#patrick mcneil
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Faile - Patrick McNeil & Patrick Miller
#faile#patrick mcneil#patrick miller#street art#urban art#wall painting#murals#graffiti#contemporary#american artists
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Catherine McNeil photographed by Patrick Demarchelier for Vogue US September 2008
#catherine mcneil#cat mcneil#patrick demarchelier#vogue#vogue us#fashion#editorial#photography#photographer#Model#supermodel#australian
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Catherine McNeil for Vogue Germany by Patrick Demarchelier
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some gilded age s2 episode 5 thots
- oh larry 💀 don’t worry man you’ll be over it in a month
- omg turner mrs winterton duke dinner sabotage???
- im so desperate to know more about maud like if she is a lesbian or not
- ada’s moving so fast with the reverend….. i want her to be happy but knowing jf this can’t possibly end well 😵💫
- i trust erica armstrong dunbar but why do i get the feeling something awful is going to happen while peggy is in the south
- finally some larry/marian interaction, we’ve been starved
- naur not agnes ambushing the reverend
- “we both love ada” “then stop being so selfish” ma’am are you HEARING yourself 😭
- no, deaths and injuries do not always have to be “part of it”, mr russell 🤡
- noooooo gladys baby where’s your chemise omg 😭 and the historical accuracy is usually so good too
- oh bertha is already setting gladys up to be sold off to the duke
- “don’t decide anything without talking to marian first” im sorry but what would MARIAN know??? she got strung along and ended up dumped by a gold digger
- ah so mrs roebling is masquerading as mr roebling
- “he preaches savagery and violence to bring about political change” well historically nothing else has been quite as effective 😬 sooooo
- keep unionising babes remember that you don’t need the boss but the boss sure as fuck needs you
- patrick page has truly carved out a niche for himself playing daddy capitalism huh
- oh oscar’s gonna ruin himself trying to help maud
- con artist maud??? she could still be a lesbian it’s just irrelevant to the scamming
- ugh mcneil just let watson or collier or whoever the fuck he is speak to flora
- bertha’s really going to sell gladys to a duke just to get back at mrs winterton isn’t she lol
- does anyone need this many footmen at a single dinner
- julian fellowes LOVES a soup sabotage subplot
- AMBER GRAY!!!!!!
- never have so many talented singers been hired not to sing omg
- nobody takes this show seriously anyway give us a musical episode lmfao
- poor mr winterton a hot young wife isn’t all it’s cracked up to be is it
- yupppp i called it (peggy in the south)
- we’re finally getting to the “gilded” part of the show with the rich white people soup sabotage nonsense followed by a chaser of terror and violence
- oh foreshadowing when marian asks ada if she has no doubts
- she’s gonna jilt dashiell at the altar i can feel it
- i love maud beaton’s increasingly crazy hats so much
- leave it to agnes to make a dramatic entrance
and that’s it for the week folks see y’all next week
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Meet the Competing Voice Actors!
After the preliminaries and days of deliberating, here are you VOICE ACTORS COMPETING! One will take home the spot of Tumblr's Favorite Voice Actor!
A note before they are introduced! If you would like to support any of them send in an ask or make propaganda, any propaganda you make and post yourself should have me tagged! As well using the tags #favevabracket or #favevabracket2023!
And a quick reminder about the two rules that will be staying active!
No harrassment, hate, or vitriol will be tolerated. We are here to celebrate the work of voice actors not tear each other down
This is all for fun! Do not take it super seriously!
Good luck to all of our competitors!
Kirby Morrow
Rob Paulsen
Robbie Daymond
Tiana Camacho
Alex Hirsch
Khoi Dao
Megumi Ogata
Ray Chase
Sungwon Cho
tara strong
Yuri Lowenthal
Alejandro Saab
Billy Kametz
Billy West
bryce papenbrook
Cree Summer
Grey DeLisle-Griffin
Kevin Conroy
Phil Lamar
Zach Aguilar
Zeno Robinson
AJ Michalka
Alex Brightman
Allegra Clark
Ashley Johnson
Christopher R. Sabat
Daws Butler
Eartha Kitt
Erika Harlacher-Stone
Frank Welker
J. Michael Tatum
Jack De Sena
Jason Griffith
JK Simmons
John DiMaggio
June Foray
Kristen Schaal
Mark Hamill
Richard Horvitz
Steve Blum
Tom Kenny
Wendie Malick
Aaron Dismuke
Aaron Paul
Aimee Carrero
Alison Brie
Ami Koshimizu
Angela Bassett
Ashley Ball
ashly burch
Avi Roque
Ayumu Murase
Ben Schwartz, baby!
