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#moral violence
frodo-a-gogo · 2 months
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Let us be brutally honest with ourselves and with eachother for a moment. If he weren't obese you motherfuckers would be capable of percieving evrart claires sexy sexy moral ambiguity and complex charms
#i am (lesbian) sipping him like a fine DESSERT WINE#my evidence by the way is very simple and very damning. joyce messier. there i said it.#if you guys can appreciate the fact that Joyce is a complex figure worthy of disgust yes but also worthy of empathy#despite being a venal coward facilitating acts of violence and slaughter of the organized working poor of martinaise in the name of capital#if you can understand that she is a dimensional figure while also being an embodiment of the moral apathy and cruelty if capital owners#but you cant look at evrart and see that he is (while deeply flawed and morally suspect) also a dimensional figure#on top of the fact that his motivations are eminently relatable and dare i say it baser#and his greatest failing imho is in failing to advocate for the interests of *all* the poor of martinaise#opting instead to marginalize the inhabitants of the fishing village in favor of a power grab in the interests of himself and his union#though this is imo a bit of a grey area morally. undeniably a wrong and bad thing to do but done in service of clairs political goals#to gather power to advocate for the working class against ultraliberal monoliths like wild pines and fascistic orgs like krenel#still super wrong but i can follow the moral arithmetic there tho i don't like it#but like my point is if u can see that joyce is evil and pathetic but still cool and sexy but you consider clair flatly distasteful#thats cus hes not conventionally attractive#cus he is *every bit* as dimensional and interesting as joyce and he is not nearly as politically shite even if hes interpersonally a jerk
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what if the animorphs got the death note?
Cassie: Would burn the thing. Doesn't care if she dies in the process. It's worth it, to get it out of the world's hands.
Marco: Would go on a fact-finding spree to figure out the names of as many yeerks as he possibly can. Would figure out that some stems (e.g. Iniss) are followed by multiple sets of numbers, and would give himself carpal tunnel writing Iniss 0000 - Iniss 9999 in the notebook. Would claim to his friends that he also doesn't know why a mysterious disease has killed so many yeerks lately.
Jake: Would ask the group what they should do with it. Whether Rachel and Marco would succeed in arguing for it before Cassie and Ax succeeded in arguing against it is anyone's guess.
Ax: Would never use it. Would probably also give it back to the group. Controversial opinion, I know, but he cares deeply about fighting fair and with honor. If he could figure out a way to use it to save his friends he might, but he'd probably vote to bury it in the woods if forced to cast a vote.
Rachel: Would use it. And then stop using it. She fights those who are stronger than her, and spares those who are weaker. Any time she can use it against a yeerk with an involuntary host she will... but those names are hard to find, and she's not going to stop mid-battle to pull out a pen. She'd conclude it's no good as a weapon, but if Marco asked she'd announce she got rid of it because it takes all the excitement out of the war.
Tobias: Even more controversial take, but. If anyone would go full Light Yagami, I think it's him. He's the one pushing to use the Time Matrix to "fix" history in MM3. He's the one who kills Hitler after learning this is just a jeep driver, because he's Hitler. He argues with the Ellimist, and thinks he could do better. He sees the world as injust, and he's angry about it. He would argue it's immoral not to use the Death Note. I could see Tobias writing down every Visser's name... and then Pol Pot's... and then Charles Manson's... and then Taylor's... and going from there.
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you’re an angel, i’m a dog ; satoru gojo
synopsis; an upcoming exam has been stressing you out, and satoru’s pleas for you to take care of yourself fall on deaf ears. he takes matters into his own hands.
word count; 4.3k
contents; satoru gojo/reader, gn!reader, yan!gojo, as far as yanderes go he’s very mild i think (im sensitive u can trust me!!), mentions of blood, implied murder (not depicted!!), he threatens your professor w a knife lol, surprisingly fluffy??, gojo is soooo lovesick & smitten, he just wants his baby to live a happy life :( is that so wrong :((, also your parents love him <33 and he calls you honey <333 ideal man.
a/n; i blacked out & when i woke up this was in my drafts… mysterious. @kissxcore here u go alexis <33 one very smitten morally gray yan!gojo just for u!! i completely lost the plot halfway through but i had a lot of fun writing this!! :33 i don’t dabble in yan content at all so it was a fun lil challenge hehe, i hope it ended up . Somewhat .. decent…
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satoru thinks you deserve everything good.
”haah…”
— the sigh spills into the air, dripping with exhaustion, a palpable fatigue that has his heart clenching.
just as he feared, you’re here. again. seated on the couch, in the living room, legs crossed and framed by flimsy strings of moonlight; illuminated only by the dim light of the laptop in front of you. carding through your hair, blinking sluggishly.
another sigh. deep, exasperated — from satoru, this time. he keeps a single hand on his hip, brows furrowed in soft disappointment. 
”honey… what do you think you’re doing?”
you jolt, the sudden sound breaking you out of whatever trance you were previously in. when your gaze flits to his, craning your head to see him rest against the wall leading up to your bedroom, he thinks you look a little like a kid caught with their hand in the cookie jar.
it makes him smile. despite his disapproval.
