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#onto the next idea
ryuucae · 5 months
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mostly-natm · 3 months
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HAPPY BIRTHDAY, DATA!
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airborneice · 5 months
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“What’s this one supposed to mean?”
“Hmm..beauty or strength, sometimes.”
“Perfect.”
@sketchbookweek Day 2 - Wilderness / Witchcraft
going back to my roots of drawing sketchbook being gay in a field
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lggy · 8 months
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please just die and come to the nether with me
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bonefall · 6 months
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do the starclan angels get to taste the culinary evolutions their descendants cook up? do they ever watch their great grandkids salting something and think "damn that looks agreeable"
Sadly there are downsides to being dead. They can still eat and cook the prey in StarClan offerings, but they can't taste of the mortal plane any longer.
There is ONE exception. Sacrificial offerings can be tasted. Tasting these offerings as a spirit can sometimes have... unintended effects.
Nothing magical, but suddenly, it hits you again that the afterlife isn't the same as being alive. There's flavors you haven't experienced in years. Mass returns to your lips and paws. You realize that you aren't breathing, and for a twinge of a second, your chest surges with the warmth of a beating heart.
Angels who died young are usually alarmed and unsettled by eating such offerings, and won't partake more than once. To others it's a comfort. Many cry after their first experience, so perhaps, unknowingly for the living, it's why it's so common to make food sacrifices during droughts.
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the-valiant-valkyrie · 2 months
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conceptualizing.....
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runawaycatwalker · 4 months
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Part 25. Best Friend Erasure (Oni-Chan 2.0, part B)
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Description below the cut
Catwalker approaches Ladybug as she stands on a roof.  She points off in a far away direction.
Catwalker: Ladybug!  Oni-Chan is back, and this time her powers are—
Ladybug: I need you to go to one of the rooftops way over there and stay right there.
Catwalker: Are you sure?  I could do more here if I—
Ladybug: Just.  Go.
Catwalker: ...Yes, Ladybug.
Ladybug swings towards a rooftop where the other heroes have congregated near a Find Adrien billboard.  Viperion looks up at Ladybug.
Viperion: Ladybug!  Why isn't Catwalker with you?  Did you talk to him about... that thing I told you?
Ladybug: We talked.  He wasn't hiding what you thought he was.
Viperion: Oh.
Ladybug stands in a ‘take charge’ pose right in front of the billboard with Adrien’s face.  Most of the heroes gather in to look towards her, but Carapace looks off towards the direction Catwalker took instead.
Ladybug: And everybody, gather around! You should all know this.  Catwalker is on probation until further notice.
Viperion: Probation?  Isn't that kind of extreme?
Ladybug: I have my reasons.  He's keeping his miraculous, but you're the people I'm going to rely on to beat the akumas.  For now, consider him an observer and just ignore him.
Carapace starts using his shield as a phone to text his girlfriend.
Carapace (texting): Rena, why is Catwalker allowed to keep his miraculous?  We *have* to stop him from causing more damage.
Rena Furtive (texting): I'm watching him, don't worry.
Cut to Rena hiding on a rooftop as she uses her flute simultaneously as a telescope to spy on Catwalker and a phone to tap out a reply to her boyfriend.
Rena Furtive (texting): But if you want to try to get more info out of him as Carapace...?  I'm sure Ladybug wouldn't mind...
Carapace leaps towards Catwalker, who looks at him suspiciously.
Catwalker: Carapace?  What are you doing here?
Carapace: Ladybug said you were alone, and I thought you shouldn't be.
Catwalker: You should go back.  Ladybug needs every hero she can get.
Catwalker perches himself on the ledge of the building he’s atop of.
Carapace: Then why did Ladybug send you all the way out here?
Catwalker: She needs me.  I just... need to wait here.  Until she comes up with a plan for how she can use me.
Carapace: If you want to help, we can always work to protect Adrien Agreste.
Carapace opens his arms wide and tries to give a disarming smile, but he can’t help but show his underlying malice.
Carapace: If you know anything at all, I'm all ears!  Even if it's something you need to keep on the down low, I can be your confidant.  I'm a hero, after all!  You can trust me to keep secrets.
Catwalker, completely uninterested in going through another round of ‘my best friend pretends to like me when I know he’s secretly mad at me’ points his finger in accusation.
Catwalker: I see what you're trying to do and I'm not going to fall for it.
Carapace: Whaaat?  I'm not trying anything!
Catwalker: Nino.
Carapace: How did—I mean, who's Nino?
Catwalker: You forgot to tell Adrien that he shouldn't reveal secret identities to anyone.
Carapace, completely off put, tries to make this new bit of information add up.
Carapace: He told you about me?  Why would that even come up?  Unless...  Did he tell you he had a superhero for a best friend to try and convince you he didn't need you?
Carapace points an accusatory finger at Catwalker. Catwalker tries to placate, but he’s distracted by a burst of red light in the distance in the direction of the other heroes.
Carapace: And then you forced him to leave when he didn't want to and—
Catwalker: You have it all wr—Oh no.
Oni-Chan rapidly teleports between temporary heroes (all of whom had just been staring towards the giant face of Adrien) and hits them with her sword in quick succession: Vesperia, Viperion, King Monkey, Purple Tigress, Polymouse, Pegasus, and Pigella are all frozen before they can do anything to fight back.
Oni-Chan: You!  Won't!  Get!  In!  My!  Way!  Anymore!
Oni-Chan lunges for Ladybug, but she manages to swing out of the way with her yo-yo and escape, unable to be tracked because she was the only member of the group who hadn’t been staring at Adrien’s face.
Catwalker: Come on!  Ladybug needs our hel—
Catwalker leaps into the sky to follow Ladybug, but as he is in midair, a green sphere forms around him.
Carapace: Shell-ter!
After the sphere hits the ground, Catwalker looks up at Carapace, who stands at the edge on top of the nearest building tauntingly.
Catwalker: I don't want to fight you.
Carapace: Good!  Because you won't be able to fight anyone!
Catwalker: Look, we're both heroes right now.  We need to be able to work together to help Ladybug.