BETH MAY
bill farmer
Bill Scott
brandon rogers
Caitlin Glass
Casey Kasem
Cassandra Lee Morris
Cecil Baldwin
Christine Cavanaugh
Clark Duke
Colleen Clinkenbeard
Daman Mills
Dan Castellaneta
Dan Provenmire
Dani Chambers
Dante Basco
Dave Fennoy
David Tennant
Deedee Magno Hall
Deven Mack
Doris Grau
Doug Boyd
Dylan Marron
Elizabeth Maxwell
EG Daily
Elijah Wood
Ellen McLain
Eric Vale
Erin Fitzgerald
Josey Montana McCoy
Greg Chun
Gu Jiangshan
Guilherme Briggs (brazilian)
Haley Tju
Harry Shearer
Haruka tomatsu
Helen Gould
Hynden Walch
Jack McBrayer
Jackson Publick
Jaime Lynn Marchi
Jason Griffith
Jason Liebrecht
jason marsden
Jennifer Hale
Jerry Jewell
Jim Cummings
Jim Ward
John Burgmeier
John Swasey
Johnny Yong Bosch
Julie Kavner
Justin Cook
Kaiji Tang
Katey Sagal
Kdin Jenzen
Keith David
Ken Sansom
Kent William
Kevin Brighting
Kevin R Free
Kieran Reagan
Kimberly Brooks
Kimiko glenn
Kyle Igneczi
Kyle McCarley
Laura Bailey
Lauren Tom
Leah Clark
Liam O’Brien
Lorenzo Music
Lucien Dodge
Lucille Bliss
Lydia Mackay
Lydia Nicholas
Maddie Blaustein
Mae Questel
Mae Whitman
Maggie Robertson
Mara Wilson
Mark Oliver
Matthew Mercer
Matthew Zahnzinger
Maurice LaMarche
Max Mittelman
Mel Blanc
Melissa Hutchinson
Michael Adamthwaite
Micheal Sinterniklaas
Mike Judge
Monical rial
Natsuki Hanae
Nicole Tompkins
Olivia Olson
Olivia Wilde
P.M. Seymour
Parker Simmons
Patricia Ja Lee
Patrick Pedraza
Paul Castro Jr
Paul Frees
Penny Parker
Pete Gustin ( i think thats how it's spelled)
Peter Cullen
Phil Harris
Phil Hartman
Ricco Fajardo
Roger Craig Smith
Roz Ryan
Sandra Oh
Sarah Miller-Crews
Sayaka Ohara
Scatman Crothers
Scott Adsit
Scott Mcneil
Stanley Tucci
Stephanie Beatriz
Stephen Merchant
Steve Whitmore
Tabitha st Germain
Takaya Kuroda
Tom Kane
Tress McNeil
Veronica Taylor
Vincent Tong
Will Arnett
Yasuo Yamada
Zach Callison
Bobbie Moyinhan
Josh Brener
Andrew Francis
Brent Millar
Sebastian Todd
Kestin Howard
Lizzy Hofe
Andy Cowley
Todd Haberkorn
Yoshimasa Hosoya
Russi Taylor
#your competitors! | masterpost#favevabracket2023#favevabracket#other competitions#masterpost#polls#fandom polls#tumblr polls#tournament#poll society
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Optical Illusion: Perceptions of Race and Sexuality with Right-Wing Internet Personality Nick Fuentes, Part 3
[originally posted here]
Part 1, Part 2
The Gospel of Judas
There have been multiple references throughout this article to Fuentes’s former associate Jaden McNeil, but to understand the true depth of that situation, one must know who Jaden McNeil is and what he meant to both Fuentes and the America First movement. Simply referring to him as “Fuentes’s ex-associate” is greatly underplaying the role he played in Fuentes’s movement and life in general. The two were a veritable right-wing version of Maximilien Robespierre and Camille Desmoulins and, as with that political friendship, it was not made to last. It ended, however, not at the guillotine, but in an ongoing online battle of insults and accusations.
Jaden Patrick McNeil was born to a modest background in a small town in Nebraska on May 17, 1999. He would go on to be a student at Kansas State University with the intention of one day becoming a lawyer. He proved quite effective as a conservative activist as the president of Kansas State’s Turning Point USA chapter, which would become one of the largest in the country. McNeil’s success with Turning Point led to invites to conservative conferences, including to Trump’s Mar-a-Lago resort.
For all of his success with Turning Point, McNeil found himself becoming disillusioned with the movement. In initial interviews, McNeil would say that it was because the stated views of Turning Point did not align with his own, such as being accepting of nonwhite immigrants so long as they arrived via legal routes. Later, he would state that he was disturbed by the number of older men at these events who appeared to be there to sexually prey on the college and high school-aged boys they knew would be present. At an event in 2019, Canadian white nationalist activist Faith Goldy introduced him to Nick Fuentes. The two began talking and McNeil felt he finally found someone he could see eye-to-eye with and be open with politically and, he would later say, a movement that he hoped would be less infested with predators than Turning Point. The connection was mutual as Fuentes would describe the meeting as “divine intervention,” saying that God intended for them to meet. McNeil’s fellow Turning Point associates were not as enthusiastic about their president’s new friendship and warned him that Fuentes was a “Neo-Nazi.” McNeil did not heed their warnings and stayed in contact with Fuentes. The two participated in some events together, such as when Fuentes publicly accosted Ben Shapiro, eventually culminating in McNeil founding America First Students, an extension of Fuentes’s organization aimed at college students, after McNeil resigned as president to Kansas State’s Turning Point chapter.
McNeil’s continued association with Fuentes and statements online perceived as racially charged drew ire from some of the less conservative Kansas State student body. For example, he complained about Kansas State’s Ethnic Studies GE requirement and said that the Jennifer Lopez and Shakira halftime show at the Super Bowl displayed everything that he hated about immigration. This came to a head in June of 2020 when McNeil made a tweet “congratulating” George Floyd on being “drug free an entire month,” followed by a reference to the widely debunked claim popularized by conservative commentator Tucker Carlson, of whom McNeil is a fan, that George Floyd’s death was the result of a drug overdose rather than being asphyxiation by the cop kneeling on his neck. This caused immediate public backlash, including calls for McNeil’s expulsion and a boycott by the Kansas State football team. McNeil was unapologetic and remained enrolled at Kansas State even as the outrage reached outside of the student body.
It is unclear what the final straw was, but McNeil was eventually expelled from Kansas State. Fuentes offered to let McNeil live in the basement of a building he had recently bought in Chicago free of charge while he acted as treasurer to America First. There were even discussions of him possibly moving forward to produce the show and act as a co-host in the future. In addition to his new position as America First’s treasurer, he became a gaming streamer to make ends meet. McNeil would continue to participate in events with Fuentes for the next few years, even serving as a featured speaker at a few of them, such as anti-vaccine rallies, the next few AFPACs, the events that preceded the January 6th storming of the capital, and even serving as Fuentes’s travel partner and videographer during the White Boy Summer Tour of 2021.
