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#peggy sheeran
lesbiancabdriver · 5 months
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Peggy Sheeran LOML
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hitchell-mope · 8 months
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Incredible movie. I would definitely watch it again.
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it-happened-one-fic · 5 months
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500 Followers Playlist Starter Pack: The Twisted Wonderland Version!
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Thank you so much!!! I'm afraid I don't have time to do a full event (Christmas and all that jazz) but I did want to say thank you to everyone so I came up with this! I have a habit of listening to music while writing so I used few songs (I aimed for four each but didn't always make it) from my playlists to form sort of a starter pack under the cut! Again, thank you so much!!!
(NOTE: The links go to Youtube)
Genshin Impact Playlist Starter Pack
Riddle Rosehearts: 
New Rules - Dua Lipa 
Come Along - Pentatonix 
Oh No! - MARINA 
Black Roses - Charli XCX (includes cursing) 
Trey Clover:
Sugar Sugar - The Archies 
Gambling Man - The Overtones
Home - Philip Philips 
Honey Bee - Blake Shelton 
Cater Diamond:
The Tracks of My Tears - Smokey Robinson and The Miracles  
Call Me - Blondie 
Sweet Nothing - Calvin Harris (feat. Florence Welch)  
Dance the Night - Dua Lipa 
Ace Trappola:
Troublemaker - Olly Murs (feat. Flo Rida) 
Jessie’s Girl - Rick Springfield 
I Think We’re Alone Now - Tiffany 
Fire Alarm - Castlecomer 
Deuce Spade:
Waiting for a Star to Fall - Boy Meets Girl
Somebody to You - The Vamps
Hey Look Ma’ I Made It - Panic! at the Disco
Never Gonna Give You Up - Rick Astley
Leona Kingscholar:
Send Them Off! - Bastille
Stay Frosty Royal Milk Tea - Fall Out Boy
We Don’t Have to Dance - Andy Black
Power Over Me - Dermot Kennedy
Ruggie Bucchi
Roll To Me - Del Amitri
Two Princes - Spin Doctors
The Way I Are - Timbaland, Keri Hilson, & D.O.E
Follow Me - Uncle Kracker
Jack Howl
Silver Night - The Rasmus
I Really Like You - Carly Rae Jepsen
Right Here Waiting - Richard Marx
I Will Never Let You Down - Rita Ora
Azul Ashengrotto:
Material Girl - Madonna
Stay With Me - Sam Smith
I’d Really Love to See You Tonight - England Dan & John Ford Coley
Diamonds - Sam Smith
Jade Leech:
Curses - The Crane Wives
She Will Be Loved - Maroon 5
Staring At You - Diane Birch
Break the Ice - Britney Spears
Floyd Leech
Out of My League - Fitz and the Tantrums
Bad Word - Panicland
Rag Doll - Aerosmith
I Was Made For Dancin’ - Leif Garrett
Kalim Al-Asim
Golden - Harry Styles
Budapest - George Ezra
Boogie Shoes - KC & The Sunshine Band
I Should Be So Lucky - Kylie Minogue
Jamil Viper:
Can’t Remember to Forget You - Shakira & Rihanna
Power & Control - MARINA
Just One Yesterday - Fall Out Boy & Foxes
Move Your Body - Sia
Vil Schoenheit:
You Make Me Feel - Cobra Starship (feat. Sabi)
Vogue - Madonna
Young and Beautiful - Lana Del Rey
Pretty in Pain - Diane Birch
Rook Hunt:
The Look of Love, Pt. 1 - ABC
Come To My Window - Melissa Etheridge
I Will Follow Him - Peggy March
Happy Together - The Turtles
Epel Felmier:
Bad Reputation - Joan Jett & The Blackhearts (cursing)
Take Me Home, Country Roads - John Denver
Cooler Than Me - Mike Posner
So What - P!nk (cursing)
Idia Shroud:
Something About Us - Daft Punk
Come Inside of My Heart - IV of Spades
He’s So Shy - The Pointer Sisters
Heavy In Your Arms - Florence and the Machine
Ortho Shroud:
Electric Angel - Hatsune Miku
One More Time - Daft Punk
Malleus Draconia:
I Found - Amber Run
Deeper than the Night - Olivia Newton John
Disturbia - Rihanna
Bad Habits - Ed Sheeran
Lilia Vanrouge:
I Love the Nightlife (Disco Round) - Alicia Bridges
Raise Your Glass - P!nk
Saturn - Sleeping at Last
We are Family - Sister Sledge
Silver:
Fireflies - Owl City
(They Long To Be) Close To You - Carpenters
When You Say Nothing At All - Allison Krauss & Union Station
Son Of Man - Phil Collins (From Disney's Tarzan)
Sebek Zigvolt:
The Glory of Love - Peter Cetera
Head Over Heels - Tears for Fears
You Belong With Me - Taylor Swift
Shout - Tears for Fears 
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3pirouette · 4 months
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Fic: Your Eyes Look Like Coming Home (1/1)
Title: Your Eyes Look Like Coming Home
By: TriplePirouette/3Pirouette
Spoilers: Set during CA: TFA
Rating: Teen and Up (mild references to sexual activity)
Disclaimer: They're not mine.
Word Count: 2914
Distribution: AO3  Anyone else please ask first :)
Story Summary: for @behindthelabels for Steggymas! Steve can’t get her eyes right… or the story of how he managed to have a picture of Peggy in his compass. 
AN: So, I started writing a COMPLETELY different story for @behindthelabels, only to find out that I was basing it on something she hadn’t seen. So, I scrubbed it for the time being (though it’s likely to be posted soon, and dedicated to her as a “gift I know you won’t like but sorry, there’s no receipt so you can’t take it back”) and in the meantime, I cooked up this based on an ask she answered. I hope she enjoys it! Thanks @steggyfanevents for another great year!
Title taken from Everything Has Changed by Taylor Swift and Ed Sheeran
~*~
He couldn’t get the eyes right. 
It didn’t matter how many times he tried to draw her, he couldn’t get the eyes right. 
Not that he could actually see what he was doing in the dark tent in the middle of the night as sleep evaded him. Drawing her was at least something he could do, an activity to fill the time and his idle hands as he waited for his next assignment. 
The curve of her cheek he managed after a few tries. Her nose took two or three attempts to get the line down. After about two months of sketching at every opportunity he had a passable likeness that he felt confident in. Her lips…
Her lips he got right on the first try. He couldn't imagine not knowing what they looked like, their bright red velvet likeness burned into his memory forever. 
But her eyes, Peggy’s eyes, evaded him. 
He couldn’t quite nail down the sparkle in them, never managed to figure out how to make them stoic yet mischievous at the same time. He could, and frequently did, get lost in those eyes whenever she was around. He would try to memorize the curve of her eyelid and the length of her lashes, made guesses about how many millimeters wide her pupils were and tried to get the shade as close as he could with his nubbin of a pencil, but still. 
Still. 
He couldn’t get the eyes right. 
It didn’t make sense to him that he had a notebook full of images of her and not a single one seemed real, not a single one seemed to capture who she was and the power that radiated from her. It didn’t make sense when he could see her in his dreams every night, as crisp and real as if she were standing before him, a smile on her bright lips and a twinkle in her eyes, but her eyes still evaded him in sketches.
His drawings were all he had out on the lines. It was the one thing he kept with him: his little notebook and the last inch of a pencil went in his pack wherever he went. He made himself notes about missions and plans he should write, but the majority of the pages were filled with drawings. Sometimes it was the monsters of battles on them, being purged from his psyche the only way he could: through the pencil. 
But usually, mostly, it was Peggy. 
He didn’t have any right to miss her, not really. They were both too important, too integral to the war to have time alone or time away from battle. She was busy saving the world through undercover missions and breaking codes in back rooms while he led the charge out in the open. 
