are, quite frankly, at a discernible loss. 
Manager Lee lets out a sigh and digs a hand into his pocket. “I’m afraid this is all the time I have today. But please contact me once you’ve made a decision.” Another business card acquired. This is just dandy. “I am really hoping for your cooperation, miss. I’m sure you’re aware of Soobin’s inactivity lately, and my intention of approaching you today is simply in order to help my star’s career. Please consider the favor positively, and we will compensate you as much as my authority can allow.”
With that, you’re left with another laminated piece of paper in your hands. Gosh. This is a headache. When you get back to your friends, they notice the distress you’re in, further justifying a visit to the new dessert store, and seeing how your soul has completely left your body, you’re dragged along with them with ease.
“Hey, pick one. My treat,” says Woohyun. You let out a grunt and point at a random pastry on display. Next thing you know, you’re seated in between Huening and Gaeul at the store you don’t even know the name of. 
Huening is force feeding you an eclair. “Eat.” Your scowl disappears when you allow the eclair entry into your mouth. “Seriously, what’s going on with you? Who did you meet earlier?” 
Seeing as you show absolutely no intentions of telling them, they refuse to question you about it further. Good on them, because there’s no way in hell you’re spilling your predicament. Not until you find out exactly what kind of situation you’re in, at the very least. The two business cards feel like they’re weighing your pockets down, a constant reminder of their existence along with the scrawl Yeonjun left behind.  
“I know exactly how to make you feel better.”
The declaration comes from Gaeul, who slides her phone over to you, and when you look down to see what exactly her miracle medicine is to make you feel less manic, you hack out a cough upon seeing Choi Yeonjun’s face on her phone screen. “The hell is wrong with you?” asks Taehyun from across, giving you some water to push down the eclair lodged in your throat. “I know you like him, but even that is an overreaction.”
Jesus, you’re close to losing it. When you’ve avoided choking to death, Gaeul puts an airpod into your ear, and you hear Yeonjun reading out some comments. “Choi Yeonjun, you look really happy lately, did something good happen? someone asked,” he says while having snacks of his own. “First of all, why are you calling me Choi Yeonjun? It’s like you’re putting a wall between us. I don’t like it.”
Gaeul makes a noise of some sort and had you not been subjected to this week’s insanities, you might have reacted the same way too. Instead, you simply listen to his live in caution, feigning disinterest as you watch him nibble on some pretzels and churros through the screen, continuing to answer the slew of questions in the comments.
“Anyway, you’re right! Something good did happen.” Yeonjun hums while picking out a pretzel from the paper bag, rustling noise and a lively tune filling the audio for a moment— a short moment, right before he continues speaking. “That’s because I finally met the love of my life.”
Taehyun has to give you his water again.
“Oh? Oho, what’s with the exclamation points?” he laughs. “Did I meet them the other day? Hmm...that’s a secret. You’re curious? You think it might be you? Well, let’s see. Should I describe her?”
“God, he’s so fucking messy,” says Gaeul from beside you. “This is why I like him. How many calls is he getting for his manager and company this time?”
“What’s going on? Why is she so startled?”
“Yeonjun’s talking about his apparent soulmate, I don’t know. Wanna listen?”
“Didn’t he get in trouble for doing the same thing last time too?”
Now, you’re not one to give a shit about his love life, and you like to stay out of that side of celebrity gossip as much as you can, but Choi Yeonjun himself is droning on about the love of his life right now. You can’t not hear about it even if you want to. However, as much as you want to let things come into one ear and out through the other, you can’t. Because— wait. Wait. His description is eerily familiar. His description is making you double take and second guess what you’re fucking hearing.
“Sounds a lot like you,” Taehyun remarks without much thought, right after Choi Yeonjun says that the girl he likes has a bit of an attitude, but he likes that about her.
Huening lets out a snort. “Yeah, that’s definitely you. Why don’t you go in a wedding dress the next time you attend a fansign? Who knows, you might have a shot.”
You snap them a dirty look. Fuck. This is making your head spin. For the second time, Choi Yeonjun’s tendency of putting himself into headlines and the trending searches for doing something insane is giving you nothing but stress.
“I did give her my number, but she hasn’t messaged me yet, so I’m quite hurt.”
Number. Hold on a fucking second.
“The comments are going crazy.”
You grab your bag from underneath you, dropping it down to your lap.
“Hey, if you’re watching this, pl—eeeeease contact me. Kim Noona thinks I have a phone addiction now because I’ve been dying waiting for your call.”
You quickly get up from your seat.
“Yo, where are you going this time?”
“I need a minute,” you announce, eyes scanning the store for a quiet place alone while hugging your bag to your chest. There’s nowhere. Looks like you have to get out. 
“Damn, we were just joking. As if you have a chance with a celebrity like him.”
Huening’s joke is ignored and you quickly leave outside the doors, making a sharp turn around the corner, slipping through the passersby downtown until you find an empty alley. Your heart is racing. Your heart is racing like crazy and you may be reaching right now. You may be acting crazy, but what Choi Beomgyu said during the interview with Yeong-Il the other day is echoing in your mind, and— in conjunction with everything else that had happened— you’re starting to think that maybe he wasn’t joking.
Your cracked phone screen greets you when you take it out of your pocket. On your other hand is the first business card you got this week.
“Who’s this?”
“Hello. Good day.” You tell them your name, the events that led up to you receiving this number, with the hope that maybe you’re finally on to something. “I’d like to talk about the compensation for my broken phone.”
Whatever that something is, you’re gonna get to the bottom of it.
*
It’s already beyond closing time at Kwiyeomdongmoim Cafe (a mouthful, you know), yet your pink apron is still neatly tied around your waist as you pace back and forth, to and fro, in circles inside the breakroom. The time is half-past nine in the evening. You should’ve clocked out thirty minutes ago, but you’re still waiting. 
The knock on the door signified the end of your wait. You turn to see your boss’s head popping in through the half-open crack. 
“Three guys are waiting for you,” informs Seokmin. “They all seem handsome. Are they your suitors?”
When you ditched your friends at the still unnamed dessert store the other day, you did it to make a few calls. Three, to be exact. Today is the culmination of those calls, which is why you’ve been erratically nervous the entire freaking day. Choi Soobin, Choi Beomyu, and Choi Yeonjun’s managers all answered respectively when you called all the sketchy numbers you got and made some negotiations (apparently, the mess on your album is Yeonjun’s number, but he got his phone confiscated after that livestream). 
“As if,” you say, walking up to the door leading back into the cafe. Suitors, more like stalkers. Fans stalking their idols is common, but the other way around is a pretty fresh idea. “Anyway, thanks, Kyeom. Thank you for letting me use the store for a while.” Because this is the only private place you can think of outside of your own home— and there’s no way in hell you’re letting them in there when you don’t even know how they managed to get hold of your personal information.
“We’re closed anyway.” Seokmin smiles and makes way for you to pass by. “Go ahead and do your thing. Do you want me to stay inside or keep watch?” 
“You can stay inside, it’s alright.” 
He nods. “Call me when you’re done. Scream if you need backup. I can handle all of them.”
You laugh and thank him once more, a pat on his arm before you decide to peek out the door first as a precautionary measure. From your spot, you can see three thoroughly covered men in windbreakers, caps, and masks sitting on three separate tables in the store. The blinds have already been rolled down, so you can’t see anything outside, but there doesn’t appear to be any cameras around, so you take it as a safe sign to finally leave your hiding spot.
The moment you do, the break room door creaks, and all three pairs of eyes immediately fall on you. 
They stand up. They call out your name in unison.
Holy shit.
And when they do, they all look at each other with a sudden flash of hostility in the air.
Um. Well. How are you supposed to do this? “H—hello,” you manage to squeak out, prompting their attention once more. Soobin takes off his cap and removes his mask, the other two following suit, and oh my god. Oh my god. You suck in a deep breath. Today, you are not a fan. You are an interrogator. This is not a fansign. This is an interrogation. 
“I— uh, I asked your managers if I can meet you all to—today for a specific reason.” Wow. Good job. Your hands are shaking and you can’t look up from the floor or else you’d start losing your mind. “But—but, before that— would...would you like some drinks…?”
Interrogation paused. You need to get your shit together first.
“Please enjoy.”
With the help of your boss (because your hands wouldn’t stop shaking and you dropped the first one you made), you managed to whip up four iced teas and settle all three of them into one table at the very back of the store. You send a stiff smile at Seokmin after he placed all the drinks on the table.
God, you owe him so much— especially when he’s being unreasonably glared at by the three men sitting with you right now. Choi Beomgyu to your left, Choi Soobin to your right, Choi Yeonjun directly across from you and holy fuck, you have yet to look at them properly yet for your own safety. They haven’t been talking to each other either, simply sitting and waiting for you to speak. You’re pretty sure they know each other though, at least by name, being in the same industry and all. 
To say that the tension in the air is suffocation would be an understatement. How...how do you start this? The fuck should you say first?
“You know, I was really happy when Kim Noona told me you called.”
Apparently you don’t have to start it. Choi Yeonjun does it for you.
“But why are these two crashing our date?”
And that’s when things also start to get messy.
“Date?” Choi Soobin interjects. He sounds offended. Why does he sound offended. “What are you talking about?”
Choi Yeonjun doesn’t get a chance to make his case. Because Choi Beomgyu from your left suddenly snatches one of your hands from the table, prompting you to look at one of them for the first time tonight, and your eyes fly wide open. “I’d...like to apologize for the other day. I was just overtaken by my emotions. I hope you weren’t too freaked out.”
