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#or the world building and characters of star wars
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 重啟之極海聽雷/Reunion: The Sound of the Providence/The Lost Tomb Reboot/this thing has too many names
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Reunion (I'm just going to call it that) is a 2020 action drama about the most specialest little babygirl in the tomb-raiding world, his two husbands, and the cadre of assorted weirdos they pick up as they try to follow a set of directions left by a dead (?) man in the thunder.
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Imagine if someone showed you the Mandalorian, and you were like, gee, that was a neat little sci-fi one-shot! because you'd never heard of Star Wars. That was basically my experience watching this show, having no idea that the Lost Tomb franchise (DMBJ) was even a thing. Turns out that not only is there a whole big continuity out there with these characters, but that Reunion takes place a few years after the main story's resolution. Don't worry, though -- Reunion doesn't spoil you for that resolution. It doesn't spoil you for much, period. Look, DMBJ has a weird relationship to endings, okay?
I have written a more thorough where-to-start guide for DMBJ as a whole, so if you want to consider other entry points, well, that information is there for your consideration. Yet it is my opinion that this is the best entry into the overall franchise, and a fun thing to watch just in general, and I'm here to make my case for both of those.
The rest of this rec will assume that you have no familiarity with the DMBJ series. That's okay; you don't need any. All you need is to trust my five reasons you should watch this.
1. Old Man Yaoi
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As you begin this show, you are introduced to the Iron Triangle. That's them in the picture up there. Left to right, you have: Xiao Ge, magically tattooed immortal hottie who just got back from ten years in [scene missing]; Wu Xie, our protagonist, who's just a little guy and it's his birthday; and Wang Pangzi, the literal best.
(And yes, Wu Xie is in his 30s and Pangzi is in his 40s, which is not technically old man anything, but ... look, if you watch, you'll see why I think I'm justified in calling it that.)
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They are extremely married. They are a disaster trio of disasters so disastrous that no one else should ever be subjected to their chaos. They're going to make sure lots of people are, though, don't you worry about it. Sometimes those people even deserve it.
However, because the show (tragically!!) decides that Xiao Ge has somewhere else to be like 95% of the runtime, most of the relationship you get to see is between Wu Xie and Pangzi.
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I'm saying this now as an old gay nerd who just this year celebrated her 15th wedding anniversary: I have never, never felt so represented in media as I have watching Wu Xie and Pangzi interact. There's a little wake-up song they sing together near the end of the show, and it just ... it packs so much character development into thirty seconds. These boys have been living adjacent lives for so long that they've made up their own little shared songs about the mundanities of daily living. That is just what happens when you marry your best friend and then decide to get old and weird together. Ask me how I know.
Look, if you want to know whether this show is for you or not, watch to the end of the first episode, to the part where Pangzi flips over the table. If your heart is filled with joy (as it should be), keep going.
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Love makes a tomb-raiding syndicate family.
2. A fun-filled action-packed romp of nonsense!
If you're familiar with Hellblazer canon, this will make sense to you: Reunion is Dangerous Habits. If you're not familiar with Hellblazer canon, try it like this: Reunion is a terrible place to start because it plays on your extant affection for a character who gains a terrible status effect almost immediately. It's a also great place to start because it throws you right in the action with measurably high stakes and gives you a reason to build that affection very quickly.
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I'm also going to warn you right off the bat: The plot of this show got cut to ribbons by censors.
See, the DMBJ books, being books, are allowed to get away with supernatural shit! So you've got zombies and ghosts and curses and monsters and immortality and all your other standard ooky spooky semi-urban fantasy trappings. But the DMBJ adaptations, being live-action, are heavily regulated in their content. This is why, in the early Reunion episodes, our heroes are menaced by human-looking creatures that are actually ancient mannequins made of leather that are piloted, mecha-style, by evil clams. Because evil clams are more scientific than zombies. I guess.
So yeah, the plot of this book already had to get mangled into a more "science"-compliant shape even before it made it to filming. The real problem is that a whole lot more of it got cut after it was all filmed and put together. I have read an explanation of what the actual storyline was supposed to be, and yeah, if you know what you’re looking at, you can see (and hear) the scars where major elements got hacked out with a weed whacker.
Therefore: You cannot expect this plot to make sense.
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But that's okay! You're not here for the plot to make sense! You're here to watch some characters you love run around through ridiculous and sometimes beautiful labyrinths, trying to solve puzzles you're never given enough information to understand, all in search of the resolution to a mystery that had half its guts torn out before you got to see it -- and you are here to love it. If you have ever laughed and cheered your way through a Mission: Impossible film without pausing to care too much about the plot holes it’s dodging left and right, you are in the correct frame of mind to appreciate this. Just believe that whatever engaging nonsense the show tells you is correct for the time being and go with it.
You cannot watch DMBJ and care about the laws of physics. You simply cannot.
