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#mentioned this in discord earlier but ive been thinking about it. like its weird
perenlop · 4 months
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that time when scarlet and violet was released around the same time as sonic frontiers and we were all talking about the bugs and bad framerate in sv but sonic fans were going “HA!!! everyone has to apologize to sonic for giving him shit for 06!! cause now theres a WORSE example and we can shit on pikachu for having a bad game!!!” and like look i actually did like 06 so this isnt coming from someone who hates sonic and wants the franchise to fail or whatever, but its so clear to me that we are never gonna escape toxic workplace culture and crunch in video game development because like, what’s happened to 06 and scarlet/violet arent unique phenomenons specific to those companies, they were the result of crunch culture and i really feel like having fandom wars over that is pointless. this can happen to literally any franchise you are not unique. sonic 06 is not retroactively “good” because something that “deserves” to be hated more finally dropped, yknow? both games suffer from the same problem and nothing will change or get fixed if we ignore that
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bi-demon-ium · 1 year
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S2 EP 6 LIVEBLOG
not me asleep for five minutes before this and rushing to get everything up and ready dflgkjghljfgh
ANYWAY
GAYFEAR.PNG
particularly for curtain to discover whats going on + benedict & number two’s “sewing discord” + the Brainsweeper + etc
GENTLY APPLY SOME HANDCUFFS
hey I bet that’s rhonda!!!!!!!!
or milligan rhonda and miss perumal
KATE’S FACE WHEN THE WATER POLO PLAYER FELL THEN WAS SLOWLY DRAGGED BACK IN
RHONDA!!!!! RHONDA MY BELOVED I LOVE HER
ohhhhh hug
kate and martina my beloveds
CONSTANCE dflkgjdfg “LOADED question”
oh so is dr garrison actually going to team up with them???? nice!!!!
also have I mentioned I kinda like her new unhinged person hair
also rhonda looks so good
“you okay with this constance?” aw<3 LKJDFLGKJDG PLUS HER RESPONSE AND “it’s true 😔”
WE ARE INDEPENDENT CONTRACTORS DLGFKJDF OPEN TO A BUYOUT
uh oh ! the greys!
water polo team vs the greys?
slkgj dr garrison immediately fleeing
hang on that sounded like—tranq darts??
MILLIGAN
THE “HELLO”
MILLIGAN GOT HIS TRANQ GUN!!!!!
wait so miss perumal and milligan surrounded by greys earlier they just????? what??? beat the shit out of them too???? amazing
oh here’s everyone running in the field!!! nice music
uh oh miss perumal is chasing constance
“TAKE ME” OHHHH SHES DISTRACTING THEM OHHHH
MARTINA KATE AND MILLIGAN TRIO???? OHH????
oh no milligan got tazed! fuck
fdogldfkgjdfg [paralyzed in back seat flat on back] Just. Drive
UHHH OH GANG SPLIT UP IN THE DARK
reynie and rhonda on motorcycle, constance in the dark, kate milligan and martina in van, miss perumal captured, and… I didn’t see where sticky went?
curtains…. hypnotizing or powering up the child??????? this is so weird I hate this
I feel like he’s charging this kid like a battery
MR BENEDICT<333
I mean big worry bc of the outfit but also <333
twi-night gkhljflgjhfgh
and curtain’s response and continuing to needle him about it
okay see now it seems like mr b ISN’T fully hypnotized but it’s not like he wasn’t unhypnotized and I don’t think he’s acting either bc he’s acting weird and wrong still
then again I guess it’s not quite as simple past the initial burst as “is just extremely comically happy/out of their mind” but then that’s kind of how the others seemed?
“she doesn’t weigh me down” oh no
“WELL I DO NOT WANT TO BE A BURDEN ANYMORE” OH I KNOW ITS LIKE. BUT.
uh oh! a task!
DUSKWORT/DUSKWART? A RARE BUT POWERFUL SEDATIVE? OH?
STOP FUCKING MAKING WEIGHT JOKES IM GOING TO KILL YOU
comedy of orange peel man ruined by weight joke.
Now’s The Time For Feedback.
cutting the hair :(
“I know it needs to be done.”
I mean you didn’t exactly “agree” to separate
INTERESTING CONSIDERING THE SOURCE
OH NO MILLIGAN. OH MILLIGAN. I LOVE YOU BUT. OH. :/
lkgfjgh “im formulating a plan 😌”
also unexpected rhonda and reynie bonding time! nice!
also once again im saying: rhonda is so beautiful
oh also I bet reynie screaming is coming
also very funny if it’s just rhonda going “just scream out your feelings” and him going “what” and shes like “it’ll make you feel better<3”
oh reynie :( “I missed up everything”
I was RIGHT SHES TELLING HIM TO YELL I WAS RIGHT IM SO HAPPY
well, mostly right
REYNIE YOUR SWEATER VEST???
yes youre allowed to be angry beloved
dlfkgjdfg slowly picking up the sweater vest
ah constance and sticky were together that make sense
I feel like I knew that
ANYWAY
“This Is Child Abandonment. You Will Be Fined.”
constance and sticky bonding finally!!!!
they’ve always had some tension so this is good
uh oh
I bet this is catatonia
UH OH YEAH
OH NO
THAT’S BAD ITS NOT JUST ACOLYTES IN THE COMPOUND
OH NO OH NO OH NO
OH THAT’S SO BAD OH GOD NO
this is extremely suspicious somehow I don’t know why I think that but it is
maybe ive just been trained to think small inns like this are traps ldfkgjdfg
A COMMITMENT TO ALL THINGS COZY<3 ROLL CREDITS
fire is not very cozy :(
plot twist curtain burned it down don’t ask me why. he hates coziness
LKJDFGJG CONSTANCE<3 How Much Truth Do You Want.
all things boat !
they haven’t even shown any signs of being paid, they’re children without parents with them????? suspicious or friendly?????
I know I know, snakes everywhere
but COME ON IT’S WEIRD RIGHT
“we must flee this place” see I think constance is being intuitive not grumpy
ONE OF YOUR BROTHERS TOP ATTACHES
LDFKGJLDKFGJ JEFFERS
LUDICRIOUS COVER SAW THROUGH IT RIGHT AWAY
I LOVE JEFFERS YOU IDIOT
kjgkghfgh the very obvious [hangs head] I haven’t found them :(
LKDFJGLKJG HANGING UP ON HIM. RIP JEFFERS
miss perumal is going to destroy him
jackson and jillson time! uh oh!
UH OH TIME FOR HIM TO FIND OUT
I LOVE JACKSON AND JILLSON SO MUCH
“and they’re not moving” he looks actually upset uh oh
“it’s not possible haha” everyone is unconvinced
denial of course we knew
for their privacy, asshole
CHEMICAL MISFIRE IN THEIR BRAINS? IRREVERSIABLE
HIS FACE LDFKJGDFG “OH”
of course you don’t. idiot. I hate you
milligan I love you but entering alone in disguise is also a bad idea
martina having to watch her gf’s daddy issues play out in hd
I love how she continues milligan and kate equal amounts Her Players/Team. and her trying to pep talk them lgdhkjfghj 😭
is there duskwort in those scones. or some shit.
their weird waiting for a reaction
“the crumb isn’t right, is it? your dough was too wet.”
constance I love you but why are you bullying them. genuine question is there a reason
“you’re so selfish!” uh oh!
also wait this is the episode where constance is “surprisingly intrigued” by curtain’s tv special right? so I be—YEAH YEAH FUCK
UH OH
once again trying to explode him with her brain
uh oh. now thin—“negative thoughts only cloud the mind” her face oh no this is bad
oh THIS IS BAD
can you imagine constance going full happy positive and sticky being like wiat no I take it back wheres my rude mean little sister
NO NO N O NO N O NO NO N O NO NO N O NO NO THE SMILE NO
martina i adore you
“no matter what goes down, im glad we got to hang out again” <3
madge’s honor? lkdfjgdkfjg
milligan. ldkfjglkdjfg.
