there’s a great write up by someone on here that i will have to search for in which they discuss how the ultimate evil for david lynch is sexual violence against women (even more severe than murder, which is often auxiliary to that type of specific violence); twin peaks is incredibly soapy—on purpose! lynch and frost are playing with form and content on purpose to examine incredibly difficult subject matter through a (for lack of a better word) more palatable format—which most of the time i think works to its advantage and makes those moments of visible horror so much more effective (i use “visible” rather than “true” or other similar adjectives because the horror is always there, it’s embedded in the entire town, shows up in every generation we see in screen and we watch them grapple with it in different ways, but that’s a separate post)
however—and i’ve talked about this before—i find that once you’ve watched fire walk with me it is so much harder to watch the show because the ignorance of nearly every single member of the town (yes, including cooper) pervades the way the action unfolds. twin peaks viewers knew the premise of the show going in and we get to discover details and information alongside the characters. when albert rosenfield comes in as the only voice of reason and reality, it’s set up to be jarring to both the townspeople and to the viewer. why?
sheryl lee said in an interview, “fire walk with me was very difficult for me to watch… and, emotionally it’s a reminder: this is a movie, but this continues to happen every day and how can we stop it? when i watch fire walk with me now, as a mother, i watch it and i think look at all those signs that were being exhibited. this girl was in danger, and look at all these people that were in her life. what would have happened if someone, somewhere, somehow could have helped or stopped it? that’s hard to watch.”
much has been discussed critically about fire walk with me and whether or not it’s exploitative in the ways that it portrays sexual violence against women. while lynch does not shy away from making that violence visible, it is done so in an attempt to make the viewer examine their own relationship to that violence and how it shows up in their own lives. the audience is forced to think about the ways that they are complicit in how and why these violent acts occur and what they can do to stop it, which is why for many it is an uncomfortable watch. for others, it is a painful (and speaking from my own perspective) necessary watch because lynch didn’t make a horror movie, he made a documentary.
fire walk with me is necessary (in my humblest of opinions) to understand why the pieces that lynch and frost put into twin peaks work. there’s so much backstory to how they weren’t originally going to reveal who laura palmer’s killer was until ABC made them, lynch wasn’t around during much of the second season so things got a little off the rails storytelling-wise, etc. etc. but fire walk with me allows them to tie difficult, often horrifying threads (ben horne unknowingly attempting to have sex with his daughter, the townspeople’s distancing of albert, the hands of random townspeople trembling as BOB attempts to claw back into the material world, the list goes on and on) back to the central thesis of “sexual violence is the ultimate evil, it is completely avoidable, and you have a responsibility to recognize the signs and stop being complicit”
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Ok, so let me explain why rebloging posts like these do little to nothing to assure Jews that they’ll be safe around you.
Goyim reblogging this stuff don’t typically listen to Jews (which is apparent because we’ve said stuff like this doesn’t actually do anything to help us many times) about their experiences with antisemitism or listen when Jews try to educate them on things like antisemitic dog whistles or blood libel. Most of them are way more enthusiastic about punching Nazis than they are about showing any compassion to Jews. I’d venture to guess the majority of Jewish people know that often the goyim who reblog this stuff are just out for blood and don’t give a damn about us, because we’ve seen this many times. Not to mention that the desire for a violent revolution that some leftists seem to have has led to Jewish people facing a lot of antisemitism (at their hands). I would bet that some of the people reblogging this act similar to Nazis themselves. I know at the very least the goyim rebloging this don’t listen to Jews because we’ve said many times that this sort of thing doesn’t really do anything to help us, and we’d much rather goyim call out and learn about antisemitism. Overall, it’s just very performative activism, and it’s pretty obvious that the goyim reblogging this are just doing it to try and make themselves look better, and not for the sake of Jews.
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tumblr only lets you have up to 12 options in a poll so this is just going to have to be a normal "reblog and share in the tags" post, but anyway which entity's statements in the magnus archives are your favourites? mine are the slaughter statements, even though my favourite entities are actually the desolation and the end
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i want to disassemble a robot girl and see how she works so i can put her back together again and kiss her on the forehead
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Very random question but do you have any ASOIAF theories about who hired the Catspaw?
it is unambiguously joffrey. tyrion figures it out the morning of the purple wedding. I think any other answer is both actively contradicted by the text and robbing it of so so much thematic depth.
it’s one of the most illuminating moments about him as a character- the catspaw WASN’T some political move on the part of the lannisters to silence a witness. it was a little boy’s attempt to impress his insecure and violent open wound of a person father after he heard him say that bran was better off dead rather than living disabled. joffrey is a child and he is also this amalgamation of every act of violence robert and tywin and jaime and cersei and tyrion and society as a whole ever did to him or anyone else. it’s all so horrific.
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