You are quite freaked out because holy shit, this is too much maybe. Not maybe. Yes. This is too much. Too. Much.“Hey, why are you holding her hand?!” you hear Choi Soobin exclaim from your other side. Choi Beomgyu’s soft expression suddenly disappears into a glare and a sneer the moment he shifts his gaze.
“You’re holding her hand too!”
“Why can’t I?!”
“Hey, this isn’t fair! One of you switch with me—”
Dizzy. You’re feeling dizzy. Your head is spinning and you’re suffocating from the heat emanating from your very face. Whatever they’re arguing about isn’t even reaching your ears anymore. You’re getting lightheaded and your sweaty hands start slipping out from the two’s weirdly tender hold on your hands because your body is physically breaking down.
“Shut up! Oh my god, my head—”
Your vision actually starts spinning for a second so you quickly bring the bottom of your palms to your temples, elbows on the table to balance yourself, only to be wobbled and shaken because the three suddenly jolted off their seats in panic.
“Are you okay?!”
“I’m fine, just please—for the love of god— sit down and shut up.”
They sit down and shut up. You massage your temples in silence. You remove your hands from your face and, after sucking in a deep breath and releasing it thereafter, feel your heartbeat settling into a normal rate. As normal as it can get in this situation.
“Whew. Okay. I think I’m ready. Let’s get down to business.” Finally, you’re the one steering the conversation. You give each of them a once over as quickly as possible because now you know that prolonged eye contact will only hurt you. You settle with looking at the gaps between each of them. That’s fine. You’re fine. “Choi Soobin, Choi Yeonjun, Choi Beomgyu.”
It’s like three bulbs just lit up in succession. Your brain is starting to hurt.
“A—as I was saying, you three are some of South Korea’s biggest celebrities and although I am, in fact, a big fan of all three of you—” Why is Choi Soobin growing pink. Why the fuck is he blushing. “—that— that does not make me fail to recognize the amount of weird shit that’s been happening lately, and I think I need answers.”
They are still sitting down and shutting up. They listen to instructions well, at the very least.
“First, how the fuck did all three of you know my name without any prior introduction. Second—”
The words get clamped in your throat. It’s lodged in there very tightly because you make the mistake of looking one of them in the eye, only to notice that all three of them are looking at you with the same expression. An expression you can only describe as longing.
And your face starts burning.
“Se— second, why…why do you all keep looking at me like I’m an ex you want to get back together with…?”
Maybe you asked the wrong question.
Because for some reason they all look sad now. Really sad. Really fucking sad and it’s making your stomach clench and nerves all numb and funky because making three big celebrities all sad simultaneously is a bragging right at one end of the spectrum, and a national crime at the other.
It’s Choi Soobin who cracks the silence. “I…I had a feeling when I saw you again for the first time at the store.” Again? “Do you not remember me?”
Your face furrows. “No…? Did we ever meet before you became an actor?”
Hurt. The look of sadness has now spiraled into hurt and one might think you just stabbed and twisted a knife into his fucking gut.  “How—how about me?” Your attention turns to Choi Yeonjun who isn’t looking any better. It’s like his entire world view was just proven to be wrong and why does it feel like you’re the one to blame. 
What else can you do but shake your head in denial? Now he looks like he’d just been told he’s adopted!
“You’re…you’re joking,” he tries to laugh it off, but it only comes off as strained and shaky, then, in one fell swoop— desperate. “R—right…?”
“Great!”
Before you start feeling even shittier, Choi Beomgyu finally decides to join in. 
“And here I thought her forgetting about me was the worst case scenario.” His tone is bitter. There’s a snap in his words. “I didn’t think there’d be other bastards in the same situation as me. God fucking damn it.”
There’s a moment of silence. You watch as realization hits the other while you’re still left in the dark. Choi Yeonjun juts his seat closer. Choi Soobin tries to reach a hesitant arm to your direction, but you’re  tugged to the other side by Choi Beomgyu, who’s suddenly a little too, too close.
“Hey.”
Your hands are clamped together. 
“I meant it when I said I love you. I do. I have loved you four hundred years ago and I still love you now, and if whatever god or deity decides to make you meet you for the third time, I’ll still love you then.”
Beomgyu’s holding both of them in between his in a firm grip.
“Second life is about you. Blue Spring is about you. You’re the person I’ve been waiting for from the beginning of this life until the last.”
Now, if this situation wasn’t crazy, your heart would be skipping a beat right now.
But it is crazy. This is fucking insane. And you look around to see that there’s a weird look of sympathy and understanding in the other Choi’s eyes, clearly not recognizing the visceral insanity of this situation, which fills you with a swallowing lump of existential dread. You pry your hands out of Beomgyu’s grasp (you swear you can hear glass breaking), and slowly turn to Choi Yeonjun and say, with a very hesitant, very cautious, “Y...you too…?”
The look on his face says it all. And then you swivel over to Choi Soobin.
“And you?” 
“I’ve lo—”
“No!” you snap. “Don’t finish that sentence. Please. Oh my god.”
You see Seokmin popping his head out from the corner, mouthing an are you okay? and you shakily bring up a weak thumbs up. “Well, isn’t this interesting,” you hear Choi Yeonjun say, which feels like a slap in the face because what exactly is interesting about this. “Here I thought I was special.”
“Get off your high horse,” retorts Choi Soobin, a sneer in his voice. You double take. Choi Soobin is supposed to be sweet and gentle and kind. Who is this man? “Whatever kind of past you had with her doesn’t mean anything. I met her first. I met her at the end of King Danjong’s rule.”
“Ha!” Choi Yeonjun starts. “We got married under King Taejong. I’ve loved her before any of you did.”
Now, what the fuck?
Choi Soobin’s face pales and he chokes over his words. “M—married?”
There’s a smug grin on Choi Yeonjun’s face. He leans back against the chair with his arms crossed in victory. “You heard that correctly. Married. Pack up your bags. Unless you want me to tell you everything we did on our we—”
“Shut up, shut up, I don’t want to hear it!”
Marriage. King Danjong. King Taejong. Second life. The gears are churning inside your head. You don’t like the direction where the gears are pointing.
“What about you?”
Choi Yeonjun raises the question and the attention is now on Choi Beomgyu. He’s been quiet. The other two wait for him to say his piece— a feigned air of disdain and arrogance but there’s an unconcealable undertone of nervousness underneath it all. Your iced teas have been left untouched. Choi Beomgyu simply scoffs and presses his crossed arms against his chest.
“I have no reason to tell you any of that. This is between me and her.”
And at your mention, you receive the undivided attention of three pairs of eyes once more. Your heart rattles. God fucking damn it. Listen, you’re an avid consumer of the entertainment industry. You’ve watched a good amount of dramas and have read a good amount of manhwas to surmise a conclusion with the bits and pieces of stray information being tossed back and forth between the three. And it’s all ridiculous. But you have nothing else to work with unless they come spilling their guts themselves.
“So,” you clear your throat. “Are you three, like…a couple…hundred years old…?”
They all look offended. 
“No!”
Well, maybe you’re wrong about that part. But after a very long, convoluted discussion, the “facts” (if you can even call it that), are finally laid down on your feet.
They say you’ve all met before. Separately, in three separate lifetimes, with this one allegedly being your fourth unless there were lives in between that they can’t remember. One thing for certain is that the three of them remember the life they had while loving you— and they loved you very much apparently because those feelings and memories got carried over even after they got reborn into the present day.
The problem is, you don’t have the same symptoms. You don’t remember anything about your past lives. Hell, you can’t even remember anything in this life before you hit two years old. 
You slump in your seat. The table rattles. They get up from their chairs and come circling around you in concern.
“Are— are you okay, do you need to lie down? You could rest in my van for a while and—”
You swat Choi Yeonjun’s hand away before it could land on your shoulder. You’ve now got your hands on your face in stress, and peeking through you see Choi Soobin on your right, crouching down and looking up at you with furrowed brows and big, sad eyes. On your left is Choi Beomgyu, half-seated on the chair. You let out a very long, very anguished and muffled groan. This is too much. “If— if what you guys are saying is true,” you say. “What does it matter?”
There’s a tense pause in the air. 
“What do you mean…?”
You spring up from your seat and turn around, Choi Yeonjun in front of you. 
“I mean what does it all matter? King Sejeong, Joseon era, or whatever— I don’t care about all of that. We’re in the twenty-first century right now. I’m neither your lover nor your wife. I’m just a fan of your dramas and music and performances and that's it.”
You squeeze your eyes shut. You don’t really want to see their faces right now. You let a huff of air slip past your lips, turning back around to collect the untouched glasses of drinks on the table.
“Thank you for taking the time out of your busy schedule to meet me and explain. I hope it’s all settled. Thanks for clearing everything up today. You can now all leave.”
It’s Choi Yeonjun who races after you when you make your firm and quick strides to the counter. He cuts off your path. “I—I don’t understand,” he chokes out. You make the mistake of meeting his gaze and see the threat of tears glazing his eyes. “What—what do you mean?”
Admittedly, that hurled a giant pang against your ribcage, knocking the air out of your chest, but you move forward. You brush past him, setting the glasses back on the counter, and— after a moment’s pause— you turn around, a heavy weight on your shoulders. It’s like gravity is trying to suck you deep into the mantle. “What I’m trying to say is we should all just get over what happened all those hundreds of years ago and live our lives in the present. I mean, I don’t know any of you. Don’t you think it’s unhealthy to keep clinging onto the past, especially when you guys are nothing but strangers to me in this life?”