Inside the sphere, Catwalker kneels and looks down dejectedly.
Carapace: Ladybug doesn't want your help!
Catwalker: Maybe not right now, but—
Carapace: Why did you think she sent you so far out of her way?  She can't even stand to look at you!  No one needs you.  No one wants you.  You should just give up your miraculous and save us the troub—
Carapace’s attention is caught by something happening across the skyline of Paris: with the Agreste mansion at the epicenter, a flurry of black ribbons launches into the sky, each one racing toward a Find Adrien billboard.  Where each ribbon touches, the place where Adrien’s picture should be has been replaced by an empty white void.
Carapace (to himself): What the...?  ...the Adrien billboards...  All the pictures of Adrien...  He's gone.
Carapace points down at Catwalker accusingly and brings his shield in close.
Carapace: Why couldn't you have just done nothing and let his real friends help him?  Some magic ribbons just wiped Adrien from existence!
Catwalker: That's impossible.  A sentimonster probably just got rid of the Adrien ads.
Carapace: You don't get it!  He exists nowhere!  And I'll prove it!
Carapace uses his shield to navigate to the pictures on his phone.  His hand touches at the shield when it displays a picture of Nino and Adrien smiling together, nothing erased.
Carapace: I'll show you how this picture of the two of us is—
Catwalker: Wait.  Carapace, you need to drop it.  Now.
Carapace (to himself): Huh...?
Catwalker: Adrien is alive, I promise—
Carapace (to himself): He's still here with me...?
Catwalker: —but she's going to find you if you keep looking—
Oni-Chan pops in and out of existence just long enough to stab Carapace in the back, sending his body off the edge of the building.  Below them, Catwalker looks up and destroys the sphere around him.
Oni-Chan: Begone!
Carapace: Ack!
Catwalker: No!  Cataclysm!
Catwalker leaps into the air, arms reaching towards Carapace’s petrified body, all while the shield Carapace dropped in the commotion falls next to them.
Catwalker: I've got you!
Catwalker tearfully embraces the frozen Carapace from behind.
Catwalker: I am so sorry.  For everything.
Catwalker continues to hug Carapace tight as a flood of emotions spews forth.
Catwalker: I never wanted to hide behind a mask, especially not with you, Nino.  You've always encouraged me to be myself.  Even though I've never been able to fully show you everything I am, you accepted the 'me' I could give.  It meant so much to know that you cared, not just about the idea of me, but the real me.  And now I'm less 'me' than I've ever been.  Maybe it would have been better if I did nothing. But when she tried to kill me, I just... ran.  Ran and insisted I was fine like I always do.  And now you're the one paying for my rash decisions and I feel so powerless to stop it.  I hope one day you'll forgive me.
Catwalker places Carapace’s body upright and touches his back in a gesture of farewell.
Catwalker: I wish I could talk to you for real.  But I can't.  I can't leave when I might be needed.  Even if everyone hates that I'm here, I've got to help however I can.
Catwalker gives Carapace a fist bump in one final promise of their friendship.
Catwalker: I'll come home as soon as it's safe again.  I don't know how long it'll take, but I promise I will come back.
Below is the same image as above, only without text:
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sivsii · 1 year
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negative space
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chiropteracupola · 1 month
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big awoo, little awoo...
(sharpe, antonia ...and hagman for scale)
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waywardmillennial · 5 days
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watchergate & where we go from here...
To start at the end, I purchased my annual Watcher TV subscription on April 20th because I wanted to support them when it felt like so many others were not. I'm cancelling another subscription to make this work with my budget, and I'm very happy with this!
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Watcher has always made high quality, entertaining content that I love, and I'm happy to support them as they try to grow like they've always wanted to so they can bring on more creators and give us more diverse art.
So, moving forward, I'm going to be posting about Watcher TV when it comes out - spoiler parties with the sexy moots! - and I'll be blocking any and all haters I see. 💜💜💜
(read more bc ofc this got long)
To walk this back and give a little history/context, *ahem* [sotto Byron voice]
April 12, 2024: Watcher announced they had a surprise coming for us in a week's time. The news came in the form of a very spirited ad-read in the Mystery Files s2 finale. And afterwards there were a few blogs posting about it, but I commented to a friend that my dash had been devoid of Watcher posts (oh, how that sweet summer child would grow to long for a day such as that).
There were some corkboard theories, and I broke down the new logo design, but nothing big happened until the following Thursday.
April 18, 2024: I saw the leak for the announcement. It was on reddit and a sock tumblr blog was made sending the link out to people. I didn't post it or share it because it wasn't my news to share. I wanted to wait to see how they were going to explain it.
Maybe I should have said at the time (but it's fine if you don't believe me now I guess) but I was hoping Watcher TV would become like their enhanced Patreon replacement, where the new shows like "Puppet History Karaoke" and "Road Files" would be exclusive, and some other perks like early access. [note: if Apollo is laughing at him right now, I'd kindly request he stuff that red ball somewhere Helios doesn't shine]
I imagined some people would be mad at the streaming news but it didn't prepare me for how bad it would get...
April 19, 2024: Most of us know what happened. The announcement was not well received. Watcher's silence right after wasn't helping, but I don't think many people were willing to give them any grace for their pre-planned trip to the UK and instead demanded answers immediately.
Do I think maybe their announcement could have been timed better? Or maybe given a different tone? Perhaps. But either way what they were trying to communicate was not what people chose to hear, and the response from many viewers was, to choose a very formal phrase here, absolute bonker banana balls insane.
The main anti-streamer "arguments" I saw basically boiled down into these categories:
"high production tv quality content is what they want to make, but we don't want that - we only want them to sit in a blank room and talk to each other with blue and yellow text like the bfu days!!"
"Steven's the one behind all this bc he's rich and greedy and only eats gold"
"they already make enough money off their patreon why are they doing this?? they should have consulted [insert other yt-er here]"
"they've become the capitalist elite that we swore to destroy! so we have to tear them down from their thrones!!"
