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denimbex1986 · 9 months

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'Love him or hate him, there’s no denying that Christopher Nolan has had a singular impact on the American film industry. It’s almost depressing how many of his epithets are preceded by “the last.” He’s essentially the last director who receives consistent blank checks to make original films. The last director whose name is enough to pique the general public’s interest, regardless of subject matter. And the last director who could make a three hour biopic and have it (successfully!) marketed as a summer blockbuster.

At least for now.

Whether Nolan’s consistent success is a sign of better days to come in Hollywood or a final hurrah for a dying industry, his influence remains unparalleled. He forever redefined the superhero movie — creating a template that’s often repeated but never duplicated — with his groundbreaking trilogy of Batman movies. He could have rested on his comic book laurels forever after the cultural phenomenon that was “The Dark Knight,” but he quickly proved that his original ideas were equally marketable with the groundbreaking “Inception.” It was immediately clear that Hollywood had found its next great blockbuster filmmaker.

For the next decade, Nolan took advantage of his newfound creative freedom by making a wide range of original blockbusters. Films like “Interstellar” and “Tenet” had a tendency to reinforce everyone’s strongest opinions about him. To some, he was a man of unparalleled brilliance with an unprecedented ability to infuse popcorn storytelling with hard science. To others, he was a cold filmmaker who hid behind complex storytelling devices to make films that were designed to impress viewers rather than move them.

The truth is somewhere in between. Any serious criticism of Nolan has to begin with an acknowledgement of his talent, and any hagiography has to recognize that the same criticisms of his films have emerged again and again. One thing that’s abundantly clear is that Nolan has developed an instantly recognizable style. From his commitment to analog techniques and epic exhibition formats to his sleek color palettes and not-so-sleek sound design, you always know a Christopher Nolan movie when you see one. Keep reading for our primer on the stylistic elements that set the “Oppenheimer” director apart from his peers.

Scientific Subject Matter

Nolan has always demonstrated a fascination with the workings of the universe and the people who study it. This is reflected in blockbusters like “Interstellar” and “Tenet,” which make a point of grounding their time travel stories in rigorous scientific research and turning scientists into heroes in their own right. That fascination extended to “Oppenheimer,” which saw Nolan continue to explore the theme of balancing human emotions against a mathematically cold universe – albeit this time through the eyes of one nuclear physicist.

Cool Color Palettes

Nolan is sometimes unfairly branded as an excessively dark visual filmmaker, in large part because three of his first major features were Batman movies that required lots of black design elements. He has since proven that he’s capable of working with a variety of other colors, but his films often stick to cooler palettes. He uses multiple shades to create texture and depth, giving his films a consistent aesthetic without feeling monochromatic.

Abrasive Sound Design

One of Nolan’s more polarizing trademarks is his commitment to building out his cold cinematic worlds through aggressive sound design. His films are often fueled by booming scores that sound particularly abrasive in his preferred IMAX theaters. Some feel like his grinding soundscapes make it harder to hear his actors – an effect that’s compounded by his refusal to re-record dialogue in post-production.

Repeat Collaborators

Like many great directors, Nolan likes to return to the same ensemble of actors over and over again. Familiar faces include Cillian Murphy, Michael Caine, Kenneth Branagh, and Tom Hardy. He also frequently re-teams with below-the-line collaborators including cinematographer Hoyte van Hoytema and composers Hans Zimmer and Ludwig Göransson.

Creative Uses of Time

It’s entirely possible that no filmmaker has ever been more fascinated with the passage of time than Christopher Nolan. Many of his screenplays involve time unfolding in non-linear fashions, either because of creative writing devices (see: the reversed structure of “Memento” or the multiple perspectives in “Oppenheimer”) or because the story involves sci-fi riffs on relativity (see: “Inception,” “Interstellar,” and “Tenet”).

Large Film Formats

Nolan has remained deeply committed to analog film formats, preferring theatrical distribution over streaming and celluloid film over digital cameras. Those combined passions have turned him into one of the most prominent evangelists for IMAX and 70mm exhibitions. In addition to releasing rolling his films out in IMAX theaters, he consistently makes a point to shoot on large scale cameras and edit on IMAX screens to ensure that he captures spectacle in the largest formats available to him. This often results in wide shots that are truly breathtaking in scope.

Naturalistic Lighting

Even on his most outlandish genre projects, Nolan has consistently relied on naturalistic lighting to illuminate his scenes. Rather than saturate the frame with hazy colors or stylized tones, he allows his lighting to play out similarly to the way it would look in the real world. In addition to demonstrating his knack for shot composition, this helps infuse his sci-fi projects with a sense of naturalism that adds to his perception as a cerebral blockbuster filmmaker.

Practical Effects

Nolan’s longstanding commitment to making his own practical effects (as opposed to using CGI) is the stuff of legend among film geeks. He goes to great lengths to ensure that no shot is entirely computer generated, even creating J. Robert Oppenheimer’s atomic bomb test using a combination of practical explosions and forced perspective.'

#Christopher Nolan #Tenet #Inception #Interstellar #Oppenheimer #Cillian Murphy #Hans Zimmer #Ludwig Goransson #Hoyte van Hoytema #The Dark Knight #Michael Caine #Kenneth Branagh #Tom Hardy #IMAX

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jcmarchi · 6 months

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Persona 5 Tactica Review - One More Uprising - Game Informer

New Post has been published on https://thedigitalinsider.com/persona-5-tactica-review-one-more-uprising-game-informer/

Persona 5 Tactica Review - One More Uprising - Game Informer

Persona 5 has become its own sort of mini-franchise within the Persona series. With many spin-off titles released over the years, such as Persona 5 Strikers, Persona 5: Dancing in Starlight, and Persona Q2: New Cinema Labyrinth, Atlus seems to love using Persona 5’s popularity to explore new stories and gameplay ideas. However, I applaud Atlus for making all of these spin-offs in completely different genres from each other. The latest, Persona 5 Tactica, delivers an entertaining story, a colorful cast of characters, and fun combat mechanics within the context of a strategy RPG. Longtime Phantom Thieves can look forward to an enjoyable side adventure, but its uneven pacing and low enemy variety hold it back from being a true revolution.

Persona 5 Tactica’s story follows the core roster of characters from the original RPG. After finding themselves sucked into an alternate dimension, the group teams up with Erina, the local leader of the Rebel Corps, who wants to liberate citizens from the oppressive rule of the Legionnaires. Toshiro Kusakabe, an amnesiac politician from the real world, also somehow gets swept into the conflict. Their unknown connections to this alternate dimension have enough mystery to keep them interesting throughout the game. As the Phantom Thieves search for a way back home, the antagonists’ motivations intertwine with the origins of these newly introduced characters.

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The camaraderie between the cast members can be seen through optional conversations that naturally unlock as you progress through the story. Scenes like these are fun side conversations that allow characters’ personalities to shine, such as Erina’s natural leadership skills after a scene where she feels like a liability, or Ryuji’s role as the comic relief character when a treasure chest he’s seeking turns out to be useless villain-branded merchandise. Viewing these talks also gives the party members GP, which are skill points to be allocated to learn new abilities, so there’s a useful gameplay incentive too.

These conversations are bright and fun to listen to, thanks to the game’s excellent voice acting and art direction. The presentation style is more in line with an exaggerated cartoon style like Persona Q2’s rather than the more realistic proportions like in the original game and Strikers. This helps give Tactica a more lighthearted feel to balance out its darker themes, including illness, death, and trauma. The Persona series is also well known for its music, and Tactica’s soundtrack doesn’t disappoint. The soaring vocals and electrifying guitars will have your head bumping as the Phantom Thieves and Rebel Corp overthrow dictators in battle.

Tactica’s combat is more similar to XCOM than Fire Emblem in terms of strategic battles. Your team of three characters can hide behind cover and gain either partial cover, which drastically decreases incoming enemy damage, or full cover, which provides complete immunity. Tactica cleverly utilizes Persona 5’s main battle mechanics to fit the strategy genre. The most impressive implementation is the franchise’s signature “1 More” mechanic. In Tactica, instead of hitting enemy weaknesses or scoring a critical hit to trigger an additional turn, any unit on the field that isn’t behind cover becomes vulnerable. Being able to chain multiple 1 More turns and extending my movement range each time replicates the same sense of accomplishment that I felt when triggering multiple 1 More turns in the main game.

The 1 More mechanic is even more important when it comes to the game’s side quests. These side quests have restrictions, such as only being allowed to use certain characters or having to complete the battle under a fixed number of turns. I found these to be challenging but also incredibly fun, as they commanded me to think much more strategically than standard story missions. The side missions where I was required to beat them in only one turn were exhilarating.

I had to activate as many 1 More turns as I possibly could while also trying to keep my teammates in a triangle formation. Triangulating on a downed enemy activates Triple Threat, which is Tactica’s version of the RPG’s All-Out-Attacks, where enemies caught in the blast receive massive damage. Mastering these techniques to come out on top of these challenging side missions is rewarding, and they come with an equally amazing prize: Completing them nets you 20 GP as opposed to 2 or 3 when viewing conversations.

However, the gameplay suffers from uneven pacing when it comes to introducing new mechanics. This is especially true during the first 10 hours; you don’t receive the powerful follow-up mechanic until the second chapter. I’m confused as to why these highly effective attacks, which let teammates attack an extra time if you knock an enemy off a higher place, weren’t introduced earlier, as that would’ve kept the early hours fresh.

Enemy variety is also sorely lacking. Much of the time, you end up facing regular enemies with guns that don’t have any special traits to them. There’s also a bigger enemy that can only be downed if you hit it twice. Aside from some unique boss mechanics towards the end of a chapter, new enemy types are introduced sparingly. Enemy variety does improve later on, but not quick enough; it’s usually only a single new one per chapter. As a result, it’s boring to simply go through the motions when you’re repeatedly fighting the same kind of enemies.