Dead silence. You don’t dare look at any of them in the face. You try and retreat to the break room as quickly as you can, hands fumbling to untie your apron along the way, but you stumble over your steps, screeching to a halt the moment you hear someone say—
“Do you think it’s that easy?”
You could hear your heart in your eardrums. 
It takes all the strength in your body for you to look back, to see the pained expression on Choi Beomgyu’s face standing the farthest away from you out of the three. “Do you think I put my name out there so that it’d be easier for you to find me, wrote all those songs about you in the hopes that I could see you again if you’re someone I can just easily forget?”
Your throat tightens. It’s like you’re swallowing a boulder.
“If you wanted me to forget about you, you shouldn’t have died right in front of me then. You shouldn’t have told me you loved me right before you went cold in my arms if you wanted me to fucking forget.”
Oh.
Oh, god.
Choi Yeonjun and Choi Soobin don’t look any better. It hits you that you might have been more than a little bit unfair.
“I’m sorry.”
You don’t know your history. You don’t know what the fuck happened between you and them throughout those years that made them feel so strongly about you. But it must be harder for those who remember than for those who forgot.
It’s not like they chose to live in the present with half of their souls stuck in the past, either. You’ve been acting awfully unfair.
“I was being insensitive. I’m so sorry,” you exhale. Your knees feel like they’re about to buckle. Your head is spinning in circles. “But to be honest, this is all still very overwhelming, and I’m having a hard time comprehending and making sense of everything. It doesn’t feel real.” You try to take a step closer, but your legs give in. Choi Yeonjun quickly rushes to balance you back on your feet.
“Don’t push yourself,” he says, softly. You can’t look at him. God, these guys really know how to bring your guilt all the way home.
“Thanks, um, anyway—” You breathe in. Shit, you can’t believe you’re considering this. “Again, I really can’t and won’t be able to understand the magnitude of your— well, uh— feelings, since I really don’t remember anything. But how about…I spend some time with each of you individually, and maybe…maybe it can help in jogging back my memories?”
The atmosphere shifts. Ah. This feels like a fucking trap.
“You— you mean it?”
To be honest, you’d much rather just not deal with any of this, just stay at home and continue living your life with these three men as persons you only know behind the screen. But those looks in their eyes— hopeful and melancholic— make you feel your organs are being rearranged every five seconds, and you’d feel bad leaving them with the pain of this conversation especially after they poured out their hearts to you.
You can’t deny the joy and escape they’ve given you for the past couple of years you’ve spent as their fan. Maybe entertaining this unreality is the least you can do.
“I mean, well,” you start, clearing your throat. “Choi Beomgyu, you still need to pay for my phone. Choi Soobin, your manager wanted me to talk to you about something, and Choi Yeonjun—”
You look at the guy who still has one arm pressed against your back, two hands in a firm grip on your shoulders. He’s looking at you and batting his eyes expectantly. You let out a sigh and set yourself loose.
“I need to discuss something with you soon, too.” As in, please stop vaguely mentioning me in your live streams because I fear I might find an angry mob in front of my house. “I think I have all your contact information anyway.”
There aren’t any more reactions coming from them. This seems like the best possible solution for all of you. You sigh again. This has been an emotionally draining evening. You can’t wait to get some fucking rest.
“I’ll be in touch with you or your managers soon. For now, let’s call it a day.”
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STAR STUDDED BAGGAGE. © hannie-dul-set, 2024.
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joannasteez · 2 days
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strong!
pairing: roman reigns x black reader warning: explicit sexual content after the "read more". degradation and pain kinks! talks of roman losing the undisputed title (a sore spot for some of you lol) authors: fic based on this post. nothing else really. give it a like, a reblog and a comment. let me know what you think! word count: 1300 tagging: @333creolelady @harmshake @theninthwonder @thesamoanqueen @kill-the-artiste @empressdede @spritelucozade (others who have been asked to be tagged, your tag wasn’t popping up. not sure why)
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the shameless scent of iron bothers him. blood about his nose. smearing through the delicate trim of his mustache. the cultivation of such a great mountain of hubris, shattered. undone and red, dripping easy to taint his tongue. 
the roar of the crowd deafens his ears. his skin slippery from sweat and his muscles tight with pain from the labor of a great defending and the cold. he lays there, pinned and defeated. a rapturous celebration about him, bright and lively but not for him. his stomach twisting sickly. 
the walk is long and silent. his ears ringing and split with an inward disdain. you sit comfortably in his dressing room. a disinterest in your eyes that sinks his heart. and all the words that refuse to pass through such pretty lips speak sharply to him still, through distinctive cuts about his face and taut reddened skin. an examination of him filled with pity. roman's stomach flips again, disturbed. he shuffles to a chair. breathy and his body loosely plopping against the seat. wallowing. you won't speak and he's wallowing. he feels bile in his throat. his eyes squeezing. an unceremonious rise before it falls back to the pit of his stomach. 
a tissue paper tears. wet and dabbing at where he bleeds. your eyes falling over him as you stand between the wide stretch of his legs. 
"you're bleeding...", you state. fingers curling in viciously to hold his jaw still, a harsh maneuvering that forces his eyes to meet you. softly dabbing stains of blood caked in his mustache still. the contrast making him weary. lightheaded. "...and without a title. what do you have to say for yourself?"
a ball forms in his throat. feverish heat over his skin. a stabbing pain behind the eyes that makes him bristle silently. of all the times to be so recklessly emotional. why now? why here? under such a thick blanket of silence and the scrutiny of your gaze. he was strong. he's still strong! so why does this feel like a great diminishing. a breaking from which he can not return whole again. your grip growing tighter. nails warring against the tenderness of overly worked skin. a stinging behind the thickness of his beard. water pooling steadily in his eyes. 
small and defeated. barely registrable. "i'm sorry". 
you near. perfume sweetening the iron scent in his nose. your breath warm over him. "speak. clearly". 
"im sorry", roman chokes. the syllables awkward and new off his tongue. 
a mirthless smile takes your lips. forming more and more disgusted by the second. "are you crying?", words like nails screwing into him. feeling worser than simple little drips of blood. "if you're gonna lose, at least do it well". 
you discard the tissue. stalk back to him with less venom in your eyes. taking his face to hold in your hands. the warmth in your palms uncomfortable. a cross examination done by the slipping over of your stare. an appraisal. your thumbs running over the freckled apple of his cheeks to assess. not to dote. like the inspection of a beaten trophy, to gauge how much he'd fallen into lack luster. your knee slips in to rest between the thick stretch of his thighs, pressing firm into the unsoftened way of his crotch. a slim sort of panic undulating over his skin. remembering the pierce in of your nails. the stinging it brought his skin. he much prefer that than you holding him with such fragility.
he was strong. he is strong! he can bare the pain. he was made to last. 
"my pitiful little loser", you tease. kissing along his face. a trail from his forehead down till you rest soft lips at the corner of his mouth. never giving him the satisfaction. giggling in his ear. 
the tips of his ears grow warm. probably red. "don't say that", he breaks. voice horse and tired. groaning as you take his face to grip again. the feed in of it into his skin tightening the space in his tactical cargo pants. 
"why?", fingers combing through wild hair to rough backwards. leaning over him. knee roughed into the ache of his dick. the spinning chair singing with a short creak as the back of it bends to take the weight of both your bodies. "that's what you are no? or are my eyes and ears mistaken? is your name cody rhodes?" 
soft pretty lips around another mans name. his chest tight. his breath heavy. panicked and vexed and excited. "don't say his-"
your knee presses in. forcing a grunt from his chest. your eyelashes fanning beautiful as your lips twist scornfully. "you don't have ground to stand on..", the seam of your lips faint over his. "...to tell me who i can and can't evoke. four years of good work", the displeasure rife on your tongue. "great work, gone because of some petulant playground bullshit revenge. are you happy with yourself at least?" 
roman feels high. like he can barely breathe. stomach coiling steady with a burning sort of ache. hands tingling with need. resigned to touching the handles of the chair instead. 
"no", he gives. a whisper. 
your brows pull. disbelief. your body standing straighter, your knee still pressed into him. his hips canting with ill-control. desperate for friction. "no?", your hand mushing his head. "no?!", sharper. angrier. "you did all that shit with a steal chair and you're not even happy? real shameful shit". 
roman's naked chest rises and falls. heavy breaths and pleading eyes. his pants too tight now for comfort. stomach twisting about horribly. his cock throbbing in his pants. 
your fingers slip delicate over his zipper. a slow release of it along with the buttons. the warmth in your hand gracious as you reach and fondle your way in his underwear. seeking the hard heat of him with your knee still pressed into his balls. his eyes dim and weary. "maybe the top of the mountain was too high for you", you give. an easy go of words at the corner of his mouth. a slight tremble in him as he spits over your hand, feeling you work him thoroughly with a sweet twisting in your wrist. "maybe winning for so long was too much", voice pitying. babied and teasing. like he was small and unfit. "you rather suffer without a crown, than bare the weight". 
a string of spit from your lips to the reddened tip of his cock makes a greater mess of him. the grip in your palm tighter by the second. warm and unrelenting. the base of his core nearly undone. 
