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mustardyellowsunshine · 5 months

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In today's episode of Shut Up Robin, Nobody Cares:

I finished Maison Ikkoku back in February, and I had a lot of feelings about the series. (It's good, do yourself a favor and go read it if you haven't.) As I read through it, I couldn't shake the thought: this is the caliber of romantic development Rumiko Takahashi can bring to the table?? We could've had this kind of relationship development in InuYasha??? 😭😭

The other thought I couldn't shake: InuYasha fans who still question the sincerity and depth of InuYasha's feelings for Kagome might benefit from reading Maison Ikkoku all the way to the end. They should read the final chapters of Maison Ikkoku, think for awhile about the blatant parallel themes found in InuYasha, and then try reevaluating InuKag's dynamic.

Now, I should clarify: I think the InuYasha series already makes it abundantly self-evident that the Inu/Kag/Kik "triangle" (🙄) is a complex situation that puts InuYasha in an extremely difficult position. (Well, it puts all of them in a difficult position, but you get the idea.) You just have to read the series with your brain on to see that. To review: teenage boy is tricked and terrorized by a demonic murderer; that demon successfully murders the boy's ex while masquerading as him; later his ex is revived from the dead against her will, wanders the earth as a vengeful spirit for awhile (who wouldn't be pissed about being brought back into that bullshit?), and is actively stalked by the demon who already murdered her once; teenage boy is falling in love with someone else when this happens, but he still wants to save his ex from being re-victimized by the demon who already brutally murdered her once. Anyone who sees that situation and describes it with a straight face as "InuYasha needs to make up his mind already" is probably never going to reconsider their assessment of InuYasha's character. They've already formed an opinion in defiance of the evidence. That ship done sailed.

But for some folks, I think experiencing the way Maison Ikkoku explores the same relationship themes—and particularly how it resolves those themes in the final chapters—could help them re-evaluate the emotional nuances in InuKag's relationship, and maybe help to re-contextualize the Inu/Kag/Kik conflict.

The parallels between Godai/Kyoko and InuYasha/Kagome are pretty obvious—Rumiko Takahashi consistently revisits this relationship dynamic in her work (it's present in Mao to a lesser extent). But I think Maison Ikkoku more directly confronts the emotional complexity of that dynamic. You can feel the difference in how RT more directly explores the messiness, complications, and pain of a) grieving a former relationship even while falling in love with someone else, and b) loving someone who is still tangled up in grieving their past. The InuYasha series obviously deals with those themes too, but Maison Ikkoku brings more focus and resolution to its exploration.

This may be for two reasons: 1) Maison Ikkoku had an older audience, as it was published in a seinen magazine geared for adult men between 18 - 40 years old, and 2) the relationship tension between Godai/Kyoko pretty much constitutes the main story of Maison Ikkoku; in InuYasha, the plot (such as it is) revolves around a vengeance quest and the monster of the week, and the relationship tensions between InuKag are second to that. Maybe that's why RT was more willing to get into the weeds with Godai/Kyoko and to more directly resolve the tension.

InuYasha does have some standout chapters where it explicitly deals with the tension of InuKag's situation (e.g., chapter 78, chapter 124, chapter 176, chapter 286, chapter 458, etc.), but there's this distinct hesitance in the narrative to resolve that tension in a substantive way. That's one of my beefs with the InuYasha series: it gives us moments of standout, concrete relationship development which then doesn't impact the future narrative all that much. The same relationship conflicts play out over and over again, well past their narrative expiration dates. See: Miroku flirting with women right in front of Sango after they've acknowledged feelings for each other; also the entire Kaō arc, which just... I do not understand the narrative purpose of that arc when it just exacerbates tensions that already existed and resolves none of them. Anyway. I digress.