There would be time for them when this was all over. 
Or so they told themselves. 
Stolen moments were all they had, little minutes and hours here and there when they happened to both be in the same place at the same time. They didn’t make promises about tomorrow: there were no promises to make in war. They only mused about when they’d next cross paths or how long their next assignment was scheduled to be. 
And those muses were short, clipped words between stolen caresses in closets or as they were making out between mission briefings in abandoned offices. 
Steve wanted to be valiant: he wanted to take her on long, romantic walks and ask her family for permission to have her hand. But war was hell. They were all exhausted and just a little bit traumatized, all broken and a little bit hopeless. Falling into her, feeling her soft, porcelain skin and kissing her warm, red lips, was like a balm. It didn’t last long, but it gave him fire to keep going, gave him a reason to haul his ass back to camp when he just wanted to lay down in the mud, gave him a reason to wake up another day and fight when he constantly seemed outnumbered and outmanned. 
Some nights, all he could do was focus on getting back to her so he could let his fingers trail over the curve of her hip, so he could feel the weight of her in his arms and her breath puffing against his cheek one more time, as he made his way through mud and snow, as he sat in freezing cold tents and hid in bushes behind enemy lines. 
He didn’t have much to hold on to. No family at home, no one waiting for him. 
They didn’t send letters, there was no way for them to write anything meaningful that wouldn’t get read or censored before it got to the other. 
He just had her, just Peggy, and their wartime romance that felt so fragile it could break like glass any day. 
There were so many things that threatened it. 
They were clearly going against regulations. Most who could find someone did, it wasn’t a secret. Even though he hardly thought Colonel Phillips was one to report them, if someone made an official complaint, he’d have to follow through. 
Either one of them could get killed any day. It was a harsh truth, but one they both knew deep down. Every goodbye was hard because they knew it very well could be their last. Men didn’t come back every day, spies were caught behind enemy lines regularly. Either one of them could be on the next list of casualties, so they kissed and touched and loved as long and as hard as they could with the little time they had. 
Steve tried not to think about Peggy finding someone else, but he had a hard time believing sometimes that she truly loved him. Not for anything she did, really, but for the fact that he still saw himself as a different person, still saw himself as someone that was looked over and dismissed. He constantly worked to prove himself, in the field and to her. 
He wanted to deserve her. 
How could he do that if he couldn’t get her damn eyes right?
~*~
“You’re going to stare a hole right through me, you know.” 
“Huh?” Steve’s eyes widened, realizing he’d been caught. 
Peggy leaned up, kissing him before wiping at the red rim of her lipstick around his lips with her thumb. She pulled the sheet tighter around her, her sweat-slicked skin chilling now that they’d slaked their needs for the time being. “Have I something on my face?”
He shook his head, pushing up to sitting and running a hand across his chin, but didn’t answer. 
Peggy slipped from the bed and wrapped her robe around her nude form, retreating to the small dressing table in the hotel room. It was serendipity: they were in the same city at the same time, her mission not starting for a few days and his just ending. The hotel room was a compromise, the quickest way to hopefully not get caught, to spend a quiet moment in the middle of the maelstrom. She started pulling the pins from her mussed hair, looking over her shoulder at him. “Well?”
He was embarrassed, caught, and didn’t know how to broach it without sounding like a fool. He kept his eyes down, shrugging his shoulders. “I can’t get the eyes right.”
She stilled, hands still pulling a pin from her hair, as only her eyebrow moved, lifting high. “The eyes?”
“Your eyes,” he sighed. He pulled his shorts on and moved to the side of the room, rummaging through his pack and pulling out his small notebook. There was a tear in the corner and half the pages were dogeared, so it bounced to an open page when he put it on the table in front of her, leaning back against the wall. He shrugged again before crossing his arms. “Can’t seem to get them right.”
Peggy was stunned, abandoning the half-done job of her pins as she started flipping carefully through the pages. In between his neat notes about troop movements and mission details were sketches. Some were half done, some were shaded and lined and damn near perfect. 
Almost all of them were of her. 
Her jaw dropped as she flipped through the pages. “Steve…” His name passed breathlessly through her lips, she was so taken with picture after picture of herself. 
“I know.” He shook his head, hiding his face from his in his palm. His words were muffled in his hand.  “It’s stupid, I know.”
She set the book down, looking up at him. “Stupid?”
He just waved his hand at the book. “I guess that, other fellas, well, they get to carry pictures, you know? They get to have letters and day passes and-“
“And we have this.” Peggy easily finished the sentence for him, standing in front of him and taking the notebook with her. She opened the page to her favorite likeness, a profile shaded best he could in pencil, her hair detailed in a sharp victory roll. “But why would you think this is stupid?” 
He didn't have the words to express his embarrassment, his insecurity, so he just shrugged again, pink running hot over his chest and up into his cheeks. 
“This,” she held up the picture, “is not stupid. Far from it, in fact.” Peggy shook her head and put the notebook down, letting her hands rest on his folded forearms. “Do you know what I do?”
He laughed nervously. “No.”
“When I’m on a mission or undercover, I collect the papers.” She leaned back, letting her hands move over his forearms. “I can’t draw, so I collect the papers. The ones that have your picture in them. Easy enough to explain away keeping an old paper or two in your flat to use about the place.” She smiled, just a hint of a smile at the corner of her lips as she holds his gaze. “I can’t have your picture in my purse or a ring on my finger or-“
“You want that?” He interrupted, once again surprised. Her confused hum spurred him to elaborate. He lifted her hand in his, running his thumb over her fingers. “A ring?”
Her half smile bloomed into something wider, something sparkling that he’d only captured on paper rarely. “Eventually.” She took his hand and threaded her fingers in his, reaching for his other, swinging them with a little mischief in her eyes. “Though if you thought we could get away with an elopement without the War Department finding out, I’ll start getting my shoes on.”
His lips crashed into her almost before she could finish getting the last words out. “Silly brute,” Peggy playfully admonished, pushing away from his embrace to sit back at the table and resume pulling her pins out. “As if I wouldn’t marry you after going through all this time and again just for five minutes of peace.”
His laugh was genuine as he stepped behind her, helping her probing fingers pull out the pins that had long since moved and snagged, pushed out of place by his passionate embraces and the friction against the sheets. “I guess I just always hoped. We never really talk about it.”
She took his hand in hers, kissed the back of it over her shoulder, her smile dropping just a little in the mirror across from them. “No, you’re right, but with all the things that could go wrong…”
He ran his hand over her cheek as her words faded, the weight of the world outside their little hotel room creeping in just enough. “With all the things that can go wrong, it’s nice to know that I have someone who wants to see me on the other end of it.”
Peggy turned, holding his hand tight in both of hers, her eyes finding his, warm and sincere. “Always, Steve. I will always be waiting for you to come back to me.”
He leaned down, kissing her gently. “Same, Peg. Every mission you go on, I’ll be waiting.” 
“Good,” she took a deep breath, pushing away the emotions she was far too anxious to not feel while she was in this room. If she got to thinking about leaving in a few hours, it would ruin the time they had left. “Now, let’s get these pins out, shall we?” She turned back, looking up at him in the reflection in the mirror. “I have not had my fill of you, but if we leave them in my hair will be matted beyond recognition and not only will I be dress coded, there will be no question as to where I’ve been and what I’ve been doing.”
Steve kissed the top of her head, pulling another pin out and setting it on the table. “Yes, Ma’am.”
~*~
Luck was on Peggy’s side when Steve and the Commandos made their way into the small base the next day. She would be heading out soon, as would he, but even fifteen minutes would be enough time for what she had planned. 
