Hi I noticed you have been in the deathnote fandom for a long time. Do you know some changes the fandom/ships went through? I already know that the misogyny towards misa used to be terrible
Thanks 🙏
Hi! Yes, I've been here a long time lmao
So from what I can recall things have actually stayed pretty remarkably the same when it comes to the popularity of the ships and dynamics in this series. Lawlight has always been the most popular ship, followed closely by M2 (Matt x Mello). However back in the mid/late 2000s it was different in terms of certain things, like the way the ships were referred to. For example, there was no such thing as a nickname for a ship as a whole back then - you didn't call it "Lawlight," you called it either "L/Light" or "Light/L." You had to specify which of the two you liked as the top by putting their name at the start of the pairing. They were treated almost like they were two entirely different ships, and people would definitely get upset if you weren't terribly careful about specifying this when posting shippy fics and things. This changed sometime between 2009-2012, maybe? Possibly around when "Brangelina" and celebrity couple nicknames like that became a thing in pop culture, lol. I am personally glad things are no longer this fussy about labeling and defining the ships, because I find it dumb and possibly a bit offensive towards gay folks to be that obsessive about their bedroom dynamics above all else. But I definitely still see people get very particular about their preferences for this stuff when it comes to their discussions of the ships these days too, so I might be the odd one out here.
Overall I'd say tolerance towards diversity of the pairings and appreciation of the more minor characters has increased? Stuff like pairing L with Matsuda or having het ships like B x Naomi wasn't terribly common back then, from what I remember. People won't hate on you and fight with you as much for daring to enjoy depicting the characters with somebody other than their fave in a story or a piece of art nowadays, either (like "how dare you pair L with somebody other than Light!" - this was a very common thing to hear back in the early fandom days, and people would often act like you were "cheating" on a character by shipping them with somebody other than the character they decided they belonged with.) And fans have also started showing more appreciation for the female characters and attempting to be more inclusive toward them than they used to be. There is a bit less hatred of characters like Near and more shipping of him now as well. Many people were extremely dismissive of him back in the day, and he has definitely grown in popularity over time.
In general I think the fandom has chilled out and diversified and become more tolerant and deeper and more accurate with the characterization in its discussion of the series overall, but I still often will see the exact same takes and trends and tastes and arguments going on now as I used to see back in 2008. Especially when I step outside of the Tumblr bubble and back into a broader/more casual group of fans talking about the series and their faves.
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☽ ・WHAT MAKES A PERSONALITY.
a template ( created by the wonderful Ree ) for analyzing features of a personality beyond listing adjectives. written beneath a readmore because of length, not spoilers!
SELF-CONCEPT
VIEW OF SELF: highly upheld on a pedestal created by her late tribe and the hierarchy of Fell Churches. though clouded by a heavy sense of superiority, there is the slightest chance of self-awareness from her, though it is an introspection that takes time. what is important to her is that she, above anyone else, knows her heart and mind. no one else can claim to relate to all she has lived through and she knows this; though the level of tragedy she connects this with is debatable. likewise, her view of self is duller than her view of others, as she truly does not care for herself at her core. this is not self-deprecation, rather it is the monotonous feeling that comes from knowing that, at the end of the day, she is what her tribe and Sombron have made of her. there is nothing else and nothing more.
VIEW OF OTHERS: hardly memorable. unlike her, time will pass for them and they will die, so their only purpose is to serve until their last breath. will she remember their names? hardly, but the impact they have will outlive their body. as a direct result of her behavioral inconsistencies and traumas, she alienates herself from society and, thus, does not view humanity and other immortal beings in any positive light. they are only useful under a leash. they are only useful if they can be wielded as pawns. if they stray from their fated path, then they must be punished. it is as much a law as it is instinct. either way, none of them will equate to the space necessary in the void of her heart; what she needs is a family, and other people cannot give this to her.
VIEW OF WORLD: unforgiving. selfish. the world is cruel to those who surpass their fate and, thus, she bares her teeth and takes as much from the world as she thinks she deserves; which is everything it has to offer. in her eyes, the world is ever-changing and will not wait for you to mend your wounds, no matter how closely you hold it at heart. you will not survive if you are not the aggressor. her environment taught her that pain is love and such love, one strong enough to destroy what it has created, is punishment, in its own way. to love was to hurt until you knew nothing else; to grieve was to love with all your heart. if you sought love then you had to seek the pain that is obligated with it upon your faults. thus, all relationships of value between her and the world were, and will always be, transactional.
MOTIVATIONS & GOALS: serve as Lord Sombron's greatest follower until he sees her as fit to be the mother of his child. whether it be one or plenty, she hopes to bear them and give fruit to lives of her blood. upon birth, they are hers, as a mother and idol and god. and that, the idea that, one day, someone she brought into the world will revolve that very world around her, is what keeps her focused on the future. but somewhere, along the line, another motivation has formed upon her arrival; protect the Four Hounds and restore what they once were.
WHEY THEY VALUE MOST: family, both in the physical and metaphorical sense. the idea of having and taking from someone who owes you their entire life for giving fruit to theirs.