You could argue this hesitance to permanently resolve relationship conflict comes from the episodic nature of InuYasha's storytelling. There's some truth to that, but that's not a satisfying explanation for why the main couple's relational status quo remains inert for the latter half of the series. Maison Ikkoku also does this to an extent—the "will they, won't they?" tension is strung along for as long as possible—but in general Maison Ikkoku does a better job of allowing relationship development to actually affect the narrative. Moments of emotional revelation and growth do change the relational status quo between Godai and Kyoko. They don't stay in quite the same relationship limbo that InuYasha and Kagome get stuck in for the latter half of the series. (It probably also helps that Maison Ikkoku is significantly shorter than InuYasha.)

All that to say: I think Godai/Kyoko is actually a useful mirror for examining InuKag, because they share the same themes and relationship dynamics without sharing the same narrative failings.

Okay, so: big time major spoilers ahead for Maison Ikkoku. Stop here if you don't want to see the conclusion of that series.

I want to look at how Maison Ikkoku's conclusion simultaneously revisits and resolves the main conflict between Godai/Kyoko.

Ahhhhhh my feelings!!! Man I love this series.

Okay, let's review the major takeaways from this scene:

• Notice how the tension between Godai and Kyoko—Godai's struggle with insecurity and Kyoko's feelings for her deceased husband—mirrors the tension between InuKag. And notice that the reader is encouraged to sympathize with both Godai and Kyoko. Godai is not "at fault" for struggling with insecurity and feelings of jealousy. That's a natural human feeling to have, especially in a relationship that hasn't been anywhere near secure until very recently. And despite whatever jealousy or inadequacy he may be feeling, Godai tries to see things from Kyoko's perspective. Part of Godai's struggle—the heartache of it—is his understanding that Kyoko is also not at fault. It's not her fault that she married before she ever met Godai, it's not her fault her husband died, and it's not her fault that she's struggling with the grief of that tragedy. She's trying to reorient herself to her new life after loss; she's falling in love with Godai, but she's also scared of betraying her husband's memory. (Let's hold that mirror up to InuYasha now, shall we? SHALL WE?) Moving on from Soichiro emotionally represents to Kyoko a breach of duty to a loved one.

• To reiterate: neither Godai nor Kyoko are "at fault" in this situation. That's precisely why it's a tragedy. They both have to process painful, messy feelings; both their feelings are valid and understandable. (Hold that mirror up to InuKag, girl. HOLD IT UP.)

• Notice how Godai explicitly acknowledges that loving Kyoko means loving the Kyoko who once loved Soichiro. "On the day I met Kyoko, you were already within her. That's the Kyoko I fell in love with." It's impossible to divorce Kyoko from her feelings for her former husband: that part of her life significantly shaped her into who she is. And I just love that Godai is hashing out his feelings at Soichiro's grave: it shows a sort of respect for Soichiro's memory, but more importantly it also shows that Godai knows his negative feelings can't ultimately be "fixed" by Kyoko. If she could fix them, he'd be having this conversation with her. (And by this point in the series they have had this conversation.) But Godai knows he's the only one who can truly work through/resolve his insecurity—especially now, when Kyoko has already assured him that she loves him—and I love how the scene's setting subtly demonstrates that. Soichiro's ghost is haunting Godai's feelings, not Kyoko's, and Godai is trying to work through that with Soichiro himself. There's no love triangle to resolve here: what needs resolving is Godai's own feelings of inadequacy which no amount of assurance from Kyoko can ultimately "fix." This is his ghost to fight. (We get an echo of this kind of inner conflict in chapter 458 of InuYasha: Kagome directly wrestles with the "ghost" of Kikyo and struggles toward some resolution of her own insecurities.... Only for the Kaō arc to come along later and materially damage that resolution and character growth for no clear reason, BUT I DIGRESS.) And this scene shows that Godai wins that fight: he comes to understand that loving Kyoko has to include accepting her past. Kagome reaches a very similar understanding in chapters 175 and 176 of InuYasha.

