Briony definitely splurged to get the skirt version of the dress uniform didn't she?
I feel like she, Shery, and Lavinet absolutely did! 😂 And with 0 shame about it, too!
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thoughts on Ginny and Harry as a couple?
There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.
That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.
When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.
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Was that first glance truly a gay little moment between Mizu and Akemi, or was she actually surprised (maybe even a little jealous?) that femininity could even look like that? Lavish, spoiled, seemingly loved or at least, something to be desired. I think it's pretty sure that she does not grasp how Akemi's life is a prison just as much as hers. That much is clear in their dialogues and her behavior towards her.
What if that dialogue (you, magical forest creature spoiling your good chances at a good life etc etc) was actually lowkey jealousy? of a life she herself would never get to experience as a woman? of being allowed to be a woman AND have a chance at happiness?
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Why I believe John/Orekoto was lying about his motive in Neoplasm
Ok so double just came out and I have a lot of thoughts. When a new MV comes out I usually wait a while until I can make a proper analysis but this one is mostly going to focus on neoplasm. And in particular one thing me and my friend found particularly suspicious about John’s (Orekoto’s) testimony when it comes to the murder(s).
When Es questioned John about their murder, he responded very clearly with “Yeah it was me, I killed them off”. And after that Es questioned why he did it, only to say that he did it only because they were annoying him and it was whoever was walking by. Es goes quiet at this which might imply to me some sort of suspicion on his testimony. John goes on to say that he can’t remember how many he killed because he was just born back then and his memory is kinda fuzzy.
Instantly this set off a ton of red flags for me, it just doesn’t make any sense when you think about it. Earlier on when John fronted he started acting all violent and threatened to beat up Es, who just calmly laughed it off. Es seemed to be quickly notice something was off, as their calm demeanour enacted an also suspiciously calm demeanour from John. Es then said it was strange because they assumed him to be a monster. After hearing that John instantly went back into that violent persona that they were showing as soon as they fronted.
This scene is very telling to me. John is not violent, or evil, heartless or anything like that. He’s only acting that way to potentially come out less. And be even straight up says “if I had stayed a monster… maybe that would’ve been better.” Then instantly takes back what he said by just going “…what?”
From this it’s very clear, like I said, that John isn’t evil. But then that takes what he said about his murders into question. That he only did it because he just got annoyed and killed random passers. This clearly isn’t true when you take into account the whole interaction with Es, because otherwise he would’ve attempted to kill Es the whole time and not go docile when they weren’t acting scared.
I believe that John is trying to dip back into his monster persona he made for himself here. He probably figured out that acting evil all the time wouldn’t work, and when questioned on such a sensitive topic such as the murder he just went with the option that made him the least sympathetic, and Mikoto more sympathetic in order to lower his stress levels by not telling the full truth.
As for who committed the murder/s, I’m still pretty unsure. In double it looks like both sides are perpetrators. But this also takes into account, what about those scenes of John killing the mannequins? It seems like it matches up enough to what he said in the voice drama but I don’t think that’s the smiling gun.
Milgram is an extremely complex series, and in no way should the easiest option be assumed as the right one. Unreliable narrators are a big thing in the series, and we should look at a character’s MV with how they view themselves in mind. For example, Kazui thinks himself as a monster and this is especially prevalent in Cat, where if you’d take it at first glance you might assume that he’s evil or whatever, just as he views himself.
The same should apply to John as well. He wants to believe he’s a monster in order to protect Mikoto from more mental stress about his murder, and might end up with him fronting less. This likely subconsciously played itself into double and even MeMe, where John portrays himself as evil as that’s what he wants people to view him as.
I feel like when discussing who’s the murder and if John is evil, we should definitely take this into account otherwise our future opinions will be biased.
Ok so someone just mentioned the fact that he had a baseball bat in the first place means it was likely a premeditated murder. So him killing people just because they annoyed him would be a really weird thing to say because that would’ve been an impulsive murder, and he had a weapon at the time.
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What do you think as Hermione's career would be post battle of Hogwarts? To me her being minister for magic really doesn't make sense. She does not have patience or tact to wade through murky waters of politics 😭😭
So hard to say! The Trio are so, so young when we leave them, I find it almost impossible to project their futures farther than a few years out. The job that suited me at 17 would be radically unsuited to me now. That's why of all the Trio, Ron's ending strikes me as the most realistic — he jumps straight into the save-the-world business again, burns out, realizes he's actually Done The Fuck Enough, Thanks, and pivots into a low-stress career where he gets to see his family a lot. Feels accurate! The others are weirder to me because they do seem to just... pick a lane and stay there.
With Hermione, you could spin her a couple ways. You could say that she leans into her bookish side and does research or teaching, which is not my preference for a couple reasons (namely, I don't think Hermione would like academia as a profession; she finds her classwork interesting and enjoys intellectual validation, but she'd be stifled and wasted in a DPhil program, and she'd be infuriated by the administrative politicking of your average higher-ed faculty). You could say that she gets disaffected with politics and ends up as a barrister or a lobbyist of some kind, but if anything that requires more political finesse, because you don't actually have institutional power, you're just handling the people who make decisions and trying to persuade them of your goals. This is not Hermione's preferred method of influence. She's not even particularly good at persuasion, she just happens to be smart enough (and right often enough) that people take her ideas seriously.
Or you could say her brashness fades with the years into a softened flavor of tell-you-like-it-is honesty, which some politicians actually do successfully trade on; as we see in British politics today, you don't have to be all that charming or clever to get ahead, you just need to be really driven and well-connected (which Hermione completely is; she fought shoulder-to-shoulder with the first postwar Minister and her bestie, the Literal Messiah, runs the Auror Office.) But I don't know if Hermione especially wants to be Minister, after the war. She's just watched years of horrendous bureaucratic incompetence plunge the country into a violent civil conflict. She's had not one, but two Ministers of Magic try to bully or shame her friends into complicity with fascism. Her view of government is... likely extremely dark.
But Hermione also isn't the kind of person who sees her life as a quest for happiness. Babygirl has a savior complex that makes Harry look selfish. (She basically kills her parents — yeah, obliviating is a form of murder, #changemymind — "for their own good," and justifies every batshit, vindictive, mean-spirited move she ever pulls on the grounds that it "helps" one of her friends.) She is a mean, lean, dragon-slaying machine, and she needs a dragon. After Voldemort, the Ministry is the no. 1 threat to muggle-borns and non-wizarding Beings. As a war heroine with basically infinite political capital, I'd be surprised if she didn't try to do something there. That said, Hermione is so vivacious and dynamic that she could potentially grow in a hundred different directions; it's possible that all of this, while true of her at 18, becomes completely inaccurate by 22. That's why I'm not too fussed about any particular fanon interpretation.
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