#now we're at the point where it would only matter if it was a shitty ex which nancy is NOT. | Explore Tumblr Posts and Blogs

yeyinde · 1 year

Note

okay wait now we need a second version where the reader does leave with ghost and he walks her home and he's all shitty about the drunk flirting and she's like "bruh it was just flirting, if you would make a move i wouldn't need to make you jealous" 😌

ask and you shall (eventually) receive~ 🖤

i hope you enjoy this!!

"What? He's been keekin' you all night." There is a divot between his brow. When he turns his head, the fairy lights behind make his stubble look darker. "Yer aff yer heid!" Soap’s Version

It's all words.

Thin, hollow: they're empty ones bereft of meaning. They roll over you—a gale rocking you from side to side until you're dizzy with that awful little thing that clings to your pericardium, refusing to relent.

Hope.

Yearning (in English this time, if only just for him).

It clots there, taking root until you're a little queasy. A little unwell. The alcohol, perhaps, or—

He sits by Laswell, head angled down to murmur low in her ear about things that shouldn't matter right now when everyone is alive, and safe, and back together. But of course they do. They always do.

You wonder if they ever rest. If they ever take a moment's reprieve from the endless death and carnage that bulldozes your life until it's in shambles. Until the only thing that remains is broken chunks that reek of smoke and petrol.

It feels impossible.

He hasn't looked up once, despite whatever nonsense Soap might be on about. Untouchable. A chasm.

Ghost is a shoreless island in the distance. Rocky and steep.

Sometimes, if you stand on the furthest point of the beach, you can almost see the land peeking out from under the sea. Hazy. Shrouded. It sits amid the crashing waves, out of reach from everyone.

Soap pulls you back in, a few clipped words shared back and forth, and everything else melts away. This is easy.

This, being: drunk on expensive scotch (thank you, Captain Price; and oh no, thank you, I don't don't want a cigar) as you share snapped banter in a small pub. Vacant, of course, save for the six of you, and the barkeep. A man who offers little more than a nod at you when you mutter about the washroom, and swats at Price when he comes for peanuts and pretzels.

It's easy to pretend, you think, that the honeycomb eyes, a bashful grin, and hands that feel like the sun are what you want.

Easy, and yet—

You wonder if he's had anything to drink.

(You wonder if he'd keep his gloves on while he held you—)

You snap something at Soap, something you hope is witty and charming, and maybe if you play your cards right, you won't end up alone in a foreign land tonight. That, maybe, he'll let you close your eyes, and pretend—

It's ground out, raked through coals. "Soldier."

He makes you dizzy. Makes you want, yearn, makes you—

It falls into nothing, until your head is full of him: blood hell, Christ—

Never said I wasn't.

It feels like more of a reprimand than anything else he'd tossed your way thus far. A warning, maybe. Don't get too close. You know what you're in for.

Don't make him into the fairytale he isn't.

"And you, soldier?"

You're drunk. Too drunk. Head gummy and full of sin.

"Should leave," you say, casting a glance toward the mosaic window. A cross hangs in the distance. An augury. "Maybe go to church."

"Aye, lass. Think someone ought to get you home. Lt?"

You pull the last swallows in your cup before Soap has the chance to take it away from you. Liquid courage, you think, wilting under a black stare. A looming, uncharted island in the distance.

"C'mon," he says, words a shade away from being a command. "Haven't got all night."

You don't point out that it's nearly three in the morning—devil's hour in the company of a ghost—and wisely hold your tongue when Soap leans down, whispering: you can spend the night with me, hen.

"We're leaving." A growl, now.

It jars you. His voice is unlike anything else you've ever heard: gravel and ash; gunfire booming in the distance. It sits low, like the words are dragged up from the depths of his chest, and sounds like smouldering embers.

Your hands shake around the glass. It knocks against the wooden counter when you set it down, a hair too hard. You're crumbling. Slipping into waters that have no bottom. Rough, frothing. The white foam clogs your throat, drenches in you until you're weighed down, and sinking fast.

In over your head. No way out. The island is too far away.

His eyes are sharper than you've ever seen them. A yawning abyss. You wonder if something would snap at the tips of your fingers if you got too close.

Soap brows sit arched on his forehead, mouth thinning into a small line. "Alright, bonnie?"

"Gonna go home," you smile, tired. Wobbly. "Gotta get some sleep. Maybe next time, though."

Ghost's stare has never felt so heavy.

You stumble out of the pub behind him, pointedly ignoring the glance Gaz sends in your direction—the phone in your pocket already buzzing with texts that will make you whimper in the morning (saw you with Lt, mate. What the fuck? I mean what the bloody fuck?). This is normal, you think. Everyday. Mundane. Saturated in the ordinary.

Except—

Sometimes, your life doesn't make any sense. How you can go from coldly planning a man's—mens—murder to walking down the wet streets of Glasgow, head full of your Lieutenant.

The church peaks in the distance. The light spills, bathes it in yellow. The tolling bells call you an idiot.

Your head drops, eyes skirting toward the indomitable man beside you. Idiot, indeed. You can't help yourself, though. He's a magnet. A beacon.

A current sweeping you out to sea.

He says nothing. Hands tucked into the pockets of his black jacket, hood pulled down low. Those haunting eyes roam the corners, surveying the alcoves: always ready, always on-guard.

It's a stifling thing, this silence. Oppressive. Crushing.

Your throat itches with the urge to shatter it, to break it down until there is nothing left of it. Where it can't echo inside your chest like the brutal burn of rejection, and doesn't make your mind reel, an endless spiral of why and how and—

What can you do differently to make it a reality?

No man is untouchable. Not really. There had to be others in his life. A man like Ghost—

It's just impossible, isn't it?

Does he go to a brothel when the urge wells? A pub? Does he have dalliances with other agents he'd met in the field? Ones with battle scars, the taste of gunfire on their breath, and firm hands on their rifle? Is there someone already waiting at home for him, tucked inside a place no one else can reach them? The only inhabitant on an island in the middle of the sea.

What is his type?

And how can it be you?

Queries. Questions. They burn through you.

What if you just went for it? Is that what he likes? Someone who looks him in the eye, and says take me, I'm yours.

You open your mouth to ask, but are stopped in your tracks by the stare fixed on you. Breath caught in your throat. Lungs bereft of air. You splinter.

"S—sir…?"

"What?" It's harsh when it's ground out of his teeth. A snap.

"Are you angry?"

His eyes slide down to you, lidded and heavy. "Negative."

You huff. "Lying to me, now?"

"I've been called many things, Rookie, but a liar isn't one of them."

The grit in his voice makes you tremble. Makes a heat spume inside of you, not unlike the scotch from earlier.

Or—

Maybe it is the scotch. Your head is a slurry; a mess. The world around is shrouded in a sheen, a gloss, that makes the lights smear, and the cobblestone below quake under your feet.

"Are you—" jealous feels too strange in conjunction with Ghost. To the man who, as close as he is beside you, has never felt further away. Stupid Soap and his stupid words.

"Am I what?"

You mull it over. Let the word sit between your incisors to gauge the fit of it. It doesn't quite fit when you roll it around. Doesn't belong together.

(Like him, you.)

You stifle it.

He makes a noise, impatience, perhaps, and the word leaks into their terse air between you before you snap your jowls shut.

"Jealous?"

His eyes slide to you again. The whites glow under the street lamps. "Jealous?"

You feel a little silly. A little stupid. You blame it on the scotch. On Soap, and his keekin' you—

But—

You feel the words pool on your tongue, but you can't stop them from trembling out.

"I could have went home with Soap—"

"Why didn't you?"

It stings. The rejection hurts something fierce, but it's swallowed down.

(In for a penny…)

"You pulled me away. I could have been fucking him right now, and instead I'm wandering around Glasgow—"

Tonight feels as good as any to get your heart wrecked. Loose lips sink ships, after all.

"You might be fucking him, pet," his voice is a snarl, a feathered growl. "But you'd be thinking of me."

It punches into you, and makes you gasp, aloud; the sound echoing over the wet brick surrounding you. Your feet stutter when it's ground out, left to rot in the air. You jerk your head up to look at him, eyes wide. Heart-hammering in your chest.

He stops, too, hands now hanging by his sides, curled into loose fists. His chin is tipped down, liquid eyes boring into you.

You—

You've never seen a sight more damning. One more ready-made for ruin.

He makes you feel a low grade fever burning in your veins. Stupid, intoxicated.

You don't know where to go from here. Thinking of me. He's right. Of course, he is. It feels like a fractured mess when it tugs on the corner of your lip, a slowly unease smile. Distance, you think. You're an island far away from hurt.

Rejection. The brutality of his words—they can't reach your shores.

"And you'd be at home, getting thought of but not fucked." It's shakier than you'd wanted it to be, words a slow tremble. Then, a whisper: "You wouldn't even know."

"I would." He takes a step, another. His stare never wavers. "Just like I knew the first time you touched your little cunt to the thought of me. Couldn't look me in the eye for a week, pet."

"That's—"

It's true. You remember the time—all of them—and the realisation that he knows (he knows, he knows, he knows) burns into you. A knot of discomfort pools in your core.

There is embarrassment, of course there is. Shame, too.

But you're too drunk, too blootered, to think straight. Too raw, and cracked. You're a vanishing island. Water lapping at your inlands.

More hollow, thin words: "why did you take me out?"

"I gave you the option," he corrects, his voice is flat. It carries at the end, and leaves no room for any argument or protests.

It's true, after all.

You drop your chin, hands shaking. It's a bludgeon to your gut.

(How can it be you—?)

Stupid.

The false bravado quivers under his stare. A step backward flattens your spine to the wall of some long-closed Tandoori shop. The bricks are still wet from the rainshower that fell earlier. The cold dampness bleeds into your flesh. Goosebumps prickle.

More liquid courage, you think, hands balling into quivering fists by your side.

You lift your head. In for a penny, right?

No island is truly unreachable. No man, either.

All of this— something —with Ghost is drawn together into this single moment. The distance. The uneasy feeling on the nape of your neck when he's behind you. The want. He's been keekin' you all night. You look over and catch his stare. Feel it on your skin like a brand.

(Ready-made, always.)

It all has to mean something. It has to.

"Is that why you stare at me?"

His eyes are embers. The glow from the streetlights make him look like smouldering ash. Demonic. It thrills you.

"No, pet."

He leans in close, his body a shadow over yours. A tower. You can't see anything except the fill of him spreading out around you. Black. Endlessly so. Your perpetual night. The embers spark, blazing, when he bores into you. A wildfire in the distance. Atavistic fear brims.

Stay away from the fire and the being that can hurt.

His hand presses into the concrete beside your head. There is nowhere to run.

"I stare at you because I keep thinkin' about those little fingers trying to fuck yourself silly, and how desperate you must be knowin' it isn't enough."

You shiver—a whole body chill that has your teeth chattering together at the punctured words that drip, tainted with your demise, from his mouth.

The air in your lungs is noxious. It spumes inside until your knees quake, threatening to drop down into that unfathomable abyss that gapes below. The yawning maw of a man who wants nothing more than to sink his teeth into you until nothing remains. Rucked into the currents, it sends you careening out to sea until your fingers cling to the side of that untouchable island, begging for respite. Salvation.

It's a plea, a whimper: "you should have asked to take me home."

He offers none of it. His hand stretches out, and in the cup of his palm, he promises only ruin.

You shouldn't take it. Don't make him out to be the fairytale he isn't.

But the look he levels you with, ravenous hunger tucked inside the tenebrose of those spiralling depths, has you reaching out. A moth to a flame. The roar of the Styx in your head. You can't resist.

(You wouldn't even try.)

"I already am."

—Gaz regrets sending the text when he wakes up the next morning to a detailed commentary on all the ways his Lt absolutely ruined you

— he refuses to look either of you in the eye for weeks after

—this is completely irrelevant and feel free to roast me for it, but! my hc of a jealous!Ghost depends on where he's at in the relationship

—in the beginning: he doesn't trust, he does his job, and he's distant; but if he feels it, he'll close down. total distance. silence. he's mean about it, too. waspish. he'll try to push you away. cold hearted bastard to a T.

—but later?? oh, boy. that's when the Looming™️ starts. the, oh hey lemme go talk to that cutie over there - oh, wait. what the fuck that is that thing behind them and why does it look like it wants to eat me alive?! he's still mean, of course, but now he has a reason to snap. a reason to stand as close you as physically possible so everyone knows just who you belong to. and if he catches you flirting, i mean. rip, b. 🥹

#simon riley x you #simon riley x reader #simon ghost riley x reader #simon riley fanfic #simon ghost riley x you #requests #call of duty modern warfare #call of duty #simon riley cod #cod mw2 #cod fanfic #lord its me again #they caught me simpin

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petrichor-idyllic · 1 year

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HI i love ur writings for minho so much oh my god they keep me thriving. i was wondering if you’d be up for doing like a modern highschool au with minho where he keeps trying to ask the reader out, and she keeps saying no because she thinks it’s joke, until she confronts him and he gets all serious and tells her it’s not a joke and then there’s a little bit (a lot) of spice at the end🤭🤭

Ooo okay okay, my first AU story, this is definitely going to be a bit different.