• To reiterate: Maison Ikkoku's conclusion is not the resolution of a "love triangle." It's the resolution of a series-long conflict, which is completely different. In order for love triangles to work—to actually function as love triangles—two competing love interests have to be viable options. This is quite evidently not the case in Maison Ikkoku: Soichiro is dead at the start of the series. It's literally impossible for Kyoko to choose him in any meaningful way. RT blatantly acknowledges this early in the series when Kyoko's father-in-law tells her she has to live her life. I cannot stress enough how self-consciously the series is not about a love triangle between Godai/Kyoko/Soichiro. (Mitaka is another matter entirely, for a different post.) Rather, the series is about the damaging power of grief in our lives, the rocky and painfully non-linear journey to healing from that grief, and how messy, fraught, and ultimately profoundly beautiful it is to love another person for exactly who they are — past pain/trauma and all. (Please for the love of heaven hold that mirror up to InuKag.)

• No, you know what? I'm not leaving that at a parenthetical. I'm just gonna say it: exactly as Maison Ikkoku is not about a love triangle, InuYasha isn't either. For the same reasons as stated above, the Inu/Kag/Kik dynamic is not ultimately a love triangle because Kikyo is dead at the start of the series. And while her spirit is magically revived—in an altered/diminished form—she is still not truly alive. The story conspicuously communicates this: her body is literally created from decomposing bones and cannot sustain itself (she needs to consume souls—other deceased spirits—to remain animated), symbolically suggesting she is of the dead even as she walks among the living. This is a facsimile of life. RT is not subtle about this. Kikyo is a tragic and complex character whose arc can be interpreted in many ways, but I think it's fair to say that the series self-consciously represents her as a past which can't be recovered. The damage has been done. She is dead, time continues to move forward, and there's no reversing that. (That's, again, why it's a tragedy.) Even her resurrected body symbolically represents this reality via death imagery. Ergo, from the very start of the series—just as we see in Maison Ikkoku—Kikyo is not a truly viable option for InuYasha. He can't choose her in any meaningful way. To "choose" her would be to essentially choose death—abandonment of life—just as Kyoko choosing Soichiro would make her "a wife who hadn't died yet." Kikyo represents an irrecoverable past just as Soichiro does. And the main thematic trajectory of each series does not suggest that Kyoko/InuYasha should give up on life by choosing death — it suggests they should choose life. Godai and Kagome conspicuously represent life, the possibility of living into the future. (Kagome is literally from the future, that's how unsubtle RT is about this.)

(A quick aside while we're here: no, Kikyo's not being a viable option does nothing to diminish the sincerity of InuYasha's feelings for Kagome. Kagome is not a "second choice," for the love of God the series blatantly addresses that very thing many, many times—like it's right there y'all—and I have already written a long ass post about why Kagome's insecurity over InuYasha's feelings for her shouldn't be taken as gospel truth.)

So, rather than being an actual love triangle, I think the Inu/Kag/Kik dynamic is a complicated emotional landscape that explores the same themes Maison Ikkoku does: how grief and trauma affect our lives, how painful and messy it can be to heal from that grief, and that loving someone—choosing to take that mutual risk with them—means trusting that they mean it when they tell/show us they love us, and choosing to trust them more than our own insecurities.

It's just that Maison Ikkoku explores those themes a little better. 😅 Which is why I think it makes a good mirror for re-examining InuKag: all the same themes without all the narrative failings and missed opportunities. ✌🏼

#it's done!!!! I've been sitting on this since March @__@#there was a whole other section comparing and contrasting Maison Ikkoku's conclusion with chapter 176 in InuYasha...#but it was too meandering and I lost the plot on it so maybe I'll try that again in a different post one day lol #InuKag #Maison Ikkoku #analysis #that whole section where I basically said 'some emotional intelligence is required to understand InuYasha's situation'#that same sentiment caused the biggest shit fest I've ever seen on a fandom server #it was truly mind boggling #so naturally i've decided to write a 2200 word essay to more thoroughly explore that idea 😈

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delta-piscium · 1 year

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part 2 | this is part two to this from Steve's perspective leading up to and including part one | cw unresolved angst [unfinished/for now not being worked on]

31 days until moving day.

Steve burst through the door to Family Video, swinging it open with way too much force.

Robin jumps and opens her mouth, probably to tell him off for scaring her but he speaks before she gets the chance.

“Eddie asked me to move to Chicago with him,” he blurts out, “Robin, he asked me to go with him.”