“but standing by if you need me while also giving you space” + martina’s reaction ohh
“he’s just worried”
“my parents are nice people” “but are they interested in my life?” “your dad’s trying. he’s interested” ohhhh
also martina not an orphan confirmed huh
well they could be foster parents but you know
sticky’s going to apologize for snapping and then—
OH YEAH :(
OH THIS IS BAD
TERRIFYING
wow that was an abrupt cut to commericals huh
could have lingered on her creepy smile as she said “of course”
anyway.
i cant believe they whammied constance?????
“SHE IS BREAKING ME SOFIA”
deep breaths, we have to try—this is definitely something shady
recruitment for curtain?
shes going to say something nice or something
shes being so weird and cheerful I hate it wheres my mean grumpy daughter?????
although the couple/siblings (?) reaction was good
oh the little music playing I love that thing
oh hes going to get so excited about infodumping about boatwright he’s distracted by her whammiedness
“shes very brave. and a good friend” gf talk dlfkgjdfg
milligan is very similar
“im confused too.” [she looks up in surprise]
OHHHH KATE AND MILLIGAN HUG OHHHHH
whos going to come out of the woods
AH rhonda and reynie!!!!
RHONDA AND MILLIGAN HUG???? ADORABLE BUT LIKE
BRO IF MR BENEDICT DOESN’T GET A HUG IM GOING TO KILL SOMEONE
constance sounds so unlike herself it’s so weird I hate this :(
“did you just call me sticky” “of course! that’s your name, silly!”
THAT’S HOW HE GOT IT LKHJFGHFH
DKGLJDGLHKJFGLHKJFLGKHJFGLKHJ
JEFFERS WHAT IS THAT POSE
“FOUND YA!”
HE’S SUCH A NERD
I HATE THIS MAN
DLJFGLKFJG ITS TAKEN ME A LONG TIME TO REBUILD MY SELF ES—SIR PLEASE
TO KNOW DEEP IN MY HEART I CAN SECURE A PERIMETER LKDGFJG
oh no is he going to rat them out?????? oh wait no probablt sedating him
headmaster shu
time. time with each other. so thank you. “you’re welcome, nicholas.”
oh there’s no way curtain doesn’t immediately know whats going on his face is too. flgkhjfgh
although seeing curtain here is weird
mr benedict telling jokes and never collapsing
and curtain not doing his LAUGHS HYSTERICALLY THING
DLFKGJDLFKGJDKFJG Jackson and jillson “hello CROWE”
“a very exclusive list of traitors. when you betrayed us”
LKDJGLKJG EXTREMELY BUSY I THOUGHT HE SAID “EXTREMELY PISSY”
THEY. THEY RECCOMENDED HER? OH
ohhhhhhhhhh
martina awkwardly widening her arms to hug both of them at once ldkfgjldkfgjlgkhjfghfgh
of all the hugs I hoped we gte I admittedly did not predict jackson jillson and martina???
EVERYONE’S REUNITED?? ALMOST???
“TURNS OUT THE WHOLE VAN THING IS A CRIME” LFDKGDFG
ohhh another kate and martina hug but kate initiated glkfgjh 🥺
rhonda: if you ever need a job—dglhjhlfgkjhfgh
I kinda expected her to leave but still sad :(
“your’e too easy, nicholas. I can keep the puns flowing all day”
but it doesn’t look like hes fallen asleep
number two’s expression did NOT look happy
is he going to stop curtain from drinking?
mr benedict your feelings are written all over your face you are terrible at this
oh. oh no
mrs two? did he just say mrs two?
number twod;fgkd lfgjdkfjg that awkward shoulder pat
oh hes WHAMMYING HER OH NO
OH NO THAT WAS THE END? WHAT THE FUCK
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peachcitt · 3 years
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okay, so style reference you say? I'm 👀
YES STYLE REFERENCE I SAY
this is going to be. a very long post i think with probably a lot of tangents and probably with a lot more thorough explanation than you could ever want but. here we go
because all of my theory/explanation posts end up So Long, i like to organize myself by keeping myself to a structure, and i also like to think if i put stuff in sub categories with bolded titles, people reading can skip ahead to the stuff they want if they're low on time or don't feel like slogging through everything. so here's the structure of the official Peach Style Reference Narrative
1. Early Days - how i started writing, my early inspirations, origins
2. Current Days - discussions of current style references plus examples and comparisons, discussions of original content versus fan content
3. Future Days - where i expect my writing to grow, trajectories i want, conclusory thoughts
without further ado, let's get into it!
1. Early Days
like i mentioned on the discord server, ive been writing creatively for. a very long time. i just turned 20 (like. literally today. we love to see it) and that seems very young, but i remember writing creatively when i was maybe six or seven, and before that i played with dolls a lot, which meant every day i was creating little narratives for myself. in addition to this - and this is probably why i started writing so young - i was (and am!) a very avid reader. i was that little jerk in elementary school reading chapter books and going into the older kids' section in the school library because i'd already mentally surpassed the books in the section meant for kids my age. so, basically, ive been writing for maybe 13 or 14 years at the least.
when i was young, my favorite books that i remember trying to copy in my own stories were: the magic treehouse books, harry potter, and percy jackson.
the magic treehouse
i honestly could not tell you which magic treehouse book it was, but i remember reading a specific magic treehouse book where the magic lady that left the treehouse for the kids sends the kids (jack and annie??) a note in distress, and she didn't get to finish signing her name because whoever had gotten her had interrupted her. it had been printed in the book with the ink on her name running.
i could not tell you anything else that happened in that book, but i can tell you that at some point in time soon after i read that book i started writing a story with an interrupted letter just like that. i loved the drama, the mystery of it all. i wanted to do something that was a little scary like that, a little exciting.
harry potter
harry potter isn't much of a style reference, but it was a huge impact of my childhood. truth be told i kind of hated the books when i was really young because i grew up watching the movies, and when i tried to read the books when i was in elementary school, the teenage angst that hits about book 5 simply Did Not make sense to me. i also find the language of harry potter to be super cumbersome, and sometimes it feels to me like the books are long just for the sake of being long. they have a huge cultural impact, but i feel the same way about harry potter's style as i do about dickens. cool and interesting, but, like, could you get to the point already? (and also my opinion of j.k. rowling has steadily been growing worse and worse over the years, for obvious reasons. harry potter is nostalgic for me, but i can't look at it now without thinking about it critically, which really lowers my opinion of it)
however, you could probably call my first fanfiction a harry potter fanfiction. i started it when i was maybe six or seven, and it was a rewrite of the chamber of secrets with my childhood best friend as the main character (she didn't know about it, i just had her as the main character because i thought she was cool). i of course never finished it, but harry potter probably did a huge part of planting that seed of magic in me. everything i want to write included some form of magic - although my perspective on what can be considered magic has steadily expanded over the years.