Even now, feeling better than I have in days, I don't have the energy to say why each of those takes completely misses the point of who they are as a company, as creators, and as human beings. But there are some eloquent posts in my #watchergate tag, or my other post, if you're interested.
April 22, 2024: We got the Watcher update - giving people access to all videos after a month on the new streamer - and that seemed to placate a lot of viewers and those on the fence. But it was also the day I learned about that horrible petition against Steven, and I'd been following all this drama for several days (foregoing some self-care) and so I had a little meltdown...
Even though the new setup is closer to what I'd hoped for like 10 days ago, I hate how we arrived at it. It's shown people that they can bully creators to get them to compromise on their company. In fact, I've seen accounts celebrating this.
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Opinions like this have given me trust issues when it comes to the Watcher fandom at large now. As many of my beloved mutuals have said, I'm going to be wary of accounts that follow me and be applying that blocking feature liberally.
I can also only imagine how things like this must have broken some of the trust that the Watcher crew feels for us - fightingfuries really said it best. If they do start distancing themselves on socials and things, I wouldn't really blame them.
I don't have more to say, other than I'm going to support them as much as I can, for as long as they continue to make content. I'm going to send the team a care package. And I hope in time we'll earn back their trust.
Now I'll let Ryan Bergara play me out...
As for the question of why we decided to launch our own platform, when we started Watcher in 2020, we wanted to create shows that we were proud of, that we had ownership over, and that would provide you the caliber of content that we felt you deserved. However, we were finding it harder and harder to stay relevant to advertisers and the constantly changing YouTube landscape. We faced some incredibly challenging decisions. We didn't want to compromise our content to ensure they met advertising requirements. And we definitely did not want to lay people off that have brought Watcher to life behind the scenes. And we didn't want to bring Watcher to a close, which would have happened if we stayed solely on YouTube. - An Update, April 22, 2024
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inkblackorchid · 3 months
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What the hell happened with Crow: an autopsy (Part 2)
Hope you didn't think I'd forgotten about this post yet. Lads, ladies, and other lovely people, here we go. I have more yelling about bird boy to do.
But first, a few disclaimers. For people who may have missed part one, yes, as the title implies, this post is part two of an attempt to analyse Crow's character throughout 5Ds' whole run. You can find part one here. Now, both for people who may not have the time/energy to read my first, huge post about this right now, let me explain what I'm about here before we start again: My analysis is not meant to deter people who like Crow from liking him. It's also not meant to convince Crow haters otherwise, even if I admittedly personally like Crow. All of this stuff is just my personal attempt at dissecting how his character was handled in the show and why that might have been. And because this is part two, and I covered the Fortune Cup and Dark Signers arc in the first post, I'll start with the pre-WRGP arc, then dig into the backstory Crow was given directly before the WRGP begins properly. Also, mind the length of this post. I'm physically incapable of writing short things.
I also feel the need to reiterate another thing before I really get into the meat of things again: If you were hoping to see any old rumours about 5Ds confirmed, this is the wrong post. In fact, thanks to the very thorough work of someone over on Reddit (another shoutout to @mbg159 here, who's the author of those posts), I know for a fact that literally all the big rumours surrounding Crow are one big pile of logistically impossible horseshit, and I think after so, so many years of people citing this nonsense, the fandom as a whole finally deserves to let these go:
No, Crow was not meant to be a dark signer, least of all the final boss of season one, and Blackwings were not the reason he got more screentime later.
No, Aki being sidelined was not the result of her irl voice actress' pregnancy.
Yes, I know these two posts are both a long read each, but I cannot begin to tell you how tired I am of these rumours. So even if you don't have time to read the stuff above, please take away this: The big 5Ds production conspiracy theories are. all. bullshit. Because, to put it in as simple terms as possible, none of them work out logistically. The events people have pretended affected the show's production in a major way all don't line up with the actual production timeline. So just can the rumours already. Please let them die. And no pitting Aki and Crow against each other on his post or because of this post, yes? I beg you, I am so tired. Ok? Ok.
All right, now we can get to the good part. In my previous post, I left off at the end of the DS arc. So, in what position is Crow at the end of the DS arc? He helped save the world by defeating Goodwin and got his very own signer mark after Rudger/Roman Goodwin's death.
And now, where is Crow at the start of the pre-WRGP arc?
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(Bam. Delivery bird boy be upon ye.)
This time, Crow wastes absolutely no time coming back on screen. We see him again within the first episode of the second half of the show, and wouldn't you know it! He moved in with Yusei and Jack and the three of them have a funny, brotherly, bickering dynamic between them. Also, as a fun little add-on that is very much in line with his deeply Satellite, down to earth characterisation from the first half, Crow now works as a delivery driver to earn money for the household. That's all very nice and good.
But what is his role in the plot from here on out? Well.
First, a small note about the pre-WRGP arc. Though this arc is fun to watch because it gives us a lot of silly character interactions the show no longer found the time for once the WRGP started, the pre-WRGP arc really can't be said to bother with actual plot much. It's the known filler arc of 5Ds, and as such, Crow is not the only character who gets pretty much nothing plot-related to do during this arc. Thus, I'll only give a quick run-down of what he does get up to, just in case any of these tidbits end up showcasing a relevant aspect of Crow's character I might come back to later.
Furthermore, another thing that's pretty much obvious to everyone who's ever watched the show in its entirety but still bears mentioning: Crow gets a lot more screentime from this point on out. Technically. Why do I say "technically"? I'll get back to that further below. For now, just keep it in mind.
So, how does Bird Boy spend his time during the arc where the plot's on the back burner? To be honest, on the sidelines, mostly. Don't get me wrong, Crow's there. Most of the time. But he gets pretty much only two episodes where he's the focus, and both of those aren't exactly known for being 5Ds' most memorable episodes (even though I still like them both tbh, but I digress): For one, in episode 68, he gets to convince Bashford to move in with Martha so the depressed old man isn't spending his entire retirement living in a scrapyard.
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(This episode's comedic moments are actually fairly solid. But those are just my two cents.)