The image of the bond between Fuentes and McNeil was shattered in April of 2022 when McNeil made a post on Telegram announcing that he was resigning as treasurer to America First. He said that his political views had not changed but that it was not what he wanted in life at that moment, wishing everyone well. However, this would continue to unravel in the coming weeks as Fuentes’s associates began bitterly speaking about McNeil. His streaming channel was removed from Cozy without warning. Shortly afterward, McNeil appeared on Kino Casino, an Internet show that had often been critical of Nick Fuentes, along with fellow America First defector Simon Dickerman to discuss what led to their eventual departure. McNeil’s friendship with Fuentes was revealed to be far more fraught than previously presented. Issues arose between the two of them soon after McNeil moved to Chicago. Fuentes was painted as a controlling, paranoid narcissist who wanted more from McNeil as a friend than he was offering. He claimed that Fuentes became jealous of his relationships with girls and would feel hurt when McNeil would invite him to play video games with him as part of a group chat rather than reaching out to him individually. Many allegations arose, such as that Fuentes was using a multiplier to increase the number of views on his shows and building on the claims that he was a federal informant, but the most often-cited moment to Fuentes’s critics across the aisle seemed to be the allegation that he had posted in a group chat about searching McNeil’s apartment with a blacklight for traces of his semen on the bed and couch. This startling image portrayed of Fuentes was not invalidated by the May 10th, 2022 episode of his show in which he addressed McNeil’s appearance on Kino Casino, something he felt was explicitly done to hurt him. While he insisted that the story about him searching for semen was based on a joke he made about how unavoidable the stains on the furniture were when he went in to clean out the basement apartment out for the next tenant, he did not deny and in fact built upon the image of the demanding, co-dependent friendship he had attempted to forge with McNeil. The two hour stream included a monologue in which Fuentes he described all he did for McNeil - doxxing Kansas State students who had threatened him, moving him out to Chicago to get him away from a girlfriend he could not bring himself to break up with, cleaning his room when he was depressed, buying him soup and tea when he was sick with COVID, and more - while feeling he had received an insufficient reciprocity, something he had brought up with McNeil near the end of their friendship. It appears that he had expected more, alleging that McNeil frequently got in phone arguments with his mom with regards to his friendship with Fuentes. He portrayed the dissolution of their friendship as starting in December the year before due to how much time McNeil was spending with his new girlfriend. Fuentes appeared to be holding back tears multiple times during the stream as he described how devastated he was over the perceived betrayal and the love he still felt for his former best friend, holding out hope that they could someday make amends. It would have been easy to feel sorry for Fuentes; losing a friend is difficult for anyone, moreso when trapped in the right-wing emotional prison in which men cannot express emotions, certainly not love and heartbreak over platonic friends. That is, it would have been if not for what happened next.
As the weeks went by, the love and sadness were replaced with bitterness. Fuentes went on a trenchant spiel about how McNeil lacked intellectual depth when it came to media consumption compared to himself and wrote him off as “[his] former bitch.” It was clear the intentions to make amends with McNeil were gone as the accusations against him became increasingly bizarre and personal such as saying that he was a sugar baby to a high paying super chatter, was secretly transgender or intersex, and had attempted to nonconsensually kiss Fuentes while drunk. In keeping with Fuentes’s alleged grandiose self-perception, he took to thereafter referring to McNeil as “Judas” or sometimes “Judy” to allude at the gender ambiguity he was now accusing him of. In yet another unexpected turn, followers of Fuentes began publicly posting various unflattering photos of McNeil, purportedly meant to paint McNeil as an irresponsible alcoholic libertine. While he was drinking or smoking in a handful, in most, he was simply sleeping and did not necessarily appear to be passed out from alcohol consumption. Most of the photos appeared to be taken by Fuentes himself, namely one being a literal selfie he took with McNeil sleeping on a couch behind him. McNeil stated that he had no clue any of them existed and that they appeared to have been taken over the course of the three years that he and Fuentes knew each other. McNeil confessed that, while he knew saying so was “kind of gay,” that seeing these pictures made him deeply uncomfortable and made his “skin crawl.” In keeping with the response to Fuentes’s monologue about his loss of McNeil’s friendship, naturally McNeil was not going to permit himself to be seen as a man showing vulnerable feelings or other times when he likened Fuentes’s need for emotional validation as being “like a girl,” but even he could not help himself here and his viewers expressed sympathy, remarking that he had every right to “feel violated.” He questioned why Fuentes had taken them to begin with and what purpose they had served him in the years that he kept them before leaking them to the public, speculating that his intentions had been sexual in nature. Whatever the reason, one can generally consider nonconsensually photographing someone in their sleep and then posting those pictures publicly to be inappropriate, regardless of the nature of their relationship. With all the debates about whether or not Fuentes’s actions were “gay,” the subject of whether or not these actions would be appropriate in any situation has been overlooked.
McNeil had previously stated an intention to move on with his life and “get a blue collar job,” should his work with America First come to an end. However, Fuentes vowed to keep him from ever having a normal life or getting a normal job. This led McNeil to carry on as a streamer, primarily focused on conservative critiques of America First and Fuentes, such as his ideological inconsistencies, the federal informant rumors, and protecting alleged sexual predators connected to the movement, namely Ali Alexander whose antics McNeil says Fuentes was aware of. There are of course less refined critiques as well, such as vulgar references to Fuentes’s speculated sexual orientation, his supposed excessive pornography usage, and comments about Fuentes’s conception as the child of in-vitro fertilization, something McNeil views as unnatural and the cause for all of Fuentes’s bizarre personality traits. Fuentes would continue to directly or subtly reference McNeil in the months to come, making references of his own to McNeil’s lack of adequate masculinity and being the child of divorce. Both examples highlight a rightwing fixation on having been brought into the world from a proper beginning in an almost Calvinist view of predetermination.
The two would not directly interact again until July of 2023 when McNeil called in to a discussion with LeafyIsHere to both defend his honor and bring to light the situation with Ali Alexander. Before the discussion even began, groypers poisoned the well for LeafyIsHere by leading him to the dox of the netizen whom they claimed was McNeil’s sugar daddy. During the call, Fuentes joined in, repeatedly questioning McNeil about his super chatter, taunting him about sexual acts the two presumably engaged in, and went on to repeat the claim that McNeil had attempted to kiss him once, this time adding a story about how it happened after the two of them saw Spiderman: No Way Home together in theaters. McNeil essentially broke down in frustration and left the call. Both on his show and on Kino Casino later, he claimed that LeafyIsHere had repeatedly muted him and denied having attempted to kiss Fuentes ever, let alone in the story he told. Perception by their respective supporters colors how these incidents were perceived. Unsurprisingly, groypers took Fuentes’s word at face value and McNeil fans did not. How they discuss these alleged interactions is obviously painted by these opinions and end up portraying them in entirely different lights. Over time, the respective supporters of these men have developed rather specific images of their alleged attraction to the other for being something denied on both sides. Once again, images of race and sexuality are at the center. McNeil fans present Fuentes as this evil, conniving gay Mexican attempting to sexually manipulate their pure, white heterosexual hero. Even left-wing Fuentes critics have fallen victim to this mindset that infantalizes McNeil, with more than one having referred to him as “the teenage boy [Fuentes] tried to groom,” as if he was not less than a year younger than Fuentes and a legal adult for the entirety of their knowing each other. Groypers emphasize McNeil’s lack of traditional masculinity in appearance, calling him a “twink,” and suggest he was attempting to seduce their dear leader, sometimes leaning into the sugar baby angle. A more confusing claim they cling to to is Fuentes’s allegation that one of McNeil’s grade school friends came out as came as gay as an adult, meaning that McNeil is likely gay by association; why someone who claimed he was his best friend as an adult and has been unnerved by gay rumors about himself would use this argument is unclear. Some take a third approach. Inevitably, the fact that Fuentes portrays one of McNeil’s fans as offering him an exorbitant amount of financial support as driven by sexual desire has caused some detractors to assume he is speaking from his own experience as his former employer and the provider of his home. The canard developed here is that McNeil was attempting to lead Fuentes on or even acquiesced to his supposed desires for financial gain before moving on to an older, more financially and emotionally stable sugar daddy. This still portrays Fuentes as a sniveling, pathetic imp of a man driven by unnatural lust, while McNeil is portrayed as a monetarily predatory manipulator who cannot rely on his own means to take care of himself.
