Folks announcing they're leaving Tumblr because they're unhappy with the Twitter clone dashboard on desktop. (I don't blame you, it's broken af.) Meanwhile, the day this hellsite finally does close, staff are going to have to pry me out of the air vents like a rabid raccoon that's adapted to survive on drinking air conditioning coolant and whatever trash is left lying around in the breakroom.

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The thing about tumblr is that there’s a panic about how the site is dying and falling apart literally every other week so eventually if you’ve been here long enough you just get zen about it. Like if anything specific is your breaking point do whatever you want but personally they’re gonna have to pry me out of the vents like a feral raccoon before I leave. Anyway if you’re new here and you see people talk about how something is the end of tumblr and you’re afraid they’re correct I just want you to know I’ve been here through probably like 300 ends of tumblr. I’m not saying it will never happen for real but statistically I remain skeptical.

I've been seeing a lot of posts lately talking about how no one comments/reblogs/replies/etc anymore, and, as someone who comments regularly on a lot of fanworks, it sometimes makes me wonder if my efforts are worth anything. Then I remember how much happiness I get from comments on my own work/posts and how much the community of fandom can matter, and I remember the power that can be found in spreading joy instead of disappointment.

So -- to everyone who comments on fanfiction: thank you. You make the writing process worthwhile and so very rewarding. You make people happy every day.

To all the people who reblog art and gifsets and meta and anything else with enthusiastic tags: thank you. You make people smile and promote interesting conversations and make being on Tumblr so much more fun.

To anyone who sends people asks about their works, whether it's unprompted or part of an ask game: thank you. You give people reasons to talk about things they love and feel like a part of a community.

To the people who makes reclists: thank you. You give us more to read while showing the author how much their work is loved and appreciated, benefitting so many people.

To everyone who organizes events and groups and blogs and dedicated to fandom: thank you. You build community and love and excitement so effectively and it's wonderful.

To all the authors and artists who respond to comments and build community: thank you. You make people smile with your work and then again with your response.

To everyone who contributes to fandom and community in all the other beautiful, varied ways that I can't even begin to list: thank you. You are why we're here.

And, finally, to every writer, visual artist, gifmaker, cosplayer, maker of edits, writer of meta, or creator of art in any other form: thank you. Your work is wonderful and you make fandom what it is, regardless of who sees your art or how much response you recieve.

Keep going, everyone. You are a part of something beautiful.

His back against the earth, cushioned by grass, oh how much Arthur longed for stars above to reach out and ask,

"What do you yearn for?"

He envisions their silent presence, with all burdens they store.

Perhaps they have a haven where his secrets sleep, only to be awoken when the yearning's deep.

But with no stars to ask, his heart remained back, tucked away in the confines of inked pages, bound by leather and secrecy.

𑁦𐂂𑁦

So back when I was much younger and much newer, I took a class at UChicago on ancient Egypt. This was so exciting for me, especially because UChicago has an extensive collection of artifacts from the ancient Near East -- which meant that we got to learn using actual artifacts.

It wasn’t that unusual for us to be sent off to the Oriental Institute to translate something as homework, and one of the things I remember vividly was this (partially restored) fragment of a tomb wall.

In ancient Egypt, names were important, and so was memory. The continued existence of the soul was associated with the continued existence and memory of a person’s name, which is one reason why we have all of these beautiful carved monuments to this day. They wanted to write their names down. They wanted to be remembered. They knew that they could live forever as long as they lived in one person’s memory.

But tombs are expensive. They take a lot of time, a lot of resources, a lot of work. It’s a lot easier to just scratch out one person’s name and replace it with your own. A lot of memorials were repurposed in this way, sometimes because they were actively trying to erase one person’s memory and sometimes simply in an effort to maintain their own. So there was a very real anxiety about tomb desecration and name erasure that comes up again and again and again.

That was what we’d learned about in class that day, but I didn’t know why this wall fragment was our homework until I finished translating it.

I remember sitting there, huddled over my notebook as I crouched on the floor of the OI, sixteen years old and just beginning to learn the world. I remember painstakingly copying the inscription and then translating it to the best of my ability. And then I remember giggling as quietly as I could, not wanting to bother the other guests, when I realized it basically said, “HAHA, I MADE IT SO YOU CAN’T ERASE THIS.”

You see, he’d invented a technique that involved filling the carvings with a certain kind of colored paste. It was very, very difficult to completely remove -- and he was right. No one had managed to do it.

I remember sitting there on the floor and laughing and thinking to myself that humans don’t change, not really. We don’t ever, ever change. Our beliefs might and our goals might, but people? Our souls can traverse millennia.

Because over four thousand years had passed but I still felt this odd connection to a man whose pride in his own ingenuity had made me laugh. 

This all happened around fifteen years ago and I no longer remember how to read this wall. But you know what I do remember? His name.

I remember you, Nefermaat.

A cropped version of Ocelot that I did as gift art for a friend

If you’re interested in seeing the full version you can send me a message or follow me on bluesky: @sp-aarks.bsky.social

the dungeon meshi subreddit is nice for getting information and worldbuilding discussion, but it's so... straight. a lot of people shipping laios and marcille but being completely dumbfounded/confused at the concept of marcille being in love with failin. anyway I love you tumblr

Ngl, it's a bit terrifying over on the blue bird rn, because you know that there must be a ton of people commenting on the changes that Musk's making, but they're just. Not showing up.

It should be trending. But it's not.

Which, really says enough.

YOU ARE ON TUMBLR. WHAT DO YOU EXPECT

Art by Sas Milledge

Apparently Zionists are harrassing Sudanese people who're risking death to post updates from their own genocide because they can't tell the Sudanese flag 🇸🇩 apart from the Palestinian one. 🇵🇸

Mfers 1) can't even identify what they hate so much, 2) can't leave any Black people alone if their lives depended on it.

hi! i know ive been kind of absent around here, i havent had much motivation to maintain my social media if im being honest 😔 (but i must still bear the curse due to this being my job lol)

anyway, i am opening commissions on august 1st, so mark your calendars!