Again, assuming fem!reader because pronouns used in the request.

HIGH SCHOOL NOT-SO-SWEETHEARTS

MASTERLIST | MINHO MASTERLIST

SUMMARY: See above. Fem! Studious! High-school! Reader x Popular! High-school! Minho.

WARNINGS: Inappropriate language, the American education system which I simply do not understand or what is taught in American classrooms, spicy content, terrible teenage flirting, kinda of insecure reader, guilty pleasure high school drama tropes, I do not condone Minho's constant questioning of the reader- no means no, guys. No Glader slang here, folks- they ain't stuck in the Maze now.

You are not a popular person.

Not that you mind. You have your small circle of friends and staying out of the typical teenage drama really is a blessing, especially during your Senior year.

It's not like you're disliked, you're just not someone most people pay attention to, and you like it that way.

You get to focus on your studies, your family and your close friends, which is more than enough to keep you happy.

Well, it would be if you weren't kind of a hopeless romantic. No matter how many times you tell yourself you don't want a boyfriend and that you don't need one, you spend a lot of time fantasing about what it would be like to be in a relationship. Like going on dates, having cute inside jokes, meeting your partners parents, and... other things.

In typical horny teenage fashion, you do spend a lot of time thinking about the more intimate parts of your desired relationship. But, alas, you simply do not have anyone interested in you, nor do you have the time.

(You totally do have the time; you're way ahead of your classes and are passing with flying colours- but you tell yourself that.)

Except that's actually not quite right.

"Dude, I am totally fucking up this titration, are you gonna help me or not?" Gally mumbles from behind the desk of the chemistry lab. How Gally and Minho got into AP chemistry is beyond me, and the teacher, and the whole entire class.

Probably to do with them cheating on their mid-terms. But that's irrelevant.

"Minho, dude," he shoves his friend, who has been casually leaning on the desk staring off into space, as per usual.

Well, not into space exactly.

"What? Huh? Oh, right, yeah." He clears his throat. "Acid in the... tube thing and we put that in the base and bang, shit changes colour- it ain't that hard."

"It's an acid-base titration."

"So?"

"So, we're seeing how much base it takes to neutralise the acid- the acid goes in the beaker!"

"What's the damn difference?"

Gally pauses.

He does not know.

"Whatever, the titrate is already in the shitty tube and now we gotta drip feed it in."

"Sounds like you know what you're doin', then." Gally frowns at the boy.

Maybe it wasn't a smart idea for them to both cheat when the only thing they have in common is being friends with Siggy (aka Frypan, the groups best, and only, cook.)

"Yanno, maybe if you didn't spend half your time staring at your nerd crush, then we might actually get past this with a C."

Minho glares at his friend. His crush on you is very much a teasing point in his friend group.

It started when he was struggling with an equation in Sophmore year. He'd just sprained his ankle after a training session with the Track-and-Sprint team and was particularly stressed about it. So, anything remotely out of his academic field was bound to make his day worse.

It's not like Minho is dumb. He's actually incredibly intelligent. He has a great memory and can understand people with little to no effort- anything scientific really isn't his thing though.

So, when you felt bad for him, watching him anxiously tap his good foot and spin his pen in his hand, you slipped him your answer sheet. He was stunned, especially since you'd never spoken before. But, when you smiled at him, giving him a reassuring nod, he never really got over it.

"Shut up, man."

"You know, actually, that's not a bad idea."

"What?"

"Yo, (Y/N)!" You perk your head up, flashing a concerned look at Harriet, your lab partner, as Gally shouts you. "Could you help us out? You're like smart, right?"

"Gally! Dude-" Minho whisper-yells at the boy, ducking into himself when you respond.

"Uh, sure," you walk away from your perfect set up to the chaos of the boys'. "What's up?"

You stand with your hands behind your back, looking between them. "Minho," he nudges his friend, "tell the girl what's wrong."

Minho blinks. "Well, uh, I don't know- you're the one who said there's a problem."

Gally scoffs. "The fucking thing won't change colour- ain't it meant to go pink?"

You glance between them, suddenly feeling very small.

You're not popular, which means guys like these have often teased you or do things like this because they think it's funny. It's gotten better over time with age, but you still feel like the scared little freshman that would get teased by older boys.

"Well, did you put the phenolphthalein in the beaker?"

They both blankly look at you. So, you pick up the small, dark bottle. Shaking it at them, you open the bottle, letting the liquid fall from the dripper and into the clear acid, which immediately turns a bright fusia.

You pull your lips into a thin line as they both stare at the beaker, no thoughts behind the eyes.

"Ah." Gally says after a couple of seconds.

"Yeah." You respond.

"Uh, thanks," Minho awkwardly stands up properly from his leaning position over the lab table.

"No problem."

You turn to walk away, but as Gally makes shifty eyes at his friend, Minho finally takes the hint. He's been crushing on you forever, he might aswell do something about it.

"Uh, wait, hold on," you turn to face him as he walks around the desk. "I gotta ask you somethin'."

"I'm sure your titration's fine, just don't pour it too quick or the results will be wrong."

"No, uh, not that." Gally snorts, not at you but at Minho's awkwardness, but it still makes you feel very insecure. "I was wondering if you wanted to hang out maybe, sometime?"

"Hang out?"

"Yeah," Gally laughs, covering his mouth and turning away, "Gally, shut up, bro." Minho is quick to snap at him. "Like... a date, maybe?"

You scoff, anger swelling inside of you. This isn't the first times it's happened, but probably the worst because you actually like Minho.

Sure, he hangs out with douchebags like Gally, but you thought he was cool. Say, you may even have a slight crush on him. He's handsome, funny, and, for the most part, kind.

Well, you thought he was at least.

"Real funny, asshole."

You walk away, returning to a very confused Harriet.

Minho stands in stunned silence. He's never been rejected before- nevermind like that.

Gally bursts out laughing.

"What just happened?" Minho asks no one in particular, visible confusion washing over him.

"You just got fuckin' rejected, bro! Ha!"

"No, that was weird." He's never heard of anyone being rejected like that before.

"Well, try again, then, pretty boy- it's nice to see someone knock your ego down a peg." Minho gives a sarcastic grin to Gally before shoving him. "You gonna help me with this damn titration, now, or what?"

"Dude, what was that about?" Harriet whispers as you immediately go back to your third reading.

"Minho just asked me out." You state, matter-of-factly.

"What?" She says a bit too loud, making multiple heads look at her. "What?" She repeats, quieter.

"It was a joke- Gally was laughing the whole time. I hate guys like that."

"Are you sure?" You glare at her. "I'm just sayin', I didn't think Minho was that typa guy, that's all."

"Yeah, neither did I."

"Pricks."

You scoff before she smiles at you.

You finish up the lab session, and you're quick to leave, meeting Sonya and Aris at the door as you all share history together.

"Hey, (Y/N)!" You keep walking, ignoring Minho's voice from behind you. "Yo! Hey! Wait!"

"What?" You snap, turning around suddenly to face him, making him jump as Sonya and Aris exchange glances.

"Did I, uh, did I do something? 'Cause back there you-"

"You think you're funny, huh?" Harriet butts in, defending you. "That's a sick joke, yanno; give it up now before you become even more of a dick. C'mon." She grabs your wrist, pulling you away from him, your other friends left even more confused.

Later, in the cafeteria, Minho sits with his friends, silently picking at his food.

"Okay," Newt finally breaks the tension, "what's going on? Why are you sulking?"

"He got rejected by his long-term crush," Gally sneers, earning a glare from Minho.

"Holy shit, (Y/N)?" Teresa leans forward in her seat. "You actually asked her?"

"Yeah, and he got completely rejected."

"What? Why?" Thomas pipes up.

Minho shrugs. "She called me an asshole and walked away. Tried to talk to her after, and Harriet dragged her away."

"What?" At least three people ask.

"Yeah, so, that's three years of my romantic life wasted."

"Nah, man, you gotta ask again," Frypan says between mouthfuls of his homemade pasta, which is worlds better than the cafeteria food.

"What?"

"Keep askin', you'll either get an explanation or she'll say yes."

"I don't know if I agree with that," Teresa mumbles.

"Yeah, me neither," Newt mutters, and Frypan shushes them.

"Trust me, bro, chicks dig a guy that doesn't give up- ain't that right, Gally?"

"Oh, yeah," Gally agrees, sarcasm dripping in his voice. "That'll work."

And, for some God forsaken reason, Minho actually listens to this.

So, every day, for the next two weeks, Minho asks you out.

You think it's some kind of unruly on-going inside joke, and Harriet is practically frothing at the mouth, ready to rip Minho to shreads the first chance she gets. Minho, at the point, would just like a reason.

Not that he's owed one. But, Teresa and Newt's voices of reason keep getting drowned out by the other dumb boys, so he's still going.

That is until you have literally the worst day ever.

First, your Mom's car broke down, and she normally drops you off at school on her commute to work, so you arrived at your first period late. It also means she can't pick you up, it's not like you can't drive, but you don't have your own car, and now she doesn't have a car either.

And now it's throwing it down.

You then dropped a whole beaker of hydrochloric acid down your leg in chemistry. Which meant you had to borrow Sonya's PE shorts because you can't wear dangerous chemicals all day.

Then you left school- forgot you were tutoring Winston for extra credit, and had to run back to school, soaked, to spend another hour there.

Unbeknownst to you, Minho has extracurricular activities being captain of the Track team- which is taking place inside the hall because of the weather.

So, when you're walking through the parking lot, dressed like a drowned-rat and Minho pulls up beside you, you've just about had enough.

"(Y/N)?"

"Piss off, Minho! I won't tell you again!"

He slowly drives alongside you from his beat-up, old range rover, the window rolled down but he still has to shout.

"Okay! Okay! Dude, you're drenched, wearing shorts, okay? I'll give you a lift home-"

"No way- I'll walk."

"You're gonna get sick, man- I'll shut up and just take you home, alright? I'm not letting you walk in this- I'll feel like a dick."

"You don't already feel like a dick?"

He groans, tapping on the steering wheel. "I'm sorry if I made you uncomfortable- I didn't mean to. But the weather's shit, and you can't play top-student if you're off 'cause you're ill."

You pause. He makes a good point. You turn to look at him, sighing. He puts the hand break on when you start to walk around the side of his car, dumping your bag at your feet as you open the door.

"What's your-"

"I'll give you directions."

"Okay..."

The ride is mainly in silent, with some old-school songs playing on the radio. Minho taps the steering wheel to the beat of "Eye of the Tiger" to try and distract himself from the awkwardness.

Your phone buzzes; it's Harriet calling you.

"Shit," you mumble.

"You good?" Minho asks you.

"Yeah, Harriet's calling me- we're meant to be figuring out our history project tonight but I forget to tell her I was tutoring."

You swipe across, pressing the phone to your ear. "Hey, man."

"Dude, you were meant to call me half an hour ago- we gotta brainstorm."

"Yeah, yeah, I know, I'm just on my way home, now."

"Did your Mom sort her car then? Doesn't sound like you're walking through a storm."

"No, I, uh..." You trail off. "I got offered a lift, I'm fine, I'll be home in like five minutes."

"A lift? Off who? Sonya has work so she couldn't of?" You hesitate. "Dude?"

"Uh, Minho, he caught me in the rain and offered to take me home."

"What?"

"Yeah, I know-"

"You're fucking with me, right?"

"Look, it's fine, I'll call you when I get home."

"You better." You hang up the phone, taking a deep breath.

"Sounds like she doesn't like me," Minho attempts to say.

"Yeah, I wonder why."

"Do you have a problem with me, or some shit? 'Cause I thought we were cool and then you just started acting like I was a dick."

"Because you are a dick!"

"What?" He looks at you for a second before returning his eyes to the road.

"Doesn't matter; pull over, it's my house on the left."

He does as he's told. There's no car in the drive so your Mom must've managed to get someone to take care of it- which means you've got an empty house.

Thank God because you're going to need to de-stress after the day you've had.

You immediately get out of the car, slamming the door behind you. But Minho is quick to follow you.

"Hey!" He shouts as you march up your front door steps. "Hey!" He grabs you wrist and you turn around, pushing him.

