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#otherwise he won't get it
pchelaus · 1 year
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Remember AU of the Familiar!AU where Bill is Ford’s familiar insted of Dipper’s??? Me too
I couldn’t find @tswwwit ‘s post with it, turns out it’s not on the masterlist 2.0. Or I’m just too sleep deprived to notice it 
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decarbry · 1 year
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Kurogiri and Yabureme are Shigaraki’s caretakers with their own separate purposes but at the same time they end up like siblings that Shigaraki needs to mediate. “tomura he’s TOUCHING ME” “Kurogiri, there’s literally two inches between you and his finger. stop it.” “no he was just touching me and stopped when you were looking he’s doing this on purpose”
......this was supposed to be a funny comic but instead it’s just sad
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my greatest achievement in DA2 is maxing out Carver's friendship
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and all it took was begrudgingly kissing a little templar ass in act 1 because Carver didn't want to plan a prison break if my Hawke got his ass arrested for being stupid.
#carver hawke#dragon age#dragon age 2#da2#well that and he didn't want leandra gamlen and himself to also get arrested for harboring an apostate but you get me#carver hawke loves his sibling and doesn't want them to get taken away that's why he's such an ass and approves of 'pro-templar' choices#in act 1 he's not pro-templar himself but kissing a little templar ass is how you avoid being arrested#'why yes cullen you are so right the templars are so cool and sexy' my hawke says through gritted teeth for that +5 friendship#look i love him okay he's my favorite and i will go the extra mile to make him happy and it's worth it for how much softer can be later on#honestly maxing out his friendship isn't hard if you're aware of what quests you're bringing him on and make him a grey warden#oh but you do need the legacy dlc otherwise you can't fully max friendship out... you can still get enough to change his dialogue/attitude#also like... we the player know hawke won't be arrested like they're not in any actual dangers from the templars as the playable character#but carver doesn't know that and neither does hawke so the templars *are* a real threat to them#and it's incredibly reckless to purposely piss off templars AND selfish because it's not just hawke that'll be arrested it's their family#for harboring them like we witness templars going after people hiding apostates soooo.....#i'm just saying that carver isn't irrational or just being an ass to personally annoy you okay he has cause#also once carver's a warden and ed has money and the estate THEN he's way more open about telling the templars to piss off#sigh one day i'll sit down and write an essay about carver.... one day
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lyxchen · 1 year
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When they reunite they hug for 5 hours<3
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hephaestuscrew · 6 months
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar] MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?  EIFFEL My copy of what?  MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.  EIFFEL Was that one of those mandatory mission training things?  MINKOWSKI Yes.  EIFFEL In that case, yes, I definitely did.  MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.  EIFFEL Oh?  MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter. EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true. MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.  MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555? Minkowski DRAWS BREATH - and STOPS SHORT. [...] MINKOWSKI Hold on a second, I know this. (beat) Dammit. EIFFEL Hey, look at that! Looks like there may be hope for you yet. MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555? HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them." This hangs in the air for a second. Then – EIFFEL So you forget the one tip in the entire manual that's actually helpful? MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but-- CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...? MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings. HERA Sir, I'm just curious about-- CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them? EIFFEL Yes. MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console. EIFFEL So? How does that help – MINKOWSKI Think about it. BEAT. And then he gets it. EIFFEL Oh goddammit. MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one? EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach. 
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that – He trails off. After a BEAT – HERA Officer Eiffel? MAXWELL You, uh, all right there? EIFFEL (the horror) What have I become? [...] Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken. EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual? MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...? MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you. 
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from  Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...] Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him! EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH! And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...] EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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blood-orange-juice · 6 months
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I promised a "Furina is Jesus" post. It's kind of a shitpost but also it's not.
The theatre of the courtroom
I'll first have to note that law is a peculiar thing. It is created through practicing it.
It's not just the written rules, it's how we apply them, and who gets to write and rewrite them, and there's no solid foundation underneath.
It's supposed to be treated as immutable until it's suddenly not. Until an insurgence turns into a revolution or the divine right of kings becomes a symbolic relic of the past. In the mildest scenario a bunch of old farts just gather and vote for new rules. Sometimes the very same rules that give those old farts the right to decide rules.
A law remains a law as long as enough people agree to believe and enforce it. How much is "enough" is also debatable (often depends on the size of your army).
It is very much like theatre. Humans like it when the world is molded into coherent stories so they happily participate.
Furina making a show out of trials is not a perversion of law, it shows she understands its very nature.