Persona 5 Tactica is a fun time for someone who’s looking for a more casual strategy game. The Phantom Thieves are just as charming as ever, and the newly introduced characters mesh well with them. It’s not an essential experience in the same way that Persona 5 Strikers was, but fans who aren’t tired of Persona 5 yet will find plenty to like with Tactica.

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harpidiem · 3 years

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Hi, you and I seem to have very similar tastes in art and in other things and as a begging artist I would like to know your art journey and any resources you used such as books and things or where you get inspiration from, thanks in advance

Hello! I'd be happy to!

I've been drawing since I was a kid, but I only started drawing seriously when I was about 12 (I wanted to become an animator, I didnt know that jobs like illustration on concept art were a thing). I never took a formal art class, expect for one that was on acrylic painting, and I didnt really learn that much there, and it was only for 4 weeks. (Maybe I'll learn to love acrylic someday, but not today).

For inspiration, I write down favorite memories of mine, and sometimes unimportant ones (memories of sitting at a gas station on a hot summer day, waiting on my dad to buy some sodas so we can get going on our trip; walking under football bleachers at night), and most times I'm a little too scared to post these because they're personal, but im working myself up to it.

I collect moodboards on interest, just whatever catches my eye, even if the aesthetics don't match. When I'm out, I take pictures of places I would like to draw later (abandoned farmhouses, old mill houses, a lighthouse far off in the water alone, a stretch of road completely covered in graffiti).

Books! Ok so I have a lot of art books but few that have actually been beneficial, so I'll post those here.

Color And Light by James Gurney: A Guide For The Realist Painter; I cannot reccomend this book more!! This book is excellent, it talks about how to paint different light conditions, and how it effects light scientifically. Very easy to understand, and Gurney is a master painter.

Adorning The Dark by Andrew Peterson. Another excellent book, and one I don't think I'll ever be over. While this is a book from a Christian standpoint, and I don't know your opinions on religion, this book for me was unputdownable. I read it cover to cover in a day, and did the same thing the next day. Reflections on self and the creative process that takes place in the mind and spiritually, and how we effect others. A simply wonderful book. Id go as far as to say life-changing.

Any Ghibli art book (I own Howl's Moving Castle, and Spirited Away.) These are excellent if youre wanting to look into illustration or character design. It doesnt give much advice, but I find myself inspired every time I open the ghibli books I have.

Sketching From The Imagination: Characters by 3d Total Publishing; this book has many MANY artists of various art styles, and they give their process and advice! Little nuggets of "Oh! Yea that makes sense." are scattered throughout the book, at least for me.

As for fiction books, I read a wide range of genres, so I can't really make a HUGE list of books I reccomend, but I can give a few that I feel have been important to me personally the last few years.

Jeff Vandermeer's Southern Reach Trilogy, and Borne Trilogy. Rick Bragg's All Over But The Shout'n, and Ava's Man, Flannery O' Connor's A Good Man Is Hard To Find, C. S Lewis's A Space Trilogy, and Madeline D'Engle's A Wrinkle In Time. Comics like Batman: The Long Halloween, Calvin and Hobbes, and Minna Sundberg's Stand Still Stay Silent have been great to read as well!

Movies and TV shows are HUGE inspirations for me, but as a general guide, I adore movies like Alien, Fury Road, Pan's Labyrinth, Lord of The Rings, Oh Brother Where Art Thou?, and TV shows like Stranger Things, Over The Garden Wall, and The Twilight Zone. Video games are important as well, like Resident Evil, Silent Hill, Kentucky Route Zero, and Death Stranding.

Anyway, heres what I have to say: Use everything. Dont be afraid to deviate from your "aesthetics". Yes, you'll feel a bit lost at times, like you have no identity, but thats a good thing for growth. When I was 12, I was dead set that my thing was extremely cartoon art styles, pokemon, and drawing dragons. While these are still great and huge inpirations, if I didn't branch out, I would be stuck in a rut.

It is not important to have a set aesthetic. Youre not an aesthetic Instagram page at heart! Find what you are drawn to, what imagery catches your eye, what symbols have meaning to you. I will change throughout my life, but my core values are still there. And I think its important to understand that, to loosely quote Andrew Peterson, that self expression is an endless, and often fruitless chase. You gotta shift your direction outward, and you'll discover things about you, good and bad.

Wow, this post is getting very very long. Apologies. Anyway, one more note. Just explore. Collect things, look for details! Note that swirl in the sand, a wrinkle next to an eye, get a feel for a place or thing. I have dozens of books that make no sense together (2 books on sharks, 1 on specifically waterplants, 5 on animal species, 2 on surgery, 1 on the history of medicine, 1 on car mechanics, 1 on martial arts, 3 cookbooks, and a book on the history of wood working.) Yes, I tend to hoard books. Get a book from the library on a subject you know nothing about once a week. Glance through it, take at least 20 minutes hopping page to page, even randomly. You'll find something! Just keep your eyes open, dont stop learning! I encourage wiki rabbit holes 100%.

And please, please dont be afraid to post new things. In the end it doesn't matter if your followers are unused to the new thing you like! As long as you are conveying meaning behind what you create, you'll find your way. Im uh, still learning this. People latch onto concepts more than skill, I've found.

So yea, thats just what I have to say. Sorry for the long, LONG post. I hope this helped!!

#asks #blindsighted581 #art help #art tips

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kingwuko · 3 years

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Wuko in the Comics: Ruins of the Empire: Book 1, Part 1

Welcome to my second post on Wuko in the comics. In this post I’ll be discussing the first half of Ruins of the Empire: Book 1. Wu is a prominent character in this comic trilogy, and there is lots of character development and exploration for him. There are also a lot of scenes with Wu and Mako together, and what’s more, there are a handful of visual parallels to Korrasami!

Ruins of the Empire

Book 1 of RotE was released in May 2019. The art style is different from Turf Wars- the colors are very vibrant and it almost looks like stills of the animated series. It takes place 3 months after the conclusion of the animated series, and there is lots of continuity following the events of Turf wars. Some major plot points that carry from Turf Wars include: Wu has been governing the Earth Kingdom, Korra and Asami are in a firmly established relationship, and Zhu Li is President of the United Nations.

Plot Summary

The first half of Book 1 of RotE highlights the transition of the Earth Kingdom into a democracy by focusing on the first state to hold its elections, Gaoling. Gaoling’s election is at risk of being disrupted by Earth Empire general, Guan, who didn’t surrender when the rest of the empire did. The Krew decides to accompany King Wu to Gaoling to ensure the election proceeds without interference.

Major plot points in the first half of Book 1

We start out with a flashback that sets the timeline for the rest of the comic. In Gaoling, Commander Guan is running an earth empire “reeducation camp” and has just gotten word that Kuvira surrendered, but isn’t planning to give up so easily. He insists that his “experiments” and the Earth Empire will go on, with or without Kuvira as the Earth Emperor…. Then we jump ahead 3 months to Republic City, City Hall. We start out with an excellent frame, the first of many Wuko Korrasami parallels! Get excited, there are SO many!

Bolin is working for President Zhu Li Moon now, because, why not? He just quit his job working with Mako on the police force, and now he’s Zhu Li’s administrative assistant or something. Zhu Li is going to be introducing King Wu for a “big speech” to the citizens of Republic City. Korra gives Wu a friendly elbow nudge and asks if he’s ready. (the first of many wholesome friendship moments between the two of them)

Wu is not ready, he’s nervous. He asks Mako to read his speech for him, and Mako says no way- but then he reassures Wu that he’ll do great. “Just be yourself” Wu is immediately comforted and says that Mako always knows the right thing to say and that must be why he keeps Mako around! (I can think of a couple other reasons...) Mako’s expressions are very stoic and closed off. He’s got his arms crossed and looks grumpy (I feel like I’m always saying Mako looks grumpy. But that’s the best adjective I can come up with).

Wu begins his speech where he announces that it’s almost time for the Earth Kingdom states to begin holding elections, starting in the state of Gaoling. Grandma Yin and cousin Tu are in the audience and Yin is booing Wu, and also yelling “Long live the monarchy” while holding framed portraits of Wu and Hou-Ting.

Asami, Korra, Mako and Varric are standing behind Wu, applauding along with the crowd (well, the crowd minus Yin). Korra and Mako casually compliment Wu, saying that he's doing great and almost looks like a real leader! Wu says that within a year there will be a peaceful transition to democracy. He gets bombarded by questions and panics and starts singing. He tosses his stylish hat into the crowd, which Yin catches and says “you’ll always be my king!” Mako covers his face with his hands, Korra says ”well you did tell him to be himself” and Mako says “this is NOT what I meant”. Sorry Mako. You know Wu better than anyone so you should have known a song was coming. Zhu Li takes the podium and Wu dramatically faints/collapses into Mako’s arms. I presume on purpose.

We cut to a scene of Kuvira’s trial. Kuvira, after being read the charges against her, pleads not guilty (because every thing she did was for the “greater good”), Suyin confronts her and Kuvira apologizes but Suyin isn’t having it and forcefully tells her that apologies aren’t enough, she has to take responsibility.

We move on to President Moon’s office, where Wu is sitting on a sofa and Bolin welcomes Asami, Mako and Korra in. Mako lampshades Bolin’s many career changes. Bolin makes a comment to Mako that just because Mako has “found” himself it doesn’t mean the rest of them have. I, for the life of me, can’t figure out exactly what Bolin is trying to say here. Is he referring to the fact that Mako has “found” his career as a detective? Or something else, like his true feelings for Wu? Probably the first thing but us Wuko shippers will happily apply it to the other thing.

