#padlocks
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antique english heart padlock pendants .
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Ariel Anderssen x Metal Bondage
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good afternoon 🐉😇🦋
#there are more from today where these came from lmk if you wanna see lmao#m#me#4.13.24#dragon#makeup#upload#mine#jewelry#piercings#face#nature#lighting#my face#my makeup#sunshine#padlock#necklace#padlocks#silver
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Black & White stripes
Prisoner workers
Chains & locks. From: https://app.qwoted.com/reporters/miguel-moreno
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source
#talos gifs#stim gifs#stim#nature stim#nature#hands free#waves#ocean#water#lovecore#padlocks#hearts#grayscale#greyscale#grey#gray#black#white#rocks#cliffs#gif ids#id in alt
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Hey y’all! I just dropped a BUNCH of new jewelry on my Etsy page. I know everyone’s broke, but I had so much fun making these and wanted to share!
Link:
#Etsy#etsyshop#small business#jewelry#earrings#haphazard hobbies#handmade#crystals#witchy#tie dye#padlocks#fruit#black lives matter#BLM#Black Pride#black owned#woman owned business#queer owned business#black owned business
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Glass Joe (Punch Out!! Wii) Selfship Stimboard (with french flag themes & romantic infatuation) for @satsuj1n
x x x / x x / x x x
[Image description: a 9 gif stimboard; from left to right.
First line: A gif panning up on the French flag blowing and waving in the wind, a blue sky is in the background. A close-up gif of someone writing 'Be Mine' in calligraphy with red and blue markers. And a gif of someone using coloured pancake batter to pipe a France-shaped pancake with the French flag colours.
Second line: A gif of someone attaching a heart-shaped lovelock (a padlock marked with a couple's initials) to the railings of a bridge. A still image of the character Glass Joe (Punch Out!!) with a cup of steaming coffee and with Paris monuments in the background. And another gif of someone attaching a heart-shaped lovelock to bridge railings, jumpcutting as they reach out, to them attaching the padlock.
Third line: A close-up gif of someone using their fingers to make a small card articulated flag with the French colours wave. A gif of someone writing 'Baby I'm yours' in calligraphy with red and blue markers. And a gif of the French flag blowing and waving in the wind, a blue sky in the background.
End of image description.]
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Hernan Bas (American, 1978), Heartbreakers, 2021. Acrylic on linen, 84 x 108 in.
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~ Silver and Gray ~
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Legami umani
I “legami umani” sono stati sostituiti dalle “connessioni”. Mentre i legami richiedono impegno, “connettere” e “disconnettere” è un gioco da bambini. (Zygmunt Bauman)
#zygmunt bauman#legami umani#human bonds#art#photography#photosalvatoredidio#fotosalvatoredidio#quotes#citazioni#aphorisms#riflessioni#frasi e pensieri#pensieri#aforismi#padlocks
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On the anniversary of James Dean’s crash I would like to list my favorite things about him as an actor:
- I like how he doesn’t watch his costars in the scene unless it’s something his character would do. In most 50s movies it feels like the actors are watching each other, waiting for their turn to talk, knowing the audience isn’t focused on them. But in real life, people don’t always look directly at each other during a whole conversation. In East of Eden James Dean barely looks at either Abra or Aron when he speaks to them, or when they speak to him. But he has this laser-focus on his father’s face, like a dog waiting to be given a treat. It is great.
- I like how he doesn’t talk the same way in every role, even though the mumbly-sullen-teenager thing clearly worked for him in East of Eden. But in A Long Time Till Dawn he sounds like a semi-whiny Jersey kid, or in Dark Dark Hours he sounds like a 50s gangster-wannabe, or even in Rebel Without a Cause he sounds like Cal, but if Cal were friendly and heroic instead of surly and furtive.
- I like how he adds mannerisms into every role he plays so that the character feels real and distinct, and not just another costume on James Dean. Like how Joey chews his lapel whenever he’s feeling angry (it’s gross but he’s deranged) or how Cal hides in his shoulders, or how Jett does that hand-wave thing, or how Fernand (in The Thief) has impeccable posture, or how Jim grabs his head and looks panicked for a split second each of the times his parents start to bicker.
- I like how he says “STAND UP.” in Rebel Without a Cause when he yanks his father off the floor.
- I like how he turns around and comes back in East of Eden when his mom says, to herself while he leaves, “…you’re a likable kid.”
- I like how he improvised saying “It doesn’t matter it doesn’t matter it doesn’t matter” to his mother and father in Rebel Without a Cause when they wouldn’t listen to what Jim was trying to tell them, and just kept coming back to the same issue of “did anyone identify you and can we run away from this?”
- I like how he horses around with Plato with his body language in spare moments of screentime in Rebel Without a Cause.
- I really like how he just trails along out of camera in the woods in the background of East of Eden, or straight-up turns his back on the camera and fusses around with windows and doors. Like, in stage-acting, actors are taught to always semi-face the audience, right? So that the audience can see what they’re feeling? And not always, but sometimes, it seemed like 50s actors never turned away from the cameras completely, either. But James Dean fidgets with doorknobs and hides his face from love interest characters and audiences alike in tender moments because it’s not only more realistic, but it usually says even more than facing the camera would, I think.
- I like how he interacts with sets in general. Sometimes I don’t think he’s supposed to, like in Padlocks when he knocks pieces of the set over. But when he punches the dividing wall in the locker room in East of Eden, or climbs up on the windmill in Giant, or even just adjusts the sign his character roughed up in Padlocks, or knocks the building blocks over and just about melts in Dark, Dark Hours, I love that stuff. Feels like he’s trying to make everything feel more real, and it works.
- I like when Abra comes up behind him in East of Eden and he flinches for no apparent reason.
- I like how he interacts with other characters physically, like tapping Peewee’s glasses in Dark, Dark Hours or teasing Abra with the candy between the tree branches in East of Eden, or apparently keeps forgetting that Peewee is dead in his panic and picking up the corpse, or even just messing with Judy’s headscarf and pretending to steal Plato’s nose in Rebel Without a Cause.
I ESPECIALLY like how his crying face changes depending on which character he’s playing! Like Cal obviously just falls apart with his whole body, but Jim looks more like a young Tom Hanks (or Tom Hanks looks like Jim) trying to pull himself together and be a man, meanwhile Bud does all the crying with his eyebrows.
- I like his volume and inflection for different characters. For example he basically never raises his voice as Fernand or Cal, but Jim explodes in frustration by yelling things like “TEN YEARS.’ Or Joey, who has this scary range of being quiet and almost-meek or childlike and wistful one minute, and then suddenly he’s foaming at the mouth and screaming so you know he’s really unhinged.
I just really like James Dean, and I think he stands out all the more because he was more often surrounded by actors and actresses who weren’t quite at his same level of investment in every scene. Nowadays the market is sort of swollen with good actors and actresses.
#James Dean#Jimmy Dean#my favorite actor#rebel without a cause#padlocks#dark dark hours#ronald reagan#50s#50s film#old hollywood#hollywood#east of eden#elia kazan#nicholas ray#judy#plato#natalie wood#sal kineo#richard davalos#elizabeth taylor#rock hudson
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