percy jackson
of all my childhood "style references" that still influence me to this day, percy jackson has got to be the biggest. for starters, it's magic. second, it's main themes are about friendship and family - things that i like all my stories now to always include. third - and most important - is the narrative voice.
in terms of narrative voice, percy has a huge personality. he's witty and snarky, but also very thoughtful and poignant. a lot of my early writing was in first person, and it's probably because of percy. also, percy jackson was the first fandom i really got into, and it was the first media that i started officially writing and posting fanfiction for. percy's voice is so clear and hooking, and i wanted to be able to write something funny and real like that.
also - chapter titles. the original pjo series is famous for its weird and hilarious chapter titles, and even though i didn't really start writing fics or stories that were long enough to need chapter titles until a while later, i loved the idea of putting in a chapter title that would make a reader laugh, or maybe even make a reader feel a little apprehensive about the events to come.
but back to percy's narrative voice. i loved that style, almost conversational, so much that i started thinking like it. when i wasn't doing anything, like walking home in middle school, i often found myself narrating my life in my head like percy would, trying to find that humor and spark in my every day surroundings. i still find myself doing that very often, but not necessarily in the classic pjo style. now i narrate everything in my head a little differently, but that practice narration in my early days really helped my shape my voice, i think.
other series i read when i was younger include: a a series of unfortunate events and the name of this book is secret. i don't remember seeing a lot of influence in my early writing from those books, but i definitely think the styles of those books hit me a little later, which i will talk about in the next section.
but, yeah. these were the big three of my childhood. i also read a lot of ya romance, children's mystery books, princess stories, and various types of fantasy, which i think you could probably tell from the genres i like to stick to now. except i don't write a ton of mystery because, as much as i admire the complicated plots, im not sure if i'd have the patience to plan all that out.
in terms of the rest of the genres, a ton of my earlier writing included classic ya romance and fantasy tropes - chosen girl, love triangles, angsty overpowered teens, etc etc. even though those kinds of stories are not necessarily the kinds of stories i want to write or read now, i think my early writing of those kinds of things was really valuable. it's kind of a dirty secret with finished or unfinished works generally considered 'cringe' - often that writer is a new writer, or they're trying something new, or they just haven't found their voice yet. all of those things are perfectly okay and normal, and a lot of people in the writing community preach that kind of thing, but i don't necessarily see people cutting new writers slack in actual practice. writing "overrused" tropes isn't cringe, it's normal, and, besides, what trope isn't overrused? people have been writing and telling stories for thousands of years - nothing is really new. what matter is that someone new is telling the story, and that's what makes it valuable.
so, yeah, a lot of my childhood writing is cringe to me now, but i wouldn't be where i am without it.
with that being said, let's actually look at where i am now
2. Current Days
im going to break this section down into two parts, sort of: original fiction and fanfiction. because i think both of these things have become really important to me, and i don't believe i personally could exist as a writer without one or the other. it's a symbiotic relationship.
we'll start with fanfiction.
my relationship with fanfiction is relatively positive in online spaces: i write what i want to see from media that i like, and i have fun doing it. i also get some comments on my fics by lovely people that detail exactly what they like - some even go so far to talk about narrative style, voice, or tone - and that's really helpful. generally, i see fanfiction not only as a fun hobby and vent space for my strong positive feelings about certain media, but also as a place for me to try new things, experiment, and earn positive feedback.
i don't often share my original fiction online (and if i do, never at the same scope as my fanfiction), so i don't get that same opportunity to see what "works" with readers. fanfiction gives me the space to see that, and i apply new knowledge ive learned to my original fiction. that's what i mean by a symbiotic relationship.
in terms of specific style references for specific fics (which is what i know you probably most want to see), i'll try my best to pick them all out and give specific examples.
those benevolent stars and i am the messenger by markus zusak
in my favorite book list, i saw you mention tbs, so i'll start there. to be honest, i had no idea what my style reference for tbs was when i first saw your tags, and i almost didn't think there was anything specific. style references are a bit sneaky like that - if you've been referencing for someone for a long time, it becomes less of an intentional reference and more of just a you think, so it gets harder to tell.
lucky for this post, i just finished doing my yearly reread of zusak's i am the messenger, and as i was reading, i noticed a few spots where i was like wait hey i remember doing that.
for starters, iatm has been my favorite book for about six or seven years now, so i would say that some aspects of my style certainly comes from zusak because of how much i love iatm but also his other books. zusak has this huge talent for writing short, punchy sentences that convey so much in just a few words, and i think i've ended up trying to do that in my own writing. often, in my writing you'll see fragmentary sentences such as "He stopped. Blinked. Looked at her." that's not from anything specific, but i know ive written something like that maybe a million times over. zusak doesn't do the same thing - often his fragments are jam-packed with imagery in a way that mine aren't - but there's a thoughtfulness in his fragments that are in mine, too. a sort of pause. a hint that there's thinking happening in the narrator or a certain character. for example, i did a quick flip through of my copy and we have:
"We stare across the table.
Just briefly.
At each other." (I am the Messenger, p.144)
so you see how my common sentence fragment of "he stopped / blinked / looked at her" tracks with a fragment like this? i like the way zusak broke up sentences to make you dwell on them a little longer, consider the importance of each section, so i started doing that wayy before i wrote tbs i think.
also, at the time i wrote tbs, i think i was in the process of, or had just finished doing my reread of iatm, and, like i said, zusak loves imagery. tbs is a very imagery-heavy fic. tbs was influenced by a lot of music - a lot of the scenes have very specific pieces of music that i wrote imagining the tone and vibe of. iatm also references a lot of outside media sources, mostly music and films.
there are a couple of scenes in tbs that i think i wrote specifically mimicking or accidentally referencing from iatm. for example, we have this scene in tbs:
"It was almost like he could feel Marinette’s eyes on his back, steady and gentle. 'But you still love her.”
'Yeah,' Adrien said quietly, 'I still love her.' His eyes moved along a streak of purple that bled into a dark blue. 'I hate her a little bit, too.'
Marinette was silent.
He turned around, giving her a smile." (Those Benevolent Stars, chapter 3)
and this scene from iatm:
"'Do you hate me, Ed?'
Still stupid with bubbles and vodka in my stomach, I answer. Very seriously.
'Yes,' I whisper. 'I do.'
We both smack the sudden silence with laughter." (I am the Messenger, p. 233)
obviously there are differences, and i don't think i did it on purpose, but the interaction is very similar. i love the gentle intimacy of that scene in iatm, that weird complication relationship between the main character and the person he loves, the hurt, the brushing it off with laughter. so i wrote a scene that incorporated those things
zusak is also really good at writing moments of quiet into his books that aren't necessarily important to the plot, but are still important. if you've ever read that ghibli meta post talking about the 'quiet' between scenes in studio ghibli scenes, meant to give both the audience and the characters space to breath, it's like that. nothing in iatm is not imporant - it all serves a purpose, even the quiet moments, and i try to do the same thing. there's moments like that in tbs i think, like:
"Marinette gave him a small smile before turning back to her ice cream. Adrien tried to eat his ice cream a little faster, licking up where it had dripped onto his hand.