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Do not, however, let me give you the impression that the shoddy plotting is accompanied by equally shoddy performances. A major part of this show’s incredible watchability comes from how the cast is shockingly good. There are some serious heavy hitters among the actors. A major part of why this Wu Xie and Pangzi are my favorite together is the incredible chops both Zhu Yilong and Chen Minghao have, to say nothing of their real-life affection for one another. (See that scar on Wu Xie's neck? That scar is there because Zhu Yilong commits to the bit.) Effortlessly charming Mao Xiaotong turns potentially irritating wunderkind Bai Haotian into a perfect precious weirdo baby. Wu Erbai's entire second-season character arc could have been unintentionally comedic, but veteran of queer cinema Hu Jun sells even the undignified moments as relentlessly tragic. And of course Baron Chen absolutely kills it with...
3. This giant fucking loser
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This is Hei Xiazi. That's not his name, but it's close enough. Allow me to do a dramatic reenactment of my watching his first scene:
[camera pans over to him]
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me: Ugh, I recognize this kind of wannabe badass character design. I hate his type. He's self-important, hyper-masculine, and just a big jerk, and the show thinks he's soooo cool. Barf.
[thirty seconds later]
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me: Oh no. I was so wrong. I love him forever now.
This is because he is (as indicated above) a giant fucking loser. Yes, he's a good fighter who knows lots of things. He's also a wet potato chip of a man. Sure, he can get you into a headlock, but he can also annoy you into submission, and that's honestly more fun for him. My wife has used the phrase “Vash the Stampede-coded” to describe him. My wife is not wrong.
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And the kind of ridiculous thing is, being such a loser is what wraps back around to making him cool again. He's a loser because he just doesn't fucking care. His masculinity is the opposite of fragile. You tell him to wear a dress and makeup, he'll do it -- and sure, he'll complain, but only because he enjoys complaining. He has no dignity. He’s tits-out. He's gender. He's the worst and also the best.
Hei Xiazi is a major character in the other installations, to the point where he and his boyfriend (more on him later) even have their own movie. But of course, I did not know this on my first watch, so I kept expecting the show to explain his whole deal. It does not, but you don't really need it to. He sees better in the dark. He doesn't age. He's a thug for hire. There, that's all the bio you need.
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One of the things that makes him great is that he is the least sexually threatening person ever. Across all the properties he's in, he spends a fair amount of time with women -- sometimes in very close quarters -- and they are perfectly safe around him. I actually wrote a whole post about it once upon a time (warning for tiny spoilers for a series that isn't this one) wherein I claim that not only Xiazi but Reunion in general is the television equivalent of the shirt that says I RESPECT WOMEN SO MUCH I DON'T HAVE SEX WITH THEM.
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That said, this loser does get a sort-of romance plot here -- and honestly, I find it very cute! It's not even the only instance in this series of a bisexual guy in a long-term same-sex relationship getting a girlfriend, and I like that other one too! Look, the handle of my DMBJ sideblog is @katamaricule because I joked that Wu Xie treats polyamory like a katamari, and if you don't move fast enough, you're going to be rolled right up into his gay little cuddle puddle.
This is not a show for exclusive ships; this is a show for inclusive ships. The Jiumen Association is a polycule. You don't even have to know what the Jiumen Association is to know it's true.
4. The power of friendship
This show has a lot of characters.
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I'd say the supporting cast is divided into three categories: characters who have been in previous installments, characters who have not been in previous installments, and characters who probably should have been in previous installments (or at least mentioned) but who were only created for Reunion so we have to pretend like we've known about them all along.
There is no way to tell which is which -- which is part of my argument that this series makes a good entry point to the franchise.
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Take Huo Daofu. Huo Daofu is a brilliant doctor masquerading as a donut stand operator who treats Wu Xie with all the cold disdain of a man confronting the person who left him at the altar years ago. On the one hand, yes! We do know Huo Daofu from a previous series, and we've known he's both a doctor and a bitch. On the other hand, oh, we have no idea why he's like this about Wu Xie, and we probably never will. The show just treats it like it's for an excellent reason, and you know what, from what you know about Wu Xie, it probably is.
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Consider also Jiang Zisuan. One of the show's principal antagonists, Jiang Zisuan turns out to be the brother of ... well, let's just say it's someone whose having a brother really should have come up before this. It has not come up. (And that's even before we get into the issue of his surname.) His stated identity as that person's brother is so bizarre that my favorite interpretation is that he isn't actually that person's brother -- all the flashbacks we see are just his delusions about a relationship he's completely invented. But there's no way you'd know how fucking weird this is on your first run.
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Then there's our friendly little support himbo, Kanjian, who shows up to all occasions with two tickets to the gun show and not a thought in that beautiful head. (His name just means "vest," which is par for the course when it comes to the author's naming conventions.) He was a lot more menacing in the last series (where they kept putting sleeves on him, geez), where most of what we learned about him is that you can loan him out to other tomb-raiding families. Now he's a golden retriever with great aim and a slingshot. It's an upgrade.