Her eyes widen, “what did you say?”

“That I’d go, of course,” he huffs. Like it’s even a question? like not going was ever an option?

Robin jumps over the counter squealing and hugs him so tight breathing becomes a little bit hard.

“I’m moving away with Eddie,” he whispers into her hair, awed as he hugs her back. She somehow squeezes him even tighter and they stay like that for a minute until they have to actually do their jobs.

An hour passes and Robin keeps shooting him contemplative looks.

“What?” He finally snaps after getting tired of waiting for her to say what she wants to say herself.

She jumps again like she didn’t realize how obvious she was being, which honestly, she probably didn’t.

“Nothing, nothing.”

“Robin,” he whines.

“Okay, just,” she scrunches her face up a bit and Steve knows that face, she’s trying to figure out how to say something to him she thinks he’ll react badly to.

He narrows his eyes at her, bracing himself, “yes?”

“I think you and Eddie are great together, and like I love you both and I am excited for you guys. You know that right?”

Steve nods, doesn’t say anything though, wants her to get to the point.

“I’m just also, maybe, a little bit worried.”

Steve’s eyebrows draw together, “what do you mean?”

Robin is looking around nervously. Something heavy starts to form in Steve’s stomach.

“You haven’t been together for very long and this is a big step. I just don’t wanna see either of you get hurt you know? I guess I’m just wondering if you’ve talked it all through? Because both of you have a tendency to jump into things without thought.”

They haven’t talked it through, not really. Eddie asked Steve to move, he said yes and that was pretty much it. It didn’t feel like they needed to talk it through though? Did they? Usually, they just dealt with things as they became relevant, that had worked for them so far.

Robin must see something on his face because she quickly talks again, backtracking and interrupting his thoughts.

“Not that I don’t think it will be great, you know I just worry about things a lot. This is my anxiety talking. You know what, ignore everything I just said. You two know what you’re doing.”

He doesn’t want her to know she’s already put doubts in his head so even though he’s starting to freak out a little he smiles and shakes his head.

“It’s fine Rob, I’m sure we will talk more with time.”

22 days until moving day.

Steve meant it when he said he and Eddie would talk. Meant to ask about the logistics, meant to make sure they were on the same page, he really did. But every time the move comes up Eddie just seems so sure about it already. Steve doesn’t want to make him think he’s having second thoughts. Thinks maybe it’s better to not say anything, to wait and let it come up naturally.

He thinks maybe they’ll talk about it tonight. The kids had joked about them all evening, about how fast they were moving.

Mike had made some snarky comment about them moving to a city where they knew no one and how awkward it would be if they crashed and burned and they’d have to share a bedroom.

Eddie had laughed, said it was good they weren’t gonna crash and burn then. But, he’d also added that his band was also going so actually he would know people.

It was just jokes, Steve knew that. That didn’t make it any less true though. Steve wouldn’t have anyone except Eddie, sure he liked the guys in his band but they weren’t his friends. Steve would have Eddie and Eddie would have his band. It suddenly seemed like a big deal.

He expects Eddie to also feel it, to get worried and bring it up but he doesn’t. If he is worried he isn’t saying anything, just like Steve isn’t.

8 days until moving day.

There’s a knock on Steve's door and when he opens Gareth is standing there. Steve is a lot confused about it but lets him in.

“Uh,” he starts a little unsure, “do you want anything to drink or?” He offers, mostly because he doesn’t know what else to say or do.

Gareth shakes his head, looking about as uncomfortable as Steve feels. Shuffling around where he’s standing and fiddling with the sleeve of his shirt. “No, I’m gonna leave again soon. I just came here to say something.”

Steve gestures for him to speak, “I’m listening.”

Gareth doesn’t immediately say anything, he shuffles some more and looks around the room before his eyes land on Steve again, a determined look in them.

“Look, I like you. I know Eddie loves you.”

Steve can’t help but smile a little at that, even though he’s starting to suspect he’s in for a shovel talk.