She passed him in the hallway, stepping in time with him only long enough to say hello to everyone and slip her hand into his pocket without him noticing. 
Ten minutes later, she made a show of bumping into him in the hall, flustered and dropping her pile of papers.
The commandos helped her pick them up, and she smiled like the cat that got the cream as she walked away. 
~*~
“Something wrong with Peg?” Dugan asked as they settled themselves in the back of the transport. 
“Wrong?” Steve asked, settling his shield next to him so he could lean on the wall of the truck. “She looked okay to me.”
Dugan raised an eyebrow under the rim of his bowler. “Carter ran into you like a freight train on a mission. Have you ever known that woman to ever drop anything like a ditzy secretary before?”
Steve looked at his friend, realization slowly dawning. It was unlike Peggy to not know where she was in space and to be clumsy. He’d never seen her trip or barrel into anything unless it was on purpose. And boy, had he seen her do it on purpose to unsuspecting targets when she wanted to get her hands on something they had. “But why…”
Dugan shrugged, pulling his hat over his eyes. “Dunno, friend. Maybe check your pockets.”
Steve started patting himself down as the truck roared to life, bouncing him as it headed out to their destination. Everything was where it should be, everything was accounted for in the right pockets. 
But it didn’t make sense. 
Steve started pulling each thing out, looking over each little piece of equipment. Everything was as he’d put it in there, except his notebook. 
On the very last page was a new entry in Peggy’s neat handwriting. 
My darling, we have the rest of our lives for you to get the eyes right. 
She didn’t sign it. She couldn’t. Not if they wanted to at least continue to pretend to follow the rules. But she did draw a little star symbol next to it. He looked over her words for far longer than he needed to commit them to memory, eyes following the sharp points of the star over and over. On nights to come he would look over them again and again, trying to remember her voice in his mind as he read them. 
He slipped the notebook back in his pocket, closing his eyes and trying to get some sleep before boots had to be on the ground. 
Something bothered him, though. It wouldn’t let him rest.
The star. 
She’d never drawn a star before. They’d never talked about stars or night skies in any significant way. They definitely hadn’t spent time talking about stars last night as he moved in her, dragging his lips over her soft skin and pulling her thigh up over his hip, existing as one for as long as they could muster in the middle of the war. 
No, the little eight pointed, stylized star wasn’t quite right. It had to mean something else. 
Four long points, four short points…
He sat up and shoved his hand in his pocket, pulling his compass out. 
He knew before he even opened it. It smelled just faintly of her perfume. He couldn’t hide his smile as he flicked it open to find her picture staring back at him. It was simple, surely an ID photo she managed to drag up from somewhere. He’d want to know why she had a copy at hand, especially one small enough to fit in his compass. She was full of surprises, though the more he thought about it he was sure it had more to do with the photostats or halftone prints she could get done from the records department on base. 
For now, though, he decided it would be better to just focus on what he had in his hands and not the how. He had her image with him now, everywhere he went she was just a flick away in his pocket. 
He could look at her face on those lonely, cold nights, and use it to help guide him when he felt like pulling out his pencil and trying his hand at her portrait again. 
He’d get her eyes right. 
And if he didn’t?
If he didn’t, she was always with him now. 
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cutekoala1001 · 1 year
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I made Spotify playlists for a couple of Sing characters that didn’t get one! (Song lists are under the cut) ↓
And I made a new Buster playlist! Since he has TWO playlists from the first and second movie, I combined them into one and added some showtunes, some upbeat jazzy stuff, and a few songs that gives off Buster vibes ♡ (sorry it’s so long, he had a lot of music! Mostly oldies but goodies ♪)
♘ Eddie Noodleman ♘
✿ Miss Crawly ✿
⭐︎ Buster Moon ⭐︎
EDDIE:
8TEEN (Khalid)
Moonshadow (Cat Stevens)
Let’s Go Surfing (The Drums)
Ukulele and Chill (Cody G)
Sunflower (Post Malone, Swae Lee)
Ventura Highway (Paco Versailles)
Love Your Days (Cherokee)
Swept Away (Vanilla)
Wake Me Up Before You Go-Go (Wham!)
No Rain (Blind Melon)
California (from The O.C.)
Days Like These (Lakey Inspired)
Dream With You - Bosq Remix (Jeffrey Paradise)
Young Folks (Peter Bjorn and John)
Tropical Heartache (Poolside)
California Sunset (Poolside)
Weather (Ralph)
Inbetween Days (The Cure)
End of the Line (Traveling Wilburys)
Pink Sky (Bay Ledges)
Australia (The Shins)
Me and Julio Down By The Schoolyard (Paul Simon)
Baroque Hoedown (Perrey and Kingsley)
MISS CRAWLY:
Lagoon (Havana Swim Club)
You Make Me Feel So Young (Frank Sinatra)
What A Little Moonlight Can Do (Billy Holiday, Teddy Wilson)
Chop Suey! (System Of A Down)
April Showers (Proleter)
Frenesi (Artie Shaw)
Come Fly With Me (Frank Sinatra)
When I’m Sixty Four (The Beatles)
Shooby Shooby Do Yah! (Mocean Worker, Steven Bernstein)
C’est Magnifique (Kay Starr)
Blinuet (Zoot Sims)
The Last Time I Saw Paris (Vaughn Monroe)
Them from New York, New York (Frank Sinatra)
Sweet Happy Life (Peggy Lee)
Ob-La-Di, Ob-La-Da (The Beatles)
きらきらキラー (Kyary Pamyu Pamyu)
BUSTER MOON:
Flirty Cha Cha (The Daniel Pemberton TV Orchestra)
Safe And Sound (Capital Cities)
Don’t Rain On My Parade (Barbra Streisand)
There’s No Business Like Show Business (Harry Connick, Jr.)
Gimme Some Lovin’ (The Spencer David Group)
My Type (Saint Motel)
Walking On A Dream (Empire of the Sun)
The Showman (Little More Better) (U2)
Blinuet (Zoot Sims)
Come to Me (Koop, Yukimi Nagano)
Cake By The Ocean (DNCE)
Dream A Little Dream Of Me (Teddy Wilson)
Over and Over (Session Victim)
Soulful Strut (Horst Jankowski and his Studio Orchestra)
Dancing in the Moonlight (Toploader)
A Happy Song (Victory)
Call Me Maybe (Carly Rae Jepsen)
Lovely Day (Bill Withers)
End of the Line (Traveling Wilburys)
Seasons of Love (Rent the Musical)
Times Are Hard for Dreamers (Amelie the Musical)
Keep Your Head Up (Andy Grammer)
Hang On Little Tomato (Pink Martini)
Smile (Nat King Cole)
When You’re Smiling (The Whole World Smiles With You) (Louis Armstrong)
My Song (Labi Siffre)
Wouldn’t It Be Nice (The Beach Boys)
Mr. Blue Sky (Electric Light Orchestra)
Faith (Stevie Wonder, Ariana Grande from Sing)
I Got You (I Feel Good) (James Brown & The Famous Flames)
The Wind (Cat Stevens)
Hallelujah (Tori Kelly from Sing)
I’m A Believer (The Monkees)
Faith (George Michael)
You’re All I’ve Got Tonight (The Cars)
Keep It Comin’ Love (KC & The Sunshine Band)
Happy (Pharrell Williams)
Sing (Ed Sheeran)
Ain’t No Mountain High Enough (Marvin Gaye, Tammi Terrell)
Sing a Song (Earth, Wind & Fire)
Your Song (Elton John)
Golden Slumbers (The Beatles)
Goodbye Yellow Brick Road (Elton John)
Listen to the Music (The Doobie Brothers)
I’d Like to Teach the World to Sing (The New Seekers)
Saturday (Twenty One Pilots)
Someone In The Crowd (La La Land soundtrack)
The Blue Room (Zoot Sims Quartet)
Turandot, SC 91, Act III: Nessun Dorma! (Giacomo Puccini)
Viva La Vida (Coldplay)
You, Me, Here, Now (Dam Swindle)
Dancin’ - Krono Remix (Aaron Smith, Luvli, Krono)
Feel the Heat (Ghosts of Venice)
Flashing Lights (Kanye West)
Beautiful People (feat. Khalid) - NOTD Remix (Ed Sheeran, Khalid, NOTD)
Get Down Tonight (KC & The Sunshine Band)
Got To Be Realm(Cheryl Lynn)
Sing a Happy Song (The O’Jays)
Do You Believe in Magic? (The Lovin’ Spoonful)
You Can’t Stop the Music (The Kinks)
Can’t Stop The Feeling! (Justin Timberlake)
Don’t Dream It’s Over (Crowded House)
Take A Chance On Me (ABBA)
The Moonbounce (Koop)
Uptown Funk (feat. Bruno Mars) (Mark Ronson, Bruno Mars)
Off White Limousine (Client Liaison)
Old 45’s (Chromeo)
Pick Up The Pieces (Average White Band)
He’s The Greatest Dancer (Sister Sledge)
You’re The Top (Jeri Southern)
Let’s Go Crazy (Prince)
Daydream Believer (The Monkees)
Don’t Stop Believin’ (Journey)
It’s Gonna Be Good (Next To Normal the musical)
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dewdropreader · 5 months
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WIP Folder Tag Game
The lovely @insert-witty-user-name-here has tagged me because she knows the absolutely unhinged amount of WIPs in various stages that I have lol. But I also love sharing them out of context and talking about them because that often motivates me so here we go! And thank you!