It is curious that both Fuentes and McNeil would bring up traits that they were clearly aware of from near the beginning of them knowing each other in their critiques of each other. In both instances, there is an attempt to rewrite their history. Fuentes has referenced being disappointed to learn that McNeil was not a celibate virgin like himself after he moved in, but he still remained friends with him after that, even continuing to provide him with a job and free housing. For all of McNeil’s jokes about Fuentes being Mexican, there is minimal chance he did not consider someone with the last name of “Fuentes” might be partially Latino, even if he somehow missed the streams where Fuentes actively referenced having a Mexican grandfather. His own jokes about Fuentes’s possible homosexuality are not only in reference to incidents that occurred while they lived in the same building or spent time together, but events that have become part of the general Nick Fuentes lore. Certainly, some of the cited events, such as Fuentes’s monologue about sex with women being “gay” happened after he and McNeil had parted ways, but McNeil’s references to the infamous “CatboyKami date” as if it was a shocking new revelation are rather confusing. The event in question happened at the end of 2019, the year McNeil and Fuentes got to know each other; in fact, the viewers of the entire stream can confirm that Fuentes made multiple references to his “friend Jaden” throughout the night, presumably referring to McNeil. It is difficult to imagine that McNeil did not hear about the stream, given he was getting involved with America First at the time and both right and left-wing detractors replied to nearly everything online related to Fuentes or his organization with taunting images and references to the stream, especially during the first few months of 2020. All of that and McNeil apparently did not consider it suspicious at the time, considering he moved into the building that Fuentes owned and became a more involved member of America First all after that happened.
One recalls him mentioning in the past that Turning Point members warned him about Fuentes and cannot help but consider that speculation about his sexuality was a part of that. Speculation about McNeil’s own sexuality was rampant during his association with America First, despite all of his confirmed relationships at the point of writing this being with women. Most of it was based on very little, some just remarking on his appearance and calling him a “twink.” One can find an older rumor spread around attaching a Freudian explanation to McNeil’s racial animus, saying he was sexually assaulted - ranging from a pantsing to a more violent tale - by a pair of black male students in the restroom while in high school, further adding to this image of him as on the receiving end of predatory sexual attention from men of color. Considering McNeil has stated that the town he grew up in was fairly homogenous and that he did not develop his ideologies until college, all versions of this tale seem deeply unlikely, but that did not stop it from gaining traction in the gutters of KiwiFarms and such. The exact birth of this rumor is unclear, but it did not appear to take hold until after McNeil was associated with Fuentes, further emphasizing how it was likely based more on the perception of him during that time than actual fact. Many rightwing detractors of Fuentes who have since become supporters of McNeil admit to having previously assumed he was his boyfriend. It is not difficult to find older posts on KiwiFarms and similar websites with lurid posts joking about what sort of sexual acts the two were speculated to have engaged in together. Even the hosts of Kino Casino had initially reported on the split between Fuentes and McNeil as a “break up” and made crude sexual remarks about the two of them prior to McNeil’s appearance on their show. Perhaps McNeil’s reaction now is a mix of regret that he did not listen to detractors sooner and a need to overcompensate for the rumors that spread about him as a result of his association with Fuentes. On that topic, Fuentes has himself appeared to attempt to change history as well. He has since tried to claim that he lost interest in McNeil as a friend after incidents of him trying to pressure him to drink and ultimately culminating in the alleged incident of him trying to kiss him after seeing a movie, despite them being not only publicly associated for four months after the fact, but Fuentes’s infamous sorrowful monologue was after all of that and complaints about the time McNeil spent with his girlfriend. One would think that he would respond to someone expressing unwanted romantic advances towards him proceeding to get a significant other would be met with relief and, if the alleged attempted kiss was so off-putting that it put an irreparable dent in their friendship, he would not mind the friendship formally ending, let alone be nearly brought to tears lamenting that end.
It is difficult not to feel a semblance of sympathy for McNeil. Regardless of the reasons behind some of Fuentes’s antics, whether it was attraction, an attempt at control, or undiagnosed neurodivergence-related social awkwardness, one thing that is for certain is that the way he treated him was professionally inappropriate at best and abusive at worst. When looking at McNeil’s older posts or listening to his stream to this day, between the provocative references to race and gender, there are some genuine frustrations about not having the opportunity to grow up in the same world generations before did, not unlike those of other young people of quite different political leanings. This is compounded when one remembers his working class upbringing, preventing him from accessing what positives remain. It is true that many of the most obvious scholarships and other assistive programs are focused on aspects of identity like race and gender, one can see how a young white man that still has all of the struggles of someone lacking resources would interpret this. As despicable as many viewed America First, it is easy to see how a desperate nineteen-year-old was drawn in. One cannot help but speculate, had events occurred a bit differently, that he would have instead been pulled into the Center for Political Innovation, a group that espouses left-wing, class-based politics with a strong criticism of identity politics, though declaring them capitalist constructions to divide the working class rather than a Jewish conspiracy to take down the white man. Of course, rather than addressing the antics of Nick Fuentes, he would instead have to reconcile with accusations of that group’s leader, Caleb Maupin, who would face questionable allegations of his own and a mass exodus from his movement in the middle of 2022. Finding an extreme political movement without members accused of inappropriate actions towards their underlings is becoming increasingly difficult.