“And like, I probably wouldn’t do this if it weren’t for the fact that you haven’t dated for very long at all and are about to move in together in a city four hours away.”Gareth pauses and waits to speak again until Steve nods, showing he’s listening.

“Eddie does things without thinking. He doesn’t think about the consequences, not anything, just does. I love that about him, it’s the reason our band has gotten anywhere at all, but it also means that he gets hurt a lot, disappointed a lot. He can handle it with most things, he won’t be able to handle it with you.”

“What are you saying?” Steve asks even though he’s pretty sure he already knows.

Gareth looks pained but continues, “I’m saying that if you aren’t one hundred percent sure about moving with him, if you have any doubts at all, you can’t go.”

Steve can’t suppress his flinch. He expected Gareth to say he needed to be sure, that if he wasn’t he needed to tell Eddie. He wasn’t expecting him to say he shouldn’t, no, couldn’t go.

Gareth catches it and narrows his eyes, “I mean it Steve, it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.” He steps closer to Steve, getting into his space. “So, if you’re not absolutely sure,” he pauses, steps even closer, “Do. Not. Go.” He punctuates every word and then he turns on his heel and leaves.

6 days until moving day.

Steve needs to talk with Eddie about it now, can’t ignore it anymore. He isn’t gonna just not go like Gareth told him to do. No, he’ll talk to Eddie and it will be fine.

They’re in his bed together, laying next to each other. Skin touching skin and a comfortable silence between them. Now is as good a time as any.

“Hey, Eddie?”

“Mhh?” He hums, shifting slightly next to him.

“What happens if something goes wrong when we move?”

Eddie snorts, “what? Like if we get a flat wheel? I know how to change a wheel, sweetheart.”

Steve smiles despite his nerves, tries to not imagine what Eddie would look like changing a wheel.

“Good to know, but no, not quite what I meant.”

Next to him, Eddie props himself up on his elbow so he can properly look at Steve.

“What did you mean?” He reaches out and tucks a strand of hair behind Steve’s ear as he speaks. Steve has to focus harder than he’d like to admit to not get lost in it. Even the smallest touches have an effect on him when it’s Eddie.

“What if something happens with us?” His voice is small and he can’t look at Eddie, afraid of what his reaction might be. “Remember that thing Mike said about us not really knowing anyone there? Just, what would happen?”

“Baby,” Eddie gently grabs Steve’s chin with his thumb and forefinger, tilting his face towards him. Steve easily follows but closes his eyes.

“Baby, please look at me,” Eddie’s voice is even softer than before, and Steve has always been weak when it comes to Eddie asking him to do things so he slowly blinks his eyes open.

“There you are,” he smiles, face open and tendrils of hair falling around it. He looks angelic and Steve almost forgets what they are talking about, too overwhelmed by the man next to him.

Eddie keeps them on track though.

“Like I told Mike, nothing will happen. We will be fine. But,” he continued before Steve can protest, “if something does, we both have jobs already, we’ve done this right. We will be able to save eventually. Quicker because we’re two people, paying rent and all that stuff on two salaries. If something happens we will have that security.”

Steve relaxes then and Eddie must see it because he grins and continues, “now if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner, princess.”

Steve groans and shoves Eddie away. Mostly to hide the blush he can feel creeping up his face just from Eddie calling him princess. Judging by the way Eddie cackles he doesn’t have to see Steve blush to know the effect it has on him.

He reaches out and pulls Steve in against his chest. “Worst case scenario we have to move back. Wayne will probably pretend to be unhappy about it but he’ll let me take over his trailer again. And, I know you have complicated feelings about this house, that your parents are the worst, but you’ll be able to come back if you need to.”

“Okay,” Steve says, his worries mostly calmed.

1 day until moving day.

Steve and Eddie are spending the night apart. Eddie wanting to spend his last night with Wayne and both of them needing to do some last minute packing.

Just as he finishes closing one of the last boxes the phone rings, he’s a bit confused about who would call him right now. His friends all having seen him earlier in the day to say goodbye. Maybe Eddie needs to double-check what time they decided to leave.