Rules: reveal the titles of the documents in your WIP folder and tag as many people as there are documents (or as many people as you want). Let others ask questions about the ones that interest them and post snippets or explain the contents as you see fit!'
I went in rough order from most recently created/worked on to older ones so you can see how at some point I just stopped counting my found family and general “Time Crew” based ideas because I lost track lmao.
Sleeping around untrustworthy people 5+1
Gator Pres Reconciliation
Cat chapter 8
Prayer TC
Collapse TC
God of Outcasts Returning
Found Family- Frost Giants
Hugsssss 5+1
Big Sister Sylvie
Do you have a better plan—(the original Drabble is done and posted but there is a part two WIP in the same doc!)
TC- Ghosts
Found family- Guilt
Freeze- TC
Protective- TC
Birthdays- TC
Love Letters- TC
TC- Restored
TC- Playground
Time Crew Fic 9- Void Road Trip
Touch Starved TC
TC Reassuring
TC Unfairness
A few I have mentioned before ina few tag games like this because some have festered in WIP hell for that long 😅 though I’m not including every single much older one, just a few of my favorites and/or ones that actually have something there to work on! But for any new people/people who didn’t see these!!
Sylvie and Peggy Vs the End of the World
Sylkius Christmas
Loki Found Family 5- Boastful
Found Family 8- Kid and Genderfluidity
TC- Kitchen Sink
And a few I haven’t made documents for but I have little notes made about them in one larger document called “All Loki Ideas” where I compile them and highlight different colors based on if they’re done or in progress or new/untouched ideas and organized by category or ship so if I have a particular person/ship I want to write but no solid idea I can go hunting lol. Some descriptions are all I have and others I just put in the first sentence and there is more!
Loki waking up with a nightmare/panic about Mobius not knowing him, and Mobius helping him calm down and reassuring him that he knows and loves him
Exploring the deep empathy and attempts at understanding Mobius felt when having to go through Loki’s life
Lokius inspired by songs/lyrics (there are lyric snippets and/or actual ideas for most of these if anyone is curious! Also yes there is a lot of Taylor Swift, sue me 😅)
Superman-Taylor Swift
Cardigan-Taylor Swift
Happy endings are stories that haven’t ended yet- mayday parade
London boy- Taylor swift
The man who can’t be moved-the script
When the day met the night- panic at the disco
The joker and the queen- ed sheeran
New Year’s Day- Taylor Swift
Delicate- Taylor swift
I’m yours- the script
Haunted- Taylor swift
Loki having a nightmare about Sylvie (and Mobius?) dying, and having to contend with it
Lokius reunion (this was noted before s2 even came out but hey guess it circled back to being relevant 😭)
Mobius and Loki (and Sylvie?) moving into a home together and having small domestic moments like having a “picnic” on the floor
Drunk Sylkius- Sylvie and Loki drunk and arguing about who’s more hedonistic
Drunk Sylkius- Folksy Dope fan club with sylvie and loki goofing off and praising and gushing over Mobius
B-15 and Sylvie spending time together, sorting out feelings
C-20 and Sylvie growing closer after she is rescued
If any of these are interesting to you, and you want to know more/see a snippet (if one exists!) please let me know, I love rambling about all of these ideas and sometimes talking about them gives more inspiration! 💕
Certainly will double tag some people (and am going to tag the originator in her own game lol bc I also want to see her stuff!) but that’s expected from me!
@insert-witty-user-name-here @starport-seven-five @mirilyawrites @lgwilt @dreamycloud @cha-melodius @blackbirdofasgard @loki-is-my-kink-awakening @nostalgia-tblr @bushs-world @queen-of-meows
And anyone else who would like to share!!
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thesmilingfish · 2 months
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I have a memory stick that I use for listening to music to in the car. The songs play alphabetically and recently I noticed that it took a REALLY long time to get through songs starting with the word "don't". Like to work and back. More than once.
I don't know, it amused me.
I've listed them under the cut so you can laugh at me if you like.
