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#rabbit vs hare
babuchahabichuela · 3 months
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Couldn't stop thinking about this
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merrypaws · 1 year
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Kinda joke art I made after seeing another of those posts about rabbits and hares and how they seem to be the same animal just in polar opposite genres.
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rat-nitty · 9 months
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Its them!
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two-hearts-beat · 3 months
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wait, this whole time I thought "bunny" broadly matched "Kaninchen" and "rabbit" matched "Hase" only to find out that English speaking countries consider our normal "Feldhasen" (Lepus europaeus) to be non-normal and even scary and terrifyingly big "hares" while they consider Kaninchen to be normal rabbits
and all this via a horror-esque tumblr post about hares
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ladyseidr · 6 months
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some light-hearted and/or silly headcanons for the fn.af muses!! ( crossed out because some kept getting sad or dark sorry LMAO )
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is a big fan of snow. his family used to travel to the mountains regularly ( i swear this headcanon isn't getting any sadder than that. ) obv it's a lot less likely to snow in hurricane, but y'know. if it ever did? oh boy. it's definitely a very bad idea to let him out into it ( melting water getting into his circuitry and all that ), but he will ask. more than once. insistently. catch him standing in front of the windows just staring outside
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absolutely does have a british accent despite it making so little sense ( born in utah to a very english father, a french american mother with an indecipherable accent, and surrounded by americans. it's funny to me. ) he tried to lose the accent post-william going missing. it lasted a singular attempt in public. he just can't fake accents. he will reply to any questions about where in england he's from with a deadpan "utah" however, and yes he does find that kinda funny
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genuinely actually like so good with kids. not just the big performing and playing, but she's very good with the emotional side of things. she's hung out with kids who were left alone or had been bullied more than once. she generally gets very attached to individuals who spend time with her and remembers things like names and birthdays completely organically ( as in, susie remembers them herself ) on the flip side, she doesn't take it well when an older child stops coming to the pizzeria or a family moves away. in many ways, she sees herself like those children she tries to help—rejected and alone, save for the band
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completely oblivious to the animatronics becoming haunted until it's near impossible to ignore. definitely thinks their coding is just fucked up at first. he only really decides even that when he's working late one night, looks up, and sees bonnie just standing in the half-open door. staring. he doesn't recognize the actual hauntings for years. at first because he simply doesn't believe in ghosts, and, later, because he's in denial. either way, the animatronics speaking to him in strangely human ways will always send shivers up his spine
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aunt who lets her niece and nephews get away with literally anything. william is like "please don't let them have too many sweets while i'm gone" and she's like "yeah no of course" and then the door shuts and she turns to them and is like "so let's go out for ice cream" in all seriousness, jayne dotes because she knows shit's been hard ( the divorce, and then later the loss of CC and elizabeth ). she can and will try to dote on mike even when he's a teen/adult because she really does sympathize. ( mini bonus william hc: he absolutely knows this goes on, but jayne just generally gets a free pass from him on most things LMAO )
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he really does just have the time of his life when he first becomes sentient. like, he's not really fully aware during The Horrors, and he genuinely loves performing. unironically views william as his perfect, amazing creator until he does realize. spring is never dangerous in the way the others are—he's not haunted, not really. still, he wanders at night, even when he's long, loooong out of use. he talks with far too much self-awareness to night guards and other staff. he begins to glitch out generally, but he's usually only dangerous toward one person: william.
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eldritch-soup · 2 years
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hey guys
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picture of me n my son
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midnightmoonbeams · 2 years
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Kelly drew Peter Rabbit for Team Hare.