"What's your problem?" You shout. "I don't get why you think this is so fucking funny! Like, sure, have your one dumb joke where you ask out the freak to make your friend laugh! But why keep going! What's the point? You don't have your little audience now, do you? What? You gonna call them after and tell them how much fun you had pissing me off on our little drive? Or is it the fact I got in your car to begin with? Is that the joke, hm?"

Minho stands there, in the rain, his brows furrowing slightly as he takes in what you've said. It's an expression you've never seen on him before, but you don't plan on sticking around to find out what it means.

You turn, fumbling with your keys to unlock your door, managing to push it open.

"Wait, what?" He stops you in the door, and for some reason, you turn around.

"What?"

"You thought it was a joke?" His voice sounds sincere, almost sad.

"You and Gally were laughing at me-"

"No, Gally was laughing at me," he sighs, dropping his head. "He was laughing at me."

"What? Why would he-?"

"Because I've had a crush on you since I was fifteen. Ever since you gave me those damn notes, a-and I guess I never got over it. I just finally got the courage to say something and Gally thought it was funny- for some reason, I don't know." He takes a deep breath. "But I- shit," he throws his head back, letting the water wash over his face. "I was never joking."

You don't know what to say. It's like your body relaxes, your shoulders dropping as you shuffle forwards.

"I get it, if you don't like me- and I'll leave you alone now. Teresa gave me some lecture on how to treat girls," he lets out a soft chuckle, "Newt sounded like he was gonna rip my head off. But I was never joking, (Y/N)- I really fuckin' like you."

"I don't get it," you mumble. "Why would a guy like you like me?"

"What do you mean?"

"You're... popular. Everyone loves you- you're hot and athletic and you could get anyone you want. I don't get it."

He smirks, his shirt is starting to stick to him thanks to the rain and his hair is starting to flatten. "You think I'm hot?" You glare at him. "Right, yeah, not the point, sorry."

He takes in a deep breath. "How could I not like you? You're pretty, and funny, and passionate- and you try so hard and you help people whenever you can. You're... incredible."

"You barely know me."

He scoffs. "Maybe. But I think I've paid more attention to you than I have any of my classes. I know you're good at science, but you hate physics, even though you're good at it. But I know English is your favourite subject. I know that you became friends with Sonya and Aris because Harriet made you after you sat next to her in history. I know the only class you've ever skipped is PE, but I don't know why 'cause you'd actually be pretty decent on the girls' basketball team. And I know you're tutoring Winston after school because he doesn't shut up about it half the time."

He pauses. "I know about you- but I want to know you."

You're completely stunned. The fact that he's paid so much attention to you, and knows all of this makes your stomach flip and your heart rate speed up.

When you don't respond, Minho sighs, rubbing his forehead with his hand. "Sorry," he mumbles, "this is dumb; I'll leave you alone."

He steps away, turning around when you step forward. "Minho," you grab his wrist, making him turn around to face you fully. "I, uh, I have a crush on you, too."

He blinks. "What?"

"I thought you were cool, and I think I was only so upset that I thought it was a joke... because I actually like you, too?" It comes out as more of a question as you avoid his gaze. But when he doesn't say anything, you look at him.

He's smiling. It's a genuine and earnest expression. "Yeah, you actully-?"

"Just shut up and kiss me," you don't know where the surge of confidence came from. Maybe you can't take this sappy talk anymore, or that Minho looks too good being soaked wet through.

Stepping closer, he brings his hand to your cheek, brushing his thumb across your lips as your faces are inches apart. Finally, he leans in, closer the gap and kissing you.

Your hopeless romantic heart can't take it. Kissing the popular hot guy in the rain after what was basically a love confession? It's like something straight out of a movie.

He breaks the kiss for a second, eyes fluttering down at you before his kisses you again. This time, it's hungrier, pushing you back as you grab his shirt. Pulling him back and into your house, he slams the door behind him as you drop your bag on the floor with a heavy thump.

Almost immediately, he grabs you again, pushing you back into the wall of your hallway. You hum into his mouth, his hands coming to your waist, yanking your body closer to his. You're both damp and in uncomfortable clothes, but neither if you could care less as you drip on the floor.

Feeling more bold, you pull on his bottom lip with your teeth, making him grunt slightly before your tongues brush against one another.

Make out session is quick to become more heated as you graze your fingers over his abs through his shirt, which is sticking to him like glue. He senses your want for more, moving one of his hands to lift his shirt (struggling because wet clothes suck) before firmly pressing your hand to his mid-drift.

He breaks the kiss, his eyes flickering as you gently touch his bare skin, your eyes on his chiselled form. He sucks in a deep breath, his chest rising and falling.

It's almost like a drug. You're barely doing anything but he's never felt like this before. It's not like Minho is inexperienced due to a few hook-ups at parties. But, this is new.

He's literally getting drunk off of your touch. And you can tell.

Having Minho reduced to putty in your hands sends a flush of heat to your core. Dangerously lowering your hand, you brush against the V line poking out of his tightening trousers.

He mumbles your name, a rasp to his voice, almost like he's in some kind of pain as he speaks into your mouth. He dips towards you, but instead of kissing you, his lips come to your neck.

You exhale, the air shaking at it leaves your lungs. He moves lower, your free hand coming to back of his neck and playing with his wet hair.

When he reaches your collarbone, your phone starts buzzing again.

Harriet, again.

He pulls away, raising an eyebrow at you as you pull your phone out of the baggy pocket of the gym shorts. "Sorry," you mumble, "I gotta..."

He nods. "Yeah, go ahead."

You inwardly cringe as you pick up the phone.

"Bro, are you alive?" She says the second the line connects.

"Yeah, I'm alive, Harry- I'm home now."

"Great, well I was thinking we can do out project of the Battle of the Somme, or maybe-"

"Wait, I'm, uh, I'm a bit busy- can I call you back?" You definitely have to have that interesting conversation with her, but hopefully you don't have to do it in front of Minho.

"What? Why? Why do you sound like you've ran a marathon? What's going on with you?"

"Look, I'm fine. I'll call you back."

"Wha-" you hang up, taking a deep breath as you lean back against the wall.

Minho chuckles. "We should, uh, probably take things a bit slower."

"Yeah," you clear your throat, "you're probably right."

"So, about that date- you down?"

You smile, nodding. "Yeah, that sounds great."

"Cool. I should probably get your number, huh?"

"Yeah, that would be smart."

You exchange numbers, making some small and slightly awkward small talk when the door opens.

Your Mom, who looks like she's just had the worst day, freezes. Her eyes flickering between you and Minho.

None of you say anything for a good thirty seconds as your mother takes in the scene of her daughter and this random boy dripping in her hallway, both clearly flustered whilst Minho's shirt is still slightly raised.

And where are your pants?

"Hi, Mrs (L/N)," Minho gives an awkward wave to her.

"I can explain." You say.

"I don't want to know," she brushes past you, going further into the house, leaving you be.

Both you and Minho exchange looks before bursting out laughing.

Maybe Minho wasn't joking, but you have a feeling that this specific moment is definitely going to be in the future.

This was actually very fun to write, and I actually got to use my actual science qualifications to use for a change. It's nice to change up things now and then.

I hope you guys enjoyed :))

#🌿 petri writes #🌿 petri writes tmr #🌿 petri tmr minho #🍃 petri tmr #tmr fanfiction #tmr minho #minho tmr #minho the maze runner #minho tmr x reader #tmr imagines #minho maze runner

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thesunfyre4446 · 11 days

Note

Yo. New to the HoTD discourse. I hope you don't mind me rant dumping on your blog. I'm a bit scatterbrained so I hope I lay out my feelings about these things clearly. I have finally watched HoTD and ....

Listen, I could have liked Rhaenyra well enough, in fact I didn't really mind her in the beginning. But it really all changed once I saw what the audience were saying. How the majority seems to have no sympathy for Allicent at all.

I thought we all understood that no character in Westeros is really all that great?? So I really cant understand the vile hatred spewed towards her? It feels like they even hate her more than anyone ever hated Joffrey or Cersei. People were rightfully angry with the show runners decision to have Jaime r*** her in that one scene. People were capable of feeling empathy for Cersei despite how despicable she is. But there's SOOO much victim blaming for Alicent. It drives me fucking nuts. And to show sympathy for her would have people dogging on you.

I really cannot believe my eyes when I see people thinking she willingly seduced that rotten walking corpse.

I was so naive to think people would understand where her character is coming from. She is utterly powerless. She doesn't have a king for a father to pardon every mistake she makes. She's suffocating and it makes sense for her to hate Rhaenyra who has more privilege than any woman who ever lived in that world, and yet still step over every single rule while expecting everyone else to just live with the consequences of her actions. We're supposed to like her??

I GET that the point of it all is that monarchy is just a shitty way to run a kingdom. I GET that Rhaenyra being a terrible ruler is the point. Man or woman it never mattered.

What I don't get is people thinking she's some feminist figurehead?? She behaves as a man does in that universe, entitled and unfit for what they feel entitled to. I get that that's the point, but that doesn't mean she's for the women at all. Like any man, she's out for herself. Why would I like her if she behaves as any corrupt man in that world would, when the only difference is she doesn't have a dick? And I wouldn't necessarily mind that? I don't watch HoTD or GoT for perfect characters. But if only the audience didn't treat her like some sort of hero and Alicent the pure villain.

I never felt frustrated with GoT discourse. Why the fuck does it seem like HoTD has bred this extremely toxic environment? You can't seem to have a different opinion unless your mouths dick sucking on Team Black.

Dany, just as entitled as she was, she was still able to do as duty demanded. Rhaenyra is a just a spoiled child all the way through. The hatred for Alicent and the inability for people to see Rhaenyra for what she is, has me thinking people have really missed the fucking point about what feminism actually is. And once again, I didnt watch HoTD for feminism. But the audience seems to think Rhaenyra is a beacon for it. Wether intentional or not, ideas take on a life of its own and you cannot divorce these fan-imposed ideas from the show anymore. That's really the part of all this that pisses me off.

I'm TG now not because I condone everything they've ever done. Literally everyone fucking sucks. I'm TG because I understand everyone fucking sucks. And I dislike being tube fed by the biased writers on what to think and feel.

anon, not a single lie was told.

people hate on alicent for displaying human emotions. it's insane. it's always "rhaenyra will turn westeros into barbieland" until someone brings out the fact that she has no intention of helping any other woman other then herself and then it's all "well, we shouldn't judge her from a modern day pov"..

"I'm TG because I understand everyone fucking sucks" this!! also, they have better characters lol

#hotd #house of the dragon #anon ask #anti rhaenyra targaryen #anti team black stans #anti rhaenyra stans

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eddo-tensei · 1 year

Text

More thoughts on Derision (Spoilers, obviously)

I think it's amusing that the default counter-argument to anyone who criticizes this episode boils down to "Well, you're just a Chloe Stan!" Which is something I had to deal with myself recently. Apparently, you can only hate this episode if you're a Chloe apologist. First off, hi, I'm Eddo. I wrote a fanfic where Chloe literally gets thrown into the dirt and suffer an allergic reaction to cacti, both times being her own fault. I feel like my Chloe Stan license should be revoked after that.

Anyways, I'm not surprised with the direction they went with Chloe in Derision. It's been stated since around Season 4 that Chloe was on a "Damnation Arc", so they've been doing everything they can to make her worse and worse. So, I'm not surprised or even angry that they continued this here. I'm annoyed, but not angry. What I AM angry about would be the other characters who got mangled in this shitshow.

Writers? Could you please stop having Chat threaten people with Cataclysm after he's shown regret doing it to people by accident TWICE?! This has happened three times now, counting what happened with Scarabella. Yes, I know he did this before with Darker Owl, but that just makes it worse because that happened right AFTER he regretted doing this to Monarch. You know, the guy who's been tormenting and attacking everyone for over a year? I guess to Chat, Damocles and Kim deserve it more for ripping away a fantasy and pulling a shitty prank respectively.

I know I complained about this a lot already, but this needs to be stressed upon. If we're going to take Cataclysm seriously, especially with what later episodes showed us, maybe DON'T have your hero threaten people with it for relatively petty reasons? "BUT IT'S FOR TRUE LOVE!!!1!!" Yeah, no. When he tried to do it on Darker Owl, Ladybug told him to cut that crap. It then happened again with Dark Humor with Ladybug telling him not to do it. It doesn't matter if it's for "true love." Both times he did this so far, Ladybug made it clear that this was a bad idea. So, maybe you guys should stop trying to encourage it. I refuse to believe that Chat believes that Monarch is more deserving to live after everything that he did than Kim after what he did. Speaking of Kim...

