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Grosfeld House 'corset' lucite chair, designed by Lorin Jackson c. 1939, as seen in the background of I Was a Shoplifter (1950)
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Joan Fontaine-Mona Freeman "Cariño, ¿por qué lo hiciste?" (Darling, how could you!) 1951, de Mitchell Leisen.
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Veronica Lake, Mona Freeman, Billy DeWolfe, and Mary Hatcher in a publicity photo for Norman Z. McLeod’s ISN’T IT ROMANTIC? (1948)
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23 maggio … ricordiamo …
23 maggio … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Domenico Minutoli, attore italiano. Conseguì gli studi di Maturità Artistica, lavorando fin da giovane come attore teatrale, televisivo e cinematografico. Inoltre, diresse alcuni spettacoli teatrali. (n.1947)
2017: Roger Moore, attore britannico, noto per la partecipazione alle serie televisive Ivanhoe (1958-1959), Il Santo (1962-1969) e Attenti a quei due (1971-1972), nonché per essere…
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From the Golden Age of Television
Fear Strikes Out - CBS - August 18, 1955
A presentation of "Climax!" Season 1 Episode 37
Drama
Running Time: 60 minutes
Produced by Martin Manulis
Directed by Herbert Swope Jr
Hosted by William Lundigan
Stars:
Tab Hunter as Jimmy Piersall
Mona Freeman as Mary Piersall
John Conte as Dr. Duillermo Brown
Robert Armstrong as John Piersall
Jason Wingreen as Slim Patterson
Dorothy Adams as Mrs. Piersall
Larry Thor as The Announcer
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Jumping Jacks
Despite not claiming the top spot among the Martin/Lewis repertoire, “Jumping Jacks” is a solid entry, serving as a must-watch classic for comedy aficionados and enthusiasts of the golden age of cinema.
Up next on my Dean Martin/Jerry Lewis binge, is the Norman Taurog directed black and white comedy musical, “Jumping Jacks” (1952). This will have been my sixth Martin and Lewis film in the span of 2 days. I have ten more films to go until this marathon is over and it’s early enough in the day that I could potentially watch one to two more. I could continue on and marathon all the Jerry Lewis solo…
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Billy De Wolfe-Mona Freeman "Isn´t it romantic?" 1948, de Norman Z, McLeod.
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Remembering Mona Freeman on her birthday #botd
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DEAR BRAT (1951) NATALIE WOOD SCENE
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i watched 'mandy' because my dad said it was depraved (no longer trust him to recommend depraved things) and there was a clear line in the sand between 'this is fucking cool' and 'oh' and it was when they cut from andrea riseborough (of possessor fame, to me) laughing maniacally to nick cage tied up outside. a film has never switched up on me like that before.
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