He picks up but it’s not Eddie, or even one of the kids, who speaks.

“Steven,” his mother's shrill voice crackles on the other end of the line.

“Hi mom,” he tries to hide his sigh as he speaks, doesn’t have the energy to get into anything with her right now, doesn’t want her to ruin his excitement.

“I thought you were moving to Chicago alone?”

His freezes, when he told his parents he was gonna move he didn’t say he was going alone but he also didn’t mention Eddie. He knew they wouldn’t like it, knew it would be easier to let them assume he was going by himself.

“But I just got off a call with Mrs. Hagan and she told me that Tommy had said you were moving there with- with that cult boy? The one who’s wanted for murder?”

Steve closes his eyes and this time he doesn’t bother hiding his sigh. Fucking Tommy, he’s always had a big mouth but Steve suspects that this hadn’t been him blabbering without thinking. No, Steve thinks Tommy knew exactly what he was doing telling his mom this piece of information.

“His name is Eddie, and he was cleared of all charges. The ‘cult’ was literally just a school club.”

“So it’s true? You’re moving with him?” Her voice is sharp and even just hearing it over the phone makes him flinch.

“Yeah, we’re friends and it’s cheaper that way. We got a better apartment because we’re two people with a job each.” It’s such a simplification of the truth it’s almost a lie but Steve doesn’t think this is the time to come out to her. He hopes the ‘better apartment’ comment will calm her, it’s the sort of thing she cares about after all. Not for his safety and comfort though but for how it will reflect on her.

He’s not sure she actually hears him though because she hisses a vicious, “If you move with him you will not be welcome back Steven, this will be the last time we speak.” Before she hangs up on him.

Steve carefully places the phone back in its cradle, then he’s left standing alone in the living room, both too shocked to move and not really shocked at all.

He’s not close to his parents. Has slowly been understanding just how much they’ve neglected him. He’s been relieved about moving away, about being in another city where he won’t have to see them when they waltz back into town. But to never speak to them again? That’s a whole different thing. He still hoped that they’d be able to fix their relationship. That him not being dependent on them anymore would allow him to stand up for himself. That everything would get better. Now instead, the thing he thought would allow their relationship to get better is gonna destroy it forever.

He debates calling Eddie, wants to tell him what his mom just said, wants to hear his voice, wants to let him make it better. He decides against it, he doesn’t wanna ruin Eddie’s last night with Wayne and he’ll see him tomorrow anyway. He can tell him in the car.

He doesn’t call Robin either, she’ll insist on coming over and he knows she’s on a date with Nancy right now. He doesn’t wanna ruin that either, even though both of them will tell him he’s not, he knows he will be. He goes to bed instead, sleep seems like the best option right now, at least he won’t have to think if he’s asleep.

Moving day.

He ended up not really sleeping at all. Tossing and turning for hours and after finally falling asleep sometime in the early morning he wakes up just hours later from a nightmare. He doesn’t remember what it was about but can feel the lingering panic. He gives up on getting any more sleep, doesn’t wanna risk more nightmares when he’s alone.

He picks at his breakfast, still thrown off from the conversation with his mom the night before and not feeling like eating, so he gives up on that too. He spends the rest of the morning wandering around, touching the walls and the furniture in the house he grew up in. The house he’s been left alone in since he was nine. The house he both hates and loves. The house he will never be allowed to return to after today.

Then the phone rings again, it’s probably his mom calling to ask if he’s decided to stay he thinks. It’s not, it turns out.

“Hi I’m Patricia, I’m looking for Steve Harrington?” A chipper voice says.

“This is him.”

“Okay well, good. I’m calling about a barista job you’re supposed to start with us next week.”

“Yeah?” Steve chews on his cheek.

“I’m so sorry but due to our rent being raised we’re having to do cutbacks. Since you haven’t signed your contract with us yet, it’s the first one to go.”

“You’re firing me?” Steve asks, it’s not entirely right since he hasn’t started yet but it’s all he can think to say.

“Essentially,” Patricia responds, “I’m sorry for the short notice.”

