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minotaurmutual · 8 months
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me & the mutuals
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kaizokuou-ni-naru · 2 months
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[chapter 1110 spoilers!]
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chapter 1110 reveals to us the mythical zoan forms of all five elders- as some people theorized, they’re all youkai of various sorts.
saturn is a gyuuki or ushi-oni (牛鬼), a type of ox-demon with clawed spider legs said to spread illness and spit poison.
mars is an 以津真天/itsumade, a type of ‘monstrous bird’ said to repeat いつまでいつまで/itsumade, itsumade (‘until when? until when?) during times of plague in myths dating back to the kenmu period. its name is also pronounced itsumade, but spelled with four different kanji.
warcury is a 封豨/houki, a boar monster said to be prone to violent rampages, destroying livestock and fields and killing and eating people. it also has a very tough hide which regular weapons cannot penetrate.
nusjurou is a 馬骨/bakotsu, ‘horse bones/skeleton.’ on a quick look i couldn’t find a good source with much more information about this one, but this blog post, citing the edo-period youkai book tosa obake zoushi, refers to it as a spirit of a horse that burned to death.
and then jupeter is a アンドワーム/sandowaamu, ‘sandworm’, a youkai famously originating from frank herbert’s dune.
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skygemspeaks · 7 months
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do you guys want to hear about my sanji's siblings love him au?
who am i kidding, of course you do
anyways
ichiji, niji, and yonji run on facts and logic. they're programmed to have loyalty to their family, and sanji is part of that family, even if he can't do everything they can do.
and the way they see it, it just makes more sense for their loyalty to lie with the brother they shared a womb with for nine months over the father that insists on abusing all of them.
it's not sanji's fault that he's weak and has emotions. that's an objective fact. he was born the way he was. it could just as easily have been any of the rest of them that were different.
so sure, they'll follow judge's orders, because they have to, because it's what they were born to do, but they're not gonna take any of the shitty things people do or say about their brother, least of all their father
sora adores her children. because judge hurt them terribly by taking away their free will, but that's none of their fault, and they're trying in the only way they know how. she's patient with them, trying to teach them about morality and the importance of doing the right thing
at their age, they don't really understand it, but they do notice that people are more likely to do what they want with little fuss if they treat them the way their mom says they should
but then their mom dies, and maybe the loss of his wife is what pushes judge over the edge but he lashes out at sanji, because somehow in his mind sanji is the reason for sora's death. if it weren't for the poison she had taken, which had turned sanji into the weakling that he was, sora would still be alive
ichiji and the other two are furious. they hate this empire that their father has built for himself - and that little fact, that they can hate it at all - goes unnoticed by all of the kids
but they do hate it, and with their mother gone there's no reason for them to stay. so they take sanji, and they take reiju, and the five kids escape from the Germa kingdom and never look back
they work whatever odd jobs they can. and then one day they come across zeff - after he had been rescued from the island he was stranded on for months
and this zeff still has both legs and he didn't suffer as much because he didn't have a child to give up all his food for, but he still decides to give up pirating. he lost his entire crew in that storm, and he has no desire to sail the seas without them
so he had set out to fulfill his dream of building a floating restaurant for himself. he's living on an island in the east blue, and he comes across these five children. one of them, sanji, latches onto him as soon as he finds out that he's a chef. slowly, over the months, their relationship develops and grows stronger.
zeff isn't an idiot, he knows there's something wrong with these kids, but he doesn't pay it much mind. he treats them like any other children, with all the kicking and scolding that entails
normally ichiji and the others wouldn't put up with this kind of treatment from anyone, but they see the way sanji and reiju latch onto zeff, the way the two of them follow him like lost puppies and positively preen at any positive attention he gives them, and they decide they'll put up with it.
it's not like the crappy geezer's kicks actually hurt the three of them
so zeff takes reiju and the boys in, even if it means that food will be a little tight until their restaurant gets off the ground.
the 5 of them grow up on the baratie, protecting their home and surrounded by the gruffly affectionate cooks that are drawn to their father's way of life. it's so different from the environment that they had been born into that they don't know what to think. sanji and reiju take to their new life like fish to water, but it takes a little longer for the boys
yonji respects sanji like he respects his other older brothers. he watches sanji, sees the way he loves and hurts and grows. the intensity of the things sanji feels is completely foreign to yonji, but it stirs an unknown feeling in yonji's heart. he doesn't know what it is, but it makes him short-tempered with his brother
by now zeff has been around his kids for a while, and he's more or less figured out what's up. yonji learns from zeff that what he's feeling is jealousy. that he wants something sanji has that he doesn't
which should be impossible.