They were quiet for a while longer, and Marinette finished her ice cream. She leaned back on her hands and looked up at the dark sky, littered with stars.
He could see them all in her eyes, too." (Those Benevolent Stars, chapter 3)
and in iatm, you get scenes like:
"Our feet dangle.
I watch them, and I watch the jeans on Audrey's legs.
We only sit there now.
Audrey and me." (I am the Messenger, p.120)
so i definitely think tbs is a very i-am-the-messenger/markuz zusak-inspired fic. there's a lot of zusak's quiet, and there's the pieces of zusak's style that i've picked up along the way that really shine in tbs
tomorrow and this body's not big enough for the both of us by edgar cantero
ive talked about cantero a few times recently, but, as you've probably noticed, in relation to my fic called 'tomorrow.' i wrote tomorrow pretty soon after reading this body's not big enough for the both of us, and i used tomorrow specifically to experiment with cantero's visual writing style. in all the books by cantero ive read, there's this kind of hyper-awareness of a film gaze - how a certain scene would be shot on a camera, dialogue as script writing, and other things like that mixed with prose. i thought it was fascinating, and after finishing this body, i really wanted to play around with that idea. so i wrote tomorrow keeping in mind a "film gaze." for example:
"Two figures sitting on a rooftop, silhouettes. The moon hovers over them carefully, a crescent afraid to break the silence. One of the figures takes a breath, looks up into the sky at the hesitant moon, and he sighs. He closes his mouth again." (tomorrow)
versus in cantero's work, where we get descriptions like:
"And then, like a high-heeled coup de grace, she arrived.
She paused briefly outside the door, her hourglass silhouette cast upon the glass panel with the fresh shiny vinyl letters" (This Body's Not Big Enough for the Both of Us, prologue)
the tone of the two excerpts are very different, but there's a very visual sense to both of them, like they are being described from a shot in a movie rather than a regular work in prose. in tomorrow i also work a lot with specific camera imagery - saying where the camera goes in the scene, what it focuses on - and this body doesn't do this too much, but cantero's meddling kids does at least once that i remember.
regardless, after finishing this body, i wanted to try my hand at the visual structure that cantero uses in his works, so i really leaned in to the idea.
chat noir's white french man hit list for feminist purposes and grasshopper jungle by andrew smith
this is, as of right now, the most recent fic on my ao3, and i started it the literal day i finished grasshopper jungle. i think you might be getting a theme here - i read a really good book, and then immediately after i start writing something. the easiest way to get inspired as a writer is to read.
chat noir's hit list is a fic that is very much aware of the fact that it is a story being told - you don't know by who or for what real reason until the end, but it's a self aware sort of story. it's also very snarky and sarcastic, and it expands past just the confines of its own story; it's about chat noir and his hit list, but it also talks in depth about emilie agreste, chat noir's relationship with ladybug, and his relationship with himself. this is very much the kind of thing that you would find in an andrew smith book - grasshopper jungle is a story being told to you, and it's also about more than just the original pieces of the plot. the narrator tells the story that expands past regular confines of the story he means to tell - he's telling the 'history' of his life and his town, but he also talks about his great-great grandfather, the origins of the ketchup his girlfriend's dad eats, and what's happening in other parts of the country as he and his best friend are hanging out. the line in chat's hit list of "stars exploded, the sun did not, life continued on" was very much a grasshopper jungle and andrew smith-inspired line.
at the end of adrien's narration in chat's hit list, he says:
"It should be mentioned at this point in time that this story is not over, although I’ll stop telling it here.
So that’s the story of Chat Noir, who is also Adrien Agreste, who was very much a normal boy, except for the fact that he wasn’t. It’s a sad story, but it is also a happy story, and it is highly confidential. I’m sure you understand." (Chat Noir's White French Man Hit List for Feminist Purposes)
and at the end of grasshopper jungle, as the main character is closing out his narration, we get:
What I have written here is not the history of Eden. It is the history of the end of the world. All real histories will be about everything, and they will stretch to the end of the world.
The end of the world started when Andrej Szczerba slid into the cold sea as his boy, Krys, watched and wept and drifted closer and closer to the United States of America.
Nobody knew anything about it." (Grasshopper Jungle, p.382-3)
It's not overtly similar, but the structure is the same: recognition of the end, short summary of where we started and left the story, tag phrase that was used prior in the work. when i was writing the end of adrien's narration, i didn't mean to mirror grasshopper jungle so closely, but sometimes things just happen that way - honestly, so many of the things i do in my writing aren't intentional, they're subconscious. when i make a conscious choice, it's related to plot or to a new strategy im applying to style or voice that i'm not used to, but a lot of the things i do fly under the radar in my brain unless im purposefully trying to piece them apart like i am here.
i will say the meta-story of chat's hit list was pretty directly inspired by grasshopper jungle because i love meta stories, and i like using opportunities to put them in. i just love the idea of reading a story of someone telling someone else a story, which is what the two books by andrew smith i've read have been, and i think that's just fascinating, which is why i used it here.
ive gotten a couple of comments on chat's hit list that liken the narrative style to pseudonymous bosch's the name of this book is secret and lemony snicket's a series of unfortunate events, which i thought was really interesting, because i was purposefully trying to make the voice an impression of andrew smith's voice adapted to the tone of ml, but i could definitely see their reasoning.
andrew smith, like i mentioned before, likes specifics - what exactly people were doing at certain times, where a specific bottle of ketchup came from, etc. from what i remember of the name of this book is secret and a series of unfortunate events, i remember the descriptions included in those books chock full of highly specific, snarky details that aren't truly necessary, but do a whole lot in terms of adding a certain flavor to the narration. i won't try and look up examples from unfortunate events and the name of this book, but here are a couple examples:
"See, the thing about Emilie Agreste, formerly Emilie Graham De Vanily, is that she was what could be generously called a ‘radical.’ Born in 1969, like most amazing and world-altering things, Emilie Graham De Vanily grew up in London alongside her twin sister, who is a nice enough woman and who is not really that important to this story, and she was raised with the firm and gentle hands of people who had witnessed war and cruelty and had found that they did not like at all. Emilie Graham De Vanily grew up learning about the true history of England, which is not a very nice history, truly, and she grew up knowing that people with white skin like her were historically not all that great. That, historically, was a very radical thought." (Chat Noir's White French Man Hit List for Feminist Purposes)
from chat's hit list, and this:
"In 1905, being seventeen years old made you a man. In 1969 when hungry Jack fought in Vietnam, seventeen years old was a man. My brother, Eric, who was somewhere in Afghanistan, was twenty-two.
Krzys Szczerba came across the Atlantic with his father. They planned on working and earning enough money so Krzys's mother, brother, and two sisters could come to the United States, too. People who did that were called Bread Polacks. They came here to make money." (Grasshopper Jungle, p. 68)
from grasshopper jungle. once again, obviously very different, but you can tell im playing around with that same feeling of giving a surplus of facts in my narration in the same way that andrew smith does. you can't really tell in the grasshopper jungle excerpt, but oftentimes the surplus of 'facts' serves almost a comedic effect, which is definitely something that you can feel in chat noir's hit list.