”ah — satoru! it’s… um.” a moment passes. he can practically see the gears of your mind turning, searching for a good excuse. ”… not what it looks like?”
he clicks his tongue. ”nice try.”
then he’s walking towards you, in long strides, gliding across the room like a butterfly in search of nectar. from the sweetest flower there ever was.
even when said flower is still awake, past midnight, pulling an all-nighter despite his frequent advice not to. his very frequent, very thoughtful advice not to strain yourself until you just about pass out.
but you just won’t listen.
”’m disappointed in you, baby,” he huffs, just playful enough to ward off any genuine feelings of distress. he could never truly be disappointed in his baby. ”what did we say about studying this late, hm?”
a sheepish chuckle slips past your lips. satoru is standing in front of you, hands on his hips, raising a questioning eyebrow as you squirm. lighthearted, yes, but genuine. it makes you feel a little guilty.
”… sorry,” you breathe, closing the lid of your laptop. knowing he won’t let you stay up any longer. with the loss of light, your face becomes shrouded in darkness. ”just can’t sleep when i’m so stressed.”
at that, satoru makes a tiny noise — something worried, a little sad, from the base of his throat. a soft frown finds its way onto his lips, and he blinks the sleep away from his senses. plopping down beside you.
”i know. i’m not trying to lecture you,” he croons, reaching out to cradle the apple of your cheek. you melt into him like molten honey, easy and sweet. ”just worried. know you’re stressed.”
and he does. he does know — it’s all he’s been able to think about, these past few weeks. to his dismay, he’s even begun to grow used to this sight, used to finding you in the midst of working yourself to exhaustion. fighting the urge to sleep, slumped over your desk, or cooped up on the couch. staring into your laptop like it holds the secrets of the universe.
time and time again, he’s told you to take care of yourself. tried to coax you into relaxing, rubbing your sore shoulders and kissing the puffy skin beneath your eyes. but this exam is important — you’ve told him as much, more times than he can count. he doesn’t doubt that you’re right. 
of course you’d be stressed. he gets it.
still, though.
”but you know it’s not good, yeah? that it’ll just burn you out?” his thumb goes to smooth over the dark crescents beneath your eyes, gentle as a feather. ”we don’t want that, do we?”
you bite your lip. trapping it between your teeth. he knows you know. ”… yeah,” you admit, a flimsy little sigh on your tongue. ”it just feels easier to do this at night. don’t know why.”
”my little night owl.”
that makes you smile, a little, but it’s not enough to satisfy him. he curls an arm around your waist, and drags you into his lap; gentle, always gentle, like all that exists under your skin is made of porcelain. like the lines of your face form a string of words, a label of fragile: handle with care. he always does.
with his heartbeat by your ear, his warmth melting into yours, it’s easier to speak. a pressure on your chest that fades away. ”i’ll try not to do it again,” you murmur, biting back a soft yawn. nuzzling into his neck. ”promise. don’t wanna worry you…”
satoru softens. 
(always so good to him.)
”it’s fine, honey. i understand.” he smiles, smoothing down your spine, counting the bumps of vertebra that slide along his palm. ”don’t worry that pretty little head of yours over me, alright?”
in return for his comfort, you wriggle away, lifting your head to give him a smile. one of your many smiles, each one fervently cherished by him; the one you’re wearing now is tired, a soft curl of your lips, the kind that makes him want to lull you to sleep. just the sight alone makes the anxiety in his veins feel like a worthy investment.
he doesn’t tell you anything that could cause that joy to diminish. doesn’t tell you that he can’t sleep without you, that he can barely breathe knowing you’re this stressed all time. doesn’t tell you that he jolted awake with a sinking feeling of dread, a gaping pit in his stomach when he didn’t immediately feel the warmth of your skin against his. doesn’t tell you that he always, always assumes the worst.
satoru doesn’t tell you these things. it’s a safety measure, an act of love. a bundle of unvoiced syllables, woven into white lies, silky and sweet. tailor-made to put your aching mind at ease. 
satoru thinks you deserve everything good.
it’s a theory, of sorts, a train of thought. a hypothesis made manifest. after many years of pondering, he’s arrived at the following conclusion; you are all that’s good. therefore, it only follows that you deserve everything that’s good, all of it and more. satoru believes you deserve every single thing your little heart desires — and he’s determined to give it to you.
so he’s been worried.
it’s not that he doesn’t trust you. he knows you’ll ace the exam, knows you’ll do your very best, knows you’ll make him proud. you always do. you aren’t the problem, no, never.
he just doesn’t trust your professor. 
that unfair, stuck-up, incompetent professor who’d fail his students just for being a couple minutes late, who curates his exams to be as convoluted as humanly possible. you and your friends are starting to suspect he just likes berating people for a living. satoru knows it all, he’s heard it all, of course he has. satoru pays attention to everything, when it comes to you. he knows all about your professor, the man who’s been making your studies pure hell for the past semester.
it makes his blood boil. steady, ruminating, hot and heavy in his veins. a rivulet of lava.