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The trick is, you cannot be surprised when someone shows up and the show treats them like you should know who they are, even when there's no possible way you could know who they are. I mean, for heaven's sake, Liu Sang arrives in the middle of an obvious beef with Pangzi, the origins of which are never satisfactorily explained, while also having a giant do-I-want-to-fuck-him-or-do-I-want-to-be-him crush on Xiao Ge, which is also never satisfactorily explained. Whatever, you just roll with it. He's got good hearing, a bad attitude, and questionable taste in idols. Now you're good to go.
(I should throw in a special note here that Liu Sang is many, many people's little meow meow, and not undeservedly. For a fuller explanation of why that is, please consult this other post I made.)
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Part of the fun of this big cast is the adorable interactions you get. All the characters have appropriately big personalities, and the show loves letting people you wouldn’t expect bounce off one another. It’s not your typical action-hero show where nothing happens without the protagonist in the room. There are lots of exciting combinations and tons of charming dynamics! Unlikely friendships form all over the place! Enemies become allies! Allies become friends! Friends become friends with other friends! Some friends become enemies again! You'll need a scoreboard to keep up!
This is not to say the show treats all its characters perfectly or equally -- one of the precious few main female characters doesn't even get a real name, for heaven's sake, and the less said about the brownface racism, the better. It is, at its heart, a dude show for dudes made in China, with all the troubling decision-making that implies. Where it does deserve credit, though, is in understanding that its supporting characters are actual people with personalities apart from their function in Wu Xie's narrative. Sometimes the show just asks "what if [random character A] and [random character B] had to interact?" and has fun considering the answer! Which is almost always a delight to watch, and sometimes even breaks your heart.
5. Amazing rewatch value!
And by this I mean the experience of watching this show is remarkably different once you have any understanding of the rest of the DMBJ universe.
For instance, there's a point where two characters are scuba-diving past some submerged coffins, and one character tells the other whose coffins they are. Working only on information Reunion has given you, you're like, oh, that's where they buried the guy who built this creepy place, that's a little weird. Once you recognize that name from other series, though, your reaction is far more, excuse me, they did WHAT to WHOSE corpses?
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Or another point where a character you've already met is on a train, and there's a handsome gentleman who just happens to be riding with her. He hands her his business card! Aw, that's sweet, he seems like a nice guy! Well, no, Xie Yuchen is not nice, but he is one of our allies, and he's Hei Xiazi's boyfriend, and a lot of what he's doing hits real different when you have a fuller grasp on why he's doing it and for whom. (Honestly, a major reason to watch Reunion first is so you're not fully and appropriately upset by how your black/pink gays merely have one teeny tiny scene together.)
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From the way the series treats the persistent absence of Wu Sanxing, Wu Xie's third uncle, I absolutely, 100% assumed that he was a completely new character to this installment of the series, an extremely long-lost relative that we've somehow conveniently managed to never talk about before now. So imagine my gobsmacked surprise when I went to watch a different series, set much earlier in the timeline, where the opening scene prominently features Wu Sanxing as an actual character in the present-day narrative! ...Well, sorta. Look, there's a lot of fuckery with his identity in earlier parts of the story, and fortunately you need to know none of it to understand Reunion. But when you do, it suddenly makes a lot more sense why Wu Xie talks about someone who was a major part of Wu Xie's adult life like he died when Wu Xie was nine.
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AND THE FLASHBACK SCENE WHERE A-NING GETS KILLED BY THE SNAKE, AND YOU'RE LIKE, OKAY, AND THEN YOU WATCH ULTIMATE NOTE AND IT WASN'T LIKE THAT AT ALL look, I know there are kinda reasons for this, different production companies and all, but seriously, what the fuck
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All of which to say is that the experience of watching Reunion the first time is, hey, this self-contained romp is a lot of fun! The experience of rewatching it after watching any of the other DMBJ installments is a transcendently wonderful head-clutching avalanche of one moment of recognition right after another.
And here's the thing: You will watch more. Reunion is a gateway drug. If you are interested enough to make it through all 62 episodes, you're going to be interested in watching more. Which is great. The English-speaking fandom needs more people. Come down into the tombs. It's great down here. We've got snakes and arguably unintentional homoeroticism. Join us. Join usssssssss
Are you ready for an aventure?
There are a couple different ways to watch the first half, but there's (weirdly) only one way to watch the second, so for both of them, I'm going to send you straight to iQiyi: Season 1 (32 episodes) and Season 2 (30 episodes).
And just so you’re ready when Reunion is done, here’s how you find the rest of the DMBJ series, in the absolutely non-chronological order in which I, personally, think you should watch them:
The Lost Tomb 2 (AsianCrush, YouTube)
Ultimate Note (iQiyi)
The Mystic Nine (iQiyi, Viki)
Sand Sea/Tomb of the Sea (Viki, WeTV, YouTube, also YouTube)
Also, there's a lot of movies and side series and other pieces that are worth seeing, and even a couple of full series I've left off the list, and you can just slot them in wherever. And maybe we'll get Tibetan Sea Flower someday? Look, hope springs eternal.