My friendly neighborhood dumb jock, why would the writers do this to you? When we only had the leaks to go by, I actually tried to scour for any interactions Kim had with Marinette and I can confirm that with the revelations we got in Derision, they REALLY don't make sense. Yes, Kim was a bit of a douche in the first season. Origins had him push Ivan around to the point of being the trigger for the Akuma. But he wasn't THIS much of a douchenozzle. Moreover, I have a hard time believing Marinette would be as friendly as she is with Kim throughout the series given what he did to her as revealed in this episode. Also, I know this is going to sound offensive, but...Kim was Marinette's first crush? Really? That's what you're going with? I'm not trying to insult Kim, but there was NOTHING that hinted to this. I can't help but think this was the thought process of the writers when they brought this up:

"So, we need to have Chloe do something to Marinette that would explain why Marinette struggles to be with Adrien. It has to be something big and traumatic. More importantly, it has to involve Marinette actually having a past crush that Chloe ruined and it has to be a character we're familiar with, so we can't make up an OC for it. We can't use Nino because he had a crush on her and it wouldn't make sense for her to reciprocate. We can't use Nathaniel because his crush went almost completely unnoticed by Marinette and he's also gay now. We can't use Ivan because he likes Mylene and we can't complicate that. We can't use Max because most people think he's ace and subverting that would piss a ton of people off. Oh, and we can't have it be any of the girls either because our show would get cancelled if Marinette isn't straight. So, let's just make it this guy."

"This. Fucking. Guy."

I'm having a hard time thinking of any other reason. I know some people theorized in the past that Kim and Marinette might've had a thing, but I don't think they held any water. Even now, however, I really don't think people should be happy it was canonized in this way.

I always held the belief that Chloe was responsible for Marinette's behavior, but my idea of it was that Chloe had been bullying Marinette for a long time and those years of sustained bullying took its toll on the poor baker girl that made it difficult for her to not only open her heart to people she loves, but have difficulties making friends in general until Alya came along. Yeah, Chloe doesn't look good in this case either, but it would've been more reasonable and would probably resonate with a lot more people who probably had to deal with bullies messing with them for a long time because these effects usually aren't instant. They get built on for a long time and it can really mess up their perception on things.

I think a good story would've been Marinette having to heal from that sustained trauma and while it is difficult since nobody can just quickly heal from trauma, it'd be a good journey for Marinette to be able to open up again with Alya and Adrien being just the first two pieces Marinette needs for her recovery.

But now, instead of all that, it turns out Chloe just pulled a prank that just unleashed a cavalcade of trauma on Marinette all at once that is hyper-specific to how she handles her crush that Adrien and ONLY Adrien can heal. All the while, it turns out that the prank was actually pulled by a guy who I really thought was just kinda fun and cool, but now I can't talk about him in the same way again because he's been thrown under the bus for the sake of this nonsense plot that's difficult not to call a full-on retcon. Do you know what I can call a retcon, though? Or rather who?

I am sorry to all of the people who are probably stanning Socqueline right now, but I CAN'T vibe with her. I'm not saying you're not allowed to like her either, because that would be dumb, but I DON'T like how she was presented in Derision. First off, to get this out of the way, we're no strangers to characters being introduced out of nowhere. Felix and Zoe are both characters that come to mind. The thing is you can at least explain their respective absences easily. Felix had likely been distant from Adrien for a long time with him only coming in out of obligation with Amelie. Zoe is actually even more easy to explain given that she was shoved into a boarding school by Audrey and wouldn't really be able to connect with any of the characters until she was forced to transfer. Socqueline, however, does not have that luxury and cannot be easily explained away not only with how we found her, but for the fact that there was NO hint to her existing until Season 5 and that is inexcusable given how much importance this character now has. To put it in perspective, this is how we are introduced to Socqueline in Jubilation:

Marinette: That fake Ladybug from this morning, I think it was Socqueline, a school friend from last year. Knowing her, I’m sure she means well. But I have to convince her to stop putting herself in danger like that.

That's it. She just calls her a school friend. Yes, it's clear that she's at least important enough for Marinette to remember her name, she was just called a school friend. At the very least, she did have an interesting story with her trying to be Ladybug in order to help people. Of course, she had to be talked out of it because it's causing issues with the real Ladybug, but it's a decent story and Socqueline had only made a few appearances here and there.

And then Derision.

Yes, Socqueline referred to Chloe as "that monster", so it's clear that they planned her to have something against Chloe since her first appearance. However, Derision showed us that Socqueline wasn't just a school friend. She was Marinette's closest confidant in the school years prior to the start of the series. She actively protects Marinette from bullies, particularly Chloe, and was clearly a huge inspiration for her until Chloe got her suspended from school.

First off, in case I haven't made it clear, we haven't seen Socqueline AT ALL until Season 5. Not even a hint to her existence. So given how significant she was made out to be in Derision, WHY HASN'T SHE MADE ANY APPEARANCES IN THE SERIES BEFOREHAND?! She doesn't even have the excuse of being outside of Paris like Felix and Zoe do because she's STILL there and in an arts and crafts store no less, which probably would've been a great place for Marinette to hang out in with her friends if the writers thought this through. But they didn't and Socqueline's debut comes off as severely jarring because we have this character who was really important to Marinette's life just not show up until she started cosplaying as Ladybug.

Secondly, it muddles Marinette's own backstory as well as severely hampering the significance of Alya. Now instead of being alone with nobody to help her against Chloe, which makes her friendship with Alya all the more stronger, Marinette just had this super cool friend who was always there for her until mean ol' Chloe got her kicked out of school. Doesn't that sound like something you'd see in a fanfic, specifically one that's salting Alya given how Socqueline was depicted as Marinette's BFF?

Thirdly, if Chloe was able to get Socqueline suspended so easily, then why hadn't she been able to do that with the other students? Yeah, she got close with Alya, but that didn't stick. If Chloe really had the ability to just make students disappear even if it happened once, she would NOT hesitate to try and do this again with any other student who slighted her, ESPECIALLY Marinette. But she doesn't. Once her attempt on Alya failed, she didn't try again. Hell, LILA had more attempts to get Marinette kicked out of school than Chloe did and actually got closer to doing it than Chloe would ever get, which is weird since she doesn't have the title of "Mayor's Daughter" to throw around like Chloe would. This just feels like something done to explain away why Socqueline didn't show up in the series which doesn't work because she's STILL IN PARIS and I'm pretty sure Marinette would be more than happy to meet with Socqueline given how close they were, but that never happened.

Fourthly, I'm guessing nobody felt like pointing it out because it felt too obvious, but doesn't Socqueline just come off as the writer's answer to Bridgette? You know, the older Marinette based on the anime PV that some fan writers implement into their own stories? Yeah, she's not one-to-one similar to Marinette like Bridgette is, but it definitely feels like another instance of the writers pulling stuff out of fanon just to put a canon spin on it. And like all the other instances, it's a bad spin.

Lastly, this whole incident with the prank and Socqueline's suspension took place a few months before Origins. Not even a year at the earliest. It was specifically stated that Socqueline was suspended three weeks before the end of the school year. Given how close that time gap, the way everyone behaves in Origins makes almost no sense. Marinette would be a lot more horrified of Chloe if Derision was anything to go by and Chloe would be more willing to try and cast Alya out so Marinette doesn't have any allies given that Derision showed Chloe REALLY wanting to make sure nobody helps Marinette. The only point I could even give any leeway to is Kim and even then, again, he's not that much of a douche in Origins as he was in Derision. So, really, it all just comes off as a blatant retcon specifically to try and explain the new direction the writers are taking with certain characters. And do you want to know the dumbest thing? Apparently, Socqueline was such an inspiration to Marinette that the latter changed her hair to be more like Socqueline's.

No, seriously. That's also how they explain why Marinette has different hairstyles. I know Expository Hairstyle Changes are a thing in fiction, but this is just awkward as hell given how traumatic and melodramatic the whole thing is. You don't need to say that Marinette's hairstyle came from someone who she considered a hero because nothing about Marinette indicated that her hairstyle is important. This isn't like Josuke changing his hairstyle to be based on the man who saved him as a child. It's a purely cosmetic change that's suddenly given a shit-ton of significance because now it's connected to this horribly traumatic incident. In fact, you know what this reminds me of?

Actually, the whole segment where this Linkara clip came from seems to sum up a lot of things wrong with Derision. It's not just bad because it makes some characters look bad or introduces stuff out of nowhere. It's bad because now everything in the flashback is now part of all of the characters! Every prior episode will now have to be viewed with a lens tinted by the events of this episode. Now nobody can discuss Kim without people salting on him for the prank, now nobody can talk about how important Alya's friendship with Marinette because of Socqueline's sudden boost in significance (In fact, it's very likely that Alya salters will try to use Socqueline as a replacement friend), and now nobody can speculate the intrigue of Marinette's past because EVERYTHING about her behavior is linked to this specific incident and nothing else. That's what pisses me off about this episode. That's why I share that Double D meme so frequently. I could care less about how much of a monster Chloe was depicted to be in this episode, but I am going to complain when other characters are butchered in the process. I will complain about one thing concerning her, though.

Isn't it amazing that you can tell the writers are trying DESPERATELY to squish any and all positive interpretations of Chloe, even trying to downplay parental neglect because "this character also didn't have a mom and they didn't turn out this way" even though Mylene's and Chloe's situations are still VASTLY different? You can make the argument that Audrey's absence doesn't excuse Chloe's actions. In fact, I don't think it really does either, but saying that there's only one valid response to an absent parent is EXTREMELY insensitive to people who might be going through similar situations.

Oh, and to cap this all off? This is the favorite episode of one of the main writers. Said writer possibly being considered to be the new director for Season 6 of Miraculous and onwards. I'm not gonna name which one for obvious reasons, but it's been confirmed.

I feel like this is a good indication that you need to hop off this series.

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tiredcatboysinc · 1 month

Text

Drive to no where

Haaai :3c I've been on sort of a writing kick (mostly to procrastinate on my homework), so here's a fanfic rewrite for my shitty old Sniper(TF2)/Reader!

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Summary: "Couldn't sleep?" The sniper asked with a soft, reassuring smile. A huff leaves your nose as you look away, your brows furrowed aggravatedly. "I think god hates me..." You grumble, your mouth forming into a grimace.

Words: 888

AO3

Warnings: Light angst, Reader has depression and also smokes

You stare up at the ceiling of your room, your eyes hazy and burning from a lack of sleeping. A groan of impatience leaves you as you roll over onto your side, slamming a pillow over your face. It had been 2... No, 3 days since you had really gotten any good sleep. Maybe you'd had 4 hours combined? Either way, a lack of sleep wasn't helping your current mental situation. By which of course you mean you're utterly and hopelessly depressed. Clothes scattered your room, dirty cups and plates almost on every surface your can see, the whole room covered with a layer of scent that was disgusting, you were disgusting and you knew it. Some of your team members, mainly Pyro and Engineer, had offered to help you clean, but you couldn't take that offer. You knew your room would be back to this state in a matter of days, so there was no point in your mind.

Your teammates were worried to say the least, they wanted to help! They really did! But in full truth they didn't know how... The only one that seemed to understand you right now was Sniper. Sniper had dealt this thing before, unbeknownst to you of course, so he understood it was hard.

Another groan leaves your mouth and you throw yourself off your bed, leaning over your knees for a moment in contemplation. Fuck it, if you couldn't sleep than a smoke wouldn't hurt. Standing up from your bed you wobble slightly, this being the first time you had stood in hours. You grab some random, probably dirty, jacket from your floor before pulling your shoes on. A pause is given at your door while you dig through your jack pocket, yup, this one had your cigarettes in it. With that you exit your room and make your way down the halls, an exhausted look plastered over your face.

So many thoughts we're in your head, why did you have to go through this? What had you done to piss god off so much he threw this at you? Maybe god hated you, or maybe this was your own fault In some creual twist of fate. A grumble of curses is thrown out under your breath as you begin to open the bases door, only to be stopped by Sniper standing in front of the other side. You flinch back, your eyes widened in shock. "Couldn't sleep?" The sniper asked with a soft, reassuring smile. A huff leaves your nose as you look away, your brows furrowed aggravatedly. "I think god hates me..." You grumble, your mouth forming into a grimace. Sniper sighs, and steps out of the way so you can come outside. "Come on, roo. We're gonna go for a drive." You give Sniper a half surprised and half curious look at this, but don't argue and follow his lead.

Sniper leads you over to his caravan, opening the door for you which elicits a small chuckle from you. He always once to be a gentleman, even if he didn't look like it. As you buckle yourself in the passenger seat Sniper climbs into the driver's side, cranking the caravan and holding onto the wheel for a moment. "Sooo... Where you taking me, Snipes?" You questioned as your head pressed back into the leather of his seats. He hummed softly at this question, pulling away from the base and starting your drive.