(Don’t Fear) The Reaper - The Mutton Birds
(Don’t Go Back to) Rockville - REM
Don’t - Elvis Presley
Don’t - Ed Sheeran
Don’t - Bryson Tiller
Don’t Be Cruel - Elvis Presley
Don’t Be Shy - Cat Stevens
Don’t Be Taken In - The Dave Clark Five
Don’t Blame Me - Peggy Lee
Don’t Bother Me - The Beatles
Don’t Bring Me Down - ELO
Don’t Call Me Baby - Voice of the Beehive
Don’t Call on Me - The Monkees
Don’t Cha Wanna Ride - Joss Stone
Don’t Change - INXS
Don’t Come Around Here No More - Tom Petty and the Heartbreakers
Don’t Come the Cowboy With Me Sonny Jim! - Kirsty MacColl
Don’t Crash the Car Tonight - Mary’s Danish
Don’t Cry for Me Argentina - Me First and the Gimme Gimmes
Don’t Cry, Baby - Etta James
Don’t Cry - Asia
Don’t Deceive Me (Please Don’t Go) - James Newton Howard (Primal Fear soundtrack)
Don’t Do Me Like That - Tom Petty and the Heartbreakers
Don’t Dream it’s Over - Crowded House
Don’t Dream of Anybody But Me - Bobby Darin
Don’t Eat Yellow Snow - Frank Zappa
Don’t Ever Change - The Beatles
Don’t Forget Me - Red Hot Chili Peppers
Don’t Forget to Dance - The Kinks
Don’t Get Around Much Anymore - Tony Bennett (featuring Michael Buble)
Don’t Get Me Wrong - The Pretenders
Don’t Give Up - Peter Gabriel (featuring Kate Bush)
Don’t Give Up on Us - David Soul
Don’t Go Away - Oasis
Don’t Go Breaking My Heart - Elton John (featuring Kiki Dee)
Don’t Go Home - Kirsty MacColl
Don’t Go - Yaz
Don’t It Make My Brown Eyes Blue - Crystal Gayle
Don’t Keep it a Secret - Bob Wills and His Texas Playboys
Don’t Know How - Joss Stone
Don’t Know Why - Norah Jones
Don’t Leave Me That Way - Thelma Houston
Don’t Let Go of the Coat - The Who
Don’t Let Him Go - REM Speedwagon
Don’t Let Me Be Lonely Tonight - James Taylor
Don’t Let Me Be Misunderstood - The Animals
Don’t Let Me Down, Gently - The Wonder Stuff
Don’t Let Me Down (Naked) - The Beatles
Don’t Let the Sun Catch You Crying - Gerry and the Pacemakers
Don’t Let the Sun Go Down on Me - George Michael and Elton John
Don’t Look Away - The Who
Don’t Look Back in Anger - Oasis
Don’t Lose Your Temper - XTC
Don’t Make Me Wait - Locksley
Don’t Make Promises - Paul Weller
Don’t Mind - Kent Jones
Don’t Pass Me By - The Beatles
Don’t Pay the Ferryman - Chris DeBurgh
Don’t Pull Your Love Out - Hamilton, Joe Frank and Reynolds
Don’t Put Me Down - Jimmy Liggins and His Drops of Joy
Don’t Put Your Daughter on the Stage Mrs. Worthington - Vic Reeves
Don’t Rain On My Parade - Bobby Darin
Don’t Sleep in the Subway - Petula Clark
Don’t Speak - No Doubt
Don’t Stand So Close to Me - The Police
Don’t Start Now - Dua Lipa
Don’t Stop ’Til You Get Enough - Michael Jackson
Don’t Stop Believin’ - Journey
Don’t Stop Me Now - Queen
Don’t Stop the Music - Yarbrough and Peoples
Don’t Stop - Fleetwood Mac
Don’t Take Your Guns to Town - Johnny Cash
Don’t Tell Me - Ruel
Don’t Think of Me - Dido
Don’t Think Twice, It’s Alright - Frankie Valli and The Four Seasons
Don’t Turn Around - Aswad
Don’t Wanna Be Like That - Joe Jackson
Don’t Wanna Know - Maroon 5 (featuring Kendrick Lemar)
Don’t Worry ‘Bout Me/I’m in the Mood For Love - Louie Prima
Don’t Worry ‘Bout Me - Django Reinhardt
Don’t Worry Baby - The Beach Boys
Don’t Worry Be Happy - Bobby McFerrin
Don’t Worry - Marty Robbins
Don’t You (Forget About Me) - Simple Minds
Don’t You Know Who I Think I Am - Fall Out Boy
Don’t You Want Me - Human League
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divinemiracles · 1 year
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💛Lunter Songs💜
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The Way I Loved You (Taylor’s Version) (Taylor Swift)
Valentine (Laufey)
Line Without A Hook (Ricky Montgomery)
Attracted To You (PinkPantheress)
If I Could Tell Her (Kyle Faneue)
Not Another Song About Love (Hollywood Ending)
Better In Stereo (From “Liv and Maddie”)
Sweater Weather (The Neighborhood)
We made it. (David Hugo)
As The World Caves In (Sarah Cothran’ cover)
Love Like You (Caleb Hyres’ Cover)
Meteor Shower (Cavetown)
Shootout (Izzamusic)
Perfect (Ed Sheeran)
Adore You (Harry Stylers)
Wanna Be Yours (Arctic Monkeys)
Is It Love (JORDY)
Partners In Crime (Set It Off, Ash Costello)
Style (Taylor Swift)
Devil Town (Cavetown)
Somebody To You (The Vamps)
Golden Hour (JVKE)
Paper Rings (Taylor Swift)
Rude (MAGIC!)
Falling For The Villain (PEGGY)
Enchanted (Taylor Swift)
Meteor Shower (Cavetown)
History Hates Lovers (Oublaire)
Would You Be So Kind (dodie)
Strawberry Blonde (Chloe Moriondo) (Transfem!Hunter)
Sofia (Clairo) (Transfem!Hunter)
She (dodie) (Transfem!Hunter)
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catch57 · 3 months
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random notes on the Irishman having watched it and read i heard you paint houses in a somewhat timely fashion-
-remarkable at capturing sheeran's voice without quoting him. would love further analysis but a lot of lines were almost quotes, yet written slightly diff for the movie. -liked that Scorsese used 'tuxedo junction' which sheeran references in the book. wonder where 'in the still of the night' came from tho! -slight shifts for the narrative, like that russel and frank were randomly again on the same road they first met. nope, that was in NY! - allegedly 'I heard you paint houses' were the first words hoffa said to sheeran, so funny the movie adds some small talk lol -loved that it centered peggy, but she didn't say "i don't even want to know a person like you"! which was so loud in the book! instead it was like she deduced it? -i was surprised to look back and see there was discussion of fish in the pre-murder car, reddit thought it was a joke about how it was 'fishy'. however caught that book sheeran actually sat in the passenger seat, not in the back which reddit said was bc sheeran thought sally might strangle him (like he had another). i had thought bc he wanted to be closer to hoffa lool. but who knows! -movie says sally buggs was killed on false info but book does not suggest that? -scorsese and brandt both suggest sheeran started drinking heavily after killing hoffa, but sheeran had said/denied that. scorsese leaned in more and had him stuttering too -i can't control f so i don't remember if hoffa mentioned ice cream in the book or if sheeran said 'youse' or when exactly the nixon $500 mill happened bc i thought it was just re-election, bc movie hoffa mentions it much earlier and that confused me - green casket was maybe a little stupid lol. -exclusion of charles brandt from story is interesting but prolly good choice!
overall very cool the way it made the timeline kinda just like the book, weaving in and out of his memory. googles gonna tell u that none of the book or movie really happened but hey it is a great story
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deadcactuswalking · 10 months
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REVIEWING THE CHARTS: 15/07/2023 (Taylor Swift’s ‘Speak Now - Taylor’s Version’)
Content warning: Hoes
For a sixth week, Dave and Cench sit on the UK Singles Chart throne with “Sprinter”, and welcome back to REVIEWING THE CHARTS!
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Rundown
As always, we start with our notable dropouts - songs exiting the UK Top 75, which is what I cover, after five weeks in the region or a peak in the top 40, and man, this was a bizarre week, and for stupid reasons. The UK Singles Chart has a rule called ACR in which the streaming data of songs are considered less valuable to the chart after three weeks of decline and it seemed like this week was a heavy hit for many songs thanks to ACR more than natural dropouts, and since it wasn’t a particularly busy week - when it would be if you didn’t have the second arbitrary rule of the three-song limit, since Taylor Swift would have charted many more deep cuts - tons of songs that weren’t really gaining spectacularly and stick around on Spotify ran up the charts in response. As a result, most of the chart movement here is pretty much artifical, but regardless, we still say farewell to “Give it to Me” by Matt Sassari, “TMO (Turn Me On)” by Luude and Bru-C featuring Kevin Lyttle, “Maria Maria” by TECH IT DEEP - bad week for EDM remixes of 2000s pop songs, I suppose - “Heaven” by Niall Horan, “Rush” by Ayra Starr, “Karma” and “Anti-Hero” by Taylor Swift, “Forget Me” by Lewis Capaldi and “Seventeen Going Under” by Sam Fender.