April 20th, 2019
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rugessnome · 11 months
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tbqh it was weird for me to see the very humanoid illustration of what Connie (I think?) is supposed to look like in The Constant Rabbit, because I was honestly picturing like... scaled up Beatrix Potter rabbits with somewhat more modern dress sense
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keychain-noises · 2 years
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If you put a rabbit and a hare in a cage, most people could tell which was which, but if you ask them too without visuals they begin to struggle and there's a whole theory I have on that but to sum it up see yes remember eh
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creacherkeeper · 9 months
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~ portrait of a jackrabbit
{margaret atwood / @fairycosmos / no, august greenwood / still life with trophies of the hunt, pierre dupuise / neverafter, brennan lee mulligan / the dead father, donald barthelme / @creacherkeeper / hare vs rabbit, @gallusrostromegalus & @cherryistired / yves olade / @tyaz}
[ID: 10 images of text and 2 artworks collected in a litstack 1: you dangle on the leash / of your own longing; / your need grows teeth. 2: a tumblr post by fairycosmos that reads: i would describe myself as fun and light hearted and unburdened. please ignore the blood in my mouth 3: Attention's a drug that I can't get enough of / I tell myself taking the blame / And they walk away with a new pair of hands / And I walk away bearing their shame 4: (animal death cw) a detailed, realistic painting of the results of a hunt. there are multiple birds, including a quail, a dove, and a duck, lying on a cracked wooden table that's been draped over with red cloth. in between and beneath the birds, lying with its head hanging over the edge of the table, is a rabbit 5: Everyone you ever knew who told you that they would keep you safe as long as you behaved were already hurting you. Live your life without apology, little girl. It is never wrong to tell the truth about what you are. 6: He is mad about being small when you were big, but no, that's not it, he is mad about being helpless when you were powerful, but no, not that either, he is mad about being contingent when you were necessary, not quite it, he is insane because when he loved you, you didn't notice. 7: "Do you know where we're heading, Brandi with an I?" A short hum. "No. Wherever's safe." "Safe from what?" She held her knees a little tighter. "Everyone." 8: text on top of a drawing. the text reads, in italics with bullet points: - everyone freezes - you're considering your odds against roughly 200lbs of Suspiciously Humanoid Hare - and they're considering their odds against you the image is cropped from a larger comic, showing brown and white jackrabbits with large, glowing red eyes standing upright and visible in a circle of a flashlight's light 9: I know all the / ways already that love can be the wound, 10: Tell me that you chose me. / That you love me. / That you crave the dark. 11: a tumblr post by tyaz that reads: What do you mean killing isn't an act of devotion end ID]
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bunnyrabbitbracket · 1 year
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THE FAIL HARE FRAY FINALS
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thewebcomicsreview · 1 year
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Anonymous said:
do you have any advice on writing character motives and backstories? all of my characters either have motivations that are too extreme when their stories are taken into view, or their backstories feel laughable and it makes their motives look ridiculous
My snap answer is “Lean into the extreme-ness and have it be part of the character”. My more detailed answer is thus:
A character’s motivation is the most important aspect about them, because a character that is not motivated is a character that doesn't want to do anything and it's hard to write a character who doesn't want to do anything.
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Making Comics, by Scott McCloud
So, while I suppose it's possible there are excesses, I would say that giving your character a strong motivation is worth giving them an outsized backstory to fit. If you're writing a series about solving mysteries and your main character doesn't want to solve mysteries, then you'll have to keep coming up with excuses to make the plot happen. So, one way of writing character motivations is "I want the character to do X and if the character also wants to do X it'll be easier to write".
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When I wrote Legend of the Hare, the idea was that Jill would join up with the rabbits right away and we'd be off into Magical Girl Adventures, but when I was actually writing the pages (which I was doing as the chapter was being written, which is a terrible habit), I realized that I couldn't come up with a good reason for Jill to agree to join the rabbit war, so....she didn't. I got her super drunk and sent her home with a weird new tattoo and basically had to start the comic over until she had a reason to sign up and we could start the plot. I think I did an okay job of making it all look planned, but I basically threw out my entire outline for the entire comic because my protagonist wouldn't go along with it.
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In Saffron and Sage, which is in many ways a reaction to Legend of the Hare, Saffron's motivation is clear from literally the first panel of the first page. I have thus never, in nearly 200 pages, sat around trying to figure out what Saffron would do. But this created its own problems, which is that Saffron's entire motivation wasn't really "established" so much as "thrown out offhandedly" for the sake of having a cool in media res opening chapter. It wasn't clear why Saffron was so invested in rescuing Faunus, and I got enough feedback that I eventually did a flashback chapter that I'm not super happy with but c'est la vie.
So those are the two lessons I've learned. Your character should want to do the thing you want them to be doing, and there should be some definition for why they want that. Sometimes the "why" is pretty obvious
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And sometimes it needs a bit more meat.