Class remains at the center of the struggle between these two. McNeil joined the movement so young and is now being kept from moving on with life by someone whose upbringing was far more comfortable than his own. McNeil criticizes Fuentes for his “unnatural” IVF conception, something that requires a great deal of money to undergo. Fuentes criticizes McNeil for having divorced parents when working class families are far more likely to experience divorce than wealthier ones. It is also undeniable that the dynamic between the two, even if it lacked the context of attraction that some allege was there, was deeply unbalanced and controlling. The two were attempting to navigate a friendship while Fuentes was also McNeil’s employer and provided his housing. Hearing McNeil’s voice crack as Fuentes went after him in that phone call, it is clear that imbalance remains. McNeil has jokingly talked about how odd it is that Fuentes continues to go after him, calling himself a “nobody.” For all of the criticisms McNeil has launched against his former boss and friend, one wonders if, at the end of the day, Fuentes convinced him that he was nothing without him and he still believes it. From an optical perspective, it certainly appears that way.
Conclusion
How to precisely define Nick Fuentes’s race and sexuality is a mystery to anyone aside from himself and even that may be up for debate. More important than whatever may actually be true is what is seen as true to his critics, something that varies by person and situation. In the end, Fuentes was correct in identifying optics as the most important factor of a movement. What is really there does not matter. All that matters is what people perceive.
Sources
The initial pieces of research on Fuentes and his associates was discovered in articles by the SPLC, ADL, Mother Jones, and the Kansas Star. Much of the rest of the personal information was found from much less official sources, namely an Illinois-based Facebook group dedicated to outing the personal lives of the Chicco-Fuentes family to keep them from profiting financially on account of the son’s political involvement. Most of the information was from watching episodes of Fuentes and McNeil’s shows, both live and uploads on Bitchute, Odyssee, Rumble, YouTube, and the Internet Archive, as well as following their social media accounts on Twitter, Telegram, and Gab. The episode of Kino Casino that McNeil and Dickerman appeared on was helpful in assessing their views. Additionally, their interviews with others, as well as reaction videos by leftist streamers critical of them - including Shark3ozero, Vaush, and Creationist Cat - were also utilized. As for the commentary on the response by fans and critics, much was obtained from KiwiFarms and other websites dedicated to mocking Internet personalities. The anecdote about Martin Luther was based on the teachings of a deeply-influential, now-retired high school AP European History teacher. Everything else is based on the author’s own observations and opinions.
Bonus: The playlist I made to accompany this essay.
#Nick Fuentes#Jaden McNeil#KiwiFarms#Kansas State#Turning Point USA#classism#gay panic#George Floyd#French Revolution#Caleb Maupin#Naden playlist
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Midnight Horror School (Netflix Jr.) Character Voices
English
Ampoo - Christina Kelly
Anto - April Winchell
Æon - Kelly Sheridan
Bri - Laura Post
Borocca - Rebecca Soler
Chaps - Candi Milo
Dabble - Sarah Taylor
Docky - John Tartaglia
Enton - Tom Kenny
Fonton - Richard Steven Horvitz
Friedi - Fryda Wolff
Furanzo - Maria Petrano
Genie - Simon Hill
Hikky - Madeleine Martin
Inky - Leslie Carrara-Rudolph
Juno - Tabitha S. Germain
Kabo - Hope Marie Segoine
Kami - Cree Summer
Karen - Kira Gelineau
Liddy - Andrea Libman
Magnero - Andrew Sabiston
Noisy - Grey DeLisle
Nonny - Michelle Marie
Onpoo - Abigail Gordon
Œther - Dee Bradley Baker
Oozee - Lizzie Freeman
Piranin - Scott Menville
Quicky - Corinne Orr
Ringring - Michael Kovach
Rosso - Kelsey Painter
Shiro - Tara Strong
Spimon - Annick Obonsawin
Tubee - Pamela Morton
Usop - Lance Henriksen
Vincent - Vincent Martella
Watt - Jo Wyatt
Mr. X - Jeremy Shada
Yumyum - Katt Williams
Zobie - Donovan Patton
Zuzu - Carla Delaney
Mr. Salaman - Ian McDougall
Mr. Tigerl - KJ Schrock
Ms. Peginand - Julie Sype
Ms. Unirex - Leah Ostry
Mr. Komoika - Shannon Lynch
Lure - Cory Doran
Johnny Crow - Patrick Warburton
Vending Machines - Patrick Seitz, Laura Bailey
Mr. Showtime - Christian Bale
Mr. Book Deposit Machine - Don Brown
Old Owl Sage - Jason Jones
Owl Sage Apprentice - Mariette Sluyter
Principal Kocho - James Hong
Eddy - Meesha Conteras
Vice-Principal Esme & Osma - Samantha Bee & Helen King
Casey - Vegas J Jenkins
Ra - Teala Dunn
Wendell - Brett Bauer
Winifred - Carol Ann Day
Monty Carlo - Joey Mazzarino
Bashful - Roger Rhodes
Pumu-Scott McNeil
Quasar-Lenore Zann
Dr. Ongo - Park Shin Yong
Bello the Bus Driver - Dave Pettit
Coco the Jinn - Travis Willingham
Motherboard-Kimberly Brooks
AJ - Bommie Catherine Han
Eli - Sarah Bock
Fiona - Dahlia Lynn
Fred - Nitzan Sitzer
KC - Hope Marie Segoine
Mona - Meghan Strange
Roy - Finn Phoenix
Rudy - Yantzi Michael David (credited as Mike Yantzi)
Tee - Bommie Catherine Han
Zane - Sharon Youngmee Kwon
Japanese
Ampoo - Chiyako Shibahara
Anto - Ai Maeda
Æon - Ai Kayano
Bri - Kumiko Yokote
Borocca - Junji Majima
Chaps - Hisayo Mochizuki
Dabble - Ken Morita
Docky - Takeshi Kusao
Enton - Tarusuke Shingaki
Fonton - Kenji Nojima
Friedi - Azusa Enoki
Furanzo - Miyuki Sawashiro
Genie - Ryuuzou Ishino
Hikky - Hiromi Ohtsuda
Inky - Tomoe Hanba
Juno - Ayumi Kida
Kabo - Tomoko Kawakami
Kami - Nakamura Maiden
Karen - Kaori Yamamoto