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They're so perfect. Perfect triangle. Perfect boys.
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entropyvoid · 16 hours
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Honestly with all the overlap between sci-fi and fantasy fans, I’m really surprised that “high fantasy in space” isn’t more of a thing.
There are some things generally assumed by most to be sci-fi that I’d personally label space fantasy, like Star Wars, where the high tech is just there as a backdrop to a classic heroic story of good guys vs. bad guys, who are definitely doing magic (by using the force). The point of Star Wars isn’t the tech or anything, it just happens to be a tale told in space. It contrasts pretty starkly with something like Star Trek, where the vast majority of episodes revolve around exploring whatever scientific or philosophical concept the writers thought would be kinda neat that week, using established characters as a vehicle for said exploration.
I think one of my favorite things about Honkai Star Rail is that it freely and unabashedly mixes sci-fi and fantasy. It just goes “You are a walking neutron bomb. Also turns out your bestie is from a self-reincarnating race of dragon people with powerful water and illusion magic. They live on this big, planet-sized ship that’s dedicated to hunting down this one cosmic horror that cursed all the ship’s inhabitants with immortality, under the banner of this other cosmic horror that exists solely to kill the first cosmic horror. Let’s go on vacation to the theme park planet, the actual resort is technically an Alice-in-Wonderland style dream triggered by the same kinda cosmic-horror-gifted bomb as you. Your new friend is a meme. By the way, did we tell you about the one time this super-genius harnessed the power of *imagination* to build a death ray that instantly obliterated a bunch of planets? That was kinda fucked up, huh.” Sometimes Star Rail tries to give explanations for its tech in a way that seems believably sciencey. Sometimes shit’s just straight up called magic or it’s from some deity or another and none of the characters present have a good understanding of why, so you all just go about your bullshit. It makes it work within the context of its established universe.
Cosmic horror in general is often (but not always) found in sci-fi, but where the point of sci-fi is to expand on and detail a concept in a believably scientific way or explore the impacts of a scientific thing, the point of cosmic horror is that there is a Thing that is beyond human understanding or comprehension. Sci-fi is a fun thing to insert it into, because the more scientifically sensible and well-understood elements of the world you have, the more jarring that becomes.
Then you’ve got things like Dungeon Meshi, which exists in an inverse of something like Star Rail: it takes a very Tolkien-inspired Dungeons and Dragons-esque setting, and then details it in a very scientifically sensible way. There is magic, and there are these fantastical monsters, yes, but the monsters are parts of their own delicate and intricate ecosystems, they are edible, and they have very particular nutritional values and ways you can cook them! The protag’s biggest strength lies in him being a nerd about monster biology. Magic, too, by the end of it, ends up with a plausible enough explanation as well. And the explanation is a cosmic horror! In this way, Dungeon Meshi, despite being built entirely off of very easily recognizable and classic fantasy tropes, is probably more accurately classed as sci-fi.
I just love all of it. Can I get like 50 more of these fucked up lil mixtures of science and magic please?
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in-the-multiverse · 9 months
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Let him speak ‼️
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heart-of-a-rebel16 · 3 months
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the more Star Wars stuff that Disney pumps out the more I am shocked that rebels is as amazing as it is
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yukipri · 1 year
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Ninety-Nine | Alpha-99
Clonetober 2022 #28
*Numerical designation is the artist's own headcanon.
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PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogging is the best way to support this project and the artist.
❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!
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corelliansunsets · 1 year
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PART 1 of my project on mapping out regional variations in the people of Shili, also known as the togruta!
For even more detail, read below!
Shili is home to a variety of coastal communities, ranging from freshwater, to wetlands, to oceans, to small islands whose populations have remained more genetically isolated. Many of the traits seen in individuals of these regions were developed to help them become the best fishermen and swimmers of the planet.
Their most defining features are the larger, smooth markings across their bodies that can be broken down into thin stripes, much like some of the aquatic life they hunt. Combined with their often more horizontal montrals and shorter lekku, it is hard to mistake someone who hails from these communities.
The one shown in this example is wearing a traditional loin piece that has been worn by his people for generations and is based on the Maro and similar Polynesian styles.
Often host to people from all over their planet or other planets in nearby systems, the ocean regions have begun to develop a bit of a tourism industry. Of course, many of the communities who have lived and fished those waters for centuries are now pushing back on the change in local culture. Many of the oldest villages on Shili are found on these coasts and still hold their traditions very close to their hearts.
This design mainly based off of small physiological adaptations that different groups would develop over periods of time in certain climates and ecosystems. Many modern togruta may have a combination of traits from different regions in their appearance and this is related to the gradual globalization of the planet and its cultures.
Hope you enjoyed and keep an eye out for more variations!!