[REDACTED] and six of crows by leigh bardugo
as a reward for sticking around through this, i'll give out something fun here. the current long fic that ive been working on recently has proved to be very bardugo-inspired, particularly six of crows-inspired.
in six of crows, bardugo gives us action right off the bat and then integrates flashbacks into lulls of action so that there's never truly a dull moment. i found [REDACTED] to be a fic where i wanted to use flashbacks in a similar way, so that i would get something like:
"She doesn’t stay for the whole parade, but she stays for enough of it. Nothing unusual happens, just like always, but she still makes cursory patrols around the city, ending up at the Eiffel Tower, just like always. She sits on the railing way up at the top, and she crosses her ankles, swinging her legs back and forth and humming softly to herself as she watches the sun set.
'Little kitty on the roof, all alone without his lady,' he used to sing when he’d gotten back to their meeting point from patrolling his half of the city before her. It was just a silly little song, one that he’d clearly made up for himself."
It didn’t hurt until he’d been akumatized, and she’d seen that one version of the future - the one where he’d destroyed the whole world because of Gabriel Agreste. She’d seen him then, a lonely figure in white, humming his little song to himself. Who knows how long he’d been like that before she’d been transported to him, how long he’d been really and truly alone. (REDACTED, chapter 1)
and in comparison, we get a lot of scenes in six of crows like:
"Kaz leaned against the ship's railing. He wished he hadn't said anything about his brother. Even those few words raised the memories, clamoring for attention. What had he said to Geels at the Exchange? I'm the kind of bastard they only manufacture in the Barrel. One more lie, one more piece of the myth he'd built for himself.
After their father died, crushed beneath a plow with his insides strewn across a field like a trail of damp red blossoms, Jordie had sold the farm. Not for much." (Six of Crows, p.205-6)
bardugo uses most of the flashbacks during a time in which the main characters are on a long sea voyage, which means they have a lot of time to reflect on their pasts and what brought them to these situations - it's a smart way to fill the empty space of the sea voyage and to really dwell on how important the voyage is. in a similar way, i chose to use the flashbacks in dull or lulling moments in the events of the story, ones in which marinette lets her mind wander or sees something that makes her remember something specific.
however, here's a situation where you can see me adapt the style into something that makes more sense for me, personally: in my excerpt, the tense changes between the current events and the flashback events, while in bardugo's excerpt, the tense stays the same at a comfortable past tense. when i was writing my fic with the flashbacks, i thought the constant, sometimes abrupt, switching would get confusing, so i made sure to always have a clear line using the past and present tense that readers could consciously or unconsciously take notice of.
so there are a couple of instances within some fairly recent fics i have that have specific callbacks to specific books. there are a whole bunch more, i think, but these are the ones that ive played around with intentionally the most recently or the most often.
3. Future Days
based on my recent rapid experimentation in fics (the most recent four fics on my ao3 have been very experimental in comparison to most of my works), i really anticipate a lot of growth in my overall style. ive been having a lot of fun experimenting and throwing in things that a few years ago i would've never even thought of, so im really excited to see where that might lead me, style wise.
i think as a writer there's always room for growth and learning, and that kind of growth and learning comes from not only practicing writing, but also reading. i cannot stress enough how valuable and impactful reading is on writing. considering ive been trying to read a lot more than i have been in recent years, it makes a lot of sense that ive been making a lot of weird decisions and learning more about what i want to see in my own writing.
honestly, if you ever want to know about any of my other fics, or you want to see how this kind of thing translates to my original works, just shoot me an ask! this post is already long enough, so i think i'll go ahead and end it here, but just know you can always ask questions<3
thank you so much for asking me this question and letting me indulge, and thank you for reading!!!<3<3<3<3
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johannesviii · 3 years
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Top 10 Personal Favorite Hit Songs from 2020
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You know, when I finished my latest list and realised every decade had the same pattern and that we were slowly going towards a series of great years for pop, I didn’t realise how good that year would be.
What’s at the top? Am I boringly predictable because I already said I loved that song all the way back in January 2020? Let’s find out.
Disclaimers:
Keep in mind I’m using both the year-end top 100 lists from the US and from France while making these top 10 things. There’s songs in English that charted in my country way higher than they did in their home countries, or even earlier or later, so that might get surprising at times.
Of course there will probably be stuff in French somewhere on this post. We suck. I know. It’s my list. Deal with it.
My musical tastes have always been terrible and I’m not a critic, just a listener and an idiot.
I have sound to color synesthesia which justifies nothing but might explain why I have trouble describing some songs in other terms than visual ones.
So. Uh. How was your 2020?
Mine was actually surprisingly good, considering. I’m lucky enough to have a job that I can partially do from home, and I was extremely paranoid from the get-go and nobody got sick under this roof so far. Turns out I’m even better at my job from home and I got permission to work from home one day per week even after the health crisis is over! My first name was also finally officially approved and I can’t tell you how happy I feel about that. I almost feel bad to have had such a good year considering the circumstances. I feel like an asshole just because I’m happy, haha.
The only frustrating part was that I was supposed to see Hatari in concert in Paris in early April which, as you can guess, was cancelled. I’m not too mad about it though, since their tour was called “Europe will crumble” and the message saying the tour was cancelled started with “since Europe is actually crumbling due to Covid-19″ and that’s hysterical.
Good or interesting albums that came out in 2020 now, let’s see.
Nightwish released Human/Nature, which was a huge letdown compared to their previous album, but I will relisten to it at some point to make sure I wasn’t just in a bad mood that day.
The Birthday Massacre released Diamonds, which might be their weakest album since their debut, but contained some real gems (I listened to The Last Goodbye on a loop, it floored me. Flashback and Enter are also very good).
The 1975 released Notes On A Conditional Form, and let’s be real, it’s a f█cking mess. You could cut half the tracks and end up with an excellent album, but as it is it’s like, yes, a collection of notes ; however there’s some truely excellent shit on it (see unelligible songs).
Thanks to a friend on a discord server I was exposed to Dorian Electra’s music and I haven’t been quite the same ever since. I’m so happy to be alive to see other enbies making such great music with an insanely good aesthetic surrounding it and asking so many interesting questions about gender. Also the arc the ‘gentleman’ character goes through over the course of the entire tracklist of the 2020 My Agenda album is absolutely hilarious, don’t @ me.
I also discovered 100 Gecs this year. Why are most of you guys saying it’s unlistenable garbage. It’s just as abrasive and over the top as industrial music is, but with none of the edginess or drama. I love it. What the hell. But yeah Tree of Clues was released this year. Good.
Speaking of industrial, in March 2020 Nine Inch Nails were like “hey remember when we released Ghosts I-IV a decade ago entirely for free and how amazing that was? Well we’re all in lockdown and bored as hell so here’s Ghosts V-VI and it’s also free. Enjoy” and I f█cking died instantly. And it’s even better than I-IV. What the hell was that year
Jonsi released Shiver. It’s strange and highly experimental. I’m pretty sure it’s a good thing I was into hyperpop this year, otherwise going from his previous material straight to this album would have been brutal.
Yadda yadda yadda After Hours by the Weeknd good yadda yadda.
I’ve joked about that already but if you had told me in 2019 that 2020 would have fires, a pandemic, riots, monoliths appearing and disappearing, and also a super good Machine Gun Kelly album, guess which part I would have found the most ridiculous. But yeah uh. Tickets to my Downfall good
So uh this year I tried to listen to some hyperpop and liked it a lot, and I also dipped my toes timidly into screamo and listened to Svalbard, who released When I Die this year, and the entire album was a very beautiful, very intricately decorated punch to the face. It sounds like God Is An Astronaut except with a shit ton of yelling. I love it. Open Wound is my favorite track on it.