(Another aspect that's important, though, is that motivations often drift over the course of a character's arc. Indeed, the most famous kind of character arc out there is the Pixar "want vs need" style, where a character's initial motivation is "bad" and they get a "better" one after they grow as a person, but the initial motivation is the one driving most of the plot)
And it's sort of difficult for me to answer your question of "how to establish backstories for motivations" when I don't know what your characters' motivations are meant to be, but lets use the example of a high school romantic love quadrangle, since those are often kind of silly. Here's a basic setup
Sweet Dear Innocent Melody, the protagonist, is in love with Chad Footbalman, the quarterback. But Chad is in a somewhat dramatic and troubled relationship with That Skank Felicity, who is way hotter than Melody and also the villain. Meanwhile, local nerd The Virgin Simp keeps flirting with Melody, who rejects him. Melody will do the generic teen movie makeover thing to get Chad's attention but eventually he'll realize he loves her for who she is. Our planned endgame is that Melody and Chad get together, and Simp improbably hooks up with Felicity, so everyone ends up happy. Very generic teen movie plot. (It's also a very straight one, but shh)
Just from this setup of point A to point B, some potential motivations start to come out of the void. Felicity is hotter than Melody, and we know that Simp's happy ending is getting with Felicity. So Simp's motivation can be "wants to touch boobs". He's kind of a creep and a big part of why he's harassing Melody is that he thinks she's "achievable". We want him to be unlikable (so that Melody doesn't look bad for rejecting his advances), but not so much that the audience wants him dead or anything. We don't wanna go full Mineta here. He can also be the one who gives Melody the fashion tips to get a proper makeover, since he's been studying hot girls enthusiastically.
....Actually, having the dude who's super about wanting to have sex with women also inexplicably being an expert in women's fashion is a very stereotypical "closeted gay dude pair" of traits, which is a possible different ending. Hm. Lets table that thought for a minute.
So Melody wants Chad. That's easy enough, you don't even necessarily need to explain it in more detail than that. Why does Melody want Chad? Is it because he's a handsome jock and she has more in common with Simp that she wants to admit? Well, the story is "She tries to get a makeover and Chad loves her as she is", so Melody's character arc is learning to believe in herself. It's not a story about learning to see the inner beauty of other people. She knows that Chad's actually a cool dude and not just a handsome jock, she sees the real Chad etc. She saw Chad, like, pet a bird or something and now she's head-over-heels for him. We don't need an elaborate backstory here.
Chad wants Melody but he doesn't know it yet, so he starts off wishing his girlfriend was [character trait here], which just so happens to describe Melody. He really wants to start a ska band and wishes he knew a trumpet player who shared his love of ska, which just so happens to describe Melody, sure. The ska obsession doesn't have to be revealed early on, it can be a twist that's revealed around the point he and Melody start connecting.
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Chad's basically just Sami Zayn
So, when I started writing this, my idea was that That Skank Felicity wanted someone to wait on her hand and foot, which is an "evil" motivation that'd make Simp the perfect boyfriend for her in a Meghan Trainor's "Dear Future Husband" kind of way, but then I decided that Simp's aggressively horny because he doesn't want to admit something about himself, so the planned ending doesn't fit the motivation I came up with. I could change Simp's motivation to have him be straight, or change the planned ending, but let's see if we can't come up with a way to square the two ideas...hm...
Okay, got it. Felicity is super into the tradwife aesthetic. She wants to look and live a certain way, and she doesn't care about Chad as a person at all, she just wants to have a quarterback boyfriend because it's part of The Aesthetic and she cares about The Aesthetic to an extreme degree. She's the villain in a cheesy rom-com, she's allowed to be kind of ludicrous like that. Plus it fits into our theme of "looks aren't important it's what's inside that counts" to have a villain who's obsessed with looking a certain way. And then she can be catty about the makeover outfit Simp made for Melody, and Simp and Felicity can have like an entire enemies-to-lovers arc in five minutes. Boom. Okay. And then Simp realizes she's trans and Felicity's all "The only thing better than ONE hot 1950s housewife..." and they start dating.
Now we have our motivations:
Melody wants Chad (and needs to learn the self-confidence to get him) Chad wants a ska enthusiast Felicity wants to live the aesthetic of a stereotypical hot girl So does Simp, who is a trans girl spending most of the story as an in-denial egg, which is a bit of representation I wasn't actually planning to put into this story (Maybe, um, we change the name) but it fits all the needs of what the character has to do.
And that very long tangent is kind of how the thought process works. What needs to happen in the story? What motivations get me there? Are there any unexpected details of the motivations and do I like them enough to put them in the story? Those kinds of questions can be really helpful, especially early on when all you've got is a doodle of your OC and a dream.
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Off to visit their girlfriends
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dovabunny · 9 months
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The Rabbit vs Hare Comparison but it's Soap and Ghost
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That's it. That's the post.