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oreolesbian · 10 months
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izloveshorses · 2 years
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you know what else Andor is doing so well?? the TIE fighters. we’ve seen them so many times since the original film, we know the sounds they make, how fast they move, how big they are, etc. but Andor is using scale so incredibly well, really putting the viewer in the perspective of someone on the ground in this world, that for the first time (to me, anyway), TIE fighters are absolutely terrifying. in 106 the sound of the siren as the pilots were climbing into the little ships made the hair on my arms rise. 105 I think is the one where one streaks across the field low to the ground while our little rebel group hides, right? how can such a familiar sound to us suddenly feel so loud and shrill and frightening?? 
the answer is scale, and Andor is becoming a masterclass at it. 
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greywolfheirs · 1 year
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Well that was a massive waste of my time. I'd ask where they're going with all this but then I remembered Favreau being quoted saying he has no plan 🙃🙃🙃
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calyssmarviss · 1 year
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It's so funny seeing people be like "Andor has no Easter eggs" when Luthen's shop exists.
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ashren · 2 years
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🍰🎂🍩 for Ash (or both if you feel so inclined 😉)
🥰🥰🥰🥰 thank you 💕
(For reference Ash's story takes place after the original trilogy, he defects around the time of A New Hope- he meets Rylin about five years after the fall of the Empire)
🍰: What's something your OC counts as unforgivable?
For Ash, Empire sympathizers are unforgivable, especially after the fall, when more and more secrets were let out about how the Empire really operated. He struggles with this for a long time being ex Empire himself
Rylin- Doing anything that would hurt his family. He's incredibly protective of the ones he loves, and of his Mandalorian culture, fuck with that intentionally and he'll never forget or forgive that one.
🎂: Has your OC have any contradictory interests or traits to the first preception people have of the? How do they surprise people?
HEHEH SO Ash actually kinda lives a double life 😌
Ash is bartender who happens to be good on a speeder bike and accidentally became a local celebrity by entering and winning races. HE keeps to himself and the bars owner will tell ppl to scram if they bother him about his racing while he's working so most ppl don't really pay him much mind
Pax on the other hand is a smuggler and bootleg bacta maker based out of Kamrri (the planet they live on lol i have a LOT of world building on this one) who's known to be loud mouthed and quick to anger. He never takes off his helmet in public, adding to his mysterious air lol. He's got a small crew, but the rumor has it, he's the one to go to for less than legal ventures.
Ash isn't exactly the opposite of Pax, he just keeps his mouth shut more, but people would absolutely be surprised they're one in the same. He made the decision to separate the two identities early on when he realized he could win a lot of money from speeder racing but only in the legal races. If he showed off his face as a smuggler who can outrun both the empire AND the new republic, he couldn't race, and he couldn't make money to continue making bacta
So yeah Ash kinda lives doubles lives and it is VERY shocking to Rylin, who was enamored with Ash, and found Pax annoying as shit (affectionate, he later realized).
🍩: What's a crime your OC is most likely to commit? What's a crime they're most likely to get arrested for?
Smuggling. LOL. Specifically bootleg bacta. He, Threes and Rell learned how to farm bacta and make different strains and how to do it affordably. Part of Pax's self issued penitence for his time in the Empire is offering free bacta to places he could reach that were ruined by the Empire. Bc he's not making the bacta legally, the New Republic is also cracking down on him, citing unsafe practices. He gets arrested as Pax for smuggling related stuff a few times, but also manages to either bribe, talk, or break his way out of the situation.
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sheliesshattered · 3 months
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My window to order was starting to narrow, so I finally pulled the trigger on the Captain Accreditation License prop I'd been eyeing for my Batuu Bound birthday outing coming up. It's such a silly little detail, but the reviews are filled with people talking about getting to use it in Galaxy's Edge when the Stormtroopers stop them to ask to see some identification, which sounds like a fun interaction. And like, I can make a great deal of soft kit, I can even put together my own greebles out of foam -- but laser engraving is way outside my wheelhouse and tool access.
But before I could order it, I had to come up with a bunch of info to go on it, like name, home planet, ship type, that sort of thing. I had a basic idea of what sort of character I wanted to portray with my outfit for Batuu, but filling out the info for the pilot's license really made me lock down a bunch of details, which eventually evolved into full on original character creation.
It also got me started in learning to read Aurebesh, the Star Wars transliteration alphabet, but that's a whole other rabbit hole, lol.
Character wise, I started with my absolute love of piloting the Falcon in Smuggler's Run (my desire to do so again was one of the major reasons for deciding to do this for my birthday) and my fav in the sequel movies, Benicio Del Toro's "D.J." character. (The very brief political commentary about weapons manufacturers profiting off both sides of the war, and his little "live free, don't join" axiom are just so amazing, I still cannot believe we got that in a Star Wars movie.)