And for two, in episode 85, Crow gets to bond with the boys' somewhat cranky landlady, Zora, by duelling some sense into her son, Lyndon. (Which also introduces us to a duelling tactic only Crow uses that we will later see again: Losing on purpose.)
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(And here we can see Crow showing off his skills at dealing with petulant children.)
Now, do these two episodes where he gets to be relevant actually do anything for Crow? As a character? Debatable. If nothing else, they strongly reaffirm the values Crow represents which we were introduced to in the first half of the show, though. They reintroduce us to his stubbornness, to his (in comparison to Jack and Yusei) more playful nature, to his very Yusei-ish dedication to doing the right thing, to his penchant for spite, and to his strong sense of family and community and his belief that these two things shouldn't be abandoned unless you have a damned good reason for it.
You may notice that there's a sizeable gap between these two episodes. That's because those episodes are where we get the only smidgens of plot in this arc. Among them, highlights like Sherry's introduction, the first reveal of accel synchro, Aki's turbo duelling license exam, three separate story beats hinting at the machinations of the emperors of Iliaster (Luciano's little stunt with Rua and Ruka, Placido getting started on building a killer robot army, and the Jack double being unleashed onto NDC), and Bruno's introduction. So, here's the thing: Crow is technically present during most of those episodes, too, but he doesn't actually get to meaningfully interact with the plot-relevant elements. (Which is not to say he doesn't have nice moments here and there. He does get to bounce off the other characters, and, just as one example, helps Yusei and Jack upgrade Aki's duel runner, as well as help Yusei build Rua's duel board. Crucially, he doesn't get to do anything that later becomes plot-relevant, though.) Moreover, not one, but two characters who end up becoming major players in the series' finale are introduced here, which is relevant insofar as that Bruno and Sherry both end up needing a good amount of development before they can impactfully take their later roles. Now, I say this with nothing but genuine appreciation for both these characters, because I do like them, but I feel the need to point out what this means not just for Crow, but for pretty much everyone who isn't Jack or Yusei: Every minute of screentime that was dedicated to Bruno and/or Sherry was one minute less the writers could spend on the rest of the cast. This is not to say that time shouldn't have been spent on them, they needed it, especially because they were introduced so late, but it's something I do want people to keep in mind when talking about who got how much screentime and whether or not that time was well spent. (I also have a larger gripe with the definition of "screentime" in general, but more on that later.)
So when does Crow get to be relevant to the plot again, now that he's even a signer and all? Well, not until episode 94, when the WRGP arc has already started. (Note that I'm using the 5Ds episode list on wikipedia as a general guide for which arc and which season starts where. You can find it here.)
*Deep breath*
So. Episode 94.
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(Pictured: One very scruffy dragon. Bird? Dragon-bird. Bird-dragon. You figure this shit out.)
That episode. The episode where Crow, who was awarded with the status of a signer during the finale of the DS arc, finally gets a dragon to match his mark. And the episode where we finally, finally, get some actual backstory for Crow that goes beyond his involvement with the Enforcers and childhood with Jack and Yusei. A backstory that's only Crow's own. Except. How do I put this politely...
This shit doesn't make a lick of sense. Neither the events in the duel between Crow and Bolger in the present resulting in Black-Winged Dragon's appearance, nor the Pearson backstory.
Now, I'm not saying this to step on anyone's toes. From a writing standpoint, I can even make a fairly reasonable guess as to why this episode/mini-arc is here, I think: As I mentioned in part one of this analysis, Crow was not only introduced very late, but also got very little backstory of his own, which set him apart from the other signers. Don't get me wrong, he did get some backstory—we know of his strong connection to Duel Monsters because he learned to read from cards, and we know of his involvement with the Enforcers/Team Satisfaction. Crucially, though, Crow doesn't really get a backstory segment that feels as unique to him as the others. Aki gets her tragic past with her parents and her powers, Jack gets his betrayal of Yusei, which also doubles as part of Yusei's backstory, who as the protagonist understandably gets the most backstory, and even the twins, though they are as always treated as one unit, get their very own segment about the time when Ruka was essentially in a coma. Meanwhile, Crow only has that one-off tear-jerker moment about learning to read from his cards and his being a part of the boys' duel gang, which, and I cannot stress this enough, is treated as more of a Yusei and Kalin/Kiryu backstory by canon than a Crow backstory. Thus, it makes perfect sense from a writing standpoint that the Pearson/Black-Winged Dragon mini-arc would be here. Crow, up until this point, has neither a backstory segment dedicated solely to him, nor a signer dragon to call his own. So, how do we solve this? Give him both in a strategic double-whammy! The math checks out. Unfortunately, the writing of said mini-arc... doesn't.
Now, look. The juicy question of whether Crow would have worked better as a non-signer or not, which I already discussed in part one aside, I personally don't hate what this backstory is trying to do. It's just that the whole Pearson-drama has some very notable, logical holes which I'll get into below. Furthermore, this is not the first time something related to Crow has some unfortunate, logical and/or chronological issues. I already brought up the infamous fridge and Rex Goodwin's rather confusing backstory in part one, both of which raise some serious questions. However, Pearson and everything surrounding him arguably blow that clean out of the water. Let's examine this more closely, shall we.
The long-overdue backstory we get for Crow begins with a mystery: Mikage and Trudge, for a reason that is never given to us, are investigating the death of Robert Pearson (whose death would have been several years ago at this point), whom Crow knew very well, and they're doing it because they found a hint that the person who killed Pearson used an illegal card, Crimson Mefist, to do it.
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(Post redemption-arc Trudge actually doing his job instead of bullying random Satellite citizens. Who would have thunk.)
Thing is, here, we already encounter our first, minor problem: Pearson has never been mentioned up until this point, not even as an aside. And this issue is compounded by the fact that not only Crow seems to know him, but Trudge claims to as well, because "Satellite used to be his jurisdiction". So, a named character who's familiar to both one of our protagonists and a notable side character, and we've never seen hide nor hair of him. If we pull our heads out of the story for a second, the irl reason for how this came to be is probably pretty obvious: Pearson was never mentioned before because the writers had nowhere near as solid of a plan for Crow as they did for the other characters, which leads to him being introduced out of nowhere here because we need a backstory and a dragon for Crow and we need those now. Moving on.