Now what’s always infinitely more interesting are what’s filling in the gaps - our returns and notable gains. Okay, maybe I should change that “always” to “usually” because this was a disproportionately good week for the bottom-feeders and older songs that I thought people had been over with by now. We see returns for older songs like “Everywhere” by Fleetwood Mac at #75, “Bad Habits” by Ed Sheeran at #73, “Chemical” by Post Malone at #72, “messy in heaven” by venbee and goddard. at #71 and “Riptide” by Vance Joy at #64, as well as boosts for “I Ain’t Worried” by OneRepublic at #63, Goddamn “Mr. Brightside” at #62, “I’m Good (Blue)” by David Guetta and Bebe Rexha at #61, “Boy’s a liar” by PinkPantheress at #60 and “Die for You” by The Weeknd at #50. To be fair, however, we do see a lot of newer or current hits taking advantage and rising to the occasion with “Mona Lisa” by Dominic Fike and Luke Combs’ cover of “Fast Car” returning to #70 and #64 respectively, and D-Block Europe getting “Side Effects” to return to a new peak of #53 thanks to their album, which we’ll get to later. Outside of that, we see gains for “Dance Around It” by Joel Corry and Caity Baser at #65, “UNAVAILABLE” by Davido featuring Musa Keys at #57, “Eyes Closed” by Ed Sheeran at #55, “Don’t Say Love” by Leigh-Anne at #54, “Say Yes to Heaven” by Lana Del Rey at #47, “Closer” by Bou featuring Slay at #39 - that’s two samples of Robert Miles’ “Children” in the top 40 now - “Relax My Eyes” by ANOTR and Abel Balder at #37, “Talibans” by Byron Messia at #31, “So Much in Love” by D.O.D at #24, “How Does it Feel” by Tom Grennan at #17, “umean” by Gunna at #12 and “Popular” by The Weeknd, Playboi Carti and Madonna at #11, with “0800 HEAVEN” by Nathan Dawe, Joel Corry and Ella Henderson making its way into the top 10 at #9.
This week’s top five on the UK Singles Chart consists of “(It Goes Like) Nanana” by Peggy Gou at #5, “Who Told You” by J Hus featuring Drake at #4 - expect a boost next week with the album - “Cruel Summer” by Taylor Swift at #3, no doubt helped a little bit by the residual catalogue streams from the Speak Now re-recording, “vampire” by Olivia Rodrigo steady at #2 and finally, of course, “Sprinter” at the very top. Now for our pretty small bunch of new songs, starting with some newcomers and ending with some big names.
NEW ARRIVALS
#69 - “What it Is” - Doechii
Produced by J. White Did It and Brian Kennedy
We only have five new entries on this week’s chart, with three of them being connected to big album releases, but the first two are songs from up-and-coming artists making their debut to the UK Top 75, though not the chart overall. Firstly, we have Doechii, a rapper from Florida signed to Top Dawg Entertainment, most known for handling SZA and Kendrick Lamar. She’s had buzz for a while, especially with her songs “Crazy” and “Persuasive”, neither of which I found very impressive, but this new song appears to be her real breakout hit. Initially, she needed the help of a Kodak Black-assisted version, subtitled “(Block Boy)”, but it turns out that after both versions were released, the solo rendition is what most people prefer because... I mean, even if the song was terrible, what wouldn’t you pick over Kodak Black? It does help that the song - that being the solo version, which I am assuming is the charting version - is pretty good, with J. White’s signature piano stabs sounding a bit off against the weedy guitar interpolated from TLC’s “No Scrubs” - it hit #3 in 1999 - but that very much seems to be the point. It’s a kind of rough-around-the-edges beat about a rough-around-the-edges guy, with the main conceit of the song being that every thug needs a good girl and vice versa, and I honestly couldn’t care less because the song doesn’t deliver its content in a particularly interesting way, mostly because I don’t think that’s what Doechii is pre-occupied with here. Instead, she spends most of her time sing-rapping incessantly catchy hooks until they are ingrained into your head, and it matters very little what she’s actually saying when every verse, pre-chorus and bridge is just as much a refrain as the actual hook. She’s dripping with charisma, especially in the call-and-response chorus with the gang vocal that gives it a really old-school element contrasted with the modern trap beat. The slinkier acoustics in the second verse are what mostly won me over with this, but what really clinched it wasn’t the bridge or the final chorus, even if the backing harmonies and bass are both pretty sick there, but instead the outro where J. White provides a chant of his own like he’s the Timbaland to Doechii’s Aaliyah, before commanding the beat to ride out. This isn’t anything spectacular but it’s a good throwback jam with a lot of groove that proves Doechii as potentially a force to be reckoned with personality-wise. Just avoid the Kodak Black version.
#59 - “Super Shy” - NewJeans
Produced by Frankie Scoca
NewJeans are a K-pop group but this isn’t here from stan sales. Nope, NewJeans actually get most of their success from streaming, probably because of their more timely mix of R&B and dance-pop being more palatable to the general audiences than the real maximalist nonsense that can occur in BTS or BLACKPINK songs. The songs I’ve heard are generally okay, but nothing special, yet this Powerpuff Girls-inspired cover art almost convinced me before the song started playing. I like The Powerpuff Girls. Cartoon Network series aside, yeah, this is good too. Scoca starts the track with soaring, airy synths and a classic breakbeat rhythm, and whilst I think I’d honestly prefer the track if it kept to this lowkey atmospheric drum and bass vibe, this is still K-pop and NewJeans do not let that happen, as we get a Jersey club pivot with a bilingual rap verse before the breakbeats come back in for the admittedly weak pre-chorus, and whilst the chorus basically absolves the song of any wrongdoing due to sheer quality, the song could really do without that first verse, as it can’t function properly with any interruptions to its natural flow and detailed production that reminds me a whole lot of the Japanese speed garage and future bass I was listening to for a while in the last two years, except on a less dynamic and more chill resonance. This thesis is proven by the fact that the song continues as normal afterwards and drifts off into a pretty dreamy carpet ride, so the first verse really just sticks an awkward dagger in the flow of an otherwise pretty gorgeous track. If Sweet Female Attitude were still making songs today, I wouldn’t be surprised if they came out with something like this. Check it out.
#48 - “Potential” - D-Block Europe
Produced by Eight8, Sean Murdz and Harry Beech
Ah, our favourite boys are back - as if they didn’t debut a song in the top 10 last week - with their newest album DBE World, which debuted at #6 on the Albums Chart, and since they released two singles already, we only get one new track debuting, with the general public choosing this cut, probably because it got the video treatment. DBE songs are a complete coin-flip but I was admittedly kind of surprised by this beat. We have a very melodramatic piano loop that never fully settles into a trap fizzle, instead having a stop-and-start rhythm that leaves Young Adz, in full Auto-Tune croon mode, sounding baffled, and finally, we’re back to my favourite mode of D-Block Europe: unintentionally hilarious. Adz’s flow, full of flubbed rhymes and desperate inflections, trails off in each line, with him nearing his falsetto often and… yeah, I like this one too. Apart from it being kind of funny - Adz being incredibly confused by the idea that despite all this girl’s friends being “hoes”, she is not one, made me laugh - the mix is pretty bad, as is expected, but it creates a cloudy, messy, kind of Drain Gang-esque liquid feel to the track, especially during that chorus which may be the best DBE have ever written in regards to melody and delivery, Adz swooshing perfectly into a fast-paced intimate flow when it starts and bursting into a more energetic delivery, before resorting back into a cowardly melodic falsetto, which fits the uncertainty and instability of this “loving” relationship that can’t separate itself from external factors of DBE’s lives, mostly the fame and crime as one would expect. Young Adz’s second verse is actually a great introspective anecdote, and Dirtbike LB as always sounds devastated, with his moaning ad-libs barely completing his half-finished sentences, emptying all of his flexing so it sounds depressing and honestly kind of pathetic, which given the vulnerability of having Adz sing the chorus with the beat mostly cut out at the end, even within all the machismo and flexing, is probably the point. Maybe I should check out that album because both this and “Pakistan” are some of their best ever songs.