I also took into account that the timeframe for Galaxy's Edge is between Ep 8 and Ep 9, in roughly 34 or 35 ABY (years after the Battle of Yavin, at the end of Ep 4), and that I want to do the lightsaber building activity at Savi's Workshop the day we visit. The Etsy listing for the license also had an interesting little note about choosing a homeworld, calling out that 'because of well-known galactic events' Alderaan would only be an option for characters over the age of 40 or so. That comment got my mental gears turning, and sent me down the path of researching the year that Disney's Batuu is set in, etc.
At that same time, I was trying out different potential hairstyles for keeping my waist-length hair controlled during a day at Disneyland while still looking Star Wars-y. I tried a couple of Rey inspired hair styles, but eventually settled on something much more like Leia's looks in Ep 5 and Ep 6, with multiple braids wrapped around the crown to form a full circle. It's easy and comfortable and will keep my hair from tangling and works well with my hooded wrap thing, so I decided that hairstyle would be part of my look, and part of my character building.
So at that point I had: pilot, politically unaffiliated, soon to own a lightsaber, emulating Princess Leia and/or Alderaanian hairstyles, and grew up mostly after the fall of the Empire and probably wouldn't remember (or only just barely remember) the destruction of Alderaan. On that last point I was splitting the difference slightly -- if I translated my real age now into the Star Wars timeline (and Galaxy's Edge being set in ~35 ABY), then I would have been roughly 8 years old when Alderaan was destroyed. But in reality, I was born shortly after Ep 5 came out, and my earliest memories of Star Wars are knowing all about the movies, playing Star Wars make-believe with other kids in the neighborhood, and being excited that Ep 4 was going to be airing on TV.
After a lot of noodling on this, while sewing or driving or trying to fall asleep, the character started to come together in my head. Her mother was born and raised on Alderaan, but around age 20 (in 2 or 3 BBY, roughly) met a dashing young pilot on a freighter passing through, fell in love, and left Alderaan to be with him. They got married and lived mostly in the hyperspace lanes for a couple years, jumping from place to place. When she found out she was pregnant, she temporarily went back to Alderaan to be with her family and have her baby there. In the last year before the Battle of Yavin, she had a baby girl she named Samæni Ray, and after a few weeks she and the baby left Alderaan to meet up with her husband again.
So none of them were on Alderaan when the Death Star targeted and destroyed the planet. In the wake of the tragedy, the Alderaanian diaspora would have pulled together all across the galaxy, trying to get word of anyone who might have survived. And then, a miracle: Princess Leia somehow survived! The princess that Samæni's mother had grown up idolizing from afar, someone similar to her in age and physical appearance (pictures of my real mother from the 1970s bear a striking resemblance to Carrie Fisher in the same time period) -- the princess that Samæni's mother had loved for as long as she could remember, she not only survived but she stepped up to lead the Resistance against the Empire!
You know those people in real life who like, collected merchandise about Princess Diana? Yeah, that's Samæni's mom, but with Princess Leia, lol.
The war to overthrow the Empire only lasted for another 5 years or so, ending with the Battle of Jakuu in 5 ABY. So I figure Samæni might have vague early childhood memories of her parents celebrating the end of the war. They weren't actively members of the Resistance, and Samæni's father was much more politically neutral, preferring to focus on his work as a freighter pilot, but as far as Samæni's mother was concerned, anything Princess Leia did was a blessing on the galaxy, so it would have been a big deal for her, both during the war and in the years after as the New Republic was established.
During those early years of the New Republic, Samæni's father's freight business continued to do well, and she mostly grew up in her family's Gozanti-class cruiser, as they moved things from one planet to the next. She learned to pilot at her father's side, eventually sat for a pilot's license exam as a young adult, and then struck out on her own. Samæni's first job as a pilot was for a company that operated light freighters as party ships, allowing those with modest disposable income to see the galaxy in style but without the expense of a yacht cruiser. (The company probably had a ridiculous tagline like: "From here to thar with an open bar!")
Since those early jobs-for-hire, Samæni saved up enough money to buy her own little light freighter and start an inport/export business in which she (and her partner Jack) go to outer rim worlds to buy antiquities, oddities, and rare objects and bring them back to an upper-middle class clientele in the core worlds and inner rim. Their current ship is a bit of an antique itself, a Kazellis-class light freighter that is flashy enough to fit in in the nicer areas of Coruscant, but hard-working and easily repairable enough to take Samæni and Jack to all those far-flung worlds with treasures to acquire. Their ship has room for some larger pieces, but most of the cargo area has been converted into full-time living quarters, since they rarely stay planet-side for very long.
Their home-port is the ecumenoplis planet of Denon, an inner-rim world that sits at the intersection of two major hyperspeed trade routes. Denon was the closest thing to a homeworld that Samæni had growing up, and her parents have since retired to the equatorial area of the planet, in a community with a lot of other retired pilots and haulers and ship mechanics. (Her father's favorite local cantina is named for the CEC catalog part number for a replacement hyperdrive lever. He and all his old pilot buddies think it is hilarious.)