Liddy - Tomoko Kawakami
Magnero - Setsuji Satoh
Noisy - Tomoe Hanba
Nonny - Yutaka Nakano
Onpoo - Sakiko Tamagawa
Œther - Kenjiro Tsuda
Oozee - Ayano Yamamoto
Piranin - Eriko Nakayama
Quicky - Takeshi Kusao
Ringring - Yuna Taira
Rosso - Eriko Nakayama
Shiro - Isla Summerhaze
Spimon - Etsuko Kozakura
Tubee - Chiyako Shibahara
Usop - Kosuke Okano
Vincent - Kosuke Okano
Watt - Sakiko Tamagawa
Mr. X - Ayumi Kida
Yumyum - Ryusei Nakao
Zobie - Yusuke Numata
Zuzu - Etsuko Kozakura
Mr. Salaman - Sukekiyo Kameyama
Mr. Tigerl - Kenji Nomura
Ms. Peginand - Hiroko Oohashi
Ms. Unirex - Hiroko Oohashi
Mr. Komoika - Kenji Nomura
Lure - Yuichi Nagashima
Johnny Crow - Kosuke Okano
Vending Machines - Cho, Sukekiyo Kameyama
Mr. Showtime - Kenji Nomura
Mr. Book Deposit Machine - Kenji Nomura
Old Owl Sage - Hiroshi Iwasaki
Owl Sage Apprentice - Yuko Sanpei
Kocho-sensei - Tomomichi Nishimura
Eddy - Kenji Nomura
Esme-sensei & Osma-sensei - Cho & Hisayo Mochizuki
Casey - Kenji Nomura
Bello the Bus Driver - Chafurin
Ongo-isha - Mayumi Tanaka
Coco the Jinn - Kenji Nomura
Ra - Chiyako Shibahara
Wendell - Kosuke Okano
Winifred - Hiromi Ohtsuda
Bashful - Setsuji Satoh
Monty Carlo - Tomoaki Maeno
Motherboard-Atsuko Tanaka
Pumu-Ayumu Murasa
Quasar-Misato Fukuen
AJ - Karen Miyama
Eli - Chinami Yoshioka
Fiona - Maika Pu
Fred - Botchiboromaru
KC - NOA
Mona - Ai Kayano
Roy - Isla Summerhaze
Rudy - Yu Fukaya
Tee - Kaori Yamamoto
Zane - Yuna Taira
#midnight horror school#voice acting#english#japanese#netflix jr#netflix#netflix kids#netflix anime#mhs
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10 queer punks from the 70s
1. George walker: gay
George walker was the guitarist for the punk band “the cheifs”, which was an inspiration to many of the bands around the LA punk scene.
2. Bambi lake (right): trans woman
Bambi Lake was involved in the San Francisco punk scene, singing with the all woman punk band “vs”. She also toured with the British punk band “the stranglers” and dated Baba Chenelle who was the drummer for “the zeros”.
3. Robert Lopez: gay
Robert Lopez was the guitarist for “the zeros” in the 70s. He later took the stage name El Vez and preforms music that mixes the styles of Elvis Presley with his Mexican heritage.
4. Karla Maddog: lesbian
Karla Maddog was the drummer for the punk band “the controllers”. She also happens to be the cousin of intersex and genderqueer artist Vaginal Davis.
5. Patrick Mack: gay
Patrick Mack was the singer and songwriter for the punk band “the stimulators”. He died in 1983 from complications with AIDS.
6. Adele Bertei: lesbian
Adele Bertei played guitar in the band “the contortions” and then formed “the bloods” which consisted of all openly gay women.
7. Caroline Coon: bisexual
Caroline Coon was a writer for the melody maker, and wrote about and interviewed punk bands at the time. She also briefly managed “the clash”.
8. Richard Lloyd: bisexual
Richard Lloyd was the guitarist for punk band “television”. In the book “Television's Marquee Moon” By Bryan Waterman it says when talking about the book “Please kill me” by Legs McNeil “Though Lloyd would later complain that McNeil had reduced eight hours of interviews to their most lurid residue, he still seemed pleased at having been designated the band's bisexual darling”
9. Jane wiedlin: bisexual
Jane wiedlin is the rhythm guitarist and backing vocalist for “the Go-Gos”. Though “the go-gos” are probably mostly thought of as more pop, they started in the Los Angeles punk scene.
10. Lance Loud: gay
Lance Loud was the singer for the punk band “the mumps”. In 1973 he was in the documentary “An American Family” which was about his family, where it was revealed that he was gay on national television.
#punk#music#70s#queer history#lgbt#punk rock#the cheifs#Bambi lake#the zeros#the controllers#the stimulator#the bloods#the contortions#Caroline coon#television#the gogos#the mumps#gay#lesbian#transgender#bisexual#queer punk#queercore#punk music
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Even in an age when live-streaming content is so common and widespread, it was still somewhat mind-boggling to read of the early days of webcams, their prevalence on the internet from the 90s onwards, and some of the projects they were utilized for in Joanne McNeil's "Connected by Camera." Influenced by the nature of how many of these projects (by the likes of Jennifer Ringley, Sean Patrick Williams and Ana Voog) capture the every day life of their subject, my mind was drawn to the Jim Carrey classic film, “The Truman Show.”
Of course, the difference here is willingness to be and knowledge of being recorded. Ringley, Williams and Voog all knowingly set up their webcams to “lifecast,” while Carrey’s character in the film is (spoiler alert) unaware that his entire life is set up and being recorded.
That key differentiating point is where the likes of Google Glass and Project Aria come in to the conversation. With these types of devices, as is raised in Mark Hurst’s cautionary article, people who are not users but merely on the other side of the lens oftentimes may not even know if or when they are being recorded (as was the case The Truman Show’s protagonist, before he [spoiler #2] figured it out). As discussed by Hurst, this raises all kinds of ethical dilemmas about the use and potential use of these technologies, and how they could present (among other issues) invasion of privacy, which I think are certainly valid concerns! Similar to current conversations and debates around the growing use of AI in society, this all raises the question of “we CAN do it, and it’s pretty cool, but SHOULD we?”
In submitting this contributed example, I also decided to use a GIF as a little homage to last week!