Transgression and transcendence
Now back to Christianity. The essense of Christianity is transgression. No, seriously.
It's as punk as a religion can get. A god hanging out with publicans and harlots? Killing a god in the most humiliating way possible and being forgiven for it? Symbolically eating a god?
It's insane.
Such practices are usually reserved for small communities of a very special sort (*ahem* left-hand path tantrics*ahem*). It's the only religion I know that gleefully and unashamedly incorporates such things into rituals meant for the lay public.
(this is probably a good time to mention that I'm not Christian and it's a look of an outsider fascinated with philosophy of religion in general)
It's actually one of the real reasons a lot of pagans rejected Christianity so fiercely: it's spectacularly nonchalant in dealing with things that would be considered "unclean" by most archaic cultures.
Now this is important.
As post-structuralist theories state, any attempt to establish a power structure, to set rules or to define self will also produce things that would seem unclean. Impure. Things that should be cast off. It's in the nature of our psyche. The concept of uncleanliness is one of the core mechanisms that allow our mind to function.
(I'll redirect you to Julia Kristeva and the concept she names abjection if you want to dive into it.
I also want to note that abjection and horror go side by side and it makes a lot of sense that Fontaine is also the Lovecraftian expansion)
And what did Christianity do? It subtly removed the importance of "cleanliness". The gravity of it. It established as the norm that norms can be redefined and transcended. That the outcasts and the sinners are not to be forgotten.
It fucking changed the rules of how human psyche and society function. Added an extra possible move.
A sin can be forgiven. A criminal executed in the most ignominious way can turn out to be a god. You never truly know. And also anything can be made clean. Go wash it kitten.
(yay)
(and yes, I know a lot of modern Christians practice the opposite of what I describe. I'm not a fan of these folks too. doesn't matter. the possibility is there. it's glorious. also horrifying and a bit disgusting)
That dude from two thousand years ago
What about him.
I often see people calling a "Jesus figure" anyone who is sacrificed to save others. Or anyone who is reborn. The thing is, this is not how it works.
A god dying and being reborn is the oldest myth on this planet. Last time I checked it was connected to the sun worship, day/night cycle and winter solstice rituals (although it could have changed and also I didn't check very thoroughly). In any way, it predates Christianity by millennia.
Sacrificing all kinds of things and beings to get something in return or to offer gods something else in your stead is also pretty old and very much not Christian.
The unique beauty of that story is that a supreme being, ultimately more worthy than any human, wilfully chose to sacrifice himself for lowly mortals. Actually, allowed them to betray and kill him. And then forgave them.
Do you see how it ties to the previous section? It defied the previoisly established world order (where gods were incomparably more important than humans). It created a paradox. It broke the rules, or rather it destroyed the rules.
Theological debates aside, on a symbolic level it pretty much destroyed the old concept of sin and the idea of a fundamental difference between a god and a human. Everything a paradox touches stops being fully real and needs to be redefined (ceci n'est pas une pipe).
'Sin' doesn't mean the same thing anymore, and 'god' doesn't mean the same thing anymore, even 'death' means a different thing now. The world just starts to function differently after a story like that happens or is told.
(since it only needs to mess up the symbolic order it doesn't even need to happen, only to be told and believed)
And there we have it. A Jesus figure should establish new rules. Preferably better ones. It's someone who fundamentally changes the world with their sacrifice.
That's also where we get back to "law is established by practice". That was the process of establishing a new law.
(this is also why I dislike the idea of Childe as a Jesus figure. he is not a supreme being, he's not the type to sacrifice himself for people he perceives as lower than him, and he is not integrated into society enough for his death to establish new rules. he can still die and be reborn in a new quality, he can even change the world in some way but that would be a different type of story)
Our precious girlfailure
So. Furina.
Fontaine's prophecy speaks of all Fontainians being born with some kind of 'sin'. And the way Neuvilette is talking to the pool of primordial water in 4.1 implies that its ability to dissolve Fontainians is not some kind of natural law but an intentional wrathful act.
And Varunada Lazurite (we know that ascension materials contain the final lines of the archon quest) says this:
"My ideals have no stains. I must correct you. People here bear no sins in the eyes of the gods... Only laws and the Tribunal can judge someone. They can judge even me. So praise my magnificence and purity."
I assume the solution will not be simply killing the eldritch whale or "cleansing" the sin or locking the sea away.