Once everyone is settled in, Wu asks them to come with him to Gaoling for the upcoming elections! Mako is actually not thrilled, and tells Wu that they aren’t going to be there for him to show off as his entourage. Wu is like No, that’s not it! Well, yes, kinda. He wants their help dealing with the Earth Empire loyalists being led by Guan. The Earth Kingdom army is understaffed and Wu is worried the Guan will try to prevent the elections from happening. The Krew agrees that it could be a problem, especially since it could cause other states to back out of holding elections and allow the earth empire to rise again.

So the Krew plans to come to Gaoling to show support for the elections, hopefully deter Guan from interfering, and Mako says they will keep Wu safe. Zhu Li encourages Bolin to go as well. Wu is very excited to team up with Mako again! After they leave the President's office, Korra suggests going to go speak to Kuvira to try to gather intel on Guan- Asami is not thrilled and doesn’t want to go with her because Kuvira was responsible for her father’s death. Korra is understanding and supportive and they share a lovely little kiss before Korra heads off.

Korra arrives at Kuvira’s prison with Naga. We catch a quick glimpse into Kuvira’s mind as she remembers a moment from her childhood when she ran away from her parents-after her parents accused her of breaking a vase, the take away her toys and lock her in her room “for her own good”, and she uses her earth bending to break the wall and escape. This and other flashbacks attempt to make us more sympathetic to Kuvira so we can accept her redemption arc in the remainder of the comics. After her little flashback, Korra and Kuvira discuss Guan. Kuvira says she didn’t know Guan hadn’t surrendered, and that Korra should consider him a major threat because he is cunning and strategic. Then Kuvira tells Korra if she wants to stop Guan, she should bring Kuvira along to reason with him and convince him to stand down and surrender. Korra is not convinced, but Kuvira tells her to take time to think about it, and she’ll be there to help when Korra asks.

Meanwhile, Guan is rallying his troops. He’s got a sizable regiment of soldiers along with tanks, and is giving them a big speech about taking back the empire and rising from the ruins of defeat. He and his troops head out of their fortress, presumably to do exactly what everyone is worried about and stop Gaoling’s election.

Mako and Wu Scenes

Mako and Wu are featured in many scenes of these comics, together more often than not!

The very first scene with Wu, he is standing right next to Mako, in the same frame as Korra and Asami. I realize “standing next to each other” might not actually be ground breaking evidence for Wuko, but it feels like a parallel to Korrasami, and most importantly creates kind of an establishing shot, planting Wu at the center along with Korra. This is kind of amazing considering he was in only one season of the show and he was largely a comic relief character that I don’t think the writers meant for us to take seriously. There is a pattern of parallels in RotE with Korrasami and Wuko, and we don’t really need to reach for them. They are right there, visually.

We also get to see some lovely moments of Korra’s and Wu’s friendship. She elbows him good-naturedly. She’s kind and supportive. She compliments him. He does seem a little awkward but overall it seems he really fits in with the Krew now, and I find it really sweet. His characterization feels very different from the show. He isn’t obnoxiously flirting with every 'dame' he lays eyes on. He isn’t bratty, or materialistic. He’s still goofy and lands some comic relief joke moments, but overall he is treated like an actual character with substantial development and plot-advancing roles.

During Wu’s speech, Mako is staring like, way too intently at him while casually complementing how he almost looks like a real leader. (Well, up until Wu starts singing, and then his second-hand embarrassment seems more intense than the others, who mostly just seem a little stunned, while Mako has his face buried in his hands). Also, the running gag of Grandma Yin being obsessed with royalty has it’s funny moments during his speech, but I really like it because the fact that Mako’s grandma is reverent, affectionate, AND outspoken with Wu would probably create an interesting in-law dynamic, right? Also, during his song, the tosses his hat out to the crowd which Yin catches like a single lady catching the bridal bouquet, and says “You’ll always be my King!” I like to imagine that she now wears his hat everywhere, along with Mako’s scarf. I know I’m reaching but Yin wearing both their accessories is another Wuko moment in my mind.

Let’s also talk about Wu fainting. After his panic-singing, Zhu Li quickly takes over and Wu steps back and dramatically faints, saying “Wu down”- right into Mako’s arms. Why into Mako’s arms? Did he step back and strategically aim himself at Mako? Technically the closest person to him was Varrick. So he had to stagger back diagonally and fall back toward Mako on purpose. Did Mako catch him with lightning-fast reflexes? Korra was also right there and she’s the Avatar, you’d think she’d react quicker than Mako. Nope. The best explanation is that Wu for sure was intentionally falling into Mako’s arms, and Mako’s ‘protect Wu’ instincts kicked in faster than anyone else's because.. Well. You ship Wuko. You know what I'm saying. <3

During the conversation in Zhu Li’s office, once again, visually Mako and Wu are parallel to Korra and Asami. They are sitting next to each other on a couch opposite Korra and Asami. However, there is this one moment where Mako is NOT HAVING IT with Wu. When Wu asks the Krew to join him, Mako is like, why? For show? No way. He says “We’re not your entourage, Wu.” Honestly that was kinda mean of him to say. I’m not sure what to make of it other than Mako is suddenly grumpy because his brother (who was visibly offended by Mako lamp-shading his career-hopping) snatched away a tray of cupcakes a moment before. Still, Wu is quick to reassure him that it’s not like that at all, and delivers the news of Guan and quickly makes a case that it’s the practical thing to do considering the political climate. Mako immediately agrees after that, and quickly flips his script to “we’ll keep you safe”. And Wu’s triple “yes” response with an excited fist in the air is enough of a Wuko moment for me.

When they leave Zhu Li’s office, yet another visual Korrasami/Wuko parallel. Korra and Asami are in the back holding hands, and Mako and Wu are in the front with Wu’s arm draped around Mako’s shoulders. Wu is very happy that Mako is coming along. Says they should get a smoothie to celebrate, and it’ll be just like old times! I’m sure Wu missed Mako. Mako doesn’t seem quite as thrilled but at this point it's really just Mako’s face. He just always looks like that. Who knows what he’s thinking inside.

What this means for Wuko

So if you are writing some fanfic or just coming up with headcanons with the comics in mind, there is a lot of material to work with right away. They are in close proximity for most of their scenes. Wu is accepted by the Krew, and he is buddy-buddy enough with Korra to presume he’s probably been talking to her outside of the scenes depicted in the comics. So there’s some potential for wingman or matchmaker Korra, or at the very least she will be happy and supportive of them getting together since she has warmed up to Wu a lot. Both Mako and Wu have matured enough that a healthy relationship is within reach. Wu clearly has affection toward Mako, and Mako still has that protective instinct toward Wu, even if he looks like he’s not having a great time (But like I said, he looks like that all the time, so I'm pretty sure he just has resting bitch face).

So that is about the halfway point of book 1. The next post I will talk about the second half of book 1. Some things to look forward to: a sauna scene, Mako, Bolin and Wu giving Kuvira the Bitchiest collective look ever, and Wu casually telling Mako that he loves him.

Wuko in Turf War

Wuko in RotE part 2

#Wuko in the comics #Wuko #Mako #Wu #RotE #Prince Wu

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bogkeep · 3 years

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theo’s tarot collection

hi hello i suffer from a terrible ailment called I Keep Acquiring New Tarot Decks Even Though I Am A Tarot Newbie.... so i figured i could do a little writeup about my decks if anyone is interested in that :’) basically i started doing tarot in 2019 because i couldn’t get a hold of a therapist (i was put on a year long waitlist WAHOO) so i basically. self-medicated with tarot readings hahaha. i had a friend who gave me a lot of really good advice and had done some readings for me before who felt immensely comforting. the way i read them is like... it allows you to confront your situation and your emotions through a new angle, but you gotta be brave enough to do it - or ask someone to do it for you. it can be a really intense but also cathartic experience. it’s not for everyone! but i like it. i still consider myself a novice and still learning so i am not in ANY way trying to paint myself as a Knowledgabl Tarot Witch - in a perfect timeline that’s who i wish i was, but i’m ultimately just some guy with a solid appreciation for art and personal growth.

ANYWAY... onto my DECKS (the tumblr post will probably squish the quality outta my photos so i’m gonna link the URLs for Full View)

Children of Litha by Alexandria Huntington

i consider this my main and first deck (i am NOT counting the official homestuck deck i bought as a teen just because i wanted to look at the art. no offense to the homestuck deck i’m just not gonna use fandom decks)! i picked it out but my Tarot Friend gifted it to me... i think it’s a very good starter deck for me personally, and it’s the deck i’ve bonded with and used the most. i even put a fancy sticker on the box as part of the bonding process. i always feel so bad for all of my other decks because i haven’t been able to dedicate as much time for them as i have this one... so it’s definitely the deck i go to for the most accurate readings for myself. Vibes and Thematic Coherence: the art in this is so beautiful and elegant. the symbolism more or less draws on the classic smith-waite deck, but redrawn for its theme. i like that it has a very consistent imagery! out of the major arcana, the fool is the only fully human character - every other character is part animal in some way or other. then the suit of swords depicts birds, winged insects and the air element, coins depict ungulates and equines and earth, wands has felines and canines and fiery imagery, and cups has fish and creatures of and in the sea. the court cards have humans. the suit symbols are always depicted consistently, as white silhouettes. there are also two extra cards: the all and the void. Pamphlet: the reason i think this was a good starter deck is because both because the art feels very intuitive about what it depicts (to me, at least), the descriptions in the pamphlet describe what is happening and why the artist chose this motif for this card. it has honestly helped me remember the meanings a lot, because i’ll be reading the other decks and be like “oh that’s the octopus card i know what the octopus card is about”. there are also little poems next to the main descriptions that work as a pretty solid tl;dr for the core meanings. i also like that the court cards are referred to in the sense of like... a knight is “a young person with masculine energy” rather than “a young man”. it feels more fluid and vibe-y about gender than traditional decks ya feel. on a range from Abstract to Directness this one feels like it sits pretty comfortable in the middle, maybe leaning on Abstractness. it has always given me gentle instructions and advice.