But no, despite all of this, my album of the year was from a band I had never even heard about before that year, called Spanish Love Songs. The album is titled Brave Faces Everyone and it’s line after line after line of extremely relatable generational angst but yelled with complete sincerity and it’s so propulsive and energetic you can’t help but feel both exhausted and ready to fight the entire universe. I don’t know how it works, but it’s incredible. The entire album is wonderfully brutal, so it’s kind of difficult to pick my favorite songs on it, but Beachfront Property and the title track stand out.
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Unelligible songs, now, and there’s, uh, quite a few of them too so I’m also gonna use bullet points. Good lord this post is gonna be long.
First, let me say I have literally no idea why Midnight Sky by Miley Cyrus wasn’t a bigger hit. It’s not on the year-end US top 100 and it feels extremely wrong. Would have made it to #4 on this list otherwise.
I still entertain the vague hope that stuff from Machine Gun Kelly will chart higher in 2021 but I doubt it will happen so I might as well tackle it now and say that Bloody Valentine and especially Forget Me Too are both excellent and that it’s a shame radios aren’t playing them more often.
Heaven by the late Avicii featuring Coldplay should have charted in 2019 and still didn’t chart in 2020 and that’s a real shame.
If the world was a bit less unfair, Lovesick Girls by Blackpink would have been a hit rather than the awful Ice Cream.
One day I will stop complaining about my bafflement concerning the lack of mainstream pop charts success of The 1975. Today is not that day. I just love how they keep making songs about extremely awkward relationships full of weird details, and I haven’t grown tired of that yet. So yeah If You’re Too Shy is about a guy who’s crush is asking him to get naked on Skype in his hotel room and he’s, uh, not too sure about that idea.
And Me & You Together is about a guy who never finds the right moment to tell his best friend he’s in love with her, and he manages to do so at the end and it’s cute as hell. My fave part is “I'm sorry that I'm kinda queer / It's not as weird as it appears / It's 'cause my body doesn't stop me (Stop me) / Oh, it's okay, lots of people think I'm gay / But we're friends, so it's cool, why would it not be?”. Relatable as f█ck.
And now for an international hit that should have been bigger in the US and/or in my country but wasn’t: Head & Heart by Joel Corry and MNEK.
I’ve heard Nos Célébrations by Indochine extremely often on French radio for months now so I was very surprised to see that it didn’t crack the local year-end list. What happened.
I can finally hear the appeal of Bring Me The Horizon. It took me ages. And also Death Stranding. The song Ludens isn’t in the game per say, but it’s among the ones you can pick to broadcast briefly when people drive by your constructions, and long story short it's been living rent-free in my head for months now.
Phew.
It’s time for a round of Honorable Mentions for elligible songs, containing a couple of guilty pleasures, which is saying something considering the kind of shit I put on some of my previous lists.
Ne Reviens Pas (Gradur et Heuss l’Enfoiré) - Heuss is a French artist that kept baffling me while making my lists for the previous years, and I was like “??? ok, that’s it then, I guess I’m getting too old to get what teenagers find funny”. This one worked for me, though. And the music video doesn’t hurt. Really dumb and really fun.
Adore You (Harry Styles) - Perfectly good little pop song, very pleasant to listen to, never outstayed its welcome for me.
Mood (24kGoldn) - This doesn’t sound like a very good relationship, my dude, but that’s still a super pleasant song.
WAP (Cardi B & Megan Thee Stallion) - This song is absolutely hilarious and I will hear no argument from any of you.
Control (Zoe Wees) - Was clearly a hit here. Should have been even bigger though. What a powerful but comfy voice. If I had better taste it would be on the list.
Hot Girl Bummer (Blackbear) - I. Uh. Listen. I keep saying I have bad taste and nobody believes me. Do you believe me now. But yeah. “F█ck you, and you, and you~, I hate your friends and they hate me too” is gonna pop in my head every single time someone is being a jerk anywhere near me now. It’s been happening all year already. Someone trashed my documents at work? Someone isn’t wearing a mask in public? That guy has filled his car with rolls of toilet paper? Brain goes “F█ck you, and you, and you~”. Every. Single. Time.
Come & Go (Juice WRLD & Marshmello ) - Damn, that’s a pretty good little song. I’ve seen plenty of people saying it’s ruined by the drop, but may I remind you I’m the person who loves Blue by Eiffel 65 with all my heart. If the song was ramping up consistently until the end instead of ending like that, it would have made the list, definitely.
And now, the actual list. This one actually feels pretty solid, I genuinely like everything on it, there’s no filler here for once.
10 - The Box (Roddy Rich)
US: #3 / FR: #23
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Now this is a weird case, because for the longest time I couldn’t figure out why this song was so popular and I was completely neutral about it. Then, one morning in September, my mental jukebox (which always, always puts a song on a loop in my head when I wake up) decided to play it. And I was like oh wow?? I never noticed the atmosphere in that song before? It’s so great. And that hook too. Let’s listen to it.
So yeah, I don’t know what happened. It just clicked one day and everything fell into place, I guess.
9 - Alane (Wes & Robin Shulz)
US: Not on the list / FR: #93
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Come on. You can’t do a remake of one of my previous #1 songs and let it chart in 2020. That’s cheating. Even with this subpar drop, I have to put it on the list, now.
I’ve already said my piece about the original, so I’m just going to send you back to my 1997 list.
8 - Kings and Queens (Ava Max)
US: Not on the list / FR: #76
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[BBC documentary voice] After Lady Gaga decided to make piano balads and left her musical niche vacant, Ava Max quickly took her place as the top predator pop diva. Even after Lady Gaga was re-introduced to her natural habitat in 2020, she still hasn’t fully recovered in Europe, where Ava Max still reigns supreme on the charts -
(tldr I think it’s hilarious that this isn’t on the US Billboard while Lady Gaga isn’t on the French year-end top 100)
7 - Roses (Saint Jhn & Imanbek)
US: #19 / FR: #3
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What an earworm. It doesn’t even bother trying to have an intro or an outro, so it loops almost perfectly. It’s like entering a party that started long before you arrived, and it will go on long after you leave it to go back home. Kind of hypnotic in a way.
And yes, my mental jukebox was very fond of using it to wake me up this year, so this is another song that’s here almost solely because of that.
6 - Physical (Dua Lipa)
US: Not on the list / FR: #69 (hehehe)
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“Hey I’m not that old” says the guy who’s definitely a sucker for this kind of retro throwback that was so popular this year. Oh well.
I don’t have anything interesting to say about this one, though. Apart from the fact that everyone seems to have a different fave song on that album. Guess that’s quality for you.
5 - Rain on Me (Lady Gaga & Ariana Grande)
US: #48 / FR: Not on the list
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That is far from being Lady Gaga’s best song, but it was a joy to listen to everytime it was on the radio anyway. Also Ariana Grande has surprisingly good chemistry with Gaga! This year was full of strange duets mostly made for commercial reasons, and this one isn’t an exception, but unlike a lot of them, it really, really works.