The mention of Pearson having been not simply killed in a fire, like Crow previously assumed, but having been murdered through a special, illegal card immediately makes him suspicious. So, he goes to consult Bolger/Bolton, another never-before-seen character who gets introduced in service of this backstory, and who knew Pearson well. And while this guy certainly acts amiable towards Crow at first, implying that the two have a good rapport, at least, he quickly starts acting suspicious when Pearson's murder comes up. Moreover, we as the audience at this point already know Bolger's looking for Black-Winged Dragon so he can use the card essentially as collateral to save his company. And the name "Black-Winged Dragon" already leaves very little to the imagination as to whose deck this monster is supposed to fit into. But, in a small twist, we learn from Crow that this was apparently Pearson's card, and supposedly lost in the fire where said man died, to boot. Then Bolger challenges Crow to a duel, too, offering to tell the truth about Pearson's death if he loses, but demanding Black-Winged Dragon, which he believes Crow to be in possession of, if he wins. So far, so good. We've got a mystery here, and canon is not contradicting itself just yet. Until we get to the actual backstory, which shows us the time Crow spent with Pearson, that is. Before we get into that, I'd like to highlight one theme this mini-arc introduces that actually feels like it fits Crow: Legacy. Over the course of meeting Bolger again and being reminded of his time with Pearson, Crow starts thinking about whether he's taking over his former mentor's/father figure's legacy well enough.
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(Crow having some Deep Thoughts TM, featuring one of Yusei's most relaxed, easygoing smiles in the entire show, probably.)
This theme, I would argue, is one of the major things this backstory introduces that really meshes well with the Crow we already had until this point. He's a community-focussed guy and absolutely a family person, if him taking care of Satellite orphans is anything to go by, so leaving behind a good legacy for the people after him (read: the kids he took care of) would absolutely be something he cares about. We see this element of legacy again in his cards during this episode, too, which canon implies he inherited from Pearson. (I'll get to THAT can of worms below.) And on paper, with the themes he's already got going, Crow being the only one to inherit his deck rather than build it all by himself would actually make sense!
However. This is where we have to get into the meat of the backstory. I'll start by listing the barebones information Crow's backstory with Pearson gives us, then going into why several aspects of it are either logistical or chronological nonsense.
So, as canon tells us, Crow met Pearson after Kiryu/Kalin was arrested, when the Enforcers/Team Satisfaction all went their separate ways. During this period, Crow had already set up shop near the original Daedalus Bridge and started out taking care of orphans, but it wasn't all smooth sailing. He was, by his own admission, "living aimlessly". Then, during a pinch, Pearson and Bolger show up, take care of some bad guys for Crow and the kids, and Crow sees a new role model in Pearson. Pearson, who rides the Blackbird, plays a Blackwing deck and owns Black-Winged Dragon. So, he joins up with Pearson, presumably learns how to work on duel runners from him, and also befriends Bolger. Then, one day, a fire breaks out at Pearson's workshop and the man in question dies, but leaves Crow his runner and his duel disk before he does so. End flashback. Because I want to tie this together nicely, we also learn later that Pearson technically left him Black-Winged Dragon, too, by sealing it in his runner. And, of course, that dragon later becomes Crow's very own signer dragon.
Several points to be dissected here. And funnily enough, Bolger's duel with Crow isn't relevant for any of them. Let's start with the big one: The timeline. I want you to remember that as far as canon is concerned, Crow is 17 during the DS arc. Moreover, it's canonically stated that Jack stole Yusei's first duel runner two years before the show's start, at which time Crow would have been 15. And their time together as the Enforcers must have been even before that, because Kiryu/Kalin was already in prison for a while at that point and Crow and Yusei don't reunite until the DS arc is basically in full swing. So, I'll make a vague estimate here and say that during the time of the Enforcers, Crow would have probably been 13-14. (Which is hilarious when you think about the fact that this gang of angry teenagers essentially took over the entire duelling underground of Satellite, but I digress.) Now we add the idea that Crow met Pearson after the Enforcers, but that he died before canon starts into the mix. That means Crow first ran into Pearson sometime around age 15, and that he then died presumably before Crow turned 17. So far, so good, that still slots into canon, even if it makes Crow pretty damn young for some things. He's even missing the personalised Blackbird duel disk he later wears during the Enforcer days, I went back to check. What he is not missing, however, are his Blackwings. And this is where canon may or may not have made an implication that, if intentional, breaks this timeline. See, during the scene where Pearson's workshop is burning down and he's already trapped under debris and has embraced death, he tosses Crow his duel disk and leaves him his runner.
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(Two important screenshots, in sequence. One, Pearson with his duel disk still strapped to his arm. His deck is very obviously still in there. Two, Crow with that same duel disk, as made obvious by its distinct shape.)
What this implies is that Pearson also left Crow his deck. Which, yeah, fair enough, if I were dying in a fire I'd probably also think "fuck it, not like I'll need my cards in the afterlife". What this (and Crow's look the first time he sees Pearson's monsters) implies, though, is that Crow didn't start playing Blackwings until Pearson left him his deck. Which is factually untrue, because there is literal evidence in the show that Crow already had Blackwings during his time as part of the duel gang, before ever meeting Pearson. (The exact episode, if you want to check for yourself, is 33, where Crow summons both Bora the Spear and Blackwing Armor Master during a flashback.) However, I will concede that the show never actually states this is the case, it's just implied by what we see on screen, so perhaps the idea here was that Crow already played Blackwings before Pearson, but grew to love them even more through his mentor/father figure, and so later happily integrated the deck he inherited into his own. Crucially, canon never states this outright, either, though, so the option remains on the table. But, to give the benefit of the doubt here, the possibility that this could still slot in with canon and that it was just handled poorly is there. The same cannot be said for the Blackbird, however.
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(Uh oh. So much for canon continuity.)