“Okay,” he says, his voice void of emotion, “thank you for calling.”

He hangs up without waiting for a response, he doesn’t have the energy to be polite.

He barely has time to let the information sink in before his doorbell rings. Eddie on the other side of the door with a wide grin on his face.

“Did you oversleep?” He jokes.

Steve’s confused for a second but then he realizes he’s still in his pajamas, that he’s spent the whole morning wandering around like a ghost in his house not getting any of the things he needed to do done.

He hasn’t packed the bag of all his essentials. He hasn’t gotten dressed. He hasn’t even brushed his teeth. What he has done is get fired from a job he never even started.

He sees Eddie’s teasing smile, the combination of it and his sudden joblessness tugs at something in his brain, brings back the conversation they had last week.

“Now, if you didn’t have a job then I’d be worried. I’m not cut out for all the responsibility of being the breadwinner princess.”

He doesn’t have a job. He’ll have to live off Eddie and what little savings he has left. Become a responsibility Eddie doesn’t want, a burden probably.

“Worst case scenario we move back”, “you’ll be able to come back if you need to.”

If he leaves now he won’t be able to come back.

Gareths words play back in his mind too.

“if you have any doubts at all, you can’t go.”, “it will break him more if you go, let him think it’s gonna work and then leave, then if you don’t go at all.”

“I’m not going,” Steve hears himself say as he steps back from the hand Eddie reaches out to him.

“You’re not-“ Eddie looks so confused. “Like today? Do you need extra time? We can postpone by a couple of days but-“

He’s not getting it. Steve interrupts him, needs to make him understand because he can’t listen to him try to come up with solutions.

“No, Eddie. I’m not going it all.”

The words feel wrong in his mouth but he forces them out anyways.

“What do you mean?” Eddie asks and it fucking ruins him. He feels his carefully blank expression break, despair showing through.

“I can’t leave Hawkins, the kids,” he has to look away from Eddie as he says this. Knows it’s the only thing Eddie won’t question, knows Eddie thinks he doesn’t mean as much to Steve as the kids do. “They need me.”

“When did you decide you weren’t going?” Eddie asks and Steve didn’t know it was possible but he breaks even more from that, from Eddie not fighting him.

I didn’t, he thinks, I don’t know why I’m saying this now. If you ask me to stop and just go with you I will.

“A couple of days ago,” he lies.

It’s silent then, just their breathing and the distant sound of cars down the street being heard. Eventually, Eddie breaks it.

“Steve?”

His voice cracks in the middle. Steve can hear the plea for him to take it all back and he nearly does, has to swallow the words creeping up his throat before they get out.

“I’m sorry,” he says instead. He turns around, closing the door behind him. Destroying their future and breaking the last bit of his heart in the process.

He doesn’t get more than two steps into the house before his legs give out beneath him. He stays there, sitting on the floor for what feels like forever.

After some time he hears a car drive away and he knows Eddie has left. He feels silent tears start streaming down his face that soon turns into sobs. Making him curl in on himself and gasp for air.

He doesn’t know how long he stays there, crying until he can’t anymore and then just sitting there. But after a while, he’s interrupted by a loud ringing. For the third time in less than twenty-four hours he picks up the god-forsaken phone.

“Hello?” He rasps, his voice dull and raw from crying.

“Steven. You made the right decision and stayed I take it?” His mother asks.

“Yes.” He says and hangs up on her.

#happy ending never got written but they end up happy and maybe on day i'll return to this and write it #once again i apologize for any typos mistakes in general etc I've read through it I swear #part one is like 800 words and this is over 3k idk what happened okay #actually i do i had to fit in more scenes #so uh yeah #there will still be a happy ending i promise but now you get where steve is coming from which is mainly a panic attack tbh #steve baby do not make big decisions while mid anxiety shut down #also talk to people <3 #eddie you know better than to reassure someone because you both have jobs? what are you doing???#it's 5am i swear if this does not show up in the tags ill cry #steddie #steddie ficlet #steve harrington #eddie munson #stranger things #my writing #my post #steddie angst #dels steddie thoughts

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