Cardfeel: the cards are very smooth and nice with gold edges. the cards are not NOT solid, but i wish they had been a little thicker because i’m always afraid i’m going to accidentally damage them - but that’s probably a feeling i have about most of my possessions tbh!! i think they’re a good size, too, at least for my small hands. they’re more on the long/slender side so they are good for me to shuffle. i also like the box, it’s a hard flip box with a magnet. i think u can’t go wrong with that. this is the deck i’ve travelled with the most (did u know hotel beds are the best tarot reading spaces. for some reason they just Work). The Spacious Tarot by Annie Ruygt and Carrie Mallon

this is one i really like a lot and want to use more! i absolutely adore the concept of it, but it’s a little harder for me to read than the Litha one. Vibes and Thematic Coherence: this one is like!!! it’s about the open space and the quietness. the vibes are IMMACULATE. the cards aren’t filled to the brim with happenstance and symbolism, but they each feel like a little refuge. very meditative. i also like that the court cards are not gendered at all - there is no page, knight, queen and king, but rather child, explorer, guardian and elder. i am really into that, especially as steps of mastery of their suit. i do think that this deck is probably easier to read if you’re more experienced with tarot meanings and symbolisms, because the illustrations aren’t necessarily that intuitive. Pamphlet: i haven’t read through this one very much, but i think it’s more on the abstract side of the Abstract to Direct scale. it might just feel like that because it describes what the card symbolizes without drawing much on what the card depicts - it is generally a pretty abstract and meditative deck. i like it for what it is! but it’s harder for me to read than my main Litha deck. Cardfeel: there’s something about the cardfeel i wish was different. they’re perfectly ok cards, they’re smooth and not too thin, but i still wish they had had more heft or something. while the cards fit very well into my hands i think maybe they could’ve been Larger to emphasize their motifs of openness and space. or texture. or gilded edges. i really don’t know what i want. the box however is very good and easy to open and use!! never underestimate a good box.

Tarot of the Divine by Yoshi Toshitani

this is a deck i Had To Get because i knew the artist was working on it and i was always Planning To... it is not a deck i use very often but i absolutey adore it. you can also get it with an accompanying fairytale book, i thought i had ordered that but i was Wronge. Vibes and Thematic Coherency: it depicts motifs and characters from stories, myths, and fairytales from a vast variety of cultures. it’s AMAZING. the art is so clean and crisp and i was VERY EXCITED to find a card drawing on a sami story (page of coins)! i don’t have a lot to say except that yoshi yoshitani has done some incredible work on this. Pamphlet: while i do not have the Fairytale Book edition, the pamphlet is really super nice because it shows pictures of the cards, lists what story it depicts and where the story is from, gives a short description for how this scene or character embodies the card. it then lists some of the Card Characteristics beneath. very simple but very nice. i really like pamphlets that explain Why the artist picked the motifs they did - for me personally it really helps me connect to the deck and their symbols. it’s probably more on the Direct side of the scale thanks to this. Cardfeel: these are textured!! they feel like the playing card deck my grandmother has, which feels apt to me. textures make the cards feel solid to me. they’re also a very nice size to hold. the edges are not guilded, but with the white frames it looks good and nice. the box is nice but also Large, possibly to fit with the book? might not be ideal for travel, but there’s nothing stopping you from getting a different box or pouch.

The Star Spinner Tarot by Trung Le Nguyen

my most recent deck... i KNEW about the artist and the deck from before, but wasn’t PLANNING to get it, but then i saw it in the comic book store and i wasn’t able to pass it by. no regrets, it’s a wonderful deck. Vibes and Thematic Coherence: absolutely lovely art and style. it’s another deck drawing on fairytale themed motifs. i’m loving the use of colors and circles. it also has four different cards for the Lovers so you can choose which one(s) speak to you the most, something i think is just wonderful. i think the only thing i found a little... odd? was that the suit of Wands looks kinda same-y, which isn’t a bad thing, but it was the only suit that looked that way to me. they’re still very very nice. ALSO THE BACK OF THE CARDS ARE SHINY. I JUST THINK THAT’S VERY LOVELY. as a Physical Product these are chef’s kiss. Pamphlet: on the Abstract to Directness scale, these are VERY DIRECT. the pamphlet doesn’t say a lot about why the cards depict what they do, but go straight into card meaning, and in a very unambiguous way. i think it can both work very well, leaving you little room to avoid your feelings, but it also has a higher margin to miss completely. for being such a cutesy deck full of fairies the pamphlet is definitely giving you a smack at the side of your head. i haven’t used this deck a lot yet due to its newness, but i definitely want to try it out more to see what it does to me.

Cardfeel: out of all of my decks i think this has the best cardfeel... the cards feel really solid, and have a very good size that feel just right for them. like i sort of fell in love with the deck when i actually started shuffling it and browsing the cards. buying cards - especially on the internet - can be a gamble because you Can’t Know The Cardfeel. with decks like the Spacious Tarot i got a little dissappointed, but this one was a very pleasant surprise. also the box is very good and look like a work of art. The Fyodor Pavlov Tarot

honestly one of my new favourite decks that i ABSOLUTELY am going to use more and become more familiar with. also a deck that i knew the artist was working on, and supported the kickstarter the moment it was announced. my deck also came with two Magician cards and i don’t know why. extra wizard for me??? Vibes and Thematic Coherence: the look and feel of this deck is Immaculate. it looks very classical and traditional (and absolutely gorgeous), it is grounded in the classical smith-waite imagery but Expands Upon It, draws on the diversity of human culture and experiences... also loving the energy of “THIS CARD IS TRANS NOW AND THERE’S NOTHING YOU CAN DO ABOUT IT” many cards have (most famously the Lovers, but i don’t want to post pics of any of the cards depicting nudity or risqué themes on tumblr). i absolutely adore the knight of coins card (THE HORSE IS HIS FRIEND AND SERVICE ANIMAL!!). it’s just Really Very Good. also the backside has pretty Shiny stars and i like it. Pamphlet: i really like this one. it is a deeply personal pamphlet, where fyodor pavlov directly discusses his relationship to the cards and why he chose the motifs he did. it feels really grounded in the world we live in, and also such a vulnerable thing to share with us all. it’s on the Direct side of the scale without necessarily telling you “the card is definitely this one thing”. my only wish is that it was easier to navigate at a glance. Cardfeel: THEY ARE TEXTURED!!! these cards are definitely long and slender and benefit someone with larger hands than mine, but i still like them a lot. i do wish they had been a smidge heavier just so i wouldn’t worry so much about damaging them... but i don’t want to be ungrateful. the deck and the box are wonderfully crafted. The Botanica Tarot by Kevin Jay Stanton

oh boy did i support the kickstarter for this one... i had actually bought the major arcana when it was the only version available, and then the artist decided to make a full deck. it’s an absolute work of art. Vibes and Thematic Coherence: oh boy oh boy does it serve vibes and thematic coherence. it’s Plants all the way down, OBVIOUSLY, but also like... every card in the minor arcana depicts their suit in its own way. like the range of coins/currency from various times and cultures?? AMAZING. looking at the art of this deck is a DELIGHT. every card manages to be beautiful and interesting despite there not being a single living creature depicted on any of them. i WILL say they, same as the spacious tarot, are not the most intuitive to read if you’re not super familiar with either the Plants or the meanings of the cards. Pamphlet: you can fit so much plant knowledge in this one. i got a version of the deck with a beautiful little book, but there’s also a small pamphlet that follows the deck itself (which i admittedly have not looked too closely at yet). there’s descriptions for why this specific plant has been chosen for each card, and then some Card Meaning Keywords. so definitely on the Abstract side of my imaginary tarot pamphlet scale, because you mostly have plant symbolism to go on. i haven’t done a lot of readings with this deck, i’ll be honest - but it’s a beautiful treasure that i adore. Cardfeel: they’re Smoothe and Guilded edges. they can feel a little wide for my hands, but not so much that i cannot shuffle. i think maybe a smidge of texture wouldve been good with this deck since it would fit the look of the painted art. i also did get like... a big kickstarter reward version of this deck. it came in a tin box with extra treasures and a cloth and pins... the actual card box itself is beautiful to look at, but i have to say that the one i got is VERY HARD TO OPEN. i might transfer the cards into a pouch if i want to be reading them more often. IKEA deck

yes this is a meme deck and i don’t really use it but I WANTED TO SHARE... i think the major arcana is very cool and funny, but i was dissappointed to find that the suit cards are just “ikea part but Multiple Times”. it also does not come with a pamphlet. also yes yes it’s funny that the names of the cards are spelled in a “silly ikea word language” BUT IKEA NAMES ARE JUST SWEDISH....... IT’S NOT A SECRET LANGUAGE IT’S JUST SWEDISH............ it’s a funny deck to have and it doesn’t take up much space so eh! shrugs!!! The Lubanko Tarot by Emily Lubanko

another kickstarter deck... it’s gorgeous but there is a chance i might gift it to someone else. not because i regret getting it or don’t like it, but because i already have so many decks that speak to me, while this one gives me vibes of serving someone else better. does that make any sense? i admittedly haven’t looked at the pamplet so much so i think i’m going to skip that description for this one. Vibes and Thematic Coherency: the MOVEMENT and the COLORS... it’s Capturing Feelings in a really good way. i mean. i got it for the vibes and it’s serving vibes. Cardfeel: Smoothe Cards. shiny silver edges, like a slippery fish in a rapid river. it feels good and right for this deck. also good box. i know most of these decks have Good Box, it’s just the botanica one that let me down by being difficult. The Oriens Tarot by AmbiSun

i don’t have this deck anymore, i gifted it to my boyfriend... i found these pics on my twitter. it’s one of the first decks i supported on kickstarter and it’s VERY pretty, and it has HOLOGRAPHIC RAINBOW EDGES HOT DAMN. it’s another one of those instances where i Yearned for it and then found that it didn’t fit me as well as i had hoped. tarot is just one of those things where you have to find what Works for you. at this time the children of litha was working so well for me and i really liked the depiction of animals in it, i wasn’t able to connect to another animal deck in the same way... and it was before my tarot collection snowballed into what i have now. C’EST LA VIE ... i don’t have a smith-waite deck. i’m a fake tarot fan. i am however familiarizing myself by following Jessica Dore on twitter and subscribing to her monthly newsletters. i really love how she talks about these cards and how she interprets them.