4 - Dynamite (BTS)
US: #38 / FR: Not on the list
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I’m still not 100% sold on k-pop even if a ton of it sounds super good, but come on. Even if some bits of this song (especially the beginning of the second chorus) sound a bit like they were made on autopilot, it still sounds just as happy and fun several months after I first heard it and I never got tired of it. That’s quality. You hear it and you can’t help but tap your feet and smile.
Actually, I’m sure there’s people somewhere that don’t smile when they hear this song. And they must be avoided at all costs.
3 - Godzilla (Eminem ft Juice WRLD)
US: #62 / FR: Not on the list
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What are you doing so high on this list, old man. Why are you still here in the year 2020. I thought we left you in the previous decade. Who gave you the right.
I’m gonna tell you who did, and it’s actually Juice WRLD. Because that chorus is incredible, and like a lot of people I’m pissed off because the guy died super young and this shit shouldn’t happen to anybody. No, his early material wasn’t great, but I’m sorry I’m gonna say it again: have you heard this damn chorus? It’s suspenseful and dark, it’s got this lowkey menacing quality, it’s an earworm and a half, and it’s more convincing in like six lines than Eminem’s own flexing is in the entire song.
The beat is extremely good as well, and the flow, obviously, impressive. The weakest link is Eminem’s writing, which is as usual full of puns and weird wordplay, except here a lot of it isn’t great, and that last ultra fast part at the end is technically impressive but it also drives the song up a cliff and stops it dead in its tracks once it’s over. But frankly the lines fly by so fast it’s difficult to be too annoyed by them.
Can I sincerely put this extremely flawed song so high on my list? A better question would be “did I spend hours trying to learn how to sing this shit without choking on my own spit?”. The answer is yes. To both.
2 - Heartless (The Weeknd)
US: #28 / FR: Not on the list
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I’ve said it on my 2015 and 2016 lists already, but just for the record I’ll say it again: it took me ages to like The Weeknd, mostly because I found most of his songs fairly boring, or disliked the lyrics, or both. Also I never really liked the general vibe of his “sexy” songs like The Hills, they felt dark but in an unpleasant creepy way. Felt like miserable hedonism, if that makes sense.
So, because I’m a person with extremely consistent and logical tastes, here’s the exact same shit he was making before, except that this time I absolutely adore it.
What is he doing differently that makes the whole After Hours album click for me whereas almost all of his previous material failed to do so? Is it the energy? Is it the reverb? Is it the fact that the narrator sounds properly unhinged and, frankly, scared to be spiralling out of control? Why are the colors so beautiful yet full of anxiety? Why is that bridge so fantastic? How can you make your voice look like a glowstick in the dark?
I give up. I have no clue. At least I’m done talking about-
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Oh.
1 - Blinding Lights (The Weeknd)
US: #1 / FR: #1 (listen sometimes something’s just that good, ok)
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Surprise. Or not.
Wow, look at that, Johannes has put this year’s number one pop song at number one on their personal playlist. The audacity. The edge. What a hot take.
I discovered that song when it first came out at the end of 2019 and I adored it instantly. And I was so scared it wouldn’t be a hit. Which means I’m a f█cking dumbass considering it ended up breaking all sorts of records in 2020. But what can I say, overplay can be a blessing when you love a song that much.
Like every single song I put at number one on one of my lists, I will draw this one at some point and you will understand how incredibly satisfying it is to listen to a song called Blinding Lights, talking about city lights looking blurry when you’re driving at night, while looking itself like a bunch of blurry city lights passing by super fast. Perfect in every way.
Also it sounds exactly like A-ha, and that never hurts.
See you next year! Pretty sure it will be even better music-wise.
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fyrecrafted · 4 years
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Rescued. (a fic?)
So Ive been going through hell lately. I really needed to feel some kinda hope through all this darkness so I wrote this.  Basically a lot of bullshit Im going through and a happy ending via and old friend Tom Hiddleston... the line between reality and wishes is slim, yet obvious. Written more to help myself get through this than anything. Its quickly written and prob a mess. 1k words
I mentioned the abusive situation I was in a few times online where everyone could see it... but... my closer friends on discord really saw a lot more of what was going on. And not everyone really had the full picture. I was too scared to say it all in one place. I didn't want all that gross toxicity I was living in to be put on any one group's shoulders. One day I got in a really bad headspace. I wanted it to all end. I didnt see a way out. Im disabled, mentally and physically... I can't really work in my current situation (not that I'm not trying, but I seriously doubt the employment services could help me... and, even though I filed for disability I kept getting denied because I couldnt get health coverage to get medical diagnosis... and yeah... I had tried the method you just thought of and no its not available... at least you didn't think of that one idea that one person had 'if you get pregnant you can have medical coverage for 9 months', I really hope you can see how fucking disgusting that idea is... if you can't I don't have hope that explaining it to you would help any.)
No... I do not have any other fucking family that could fucking help... holy shit... DO YOU REALLY THINK I'D BE HERE IF I DID? Why do people ask these same questions over and over...? On the other hand I do know people are trying to just help and feel powerless to do so... Well... back to where I was... One day I said a lot more about how bad it was... How I was told by my whole family that I was worth less than them because I cannot work... How my mom screamed that she hated me... How I was blamed for every single thing that went wrong, and I was expected to do all the housework even though Im not physically capable of doing so. I was basically a disabled fucking Cinderella... trapped by a world that wont let me escape because I dont have cash... So many people don't see that in this reality money = freedom. I felt so lost... Trapped and up against a wall with no way out. Even if I went to a shelter I'd lose my cats who act as my emotional support animals (lessbe real here, they are service animals but cuz criteria dnt really cover mental issues like ASD they cant be labeled as service animals... fuck that bullshit) and I'd likely have lost all my stuff that keeps me from going into a shutdown. (like my brain will just go into bad chaos mode and shut the fuck off for a bit... like I can do the basic life stuff but no more than that) So... like... big nope for mental health reasons, and prob would fuck with my physical disabilities too... A few hours after I posted about everything I got an anon asking if I would leave if a friend offered me a place to stay. No strings attached. I reblogged an answer: Yeah, if they were gonna take me and both cats and my stuff in and work with my handicaps and I knew they werent gonna use it as a way to murder my face and hide the body. Another Anon: Even if it was in the middle of the night? And the only way was to do it fast? Me: I mean... I'd have to really know 'em and trust them to do that... I'm a little concerned that an anon is asking this though tbh... kinda freaked out man... Anon: Well, you do know me. I promise. I just don't want to advertise my intentions and I can't really DM you atm. So, I'm doing it like this. Im so sorry its causing you added anxiety. Also I've been a long time follower and I absolutely love your work. Me: Yeah... Okay... Sure... Whatever... If you show up bring me a pizza... or something and a redbull and cat treats... lol... seriously doubt anyone would take the time to rescue me... It was late when I posted and several hours later (I have non-24 and no circadian rhythm so being up at weird times is nbd for me) I nearly jumped out of my skin when I heard a knock. I grabbed my cane and was ready to play whack a mole intruder edition... when I peeked through the door I couldn't believe my eyes... A friend I had so very long ago but lost contact with... Someone I watched online from afar... Someone who was looking at my raised cane with much concern on their face... Tom... Tom fucking Hiddleston...