"its easier being a coward than enduring".
his head shakes. he was strong. he is strong! perfectly made to endure. "i held it for four years". 
you laugh. he moans. his jaw lax and his muscles burning. "and now you're a loser", your thumb circling sweetly at his tip. his hips awkwardly rocking into the press of your knee. "the people saw you bleed. they saw you fail. main event status revoked". 
his fingers grow more weary. for the title. for a microphone to plead his case. for the supple touch of your skin. anything but the cold metal of this chair. 
"need to touch you". he pleads. desperate. nearly undone. 
"you don't deserve it", you clip. nearly kissing him. he can feel it. the hesitation of your lips. full and soft. hovering over dangerously. "be happy i'm giving you this". 
"please".
his spine throbs hard. a harsh rut in his hips as you stroke him tight. 
"you gonna finish? or is that gonna be a dud too".
and the relief is sweet. an unloading of his shoulders. bursting and full of heat as he comes against your hand. "go ahead", you relent. and his arms work swiftly. embracing your body as his damp face falls into your belly. lightly trembling. groans tumbling off his lips. 
he was strong. 1300 plus days. he is strong! made to last. 
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Killua and the Power of Wishes
Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.
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As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.
One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.
Let's set the stage with one important piece of info: Killua's birthday.
Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.
Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.
To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.
I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.
Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.
What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.
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[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]
This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.
When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.
Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.
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[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]
It's such an innocent, simple want.
And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.
In a matter of a few minutes, Illumi breaks down Killua's wish by:
Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."
Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)
Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."
And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!
So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.
10/10 manipulation, Illumi. Fuck you, seriously.
Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.
It's almost like the family has drilled it into him that wishes are dangerous. How interesting.
Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).
"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"
The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.
Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?
Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.
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[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]
Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.
And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.
This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.
It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.
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[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]
I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.
However, that's not to say that this exact sentiment doesn't come through in their interactions.
Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.
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[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]
I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.
But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.
Overhead, a shooting star appears in the sky. A mutual wish is granted.
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[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]
Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?
Well, buckle up because this star is going to make you experience so much sadness now.
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[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]
Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".
I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.
...holy shit, kid.
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[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]
And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(
What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.
In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.
Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.
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[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]
Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.
Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.
They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:
As a function of failing to fulfill her requests, of course
Because she, just by existing, threatens the family's status quo
I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.
Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.
The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.
So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.
Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.
It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.
Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.
Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.
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[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]
Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.
Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.
Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.
And Alluka tears into him for it.
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[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]
You tell him, girl.
Oh hey, this looks a little familiar, huh?
"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.
Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.
And neither should Killua.
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[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]
It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.
Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.
And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...
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[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]
...she doesn't even have to think about it.
I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.
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soaringwide · 2 days
Text
Pick a Card: Month Ahead #01
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This was written for May 2024 but with the intention to be timeless, so even if you find it later there might be a message for your next month.
We'll look into your energy coming into the month, but also what will be the theme/area of focus and what you'll need to pay attention to, as well as the surprises that might come your way.
It's my first time doing a pick a card like this so we'll see how it turns out! I love doing those privately though.
As always, be mindful that this is a general reading meant for multiple people so it might not be 100% fitting for your situation, and that it's based on the energy you hold at the moment of selecting a pile that draws you to one of them.
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PILE 1
Cards: Page of Cups, Queen of Wands, 9 of Cups, Ace of Swords, the Emperor, Strength, 5 of Cups, the Moon, Queen of Cups, 5 of Wands rx, Ace of Pentacles, 4 of Cups, Page of Wands
For your energy coming into the month, I see you being in a state of being in tune with your heart, opening up to the possible rise of a new romantic connection. I get the sense that you're cautiously optimistic about it, because while you feel confident within yourself and in a happy place, you're also aware that it's too early to tell. But you're not letting that deter you and you're fully embracing your own power, feeling good about yourself and where you're at while looking ahead hopefully and waiting for an opportunity to move forward. I think for you the process of the month ahead has already started a bit before the start of the new month and you're continuing the process.
When it comes to the theme of the month, I see the importance of putting your emotional fulfillment at the forefront and being actively working towards it. There is a need to bring clarity about the situation, clarity that will bring you contentment and tie loose ends. You will be determined to work through that with willpower and determination by taking the lead and stop wasting time around. I think you are seeing the path forward for this connection and you're determined to go for it and not let it escape. You got four cards here and they all represent a different element, which I interpret as the fact that harmony within and for yourself will be a big theme as well. Between your feelings, your thoughts and your actions, everything will be grounded in your authentic self.
I think these past few months have not always been great for you and you're determined to leave that behind and enter the new chapter of your life. You've learned all you had to about your old ways and now you're ready for a change. So for the goal you'll have in mind, you will be focused on not falling back into the same patterns of thoughts and behaviors and keep moving forward with determination and a sense that you can't go back to what you once where.
The challenge that will arise will come from your own psyche. I get the sense that you still have unresolved issues within yourself that may cloud this great picture, so you will have to be extra careful about not letting your fears and doubts making you spiral down and do or say something that doesn't align with your truth. You might go through times where you feel irritable or anxious and you may take that as a proof that things are going to shit again and you might want to run away, but it's an illusion. It just means that you still have some inner clutter to sort out. Be careful about not shutting yourself off from others as a reaction to your inner pain.
When it comes to a surprise coming your way, it seems there will be an event that will create a shift from a confusing and chaotic situation to one of open communication of feelings, laying out a more positive base for the future. I'm getting the sense that this is what the theme of the month was referring to, and while you seek it, you don't really know how it will unfold so it will still be a surprise when it happens. When this even happens, be as open and honest as possible in order to clear out any possible miscommunication, be kind and listen to what the other person has to say with empathy and love at heart.
What you'll have gained by the end of the month will be a stable and solid start towards the future. Things are blossoming but you'll have learned that there's no point rushing into anything and that things come when the time is right. You'll be set to build on that for the months to come. Maybe the start of a new commitment although things are in their very early stage.
As a final advice, it is important not to shut yourself off from your emotions and not to stay stuck in your old ways of remaining passive. Stay open and assertive, go after what you want and I get the strong message that you need to communicate openly about everything that isn't clear in this connection. Don't just wait around for things to fall onto your lap. Be passionate and enthusiastic and again be clear about your intentions. Also, you're learning something new and important so be gentle with yourself if you don't get everything perfectly from the get go, what matters is to do your best.
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PILE 2
Cards: King of Wands, Queen of Cups, the Lovers rx, 8 of Cups rx, Queen of Pentacles, Ace of Swords, Memento Mori, 10 of Swords, King of Pentacles, Queen of Wands, 2 of Wands, The Chariot, Knight of Pentacles, 6 of Pentacles, 3 of Cups rx, 7 of Cups
For the general vibe of this pile, it feels a bit overwhelming like there is so much to pay attention to that you are somewhat disconnected from yourself as a result, because your feelings are so confusing that you get lost in them. There are A LOT of court cards, which may mean that there is a situation that brings the intervention of a lot of different people, perhaps it will be busy at work, or something involving family, creating a very messy situation where everyone has something to say and you can't hear yourself anymore. Really there is so much external influences here that I had a hard time picking up on YOU until the end of the reading.
For the energy you have coming into the month, I really think you are in a committed relationship with someone (and if not it's not your pile), but there is a big disharmony here. It seems one of you is on the way out of the relationship (represented by the King of Wands), and the fact that the Queen of Wands shows as a challenge later in the reading, I'm getting that this person already has someone in mind. It seems you are longing for the way the relationship used to be and it feels over, but you are having difficulties moving on right now. It's also possible you're just longing for the idea of Love altogether and wishing you could drop everything you have right now to run towards it. There is a choice to be made but right now at the end of the month, you are not making a move one way or another.
The theme of the month to come for you pile 2 makes a lot of sense considering what I already wrote. You will have to focus on your own clarity and get grounded in yourself, trying to find stillness in the chaos that surrounds you in order to get the answers you need, based on your own guidance. I'm also getting that you feel resistant to change and the call of life, and that you may feel a bit dead inside and numb as a result. There is a need to find excitement for the miracle of life again which has been lost due to your complex situation. ''The meaning is in the Middle'' is what's written on the card and writing down in case it speaks to anyone.
For what you'll consciously focus on this month, I'm getting just like...trying not to break down completely and at the same time keeping up with your demanding job and practical life issues. Perhaps this impending breakup is causing financial stress and you don't know how things will turn out. So your goal will be navigating that in order to stay on top of things both mentally and professionally/financially.
Okay this is where it finally clicks because I was confused whether you where the one with the third party of the one who is perhaps cheated on. With the King of Pentacles longingly looking at the Queen of Wands (the third party I mentioned before - don't take gender into account though) standing next to him, I'm getting that YOU are wondering how to welcome this new passionate connection into your busy life and how to make it fit from a practical standpoint with your current relationship. The Queen seems to be both a challenge and an opportunity, I don't necessarily get that this Queen is a bad omen, it's just a difficult situation that require a choice on your part.
For the unexpected thing that will happen this month, I'm not getting a particular event but rather, how it will change the course of what you're doing. This surprise will force you to weight your options and start pursuing what you desire, getting out of that rut you are in. There will be progress moving forward as I don't think you'll be left indecisive for too long. There is a sense of urgency here, whether it's perceived or true, you will feel it deeply and it will push you into actions. You will be surprised by how determined you suddenly feel after the indecision of the past.