"Dunno, just thought it'd be good to get you outta ya room." He smiled softly over at you, and you scoff at this statement. "I haven't been in my room for that long... Have I?" The days had sort of been blending together as of recent, and honestly you don't remember the last time you left your room if it wasn't for a battle. Snipers nods, his gaze on the road. "Yeah, it has been. I think the last time ya' left was about 4 days ago, love." He answered In a warm tone, no judgement or scorn in his voice. Maybe Sniper understood to an extent, you thought as you looked over at him with tired eyes.

A low, dissatisfied hum leaves your closed lips. You glance out your window and watch as everything moves past you, it made you feel better. At least it made you feel a tiny bit better, but a tiny bit of good is better than none at all you thought. "I didn't know it had been that long." You admit as you watch the landscape move past your eyes, trying to focus on one thing and failing as it moved by quickly.

Sniper nods, seeming to know what you were saying without saying it. "I know how ya feel, love. Depression is hard, it eats you alive, but I want ya' to know we're all here for you. No matter what, roo, I'm here for ya' at the least." His voice was filled with sincerity, his voice and words floating over you like a blanket of reassurance. Those words made you feel nice, they made you feel like everything would be alright. A soft hum leaves your lips, your eyes closing as your head leans into the headrest.

Sniper glances over and smiles, a gentle chuckle leaving his mouth. "Sleep well, roo, I love ya'."

#tf2 #team fortress 2 #tf2 x reader #sniper tf2 #tf2 sniper #sniper/reader #sniper x reader #it can be read as romantic or plantonic

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gipzisays209 · 3 months

Text

No way! I feel flattered!!!

Remember what I said before? About the sysmed server not knowing I exist? Well! It appears as though that would now be an incorrect statement! (More under the cut)

Let's go at this like it's English class, shall we? Dissect this post for it's contents?

"If you get this server taken down, we'll just make another server. ... If it comes to that, we'll just share the links in private GCs ..."

Well. Ain't that a kick in the head! If one server gets taken down, it's entirely possible to take another one down for the exact same reason! And saying you'll only hand out links privately... hate to break it to ya, but I, the host, am a Theatre kid. Acting is a hobby, and one I'm damn good at. You hand out links privately, only to people you deem trustworthy? Honey, that is my forte. ;)

"You're getting mad and defensive over us calling you out ... Instead of wasting your time reporting our server, maybe focus your energy on reporting servers that are actually harming people?"

Whoa, slow down there, hoss. Take a breather. You ever thought about why we're here? In your Discord? Taking screenshots and leaking them?

It's because, surprise surprise, fakeclaiming is harmful. It doesn't matter what it is, if you're getting fakeclaimed over a unique and individual experience/identity, that can (and sometimes will, sadly) cause a spiral that can lead to some nasty places. Depression. Isolation.

Even places like self-harm and suicide.

We are here because your server is harmful. We are here because you present an active threat to the community. But of course your HIGHNESS can't bear to think they're the problem!

"Addressing the ban claims, at one point we did ban a lot of faker systems from our server while rooting out a mole. Everyone from that event has since been unbanned. If you are still banned, its for a reason. Claims of us 'banning just because we can' are false. I could take a screenshot of our ban list and give a reason for every single one."

*Sips cup*

Yeah, I think we can move on from this one.

And now, the quote I've been so desperately wanting to address...

"Gip, because I know you’re in here, kindly stop sucking Ghost’s dick and get your own opinions, it would do everyone good. That goes for all of his little zombie followers. If your lives revolve around people on an online messaging app screwing around, re-evaluate your life choices."

Wow, where do I start with this one?

Blatant misgendering, bordeline going against their own rules when it comes to naming people on the server- I have 20 followers! And even then, you're still going to drop a version of my username? Just like that? Mmmmm...

I have my own opinions, thanks. I don't need a circlejerk discord to make me feel better about my own shitty fucking existence, cuz I have the balls to outright admit I'm a petty asshole with no fucking life. And my opinion is that people like Sophie, people like Cambrian and Lunastas and Guardian- all of them are fucking right. They have all proven they do their goddamn research, they actually give back to the communities they inhabit, and most of all, they aren't leeching off of people just by fucking existing, as hard as it is for you guys to believe.

(Also, if you're gonna insult someone, get it fucking right lmfao. Ghost is the goddamn host, Sophie is not Ghost. Two different people. Also, I'm fucking Asexual, so um, projecting much?)

Wow. As of writing this, they literally just got worse!

Well. You see, while I personally choose to censor Discord usernames to close loopholes like this, it's actually not the same as if you sent a Tumblr handle. What you're seeing in those screenshots are not identifiers, they are server nicknames. Which are specific to THAT SERVER ONLY. Unlike places like Tumblr and Twitter, where seeing your name automatically means someone can find you, on Discord it's actually not possible (that I know of) to doxx someone through a server nickname alone. So no, actually, Sophie didn't leave your username out there, only a server nickname, and the two are not the same. So yes, actually. Because Discord is it's own site with it's own way of handling usernames, it is perfectly acceptable what Sophie did (although not perfectly ideal), because nobody is going to be able to use those names alone to doxx and/or harass.

And finally, the final update as of writing this post... the almighty @ everyone ping...

Damn. I don't even have to AP English IV this shit, they already did it for me!

To sum it all up, phew... I guess I'm a target now! Which I'm honestly pretty damn fine with! But just know, I don't fuckin hold back. I will be a bitch for the sake of being a bitch, because I don't care how petty I am. I don't care about what people think of me, or whatever the fuck you could ever do to me.

I care about defending people from the likes of you.

So go on. Give me your best shot, then. You have the balls to call me out in front of your entire Discord server?

Challenge accepted, motherfucker.

Challenge accepted.

Let's get 'em, bitches!

#syscourse #sophiecourse #pro endo #pro endogenic #system stuff #endo safe #r/systemcringe #r/systemscringe #r/fakedisordercringe #r/didcringe #I dont care how you interpret this.#Active declaration of war? Sure.#Just an asshole being pissy on the internet? Go for it.#I have my reasons and my motives #cw suicide #cw self harm

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the-catboy-minyan · 3 months

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The way people are tokenising shoah survivors who they deem as their ‘good Jews’ is so vile and evil. As if going through atrocities somehow makes you more ethical, as if because of somebody’s suffering they’re somehow have some sort of ethereal judgment or whatever. Shoah survivors can, and do, have horrible morals. Shoah survivors can be wrong. Shoah survivors are people, they’re fucking people. I just— I can’t even properly write out a response to all of this stuff I’ve seen because it just fills me with rage

I completely agree, picking and choosing the voices of marginalised people to fit your narrative is wrong no matter how you twist it. because you know what?

rape survivors can still victim blaim.

birthing-people who needed abortion for life-saving reasons can still be anti-abortion.

POCs can still be racist.

trans people can still be terfs or just straight up transphobes.

ND people can still be ableist.

abuse survivors can still be abusers.

and the list fucking goes on!

because human beliefs and perspectives are as vast and different as there are humans on earth, of course there would be antizionist holocaust survivors! surviving the holocaust doesn't directly dictates your political beliefs on the creation of Israel, it would only greatly influence your desire for, you know, a country where you can defend yourself from future genocides?????

but if you were one of the lucky ones who found a home away from the Shoah and never felt the need for that space, and was then fed thr idea that those who did meed that state are (((evil colonisers))), then yeah, you'd be against it too.

do these people remember that most living holocaust survivors right now were CHILDREN during ww2? because it's been about 80 years since the holocaust happened? and there's still a majority of zionist holocaust survivors.

imagine we were like "look this Palestinian person thinks Israel should take over the Gaza strip and settle in the west bank more! that means all """good""" Palestinians think Palestine shouldn't exist, Palestine shouldn't be free checkmate antizionists :)", when it's very well known the majority of them don't fucking want that and for very good reasons. we point out that some of them are against Hamas, and want peace between Israelis and Palestinians, because that's completely different.

the amount of Jews, Israelis, and ZIONISTS who are against Netanyahu and his shitty government and are pro peace and against some of the IDF's actions is so high we're probably the majority, yet "activists" only highlight the voices of either the far-right zionists or the antizionist borderline antisemitic jews.

tldr: humans have opinions about things due to their life experiences, education, and personal morals. there would be people from every ethnicity with every opinion, even ones that are harmful for their own ethnicity. pointing at these people as a "gotcha" moment for those who actually advocate for peace is tone deaf and shitty.

#antisemitism #antizionist jews #israel #israel palestine #jumblr #jewish #leftist antisemitism #listen to marginalised voices but only if they agree with you :)#asks

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iam93percentstardust · 4 months

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Welp it's been almost an entire year since the last hate comment in my inbox, so I figured I was due for another one (and trust me, dear nonnie, you have nothing on the three months of targeted bullying and hate I went through at the end of 2022/beginning of 2023). But I think this is a good time to spend some time talking about authorial intent. Now, don't get me wrong, I think there are many, many things wrong with this comment, but their complete misunderstanding of what I wanted to accomplish with this fic is indicative of a wider problem that I'm seeing in fandom at the moment, so we're gonna talk a bit about critical thinking and authorial intent.

So I could point out that this comment sucks because the fic they're complaining about is a gift fic and the giftee loved the fic so anyone else's opinion doesn't matter, and thinking that your opinion matters more than the giftee's is the height of entitlement (but let's face it, being called entitled doesn't matter to this person).

Or I could point out that this fic was tagged with "Infidelity" so they had to have known what they were getting into when they first opened the fic and shouldn't be so horrified that the cheating fic contained cheating (but let's face it, we all know that they didn't read the tags, and I'm not even sure they read the fic since both characters were cheating, not just Tony).

But what I really want to focus on is how badly this person misunderstood what I was writing. This is a smut fic masquerading as a breaking up & making up fic. I wrote this fic specifically so I could write 6 sex scenes (which was the original prompt anyway). I didn't really want to focus on the feelings. They're there, they're present, they get mentioned to set the stage for the sex, but I don't spend thousands and thousands of words talking about the feelings and mental states of Steve and Tony.

Which means that for the parts where Steve and Tony are being "toxic" and "shitty," I don't go into a whole lot of detail as to why they're being toxic and shitty. I have a personal headcanon as to why they're acting like this, but it doesn't actually matter. What matters is that I made a deliberate choice not to include the justification for their actions so I could write the smut instead. I knew that I was writing Steve and Tony as toxic and shitty because that was the entire point.

Now, let's be honest here, this commenter doesn't care about any of this. "Disgusting" and "grossness" are a deliberately inflammatory word choice, and as my friend pointed out, they're being puritanical and moralistic. In other words, they're like any other of the growing number of pearl-clutching members of fandom I see these days.

But this post isn't really for them. This post is for everyone who's only reading fic through their own lens and forgetting that the author also had a purpose when they wrote the fic in the first place.

This isn't the first time someone has completely misunderstood what I was trying to do with a fic. It's one of the meanest, but it's not the first time. It happened with the professor/student fic I wrote in 2022 where I argued that just because two people were wrong for each other when they were younger that doesn't mean they're still a mismatch when they're older. The pining Tony/serial one-night stand Steve where almost all of the early comments were about how it should be switched and missed that that was the entire point (that Steve is the obvious choice for pining, and I wanted to explore what would switch that dynamic). The Christmas fic in 2021 where someone straight up told me I tagged it wrong just based on the summary.

So here's the thing: death of the author is only one interpretation of literary criticism, but it's by no means the only. Authorial intent is a perfectly valid way to interpret a fic, and in this case, it's arguably more valid than looking at it through the lens of death of the author because if the reader isn't considering my reasoning behind why I wrote the fic the way I did, then the point of it will go right over their head. Getting so hung up on my intentions, my background, my style of writing not mattering, on only their interpretation mattering, means that they only read the surface level of this fic. And that works just fine in other fics, but it doesn't work here. At all. Because the entire point of this fic is my intentions. I intended to write a smut fic that glossed over the feelings of the two characters involved. I intended for it to look like a toxic relationship from an outsider's perspective. I intended to write the prompt I saw for the person who prompted it.

And if you're not looking at it through what I intended, then all you're going to end up with is dissatisfaction and the belief that I made a mistake somewhere instead of realizing that I achieved exactly what I set out to do.

