120906 ♡ VFNO Seoul
reminiscence | do not edit
5 notes
·
View notes
DIRECTOR'S NOTE • Nov. 2023
You can't go home. This play has a particular
care for and interest in its victims. The resident
inciting event is endless. tragedy is much more
concerned with footnotes than it is with gods.
well acquainted with what happens afterward,
storytellers claim they can't diverge from what's
written: resist. rage against what must be.
tell a story about war without talking
about love. survive its aftermath. fail
to find resolution. make this suffering
a home. There's no breaking this chain—
fate, as always, gets its way.
Poetry assembled from the program of an Oresteia production. Nov. 2023.
5K notes
·
View notes
“SCENES OF VICTORY”
GENESIS P-ORRIDGE // 1975
710 notes
·
View notes
2021 - 2006
2024 - 2001
2020 - 2006
Taking a trip down memory lane with some twt meme? I guess those qualify as that
187 notes
·
View notes
first three studies in egg tempera ! using pigments available in the medieval era (except for titanium white)
top is a study of a miniature from Christine de Pisan's Épître d'Othea, bottom left is a loose crosshatching study based on this Mary Herbert painting, bottom right is based on this photograph
860 notes
·
View notes
Blessed Bastard by Ruth P. M. Lehmann PDF available to read. Enjoy!
ID: "Good evening, brother," said the shadow.
"Oh, Mordred, I couldn't recognize you in the dark."
"And this is our boy wonder back again? Fellow bastard, we have much in common."
Find more modern Arthurian retellings to read on my blog.
187 notes
·
View notes