#tarot #i have also backed the alleymans tarot on kickstarter because of course i have.#i'll get back to you when i have it.

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entityneo · 3 years

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(Okay tumblr, please don’t eat my ask this time haha...) How do you come up with OCs for the comic? Is there a process, or do they just suddenly exist?

(Eats your question before tumblr does)

Our original characters, huh? Hmmm.

Well, for all you hard core Beauregard fans out there, this one’s for you. I’ll use him as an example.

Beauregard sort of developed out of a need to replace Undyne as the royal guard. It’s a funny thing to say that since I hate implying that he’s just a role to fill. That’s an important key to writing ocs for me. They need to have their own ambitions, traits, and personality beyond just their purpose in the plot. Undertale really thrives when it comes to its character personalities. I mean every NPC in the game has something that makes them personable whether it’s a lion with a desire to wear a beautiful dress or a bunny walking another bunny on a leash. In contrast, this is why say, love interests, for example, are frequently criticized. In older media, a love interest is typically made as a reason to give the protagonist a soft side (which inherently isn’t wrong but it’s usually at the expense of the love interest’s personality becoming 2-dimensional which makes the romance plot feel flat, uninteresting, or just unnecessary.) A good character isn’t just a plot device. A good character is a person with unique thoughts and interests that are independent from other characters.

Back to Beauregard. The funny thing about Beauregard, is that I actually based his personality off one of my old landlords of all people. That landlord was actually a really friendly guy, but he had this sudden intimidation about him that you didn’t want to mess with (especially if he had to come unclog your sink lol).

Now, I took this as a base to expand Beauregard’s character (since my landlord really isn’t into opera like Beauregard is on his bio lol). We have other plans for Beauregard down the line (as with many of the other original characters you’re starting to see), but initially, we wanted to make sure that Beauregard has displayed competence as a captain (not a true hero like say Undyne, but he has good intentions). Just enough to see why he was appointed to the role.

At this point, since many of the characters are only just starting to pop up, we’re really hoping to rely on showing and not telling as a way to convey their characters (which means we’re going to get treated to Beau’s singing at some point, yay!). With the humans, we wanted to keep their stories simple but understandable and hopefully sympathetic enough to stay memorable. That makes sense, right?

Design-wise, in order to match Undertale’s unique character designs, the best method has been just to think simply. I know it’s “cool” for artists to say Toby’s work is ugly when honestly, I ADORE his art style. His designs are so charming! I have to sometimes undecorate my ocs for the comic to make them fit in better with the Undertale universe. Toby’s style is so eccentric and yet so masterfully simple in that he’s able to convey each character’s personality without dressing their designs up excessively.

Beau, meanwhile, is uh, literally a bow. That was the idea behind his design. A bad pun. I decided to keep up with the fabric theme by giving him a button buckle and a tougher, glass-like eye. The big challenge in Entity NEO specifically is making the black and white values work since there’s no color besides that. I passed this drawing to Migosp once to determine how he’d appear in the comic so they were the one who decided on the final value scheme. I had to make sure the values emphasize the correct features like Beau’s glass eye in this instance.

At the end of the day, it’s really deciding a role, conjuring a personality, and making a design that blends in with the setting they’re in. In fan works, it’s also about finding ways to use your original characters to explore the canon characters (such as Napstablook) and seeing how they would interact with one another and how great of an impact they make on each other. Basically, don’t add anything that doesn’t have intent but don’t let the intent of their role be the only thing that defines the character’s existence. Lastly, give us a reason to love them. We cling to the canon characters for that very reason, so why not treat your own ocs with the same respect?

OkbutsometimesIdrawacoolcharacterthatIlljustsaysayokwhateverIwantthistobeacharacterinthecomicsonevermindabouteverythingelseIsaid.

Uhhh so anyway… I hope there was something uh…. insightful here???

- Mod NEO

#Long post #Entity NEO #undertale #undertale comic #art by mod NEO #so I shouldn’t be saying this here but I must admit this chapter is taking long because of an injury I’m recovering from #it’s nothing new I just have chronic wrist and elbow issues that have been flaring up recently so I’ve been going slower on things #and commissions have piled on me too so there’s that #we’re not gone I promise #this is…. Honestly why we don’t commit to schedules #thank you for stomaching this very long ask #no mary sues on my minecraft server #also love interests can be good let me clarify that I have dumb ships I like too #rockium-z

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countessofbiscuit · 4 years

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What are your Bobasoka headcanons? I've already gone through all of the (criminally little) fic on ao3 and I especially loved Smothered and Covered, and I saw the majority of the fics in the tag were gifted to you so I'm assuming you're the OG shipper. Feel free to essay if you like!!

Thanks for the ask and kind words about that fic :3

Oh, Bobasoka … where to begin? It’s a pairing that’s been bumping around in exchange requests for a few years — I figure it’d be easy for anyone invested in Ahsoka’s relationship with the clones to be compelled by the idea. Lledra used to draw Boba and Ahsoka interacting, and it was probably a few panels of their incredible Destinies comic that set my Bobasoka wheels turning. I’m also drawn to them because their journeys traverse so much canon; there’s not just a sandbox to play in, but a whole goddamn stretch of beach, stretching far out into the horizon ... (#AhsokaLives #BobaSurvived :D)

I have to lead with the proviso that almost everything I write/daydream about/headcanon has a groundsheet of Rexsoka. Ahsoka’s interest in Boba, in my head, is intimately tied up with her attraction to and/or relationship with Rex — or, at the bare minimum, her intimate fellowship with the clones. She went through puberty (maybe with heats!) surrounded by a literal army of handsome, roughly college-aged dudes; that must’ve been a heady mix of heaven and hell. If she didn’t quench her thirst before war’s end and her (eventual) separation from Rex, she’d probably be pretty dehydrated when stumbling across Boba. As for Boba’s attraction to Ahsoka, well ... she’s very pretty, she’s potentially useful, she’s not likely to skewer him in his sleep (+2) on account of being a Jedi (-1), and now she’s the one down on her luck; if he falls in bed with anyone, why not this girl who isn’t afraid of him and stares a lot at his lips?

And Boba is like a hot shipping potato — satisfying, hard to fuck up, goes well (read: makes for an intriguing story) with almost everyone. And I think it has everything to do with his liminality, something he shares with Ahsoka and probably recognizes.

Their neither-this-nor-that-ness overlap in such interesting ways, and they each bring their identity issues to the table — Ahsoka as an on-again, off-again Jedi; Boba as a clone who isn’t a Clone™, a Mandalorian by birth and bearing, but not by the book. At different points in their stories, they identify as different things, and that would affect their headspace and color their view of the other. They wrestle with themselves and each other. Force-user and bounty hunter; privileged topsider and orphaned juvenile delinquent fugitive; GAR commander and outcast clone; Jedi and Mandalorian; Disillusioned veteran and disaffected army brat; Rebellion agent and Imperial contractor.

And as much conflict is baked into these dynamics, it also generates a certain magnetism; and I believe they recognize, on some level, their shared trauma and the symmetry in their experiences. Boba and Ahsoka both have happy childhoods with very little to distress or vex them (beyond the art, I do not jive with Age of Republic: Jango Fett, a Disney-canon comic that not only doubles-down on the Jango-wasn’t-Mando nonsense, but shows him being rather cavalier about Boba’s life); Geonosis happens and their adolescent lives are dominated by war (which is how they came to actively threaten each other as space!secondary-schoolers — whaaaaatf!); they are both dubiously (even wrongfully) imprisoned; and they both suffer alienation and incredible personal loss.

Boba was set apart from the clones before he was even pulled him from the jar, othered and elevated from the beginning. He never bonded with brothers, he does not identify as a clone. And while there are examples of clones making overtures to him, canonically his relationship with them is fraught and probably made worse when he gets banged up in Republic Central at the tender age of eleven or twelve — and of course, Ahsoka is an accessory to this, the second chapter in his tragedy at the hands of the Jedi. He needed help (whether he wanted it or not), it was not given by clones or Jedi alike (hamstrung by bureaucracy, sure, but surely some other means of intervention might have been lobbied for?), and Boba becomes a right teenage disaster, well-balanced only in the sense that he has a chip on both shoulders.

(n.b. Putting my RepComm hat on for a second, I can’t help but sniffle-laugh at the idea that the Alphas watched him get thrown in a maximum-security slammer and were like “Ah, there he is, the feral vod’ika. First time, we’ll let the little snot earn his stripes. Second time, we’ll bust him out and send him on a tough love retreat with A’den or Jaing.”)

Ahsoka, meanwhile, is part-and-parcel of the institutions that Boba sets himself against, even after she too has been cast out by circumstances beyond her control. She grows up in a supportive Jedi community and then spends some seriously formative years with a whole slew of brothers — brothers that should have been Boba’s!

Boba, on the other hand, is a great example of the proverb that a child who is not embraced by the village will burn it down to feel its warmth. (As he tells Hondo, “Why should I help anybody? I’ve got no one.”)

The resentment that must create! But also, later, the quiet empathy too — maybe when Boba’s having one of his better days and Ahsoka’s obviously not.

And all of the above is interesting enough, without also touching upon the wildcard that is Mandalore.