The above two screenshots directly contradict each other. First we have Yusei, upon reuniting with Crow in Satellite during the DS arc, casually remarking that Crow finished his duel runner. Which means that canon at this point suggests to the audience that one, Crow built this duel runner by himself, for himself, and two, that Yusei knew about it for a while already. Then there's the second screenshot, from the Pearson backstory episode, where Crow outright claims the Blackbird was left to him when Pearson died. I don't think I need to tell anyone that these two things can't be true at the same time. And again, I think this is where Crow fell victim to the writers not having a clear outline for him. At first, he was supposed to be this scrappy guy who also built a duel runner for himself, just like Yusei. But now, he's a signer, needs a backstory and a dragon, and because a theme of legacy is introduced alongside Pearson, the runner suddenly needs to be inherited, as well as (possibly) Crow's cards. Now, a crafty fanfic writer could probably reconcile the above contradiction somehow, and I know some stories that accomplished that. But the point isn't that we, as the audience/fandom could make this work, the point is that canon didn't make it work. What canon, sadly, also didn't get to work was Black-Winged Dragon.
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(We meet again, bird-dragon.)
Here comes the next elephant in the room: Everyone and their mother who has watched 5Ds knows that Black-Winged Dragon was never implied to be a signer dragon up until the duel where Crow acquires it. In fact, an entirely different dragon is teased so heavily long before BWD ever shows up that it to this day is one of many people's major gripes with the show's writing.
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(Why, hello, Life Stream Dragon! Fancy seeing you here.)
And yet, Black-Winged Dragon is turned into a signer dragon before Life Stream Dragon, who was teased more than sixty (!!!) episodes before BWD was ever even mentioned. Why? Simple: Because Crow became a signer and Rua/Leo didn't, because the signers all need dragons (or else the "5Ds" part kind of doesn't work), and because Life Stream Dragon thematically doesn't fit Crow.
Now, I've seen people post theories to reconcile this weird hitch in canon, hell, I've even posted an idea for how it could be reconciled myself. But, again, that isn't the point here. The point is that as far as good old, barebones canon is concerned, it isn't reconciled. Canon at first states there are five signers, suggesting that there are also five dragons. But then, the fifth dragon never shows up, and one of the signers dies, to boot. Only for canon to then teach us, oh, no, look, the signer marks can wander from one person to the next. And to add insult to injury (at least where the show's writing and internal consistency is concerned), the signer mark that was "freed up" by Roman/Rudger's death doesn't wander to Rua/Leo, who any attentive watcher would have expected to become a signer because it was heavily teased during the DS arc, but to Crow. Frankly, I'm not surprised many people were angry about this, but in case my disclaimer didn't make it clear, I don't think it's productive to pin this on Crow by claiming his cards became super popular irl. There was definitely an out-of-left-field writing choice made here, but the only answers as to "why" were left in the 5Ds' writer's room, I believe. At a guess, if you want me to throw out a non-sugarcoated theory as to why, though? They probably thought Crow would be a more interesting character for their target audience. He's a scrappy guy who sticks it to authority, he's brave, he's funny, he plays a cool deck, and most of all, unlike Rua, he never embarrasses himself in a duel on screen. Why am I highlighting that last part? Because I feel like people sometimes forget that the target audience for this show, at the time of its creation, were about twelve year-old boys. And you can feel free to contradict me on this, but most twelve year-old boys I've known and know don't want to project themselves onto a chracter who loses and gets his butt kicked a lot, and who's a bit awkward and steps in it sometimes, which is much closer to how actual twelve year-olds are—but that's exactly why they prefer the cooler characters. And Crow is the cooler character, by average twelve year-old boy logic, regardless of what the grownups of this fandom think.
So Crow gets a dragon and the writing doesn't bother explaining the how or why of it, let alone tackles any of the implications made by Black-Winged Dragon's existence as a signer dragon. (Like what does this mean for the larger worldbuilding? Does the Crimson Dragon actually have more than five servants, but chooses to only ever bestow five marks at a time? Can any "dragon" the Crimson Dragon chooses be a signer dragon, and it just so happens that the constellation of signer dragons is nearly the same as the original one in present-time 5Ds canon? Did the Crimson Dragon specifically elevate BWD to a signer dragon because it felt like it? Was BWD always supposed to be a signer dragon? Was Pearson supposed to be a signer, but died too early before the dark signer prophecy was set into motion? Am I overthinking this? (Yes.)) He also obtains his dragon in what feels like the weirdest way possible to me, because it suddenly??? Just decides to appear in his runner????? Out of nowhere??????
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(Why is that here. How did it get there. Why did Pearson even put it in there. And HOW. Is it just wedged between the machinery or what???? And how on earth did Yusei, Bruno, and/or Crow never find it before this point considering how often someone tinkered on the Blackbird on screen???)
(This scenario, of course, also raises the question how the other signers even got their dragons. But like many other, interesting questions, this episode chooses not to interact with that one whatsoever.)
In short, this backstory is a bit of a mess, to say the least. For as much good as it tries to do by contextualising Crow's character and giving him something that sets him apart from the rest of the protag group, it feels like a rough draft of an episode was given the green light to be produced without any editing, judging by the contradictions and weird implications. As such, it harms Crow's character as much as it builds it, as evidenced by how much fandom backlash he still receives years later for the things that were bungled in this backstory and also in different aspects of his character writing.
Now, you may notice this post has gotten stupidly long due to just how convoluted the specific hangups of Crow's backstory are. I originally meant to cover the WRGP and even the Ark Cradle arc for Crow in this post, too, but due to how much there was to say about canon's attempt to finally make Crow a "proper" signer, I've decided that trying to force another two whole arcs in here would be a disservice to the analysis and the character, and also make this agonisingly long, so I'll close this part out here and write a part three, perhaps even a part four depending on how much material the WRGP gives me to work with.