(it was only a matter of time.)
satoru is a teacher too; he knows that type. one that has no business being a teacher, in the first place, one no student deserves to be subjected to. he’s met more of them in his career than he could even begin to count. the thought of one of his own students being at the mercy of someone so incompetent makes his skin itch.
and the thought of you, seated on the couch, crying and sniffling when he comes home because none of the exam questions made enough sense for you to even try —
it makes satoru want to claw his skin off.
it makes that tiny, tiny cavern in his heart extend, widen, like a maw, swallowing up his liver and lungs and sense of morality. an emptiness begging to be filled. 
there’s only one way to satiate it.
so he plants a wet kiss on your forehead, ruffles your hair, tucks you into bed and waits until you fall asleep. deep and heavy, a slumber you won’t wake up from anytime soon. he presses his lips to your forehead one more time — for good measure.
then he grabs his coat and slips outside.
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the moon is visible through the window.
a thin crescent, nailed next to the dim stars, leaking a dream-like fluorescent shine; illuminating the office, so quiet he can hear those erratic breaths spill out, one by one. a heavy, heavy silence, thick enough to spread like butter over toast. 
(ah, that’s right — he forgot to buy the butter you asked for this morning. no wonder he feels so out of sorts. he’ll have to grab it on his way back.)
”who… w — what are — ?”
satoru stays silent. lips pursed, eyes keen, burning into the back of the man in front of him. close, almost chest to back, enough to have him scowling in displeasure. 
just being in his presence makes satoru feel a little sick. 
he keeps the blade pressed right beneath his adam’s apple, a silver glimmer in an office painted blue and gray. not enough to sink into his skin, but enough to have his heartbeat hammering, enough that satoru can practically feel those rapid flutters of life. brushing against his gloved hand.
he gets straight to the point. voice muffled by the fabric covering his mouth, low enough that it’s barely even audible. he’s careful, about this kind of thing. there’s a delicacy to the ill intent, something he’d be a little enamored with if it weren’t for the compass stuffed into his ribs — the compass that tells him this is wrong.
he just can’t bring himself to care.
”the upcoming exam.” his voice sends a shiver down the man’s spine. satoru can feel it. ”don’t fail a single student.”
silence. pure silence, suffocating them, tangling itself into the air. satoru can practically taste it — fear, familiar, that pang of panic. a ticking time-bomb. the knife stays pressed against warm skin, pushing, sinking, just a little, a drop of red against his pale throat. 
it’s enough to get your professor to make a little noise, one that vaguely resembles a whine. like that of a small animal, rolling over on its belly, eager to play dead. no word is spoken in reply, but he nods, just barely, a nervous tremble of his head.
satoru hums, approving. ”good.” he doesn’t loosen his grip. ”there’s a particular student i’m worried about. marked them down in the catalogue... i’m counting on you.”
another noise. a grunt of affirmation, a silent plea — satoru allows that fear to seep into his own bones, just a little, just to get a taste of it. cold on his tongue. he wonders if this is what helplessness feels like.
then he takes a step back. slow, tentative, dragging the knife with him. not before parting his lips once more. ”don’t turn around,” he warns. ”i’ll be back if there are any complications. this’ll be our little secret, hm?”
the man in front of him doesn’t say a thing. frozen in fear, paralyzed, not moving an inch. a fly trapped in his web. it’s a relief.
before he exits the room, satoru puts the final nail in the coffin. just in case. ”i happen to know what school your daughter goes to.” he waits for a flinch, and it comes almost instantly. like clockwork. “remember that.”
it’s an empty threat. your professor doesn’t know that, though. he doesn’t know that satoru knows his daughter, that he walks past her preschool almost every morning on his way to work. that she waves to him whenever he passes by, and that he makes it a point to always wave back. a little troublemaker; the rowdiest of utahime’s preschoolers. she has a bubbly laugh, and just lost one of her milk teeth. she was giddy when she showed him, a bout of giggles spilling from her lips as he cooed and ruffled her hair. 
he wouldn’t lay a finger on her. 
but your professor doesn’t know that, hasn’t got a single clue, and satoru delights in the fear that must be running through his veins. down his spine, crawling into every narrow of his skeleton, making a home for itself that he’ll never quite be able to root out.
a gulp. satoru hears it, in the quiet of nightfall, just before he shuts the door behind him. good.
the rest of the evening is a blur. satoru gets home, relieved to find you still asleep, and tucks you into his chest. makes a mental reminder to order your favorite take out tomorrow; a little reward for your hard work.
finally, he can sleep easy. knowing you’ll get what you deserve. 
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three weeks later, satoru places his hand on the familiar doorknob in front of him, dragging his weight behind him. blinking sluggishly. 
there’s a sinking feeling in his chest, weighing him down — like an anchor tied to his liver. a compass, tucked between his fourth and fifth rib, one that’ll always stay lodged right there. he’s learned to grow used to it, a natural consequence, a sign that his humanity is still intact. 
that doesn’t make it any less bothersome, though.