Boba’s relationship with Mandalore .... well, that’s contested in- and out-of-universe and I won’t allow myself to essay overmuch. I subscribe firmly to a Mandalorian Fetts construction of canon, even though Boba must be someone who struggles mightily with Mandalorian identity. He’s raised by a bona fide Mando, a solicitous, loving father who’d have no reason not to pass on his language and beliefs; but at the same time, it takes that village, and when Boba’s clan of two is shattered, he has no one else. The loss of his dad unmoors him from his only anchor to Mandalorian culture and clan.

If Boba had been close to the Cuy’val Dar, one would think he’d have turned to them rather than fall in with Jango’s criminal acquaintances; or maybe the bounty hunters just scooped him up first, and troubled lil’ Boba was shepherded through bereavement by folks who enabled and encouraged him to externalize his anger in a way that gave him a (false) feeling of agency and strength.

Whatever the reasons, Boba does not repatriate himself to Mandalore (much to Fenn Shysa’s melodramatic dismay). He strikes me as a lapsed Mandalorian; he doesn’t exactly follow the creed besides wearing the armor (scavenged? his dad’s sans helmet? canon is confused on this point, but he doesn’t go Mando until the unfinished arcs at the end of TCW, either for lack of stature, lack of armor, or lack of enthusiasm). I feel like if someone rocked up to Boba in a cantina and had the balls to ask “hey, so you a Mandalorian?” Boba would be like “<ominously slow helmet tilt> who’s asking” and never give you a straight answer.

Meanwhile, Ahsoka gets a crash course on Mandalore from none other than someone who, at one point, belonged to a sect that wanted to expunge Jaster’s legacy from the galaxy — and at the very least, had reason to dislike clones. This isn’t the place to explore my Boba/Bo-Katan feelings, but know that they are fathomless, and I would pay good money to be a fly on the wall of that Kom’rk when Bo-Katan gives Ahsoka Mando History 101 with her own special sauce. Ahsoka is probably more up-to-speed on Mandalore than Boba, and at one point, she may even own more beskar than him! (n.b. After the crash, I think one of the first places Rex and Ahsoka bounce is just inside Mando space, to scope out the Sundari situation and maybe try to scramble a signal to Bo-Katan; she’d have the goodwill to at least get them back on their feet if she can’t help them lay low herself. For a variety of reasons worth maybe ficcing down the line, they aren’t successful.)

I don’t really have a concluding statement except, I just think Bobasoka’s neat :) They hit all my depressed-Millennial buttons.

Headcanon by bullet-point isn’t really my style, but this is tumblr so ... tl;dr:

They recognize a lot in each other, even if they’re slow to admit it, if ever. Boba’s a cagey bastard and Ahsoka doesn’t ever like him enough to be emotionally honest.

They bump into each other during Ahsoka’s walkabout(s) ‘cause Coruscant’s Underworld ain’t big enough for the two of them. Without Slave-1, Boba couchsurfs at Nyx Okami’s garage, but he does his laundry at Rafa’s. He might even borrow the Martez’s new, useful friend for a job or two.

Ahsoka eventually matures enough to be sensitive about her use of the Force on and around clones, and she definitely doesn’t use it around Boba. Definitely not during sex.

Boba is privately weirded out every time Ahsoka uses Mando slang she picked up off the clones or the Nite Owls.

Boba absolutely kills Cad Bane in that shoot-out, keeps the hat, and lets Ahsoka have it. She shoves it out the airlock and uses it for target practice.

So many great smut flavours! Hatesex. Acquaintances with benefits. “You’re traumatized and touch-starved and you look just like him/them, and I know how to be gentle and what to do, so maybe we could … ?” They’re both privately comfortable with their bodies and sexuality, but Boba’s got trust issues a parsec long and Ahsoka’s lost confidence; it’s always an awkward affair, but desperation wins out.

They exchange comm codes every time they run into each other, which is kind of pointless because they both use burners.

Ahsoka hitches a ride on Slave-1 more than once. There really is only one bed, so it’s either sleep upright, sleep in a pokey prisoner hold, or sleep with him.

For a few years, Boba can pass as a last-generation clone — the ones that got sold off in bulk units to slavers before Kamino sunk another three years’ food, board, and training into them. Boba pretends he doesn’t notice, easy to really, since he tells himself his helmet is his face. But occasionally, when Ahsoka can convince him there’s profit in it, he agrees to play sleeper agent and assists in liberating a few here and there.

They don’t talk about Aurra Sing.

When an Imp really crosses him, Boba passes on intel to Ahsoka to ruin their day.

Once, when they’re both super skint, Ahsoka volunteers to get handed in to some relatively minor and out-of-the-way Imperial garrison, so Boba can collect, bust her out, and split the pot with her. It’s the closest she ever comes to telling him “I trust you” — and when he brushes the idea aside, citing something about risk, it’s the closest he ever comes to telling her “I love you.”

Boba sees Inquisitors as muscling in on his game. There are so many lousy Force-users around nowadays, it should be easy pickings, but Inquisitors get privileged information. So he makes sport out of misdirecting them, especially from Ahsoka.

When he pisses her off, Ahsoka fantasizes about Bo-Katan taking Boba down a peg or two while she watches :)))

Boba experienced Ahsoka’s heat once, secondhand through a cabin wall. He thought he was being clever by shooting Rex up with some Nevoota stim pollen, locking him in with Ahsoka, and hijacking their locked ships. Longest three days of his life, limping on broken hyperdrives and shared fuel stores to the nearest waystation to a soundtrack of violent lovemaking : \

Bounty hunters invariably bump into spies and agents because they work in the same areas. The agents pretend to be bounty hunters, eccentric business people, sex workers, or a range of other things. Sometimes each party knows all about the other, but it’s only polite not to mention it. This happens to Ahsoka and Boba A LOT, especially once she becomes Fulcrum; rebel cells and Imperials often want the same people. Occasionally they exchange fire. A couple times Boba gets imprisoned in Ahsoka’s own brig. Once, Boba blows her cover and definitely lives to regret it.

(this essay was originally punctuated with pics, but replies with images won’t show up tumblr tags so ¯\_(ツ)_/¯)

#bobasoka #boba fett #ahsoka tano #rexsoka #the clone wars

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autumnblogs · 3 years

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Day 43: Openbound

We’ll principally be doing Act 6 Intermission 3 today, so expect lots of pictures in this one!

Believe it or not, I initially didn’t like Openbound very much; I felt like it kind of dragged on my first readthrough, and generally had a pretty hard time getting myself to care about the Dancestors. They’re a pretty unsympathetic bunch.

Then again, lots of Homestuck characters are pretty unsympathetic! I’ve been really feeling that in the second half, as retrospect allows me to view a lot of secondary characters through the lens that we’re not intended to get attached to them.

That said, Openbound is actually pretty key to helping us understand the second half of the comic, I think, and makes explicit a lot of the themes that it explores, and how it builds upon the first half.

I think that the theme of Openbound as a self-contained work within Homestuck that we can use as a tool to decode Homestuck can be concisely stated like this; “Nostalgia and a desire for unity with the past causes toxic stagnation.”

So, aside from the introduction that we’ve already gotten to Meenah through the short conversation she had with the other kids, this is our first real opportunity to get to know her! Boy is she obsessed with money.

Money, like Cake, is a symbol that is associated with the Aspect of Life. As an aspect principally associated with Raw Power - the power to do what you want, unfettered by the stringent restrictions that are associated with Doom - it’s natural that Life would be associated with money.

The origin of money in history is pretty nebulous; it precedes the invention of writing, so any theory concerning its invention is ultimately conjecture. What I think is interesting about money is that the move toward a monetary economy in history mostly (but not always) happens as a result of the fact that it is way more efficient to collect taxes; the state mints standard coins, only accepts taxes in the form of standard coins, and propagates them into the economy by buying goods and services from the market.

It’s a tool of government, and even though Meenah may abrogate her inheritance, the Princess can’t escape her birthright. Money offers control, security... and power. What makes all of this extra interesting is that money is effectively worthless in the afterlife. Here, there’s actually nothing for her to really buy or spend it on; anyone can dream up whatever they want with ease.

It’s a nice bit of callback humor that Meenah has the same reaction to discovering the Thorns of Oglogoth that Rose does, but unlike Rose, Meenah actually does destroy them on the spot.

For being so headstrong and dangerous, there are ways in which Meenah is really pretty surprisingly sensible.

Lord English can destroy ghosts - this has always been a pretty disturbing thought for me. I may have said something to this effect before, but if I haven’t I’m a free-thinking Theist - raised in the Church, and largely independent in terms of beliefs, but I’m still pretty convinced that there is some kind of life after death. It doesn’t bother me nearly as much in works that have final death as a general presupposition, but it always bothers me when some kind of eternal life after death exists in a setting, and can be arbitrarily denied by evil beings with some power or another, like how some Demons and Liches can destroy or devour a soul in Dungeons and Dragons.

In Homestuck though, it fits with the themes established by the ways in which everyone God Tiers - spiritual power can be pretty arbitrary, and generally signifies very little about the moral worth of the one who has it; it does not intrinsically elevate the one who has it. It fits with its general criticism of power and the powerful, whether that’s the Mayor’s hatred of Kings, or the associating of corporatism with the worst parts of Jane’s characterization and Crockercorp in general.

Lord English has the power to destroy ghosts and end the lives of immortals not because he has attained to any kind of heightened spiritual awareness. He’s just some douchebag who through cosmic serendipity was in the right place at the right time to become basically all-powerful.

I adore Meenah’s spark. Who gives a fuck if Lord English is invincible? She knows exactly what she’s going to do when she gets her hands on him, and she’s got a plan from the outset. I think it’s also interesting the way that even though Meenah is absolutely taken by the spectacle of power, it isn’t sufficient to make her want to join up with English. Only soft power works on Meenah Peixes; emotional intimacy, friendship... keeping her entertained. All of these are the actual way to moderate her violent and dangerous personality.