yonji doesn't feel things.
zeff shrugs and doesn't argue. he just leaves his kid to figure things out on his own.
after that, it happens slowly, so very slowly, but over time, ichiji, niji, and yonji start feeling more and more emotions. their emotions are still pretty dull in comparison to the frightening intensity of what sanji, reiju, and other people feel, but they cherish this new aspect of themselves.
and it turns out that sanji hadn't been the only one affected by their mother's desperate attempt to save her babies. the others had as well. it had just taken a little more work to draw their humanity out of them
by the time don krieg makes the ill-fated decision to attack the baratie, they still don't have the depth of emotion that other humans do. and maybe they never will. but they have enough to know that they will destroy anyone who even thinks of threatening their father's treasure
and they have enough to shed tears when their brother - a piece of their hearts - sets off with the future king of the pirates
it hurts, to have him leave them. and that hurt is something they wouldn't have had to feel if they had remained the way they were as children
but even that hurt is precious to them
because it's a product of how far they've come, and how much they've gained
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theteapotofdoom · 8 months
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Straw Hats Crew: But how are we gonna get Nami back? Do you know where she is?
Luffy: No … but I know someone who does :)
Me: Oh fuck please tell me he took the bag with Buggy’s head, oh my god PLEASE tell me he took the bag with Buggy’s head, please, please, please, PLEASE, let the final arc of the season be my beloved boys rescuing my beloved Nami with the reluctant help of my beloved cringefail unhinged silly little meow meow Buggy
Luffy: *pulls Buggy’s head out of the bag*
Me, a normal person:
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kbondoxxxxav · 7 days
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despicable me 5
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mamawasatesttube · 8 months
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i do genuinely think an adult, fully-realized kon would be able to defeat superman in a fight. not just saying that bc he's my fav or whatever but because like. ttk is so op. telekinetic power with the range and raw strength to destroy every single gun in LA, and the finesse of control to not destroy anything else? that alone is a huge force to be reckoned with. add kryptonian abilities on top of that and you've got a fucking powerhouse. like um devs? op tbh pls nerf (except don't, because i find that sooooo tasty.)
because to clark, i think this is a good thing! it isn't quite so lonely when he's got a little brother/son/they really can't label it but they're family, who understands the alienation. the burden of having so much power. the fear of what your own hands can do. he sees in kon a kindred spirit, although it also saddens him that kon has to feel this burden too.
but kon?
oh, kon is terrified of himself.
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frankencanon · 7 months
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Run, Luffy! He's gaining on you!
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taxreturnslut · 11 months
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Words cannot do justice to what we just witnessed.
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misslovasstuff · 8 hours
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feminism leaving my body the moment Sanji stops me with his hand
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5-pp-man · 4 months
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Bucchigiri?! op - Sesame by Kroi
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minotaurmutual · 2 years
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Star Wars: Knights of the Old Republic II: The Sith Lords / Lara Williams, Supper Club / Théodore Géricaul, The Raft of the Medusa (1818–19) / Jenefer Shute, Life-Size / Ovid (tr. Henry T. Riley), The Story of Erysichthon from Metamorphoses / Guillermo Lorca Garcia-Huidobro, The Banquet (2013-14) / Maya C. Popa, from “The Color Wheel Has Been Cancelled”, American Faith / Haruki Murakami, Norwegian Wood / Interview With the Vampire (1994) / Yves Olade, Belovéd / Natalie Diaz, Postcolonial Love Poem / William-Adolphe Bouguereau, Dante and Virgil (1850) / J. Karl Bogartte, A Curious Night for a Double Eclipse / Leah Raeder, Black Iris / Hannibal (2013-2015) / Marina Tsvetaeva, Poem of the End / The Terror (2018) / CS Lewis, The Horse and His Boy / Beastars (2019 - ?) / Hélène Cixous from “The Love of the Wolf” / “The Cannibal” / Azra T. / Raw (2016) / Richard Siken, from Crush; “Wishbone” / Severance (2022 - ?) / Emma Rebholz, No Good Boodsuckers / Aex Lemon, Another Last Day / Francisco Goya, Saturn Devouring His Son (c. 1819–1823) / Anne Carson, Plainwater: Essays and Poetry / Black Sails (2014 - 2017) / Kathy Acker, Empire of the Senseless / Anaïs Nin, Henry and June / Neon Genesis Evangelion (1995–1996) / Tanaka Mhishi / Margaret Atwood, You Are Happy / Jennifer’s Body (2009) / KotOR II / Edna St. Vincent Millay, from The Collected Poems of E. M; “True Encounter”
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kaizokuou-ni-naru · 11 days
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//ch1112
in York's talk with Mars, she says something that the unofficial translation put as "we don't wanna rack up any more sins. our relationship is already troubled enough." what do you think she's referring to?? what does she say in the original?