(ridding the world of a pest shouldn’t make him feel dirty. especially when he felt nothing but contempt for the pest in question, for the way he whistled as you walked by, the words he spewed before satoru met his eye. vile. putrid. why should he feel guilty for wiping a stain off the pavement?
it does make him feel dirty, though. a sinking feeling in his chest.)
there’s nothing to be done about it. satoru swallows the unpleasant taste on his tongue, and drags the door open, closing it behind him with a softness he reserves for you alone.
and there you are.
on the couch, farther away, already looking his way — lips instantly curling up into what he knows will be a smile. this time, it’s laced with excitement. one of his personal favorites. his gaze devours the joy in your features, the glimpse he gets of your teeth, that familiar crinkle of your eyes. 
you’re smiling. at him. you smile and his world wakes up, it’s dyed in different shades of blue, it’s brimming with life and love and something too good not to kill for. you smile and everything is right, good, worth it. you smile and it's as if the blood has been washed off his hands.
suddenly, all is well again. satoru exhales a blissful little breath.
“‘m home, honey,” he grins, a light pink dusting his cheeks, hanging his coat up before turning to face you. arms wide open. “did you miss me?”
his heartbeat stutters when you practically engulf him, all giddy giggles and that perfect smile, nuzzling into the crook of his neck. “mhm,” is what you chirp, pressing kisses down his collarbone, and he has to bite down on his lip to stop the shivers trailing down his spine. he tastes iron, but laps it up with a coo. sickly-sweet.
“missed you too, precious,” he purrs. “sorry i was gone for so long — had to take care of something.” 
he cups the back of your skull with his palm, large and crafted just to hold you, and marvels at how much you trust him. how you’re melting into his chest, fitting into every crevice of his heart. he wants to keep you there forever. forever and ever, always within reach, always close enough to touch. 
but he also wants you to be happy. he wants to see you run away, wherever the wind takes you, if only so he’ll get to feel you jump into his arms again, when you’ve had your fill of the world. when you come home to him, where you both belong.
satoru would never cage you in. never, never, never. he wants you to enjoy your life — confining you wouldn’t do any good, would only stifle that pretty smile he loves so dearly. he wants your world to be large, brimming with life, blooming with fervor, wants the air to be clear enough for your beautiful lungs. he couldn’t build a world for you, here, in this apartment. no matter how big or luxurious. 
so his only option is to bend the world into a kinder shape — twist and mold until it forms a path good enough for you to follow.
(it’s worth it, he knows, he’ll always know. it’s worth it to see that smile.)
“is that a new coat?” you ask, naive and innocent, and it breaks him out of his thoughts, attention wired to the lilt of your voice.
“yeah.” it’s stylish, expensive, a nice shade of black. he had to throw the last one away. “looks nice, right? i’ll get you the same one, pretty.”
“you don’t have to, toru!” you hurriedly exclaim, knowing he’ll jump at the opportunity to spoil you. “i like the one i have now!”
satoru pouts. a soft huff, right by your ear. “you don’t wanna wear matching coats?” he feigns sadness, scratching softly at your scalp, drinking up the little purrs that bubble up in your throat. 
and you giggle. you giggle and all he can think is worth it, worth it, worth it. a stained coat or two means nothing. the blood on his hands is just insurance. 
“well, when you put it like that…” you shift a little, curling your arms around his neck, breathing him in. he wonders if you can smell the cleaning detergent. “i guess i wouldn’t mind a new coat.”
and he grins. like clockwork. “right? want me to buy you new shoes while i’m at it? some jewelry?” he peppers kisses down your neck, amusement laced in his voice. “the whole store?”
again, those giggles. again and again. he laps them up like fine wine. “okay, that’s too much.”
“but you deserve it!” he whines, sickeningly sweet. sick to his stomach with love. “been working so hard, my angel.”
and, suddenly — you light up. his little firefly. brightening, inhaling a giddy breath. pulling away, a little, and he does his best to bite back the frown on his face. you’re practically beaming, sunshine personified, eyes glittering with giddy joy.
“right! i almost forgot!” 
then you’re skipping away, happily, to retrieve your phone. and he knows what you’re going to show him, but still feigns surprise when he sees the score on your exam, that perfect 100 on the screen. still makes an expression of shock that he knows will get you to laugh, still picks you up and spins you around and tells you how proud he is.
he almost, almost feels bad, seeing you smile so wide; at what you assume to be the fruits of your own labour. almost feels ashamed, knowing that perfect 100 wouldn’t exist without the knife at your professor’s throat.
but, then again, this is how it should be. those numbers are the fruits of your own labour, because satoru is a part of you. and you deserve it, deserve it more than anyone — he knows you would have gotten it, even without his help, if your professor was competent enough to see your brilliance. 
satoru smiles. he is proud of you. and this is exactly how it should be. he’s just bending the world into its rightful shape, cutting strings from a wrongly woven web, righting the wrongs of the people around you.
you, you, you. the only thing that exists.
all of him is for you.
”i knew you could do it. never doubted you for a second, baby,” he smiles, so wide his cheeks hurt, and you return it with a kiss to his jaw. 
”thank you. i’m just so relieved,” you exhale a breath, heavy, and it’s like he can practically see the stress melting, slipping from your shoulders and eyes. worth it, worth it, worth it. ”gosh. i’m gonna sleep like the dead tonight.”