There's one more thing I need to get back to before I finish up this part, though: The "screentime" discussion. I mentioned far above that I take issue with how some people seem to be using the word screentime, and now I can explain why. First, I want you to take a look back at the episodes I covered here, those being 65-95, essentially. Now, as anyone who usually dislikes Crow will tell you, Crow is present in most, if not all of these episodes. He's on screen. He's getting screentime, and, according to many people, hogging it, even. Okay. Now, I want you to look back up at the analysis. How many episodes did I cover where Crow actually gets something to do? As in, where he's either the focus of the plot or gets to contribute to it in a significant way? There's the old man Bashford episode. There's the Poppo Time clock episode. There's his two backstory episodes. That's four. Four episodes. If you're generous, you might add in the episode where he gets to narrate Yusei's backstory alongside Jack and the two fake Jack episodes where he gets to have an emotional moment or two with his foster-brother. If you're less generous, you'll note that none of these episodes have Crow actually interacting with the main antagonists in a meaningful way or set up anything important that pays off later. (Hell, he doesn't even get any, and I really mean, any meaningful setup interactions with Sherry, who ends up being his final-boss-level opponent during the final episodes! Aki gets more meaningful interactions with Sherry than him, not that this ever gets a payoff.) And this is why I take an issue with people claiming Crow gets so much "screentime" post DS arc. Because to me, "screentime" should be time spent letting a character act meaningfully within the story, which most of the pre-WRGP episodes aren't for Crow. He's on screen, yes, but in many episodes, it wouldn't matter one whit whether you replaced him with a nameless side character, which isn't exactly a great look for a supposed third of a protagonist trifecta. Perhaps I'm being too strict with my definition of "screentime" here, fair enough! But the claim that Crow hogs screentime already rubs the wrong way during this comparably unimportant arc, so I can't leave it alone. It feels very decidedly malicious to claim a character who during some episodes seems to only be there to provide exposition or make whatever jokes Yusei and Jack's personalities aren't suited to is stealing screentime from other characters. As for the WRGP duels and whether he's "hogging" anyone's screentime there, I'll dig into that nonsense in the next part, please be patient with me.
...Phew. Okay.
Now, before I leave you to wonder whether I'm every finishing my Crow analysis in full again, I want to attempt to do the same thing I did in part one—propose some changes that could have been made to the writing for Crow's character in order to make things slot in better with the rest of canon. With a small disclaimer, of course: These are just my suggestions as to how Crow's character could have fit into canon more smoothly and been done less of a disservice by his own backstory.
So. First, a quick-fire thing about the pre-WRGP, to get that out of the way: Crow, alongside Aki, is the only signer who didn't get his own confrontation with either Iliaster or their minions. (Yusei had Ghost, Jack had fake Jack, Rua and Ruka had Luciano.) Instead of having him confront a cranky old man in a scrapyard or Zora's son, they could have easily given him a very short side-story where he gets to experience the threat of Iliaster up close and personal, too. Hell, they could have very nicely cut the recap episode where Crow and Jack lie in the mess of Jack's terribly built coffee table and philosophise about Yusei's backstory for this, too. (As funny as their interaction about the coffee table and Jack lying on the floor with a perfectly intact coffee cup are.)
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(Pictured: Two idiots (affectionate) contemplating life among the scraps of a shitty, broken coffee table.)
Then, there's the Pearson backstory, of course. So, here's the thing, I think two very different kinds of "fixes" could have worked here. Crucially, they both depend on Crow's status as a signer. I argued in part one that Crow might have worked better as a character if he hadn't actually become a signer, so I'll give both versions here. Let's go.
Option A: We try not to touch canon too much and Crow stays a signer.
How to do this? Frankly, I think what Crow's mark and Black-Winged Dragon were majorly missing was setup. The mark is the smaller offence here, since, fair enough, the idea that signer marks can wander from person to person isn't too out there for 5Ds canon. However, the lack of a dragon despite the alleged 5Ds stands out, and Life Stream Dragon's wasted setup only makes it worse. Thus, making Black-Winged Dragon make sense would have required giving him the same amount of foreshadowing as Life Stream Dragon, at the very least. And you know who could have been great for that? Sweet, ever-forgotten-by-canon Ruka. She was already shown having flashback dreams to the signer dragons' first battle against the dark signers, so who's to say she couldn't have gotten dreams about a shadowy, new dragon she's never seen before? Perhaps even dreams where she's not sure if the dragon is good or bad at first! It could have provided intrigue, it could have made the audience curious. To strengthen that, canon could have also bothered taking the question "hey why are there only four dragons now" seriously. No character in canon ever questions why there are five marks, but only four dragons. Even Rua, who was previously hopeful that he might secretly be a signer, never brings it up. If canon had bothered to actually point this mystery out, they could have used it not only to foreshadow Black-Winged Dragon, but to aid Life Stream Dragon's setup, too. What the fuck am I talking about, I hear you ask. Hear me out: Life Stream Dragon is shown way, way later down the line, long after the audience probably already accepted that it was simply never going to show up, literally bursting out of Power Tool Dragon's armour. We are not provided with an explanation as to why. Imagine if they had sprinkled in another dream Ruka could have had about the ancient past here. Imagine if they had used the opportunity to show something like, oh, during the battle, Life Stream Dragon got injured so badly they had to protect its wounded body with a suit of armour, in the hopes that it would heal. And with one original signer dragon out of commission, the Crimson Dragon sadly had to choose a replacement in between, because the Earthbound Immortals were sure to return. Bam. Black-Winged Dragon. Two signer dragons, set up simultaneously, without forcing the canon lore to do somersaults. Furthermore, to actually explain why Pearson had the dragon but wasn't a signer, they could have easily sprinkled in a flashback between him and Crow. Maybe Pearson could have mentioned how the dragon always feels like it's never really his, as a joking aside. It would have been enough for me to suspend my disbelief, you know? And then the rest of canon could have played out exactly as we know it. Crow could have confronted Bolger, could have obtained Black-Winged Dragon because maybe the dragon finally decided he was worth throwing its weight behind. The mystery behind the missing fifth dragon could have been solved, and it would have made for satisfying payoff without kneecapping Life Stream Dragon's setup or conjuring an extra dragon out of thin air. And really, stuff like the runner thing could have so easily been solved by simply picking one version (did he build it himself or inherit it?) and sticking with it. All it took was a little more care.