I think Furina will in some way redefine what is considered a sin, or how it should be judged, or who gets to administer judgement. She will create new rules for the world. Probably by dying in some way (temporarily or symbolically) to create a paradox.
(maybe we'll also get to learn that death in Teyvat is not true death)
As I said at the beginning, she understands the law and the very nature of law very well, probably better than Neuvilette. Who else would be better suited for this task.
And no one will notice the beauty and insanity of her gesture, like no one really noticed with that guy two thousand years ago. They'll just think things got fixed because they sacrificed Someone Important.
But that's all right. She'll forgive them.
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sunflowerdigs · 5 days
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Where's Guzman in all this? Why ain't he saying anything about buddie?
Because at this point on the show, Buck is the character that has come out as bisexual, and we don't technically know whether Eddie returns his feelings. Oliver is free to talk about the possibility of Buddie within the context of Buck's bisexuality and canon attraction to men.
Interviews are used for multiple purposes and one of them is to continue to build the narrative off-screen. Eddie hasn't yet officially entered the narrative because we technically don't know that he can be attracted to men. If (and maybe I'm just riding the validation high of Oliver's interviews, but I think it's more like when) we see on screen that Eddie possibly does have feelings for men - omg, anon, put on your seatbelt, because hurricane Ryan is gonna be slamming into town alongside Oliver!
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jinhogwarts · 1 year
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i occasionally like or rt posts about judaism but never really talk about it too much myself.
but since i'm having a son very soon (🙏) i am curious to know what jumblr thinks about circumcision, so.
also!! please if you're comfortable let me know where you're from / if you live in israel or in another predominantly jewish area, and if that would affect your decision to do it or not
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storfulsten · 9 months
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What you ever thought about doing a soft version of bombeep??
well thought is I've been asked about soft bombeep before actually but I never knew and still don't how to make a good whitty that would fit but whatever, just going with vibes now so ye lets go
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slightly darker clothing and such related things bc reasons but also sometimes wearing cat ears and a mask in an effort to look less intimidating to people bc he's just a big softie obviously uwu
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Nobody :
Literally nobody at all :
New York : Sorry we threw Santa in jail.
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hoardlikegoldenirises · 10 months
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something a little silly
(he's not actually angry at the "drugs" thing, just busy trying not to die)
oh i almost forgot
transcript of my bad handwriting:
Page 1 Panel 1: 2013, 1:38 pm (sfx: DING DING DING)
Panel 2: 9th period, 1:40 pm
Peter's internal thought bubble: "Oh shit my meds"
Panel 3:
Student 1: Hi, Mr. Parker!
Peter: mm-hm
Panel 4:
Student 1: Mr. Parker? Hello?
(Student 2: Huh?)
Panel 5:
Peter: Hm?
Student 1: What are those, tic tacs?
Student 2: No, he's doing drugs!!! (In class!)
Text pointing to Peter's hand holding his pills says "PTSD medication"
Peter: HKFGH (choking noise)
Page 2:
Panel 1:
Student 1: Are you okay?!
(Student 2: oh fuck)
Peter: COUGH COUGH
Panel 2:
(sfx: WHEEZE)
Peter: It's not DRUGS!
Panel 3, Peter cont.: Well, I mean, it is drugs, but it's prescription—it's medication. OK?
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katyahina · 10 months
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Have been sketching misc things today and decided to color one of the sketches 🔒🩸
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placesyoucallhome · 4 months
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my quest to put this cat in every ridiculous slutty meme outfit I find continues
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dirtytransmasc · 8 months
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Ok but what do you think the experience of teaching the kids to drive was like for Alicole? I’m literally laughing at all of the images lollll
Alicole is gonna have some grey hairs after teaching 4 kids, their kids in particular, to put it one way.
all of them are, lovingly, nightmares when it comes to driving, and they give their parents a run for their money with how many ways they can be nightmares.
Aegon's a natural driver, he's just anxious as all hell, he has no trust in people or the rules of the road to actually keep him safe, he stalls and flounder's a lot, especially when crossing lanes of traffic to get somewhere. he's convinced driving is useless the first close call he experiences, cause this is just too dangerous and there are too many variables and people are stupid. but as time goes on and he is forced to drive more and more, his parents supporting him to just let himself get used to it, he begrudgingly goes for his permit and then his license, and while he's still an anxious driver, he doesn't mind it. (he likes driving late at night on back roads, cause there's never anyone out there). he definitely choked both his mum and his dad with his harsh stops, initiating the seat belt lock as they slam into them. Criston nearly lost it when Aegon stalled out on a 5-lane intersection, they don't like to talk about it.