”as you should,” satoru chirps, pinching your side. softly, brimming with fondness. ”but before that, we’re gonna celebrate. all day. and tomorrow too!”
another smile coaxed from your lips; this time, it’s a little bit shy. bashful, at the praise, his endless excitement. so precious he wants to kiss you breathless. give you all the air in his lungs.
so precious that he forgets about everything else. 
this is what you always do to him; wrap him up in a blanket of your love, cloud his veins with a nectar so sweet he takes the leap into your arms without a second thought. a foolish, lovesick butterfly, sticking to a single rose; dripping with honey, overflowing. the butterfly is too drunk on love to care. 
you’re his flower, his joy, the most useful form of anesthesia. with you in his veins, on his mind, your lips on his jaw — satoru can pretend that his hands are clean. that they always have been.
it all slips from his mind. your professor, the creep who catcalled you, that one classmate you’ve been complaining about recently. he forgets that they even exists, and satoru thinks that must be what love is: something that narrows your world down until you can make a home out of it. 
(something worth cherishing, no matter the cost.)
as always, it’s your voice that snaps him out of the trance he’s in. turning around at the sound of your call, the orpheus to your eurydice, too in love to save you from himself. you’re both getting ready to head out, dressing up for a well-deserved date. 
satoru feels himself smile. he does the dirty work, and you get to reap the rewards. heaven on earth.
“oh, by the way! would you want to have dinner with my parents tomorrow?” you meet his absent gaze with a tilt of your head. “they’ve been asking about you again. it’s such a headache, seriously.”
satoru giggles, barely containing how delighted he is. raising a playful brow. “oh? grumpy that you aren’t the favorite child anymore, hm?”
“okay, first of all —“ you stifle a giggle, pulling a drawer open, rummaging through it. freshly washed clothes. he washes most of your things. “you aren’t their child. and second of all —“
“— yet.”
a pause. 
satoru watches your gaze flick over to him, then back to the drawer, collecting yourself. a cute flush to your cheeks. “… whatever.” you clear your throat. “second of all — i don’t like how much they like you. what kinda spell did you put them under? it’s always satoru this, satoru that!”
a huff fills the air, and you mutter something that sounds a little like mocking, an obnoxiously imitated where’s satoru? that makes him chuckle into his fist. 
he shrugs. “i’m just a natural charmer, y’know? and, for the record; i would love to have dinner with them.” he sends you a wink, playful, and you roll your eyes. “are you joining us?”
a bout of laughter pushes past your lips, and satoru thinks he could die happy — just soaking up the joy that spills from out your throat. he wishes he could live in it, paint your house in it, wear it. he wants your joy to be all he ever feels. he feels sick at the idea of ever being out of earshot for it.
“yes, i’m joining you.” your scoff is dripping with humour. ”i’d hate to be the fourth wheel, but it is what it is.”
satoru stifles a grin. ”lucky me. three beauties all to myself,” he drawls, a seductive lilt to his voice, just to hear that little noise you always make with the back of your throat. vaguely disgusted.
”you’re so gross.”
a coo. like the buzzing of a bee. ”don’t be jealous, honey. know you’re my favorite, don’t you?” satoru smiles — more sincere than you’ll ever know. ”could never love anyone else.”
”so my parents are in second place?” you quirk a brow, amusement lacing your words, and he clicks his tongue. 
”well, they made you. i’d have to be a fool not to worship artists of such caliber.” 
”charmer.”
”yours.” the word is a knife at his throat, a stain on his coat, a love so heavy it’ll burn him alive. ”only yours.”
and again, you smile. all he can think is that you deserve everything, everything that’s good, everything he could ever give you. it’s all he can think as you go about your day, as he leads you outside, as he watches a flicker of joy dance within your iris. as he watches you walk wherever your heart takes you.
the thought remains when you return home, when you wrap yourselves up in blankets and he throws a leg over your waist and you curl an arm around his ribcage. it’s all he can think. 
satoru was born to be of service — to someone, to the world, to something or another. he was born to carry a weight on his back. 
so why not bear the weight of your burdens?
all he wants is to protect you. all he’ll ever need is that smile on your face. he was always bound to be just this: a dog at your heels, a halo around your head, the watchful eye keeping you safe from everything rotten in this world. he’s the butterfly, the spider, the web itself. and he’ll never let you be tangled up in it.
he was born to be of service to you. so service you he will, until it all comes back to bite him.
“satoruuu — stop stealing the blanket!”
he prays it never will.