#alle talks #writing #fandom #bad comments

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nozomijoestar · 3 months

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LIFTING THE SPOILER WARNING ON THIS POST FOR LAUNCH DAY

Here's my initial analysis and thoughts on Asuka's ending (character episode) in Tekken 8

caught yearning in 1080p

handsome

thinking abt getting students now that the Zaibatsu ate shit (btw you don't find out the Zaibatsu is pretty much on track to being done with no leader again, which is why they continue the tournament presumably after the final battle unless you look through the character episodes, not the main story, for some fucking reason)

Asuka finally smiled at her accepting her and the feeling is mutual, this ending had great role reversal in the sense instead of previously only getting clear insight into Lili's feelings and thoughts now we're openly getting them from Asuka in response- she also felt tempted to give in to her old reaction first think later ways but here she's finally thinking before deciding it doesn't matter why, she enjoys fighting Lili and she finally seems to recognize what Lili's schemes are about on a level (wanting Asuka's attention and getting back at her for having lost), this is the closest so far we've ever gotten to a "I like you too"

this is on top of the teasing and compliment she gave Lili's ability in the same scene, and also correcting Lili on the Kazama Motto Asuka learned, which only Asuka could have told her at some point suggesting further closeness

"Softness overcomes hardness" you two are (HOPEFULLY) starting to change your relationship to be softer (also the hilarious hypocrisy of Asuka BARELY being a person living by any softness in practice)

I love that she even refers to Lili as "That noble (rich) girl", an ojou-sama, which is far better than calling her by nothing or using a rude form of You (anta) as in the past (and generally she's given up calling Lili by rude terms be it in the story mode or otherwise including Shaheen's ending, which is honestly more about AsuLili than him lol, it's also incredible seeing Asuka glad Lili's life was protected and joking about Lili being a handful with someone else)

And despite provoking Asuka in a very shitty way reminiscent of Feng, the premise of this ending is Asuka beating Lili at the tournament so Lili will honor her word of putting Asuka's dojo back the way it was before she bought it- which Lili does after losing rather than refuse out of spite, even if she then uses taking it in a fight to provoke Asuka again, it's nice that she IS willing to listen to Asuka when it comes to promises

honestly if you cut the entire scene into only my screenshots here it still looks so fucking gay

Video source ( @ 1:03 )

This is the de-facto best Asuka ending yet, at last she's happy, hopeful, not confused, and at some form of peace and connection in her life

ALSO ASUKA DIDN'T CALL LILI A DINGBAT SHE CALLED HER AHOU (Idiot/Moron) LIKE ALWAYS AND IT WAS SOFT THIS TIME 😭😭😭😭

Plus Asuka might finally get the dojo back up and become the next leader with Jin's image being fixed and thus how people would see Asuka since they're related, as well as the current war being over- though Reina's new devil bullshit will probably ruin this in the future

EDIT: I FORGOT TO MENTION

PAIR OF BIRDS; BIRD MOTIF FOR KAZAMAS RETURNS

I doubt these are Jun's birds specifically it's more likely just symbolic of Asuka and Lili if it means anything at all. Also doesn't have to specify meaning lovebirds, in general their characters will always be put together. But it is funny how Jun's birds always appear to show her connection to someone she loves, so there could be a parallel here that Asuka's bird imagery would represent the same sense of connection. If it is a visual metaphor for lovebirds though by the time we get Tekken 9 then, the cinema of it all.

ALSO Harada has said Jun attracts animals because of her spiritual mastery over martial arts. She's at a level of power where animals don't run because of sensing her aura; she can suppress her fighting spirit. With how at peace AND in control of herself Asuka is in this ending, maybe the birds imply she can move in a similar direction from here on. And it makes sense too because Asuka has returned to a state of equilibrium now that she doesn't have the stress of the world being in chaos affecting her. As a person who prefers being in control, she's back to feeling some control over her life.

----

THINGS I DIDN'T LIKE:

1. It's great that the tone of their relationship is now friendlier, but like in story mode and other places they appear as a pair, we're never shown anything on how they started transitioning from fighting all the time to agreeing to listen and partner up in general, nevermind during a global war they're supposed to have their own personal stakes in beyond not wanting to die (those personal stakes ended up being entirely irrelevant anyway which is it's own problem)

There's a problem present where you're shown the end result of an emotional shift with none of the journey or even a simple scene explaining how they got there, much like the main story and other characters in general many plot points and character changes are resolved off screen showing only the results with no explanation the majority of the time. In the main story this gets even more egregious because even how a character knows specific information usually doesn't get explained at all either unless it relates to Jin understanding the devil gene. This writing makes a lot of things simply happen like it's checking off a list.

In essence, WHERE is a scene connecting Asuka who did nothing but fight Lili and get pissed with her to the Asuka who's tolerant of her, is more catty and accepting than outright angry, is now willing to joke and play around with her, who taught Lili the Kazama Motto she learned (though I guess this one you can say Lili found it while looking up Asuka's family, something we ALSO don't get Asuka's thoughts on beyond surprise) and so on

2. The fact this scene ends with provoking another fight, as much as I like that it's friendly now, isn't the best direction. This fits again into problem 1; there's no on screen room to let these characters breathe and illustrate what made them change now to the viewer. There's no fresh angle given about their relationship outside fighting or even a new approach on their relationship within it. There's no pause in the formula which many people are tired of (and people are already back to calling Asuka a useless piece of shit who's a complete fucking joke, and I can't really blame them entirely because on a surface level all they see is the exact same situation as it's been for twenty years of cutscenes).

Also the logic of having this scene exist is confusing in itself. Nothing in the game story clarified if Asuka sat the tournament out or did participate but was eliminated and decided to follow Lili's progress in Rome as a spectator. A scene explaining either of those would give better weight and context to this one.

3. Zero mention of Asuka's father or his current condition

4. Having Lili imitate what Feng Wei did to dojos like Asuka's is the cruelest way she's ever provoked her. Whereas before it was often ridiculous, silly, and teasing, involving an event that led Asuka to spiral adds something uncharacteristically spiteful toward her from Lili's end. Insofar as what Lili has previously used to get her attention anyway. Keeping Asuka's trauma out of it has always seemed to be a line Lili was willing to respect. And it's off too because this is happening when they're supposed to be becoming friends/are friends now. It's too personal to be brushed off the way it is.

The only way I can rationalize it is if Asuka has let go of her anger towards what Feng did in part (but she still has a special intro where she wants to attack him on sight saying they finally meet so, I don't fuckin know, that may as well have been included as an easter egg if they're gonna do nothing with it) or she never really gave enough of a shit about the entire thing in the first place. You can make a loose argument using prior games to show Asuka never really cared about the revenge aspect as much- but her behavior sorta contradicts this at the same time. So really who fucking knows. Based on how she reacts here I guess it's not a big deal at this point cuz she doesn't get mad and jumps into messing around with Lili like a friend anyway.

Maybe this could be explained too by whatever made them act friendly now in the first place, but again we never saw that. So instead it comes out worse than if we knew.

5. WHY THE FUCK DID THEY MENTION THE ENTIRE MAIN KAZAMA FAMILY WAS ELIMINATED BY OGRE IN THE STORY MODE THEN HAVE THE NEWS NOT IMPACT ASUKA AT ALL

We also never see them discuss what Lili knows about the family in any depth between themselves

Viva le sex gay I guess but now I have more questions than answers and that's a problem when the game acts like I've been given answers it never provided. I got something I wanted but with nothing to show for it.

EDIT 1/27/2024 : However that won't discount that I do love what I received and the potential it represents; I adore this shit.

#tekken #hey gorilla. just say you care already. like actually say it not imply it.#i like this ending more than i dislike it but the parts i dislike still suck lol #asuka kazama #asulili

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chainofclovers · 8 months

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(apparently i will never stop having) ted lasso s3 thoughts

It was such an interesting and weird experience to mostly really like TL s3 because it kind of felt like agreeing to go on a vacation with a large group of people and at the end I was like "well there were some ups and downs but that was a good time and I'm going to put together a scrapbook of this special vacation that broke my heart in ways I kind of appreciated" and then many fellow travelers were like "I can't believe I was stupid enough to get tricked to go on this shitty vacation and that we're all having such a bad time." And also it was like that at every checkpoint throughout the travels. I obviously wasn't alone in loving plenty of things about the season; I feel lucky that there are people who feel similarly enough to me that it wasn't totally lonely, and also of course it doesn't truly matter that everyone has different opinions about the same thing. I don't need a bunch of identical opinions to feel like I've earned the right to my own. It's more that there were multiple points where I was genuinely questioning whether my brain was just working totally differently in a way I should actually explore more because of how I felt about the intentions/intentionality and execution behind certain things on the show. Things that if I'd been watching sans fandom experience but with a similar level of obsession, I think I'd have been pretty unphased by and peaceful with. And it made me genuinely sad to feel like so many people I care about were having such a bad time with something that I, for whatever reason, was just having a mostly good time with in ways that I wish I could have transferred over.

Also, I'm clearly still trying to figure out how I feel because I did have an extremely emotional reaction to the show ending, more akin to something deeply earth-shattering happening in my own actual 3d life. There was a 72-ish hour period in which I cried more than I had in probably a year or two combined before that. I cried in the bathroom at a baseball game because baseball >>> sports >>> Ted. I cried about things I wanted to see on my screen that I did not get to see. I cried about the absolute unfairness of a human being only being able to exist in one physical space at a time. I cried about having a community that was centered around a shared interest and the sheer stress that goes into that. All through the summer and even now, although I am no longer crying about Ted per se, I feel like my ability to cry is way more close to the surface than it used to be.

So it's not that I had some kind of super simple reaction to the show that just made me willing to bop along to everything, even if some of my crying was just about mourning the end of something and appreciating it. There are definitely things I'd change if I'd been involved, including:

Zava's presence would have been a far more short-lived dalliance with the team that would allow them to do the same exact stuff in terms of Zava's recruitment allowing the show to more explicitly discuss Rupert's manipulation of both Rebecca and Nate (I loved that Zava initially felt like a device that would allow Rebecca to make those observations with full awareness that this is what was happening to Nate, and I thought her backstory coupled with Nate's scenes with Rupert were super well done)...but it would not have dragged into so many other episodes (and this would have freed up time for one of the main things I felt was missing, which was a more explicit discussion of the legacy of coaching, which Ted and Roy [and also Beard and Trent via the book and eventually Nate] all needed more room to discuss)

Shandy's role in KJPR would have been more explicitly about mentorship and its limitations and would have afforded Keeley more onscreen contemplation time

Instead of backtracking into raging out with jealousy over Keeley in the final episode, Jamie and Roy would have had their fight sooner in the season and would've spent the finale navigating the ambiguities of simply not knowing what was going to happen with all their relationships (which is what we basically get in the montage, and I believe those characters would get there, but even as a non-linear progress enthusiast I found their final scenes together annoying after having really loved most of their scenes together throughout the entire series...I have no trouble believing that Roy and Keeley would likely reunite in the future, or that they might really pull off the throuple, and I didn't personally need to see that happen on my screen, but I did want a more concretely sunk in growth moment for Roy)

One (1) fewer ambiguous facial expression from Michelle Keller, please, mostly because of how much I've hated talking about it

Ted and Roy would have gotten a goodbye(-for-now) that alluded to their overlapping traumas and things they had observed about each other and appreciated in each other

BUT. In general, I felt like the characters were never unrecognizable (including Ted in 3x12, who was not emotionless and dead inside and cruel and would not need to grovel if/when he returns to the UK and I will totally die on that hill), and the various missed opportunities and unfinished business and open-ended trailings off into the future did nothing to ruin the perfect beauty of s1 (which will always be soooo special and great) or the (often more clunky than s3 in my opinion) complications of s2 (which I did love in its way).

I think I'm just basically at my core someone whose favorite show is this one? So I'd rather, when my brain presents the options, take the more generous interpretation of certain things in a way that allows me to engage more fully than I would otherwise, if disappointment was ruling my viewing experience. And I think a kitchen metaphor is the only way I can make sense of this whole experience and why I'm kinda here for it and find post-canon a compelling place to explore.

I think of a cook performing mise en place to get a dish ready to cook. Or a baker getting all their ingredients out on the counter so they can more easily assemble the cookies or whatever. But if you're making more than one thing, which I think Ted Lasso the show was doing (and your mileage may vary on how well that went), you've got your assembled thing in the oven and then you're also doing prep for the next thing and you're loading the dishes in the sink from the old thing and it's kind of a constant state of prep and action and clean-up. And agree with it or not, s3 ends when pretty much every character has a messy kitchen. I absolutely include Ted in this. The montage at the end feels like Ted's attempt to neaten up the kitchens of every person he knows so that he can survive making his choice to take a long physical break from actually being in those kitchens. (Linked post describes how I feel about that scene, which I do think was reality rather than a dream, but highly filtered through one person's consciousness.)