What will be gained after the month ends is a newfound stability as you'll have regained your footing. From that point in the spread it's like things have cleared up a bit and there's open space. There is a new beginning on the horizon but unlike the urgency that led you to that point, there is now the need to take things slow and build strong foundations.
The advice you got was that, well, it's time to choose what you want to do with this third party. You can't keep holding things like that without making a choice. You might also need to distance yourself from bad influences around you like friends or family and again focus on yourself. The second advice is about restoring some type of balance between giving and taking. It seems someone has or will give you something and you'll have to give something in return so that not to break the flow of the relationship.
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PILE 3
Cards: 4 of Swords rx, 8 of Pentacles, 4 of pentacles, 3 of Pentacles rx, 7 of Pentacles, 9 of Pentacles, 5 of Wands, 9 of Wands, Justice, 4 of Wands, King of Cups, the Moon, 9 of Swords, Temperance, 6 of Swords, the Fool
For your energy coming into the month, I see that you might have been feeling burnt out for a while now due to over-exhausting yourself with work or your studies, something you've put a lot of care and energy into in any case. You feel stagnant and somewhat demotivated and the whole thing is weighting on you. It's like you've put so much effort into working on this issue that you feel totally depleted emotionally. However, you can't seem to let go a bit in order to get things flowing again and you remain stuck, fearing everything is going to go to waste if you relax a bit.
The theme of this month will be to find your support system and reach out for help in order to get you to find new solutions to your issue. Not everything can be done alone. Furthermore, not every project can be rushed through all the time, sometimes you have to let it rest for a bit and let it grow under the surface of the soil. You will find great benefit from focusing on your own enjoyment and pleasure for a change in order to find a new perspective on your situation.
Despite that, it seems your mind will still be set on proving yourself this month. It's like, you feel burnt out and stagnant, and instead of getting the cue that you need to slow down a bit, you look at others and wonder why you can't hustle like them. Basically you're sensing there is an issue but you're trying to solve it in a toxic way by comparing yourself to others and feeling threatened by their success, triggering your self esteem issues.
The challenged you will have to face have to do with accepting to restore the balance in your life and take a break to have a bit of fun. Sounds like a false problem but it seems it's quite difficult for you to do at the moment because you're so focused on your tasks. It's a critical point though because if you don't cut off the toxic behaviors that are burying you into the ground, you will face the repercussions of your own non-action further down the line. You might have a hard time socializing because your heart is not there and you might feel left out, even though it would do you good to get a change of scenery and get out of your cave for a while.
For the unexpected thing that will happen this month, this will have to do with some type of emotional reconnection that will lead to more balance. It's very possible that it'll be uncomfortable at first as all the negative feelings you've been pushing under the rug all this time are resurfacing, but if you manage to stay afloat you will find a greater sense of mastery over them. I'm not getting anything precise as to what's gonna happen, but it will have to do with you being forced to take the blindfolds off and finally pay attention to your mental health. This might be the inner crisis you need to get back in a better shape.
What will have been gained by the end of the month has to do with leaving behind this way of doing and thinking you were holding onto at the beginning of the month. You will finally be able to get moving again, even if it will feel somewhat bitter and hard to do, remember it's for the better because you could not keep going on like you did.
The advice for you to help you navigate things is to not take everything so seriously all the time. Don't focus too much on what's not working or what you could do better or even on what you can't control, but try to find hope and the sense that a new beginning is at hand if only you open yourself up to it. Whoever is sending you this advice really encourages you to enjoy the little things and find your youthful spirit again. Things won't stay bleak forever so the best thing you can do is let yourself move along the stream.
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harmonicakai · 2 days
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I Bet on Losing Dogs
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Pairing: Beomgyu x Reader
Summary: Your insecurities get the best of you and you abandon your relationship with Beomgyu in the worst way possible.
Tropes: friends with benefits, angst, college AU, band AU
Word Count: 1.3k
Warnings: mentions of sex (mdni), emotional unavailability, slut shaming, no happy ending :-(
A/N: This is SAD because I am currently sad and also I didn’t bother to edit it. Apologies in advance to the Beomgyu biased readers bc I know this is not what anybody asked for </3
“You disappeared Like a faint ghost I bury it in the air What am I to you?” —Ghosting, TXT
You’re a horrible person.
Really, you should’ve broken things off with Beomgyu before they even began. It’s never a good idea to be friends with benefits with somebody you actually like. 
You do your best to distract yourself from confessing your love to him by sleeping with other guys. What started bright and electric between the two of you has fizzled with each encounter, his touch now feeling dull and hollow on your skin.
So, when you wake up next to him after a movie night, your stomach drops when you see the marks he’s left on your neck. Everybody will know what you get up to, if they haven’t already been gossiping about it behind your back.
There’s a numbness to the way you slip out of his apartment without so much as a goodbye. If you had woken him up, he would’ve noticed the sad look on your face and canceled all of his plans to spend the day making you feel better.
You don’t deserve his friendship, let alone his love, although he's only confessed the latter when he thinks you’re asleep and can’t hear him. Or, sometimes Huening Kai will let it slip how much Beomgyu talks about you when they’re away.
The walk home is brutal. You’re even wearing the jacket he’s refused to let you give back to him, knowing that if you had left it behind, he’d surely know something was wrong.
When he notices you’re gone, he shoots you a text about Merriam-Webster’s word of the day. Beomgyu has never cared for linguistics, but he knows you’re a real nerd about this kind of stuff. You decide not to reply.
Things would be much easier if you could just disappear out of his life, but the two of you have become so intertwined that it’s impossible. All of your friends are his friends.
Before him, you were just some quiet girl who shrunk away in the back of the classroom. After getting paired up and reading the poetry you managed to dream up, Beomgyu knew he had to get to know you more.
For most guys, the way he acts with you would come off as desperate. But he’s so earnest in his admiration for you and your talent that there’s simply no way he could possibly be faking it.
The first time you had gotten together was an honest mistake. You had been dumped, again, and he was there for you. It seems like he always is every time another man decides you aren’t worth his time.
It’s not that you don't love him. You do, as much as you’re able to. But you know that if you actually took things to the next level and they didn’t work out, it would break you entirely.
Still, is ghosting him without any sort of reason or explanation any better?
With finals in full swing, you know you’ve got the perfect excuse to be distant for a while. It’s the summertime that you’re worried about. Beomgyu has made sure to include you in every plan of his that he thinks you’d like, sometimes even arranging entire days around you in between his band’s schedules.
Really, the easiest way out is to start dating someone else. It always makes Beomgyu shrink further away from you to know that you will consistently pick someone else over him, although he’s secretly satisfied when things inevitably go sour. He hates knowing that the only thing that drives you into his arms is being rejected by somebody else, but he wants you too much to care.
The two of you talk about everything except how you feel about him, and he knows that he isn’t entitled to any of your emotions. You’ve made it clear from the start that you’re never going to be able to reciprocate in the way that he’d like for you to.
You weren’t always like this. At the start of college, you came in with the idea that you’d fall in love and have your happily ever after. But years of being used for your body and consequently dumped without reason has ripped your heart off your sleeve.
The way Beomgyu worships the ground you walk on makes no sense. You hate yourself. Maybe he just wants something to fix, and once you finally open up to him, he’ll leave you just like everybody else.
The thought makes no sense knowing him, but it’s the driving force in never confessing how you actually feel. So, you offer up yourself physically in the hopes that it’s enough, but it always leaves you feeling empty inside afterward. No amount of kisses or compliments will probably ever change that.
Among his bandmates, you’re closest to Yeonjun. He’s the only one who knows that you love Beomgyu just as much, maybe even more, than he loves you. 
It was revealed through a drunken confession at a frat party the weekend Beomgyu went home for his mom’s birthday, where you immediately got embarrassed and proceeded to go home with the first guy who gave you any sort of attention.
Meaningless sex is really the only way you can get off these days, but the act always leaves you feeling worse than feeling nothing at all with Beomgyu. But if you’re never going to be good enough, pure enough, to truly deserve him, then what’s the harm in another hook up?
You know that every time he finds out you've been with somebody else, you’re breaking his heart. It’s just that there’s so much love from him to go around that it never actually makes a difference in how he treats you. He has the biggest heart you’ve ever seen and you don’t even have the decency to not trample all over it.
You wonder if everybody else also agrees that you’re not good enough for him. They’re so nice whenever you’re around, but you’ve seen men turn into monsters behind your back. For your sake, you try not to think about anybody else's opinion besides Beomgyu’s, but even those thoughts weigh heavy on your shoulders.
After a few days of not returning his texts, he finally musters up the courage to call you. Before you can pick up, your phone sends him to voicemail, and you know that’ll be enough of a sign for him to leave you alone.
It isn’t until you run into him dropping off your poetry final in the writing department’s office that he truly sees what’s become of you.
You haven’t slept properly in days, and you barely eat. Your eyes are constantly puffy from crying all the time, and today is no different. Seeing you like this devastates him.
“Y/N,” he says, his voice shaky and barely above a whisper. He’s got his hand wrapped around your wrist to keep you from running away. His demand for an explanation on where you’ve been and why is stuck inside his throat, and instead, only sobs come out of his mouth.
Beomgyu never cries, and watching as he tries to hide the tears running down his face reminds you that he must be hurting just as much as you are. You want so badly to hold him and apologize, but all you do is stare.
Eventually, he manages to collect himself as much as he can, taking in the irreparable damage you’ve caused one last time.
“Here,” he says, digging in his backpack and handing you a stapled stack of papers. It’s his final project. “I’ll go print another. I want you to read these. Please, promise me you’ll read them.”