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thatswhatsushesaid · 2 months
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psa that the day there are no jgy stans left on tumblr dot com is the day i am dead
but rest assured i'll go to my grave exactly as i lived: obnoxiously proclaiming to everyone within earshot how great lianfang-zun is. narratively, metaphorically, spiritually. sexually, too, like why limit myself. i like to keep my options open
#the spirit of su minshan possessed me for a minute there but like. i'm fine with it#jin guangyao#he did crimes??? good for him 😌#editing this post to add that while the tone here is clearly joking#i really am fundamentally still engaged with this fandom#and with this book#almost exlcusively because of my enjoyment of jgy#even xiyao is secondary for me like i love it and i'm ride or die for it obvs#but jgy as a character is the main draw for me. and he would have me by the throat even if there was no zewu-jun#(tho i think jgy's life would be more depressing for his absence obviously)#but he is just. /clenches my fists!!!#THE most compelling character in the story and i cannot stop thinking about him!! cannot will not!!#who else in this book has his range? who else can be the doe-eyed idealist AND the spy with blood on his hands who ends a war?#who else is two different greek tragedies and at least two separate shakespearean tragedies rolled into one antagonist#an antagonist who but for the POV of the novel could very easily have been the protagonist#whose moral event horizon is so deeply entwined with his own trauma and abuse that there is no way to meaningfully separate#the violence he does to others from the systemic violence that was done to him for his whole life?#who else in this book manages to get five separate sect leaders utterly obsessed with him no matter how you choose#to interpret that obsession?#no one!!! that's who!!#ain't no one else in the jianghu doing it like lianfang-zun and that's just a goddamn fact
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maxellminidisc · 7 months
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I just think it's kind of pathetically funny that so many of yall really thought revolution and the freedoms revolutions take place for dont involve violent action??? Like did you honest to god think somebody was like idk going to talk real eloquently and nicely and people in positions of power were gonna be like "Oh no, you're soo right. We HAVE been committing war crimes against your people. We'll be niceys from now on"?? Oppressors dont give a fuck about their targets as human fucking beings, let alone what they have to say or feel!!! The only language, the only circumstances oppressors put any attention to, is threats to their power, like it's simple enough to understand...
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brucewaynehater101 · 21 days
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Batman's no kill rule (tw violence).
So, Tim tries to follow this decree. It's a pretty firm line in Bruce's version of vigilantism. We see the teen struggle a few times to uphold this, but he tries to in the end.
What if, because Tim became Robin watching this man toe the line between Batman's victims being hospitalized or killed, Tim got the wrong idea from this.
Instead of "killing is wrong" or whatever, Tim sees death as the last line to everything. The last line to Batman considering him to be a criminal, the last time the criminal has chances, and the last opportunity to punish someone. If they die, that's it. Game over for Tim and them.
Before that point? Well. Tim can do just about anything as long as it isn't murder. This cues Tim psychologically and physically brutalizing foe that are horrid people. 98% of the people Tim deals with get the regular Robin treatment. Those cruel few?
If you asked Tim about it, he wouldn't have a clue. Seems weird that Professor Pyg walked into a police station to turn himself in.
Gotham, right?
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thebrainrotsreal · 16 days
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EVIL MARK, EVIL MARK, EVIL MARK!!! I want to be coherent about this season but please picture me foaming at the mouth and running on the walls. S2 being what if Mark's just like his Dad? Insanity. I love this show. Anyways, AU where an Evil!Mark tries to make Our!Mark worse, and Our!Mark tries to make the other better. Something something confronting your idea of the worst version of oneself. Plus, tweaked black and yellow costume because I saw it and immediately went murder hornet lookin' ass and knew I had to draw it. Evil ass Mark. Horrible. I think he should be dragged kicking and screaming into redemption.
#mark and the fact he is fighting for this fucking life to avoid the Many Bad Endings???? im pacing. getting out the red string.#when the season is about who you are and what you could become. when trying to be good is an active choice and a struggle.#RAHHHHHHHHHHH#chewing on the bars of my enclosure...when every mark is evil OUR mark is the outlier. the exception. the OTHER. RAHHHH#dog poetry being mark poetry because how often can you kick a dog before it starts snarling before you raise your hand?#how often can you beat it before it rips into you without mercy? when it bites not at your hand but at your neck?#when does violence for survival and violence for vengeance start and end? when your opponent is down and you keep drawing blood?#circling and pacing and losing my mind over this btw if you care#anyways self vs self gets me going crazy. did you know i loved the end of atsv? because it shows.#i think o!mark would lose his fucking mind at what evil wasp looking mark has done + this mf wasp would LOATHE mark's kindness#they both see the other as the WORST version of themselves and they can't stand it. They can't shatter the mirror but they think they can--#--change the reflection.#evil mark seeing mark and seeing what he USED to be#mark seeing what he COULD be#CAN U SEE THE VISION??????#digital art#invincible rotating in my mind#invincible fanart#fanart#mark my beloved#mark grayson fanart#mark grayson#invincible s2#invincible show#mark like hello this is my secret twin and he is NOTHING like me hahahaha anyways wanna debate about having mORALS and LIFE#mark grayson vs the urge not to accept every responsibility as his own#he's batman coded that way#ok im done yapping#if this happened in the comics in any way shape or form dont tell me JACK SHIT or i will PUMMEL YOU with my SHOES
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demonictacobeard · 2 months
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Lucifer, folding his arms at the entrance of the hotel: You are not setting foot in my daughter’s hotel, you’ll leave surveillance everywhere and I’d hate to ask Nifty to do the extra work of finding them
Vox, begging: Then your majesty, will you ask Adam to come out here? I heard the rumors that he’s here. I don’t have to come in at all, I just want an autograph
Lucifer, disturbed: Why? He was the leader of an army that killed sinners every year. You are a sinner
Vox, laughing darkly: I don’t give a shit who he’s killed or how many, I will tap dance over the corpses he’s created to shake his hand for making Alastor bleed
Lucifer, now facing a question of morality because he hates Alastor but does he hate him that much?:……..God while still asleep, continues to test me
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adelinamoteru · 2 months
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its kinda crazy that yall will apply real world politics and situations to gotham when it comes to jason and his ‘vigilantism’, but never choose to take that angle when analyzing any other bat character’s
brother eye from batman? hello? does constant nonconsensual surveillance seem like an ethical way to keep an eye on supposed allies or stop crime in real life? does beating people up until they comply with u (under fucking duress) seem like the ethical way to produce testimonies and confessions?
