US Vogue November 1, 1970

Anjelica Huston wears a printed purple silk gypsy dress with an extravagant neckline and tightly laced bodice, billowing ruffles on the sleeves and skirt. By Geoffrey Beene. Earrings: Flemming for Judith McCann. Marvella pearls. Hairstyle Ara Gallant.

Anjelica Huston porte une robe gitane de soie pourpre imprimée avec un décolleté extravagant et un corsage étroitement lacé, des volants ondulants sur les manches et la jupe. Par Geoffrey Beene. Boucles d'oreilles: Flemming pour Judith McCann. Perles de Marvella. Coiffure Ara Gallant.

Photo Richard Avedon vogue archive

REALITY, magazine, Issue One, Robert Gerstenhaber, November 1970 (cover art by Jeff Jones)

Susan Bottomly on the cover of Elle France, November 1970.

Alberto Vargas - November 1970 Playboy Magazine Vargas Girl Illustration - American Pin-up Calendar Collection

Apollo 14 Saturn V (CSM-110/LM-8/SA-509) during rollout.

Date: November 9, 1970.

Scan by J. L. Pickering/Kipp Teague.

NASA ID: KSC-70PC-642

Mike Acs's Collection: link

NM Museum of Space History: 2-0005

—From In His Own Write (1964) | First published in Mersey Beat August 17, 1961 | Written 1958-1959 (see below)

Q: There’s a very, very sad poem at the end of the play about Kakky Hargreaves who is some sort of person whose name changes during the poem who’s gone lost. Who was Kakky Hargreaves?

JOHN: Well, nobody, you know. It was Kakky, or Cathy, or Tammy. So it was all those people. But the point is that you GOT it -- the sadness that I wrote into it. But after you write something, a song or anything, you get the sadness and then you perform it or you put it on paper and then that’s gone. And the only way you get the joy back of writing it or the sadness back, is when somebody like Victor or somebody else comes and reads it to you, or acts it out. Like, when I first saw the rehearsal of the play, and they said these words back to me and I got the sadness from Kakky Hargreaves like I’d never heard it before.

Q: You wrote that one when you were very young.

JOHN: Yes. That was, sort of, pre-Beatle. Eighteen. Nineteen.

VICTOR: (laughs)

Q: And have you written lately?

JOHN: Well I write, I think, all the time. So I mean, it’s the same. I actually don’t put it on paper so much these days, but it goes into songs -- A lot of the same energy that went into those poems. I don’t know what I actually do with the thoughts, but they come out either on film, or on paper, or on tape. I’ve just got lots of tape, which, I suppose if I put onto paper it would be a book. But it’s just a matter of, do I want to make those tapes into paper or make the tapes into records.

Q: Does it feel the same to you when you’re writing something on paper and when you’re writing a song lyric?

JOHN: It does now. In the old days I used to think, if song writing was this... you know, 'I love you and you love me,' and my writing was something else, you know. Even if I didn’t think of it quite like that. But I just realized through Dylan and other people... BOB Dylan, not Thomas... that it IS the same thing. That’s what I didn't realize being so naive -- that you don’t write pop songs, and then you DO THAT, and then you DO THAT. Everything you do is the same thing, so do it the same way. But sometimes I’ll write lyrics to a song first and then I'll get the same feeling as Kakky Hargreaves or a poem and then write the music to it after. So then it’s a poem, sung. But sometimes the tune comes and then you just put suitable words to fit the tune. If the tune is (sings) 'Doodle-loodle loodle-leh,' and then you have 'Shag-a-boo choo-cha.' You know, you have sound-words then, just the sound of it. ‘Cause it IS all sound. Everything is vibrations, I believe, you know. Everything is sound, really, or vision. And just, the difference between sound and vision I’m not quite sure about. But its all just (imitates a vibrating sound) 'vuh-wuh-wuh-wuh-wuh-wuh.'

—BBC-2 Interview of John Lennon and Victor Spinetti (about the In His Own Write play) [x] | June 6, 1968

—Remember by John Lennon | Written: started July 1969 | Recorded: October 9, 1970 (John’s 30th birthday), after seeing his father the last time | Released: December 11, 1970

—Get Enough by Paul McCartney | Written: 2016-2018 (?) | Recorded: 2018 | Released: January 1, 2019 (midnight)

Her Serene Highness Princess Grace of Monaco alongside the Duke of Mounbatten, in a white silk jersey evening dress decorated with white ostrich feathers, by Marc Bohan for Christian Dior (Haute Couture Fall/Winter 1968-69 Collection) during a Frank Sinatra recital given at the Royal Festival Hall in London on November 17, 1970.

Son Altesse Sérénissime la Princesse Grace de Monaco aux côtés du Duc de Mounbatten, dans une robe du soir en jersey de soie blanc ornée de plumes d'autruches blanches, par Marc Bohan pour Christian Dior (Collection Haute Couture Automne/Hiver 1968-69) lors d'un récital de Frank Sinatra donné au Royal Festival Hall de Londres le 17 novembre 1970.

Analysis, Index and Particularized Claims of Executive Privilege for Subpoenaed Materials

Record Group 460: Records of the Watergate Special Prosecution ForceSeries: Transcripts of In Re Grand Jury Proceedings

[hand stamp in upper right corner of the document] FILED UNITED STATES DISTRICT COURT NOV 26 1973 FOR THE DISTRICT OF COLUMBIA JAMES E. DAVEY, Clerk [hand written check mark covers the hand stamp] IN RE GRAND JURY SUBPOENA DUCES TECUM ) ISSUED TO RICHARD M. NIXON, OR ANY ) SUBORDINATE OFFICER, OFFICIAL OR ) Misc. No. 47-73 EMPLOYEE WITH CUSTODY OR CONTROL OF ) CERTAIN DOCUMENTS OR OBJECTS ) ANALYSIS, INDEX AND PARTICULARIZED CLAIMS OF EXECUTIVE PRIVILEGE FOR SUBPOENAED MATERIALS Pursuant to the special court procedures issued on October 30, 1973, the President of the United States through his counsel submits herewith an analysis and an index of the subpoenaed materials and particularized claims of executive privilege where applicable. All materials subpoenaed are primarily identified in the subpoena as related to one of a series of specified conversations, one of which was a telephone conversation and the remainder of which was conducted in personal meetings. For each conversation, the subpoena demands production of "1. All tapes and other electronic and/or mechanical recordings or reproductions, and any memoranda, papers, transcripts or other writings, relating to" the specified conversations. This submission treats each conversation covered by the subpoena separately, in the order of the subparagraphs of Paragraph 1 of the subpoena. (The materials covered by Paragraphs 2 and 3 of the subpoena were voluntarily provided by the President to the Special Prosecutor for the Grand Jury's use when the subpoena was issued.) PART I Item 1(a) of the subpoena relates to "Meeting of June 20, 1972, in the President's Executive Office Building ("EOB") office involving Richard Nixon, John Ehrlichman and H.R. Haldeman from 10:30 a.m to noon (time approximate.)" [full transcript at link]

Vietnam War: Escalation and Withdrawal through rare photographs, 1968-1975

In this photo taken from video, soldiers in fire-support base Aries, a small clearing in the jungles of War Zone D, 50 miles from Saigon, smoke marijuana using the barrel of a shotgun they nicknamed “Ralph,” to get high on November 13, 1970.

The Apollo 14 Saturn V leaves the Vehicle Assembly Building (VAB) and passes the Launch Control Center during rollout.

Date: November 9, 1970.

NASA ID: 70-HC-1046, link, S70-54121, KSC-70PC-646, KSC-70PC-672, KSC-70PC-670