EMOTIONAL REACTIONS
REACTION TO STRESS: most, if not all, negative emotions end in her lashing out in an attempt to regain the control she once lost. so, when stressed, her composure falters; she becomes jittery, scheming, and distant. she'll refocus all of her energy on picking apart the stressor and, upon recognizing what it is, eliminating it without hesitation. this could mean directly destroying the stressor or completing it, but whichever it is, she does not ignore it. it, also, does not matter what this stress comes from; whether it be a responsibility, environment, or person. the execution, however, of this determination is usually heartless and selfish, as she will go through anything and anyone to calm the nerves of her heart.
REACTION TO FEAR: though fear, too, is a negative emotion, it does not necessarily end in an unwavering sense of hostility. to fear something is to think that it has the weight to actually affect you. and, thus, it is fine to say that fear isn't an emotion she's faced often in her thousand years of life. upon first face of this subject causing her fear, she's incredulous. confused or shocked, rather than frightful. but when the emotion sets in, she becomes quieter. curt. this silence is not submissive, lest it be in the face of Sombron. her following reaction will be to right what has been wronged; control. she will combat this fear with confrontation if the risks prove to be lesser, but she knows her limits and will not provoke the fear if it will bring her harm.
REACTION TO SUCCESS: to revel in her success is not rare. this is, usually, done in the form of taunting the losing party. however, her reaction to success differs between the success of herself and the success of those she deems as hers. for the former, she does not seek praise. it is not the acknowledgment she requires, as that is flawed and not taken at heart's value. if not from Sombron, then she does not want it. however, praise is what she requires when her pawns succeed. for them to win is a win for her, as it reinforces the greedy pride of being able to create something worth loving. otherwise, success, to her, is conditional and can always be revoked. it is not something worth celebrating by the masses. in fact, it could be argued that success makes her hungrier for the possible retaliation that will follow.
REACTION TO FAILURE: depends highly on who she fails regarding the event. in light of disappointing Sombron, her apologies are swift, curt, as there is nothing else to say. her willingness to right, again, what has been wronged is high and she will take no other answer unless she's given the other chance. there is no guilt, as she does not recognize such a feeling, but the feeling aches similarly. if in the case of failing herself, her reaction is duller. again, at her core, she has come to terms with the fate she's been given, so all she is to do is find her way back unto the path paved for her. she'll try again, more determined, but emotional reactions are little to none. she understands herself best and will right herself accordingly, aiming to engrain into her the teachings that made her who she is.
DEVELOPMENT
IDEAL SELF: is constantly changing, to the point where she cannot fully recognize where she, herself, wants to be. what amount of development would be enough? from whom would this development come from? all she knows is that the ideal life she sees fit for herself is that of a mother, as it was the only thing able to fill the void in her heart. key word: was. new events have shone a light on her ideals and hope to shift them. unfortunately, because of her lack of concern for who or what she becomes, as her fate will always be written before her, the exact ideal self is unknown.
AREAS OF GROWTH: as mentioned before, loneliness is still a factor she hopes to heal. being alienated from others, even dragons like herself, because of the behavior she adapted to in hopes of defending her heart will always prove her efforts futile. to grow requires the knowledge to understand exactly what is necessary beforehand. thus, her concept of what can heal her is false and flawed. it's simple and, if she does not recognize her emotions and pick apart the years of manipulation, all will be hopeless.
BARRIERS TO GROWTH: the inability to wear her heart anywhere that is not the steel bars of her ribcages; the continuous conquest of favor for Sombron; the inability to recognize how she has affected the world and vice versa; the inability to be truthful lest she fear bleeding out on the spot; and time wearing away at the familiarity she should have with her own emotions. there is a lot that stands as an obstacle to her development. none of it will disappear quickly, so she must approach it slowly and with patience.
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I hate that I like alternative fashion(not just the colloquial use of the word, as in anything alternative from mainstream), because I want to wear ALL of them.
Currently my two main styles are my everyday(pretty normie) gay ™ button downs/patterned shirts and my vintage/history inspired clothing(I don’t have as much as I’d like but when I had longer hair, a wet set and red lip went a long way).
But I also DO like alt™ fashion. I know all the cultures are different but I think goth and a little bit of punk are the ones that interest me the most! I just love the alt look of it on other people and I want to see if I like on myself! I just feel like I really don’t know where to begin for the goth stuff. Also yes ,I know the culture is more than the clothing and I’m also interested in those parts too, this post is just focusing on fashion.
I’m also interested in Lolita fashion! I don’t think it’s something I’d do for everyday fashion, but I always keep coming back to it, so I’d love to try it out! Mostly what attracts me to the style is that I already like historical fashion, but I don’t know if there’s a particular sub style I’m interested in. I like when other people do Sweet but doesn’t feel like my vibe. I could maybe see myself doing goth Lolita or more classic/traditional Lolita. Though really, in my mind there’s only one coord idea that I want to do, but it doesn’t really fall neatly into any of the mainstream Lolita styles(I guess pirate would be the closest? there are some JSKs I’ve looked at that could fit my idea).
I also really want to get more into medieval/renaissance fair fashion or more piratey/vampire/vaguely 17th century fashion. I have my vintage style that I want to expand but I do want to play around with more time periods and different ways of modernizing them!
I actually really like my current styles but there’s so much I want to try.
In conclusion I WANT TO UNLOCK ALL THE FASHIONS!!!!!
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