Option B: We assume Crow didn't actually become a signer, but try to keep his backstory intact.
Okay, this version works under the assumption that Crow, despite partaking in the final battle against Goodwin during the DS arc, didn't receive a signer mark. To make this work, I would, bluntly put, simply make it so that Black-Winged Dragon doesn't exist. Pearson can still play a powerful Blackwing monster during his flashback that Bolger wants to find and sell later, but it simply isn't that dragon. Really, Blackwings have enough to choose from there. If the backstory episodes had been placed a little later, say, during the pause in the middle of the WRGP, he could have even received something like Blackwing Full Armor Master here. (Yes, I know that card didn't exist at the time, but my point is that he could have simply received a powerup like Yusei and Jack did, instead of a completely new monster.) With this setup, they could have still added the intrigue of taking the question why there are only four signers now seriously. They could have still set up a mystery about why no one ever saw the fifth dragon outside of dreams. And it could have made Rua becoming a signer later, and in this version getting the tail mark instead of a completely new one, that much more satisfying. And Crow could have kept his "fuck destiny, I'm trying to save the world here"-attitude from the DS arc, providing a nice, amusing counterweight to our heroes chosen by an ancient Incan dragon deity. All it would have taken would have been not giving him a mark and switching out Black-Winged Dragon for something else.
So, take your pick, I guess. In the meantime, I'll try my best to work on part three faster than I did part two, lmao.
See you next time!
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oifaaa · 1 year
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The way baby Dami looks at Dick! He wants Dick to like him so badly! Dick, why can't you be more like Jason and just like this child!? Nurture over Nature, my friend, if you hate Talia so much just raise him to not be an assassin.
Damian is only 2 years old but Dick is convinced this baby is up to something nefarious Talia is having the time of her life watching a 16 year old be so suspicious of a baby
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draagu · 9 months
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im getting there
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I know multiple of these are likely important to people, but I'm asking in terms of like - which of these do you tend to focus on the MOST, enjoy the most, that is most essential for you to actually care about the media, etc.?
(For example: someone finding "Relatability" most important would likely not enjoy a show much if they have trouble empathizing with the characters/relating to it, even if it were good otherwise. Or, someone might be able to overlook bad acting and ugly costumes, as long as the Character Dynamics are fun to them, because they value that more than Aesthetics- while for others, bad costumes would be a dealbreaker.)
Also feel free to reblog and explain your answer or more information in the tags- I've always been curious about people's relationships to media, how they conceptualize it/what they get out of it, how some people value some parts more than others, how that informs their overall taste and genres they may be more inclined towards, etc. :0c
#I was having a conversation with a friend about our favorite type of media and they said the reason they DON'T like historical or fantasy#media or etc. is because they can't imagine themselves being in those situations like it's too detached from anything that they can relate#to personally. they put themselves in the shoes of the characters and apparently like feel emotions while watching stuff and actually#get into the way the characters are feeling so they kind of judge how 'good' or 'bad' a show's writing/setting/etc. are by how it makes#them feel and if they think the characters reacted realistically based on what they were feeling in the moment/what in their head they#would be feeling if they were in the postion of the character. SO apparently the distance of it being in an unrelatable setting or too#detached from our reality makes it harder for them to relate to and less able to really engage with it on that level. WHEREAS I watch#things exclusively in a very like.. detached way?? I'm INTERESTED.. it's like im intellectually analyzing everyhting that's happening and#can be intrigued by events but it's not in an emotional way? More of like a distant 'intellectual curiosity'. Maybe the premise or the#aesthetics or something about it has piqued an interest for me to observe it. to see what it's like or how it plays out. how the idea#is executed or etc. But like.. I cannot remember EVER really relating to any character or situation or projecting onto a character#or having those sorts of feelings or investment in it. That is just not a central part of why/how I watch things or what I care about#BUT after this I was thinking maybe this is my disconnect? I do not seem to conceptualize media the way some other people do and I often#walk away with an entirely different take on things. etc. So I wonder if maybe it's part of how everyone values different things probably?#maybe I literally just watch stuff and percieve it from a different frame of mind that others. More of a like detached curiosity#vaguely bemused analysis mode. Instead of a 'I am deeply emotionally invested in this and am feeling for all the characters' mode#And also I bet people who care more about plot/story are also the people who mind spoilers. Whereas for me I literally seek out spoilers#intentionally because that element of 'suprise ooh what will happen next!' is not central at all to my enjoyment. I could know literally#everything that will happen and still can find it interesting to observe - since for me#that's not the point. I'd rather know the ending so I can determine whether I want to invest the time in it in the first place. etc.#ANYWAY!! If I had to choose - I would say I'm usually heavily focused on world details and aesthetics. With only a slight preference#towards characters individually being interesting. Group dynamics can sometimes be okay but I get tired of everything being about relations#hips and romance - especially when sometimes it seems to be like. people who could not stand on their own as a character/are fundamentally#boring otherwise lol. I would watch a series of just one guy locked in a closet talking to himself as long as he was interesting and saying#things that were amusing or notable for some reason lol. I actually tend to dislike plot because most 'plot heavy' things like action focus#ed shows ALWAYS feel to me like they're moving so fast just to get from one thing to another that I'm not getting enough details. Part of#why I tend to not like movies. the time limit makes them too quick. I need a 95 hour expostion dump of the history of the entire world#and a series of 17 episodes straight where a guy is trapped in a room & the audience is just psychoanalyzing him. hghj.. Maybe I find all#characters annoying/unrelatable bc people w my personality type make bad characters/are not often represented (or are done BADLY). so then#I'm just picking 'who is the LEAST insufferable? who could i study like a lab rat?' whilst my main focus is the worldbuilding&costumes lol
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I find it absolutely hilarious that our robot’s shooter’s angle of depression is exactly 42 degrees. Like, the shooter is, by design, constantly having an existential crisis about the meaning of life.
Or -42 could just be The Meaning of Not-Life And Answer to All Technology Problems and Questions.
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seagull-scribbles · 1 year
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Saw some artists draw Rise Raph’s mask in a bow and I fell in love ♥️
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