Samæni's mother continues to talk about Princess Leia like they are close friends (despite never actually having met her), and keeps informed on the rise of the First Order and the resistance to it mostly because she has set up HoloNet news alerts for General Organa. But Samæni takes more after her father in that regard, doesn't particularly care about politics or taking sides in any civil war, other than how it impacts business. The destruction of the Hosnian system by the First Order's Starkiller Base is enough to push Samæni towards siding against the First Order, but she still isn't about to rush out to join the Resistance, either.
Her pilot's license lists Denon as her homeworld, and it would take some dedicated digging to find that her planet of birth is actually Alderaan. She only lived there for the first few weeks of her life, and her only memory of it is how sad it's always made her mother. The traditional hairstyles and the stories about Princess Leia are really the only parts of the culture that she inherited. Samæni has never wanted to talk about being from Alderaan with anyone, and as the Empire's successor has come to power in the last few years, it's seemed even more dangerous to let anyone outside of close friends and family know that she is technically a survivor of the last time a galactic power was going around destroying planets.
Samæni and Jack are heading to the outer rim world of Batuu to visit Dok Ondar's Den of Antiquities, and follow up on a tip about Savi's crew of 'scrap metal' gatherers, in case there's something there that might sell well on a core world. Arriving to find that both the Resistance and the First Order have a presence in Black Spire Outpost will be less than ideal, but Samæni and Jack have been to enough rough ports across the galaxy that they know how to keep their heads down and stay out of trouble.
And hey, if First Order troopers stop to ask them for ID, Samæni will have a genuine pilot's license to show them. ;)
#Batuu Bounding#Star Wars original character#2024 mood#my original characters#Samæni Ray#Samaeni Ray#pronounced sa-MAHN-ee#the spelling was a whole thing -- I didn't want it to be a real-world name or place AND to look good written in Aurebesh#but there's an Aurebesh letter for the combined ae vowel sound that makes it 6 letters long instead of 7#and with that spelling the only real-world thing that comes up with a google of it is an Icelandic word. I can live with that#I haven't done character building like this since I was originally preparing for Wasteland Weekend#the process is fun and I love the way that it informs the corresponding clothing/costume design#and in that sense this post is relevant to:#hooded wrap#Batuu vest#scrappy sweatshirt project#which I started yesterday but haven't taken any pictures of yet#info on that coming soon#and also relevant to the tag I was using before I decided on my character's name:#my SW/BB OC#I think it's still in my queue but there's a post I've reblogged with that tag on it#that talks about how Leia's survival of the destruction of Alderaan would have been viewed by people outside her immediate circle#that post also helped jumpstart a lot of my thinking about Samæni's parents#who no -- do not actually have names at this point. but hey it's fun to have places to continue to develop the backstory#I also want to come up with a name for Samæni and Jack's Kazellis-class ship#Jack said 'Ravencrest' half joking but I think that might stick lol
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bylightofdawn · 4 months
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Was ANYONE going to tell me they released a NEW Babylon 5 movie this year?! After how many fucking decades????!
I am shooketh.
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allnovellas · 1 year
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Star Wars
The Writing Behind: Star Wars The “Star Wars” film franchise is a legendary epic that has captured the hearts and imaginations of millions of fans around the world. With its iconic score, memorable characters, and stunning visuals, it’s easy to see why this series is so beloved. But beyond the surface level, there is a rich and intricate story that has been woven through the nine main saga…
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physalian · 2 months
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What No One Tells You About Writing Fantasy
Every author has their preferred genres. I love fantasy and sci-fi, but began with historical fiction. I hated all the research that historical fiction demands and thought, if I build my own world, no research required.
Boy, was I wrong.
So to anyone dipping their toe into fantasy/sci-fi, here’s seven things I wish I knew about the genres before I committed to writing for them.
1. You still have to research. Everything.
If you want any of your fantasy battle sequences, or your space ships, or your droids and robots, or your fictional government and fictional politics to read at all believable.
In sci-fi, you research astronomy, robotics, politics, political science, history, engineering, anthropology. In fantasy, you have to research historical battle tactics, geography, real-world mythology, folklore, and fairytales, and much of it overlaps with science fiction.
I say you *have to* assuming you want your work to be original and unique and stand out from the crowd. Fanfic writers put in the research for a 30k word smut fic, you can and will have to research for your original work.
2. Naming everything gets exhausting
I hate coming up with new names, especially when I write worlds and places divorced from Earthly customs and can’t rely on Earthly naming conventions. You have to name all your characters, all your towns, villages, cities, realms, kingdoms, planets, galaxies, star systems.
You have to name your rebel faction, your imperial government, significant battles. Your spaceships, your fantasy companies and organizations, your magic system, made-up MacGuffins, androids, computer programs. The list goes on and on and on.
And you have to do it all without it sounding and reading ridiculous and unpronounceable, or racist. Your fantasy realms have to have believable naming patterns. It. Gets. Exhausting.
