MASH and Red Dwarf are sitcom opposites but also the same due to the fact that while both of them are comedies taking place in the midst of tragedy MASH is funnier without the laugh track whereas without the laugh track Red Dwarf becomes a bottomless black hole of existential loneliness and dread
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I want season 3 to be two separate plots, one is the crew having their action adventure, and the other is just stede and ed figuring out how to run the inn sitcom style (bc jenkins said they would be horrible at it). The plots are completely unrelated until the very end when the bad guy ends up staying at the inn and the crew tracks him down and they all work together to take out the bad guy
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While I'm on the subject of plotting and Doctor Who, you know who was great at plot? Steven Moffat. The man is the master of the well-constructed plot, the shorter the story, the better. A multi-series show can go off the rails as he trails off in a million different directions. A full series of a show can have its rough patches and wind up unbalanced. But an individual episode? A masterpiece you could use to teach writing courses. A 4-8 minute minisode? One of the most beautifully constructed gems you've ever seen in your life. His plots are full of intricate internal logic and drawn from character and can highlight some of the loveliest themes because they're built on such a strong framework.
I think a big reason he's so good at plot is that he's a comedy writer. Comedy is nothing but set-up and payoff. Set up a situation. Pay it off in a surprising way. And the link between those two is character. If you set up that Character A has a certain personality trait, then when they encounter a new situation, you have them act according to that personality trait, and all sorts of funny things can result. The payoff makes sense because it was set up. That's also the gift of the running gag. If you mention something in the early part of the story, you can pass over it as useless information. Or as a minor joke that's over now. But at the end of the story, that seemingly minor piece can come back and resolve the whole thing, and it works because it was set up.
A great example of joke-turned-plot is "The Girl in the Fireplace." Plot: A spaceship is linked via a portal in time to 1700s France. The Doctor wanders back and forth between the past and the future. Later on, we see that a horse from the past has also wandered through the portal, and is now on the spaceship. Haha, silly gag, horse on a spaceship, good joke. But later, the portal closes, and the Doctor's trapped on the spaceship while people in the past are going to die. If only he had something large enough to break through. Surprise! He bursts through the barrier on a horse! The same horse from the gag! The joke was the setup for a plot payoff! And there's tons of that kind of thing in his work, plot hidden in jokes and jokes secretly building plot, and lots of plots that aren't about the jokes but always follow that rule of set-up and payoff.
There's just something so satisfying about a puzzle whose pieces all fit together. About a story that's well balanced. Character's great--and he's great at them--but there's something extra special about seeing them in a masterfully constructed plot. And it's been a long time since I've come across a plot that was as satisfying as his could be.
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im kinda sad because i DO love abb*tt but the zionist & j*nelle and her netflix special,, cannot watch that rn😭
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i read a total of 12 books (36% of my yearly goal). i did not finish the girl on the velvet swing: sex, murder, and madness at the dawn of the twentieth century by simon baatz [explanation]. my favourite was a little devil in america: notes in praise of black performance by hanif abdurraqib and my least favourite was manhunt by gretchen felker-martin.
full breakdown of star ratings and reviews under the cut 🖊📚
four treasures of the sky by jenny tingui zhang
3⭐ [historical] [review]
a will to kill (harith athreya #1) by r.v. raman
2.25⭐ [mystery] [review]
young man with a horn by dorothy baker
3.25⭐ [classics] [review]
dark archives: a librarian's investigation into the science and history of books bound in human skin by megan rosenbloom
2.75⭐ [history, science] [review]
nona the ninth (locked tomb #3) by tamsyn muir
3⭐ [space fantasy, queer] [review]
totempole by sanford friedman
3.25⭐ [classics, queer] [review]
a little devil in america: notes in praise of black performance by hanif abdurraqib
5⭐ [essays, art] [review]
the master key by masako togawa (tr. simon grove)
2⭐ [crime, classics] [review]
olivia by dorothy strachey
3.5⭐[classics, queer] [review]
manhunt by gretchen felker-martin
1.75⭐ [horror, queer] [review]
in the vanisher's palace by aliette de bodard
2.75⭐ [fantasy, queer, romance] [review]
jonny appleseed by joshua whitehead
4⭐[contemporary, queer] [review]
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I think blue & golds matching Halloween costumes are like planned out over a year starting the day after last Halloween and executed to perfection with custom made props
and with fire & ice, a couple weeks before Halloween bea says some shit like “I should be a slutty traffic cone.” And tora goes “omg I would be such a good crossing guard”
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