[chapter 1112 spoilers!]
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so as i understand it, she's basically saying that the actions of the other vegapunks risk endangering her own relationship with the five elder stars.
the word she uses that's translated by the unofficial scans as 'sin' is 罪/tsumi, which can also mean 'crime' (it's one of the central words of enies lobby, which is why a lot of translations of that arc use 'sin' and 'crime' interchangeably) and then the verb is the passive form of 重ねる/kasaneru, meaning 'to pile up.' so the first half of this phrase is basically "if these crimes are allowed to keep piling up..."
and then the second half is あんたらと付き合い辛くなる/antara to tsukiaidzurakunaru. antara to is like 'relating to you (plural)', and then tsukiaidzurakunaru is a way of saying like 'fed up with' or 'enough is enough.' so the full line is like, "if these crimes (by the other vegapunks) are allowed to keep piling up, then you all will get fed up with me."
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nikolailantsovhoe · 8 months
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Sorry I wasn't listening to you, I was daydreaming about all the stuff that I'd let Mihawk do to me.
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highfantasy-soul · 7 months
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I think what people are missing when they say "The girls took all the powerful moments from the guys!!" or "Egwene would never have been able to stand up to Ishy for even a moment!" is that...the women are never standing alone when they do their incredible acts.
I think even book readers forget the massive buff being near other ta'veren gives the characters in the books and the power of working in a team.
In the season 1 finale, unlike Rand in the books, Egwene doesn't demolish a whole army of trollocs alone, nor does Nynaeve, nor do any of the other women there. Egwene and Nynaeve don't even cast any of the attack weaves at all. They are linked and Amalisa - a Tower trained individual - uses the collective power of all the women standing there to demolish the battlefield.
in the season 2 finale, they set it up all the way back in episode 1: "Standing alone, a shield only covers part of you, the rest is exposed. But standing together, our shields cover each other and nothing can touch us."
When Egwene stands up to Ishamael, she's not attacking him. She's making a shield. And she's not doing it alone. Mat and Rand are there too, two more powerful ta'veren converging in the Pattern with her, with two more on the way.
It's amazing how quickly book readers forget the plot convenience power of ta'veren Robert Jordan very purposely wrote into the story!
In the final confrontations of both seasons, Rand IS the one who strikes the final blow - he's the one who has to mentally 'defeat' Ishamael. It's Rand's decisions that determine the outcome in both - not Egwene's opinions on the matter, not Nynaeve's. The idea that a random mass attack is a more impactful character moment than overcoming the temptation of Ishy's promise of a perfect world for Rand to live in, that Rand declaring firmly and to Ishy's face that he will never join the shadow never stop fighting for the Light, is just ridiculous.
None of Rand's actually impactful, story-defining moments are given to 'the girls'. The show is not 'pushing Rand down so the women can be made more powerful'. If that's what you think, I'd take a look at what you think is 'powerful' and then take a look at the actual story Robert Jordan wrote and what he had to say about what wins the battle in the end. Was it sheer, raw power that won the conflict or was it strength of self (internally knowing who you are and not caving on your morals for power or influence or glory), community, and compassion?
Yeah, Rand is the character with the most raw power - but that's not why he wins battles and I think his big power moments will mean so much more in the show now that we've seen WHO HE IS and WHY he's using that power.
This isn't to say the explosions of power that Nynaeve and Egwene get aren't meaningful - I think the way the show has altered them to be about community support makes that act so much more powerful than a single character floating above the battlefield and demolishing it all on their own.
So in conclusion, I don't think the criticisms that "Rafe hates men and is giving all Rand's important stuff to the women!!" are accurate in the slightest.
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ms-all-sunday · 3 months
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prince & princess
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oh-warizoro · 1 month
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On your knees, begging for another's life
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