3. It will never read like you’re watching a movie
Do you know how fast movies can cut between scenes? Movies can balance five plotlines at once all converging with rapid edits, without losing their audience. Sometimes single lines of dialogue, or single wordless shots are all a scene gets before it cuts. If you try to replicate that by head-hopping around, you will make a mess.
It’s perfectly fine to write like you’re watching a movie, but you can’t rely on visual tricks to get your point across when all you have is text on a page – like slow mo, lens flares, epically lit cinematic shots, or the aforementioned rapid edits.
It doesn’t have to, nor should it, look like a movie. Books existed long before film, so don’t let yourself get caught up in how ~cinematic~ it may or may not look.
4. Your space opera will be compared to Star Wars and Star Trek
And your fairy epic will be compared to Tinkerbell, your vampires to Twilight, your zombies to The Walking Dead, Shaun of the Dead, World War Z. Your wizards and witches and any whisper of a fantasy school for fantasy children will be compared to Harry Potter. Your high fantasy adventure will be compared to Lord of the Rings.
You can’t avoid it, but you can avoid doing it to yourself. When people ask about your book, let them say “oh, you mean like Star Wars” to which you then can say, kind of, except XYZ happens in my book. These IPs will never fade from the public consciousness, not while you exist to read this post, at least, but Harry Potter isn’t the only urban fantasy out there. Lord of the Rings isn’t the only high fantasy. Star Wars isn’t the only space opera.
Yours will be on the shelves right next to them, soon enough, and who knows? You might dethrone them.
5. Your world-building is an iceberg, and your book is the tip
I don’t pay for any of those programs that help you organize your book and mythos. I write exclusively on Apple Notes, MS Word, and Google Suite (and all are free to me). I have folders on Apple Notes with more words inside them than the books they’re written for.
If you try to cram an entire college textbook’s worth of content into your novel, you will have left zero room for actual story. The same goes for all the research you did, all the hours slaving away for just a few details and strings of dialogue.
There’s a balance, no matter how dense your story is. If you really want to include all those extra details, slap some appendices at the end. Commission some maps.
6. The gatekeeping for fantasy and sci-fi is still very real
Pen names and pseudonyms exist for a reason. A female author writing fantasy that isn’t just a backdrop for romance? You have a harder battle ahead of you than your male counterparts, at least in the US. And even then, your female protagonist will be scrutinized and torn apart.
She’ll either be too girly or not girly enough, too sexy, or not sexy enough. She’ll be called a Mary Sue, a radical feminist mouthpiece, some woke propaganda. Every action she takes will be criticized as unrealistic and if she has fans who are girls, they will be mocked, too.
If you have queer characters, characters of color, they won’t be good enough, they won’t please everyone, and someone will still call you a bigot. A lot of someones will still call you a bigot.
Do your due diligence and hire your army of sensitivity readers and listen to them, but you cannot please everyone, so might as well write to please yourself. You’re the one who will have to read it a thousand times until it’s published.
7. Your “original” idea has been done before, and that’s okay
Stories have been told since before language evolved. The sum of the parts of your novel may be original, but even then, it’s colored by the media you’ve consumed. And that’s okay!
How many Cinderella stories are there? How many high fantasies? How many books about werewolves and witches and vampires? Gods and goddesses and celestial beings? Fairies and dragons and trolls? Aliens, robots, alien robots? Romeo and Juliette? Superheroes and mutants?
Zombies may be the avenue through which you tell your story, but it’s not *just* about zombies, is it? It’s about the characters who battle them, the endurance of the human spirit, or the end of an era, the death of a nation. So don’t get discouraged, everyone before you and everyone after will have written someone on the backs of what came before and it still feels new.
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ibrokeeverything · 2 years
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*screeches unintelligible star wars thoughts into the void*
#andor is giving me so many thoughts#first of all the show is fantastic#i absolutely love the serious tone and slower pace and especially the deep world building#everything in the show feels like it's existed for years#every side character feels like they have a whole life even if they only have a few lines#anywho#i struggle with it because its great and people are enjoying the serious tone but i don't want this to become the standard for star wars#i like this show because it's different#just like i enjoy the mandalorian because it's different and obi wan kenobi because it's different#i don't want star wars to feel samey#there's so much star wars content out there and if people don't innovate it runs the risk of getting really stale#clone wars is my absolute favorite piece of star wars media and they arent afraid to get weird#plus there's just some fucking stellar storytelling going on#don't even get me started on clone wars because ill never stop 😅#anyway i just love star wars so much and want the best for it#and i want them to keep telling unique and interesting stories as well as continuing to flesg out existing stories#im so hyped for tales of the jedi btw#like an unbelievable amount#I'm not sure how much sense this made but i wanted to get it out haha#star wars#andor#the clone wars#the mandalorian#oh one more thought#i even had these thoughts to begin with because i see people saying things like (this is what star wars should be)#^this being andor#and to me that's just simply not true#there's no one thing that star wars should be#i think it needs to have different stories and different tones and different messages#that's what allows it to connect with so many people and stay relevant over so many years
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