While neither Rose nor Meenah is a parallel character to either Gendo or Rei from Neon Genesis Evangelion (I think, actually, that Dirk is the character who most strongly parallels both of them), this bit reminds me of the way that Ritsuko describes both of them;

Rose says of herself and Meenah, “You’re not very good at this, are you? ... talking to people.”

Ritsuko says of Gendo and Rei, “They’re not very adept (at)... living, I suppose.”

The same can really be said of a lot of characters in Homestuck, particularly the ones who primarily find their identity in some form of power-seeking. Whether it’s Rose, or Dirk, or Meenah, or even someone as innocuous as Jake, none of them is particularly adept at living.

Rose is pretty conciliatory with Meenah; given her attraction to danger and darkness, it’s probably not surprising that she makes such an obvious pass at Meenah in spite of the fact that she probably knows what their relationship was in another life.

Further evidence that Rose is the horniest Homestuck character.

“you know how it is with ancestors

they just kind of hold this inexplicable power over you”

Dave continues to progress down the path of not giving a shit, as did Sollux before him.

He’s not quite to the level of reluctance that he eventually adopts, of choosing to just not engage with English at all.

Gods are, to some extent, aware of the various narrative forces that govern their existence.

About the only thing this piece of nasty trash has in common with Karkat is the extent to which they both blabber, and he helps create contrast with the other, somewhat more likable dancestors. Kankri is pretty much openly contemptible, and really in the worst way. I’m almost inclined to call him a concern troll because of the extent to which his verbal essays exist purely to make him feel better about himself. Any time it comes time for him to listen to people who historically actually suffered from the systems they were involved in, Kankri shows his true colors, slut-shaming and misogynistic.

Unsurprisingly, The Other Thief is also the vector for English’s ideology in her session, “turning us against each other to make us stronger.” While Kurloz may be a worshipper of English, and Damara may have thrown in her lot with the demon because of her nihilistic despair, Meenah (rather like Dirk!) is clearly driven toward a life of violence, and restless action for its own sake.

Now we’re starting to get some insight into Feferi’s style of rulership, which in turn, probably gives us some insight into Jane. For Feferi, leadership means taking power away from the people you’re leading if it seems like they have the potential to hurt themselves (or to be a drain on society if left to their own devices). It represents a violation of agency, perhaps not so severe as the kind that Vriska perpetrates usually.

Feferi and Jane are the sort of people, I think, who want to create a perfect world - but it’s important to them that they’re the one who’s creating that world, and less important that the world is perfect for anyone in particular. Just perfect.

https://homestuck.com/story/5288

John’s whole self-conception, and especially his conception of himself as a man, and someone who might be growing up to take on the same roles as his Father, is tied up in the icons of dadliness and masculinity in the movies that he likes.

So we should expect that his disillusionment with his past will change the way that he thinks about his future, and what he’s going to do with it. It’s a shame that this line of questioning never goes anywhere in Homestuck proper, but I’ll use it as evidence in the “John/June Egbert is trans” folder. Reminds me of how my decisive lack of affinity for the Boy Scouts serves as a nice little retrospective bit of evidence in my own trans narrative.

Based on the number of trans Eagle Scouts I know, I feel like there’s a certain extent to which it be like, a fast-track to figuring that out about yourself, like, you tried all the boy stuff and just decided, nope! Not for me.

https://homestuck.com/story/5290

Man, especially if we continue to read this section of Homestuck as conflating the characters and the audience, this whole section reads as John not just having a meltdown about Con Air, but also generally having a meltdown about his own story so far - everything he’s done in Sburb, etc. It just all feels lame and shitty in retrospect, when it was something that was kind of exciting at the time, at least up until the point where his loved ones all dropped dead there at the end.

It turns out that there was nothing particularly edifying about John’s suffering.

https://homestuck.com/story/5300

Teens can be such monsters. It’s the anniversary of Bro’s Death too. Davesprite is probably as broken up about that as John is about Dad, but it’s hard for boys/men to talk about that kind of thing with each other.

Cronus is even more of an incel than Eridan. He may be the most singularly contemptible character in Paradox Space. Do I hate anyone more than Cronus? No, I think I do not.

I won’t have a lot to say about the middle leg of Openbound; it’s relatively empty of substance, and not much that happens in it is ever relevant again compared to the first and second legs.

I like to think that this leg of the journey is, more than anything, a chance to ruminate on some joke characters who were already parodies; parodies of parodies, a joke made at the expense of an existing joke. The kind of thing Dirk Strider would write, basically.

Hey check it out, the Year of Our Lord 2012, and Andrew was starting to show some mild sensitivity in his choice of words. Just mild enough to have the lowest character in the story show a tiny bit of sensitivity himself.

This leg of the adventure does give us some more insight into Meenah’s character. Just like Vriska, she’s all about being a hardass super-murder, until she starts causing problems for the people she actually cares about.

Being Evil Sucks.

This is a really weird sentiment for Karkat to have in light of like, everything else about the latter half of the comic. I mean, he hasn’t exactly had the epiphany yet that the ideas that he has about being a leader are kind of awful and shitty, so it’s possible that he’s talking the Condesce up to avoid thinking about that. IDK.

He also immediately claims he’ll leave behind the meteor to go and join Meenah’s army, so maybe Karkat is just in a pretty low place in general? That tracks.

Karkat’s little conversation with Terezi explains at the two thirds mark of Openbound exactly what this whole thing is about.

Almost the entire second half of the comic is about examining the character’s guardians, and their relationships with them. The Guardians - Grandpa and Bro especially - are hyped up to be these outrageous badasses, both in-and-out of universe, and their ambivalent relationship with their kids creates this ambiguity throughout the comic about whether the kids are worthy, whether they’re living up to their parents’ legacy - and it’s the kind of thing that plagues them throughout.

But the thing is, Ancestors can be lame, or even terrible. They’re not really anything to aspire to, and the image of success that they project onto the world is one of learned confidence, and usually that only if they’ve really managed to make it.

Even the best parents are flawed, and instead of trying to measure up to them, growing up healthy usually means learning what those flaws are, and committing not to reproduce them.

Parents don’t suck; they can be awesome, and generally speaking, for a long part of our life, they’re all we’ve got. It’s hard not to love them. But we shouldn’t turn them into idols.

(On another note, it’s one hundred percent fitting for Terezi’s Ancestor to be an outrageous coolgirl. Terezi is perpetually anxious about being cool enough, the sort of person who is breathlessly fun to be around, who commands the attention of everyone around her, and she’s surrounded by them wherever she goes.)

https://homestuck.com/story/5340

John’s distress leads him to dream about his dead Dad, and boy is he angry. He spends a lot of the second half of the comic seething in rage directed at whomever is responsible for all the suffering he and his friends endure, dishing out beatdowns toward those responsible, but I’ve never gotten the impression that these little outbursts of his are particularly rewarding for him.

https://homestuck.com/story/5358

That was quite a blow. He knocked out like a tenth of Jack’s health bar.

https://homestuck.com/story/5387

Depending on where you’re standing some really totally different things can matter to different people. From Vriska’s point of view, the things that happened back when she was alive totally don’t matter at all anymore - only the matter of Cosmic importance that is fighting Lord English.

But the stuff that matters to the people she left behind, and the suffering she’s responsible for - especially for putting Terezi in a position where she had to slay her - all of that still matters very much to the people who are alive, which is what makes her self-conception as someone who is on the side of the angels now really... not sit well.

She clearly hasn’t changed all that much. She just thinks, as usual, that now that things are even, now that the score is settled, things can go back to the way they were before.

https://homestuck.com/story/5388

Tavros and Vriska are really bad for each other in general. Like, it’s not good for her to be around someone as pliable as Tavros is, and it’s plain to everybody that it’s not good for him to be around her either; whenever he’s around her, he apes her bogus inflated self-esteem in all the worst ways.

https://homestuck.com/story/5397

Tavros’ explanation of what Vriska does suggests that storytelling has become kind of a ritual for her - a means by which she is attempting to connect with her Ancestor, by performing the same actions she is, miming her - still the same old Vriska.

That’ll be all for now. Cam signing off for now - join me for the thrilling conclusion to Openbound tomorrow, Same Cam Time, Same Cam Channel.

#commentary #neon genesis evangelion #liveblogging

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maybe-homestuck-now-or-something · 3 years

Text

I wanna connect the ideas in this post with the ideas in this post because they seem relevant to each other.

to give a basic idea of what's in each one, the first is a post that talks about how homestuck is notable as a creative work that effectively uses the language and format of the internet, in a way that resonates well with people who grew up online. my addition extrapolates to talk about how this quality also made homestuck's style of content creation appealing for others to use, and spawned a lot of creativity from the fans. basically, homestuck is a collage, not just of images, but of methods for delivering information to the audience. it uses a broad variety of experimental techniques, but the purpose of them is to make storytelling accessible. in order to convey an idea, you can use any method you want... whatever suits your purposes. by constantly varying the type of art, writing, and formatting that the story uses, it keeps the story from getting boring for the author and the audience. varying the quality and style of the visual art also implicitly accepts and encourages any kind of artwork, at any level of skill or effort, from fans. and at the same time, the story pioneers new techniques that I legitimately haven't seen used before. at some points it even leverages the design of the web page itself to service the story... it's awesome. this gets people thinking about how to tell stories in non-traditional ways, and further encourages the act of being experimental with your storytelling methods, and having fun exploring your chosen medium.