but nah, one speech from jason in utrd and yall are up in arms about how nothing he’s saying is actually conducive to lowering crime rates.
at the end of the day, it doesn’t fucking matter who’s right and who’s wrong regarding these morals in real life because the dc universe is so fucking far from reality in the crime that the justice system has to deal with. there is no point in arguing a reality standpoint if its not going to be applied to vigilantism in the bat comics as a whole.
and on the topic of fiction, the willful ignorance as to how jason’s story also portrays a victims revenge/justice is just boring at this point. how are themes in a narrative not coming through to you. especially when doing literature analysis for any of these comics.
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dragongirltongue · 2 months
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I'm also just gonna say, threatening a minority with law enforcement is a bigger fucking threat of violence than whatever hammer explosion cartoon bullshit in a tiny ass vent post could ever be.
As someone who's had cops breathing down my neck fucking waiting for an excuse to hurt me on multiple occassions, it's fucking violence.
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lord-squiggletits · 4 months
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
#squiggposting#and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever#it's just a problem with his writing where like. he has A Message he wants to send#and so he uses the entire story literally just for The Message even if it involves bullshit plotlines#or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster#like barber's writing tends to lean way too much on a sort of lecturing tone#without giving proper care towards including moments where characters get to like. fucking express themselves and share their side#sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid#and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable#even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered#he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense#this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in#but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally#or like he has a message about the cycle of violence he wants to convey#but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered#to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional#in favor of the characters lecturing each other or some stupid plot to criticize OP#that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation#shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority#when your own sins are right fhere lol
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seaglassdinosaur · 2 days
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What’s so interesting to me about Odysseus’s transition in Monster is that he hasn’t changed all that much. He was always capable of violence and we know that because of everything he’s done in the war and in his journey. The only change that occurs is he’s chosen to no longer feel guilty, and to stop hesitating when it comes to violence.
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frissy · 11 months
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Earth42! Miles Morales x fem!Reader
ATSV SPOILERS
(Edited) ——— (Part 1) (Part 2)
• fluff to angst
• tw: mentions of death
• google translate used, so excuse any mistakes
• short! • Miles loves to spoil you
• little bit OOC, Miles has a soft spot for you
• not proofread!!
”Where next, mí amor?” He grabbed your hand.
You and Miles were out on a date, and he was spoiling you.. like a lot.
But you’re not complaining though.
He’s gentle with you, which is unlike his apathetic and cold demeanor.
But you are his [name]. His world, his love. He would do anything for you if it ended up withyou safe and happy.
“Miles.. isn’t this a bit much? We’ve been out all day and you’re carrying so many bags.” You looked at him, slight confusion in your eyes.
He has bags all around his arms. He didn’t let you carry anything. He didn’t want you to, he heave you major princess treatment.
“nonsense, mí amor… it’s never too much when it comes to you.” His grip on your hand got tighter.
You had no clue where Miles got all this money from, it’s kind of concerning to you. But he’s not gonna tell you, so you just go with it.
“oh.. okay then.. how about.. uh.. the jewelry store?”
“Of course.”
He went the rest of the day spoiling you, and being affectionate.
”I love you, [name]. Mí amor… mí vida… mi bella querida.“ he kissed your cheek. Wrapping an arm around your waist.
.
Everything was great, it was all fine. Nothing bad could happen, right? .
.
Your date was later over, he went home while you went to work.
That’s when everything went terribly wrong. .
.
Meanwhile…
.
.
Miles was slouching on his couch, he was thinking about you, and how much he loved spending time with you… then, he saw the news channel. It was live.
The whole world stopped for him. There was a crumbling building… and it was falling to you.
That’s when he saw his dad too. He had ran to you, attempting to help, but it was too late. Miles watched it all from the TV. .
He was crying. He hadn’t noticed. But he did when it all sunk in… you were dead. His darling, his world. Was dead.
.
All he could do now was beg for you to walk through the apartment door, coming to see him again with a bright smile on your face.
He was waiting for his dad to come home, with dinner in his hands from Miles’s favorite restaurant.
He would never witness either of those ever again. .
As soon as he could, Miles and his uncle Aaron made a tribute to you and his dad with graffiti on the brick wall on the roof of the apartment complex. .
.
His father was smiling in the portrait. In his police uniform…
JEFFERSON DAVIS: BELOVED HUSBAND, AND FATHER.