#15 - “Enchanted” (Taylor’s Version) - Taylor Swift
Produced by Christopher Rowe and Taylor Swift
What a surprise. Taylor’s re-recording of her 2010 album Speak Now is #1 on the albums chart, and we have two songs from it debuting, with the only surprise here being that she didn’t get three, mostly because “Cruel Summer” is just that strong. Maybe it says something that all three of Taylor’s charting hits are from the previous decade. Anyways, I’m not particularly big on Speak Now and I’ve yet to listen to the “new” From the Vault tracks, but the album, which originally peaked at #6 here, does feature one of my favourite ever songs from Taylor, “Mine”. It was expected to chart but at the last minute, we got “Enchanted” instead, largely because whilst the song was never a chart hit, it accumulated fan favourite status over the years and has had several close-to-charting viral moments on Spotify and TikTok. I always feel like I go on a spiel when I talk about Taylor on this show so I’ll try and keep these two simple - the original “Enchanted” is fantastic, with its dreamy country guitars and one of Taylor’s most powerful early performances, as well as story-telling that hits in the original but even more so with the pathos of modern Taylor, as the song is concerned with both public reputation and more importantly, attaching oneself to a specific moment in time and never wanting to let it go. The first and final choruses in the original “Enchanted” hit like a truck and the entire track is a clear highlight in her catalogue. Don’t even get me started on the strings or the cooing bridge, it’s just an excellent song in all regards. Does the re-recorded version do it justice? Of course, as for once, the more mature voice lends a great deal of experience as well as fear to the song, and whilst the guitars have gotten scratchier with the mix more echoed, this doesn’t fully lessen the impact or more importantly weight of the song… but it still does. The mixing was of its time in 2010 but there’s a reason why it was mixed like that in 2010, and it turns out that 13 years later, it just hits harder without all the refinements, which is kind of insane because the original song is already pristine, yet I feel like especially on the second chorus, the new production from Christopher Rowe dampens the impact, even if the strings sound a tad more opulent. It is kind of picking hairs here, and really, this has been my problem with all of the re-recordings so far, but this is still an excellently written, composed and performed song, and there’s not much wrong you can do with “Enchanted” regardless of who you are and when and how you do it, so whilst I don’t think it’ll stick around - it’s six minutes after all - I’m not complaining it finally got its time in the Sun.
#6 - “I Can See You” (Taylor’s Version) (From the Vault) - Taylor Swift
Produced by Taylor Swift and Jack Antonoff
These “From the Vault” tracks occasionally step on gold with songs like “I Bet You Think About Me” with Chris Stapleton but for the most part, these were outtakes, demos, B-sides, etc. for good reason, and on both Red and Fearless I found not much to praise when it comes to the bonus pieces. Can the same be said for “I Can See You”? Well, first of all, the surf-rock guitars are absolutely not what I’d expect from this era but the clipping riffs are about as sizzling as you’ll ever get with Taylor, and whilst I’d prefer more distortion on Taylor’s voice and in general, just to make this as noisy as possible, the switch in the chorus to wistful country pop is a pretty effective contrast to the more playful verses. This is probably one of Taylor’s hardest-rocking songs, and also one of her sexiest in terms of content, and whilst it’s perhaps not warm enough to sell it fully, it embraces the teenage rebellion angle to great effect. With that said, it’s a bit too long, perhaps? We don’t really need the “You Belong with Me”-esque bridge, and the final chorus isn’t nearly as cathartic as it should feel compared to the previous refrains. Maybe that’s why she cut it - it does feel like it runs out of most of its steam halfway through. Regardless, we still end the week with a pretty good song, even if again, I don’t expect it to last.
Conclusion
Well, this was a great week, wasn’t it? I have barely any complaints with the vast majority of these songs, and I’d call at least two of them great, though I could see them growing on me even further. I would say my least favourite song here is probably “I Can See You” but even then, this week seems to have thrown a lot of what I love into my lap - fuzzy pop rock, throwback R&B, atmospheric drum and bass and a re-recording of one of my favourite Taylor Swift songs. Hell, even though I prefer the original, Taylor still gets Best of the Week for “Enchanted” with the Honourable Mention finding itself in the arms of D-Block Europe once again for “Potential”. With that said, I really, REALLY like pretty much all of these songs, and whilst I have my doubts, I hope they all end up lasting at least a few weeks. We’ll see how that goes though and time will tell but for now, thank you for reading and I’ll see you next week!
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imaginedreamwrite · 2 years
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Give me the keys, I'll bring the car back around
We shouldn't be in this town
And my so-called friends, they don't know
I'd drive away before I let you go
So give me a reason and don't say no, no
There's a chain 'round your throat, piece of paper where I wrote
"I'll wait for you"
There's a key on the chain, there's a picture in a frame
Take it with you
Tunesday Tuesday for BOC lovelies. Some sexy fluff for the lovebirds 💞
Song is Run by Taylor Swift ft Ed Sheeran
There was a point in time when all Steve could think of was Peggy Carter, there was a time when he swore he would move the world for her because he was captivated by her and the idea of giving his all to a marriage.
That ideal, that devotion had faded when he had gotten a taste of true, natural love and the connectivity that transcended all reason.
Steve had no longer thought of Peggy Carter, he was no longer swept up in her brown eyes and curls, but rather he was maddened by the sound of your laughter and the sway of your hips to the music you couldn’t get enough of.
He was endeared by the languid pace you took when you dragged him to the farmers market or the way you had to take your time and pick up stones on the beach because your nephew back west adores rocks and wanted a ‘piece of the east’ for his birthday.
Steve was in love with you and now, all that was on his mind, was you.
Darling, let's run (and we run, and we run, and we run)
Run from it all (and we run, and we run, and we run)
We can go where our eyes can take us (and we run, and we run, and we run)
Go where no one else is, run (and we run, and we run, and we run)
He watched you more often than not, picturing the future of you, both of you. He watched you with adoration as you danced slowly in your shared living room of the suite you were in, your favourite craveable ice cream in one hand and a sonogram in the other. He watched you sing and dance to the melody playing, wearing nothing but his shirt that was open and you bared and barefoot.
Steve watched you sway, caring about nothing but your little peanut on the sonogram and the ice cream in your hands and the melody you loved. He watched you until you noticed him and stopped dancing, meekly smiling.
“Dance with me, love.” Steve grasped you gently and started the song again, dancing back and forth in the spacious room.
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lesbiancabdriver · 4 months
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Feliz Navidad to those who celebrate ~ I hope you don't have to spend it with people you don't like... but hey, maybe you'll get some cash out of it? 🤷‍♀️💰
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hitchell-mope · 8 months
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Literally her only lines in the movie. And the last thing she ever says to him.