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“Masters of Spills and Thrills Volume One”, published in 2008, is a useful publication for fans and students of British Comics.
In this first volume renowned comics historians David Ashford and Norman Wright assembled fourteen in-depth studies of great British comic strip artists, featuring their biographies and offering prime examples of their artwork.
This volume traces the careers of Geoff Campion, Roland Davies, Ron Embleton, Derek Eyles, David Law, Hugh McNeil, John Millar Watt, Patrick Nicolle, Eric Parker, Reg Perrott, Ken Reid, Septimus Scott, Ron Turner and Dudley Watkins. These artists were the greats behind such titles as Beano, Dandy, Comet and Thriller Picture Library amongst many others.
They worked on characters as diverse as Dennis the Menace, Desperate Dan, Robin Hood and Buffalo Bill as well as many other humorous or adventure serials, be they historical, science fiction or western.
The book, now available for just £18, includes eight pages of colour featuring some original art plus photographs of the artists, and copies bought from The Book Palace are signed by the authors.
Authors: Norman Wright & David Ashford
Artists: Various
Publisher: Norman Wright, 2008
Number of pages: 214
Format: Soft Cover; Part Colour illustrations
Size: 6" x 8" (150mm x 210mm)
Buy the book here for £18 - https://bookpalace.com/cgi-bin/sh000001.pl?WD=masters&PN=info_MOFAT1%2Ehtml#SID=77
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A century of HIV/AIDS... yes, you read that right.
“How About Nah” by roljui
“Disco Knights” by Quincas Moreira
“Cover” by Patrick Patrikios
“Kreuzberg Nights” by Futuremono
Patreon: www.patreon.com/littlehoot
Twitter: @hoot_little; @amandahootman
Instagram: littlehoot_official
HIV/AIDS Timeline: https://www.nycaidsmemorial.org/timeline
“HIV Arrived in the US Long Before Patient Zero”. Donald G McNeil, Jr., New York Times, 2016: https://www.nytimes.com/2016/10/27/he...
“Chimp To Man To History Books: The Path of AIDS”, Donald G. McNeil Jr, New York Times, 2011: https://www.nytimes.com/2011/10/18/he...
“Colonialism in Africa helped launch the HIV epidemic a century ago”, Craig Halperin, The Washington Post, 2012: https://www.washingtonpost.com/nation...
“Origins of AIDS linked to Colonial practices in Africa”, NPR, 2006: https://www.npr.org/templates/story/s....
“How a typo created the scapegoat for the AIDS epidemic”, Brian D. Johnson, MacLeans, 2019: https://www.macleans.ca/culture/movie...
“AIDS: Origin of pandemic was 1920s Kinshasa”, James Gallagher, BBC News, 2014: https://www.bbc.com/news/health-29442642
“Part One: King Leopold: The First Modern Bastard”, Behind the Bastards Podcast, iHeart Radio: https://www.iheart.com/podcast/105-be...
“Part Two: King Leopold: The First Modern Bastard”, Behind the Bastards Podcast, iHeart Radio: https://www.iheart.com/podcast/105-be...
“Gay Sex in the 70s”, dir. Joseph F. Lovett, Lovett Productions, 2004.
“Studio 54”, dir. Matt Tyrnauer, A&E Indie Films, 2018.
“The Reagan administration’s unbelievable response to the HIV/AIDS epidemic”, German Lopez, Vox, 2016: https://www.vox.com/2015/12/1/9828348...
“Cost of Treatment Still A Challenge For HIV Patients in the US”, All Things Considered, NPR (2012): https://www.npr.org/sections/health-s....
“Trump and Reagan’s Willful Incompetence During Epidemics”, Juan Michael Porter II, The Body, 2020: https://www.thebody.com/article/trump...
“Fire in the Blood”, dir. Dylan Mohan Gray, Sparkwater India, 2013.
“When AIDS Was Funny”, dir. Scott Calonic: • Reagan Administration's Chilling Resp...
#Eyeball Zone#hoots#littlehoot#history#AIDS#HIV#urban legends#science#racism#colonialism#Congo#Haiti#America#Myth#tragedy#Gaëtan Dugas
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DO NOT DISTURB - Review
DISTRIBUTOR: Dark Star Pictures
SYNOPSIS: Canadians Chloe and Jack are honeymooning in Miami. While on a beach they believe they have all to themselves a stranger emerges from the sand ranting and throwing the drugs he is carrying at them. Returning to their hotel room with their score they decide that a peyote experience could strengthen their marriage. Unbeknownst to them, they've been given a powerful strand that awakens a desire to eat human flesh. Confronting their toxic relationship, their room becomes a den of love, lust, resentment, and carnage, Chloe comes to the realization that the way to escape this troubled marriage is to literally consume Jack.
REVIEW: John Ainslie’s DO NOT DISTURB feels like a hybrid Carlo Castaneda and William S Burroughs tale of transcendental drug experiences and the human condition blended with horror elements.
The screenplay is trimmed down to six characters and at its core are Chole and Jack. They are on their honeymoon, but clearly there are underlying issues that we learn through their interactions and with the other couple, Wendy and Wayne. When they are alone on the beach they have their life changing encounter with Saj, who seems like a mad monk and lays his drugs on them. The couple has an interesting debate and after a lot of prodigy Chole gives into Jack’s wishes and takes the peyote. Things get complicated as Chole seems to become a stronger, more assertive personality and Jack becomes a spineless trickster. His actions cause events to spiral more out of control. The narrative’s early scenes kind of telegraph what is to come but not to the extent that the flashbacks reveal. The tale plays with time and psychology to make for a compelling and horrifying tale.
With the majority of the film set in a hotel room, Ainslie does an excellent job of blocking, framing and editing the scenes to create energy and momentum in the film. He creates some interesting scenes that play with time and the characters’ reality. There are moments of clarity that are told through flashbacks that nicely flow into the visual narrative. There are some horrifying effect sequences that develop into scenes that feel like a George Romero film. Ainslie, who scored the film, uses the music sparingly and to accentuate specific key moments and enhance the atmosphere of a scene. I loved the way it builds into a scene.