(((Whispers: and the thing that mystifies me the most about fan reactions--other than the literal threats of violence against creators--is the whole "I guess Ted and Rebecca didn't have any meaningful connection after all and the parallels were just accidents or cruel jokes" thing...which is not something I have really read or seen online much recently at all if you're wondering. Because their parallel journeys matter so much! And the main way I can make sense of it all is by feeling like they did have all the ingredients out for the meal that would allow them to have gotten together during the 3 season arc, and because of Ted's very necessary choice they could not do that, and that doesn't mean the ingredients and their particular arrangement are meaningless even if hurts. That is genuinely what I see. And I completely understand why the missed opportunities or lack of acknowledgment of certain parallels is frustrating, but what i don't understand is the belief that the things we actually did get shouldn't have even been there if they weren't gonna kiss. I feel similarly about where Ted and Beard end up, actually, but that may be a post for another time [or the inside of my brain only] because I'm already very self-conscious about how long this is. The "Jason I am in your walls what was the reason for any of this" stuff just makes me feel so. Incredibly. Tired. The reasons were in the show!)))

Ted Lasso's finale attempted to put one last dish in the oven and bake it and bring it out, but just behind the outstretched arms with the neatly presented dish is a kitchen (a whole ensemble's worth of kitchens) in absolute disarray, no matter how much good stuff the characters have learned about mise en place and being a loving person and all that. Because the dishes literally never stop when you're a person, and neither does the hunger. I am not necessarily interested in analyzing how other shows whose endings I've loved or hated handle their character's figurative kitchens, but I do think that the way this show handled it is a big reason why the finale (and whole final season) was so divisive. I would love to remain as happily obsessed with it as I am while figuring out how to feel less intense feelings about how much some of the communal elements of it stress me out! I am an adult! I get how opinions work! I just have lots of feelings, I guess. :/

#ted lasso #meta by me #ted lasso meta #ted lasso 3x12 #hot dork club #sorry about all this?#i mean not really sorry but yeah #ted x rebecca #about me

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eliziarts · 1 year

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It really gets me how you can't say shit about Helluva Boss (or Hazbin Hotel for that matter) to actually critique without fans getting buthurt, and the only people agreeing with you people who just hate Vivzipop (for the record i dont lol). But here are my gripes that I wish people were actually talking about (btw I really *want* to love Helluva Boss and none of this is mean-spirited, just things I've noticed that I wish the team would fix, or I believe are beyond fixing):

1. The very confused tone. I know a lot of people deflect any criticism from the show by saying 'oh but it's a comedy you shouldn't take it too seriously'. Here's the thing- it's literally taking itself too seriously. There's a balance that a show can have between dark elements and humor, but Helluva Boss consistently tries to tackle very, VERY heavy subjects. This combined with the Brandon Rodgers-essque d!ck joke comedy doesn't.. work. At least not in the way they're attempting. I think the most egregious example of this is the scene in the latest episode when Moxie's dad is literally threatening to kill him if he doesn't follow through with an arranged marriage... immeadiatly followed by Moxie walking though a hall of wall d!ldos. It kind of says, 'hey, we were taking this really seriously 2 seconds ago, but jk actually now you should laugh!'

Juxtaposition doesn't work if it actively confuses its audience on what to feel. I'm not sure how much influence Vivzie and Brandon have on the outcome of the show vs the rest of the writing team, but it seems like Brandon's humor and Vivzie's tendency to write melodramatic soap opera scenes just aren't really meshing together quite right. I wish it had more similar pacing and tone shifts that HH had, because it felt more sudden in a purposeful way, rather than 'we're too lazy to find a good transition between these two scenes.'

2. Why does Vivziepop never write interesting female characters? I know this is talked about a bit more, but it's growing increasingly prevalent in Helluva Boss. We still haven't gotten an episode focused on any of the female leads that's actually about *them*.

Millie is practically nonexistent without her relationship to Moxie. Even the episode where we meet her family, it doesn't give us any insight about her. Every time she goes feral(tm) it's either to save her husband or it's part of a group fight. The only backstory we got for Loona was there to service Blitzo's character, and show us *his* reaction. The only things we've seen with Octavia were put there to help us learn more about Stolas. Even in the scene where they only had Loona and Octavia on the screen, it didn't feel like it was about them at all. It didn't feel like the scene existed to show us them bonding about their shitty dads. It felt like the scene was there to once again ask the audience to give Blitzo and Stolas pity points. Which- brings me to my next problem.

3. Its justifications of abuse. I know they're in hell. Most of them should be shitty people, and they are! But I wish the story would stop trying to pretend they're not. Helluva Boss keeps doing this thing where it draws a line between 'good' abuse and 'bad' abuse. And this kind of completely changed Stolas and Blitzo's relationship. Ik some people may like this change but I personally don't.

Earlier on, we were made to believe Stolas kind of fucked up by cheating on his wife. Not only did this affect Stella (tho ofc we later learn it's due to image reasons) but his daughter as well. It's just generally an uncomfortable and tricky situation. And I liked it! It was interesting and had levels of nuance. However, now that we know that he was basically being abused by Stella this entire time, and met Blitzo when they were kids (which is a WHOLE OTHER UNCOMFORTABLE CAN OF WORMS LMAO) the audience no longer feels like Stolas did anything wrong. Now his actions feel justified.

As much as I loved his confrontational scene with Stella the first time I watched it, as I know many people did, I also know that it kind of ruined any sense of nuance that whole situation had. Now, Stolas suddenly has been absolved from any previously implied mistakes. And, Stella is portrayed as this 1 dimensional cruel monster.

Which brings me to the point of abuse in this show. It's a very prevalent theme, and it's a heavy one for a show branded as a sit-com to portray (hard, but not impossible). But it fails on the end that it doesn't stay consistent in its condemnation of it. Every time a character does something 'bad', as soon as we find out there is a reason for this bad behavior, the show suddenly makes it seem like we should feel bad for them and that their actions are justified because they're a broken person. See: the narrative around Stolas' affair suddenly being changed as soon as we find out he was being abused by Stella.

Inconsistent emotional consequences in writing is lazy for sure. But the real problem is when it gets to the abuse side of things, it can actually become harmful. It's implied that Blitzo had an emotionally abusive relationship with Verosika. But ohh we know he had a fucked up childhood and has fear of forming emotional bonds so! Geuss it's okay! But when it comes to Stella, she's just downright mean, 1 dimensional, and literally says she's doing things for no reason other than to make Stolas suffer.

It's important to note that every single time a character gets a *reason* for their assholery, it becomes a *justification* in the way the show frames it. But whenever a character doesn't have a reason for being as asshole, like Stella (at least not one that's shown), that's where the show then draws the line.

This is harmful! Hate to break it to you but the bulk of abusive people out there were abused themselves. They have multitudes of reasons for why they are the way they are. But that doesn't excuse their actions! And I really hate that this is the standard of framing Helluva Boss has set up for their show because now, no matter how bad a character's actions are, they can slap on a sad backstory and suddenly make that character a sympathetic one.

Yeah but anyways idk. If you read all of that I thank you for taking ur time to listen to my 2 cents. The last episode I really enjoyed was the Ozzie's one and I'm just kinda bummed at a lot of this stuff I mentioned.

#helluva boss #hot take #helluva boss blitzo #stolas helluva boss #stolitz #vivzie why cant you spend more time on your female chrs im begging you #vivziepop #helluva boss critique #helluva boss criticism

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emphasis-on-the-oopsie · 5 months

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(Laying on my stomach and kicking my feet like we're at a sleepover) bestie you GOTTA tell me about vampire ian au. Is ada also a vampire or is it just ian? I need to know for research

Unfortunately ada isnt a vampire for au reasons 😔 it would be really cool tho

Anyway au where ian turns into a vampire, and most of his life doesnt change

(Or at least he thinks so)

(Under a cut cause Long and also vague mentions of assault)

He can't go outside when it's sunny (doesnt really matter, he doesnt go outside anyway), doesnt need to sleep (an improvement, he barely does so anyway), and while he can eat human food it's not filling and not nutritious (also barely matters, he mostly eats junk food cause he doesn't have the time to cook for himself). He didnt even turn pale like in most vampire media (i just dont like this trope in general, also i dont want to make ian White)

All that really changes is that he has fangs, and he has to drink blood now

He ignores the fact that his heart stopped beating cause he's dead, and how anxious he gets whenever he has to go out at night to check on his mom, especially near dark alleyways cause what if someone attacks him again

He keeps the neck wound hidden. It's ugly and bruised cause he was struggling and trying to escape-

He ends up drinking blood from blood banks, which he knows is pretty shitty but it's more accessible and he doesnt want to make people go what he went through

He only drinks a little at a time, and eats human food to make him slightly less hungry (very slightly)

He also learns he can hear other people's heartbeats from far away, which is very cool and useful for his job, but also very bad cause he's hungry and he can't just go and feed on the patients

ada eventually notices that ian's being more withdrawn than usual so she goes down to the basement to check on him

ian was planning to isolate himself from people by working so ada going down to the basement was Not good.

Ada asks if he's okay. He can't answer cause he can hear her heart, beating loud and clear

He thinks about his own unbeating heart

Ada tries touching his shoulder, but he flinches and moves away from her.

she's really concerned at this point, and ian is...so, so, tired. he can't really keep this secret anymore, and he needs help

he tells her that something happened to him, but refuses to elaborate. he says that he'll explain later, when the hospital isnt so busy.

Ian brings her to the blood bank, and drinks nearly an entire bag in front of her

So ian confesses that he somehow turned into a vampire a few months ago. He's been trying to feed himself without hurting anyone, but it's getting really hard to do so.

Ada stands there for a moment and goes 'okay i can give you some of my blood then'

Ian is shocked at how easily she believes him, and is torn between admiring and being concerned at how easily she offers to do this

(Ian: you believe me? Just like that???

Ada: you drank blood in front of me ian. Humans don't do that. With everything that goes around the hospital i stopped being surprised)

After a talk, ian agrees. But only if ada takes care of herself afterwards. He feels very guilty of making ada give up a literal part of herseld when she does so much for the hospital

(They use needles to do this because ian is not sure if biting her neck would turn her into a vampire or not. Also it feels Wildly uncomfortable)

Ian becomes....a bit overprotective over ada's health after that. He insists on buying food for her ("I don't need to eat human food anymore. Besides, you're giving me something to eat, let me return the favor), making sure that she gets a nap every once in a while ("I don't need sleep, and clearly you do"), and making sure she is as fine as she could be while they're short staffed

Ada tries taking care of herself more, but because she needs to be healthy to work and to be able to give ian blood. Ian doesnt like that she refuses to care for herself For herself but. Baby steps

Ian wants to cover her shift sometimes, but ada refuses. Ian isn't really good with the patients, and ada's scared that if edega sees her work less in the hospital he'll fire her. Ian doesn't like it, but agrees to her reasoning

(A part of him wonders if his overprotectiveness is part of being a vampire. He doesnt want to get possessive of her, but he's just so concerned about her)

(Ada sees the way he flinches when she moves too fast near him. She sees the way he tries to touch part of his neck but his hand freezes before doing so)

#this might be a lil messy i have Not donated blood before #also ian Can sense heartbeats from a distance even when he's not hungry. it"#*it's a really cool ability #rhythm doctor #yuki's aus #paian #ian loves ada so much. he is so concerned.#ask victor

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nono-bunny · 6 months

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Heya! Just wondering, since Netflix Geeked Week will probably show a trailer for the live-action Avatar on Thursday, I want to ask a few things:

Are you excited for it?

What do you think they'll keep, cut, and expand in this live-action of ATLA - Book One: Water (Season 1)?

Since Bryke are not on the project now, do you have a good feeling that this live-action could be a lot better than what they come up with at Avatar Studios?

(By the way, were these "Braving the Elements" episodes recent from your last posts? And were Bryke really acting like complete stooges in them? :O )

Hi, thank you for the lovely ask!