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sorceresstm · 1 year
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                     when does a candle become a blaze?                                                     a playlist for the stressed out sorceress
1. Queen of Kings by Alessandra Mele 2. Just a Man by Jorge Rivera Herrans 3. Witch by Karliene 4. Devil Doesn’t Bargain by Alec Benjamin 5. Edge of Night [Pippin’s Song] by MALINDA 6. All the Magic by Karliene 7. I See Fire by Ed Sheeran 8. Villains Aren’t Born (They’re Made) by PEGGY 9. The Horror and the Wild by The Amazing Devils 10. The Rains of Castamere by Ramin Djawadi 11. Only Love Can Hurt Like This [Slowed Down Version] by Paloma Faith 12. The Fruits by Paris Paloma
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dedicatedtodance · 4 months
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National Dance Radio Airplay
Top 50 for the week ending December30, 2023
Body Moving --Eliza Rose, Calvin Harris -2
Saving Up ---Dom Dolla -1
Both ---Tiesto, 21 Savage, BIA -3
Atmosphere --Fisher, Kita Alexander -4
Real Love --Martin Garrix & LLOYISO -5
Strangers---Kenya Grace -6
Better Off (Alone Part III)--Alan Walker, Dash Berlin, VIKKSTAR -9
A Lesson In Chemistry --Anabel Englund -7
Tension--Kylie Minogue -8
Tell It To My Heart -CASH CASH, Taylor Dayne -12
Echo --RSCL, REPIET, Julia Kleijn -10
Krazy --VASSY -13
Past Life --Felix Jaehn, Jonas Blue -14
Take My Chance --MK -15
Drums --James Hype, KIm Petras -11
Ray Of Solar --Swedish Huse Mafia -16
Lay Low --Toby Romeo, 220Kid, Izzy Bizu -20
Rush ---Troye Sivan -19
Water --Tyla -17
Jungle --Alok, The Chainsmokers, Mae Stephens -18
On My Love--Zara Larsson, David Guetta -21
Need Your Love --Felix Cartal, Karen Harding -22
Car Keys --Alok, Ava Max -30
I'll Be There--Robin Schulz, Rita Ora, Tago PZK -27
Greedy--Tate McRae -26
More Baby --Chris Lake, Aluna -23
Houdini ---Dua Lipa -24
When We Were Young --David Guetta, Kim Petras -28
Love--BUT. -25
(It Goes Like) Nanana -Peggy Gou -35
Superhero --Aunien -32
Heart Still Beating --Nathan Dawe, Bebe Rexha -31
Feels Like Us--GT_OFICE, AKWZ SNNY, Robbie Rosen -34
Over Now --Seven Lions & Above & Beyond, Opposite the Other -29
Adore U --Fred Again... & OBONGJAYAR -39
Asking --Sonny Fodera, MK -36
Pull You Closer --Sistek, Sadie Rose Van -38
On My Way ---Kaskade -37
Young & Foolish ---Loud Luxury f/Charlieonafriday -40
Easy ---3LAU & XIRA -33
I'm Only Here For The Beat --Madelline -43
Fall Again --HAYLA -41
Drinkin' ---Joel Corry, MK, Rita Ora -45 off next weeks
Mwaki --Zerb --42
DNA --Billy Gillies f/ Hannah Boleyn -46 off next weeks
***<>Miracle---Calvin Harris, Ellie Goulding -67
Where You Are --John Summit & Hayla -50
<>Memory --Bonnie & Clyde -62
<>Escape---Kx5 -56
Bad Habits --Ed Sheeran -49 off next week
Delay in posted was the result of broken hdmi cable.
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partyanimalshu · 6 months
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Megszavazták, ki az év legjobb magyar előadója!
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Díjátadó nélkül hirdették ki az MTV EMA 2023-as győzteseit Bár nemzetközi biztonsági okok miatt november 5-én elmaradt a gálaesemény, az MTV EMA 2023-as jelöltlistájára érkező szavazatokat megszámoltak, a győztesekről pedig lehullt a lepel. Taylor Swift megbízható módon, de nem hatalmas fölénnyel dominálta a győztesek listáját. Emellett az igazi meglepetés a magyar kategória lett, ahol ajsa luna győzedelmeskedett. Eredetileg Párizsban rendezték volna az MTV EMA 2023-as zenei ünnepségét, az Izraelben zajló háborús helyzet miatt azonban a szervezők úgy döntöttek, ezúttal nem rendezik meg a népszerű gálaeseményt. A díjak azonban gazdákra találtak, hála a rengeteg rajongói szavazatnak. Idén a legjobb dal a dél-koreai Jung Kook és az amerikai Latto közös száma, a Seven lett, míg a Legjobb videoklip szobrát Taylor Swift viheti haza. A popénekesnő a főbb kategóriák közül a Legjobb előadó és Legjobb élő produkció díját is elnyerte, így három győzelemmel vezeti a győztesek listáját. A rajongók a Legjobb alternatív előadónak Lana Del Rey-t szavazták meg, míg David Guetta újfent megnyerte az elektronikus zenészeket díjazó kategóriát. Billie Eilish-t a Legjobb pop előadó címével tüntették ki, a szavazók pedig úgy ítélték, a Måneskin a legméltóbb arra, hogy a rock kategóriáját dominálja. Továbbá elismerést kapott a hip-hop sztár, Nicki Minaj, a latinok közül Anitta és az R&B zsánerben Chris Brown is; ők mind 1-1 űrhajósszoborral lettek gazdagabbak. A magyar kategóriában többek közt Beton.Hofi, Co Lee, Hundred Sins és az Analog Balaton csapott össze, a nyertes azonban a 22 éves elektronikus popzenész, ajsa luna lett. A Z generáció egyik legizgalmasabb új előadójának köszönővideója az alábbi linken látható. További információk a www.mtvema.com oldalán és az MTV Hungary Facebook-felületén látható.   Az MTV EMA 2023 díjazottjainak teljes listája: Legjobb dal Doja Cat – Paint The Town Red Jung Kook feat. Latto – Seven Miley Cyrus – Flowers Olivia Rodrigo – vampire SZA – Kill Bill Taylor Swift – Anti-Hero Rema, Selena Gomez – Calm Down   Legjobb videoklip Cardi B feat. Megan Thee Stallion – Bongos Doja Cat – Paint The Town Red Little Simz – Gorilla Miley Cyrus – Flowers Olivia Rodrigo – vampire SZA – Kill Bill Taylor Swift – Anti-Hero   Legjobb előadó Doja Cat Miley Cyrus Nicki Minaj Olivia Rodrigo SZA Taylor Swift    Legjobb együttműködés Central Cee x Dave – Sprinter David Guetta, Anne-Marie, Coi Leray – Baby Don't Hurt Me KAROL G, Shakira – TQG Metro Boomin, The Weeknd, 21 Savage – Creepin' PinkPantheress, Ice Spice – Boy's a Liar Pt. 2 Rema, Selena Gomez – Calm Down   Legjobb új előadó Coi Leray FLO Ice Spice  Peso Pluma PinkPantheress Reneé Rapp   Legjobb pop előadó Billie Eilish  Dua Lipa Ed Sheeran Miley Cyrus Olivia Rodrigo Taylor Swift   Legjobb afrobeats előadó Asake Aya Nakamura Ayra Starr Burna Boy Davido  Rema   Legjobb rock előadó Arctic Monkeys Foo Fighters Måneskin Metallica Red Hot Chili Peppers The Killers   Legjobb latin előadó Anitta Bad Bunny KAROL G Peso Pluma ROSALÍA  Shakira   Legjobb K-pop előadó FIFTY FIFTY Jung Kook NewJeans SEVENTEEN Stray Kids TOMORROW X TOGETHER   Legjobb alternatív előadó Blur Fall Out Boy Lana Del Rey Paramore Thirty Seconds To Mars YUNGBLUD   Legjobb elektronikus előadó Alesso  Calvin Harris David Guetta  Swedish House Mafia  Peggy Gou Tiësto   Legjobb hip-hop előadó Cardi B Central Cee Lil Wayne Lil Uzi Vert Metro Boomin Nicki Minaj Travis Scott   Legjobb R&B előadó: Chlöe Chris Brown Steve Lacy Summer Walker SZA  Usher   Legjobb élő produkció Beyoncé Burna Boy Ed Sheeran Måneskin SZA Taylor Swift The Weeknd   Legjobb PUSH előadó 2022 november: Flo Milli  2022 december: Reneé Rapp  2023 január: Sam Ryder  2023 február: Armani White 2023 március: FLETCHER 2023 április: TOMORROW X TOGETHER 2023 május: Ice Spice 2023 június: FLO 2023 július: Lauren Spencer Smith  2023 augusztus: Kaliii 2023 szeptember: GloRilla 2023 október: Benson Boone   Legjobb magyar előadó ajsa luna Analog Balaton Beton.Hofi Co Lee Hundred Sins   Read the full article
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