Actors Kimberly Laferriere and Rogan Christopher carry the film. Christopher creates an interesting and annoying, immature husband who, by his actions and attitude, makes it clear he has no business being married, much less in a relationship. There is something so irritating and despicable about this character that I was eager for his demise. Laferriere presents a complex character arc as you can feel her character transforming before our eyes. She maintains an essence of the person we meet at the beginning, but clearly she is changed. If I was programming this into a festival I would easily nominate her performance for an award. The rest of the cast does an excellent job, but Rupinder Nagra’s performance stands out as the raging drug-addled Saj they encounter on the beach.
John Ainslie’s DO NOT DISTURB is an excellent surreal horror film experience that will take viewers on an unforgettable journey. He nicely blends these elements with excellent performances. In many ways it is a contemporary Pandora’s box with life changing deadly results where Ainslie demonstrates his skill as a master storyteller and filmmaker.
This past year I read Clay McLeod Chapman’s novel “Ghost Eaters.” I loved it but thought it would be hard to adapt into a film. After seeing DO NOT DISTURB I have no doubt John Ainslie could make it work. I’d be happy to introduce you gentlemen.
CAST: Kimberly Laferriere, Rogan Christopher, Janet Porter, Christian McKenna, Rupinder Nagra, and Patrick McNeil.
CREW: Director/Screenplay/Score - John Ainslie; Producer - Rechna Varma; Cinematographer - Scott McIntyre; Editor - Jordan Crute; Costume Designer - Kerrie De Poli; Special Makeup Effects & Prosthetics - The Butcher Shop FX Studio; Post Production Effects - Smak Cinema;
OFFICIAL: N.A.
FACEBOOK: N.A.
INSTAGRAM: www.instagram.com/do_not_disturb_movie/
TWITTER: N.A.
TRAILER: https://youtu.be/kXXscA6v794?si=fjKDOznzQM_Upx_N
RELEASE DATE: In Theaters Nov. 17th, and VOD Nov. 21st, 2023
**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay), or 👎 (Dislike)
Reviewed by Joseph B Mauceri
#film review#movie review#do not disturb#dark star pictures#John Ainslie#Kimberly Laferriere#Rogan Christopher#horror#cannibalism#surreal#drugs#joseph mauceri#joseph b mauceri
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Catherine McNeil for Vogue Germany by Patrick Demarchelier
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https://soldart.com/shop/faile-patrick-mcneil-patrick-mille-visions-victoire-artwork-art-screen-print-framed-2017-edition-300/
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Brian Donlevy and Glenda Farrell in High Tension (Allan Dwan, 1936)
Cast: Brian Donlevy, Glenda Farrell, Norman Foster, Helen Wood, Robert McWade, Theodore von Eltz, Romaine Callender, Hattie McDaniel, Joe Sawyer, Murray Alper. Screenplay: Lou Breslau, Edward Eliscu, John Patrick, J. Robert Bren, Norman Houston. Cinematography: Barney McGill. Art direction: Duncan Cramer. Film editing: Louis R. Loeffler.
High Tension is a lively little action comedy that comes in at 63 minutes, just right for the bottom half of a double feature. Brian Donlevy has the boisterous role of Steve Reardon, an underwater engineer for a transoceanic cable company who unwinds from his stressful job by getting drunk, telling tall tales of his undersea adventures, getting into fights, and messing around with his girlfriend, Edith McNeil (Glenda Farrell). It's a little hard to see why she puts up with Steve, let alone wants to marry him, except that she makes a good living writing pulp fiction based on those tall tales. Allan Dwan sets a nice pace for the movie, which puts Steve into a couple of knock-down, drag-out fights, one of which involves Steve and his opponent shoving a piano at each other in Edith's apartment. The more important fight, for the sake of the plot, comes when a couple of guys (one of them played by an unbilled Ward Bond) set upon him with the aim of picking his pocket. The movie's second lead, Eddie Mitchell (Norman Foster), manages to save the money that the thugs stole from Steve when he was knocked cold. Steve wakes up the next morning to find himself in bed with Eddie, who took him home for the night. It's the beginning of a beautiful friendship, with whatever homoerotic undertones you might want to find in it. Grateful for Eddie's help, and discovering that he has a degree from Caltech, Steve gets him a job with the company he works for and trains him to be his right hand man. Eventually, all this winds up with some romantic complications, with Steve, who has broken up with Edith, putting the moves on Eddie's pretty secretary (Helen Wood), whom the shy Eddie secretly loves. And there's a big underwater rescue scene (done pretty much on the cheap) that sets everything straight again. The whole thing is quite watchable, except for the sexist and racist elements that don't go down as well today as they did in the '30s. Steve has to deal with his boss's prissy assistant, F. Willoughby Tuttle (Romaine Callender in a role probably written with Franklin Pangborn in mind), a prime example of the "pansy" stereotype that afflicted movies of the era. And Hattie McDaniel is cast as Edith's maid, unimaginatively named Hattie, a role that McDaniel plays with more sass and vigor than it deserves -- McDaniel was a true professional, and if you can overlook the stereotyping her performance is a delight.
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Rising fuel, food prices continue to gouge Maritimers' pockets
A trip to the grocery store is creating anxiety for some shoppers as prices continue to rise.
“Oh my goodness, yes it is. Every time you come you can spend hundreds of dollars and you come out with a few bags,” said shopper Alisha McNeil.
According to Statistics Canada, consumers continue to pay more for fresh vegetables, dairy products, and meats.
That's despite grocery inflation dropping slightly from 11.4 per cent to 11 per cent last month.
Some economists say buying less or cheaper products is one way to bring prices down.
“What will be the solution is the way we eat and to eat something that's easier to produce, cheaper to produce, and then we'll see some changes in our pocket at the end of the day,” said Patrick de Lamirande, a business professor at Cape Breton University.
While some blame price gouging as part of the problem, de Lamirande says there is still an issue with supply and demand.
"Is the supply enough to fulfill the demand right now at those prices? The answer is no. As long as demand will be that high versus the supply, we will see some pressures on the price to increase,” he said.
Grocery prices were up 11 per cent in December compared with a year ago, according to Statistics Canada. Overall, grocery prices were up 9.8 per cent in 2022 compared with a year earlier -- the fastest pace since 1981.
Many consumers say they are taking notice.
“It's pretty much everything. Cereal and meat, even apples are so expensive. Pretty much everything I shopped for today was more expensive than it normally is,” said McNeil.
This means leaving the store with less and leaving a dent in your bank account.
from CTV News - Atlantic https://ift.tt/csNvaU5
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