You accept the papers, your eyes skimming over the lines of poetry on the first page. It's about you. You flip through the rest of the stack. They're all about you.
It takes everything in you not to start crying too, although you’re so exhausted that you don’t think anything would even come out at this point.
“I promise,” you assure him, although neither of you know if you’re telling the truth.
—————-
Taglist: @orangesodafoam @deezbutz28 @ur-mother-realnotclickbait @iyeeeverydee @internet-folks @darlingz99 @foxyjun @stardustmooncakes @giaalorine @beomgyubabybear @niningtori @goquokka @csbenthusiast @moarmyjkhk @lizdevorak @sooberryworld @lonelybutterflytae @midnight-mochii @theresawtf @nowadays56 @jjklvr9 @baekberrie
P.S.: Please shoot me an ask or a reply if you’d like to be added to (or removed from) the taglist! I struggle to keep up with different lists for individual members, but if you really don't want to be tagged on all of my works, just let me know and I will do my best to make a note <3
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autistichalsin · 2 days
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I tried to have this conversation a few weeks ago and it didn't go well, so after giving it time to calm down I am bringing it up now on my own page, about the importance of allowing fans who can't afford the game, or who otherwise can't play for themself due to disabilities, etc, a space in the fandom. And in particular, this involves deconstructing the idea that Let's Plays aren't a valid way to experience this media, and that people who didn't purchase the game don't belong here, both of which are harmful, classist, ableist ideas.
(Tone: genuine. Not angry or aggressive, but passionate.)
I want to say that as much as I enjoy playing BG3 and am glad I bought it, there really isn't anything that I have gained, in terms of understanding of the plot, lore, characters, relationships, etc, that I didn't already have when I was watching Let's Plays and using the datamined dialogues exclusively. Nor has my emotional experience been significantly different in any measurable way. I mean, I WAS very happy to recruit and romance Halsin in a way that I didn't feel when I watched a Let's Play, but that's it. It didn't change my understanding of, or feelings towards, him at all. I knew Halsin's entire story before, and I knew his entire story after, too. My feelings on each and every one of Halsin's scenes has remained exactly the same.
There wasn't any character I thought was a bad guy who I saw something new in when I played for myself, or vice-versa. I didn't have any paradigm shifts in my understanding of the plot. The bad guy was still a Nether Brain controlled by the Chosen of the Dead Three in each playthrough. The good guys were still a group of traumatized weirdos (/affectionate). Astarion was still a victim of rape and slavery, Shadowheart was still a cult escapee, and Halsin still struggled with the burdens of leadership. There were still choices that could make the companions bar Jaheira and Minsc fall in love with you, and choices that could make them despise you. There were still choices that could push some of the characters to be better or worse versions of themselves. There were still a lot of notes and books to pick up, some of which were important to the lore, some of which provided random factoids about bit characters you may find interesting or may find useless, and many of which were completely useless and a waste of inventory space. I didn't learn anything new in the informational sense, about the plot, the characters, the flow of the game, nothing.
(Well, there was ONE different thing, which was that I ended up being an edge case where I accidentally shot Lae'zel with my arrow when trying to free her and got yelled at by her for it. Does that actually count as a unique-to-playing revelation though? Everyone who watched me stream that day would have learned about it too.)
I didn't experience some overwhelming emotional shift in response to the events onscreen that wasn't there when I watched Let's Play, either, which is also an argument that has been made. There's been a case presented that it's not so much that the events themselves change but that playing somehow alters your emotional response which affects how you view the plot and characters. But that didn't happen for me, either. I didn't go from "I do not care one single solitary fuck about Barcus Wroot" to "oh my god I will give this poor liddol guy the world." I still do not care about him. I didn't go from "yay, the moon lesbians are free!" to some sort of more intense emotion like "omg I'm going to cry now!" I still love them and am happy they're free, but hardly moved to tears. I didn't go from "fuck Orin" to "MEGA fuck Orin." Making the choices and fighting the battles myself didn't change anything for me in that sense. There was no emotion I hadn't already felt before that came to me in my own playthrough. Every emotion I had when watching a Let's Play was almost exactly the same when I played the game for myself.
If anything, the only real change was that I started to have annoyance as a sort of background radiation for about 90% of the companions because I kept accidentally talking to them when trying to click on items and things, and I got really fucking tired of hearing their greetings? "Shut up, Astarion, I wanted to loot the corpse, not talk to you, please back the fuck up. Why is my party always halfway up my ass? Personal space, guys?" Otherwise nope.
My understanding of canon, my understanding of the characters, my emotional resonance to the events that happened, those were all exactly the same. I literally don't know what people are referring to when they say that there was some magical new dimension of feeling that can only be unlocked when you are the one playing. Whatever that magic was certainly wasn't there for me, and that disproves the idea it's "impossible" to fully experience the game through LPs, because having played the game, I can say that I DID get the full experience through LPs. Maybe some people can't get the full feel of things by watching, which is 100% valid, but some people very much can. I did both, and I can tell you that they conferred 98% similar intellectual and emotional experiences.
In fact, I'd argue that there's more of a difference between playing as a Tav or an Origin vs playing as a Dark Urge than there is between playing yourself vs watching an LP, but I don't often see the case made that people who haven't completed a Durge playthrough don't understand the game properly and therefore can't/shouldn't contribute their analyses/interpretations of canon to the fandom. And I mean, there is some HEAVY lore you only get in a Durge playthrough. You would have a FAR better case that completing/watching a Durge playthrough is the event that marks you as understanding/having a complete knowledge of canon than you would that playing the game yourself instead of watching someone else do it is, though I still wouldn't ultimately agree that it's a prequisite.
People who watch LPs are valid, your way of experiencing the game is valid, and don't let anyone else tell you otherwise because honestly, people who gatekeep are never worth listening to in the first place. The idea that your understanding becomes more complete when playing yourself isn't true for everyone. You can say they weren't the same experience for you, and that is PERFECTLY valid and understandable, but that's only you. You can't say what others are and aren't able to feel when playing vs watching Let's Plays. The only correct statement here is "some people are able to fully comprehend the plot through Let's Plays, and some aren't, and the mode of consuming the game ultimately doesn't determine whether a person belongs here. Both groups still belong in the fandom and have just as valid opinions to contribute as the others."
Further, I have seen absolutely brilliant, on-point analyses from people who only watched Let's Plays, and absolutely horrible, nuclear hot takes from people who spend all day playing the game. Just the other day, for example, I legitimately witnessed a Redditor VEHEMENTLY argue that 1. There was a scene in the game where Halsin called Thaniel "beautiful", 2. This nonexistent scene was ABSOLUTE proof that Halsin was a pedophile, and 3. Halsin's time as a sex slave had clearly caused him to become a pedophile. People who had seen only the intro of the game on an LP would STILL have a better understanding of canon than this person who claimed to have played dozens of times. If we're going to judge people's understanding of the game, it should be based on the understanding their posts convey directly, not based on assumptions about who can absorb what amount of information through what mode of consuming the game.
So I repeat: LP watchers, you're fine. Enjoy fandom in a way you can experience. You shouldn't be locked out of discussion of the game just because you can't afford hundreds of dollars for a game system. To suggest otherwise would be appallingly cruel and exclusionary behavior, on the level of saying bootleg watchers can't be part of discussions about Broadway shows. You all belong. You don't have to buy your way into a fandom space.
And bringing it to that issue: yes, Let's Plays ARE an absolute necessity for both poor people and for people with certain disabilities (blindness, since the game doesn't have a narrative-only mode, and severe disabilities affecting the hands being the two that jump to mind right away). Gatekeeping fandom from poor people based on whether they've bought an expensive game and gaming setup, much like being an anti-bootleg Broadway fan, serves the sole purpose of shaming and punishing poor fans for not properly engaging in the capitalist system. I know the intention isn't to gatekeep the poor and people with certain disabilities from the fandom, but that ends up being the effect when this particular argument gets made.
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blitz0hno · 2 days
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The reason the line "Happy or sad, why decide?" From Tear Drop sticks out to me is because it really does highlight Yuno's disdain for pity and projection
Sometimes people who think they are "empathetic" are just really stuck in projection without realizing, which is why ppl like "dArK EmPaThS" etc. use their fawning trauma as an excuse to be judgy assholes.
Like a sort of "If I was in that situation..." So like even if they Understand the Emotions they're still seeing it from THEIR pov, THEIR life experience and not the other person's.
And like. I keep thinking about how, if I want to live authentically, it's always gonna be blatantly obvious I have trauma.
But like. EVERYONE has some degree of trauma, it came free w your late stage capitalism and your parents being as dumb and scared as you are/neu i am talking like BIG picture here.
Like you can be bummed stuff happens to ppl and like bear it in mind if conflict gets difficult, but me and my system mates do NOT need pity, unsolicited advice, to be assumed attention seeking or untrustworthy etc.. I don't have bad intentions but plenty of people do so I have a survival mechanism for that. I play it close to the chest. So fucking what? Why does life have to get so complicated so fast, but we as people are expected to be simple? I can't even decide if I want to tell people what name I truly am In the moment. Sometimes I feel 35, at a time in my life when I'll be grateful if the earth is still here in my mid-twenties. I've done almost nothing and feel the weight of everything and I don't see a place for judgement in a world like that unless someone does something TRULY heinous. Preying on others, hoarding resources, abuse etc.. So who cares how I am living and getting by? Why do I have to be secretive about something that's not hurting anyone? "Good" or "bad," there are assumptions attached to my circumstances that I am not happy with at all.