'You could have asked... if I had known earlier I would have come. Also please put that down.' 'y-y-y-eah.' 'May I come in please. I brought the pizza and rebull.' He grinned 'um, okay. Uh watch out for the cats though. Everything is kinda a mess.' 'I really dont give a damn about the mess. Im more concerned about the shit you've been going through. No one deserves to go through all that. I would like to ask you to move in with me. I'm staying in Georgia at the moment until all this mess clears up and we finish filming. After that we can figure stuff out. I don't want you to worry about a damned thing right now. I want to do everything in a manner that will be the best for you. If something isn't okay let me know. If you need something let me know. Fuck, if you WANT something... LET ME KNOW. Please.'
We ate and chatted and I cried... a lot. We packed up my stuff, and the cats and disappeared into the night. The sun rose as we pulled into the city. A brand new life began for me that day. And I will never look back.
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swellwriting · 4 years
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tagged by @kabeswaters​ and @fortisfiliae​ love u both sm <3 <3
1. on a scale of 1-10, how excited are you about life right now? it fluctuates but right now -1 
2. describe yourself in a hashtag? #anxious
3. if you could do a love scene with anyone, who would it be? JAKE MOTHERFUCKING GYLLENHAAL 
4. if your life was a musical, what would the marquee say? i dont know what that is hah
5. what’s one thing people don’t know about you? i guess some people don’t know i’m type one diabetic??
6. what’s your wake up ritual? uh phone, animal crossing, fruit loops, weed
7. what’s your go to bed ritual? I watch asmr videos cuz im usually high as fuck and they knock me out lol, or i watch tiktok or pillow talk with my bf nick.
8. what’s your favorite time of day? like 9 pm?
9. your go to for having a good laugh? my boyfriend always makes me laugh no matter how angry or upset i am so i’d talk to him uwu
10. dream country to visit? FRANCe specifically Paris oui oui with my french candian bullshit
11. what’s the biggest surprise you’ve ever had? when they announced 5sos was touring with one direction and i had tickets, never screamed so loud in my LIFE
12. heels or flats/sneakers? sneakers duh
13. vintage or new? vintage babey
14. who do you want to write your obituary? ME from the great beyond, the only other person who knows me well enouhg is nick and i love him but he is very stupid.
15. style icon? uh harry styles, devon lee carlson, halsey, bella hadid, tyler the creator some normal people whos style i LOVE  from insta are rebeccaramsdale , kehllie , kikalateefff , yourgirlneens , lilxmg !
16. what are three things you cannot live without? phone, insulin, art, music
17. what’s one ingredient you put in everything? probs vanilla or hotsauce, the only two flavours.
18. what 3 people living or dead would you want to make dinner for? my dead brother DJ, kurt cobain andddd ryan dunn from jackass what a weird mix.
19. what’s your biggest fear in life? loosing my senses, loosing control, the fear that i am not actually real and ... oh spiders.
20. window or aisle seat? window 
21. what’s your current tv obsession? think its gonna be adventure time again
22. favorite app? instagram or discord so i can talk to my friends uwu
23. secret talent? i can speak french and giberish
24. most adventurous thing you’ve ever done in your life? camping i guess?
25. how would you define yourself in three words? anxious, empathetic, creative
26. favorite piece of clothing you own? my vintage star wars shirt
27. a must have clothing item that everyone should have? blank tees, good quality blank tees!!! white black grey mhmhmh
28. a superpower you would want? i’d wanna be spidergirl
29. what’s inspiring you in life right now? nothing at all :(
30. best piece of advice you’ve received? my grade six teacher telling me that i was very empathetic as i was sitting at the back of the class crying because of the movie we were watching, she told me not everyone is empathetic like i am but its okay to be soft. but not to expect that from everyone else.
31. best advice you’d give your teenage self? teenage me was a mess but not messy enough that i’d change anything. i’d just say, things get better but im currently back in the state teenage me was in so...i’d be lying. maybe that wanting to kill yourself does not count as a personality trait - and start reading comics earlier cuz u really like them.
32. a book everyone should read? i read wack books, everyone on tumblr should read fangirl tho
33. what would you like to be remembered for? something i created
34. how do you define beauty? self expression and individuality 
35. what do you love most about your body? wait people love their bodies? not everyone was severly damaged by online diet culture and thigh gap era tumblr? weird ok
36. best way to take a rest/decompress? weed or bath or a movie
37. favorite place to view art? there is an art gallery in saskatchewan that i love, i was suposed to go there this summer before corona took over :(((
38. if your life was a song, what would the title be? either something short like “mellow” or fob style like “im so anxiuos all the time and nothing ever feels real and i dont know what im doing but somehow im doing pretty good while feeling prety bad and laughing through my tears lol.” or i’d steal “teen idle” by marina and the diamonds.
39. if you could master one instrument, what would it be? guitar or piano because im lame at both.
40. if you had a tattoo, where would it be? i want two moths above my knees rn
41 dolphins or koalas? neither
42. what’s an animal that represents you? im more of a pokemon, i think id be jigglypuff
43. best gift you’ve ever received? whenever nick buys me clothes from stussy or maybe infinity on high on vinyl.
44. best gift you’ve given? i bought nick the entire sin city comic series in one giant book.
45. what’s your favorite board game? monopoly
46. what’s your favorite color? yellow
47. least favorite color? that weird pinky purple
48. diamond or pearls? pearls
49. drugstore makeup or designer? colour pop and fenty
50. pilates or yoga? yoga
51. coffee or tea? tea
52. what’s the weirdest word in the english language? pumpernickle is my fav one.
53. dark chocolate or milk chocolate? MILK
54. stairs or elevators? stairs
55. summer or winter? summer, canadian winters are brutal.
56. you are stuck on an island, you can pick one food to eat forever without getting tired of it, what would you eat? ur asking someone who has very specific comfort foods so i already do this - cheese bagel toasted with cream cheese and then toasted again to melt cheddar cheese on top. with a diet coke thats very important.
57. a dessert you don’t like? cheesecake 
58. a skill you’re working on mastering? im crazy so this is a lot but - writing , drawing and painting, polymer clay, sewing, resin art and pottery.
59. best thing to happen to you today? nothing
60. worst thing to happen to you today? the line at starbucks was too long and i had to get wendys instead, and a few other things i won’t mention.
61. best compliment you’ve ever received? whenever my mom says i remind her of my brother dj, when people say anything nice about my art or writing style. when people ask about my clothes. when my friend jess called me a “known softie” uwu
62. favorite smell? lavender
63. hugs or kisses? hugs
64. if you made a documentary, what would it be about? i’d talk about star wars for hours on end 
65. last piece of content you consumed that made you cry? of mice and men made me ball my fucking eyes out
66. lipstick or lipgloss? chapstickk
67. sweet or savory? sweet
68. girl crush? Zendaya
69. how do you know you’re in love? idk ive just always been in love with nick (since i was 15) before i even really knew what love was, i guess if the other person feels like home, you know ur doing something right.
70. a song you can listen to on repeat? nine in the afternoon by p!atd or a match into water by peirce the veil, over my head by fleetwood mac
71. if you could switch lives with someone for a day, who would it be? harry styles that mysterious fucker
72. what are you most excited for/about this time in your life? currently not looking forward to anything becase my life is super uncertain right now ha.. maybe the release of the chaos walking movie whenever that decides to happen.
tagging: i assume yall have been tagged in this already but just incase @beskarjedi @woakiees @bluemadcnna @carolinesbookworld  @theseuscmander and anyone else who wants to do this consider urself tagged.
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