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tissbutthfourth · 3 months
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Alice in wonderland AU
Lucifer: Mad hatter
Charlie: Alice
Adam: The queen(king?) of hearts
Lute: the red knight
Emily: The White Queen
Niffty: the march hare
Husk: the door mouse
Vaggie: The white knight
Angel: The mouse
Alastor: The chesur cat
Sir pentious: the walrus
Cherri bomb: The carpenter
Vox: The white rabbit
Valentino: The caterpillar
Velvette: the duchess
razzle and dazzle: Tweedledum and Tweedledee
Luci Vox and Angel designs
Thoughts under cut
I really didn’t want to split up angel and husk but i really couldn’t see angel as either of the twins and i couldn’t see husk at the tea party so it had to be done plus i really wanted the twins vibe to be telling old stories calmly vs exitedly Edit: Problem has been resolved after having reread the books he is now the door mouse
I really wanted to include the other vee’s but it’s been years since i last read the book so i couldn’t remember any characters that matched their role/personality only vox had the perfect personality match Edit: problem resolved vel is the duchess and val is the caterpillar
and while you may be thinking hang on the white rabbit is on reds side so then why vox? the reason is the world of wonderland is split into three sides the red the white and the civilians so it’s hard to match to hazbin split of four (good angels bad angels the hotel and the vee’s)
I really wanted to make charlie alice because of how the live action movie portrayed her relationship with the mad hatter (luci) which was a very father relationship
alastor is obviously the cat because of smiles but also because the cat is extremely hard to read and understand its motivation much like alastor
yes angels the mouse the ‘frail scared one’ but given the way the live action movie portrayed the mouse as braver than size i thought that idea would be cool to explore with angel
I would love to hear other peoples thoughts and i plan to expand on this universe if you have any ideas on the vee’s i’d love to hear them and i’m also planning on rereading the book (the original one) to see if i can find more characters
Yes i know that most versions make the white knight and the white queen the same person but i thought that this would allow for some really cool chaggie moments as well as involving emily
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poindexters-labratory · 10 months
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I watched Dawko's playthrough of Ruin because I'm very uncoordinated and can't play video games right, also I'm broke as shit-ANYWAY, I HAVE FEELINGS AND OPINIONS.
(SPOILERS)
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This, I like this. This feeds my sci-fi nerd brain that I inherited
Also, I really like rabbits and hares
Glitchtrap had the hare update, so he's Malhare now.
He's my pal
My rotten soldier
My sweet cheese
He's so stupid and annoying, I'm not even sure he knows what it's all for anymore
He can EMOTE.
My autism said, "him, specifically"
Big hare nose
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Cassie is a cool character
Really sweet
Wonder if she and Roxanne Wolf are gonna have a special connection in the future
If Cassie even does have a future
I do think that the elevator ending is the true ending because it leaves the story open for the next game to start off with
Also, WHAT THE FUCK GREGORY??
I still have no idea what's going on with him.
He's a funky little anti-hero
He's friends with Vanessa- is Vanessa his guardian now or something?
I really hope they don't start incorporating the weird short mini story collection books into the games
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What is this?
Why does it have human teeth?
What is it capable of?
I don't think it's The Mimic because it can only mimic voices, not appearances, and only Gregory's voice too
Maybe an early Mimic?
Maybe the game universe's Mimic??
It was possibly acting as Helpi as well
Must be capable of something because Gregory attempted to kill his friend over it
Question: was Malhare trying to stop us from letting this thing out or was just being antagonistic for the sake of being antagonistic?
Because if he has been trying to stop you the whole DLC from releasing the beast, that's kinda cool
Means that he's threatened by it
I ask because he gets on Cassie's case whenever she tries to breach the security nodes that lock the monster in
Whenever we start touching shit, he gets mad
(Shit being the child/security nodes.)
If this is the case, then I want a Malhare vs. Ruin Monster battle
idk, I just want Afton to have a purpose in these games at this point
Miscellaneous notes:
I like Eclipse better than Sun and Moon
Sun is too hyper for me and Moon is kinda creepy
Eclipse is so polite, so parent
ROXANNE
The mom we all needed
Were Glamrock Freddy and Bonnie boyfriends??
God, the Pizzeria Simulator location had a bigass basement
What's the plot of Help Wanted 2 going to be because of this?
This two and a half hour DLC gave us more story than the entirety of Security Breach, which was 9 1/2 (nine and a half).
So, I call that a win.
Still don't like Monty's Gator-Golf.
Feel free to share your own thoughts, feelings, and opinions!
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finnm · 10 months
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i feel like this has been done before but. rabbit vs hare
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