Helaena is very literal when it comes to rules of the road. she's definitely like me when I first learned to drive, going exactly the speed limit, trying to drive straight by making sure her steering wheel is perfectly center instead of making little corrections here and there, so she ends up going more or less diagonally at times, a little heavy on the gas. plenty of things that makes her parent's anxious, especially cause a lot of people on the road get angry about her going "so slow". but once she gets the hang of it she's a good driver, though she prefer's to be a passenger princess, as she likes to be able to continue her daydreaming, and is a bit of a speed devil. definitely listens to audiobooks and bug documentaries in the car.
Aemond took forever to learn to drive, cause he not only had to learn the basics, but he had to learn to drive down an eye and with a bunch of driving accommodations. he's really committed and not all that bad at it, his parents anxiety mostly comes from the fact that he wants to drive a big ass truck and that he is a very confident driver with multiple large pinches of road rage. it's a lot less of them trying to teach him to drive, he picked that up over night, it's trying to keep him from committing vehicular manslaughter.
Daeron, like always, as he was raised by his siblings, picked up both the best and worst of them. He's very all or nothing, he's either going smooth and fast or slamming the breaks, super focused or his head's in the clouds, can be very apologetic on the road, but if he gets pushed around too much, he's going nuclear. he's truly their source of grey hairs, after Aemond, they make him wait till like... 18 or 19 to actually get his license, and it isn't helped by the fact that he's the baby of the family, so they're naturally a little overprotective. funnily enough, when him and his siblings are doing things they probably shouldn't, he's the designated driver, even prior to him getting his license (just wait till Alicole finds out they're going to have a stroke).
the kids all stressed them out, but they love them.
Bonus: The kids and their cars.
Aegon has an older Volvo sedan, it might have been golden at one point, but the paints worn to hell, so it's now a yellowy silver color, its like his baby, not in like... a car fanatic way, but in the teenage boy with his first care type of way... there's a difference I swear. its got black leather interior that he takes care of like his life depends on it, the passenger seat is only clean of trash for his sweet sister, the outside is all sorts of dinged and scratched (mostly prior to getting it) but he still takes it to get washed every two weeks, spends an hour in the self help section vacuuming it out and using all the sprays and tools. he defintly has to do a little dance to get it driving but he refuses to get rid of it till after the babes come and they need to upsize (he kept it and planned to give it to his kids when they got older, ignoring the fact it was pothole away from crapping out).
Helaena has a white kia soul, probably from the early 2000s. she saw it at a used car lot and liked 'face' it had (I think those cars look sorta... buggy? Idk I'm not a car person, it just felt like a car she'd float towards). takes good care of it, but isn't like Aegon. she keeps it clean, gets it cleaned once a month or two, and decorates the hell out of it. Crocheted steering wheel wrap, seat belt covers, seat covers, things to hang from her rear view mirror and hand holds, etc. (all the kids had her make ones for them too) and they're all bug/nature themed.
Aemond has a huge green truck, I'm talking diesel 4-door, you have to use the footstep to get into it and even then you need to like, pull on the seat to give yourself enough momentum. this thing is his baby, in the car freak sorta way. its getting cleaned every week, he puffs it and waxes it and does all that weird 30 different products, 12 microfiber towels, and a blood sacrifice shit car guys do. it has extra mirrors for him so he can see easier.
Daeron has a jeep, his car's newer, does basic upkeep on it, but is a little rough. he likes taking her (he definitely refers to his car as 'her' and 'she' and 'my girl') off road, likes taking his dog with him (mentioned in a previous post, he has a dalmatian) after going on hikes and to watering holes. she's seen some shit, is covered in a perpetual layer of dirt and dog hair, but he loves it. keeps the top of 90% of the year. his dog is his passenger princess. his siblings sit in the back 9/10 if Tess (his dog) is with them. only person who gets the dog booted is his mom and dad, and later on once they've grown a bit, his niece and nephew's. (I do think Daeron would be the sibling to fix up an older sports car, but I can't decide on what he would pick to fix up)
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the-busy-ghost · 9 months
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Love that Wilkie Collins apparently kept getting letters from guys who were convinced that Marian Halcombe must have been based on a real woman, begging him to introduce them because they were desperate to marry her
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nguyenfinity · 11 months
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can we have a himeru cry prayge
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I did not expect another req in the inbox so you can have. this 5-minute extra-pathetic Meru
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