.
You were also smiling. But Miles’s had painted a halo around your head. You were his angel after all, but now you were truly an Angel.
[NAME, L.NAME]: BELOVED FRIEND, BELOVED DARLING.
.
.
TO BE CONTINUED
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thepoisonroom · 15 days
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'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
#this quote always moves me almost to tears when i remember it#i'm not a trans woman and i don't share the author's specific experiences with transition#but it really moves me that she frame transition as joyfully giving yourself permission to approach your body#not as something that has to be disciplined and deprived and made small in all these various ways#but as a means for experiencing pleasure and joy and delight and for insisting that our feelings and desires are worth#valuing and exploring and treasuring#i always used to think of prioritizing those things for myself as selfish and irresponsible#but who does it harm to want to experience pleasure in your own body?#it's such a beautifully simple and powerful switch to have flip in your head#and equally why are we forced to deny our own pleasure in transition and anything else related to our bodies in the name of moral rectitude#this is why i get so confused and pissed off when other trans people are fatphobic for example#like why are you so invested in politics of shame and disgust that never had any purpose other than#violently disciplining people as if they've violated moral codes by existing in a body#to say nothing of white people being racist in gay and trans communities#like again this system of violence is foundational to homophobia and transphobia#so why are you acting like it has nothing to do with you#even if you are unmoved by the urgency of other people's suffering which btw you should be moved by#what do you hope to gain by acting a collaborator and handmaiden to those systems#Casey Plett#she really is one of my favorite authors i wish more non-canadians read her#this quote is from a series of columns she did ont transition and every single one is a banger#i love when she talks about the people-pleasing elements of dysphoria and transition denial#she's so sharp about noting how many of us deny our own dysphoria on the grounds that others like and validate our bodies#that's how i always felt during my cis conventionally feminine era#it pleased other people so much and also that reception felt so hollow and joyless to me because i hated it#i get less of that positive feedback but that feels so unimportant next to the joy and pleasure i get to experience#said with the understanding that i'm very privileged in being able to prioritize those things without fear. but it was a switch flip#personal nonsense
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sugar-grigri · 6 months
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If Fumiko is monstrous then Fujimoto should start presenting her as such
Fumiko is written to remind us that Denji is a child, and I repeat, she is the symbol of a child's sexual trauma in all its horror and "paradoxes".
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Touching Denji without his consent, catching an adolescent who hasn't yet discovered himself off guard, is the most obvious way of proving the link between the theme of sexual assault and Fumiko, but it doesn't stop there.
The fact that Denji accepts only proves this point: it shows just how much he's someone who needs boundaries and protection. He passively listens to what he's told without question simply because Fumiko has the upper hand.
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She has one, but spends her time pretending she doesn't, in particular by disguising her age like a predator, calling him "senpai" when she's 22, and playing up her protective role as a "bodyguard" when she's only there to stop Denji thinking for himself
As can be seen in the dialogue between Miri and Denji, she positions herself as an interlocutor, standing in Denji's shadow, influencing his decisions and distracting the boy from the substance of Miri's message.
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But she's a complete paradox, still trying to make Denji believe she's protecting him, she refers to Chainsaw Man as a "child", which rather than demonstrating a good intention shows that she's well aware of what Denji is and that she's abusing him head-on.
Who protects a child by attacking him?
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Once again, I insist, these are two pages from the same chapter. Dare you tell me that Fumiko doesn't present any contradictions?
Above all, she makes it seem as if she only wants what's best for Denji, even when he hasn't responded to her pleas for help. Once again, there's a paradox: the predator blames her victim for not having seen her own vulnerability, whereas she’s only abusing those of her victim.
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Fumiko is a metaphor for the very dangerousness of sexual assault, gentle on the surface but insidious, its violence only made clear and felt after the event, rising like a tide.
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When Yoshida convinces Denji to give up his normal life, he leaves him in the hands of Fumiko, a public hunter, who symbolises the extent to which, despite the monster in front of them, danger also exists among men, and that the milieu of public hunters is a harmful world for a child.
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I think the reason Fujimoto doesn't immediately place Fumiko in a position of condemnation is to instil a feeling of frustration and powerlessness at seeing Denji unprotected, to make it clear that "he's missing something", a parental figure.
But I think that for the writing to be complete, the author has to take a clear stance on the subject, in his own way of course, but explicitly
Seeing Fumiko next to Denji makes me anxious, it's such a common form of violence that it pulls me out of my reading.
Fumiko is a monster, so I pray that Fujimoto will have fun explicitly detailing her dark side and her horror.
If he doesn't, then she'll remain an unfinished and confusing chimera, the result of lazy writing and a fear of commitment.
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tiagems · 7 months
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I've read quite a few fics where some bigot decides to ruin Miles' day and Hobie comes to the rescue, which is all good and fine I suppose
But consider: Miles just looking for an excuse to punch a homophobe in the face and Hobie having to remind him that he doesn't wanna get arrested because then he'll have to deal with dear ol' dad giving him The Look when he goes to collect Miles from jail
But later they both knock in the bastard's teeth in as Spider-Men
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