This isn't like a vent or anything I just think that system or not, Yuno is in a similar predicament. She Knows she should not have to feel shame, but she does. It has been placed on her for years, so she rejects it entirely and seeks to empower herself. Living as she pleases and being a boss bitch yeah, but still having these delicate feelings that are just too complex for many people.
I feel like everyone feels that way about something
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lover-of-mine · 2 days
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i'm freaking out because someone who watched the episode in the media was asked if after the episode will their be new buddie theories and she said she already has one but won't reveal it till after the episode. Which you can basically take that to mean something is going to happen with buck and eddie that's going to have fans theorizing/speculating after the episode. I'm honestly thinking that it's gonna be heavily teased that something happened between buddie at or after the bachelor party. like a charged moment or almost kiss but it won't be revealed at all in the episode. we will get like a glimpse of it and only eddie is going to remember pieces of it which will lead into his catholic guilt arc. and we're gonna spend the rest of the season trying to figure out what actually happened between buddie after the bachelor party and Eddie's gonna be keeping this huge secret from Buck.
it won't be revealed till the finale or something. My money is ultimately when the puzzle forms it's that buck and eddie almost kissed after the bachelor party but got interrupted by one of their many many party guests and by the finale I see Buck remembering what happened as well.
Suffice to say something is happening between buddie in this episode enough that media already has a buddie theory and she'll post it after the episode which means it will feature spoilers from this episode speculating a theory regarding buddie so that means something happens in this episode that's gonna lead fans to speculate about buddie and what happened between them?
Bestie, I literally wrote this as a fic idea right after 705 soaksasokasasok like, with how all over each other buddie seems to be you can ABSOLUTELY have a charged moment between them that doesn't connect just because they got interrupted and we don't see it until one of them talks about it later on, probably Eddie to someone, maybe Frank, and have that trigger Eddie's sexuality arc within the guilt arc, like, legit, I can see it happening, I mostly don't think the show would actually go for it, but honestly, this season keeps surprising me so... but it is a way to trigger Eddie's sexuality arc using Buck without pulling the trigger on buddie too soon, and keeping Buck oblivious to what's actually going on with Eddie while letting Buck explore his bisexuality outside of Eddie and Eddie trying to work through his own feelings would be nice. And it would be a nice parallel to Buck freaking about lying to Eddie about the date with T (because they LOVE to parallel the two of them), because Eddie would totally feel like he has to lie, because one, he doesn't understand what it means for him, two, he doesn't understand what it means for the both of them, and three if Buck is going to be infatuated about T, he wouldn't sabotage that, four, he still needs to deal with the searching for Shannon of it all, and this is a way to put the ball completely on Buck's court AND it is a way to address the emotional power imbalance that exists within buddie, because Eddie calls the shots a lot and that can't keep happening for them to be a good couple, yk? They can make Eddie explicitly make another unilateral decision about their relationship on the idea that he just knows Buck so well and knows how he's going to react, the whole I'm not enough thing could come back or just straight up use the I feel like she sees me and the I kinda can't stop thinking about him for Eddie to just decide that Buck was just too drunk and it wasn't really about him or about Buck wanting to make that change in their relationship or having feelings for him, and just expect Buck to go with it, and to have Buck reach that point where he realizes what happened and he decides to force Eddie into that conversation, I'm game, dude, like, legit, would love that. Even more, if we have some sort of emergency where both of them are in danger (trapped dads/drown Buck I will never give up on you) and you have Eddie aware to some degree and Buck being Buck without actually knowing until something happens and he's like OH FUCK and we can have the beginning of s8 addressing the will they do something about it or just keep pretending it's not there until they figure out they don't really have a choice, it's where they were going all along (buddie getting together 804 aka 100 episodes after Eddie got introduced maybe?), like, they can even have some conversation being interrupted, you can have things being said during the emergency they just don't have the chance to talk about, with the recovery or things going to hell or actually being interrupted by everyone and everything around them, especially if T is still in the mix, you can have the emergency be a season finale cliffhanger because they already have s8 confirmed and they never did a season cliffhanger and I feel like we are due one soon, and things would only be dealt with later. There's a lot to explore if something almost happens with them being drunk, and Eddie remembers but Buck doesn't. You can even add stuff like making Eddie work himself through his reactions to Buck so far or straight up confirm he has some level of awareness that his feelings for Buck are not all that platonic (Eddie fell first essay I will never give up on you) he just didn't know how to interpret that yet. It would open some fun possibilities, and considering the insistence on the triangle imagery, to make it an actual media love triangle by finally connecting the Buck and Eddie's side on a romantic level? It would add up.
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obsessive-clown · 19 hours
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Yan Nanami getting a love confession from person he's stalking n it was an unexpected turn for him⁉️
HI POOKIE!! Omg this is so silly I love this idea… I’d like to apologize first over how LONG I TOOK TO GET TO WORK ON THIS AND OTHERS… But there’s no time like now and sleep deprivation :,)
╰ ♡♡♡♡♡♡♡♡♡♡♡♡♡♡╯
How would Yan!Nanami react to getting a confession note - (sfw)
♡ A love confession? First of all, he’s bewildered. Truly, he has no interest in anyone, not unless it’s you! His darling! His one and only! His ride or die! Well you didn’t know this yet, but he was sure in due time you would get accustomed to it…
♡ When he settles himself though, and realizes it’s from you… In your hand writing, it smells like you, folded and decorated exactly how you would have done it… So cautiously and with care, as if you were scared to mess it up but also nervous to even turn it in to his desk — He’s over the moon.
♡ However… It baffles him — First of all, you were the subject of his obsession. And it was something extremely new to him, after all, Kento was a very professional man and he certainly wasn’t the type to spill his emotions at his work place and certainly not in public. But this? Oh he’s gushing over every word you wrote, every scribble, every line that you made out of worry that it wasn’t worded right… You had wrote it several times after all, finally settling for whatever you wrote on the last piece of paper you had.
♡ Secondly came the doubt and the suspicion — Had someone put you up to this? Made you do it as some sort of sick joke? Or did you just want to play with his heart and pull at the strings as if he were some sort of puppet and you were his puppeteer? It clawed at the back of his mind and he hated it— It made him think of you far more than he was before. But when some sort of reason came to him, he just knew you couldn’t do something like that, you were perfect in his eyes.
♡ In all honestly, it takes Kento quite some time to muster up the courage to come to you regarding the confession. Sure, he was very straightforward, he could be bold, blunt and emotionless… It was just that he couldn’t keep that when it came to you, you made him feel things he couldn’t explain.
♡ When he does finally come to you about it… Note in hand… He’s asking you if you meant what you wrote and if it was truly addressed to him. He even came prepared too, a bouquet of your favorite flowers — that you never mentioned to him or in the workplace — and that damned half smile that just made him look so innocent and charming. He’s not even asking you about the confession anymore when you confirm, he’s asking to take you out that night. Anywhere you want to go— Any time. Work didn’t really matter to him as much as you did. And any chance he was given that involved being around you or spending time with you, he would take in an instant. Anything for his darling. Anything for you. You were his now after all.
╰ ♡♡♡♡♡♡♡♡♡♡♡♡♡♡╯
I hope you could enjoy it, and I apologize again for how LONG it took me to get to it, I’m trying to get through all my drafts while I have the time (and have the energy from sleep deprivation)… I was very happy to work on it and I hope you were happy to (finally be able to) read it and receive it. 🫶
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The reason I think Alastor should be in the wrong(or at least mostly in the wrong) in his and Vox's falling out is that I don't think their relationship would be worth exploring as deeply as it sounds like it will be next season if Vox was the primary reason they started fighting, because it would do NOTHING for Alastor's arc.
Like- okay, Alastor's arc is very clearly going to be about learning that trusting people is Okay and not a sign of weakness, right? He's literally the only character in the show that is very clearly about the power of friendship who refuses to accept any sort of help, like even the VILLAINS are constantly hyping eachother up! If they fell apart because of something Vox did, and their relationship is going to be super important next season, wouldn't that not really do anything for Alastor's arc? Unless Vox pulling some weird shit is the ROOT CAUSE of Alastor's trust issues, but, given what we know about his past and how his ego seems to be the biggest contributor to said issues, I don't think it is. Alastor would HAVE to have contributed SIGNIFICANTLY to their falling out if their relationship is going to mean anything to his arc, because otherwise it just feels more like a weird aside then anything else? Like "oh yeah we used to be friends but then he did some weird shit and now we're not friends anymore". It adds nothing. There's nothing emotional for Alastor to confront in this scenario.
Which makes for a more interesting story, the relationship between the mc and someone from their past who, while they miss, isn't the kind of person they want to be around anymore so they don't really feel bad about cutting them off who ALSO doesn't pose any real Active Threat to the mc, or the mcs relationship with someone who they respected a lot but cut off because they felt the two of them were getting too close and we can't have THAT, now can we? It's the second one. It's the second one because the second one HAS HIGHER STAKES! The first one makes for a good one episode plotline, but for a season long arc? Takes where Vox is in the wrong actually make VOX a more interesting character to follow then Alastor, because that makes HIM the only one with an actual emotional stake in the conflict. But this isn't Vox's story. It's Alastor's story. Alastor is the main character. Which means, for their relationship to provide anything of value to the plot, Alastor needs to have emotional stakes in the situation too. The best villains are the ones that force your characters to grow and become better people(unless you're doing a silly little monster of the week type of show but THAT'S NOT WHAT HAZBIN IS-), and the only way Vox being the main antagonist next season is gonna cause any kind of growth is if Alastor is being forced to reconcile with his past.