I've been completely ignoring the huge Geeked Week banner so I have no idea what's up with that or that it's possible we're getting a trailer soon, so that's cool information to have lol

1. I honestly can't say I'm excited for the live action. The last Netflix live action for a beloved childhood franchise of mine was such a dumpster fire because they focused on being edgy and dark and abandoned the source material for the worse, so like? Past experience has made me extremely cautious in regards to live action adaptions coming from them. In general I am not a fan of this trend- the Disney ones are shit, and I only really find myself watching and enjoying the (sometimes shitty, but like, in a fun way) J-drama adaptions of old shoujo manga as I don't really fuck with any other genre nowadays. Anime has a long history with shitty adaptions for action shows, and as action is inherent to ATLA after all, even if it's not technically an anime, I know that's gonna be a hurdle they'll have to clear- just having good effects and fight scenes. It's not MY personal focus as I do find charm in shitty effects (I do like J-dramas after all!) but honestly that is probably what's gonna make or break the initial hype for the show imo. Rn I'm honestly just... So neutral about it to the point where it surprises me (I'm. Very much not a neutral person usually lol) and I think it's just a matter of like.... Being burned AND pleasantly surprised by ATLA stuff before so I'm kinda hedging my bets until I know which way it's gonna go for me. Honestly I can very realistically see me LOVING it, but the other option is that it's bad and that's kinda what I'm preparing for rn ig? I can't imagine I'll be too upset if it's just... Bad or unsatisfactory given that I already spend way too much energy on the shit the OG did wrong lol, if the LA follows suit with those I think I'll just kinda... Ignore it lol. Idk, A LOT of mixed feelings

2. I... Really can't even begin to imagine what they choose to do with the reduced time frame, but I know I for sure have my own thoughts on what I WISH they would! Mainly I want NO Kataang, if there's Kataang I'm not gonna even bother with it tbh unless it's completely one sided (which it was in the original, yet we still know how THAT turned out)... I obviously want endgame Zutara, but I'm not hard pressed on it tbh- it would be funny as fuck for it to happen after Bryke left over creative differences though! I REALLY want the Blue Spirit to stay, I really DON'T want The Great Divide (no way it's staying in though so we're probably safe on that front), and overall I kinda just? Want Aang to be more sympathetic- him being irresponsible in the original show only makes sense until a certain point, and I want an Aang that shows an ability to grow from early on. Aang's an awful, awful Avatar, and I truly want him NOT to be one here- honestly, a good way to get around some of his early issues would be to borrow a bit from Korra and twist his love for slacking off into an enthusiasm for all four cultures (rather than just their rideable animals), which I feel like he was CLOSE to having... But as usual with him it was all tell and no show- I wanna see him having friends in all four nations, I wanna see him being multi cultural even before he gets freezed, I wanna see him embrace all four bendings and cultures rather than fixating on air, I wanna see him fail and take responsibility... But I also still want to see him being a kid, because that's crucial, and while the original show never allowed him to grow up, I also don't want him to be immediately seen as and treated as wise and powerful- I want him to struggle with what it means being an Avatar who knows about it at such a young age, I want to see him meaningfully interact with his past incarnations, I want him to ACTUALLY find a balance! I think I maybe just... Want a whole new main character still named Aang tbh, because I DON'T like who he is in the original show, but I do like who he could've been! I REALLY don't want the show to be intentionally edgy- if it goes into any dark topics, they should be ones already raised in the original. I want some more light shed on how the North Pole and Pakku's sexism never went away, I want the show to acknowledge that the monks didn't go down without putting up a hell of a fight, I want to know what the fuck Zhao was doing to get promoted like that despite his constant failures on screen, I want to really dive deep into Aang and Bumi's relationship and maybe how Aang failed him on a personal level (he's literally the only one who would've missed Aang, not the Avatar for all this time) and how he mourned him for years, I want Aang to contend with and realize that he's in a war and how he's FOR SURE killed people and will have to again even before Koizilla (he kills so many people in The Northern Air Temple!!)... I could honestly kinda do with an abridged version of some of the Gaang's travels, like, a lot of them are neat but only matter tangentially or from a world/character building perspective and can be dropped/merged/replaced pretty safely tbh. For example, Haru doesn't really need to exist tbh, what Imprisoned does for Katara can and maybe even SHOULD change gears to focus more on her rather than this random guy who only ever shows up once more to get laughed at because he has a lame mustache. The Fortuneteller should be dropped or altered severely because its message doesn't hold up under scrutiny. Yue should be a bigger presence and be more of an established character. Jet should maybe get his role expanded. Suki should be more of a presence throughout. There are a lot of ways to make the first season better tbh, and also it NEEDS to change to fit with the new timeframe so? Yeah I hope they do a good job at separating the wheat from the chaff because god knows the original show did not know how to do that.

3. I'm honestly pretty confident in saying that Avatar Studios will never ever make anything good, or at the very least, anything that I'll like, but as to what the lack of Bryke means for the LA? Honestly, it's all up to the people working on it- Bryke being bullheaded and bad writers isn't exclusive to them, and if the staff is made up of writers that lean too heavily on the source material or drift too far from it that could honestly sink the whole show. Of course I'm happy they're not on board given their awful track record, but like... I know nothing about any of the people working on it in their stead, so a lack of Bryke doesn't necessarily equate to good writing (it certainly does leave out THEIR bad writing though!!)

Braving the Elements is soon gonna start reviewing the third season of ATLA, and it started in 2021 so everything there is very recent! And yeah, every time Bryke are on they prove themselves to be assholes all over again, they keep topping themselves somehow istg!

I feel that this isn't my most eloquent post but tbh I'm quite sick rn so this is the best I can do atm, hopefully I managed to answer properly anyway?

#avatar the last airbender #atla #anti aang #anti kataang #anti bryke #atla critical #atla live action

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sokkastyles · 10 months

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So, this is a post for another fandom, but the discussion of Azula and Zuko came up in it, and OP revealed themselves as an Azula apologist. Thought you might be interested.

What's so funny about this is that before OP goes on their rant (so tired of people misusing feminist talking points to excuse abusive behavior) they themselves actually hit on, then immediately dismiss, the reason why people like Zuko more than Catra.

"just because her redemption arc wasn't as good"

Like, that's it. That's the thing. It doesn't matter what actions Zuko did that might be worse (although given what OP later writes, I would seriously question that statement). We're talking about stories, so the character who has a better written arc is going to be liked more, and that's that. It has nothing to do with gender at all. It also has nothing to do with who did what when they were a villain, because if the redemption isn't believable enough, it doesn't matter. Zuko has a better written story and in the land of fiction, that is always going to be more forgivable.

You could argue that there is misogyny in the fact that we don't get enough female characters who are as well-written as Zuko, but I'm a feminist who reads enough fiction that I don't need to pretend something is a good story just because it's female-led. I think a lot of people wanted the She-Ra show to be good for that reason, but in the end, consuming media isn't activism. And from what I've seen of the relationship between Catra and Adora - hell, from the way people talk about Azula, too - a LOT of people will forgive shitty behavior if a woman is doing it on the grounds of "feminism," and that's not only not feminist - how many women suffer because of Catra and Azula's actions? - it's extremely dangerous because it perpetuates the idea that women cannot be abusers.

You want good female representation? Maybe read a book instead of putting all your money on one or two popular cartoon series.

Now that I got THAT out of my system, there's a lot wrong with what OP says about Azula.

None of what OP says to defend Azula is feminist. Like, they don't even attempt to back up this claim the way some Azula stans do, they just say it like they think declaring themselves a feminist makes it so. And then they spend most of the post bashing Ursa, natch. OP will not explain why defending Azula is feminist (because it isn't), but I can explain why bashing Ursa is misogyny. Because you're taking a female character we know barely anything about other than that she was a mother and that she was fridged for the main characters, and insisting she must have been a bad mother based on minimal evidence. Even though we know why her children acted the way they did and we know it had to do with the negative actions of their father. Blaming Ursa for Azula is misogynist because it is shifting blame from a male abuser to a female character who was his victim, and focusing the blame on how she was a bad mother, with very little evidence that she was. But reducing a female character to motherhood and criticizing her for not being saintly is absolutely misogyny.

Where is it "expanded on in the comics" that Ursa gave up on Azula? Or that Azula acted out for Ursa's attention?

Here we see Ursa spending time with both her kids. Azula hangs back because she sees a flower in the garden that isn't as pretty, and waits until Ursa's back is turned to burn it. Then, when Zuko tells on her, she burns Zuko. Azula isn't trying to get Ursa's attention here. She waits until Ursa isn't looking and is mad when she gets negative attention from Ursa because Zuko told on her. She did not want her mother to notice her burning the flower. But when her mother does notice, Azula explains why she did it. Because it wasn't as pretty. It's very obvious what's going on here. Azula is acting out, but not because she's being neglected by her mother. She's acting out in the ways her father groomed her to act out, because her father taught her that if something isn't the best, it's worthless and deserves to be hurt. She then applies this to Zuko, who she thinks deserves to be hurt because he told on her.

And this is a pattern of behavior for Azula that we see not only in the comics, but the series itself. In "Zuko Alone," far from acting out to get her mother's attention because she "gave up on her," we see Azula lie to her mother so that she can get Zuko to play with her, with the purpose of playing a mean prank on Zuko.

Azula appeals to the fact that she knows Ursa thinks she and her brother should get along. If Azula was desperate for her mother's attention, if Ursa gave up on her, Azula would not be able to successfully lie to her mother this way.

What these scenes show is not that Ursa gave up on Azula or that Azula lacked attention from her mother, but that even at a young age (which was more like 8, actually) Azula was influenced by her father's cruelty and acted it out on others, and knew how to manipulate her mother in order to get what she wanted. Shifting blame onto Ursa for trying to teach her child right from wrong, for trying to protect her other child, is misogyny.

Also "Zuko let his insecurities get in the way of his relationship with Azula" is a weird way of saying that Azula deliberately played on Zuko's insecurities to hurt him. Like, you cannot ignore that the reason Zuko is insecure is, in large part, because of Azula, because she provokes his insecurites and then blames him for feeling insecure. This is victim blaming.

Also, the doll thing. I am so tired, y'all. If you automatically assume Azula getting a doll from her uncle is proof he doesn't care about her, who is the misogynist again? If the show wanted us to think this was a thoughtless, sexist, or even misguided gift, that would be shown. We would see Iroh ignoring hints that Azula does not like dolls. Instead, what we see is Azula getting a gift from a relative who hasn't seen her in years, and she burns it because it isn't exactly what she wanted, and then says she hopes her uncle dies. This says FAR more about Azula than it does Iroh, and it is meant to. The OP then goes on to say that Azula was right about Iroh when she mocked his son's death and said he should have burned Ba Sing Se to the ground, but then says he committed more crimes and bloodshed than her, conversely. What bloodshed? We're shown no bloodshed because this is a nickelodeon cartoon show. But we ARE shown Azula mocking Iroh for not being more violent. So don't tell me Iroh is somehow worse. Azula's coup on Ba Sing Se would not be bloodless if this was Game of Thrones, and overthrowing a city using deception isn't more moral than a siege.

Azula also was not "right" about Iroh in the way OP claims because they make it seem like she objected to Iroh ending the siege because she cared about her nation and people. That is not what she said. She said he should have burned the city to the ground to be "a real general." This, and Azula's other actions, such as giving irrational orders and making threats when they aren't carried out from her introductory episode, show that Azula has no real concept of statecraft beyond how to violently assert power, and we know who taught her that.

Also, Azula did not immediately apologize to Ty Lee after making her cry by slut-shaming her (how often the "feminists" forget that). She begrudgingly apologized, and then made it about herself and what Ty Lee should do for her.

Okay, okay, calm down. I didn't mean what I said. [Frontal view over Ty Lee's shoulder.] Look, maybe I just said it because I was a little ... [Whispers.] jealous.

I know people make a lot of this because it's a rare scene of Azula being accountable for her actions, but that alone should tell you something. It doesn't make Azula this kind and compassionate soul. It's not even a great apology. Sincere apologies do not begin with "Okay, okay, calm down." Azula just told her friend that boys only like her because she's easy. The fact that Ty Lee forgives her, especially after everything Azula did to her, makes Ty Lee a saint. And then Azula has a very difficult time admitting that she is jealous, because of course she does. And yes, I know, people make a lot of this because it's Azula, and yeah, it probably did take a lot of effort for Azula to admit that Ty Lee was better at her at something, but that is because Azula is egotistical and selfish and cruel to even her "friends."

And Mai...Azula does not get points for not understanding that she can't force Mai to murder her boyfriend for Azula. Azula asking Mai why she did it even though she "knew the consequences" again shows how little regard Azula has for even her friends, who she thinks she can control using threats. Azula thought she could use Mai to control Zuko and then when Mai's feelings were inconvenient, expected Mai to just watch Zuko die, and is so offended when that doesn't happen.

Also, Zuko never worked on his anger issues? It is literally a major plot point that Zuko says he doesn't want to rely on anger anymore and finds another way. And I've talked about this before, but this idea that Azula is so calm and collected is utterly ridiculous. You only have to look at the examples I mentioned above, but also many more, to see Azula fly into a rage at the slightest provocation, make threats, act out violently, and attempt to control others through fear to see that that is not true. The real difference is that Azula thinks she is justified in acting this way, and when that stops getting her results, rather than trying to change and learning to understand and value other people, she has a breakdown. You have to misunderstand Azula's entire arc to not get that. It is literally explained to us at every opportunity in the narrative.

Conclusion: if you claim to be a feminist, act like one and get to know some feminist theory. And just because you're a woman does not exclude you from being an idiot.

#azula #zuko #the discourse #abuse

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