Anyways uh, yeah that's it. I could do a tangent about how their relationship lowkey parallels Fizz & Blitzø(a comparison I made in this post but didn't actually go into depth on bcuz it wasn't relevant to the post beyond supporting my argument + didn't have much backing at the time), but I do NOT have the brain power to go in-depth comparing and contrasting that stuff rn, bcuz, despite the similarities, whatever the fuck Vox & Al have going on seems to be a LOT more Complicated and Sad then an accident and some dad-induced miscommunication. So I'm just gonna leave it at that :)
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quillkiller · 16 hours
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pleasepleaseplease elaborate on bartylus as orpheus and eurydice variants please if you want
mil!!!!! you sent this to me 2 minutes before my shift started….. i was losing my mind…. they’ve been in my head ever since…. i just got home thank god !!!!!!
anyway. so i have this au/wip which is loosly (very loose!!) based on the eurydice and orpheus myth but also set in canon. i have a tag for it ’fic: don’t look back’ <3
here’s a little snippet:
”Barty,”
It comes out as a breath, as an exhale— but it almost shatters him. If he wasn’t on his knees already he knows they would buckle. Knows he would fall down at Regulus’ feet. He almost looks.
so regulus still goes to the cave, and he still dies. he doesn’t go out of the kindness of his heart, but because he’s tired and he did it all wrong and he can’t win and he just wants it to be over. he goes because he misses his brother and he wants his brother to live. he doesn’t care about the rest of it, the war, the two sides, voldy or dumbledore or the prophecy. he wants out and he’ll never get his brother back so he’ll do this one thing to (hopefully) save his brother even if sirius will never know <3 after that he’s done. he goes to the cave knowing he’s going to die and he wants to. he yearns for the dark and the quiet !!!! he’s 17 and he thinks he’s lived way too long and he just wants out now
he leaves barty a letter. it’s vague but barty figures it out. they spend one last night together because regulus is selfish and greedy and want him just one more night. they used to fumble around back at hogwarts. they were each others firsts and they trusted each other but they were never together. not actually. just stumbling into each others beds, shakey hand jobs, clumsy blowjobs, sloppy kisses. they didnt really talk about it either but not in an awkward way, they just didnt really need to. it was about comfort and love and boyhood and fear and safety and they’re just. so special to me. not dating, not best friends, but a secret third thing. just so completely intertwined but so different from each other.
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- virginia woolf. this is the bartylus dynamic to me. like. everything was awful, their homes, their circumstances, their surroundings, their expecations. but they were also just boys. everythings awful but sometimes they’d sit in the slytherin common room and they’d make each other laugh. sirius left but barty is waiting for him at kings cross with a grin :,)
anyway. it all sort of stopped after they both took the dark mark. they still had each others backs and they’re always best friends and intertwined!! but i guess there’s just too much else to think about now ahdhdjajfjkd. but reg comes to barty the night before he leaves for the cave and they properly spend the night together. its messy and miserable and lovely and it feels like a goodbye. reg leaves before barty wakes up the next morning.
barty!!!!!!!! goes mad. mad with regret and anger and desperation and love and hatred and every other emotion under the sun. he wants him back and he will get him back. barty is smart, was top of his class, is a quick learner in all things magic. i don’t know how long it takes, if its months or years, but barty is on a rampage and he’s seeing red and he’s not sleeping and he’s not at all himself. he sees reg as a ghost, talks to him, he’s haunted. he aquires several forbidden books from shady sources about magic that has long since been banned. he will bring regulus back if it’s the last thing he does. eventually he finds either a spell or some magic ritual (haven’t figured it out yet) that existed back in the 1700s but has been banned almost immediately due to people just. coming back wrong. miserable and wailing. barty’s not seeing that though. he’s just seeing that he can bring him back. so he learns everything there is to know about the spell/ritual and then sets out to go to the cave. months or years later, i still haven’t decided. i think it would be a little sexy if it was a couple years after reg died.
that’s where the eurydice & orpheus myth comes in. basically barty isn’t allowed to look at regulus until they both get out of the place where he died. but it also differs because regulus so desperately wants him to look. regulus is miserable when he’s brought back. miserable and young and confused and angry.
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by paul tran is and always will be rab when he enters the cave!!
so reg is trying to seduce barty to please look at him. please look at me. and barty wants to more than anything. the first time he finally takes a breath since regs death is when he finally brings him back. the relief overwhelming. and it lasts for 0.01 seconds because regulus doesn’t want to live. he’s so angry and he’s sobbing and wants to go back. but barty doesn’t want him to. and he’s telling regulus it’s going to be okay and they’ll be okay and he’ll protect him and take care of him. but regulus doesn’t care. and barty is desperate:/
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sadly barty is greedy. and weak. and it’s been years and it’s desperate and he can’t remember the shade of blueish gray regs eyes were. and regs pleading hurts. and barty just wants him. he just wants him and wants to keep him and he was never ready to lose him and he isn’t ready now. but it all boils down to the fact that barty is equally impulsive as he is strategic. he spent years (?) trying to figure out a way to being regulus back and more of his friends died during that time. he’s done what he set out to do. so he looks. because reg is asking him to and because barty isn’t strong enough not to look at what he wants
and yeah.
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catbeeisafraid · 22 hours
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I don’t have like a ton to say about this but I have mixed feelings- also spoilers ✨
I like Crystal I really do but at times her dialogue bothered me and some of her behavior was kind of obnoxious to me- like at times when she started aggressively inserting herself into situations and just kind of made it about her? Like in episode seven (though this happened many other times too) where she was having a total fit about not going to hell when it’s clearly for her own good and not about her no matter how much she cares? and I totally understand that this is her being written as an immature teenager who hasn’t been dead or a teen for 30-100 years but as a teenager this sort of selfish immature writing kind of gives me icky feelings because I know so many people who are mostly emotionally intelligent not just raging all the time.- and I mean that for a lot of teenagers and teen girls in writing, to make them tough and likable they are made volitile and annoying which to me is not likable (my opinion, I just don’t like the trope that’s not what I’m talking about right now anyway-) I do think she had good development and I liked her a lot better by the end, some people on other forums were saying that her actress was weaker than the rest of the cast and I don’t really know about that? I think maybe she was artificial at times but I’m blaming that on the writing. I also didn’t like her dialogue about her “crazy demon ex” either, it felt very forced? -Not her emotions about the whole mind cage thing I get that but just all of the “UGH WHY ARE THEY SO FUCKING NOSY IM JUST TRYING TO GET OVER MY STUPID STUPID CRAZY ABUSIVE STALKER DEMON EX BOYFRIEND UGHHH ILL DOUBLE KILL THOSE BOYS IF ITS TGE LAST THING I DO” that felt out of place to me- Lastly I get that this is also an aspect of her teenager-ness but I didn’t like the amount she cursed? I have no qualms with cursing but it felt to me like when little kids and middle schoolers start cursing where they just explosively yell fuck when like literally nothing warranting that kind of expletive has happened? She curses too often it makes her sound really stupid? Like the ep 7 “take me to hell I won’t die” thing, she was screaming at Charles who was being pretty reasonable like “fuck that I’m going he’s my fucking friend too fine then fuck it- fuck you ill find another way to get to hell” like yes she was emotional but that isn’t what teenagers sound like guys?
idk- I’d love to hear what other people think and to be clear I do like her I just focused on the negative- I guess it’s a human thing. She had lots of strong points just I ending up not liking how much she was on screen, this isn’t really about you? It’s about the dead boy detective? Give me more ghosts or Edwin or Charles or Jenny or Niko or Mr walrus please? They were fun I like them? I just felt like there were times where she was over shadowing Edwin and Charles and they are what’s actually important to the show? I think I’d like her more in smaller doses- I felt like I spent too much time having to stop and be like “girl step back this is not about you, you are not the star right now”
and to the argument of her actress being inexperienced or over acting or just not great- I have no specific feelings on this but like the other main cast had for the most part very little screen acting experience and were Fantastic so i don’t know what to feel in that area? so yes, i think crystal is an interesting character and i think she grew on me and developed in the season but i also definitely think that she’s annoying and I’m conflicted because i don’t want to not like her-..
what are your thoughts? Id love to hear different perspectives but please be nice to me because I’ll probably delete this and cry (unless that was your goal, then carry on)
that was all like super ramble-y sorry- but I hope I communicated semi accurately! Thank you
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oathofthebedtime · 2 years
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[RIP CROP. feb.8.2022] :][
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iridescentis · 1 year
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This is probably not an original idea but I really like the concept that every winner of the life series becomes a god of life and is like a spectator of the following series. So Grian's third life self, Scott's last life self and Pearl's double life self are all watching their mortal selves play limited life, waiting for the fourth god to join them
Maybe Grian is the one who chose to replicate the original game and transfers their souls to the next game, which is why they have such vague memories of what happened the season before, but gives them a chance to save each other (giving lives) or betray each other (boogeyman). Then Scott joins him and chooses to make their mortals connected to one another so they never die alone to the hands of a god, but together. Then Pearl joins and wants to put an end to the games, so she sets a time limit. What will the next person do?
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