the second link is mostly just me talking about the merits of homestuck's early acts, and at one point I put a particular focus on the idea of science in homestuck. specifically, I was talking about how homestuck handles science in a way that feels very childlike, which is a positive remark. when you're learning about science in school as a kid, efforts are made to present the material in a way that is fun and interesting... and you're given a lot of tools for exploration within the context of science classes, which a lot of people don't really experience having outside of a school setting, if they aren't going into some branch of science for their career. I was observing that homestuck's aesthetic kind of calls to mind the feel of learning about science as a kid... something about the stark readability of the objects and characters, and the bright color coding of things that are important.

the connection I want to make between these two posts is that homestuck hinges a lot of its interest on the concepts of exploration, and creation. it holistically includes a lot of different themes and ideas, and it does it in such a way where the characters don't have to make it explicit... more often than not, you'll end up thinking of it yourself. homestuck simply introduces elements, and lets you form your own ideas. it puts a lot of stuff out there, and links it all together in this messy web of interconnectivity.

for example, check out this post where I added some commentary about the punch card alchemy system, and how it links the concepts of technology and philosophy. the idea is that captchas determine your humanity... but unlike real captchas, which do this by making you read something that a computer can't read, it instead makes you think in a way that a computer can't think. in order to give you access to items, this crafting system requires philosophical justification for the creation of said items. grist isn't just made up currency that exists to make you work for what you make... the amount of it that it takes to make something is only high if you think that the object you're making should be too powerful or important to be gotten for cheap. you prove your humanity by having a psychology that can assign the object meaning, and thus, value.

or what about the broader themes of biology and mythology in homestuck? there are many mentions of genetics... the goal of the game is to produce a universe via breeding, and there are the origins of each of the kids, or the fact that the chess pieces that fight on Skaia's battlefield are made in test tubes in the labs in the furthest ring... etc. but this theme also exists symbolically in the players of each session. they are people who bring their identity with them into the process of making a new universe. each player is given their own planet, which is responsive to the person it's meant for, and features a personal quest for them. and once the new universe is made, the players will preside over it as deities, and help define its culture with their values, interests, and personalities. in this way, homestuck blends the concepts of biology and mythology. in a biological sense, the kids provide the universe with traits. if they are strong/adaptable/resourceful enough to win their game, they get to pass on their influence to a universe of their own. this is why it is relevant that all the players' chumhandle initials are some combination of A, C, T, and G, which are the letters denoting nucleotide bases in DNA. but this concept also applies to heroes going through trials or completing quests to prove themselves worthy of being known as heroes. SBURB's lore automatically mythologizes the players in the role of legendary heroes to the consorts and carapacians, which pushes them to step up to the task of earning their title, and in doing so, complete the game's objectives... and the game gives them the tools to do it.

really, science, mythology, and religion all wrap into each other here in terms of the way things are named and explained. the punch card system and the frog breeding are both referred to as "alchemy" at various points, which indicates both magical and scientific roots. and the highest title that the players aspire to obtain in the game is "god tier" which implies a sort of religious connection between the players and the game's native characters who know them as legends. the magical abilities that the characters display are ambiguous as to whether they are magical, divine, or something else entirely. a lot of them are defined heavily by a character's personality and identity. the malleability of the different elements that homestuck juggles works entirely in its favor... and all of it is geared towards this sense of growth and creativity.

in homestuck, these things exist on micro and macro levels. the growth of one kid into a slightly different person as they get older, vs. the growth of an entity that will encapsulate the universe. the creation of a piece of music, a drawing, a story, a machine, a person, a plan, a planet... it all just keeps escalating, but it's all rooted in specific characters doing specific things, so we don't get lost in it all. the characters bring it all back around, letting us focus on their smaller actions while the bigger plot remains in motion. and all of this exists at the same time as all the surface level reasons to enjoy homestuck. the comic is funny, and charming, and made to be enjoyable as that. but the fact that the broader elements color the tone of it all, leaves you with the impression that there is a lot of potential in every situation. potential places for the characters to go, or things for them to do, or people for them to talk to, or things for them to make, or even ways to grow and change themselves.

and there's potential for you too. you could throw your ideas at the wall to see what sticks in this exact same way. part of reading homestuck is feeling a sense of recognition and identification with the characters. many of them are based broadly on the kinds of people who make up homestuck's audience. with interests in things like music, art, writing, RPing, programming, playing games, watching movies... they're meant to represent you, in part as parody, but in part as a way to make you feel seen and included in this narrative. as lofty as some of these concepts may seem, the people who engage with them in the text are a bunch of dumb awkward teens. you are at least as accepted as they are, and people love these characters a lot, often in spite of/because of a lot of cringey qualities or major character flaws. homestuck is here to tell you not to be self conscious. play around with your world. make your art. write your story. think your thoughts. be funny and laugh at stuff. don't be afraid of doing it badly.

this is what an accessible creative process looks like.

#homestuck #my rant

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deitiesofduat · 4 years

Photo

BASTET: “As it turns out, the project has been due for this type of update for some time -- which the artist @tenicola (aka @teninini, colacanvas, and "Teni") finally got around to, after having enough headspace to approach it.

“And just to avoid worrying anyone seeing this -- nope, Teni is not dropping DEITIES project anytime soon. She's not going anywhere, and neither am I! Or the rest of my pantheon!

“But Teni mentioned she was worried about projecting that outcome, due to how inactive she's been online, and how quiet she's been about progress. She's hoping this update can add some clarity on what's actually going on, and what to expect going forward.”

“The rest of this update is below the cut, as text mixed with panels. It's on the long-ish side, and while it's best to skim through everything for context, you can also skip to the section "SHIFT IN [PUBLIC] SCOPE" if you just want to get to the point.

“Without further ago, let's start with some history that Teni wanted to share for full context -- again, under the cut!”

--------------------------------------------------

[ HISTORY OF DEITIES PROJECT ]

BASTET: “DEITIES Project -- and the main story for said project (Deities of Duat: The Chaos Seal), which is intended as a long form webcomic -- has been in development, privately and offline, since late 2014. Teni meant to keep it private for as long as possible, until she felt “ready” to share it.

“However, she was motivated to take the plunge and reveal the project's existence with these color tests and with this comic, as part of her coursework for her visual storytelling class. You know the one…”

“The surge of encouragement from both her classmates and her followers motivated Teni to create this blog -- the one you're visiting right now! It was Teni's full intention to use this blog to share progress on the main story, as a full-length webcomic, while building and engaging her audience.”

“However, along the way were a few... unforeseen obstacles that reared their head. Some obstacles were mitigated by making steady updates to the story and blog, but some were much more challenging, and she thinks it only fair to disclose some of them for context...”

--------------------------------------------------

[ OBSTACLES OF LIFE ]

BASTET: “The first obstacle was the sudden onset of chronic lower back pain -- just before the launch of the DEITIES blog in 2016. She still has it to this day, and says this ache makes it unbearable to sit or stand in the same position for too long. Among several inconveniences this causes, it also means she can only draw in short bursts before her stamina taps out, or before needing pain relief -- like heat, ice, and pressure.”

“As you might imagine, it's not the most fun condition to have when you enjoy drawing! And it's taken a while for Teni to cope with this daily frustration. She's still planning to find answers and a treatment to help reduce it, but has also accepted that she's been dealt this hand -- not unlike other creatives that deal with some form of chronic pain.”

“The back pain was one obstacle, but having to deal with different interpersonal struggles and friction was another. Some spiked her usual feelings of anxiety, and in one relationship's case, made her question whether or not the project was worth continuing. (On that note -- Teni does not want to call out anyone or guilt them, she just wanted to bring it up as a factor for the larger point she's making — just bear with us!)

“The third big obstacle a few years back, was having a day job that had an... ‘unfriendly’ work environment, and was paying a lot less income than she fairly deserved. And near the beginning of 2018, she was laid off from said job, putting a halt to any income she was earning only a week after signing the lease to her first apartment!”

“Teni didn't go into detail about those months of job hunting and taking tech classes, though she explains bits of it in previous updates. But the lack of financial stability at the time hung over her head constantly. The way she put it was: ‘It was hard to motivate myself to indulge in something I loved, but that didn't provide income, while I was in the middle of an extended job hunt.’"

“She didn't expect all these obstacles in succession when she launched the project. And she admits that she felt a combination of frustration, impatience, and disappointment for not updating the project at the same pace she started.”

“This was not because of any pressure from followers -- she told me you all have been incredibly understanding and patient! It was because of the fact that the project had been publicly promoted for so long, and she set her own expectations and goals so high -- without factoring the likelihood of life getting in the way. There was also the lingering fear of disappointing a lot of people, if one day she had no choice but to stop the project for her own livelihood and health.”

“Ah, why am I adding to this creative angst -- Teni didn't want this to be a sob story! I'll move on haha.”

--------------------------------------------------

[ IN A BETTER PLACE ]

BASTET: “Thankfully, in spite of all those obstacles, things are turning around for Teni in this new decade. A year ago she found a job with a feasible income to support herself, and an overall healthy work environment within her team. She's also fostered healthier relationships with her family and friends, and even made closer connections with the best friends she's had for ages!”

“And while her back pain is… still there, it's a manageable part of life that she's still determined to find answers for and improve.

“Not to mention that in the past year, she's been able to work on other projects, more quietly, and indulge in drawing other characters and fanart for fun. She's consumed more of her favorite media in the interim as well to support others, and to sate her own curiosity and interests.”

“Moving on to how this relates to this update, now that we have some backdrop for what's been happening...”

--------------------------------------------------

[ AREAS OF INTEREST ]

BASTET: “Again, Teni is not dropping DEITIES Project -- she admits the fear of having to make that call had crossed her mind, but it's not something she thinks she'll need to reconsider right now. Her bigger concern has been how to approach this project publicly, moving forward. And after giving it some thought, she's made some observations that may shed light on this answer.

“Teni wanted me to emphasize the idea of her doing a ‘reset’ for the public presentation and development of DEITIES Project -- not to change or hide the development thus far, but to reframe the project's scope -- what it's focus and goals are, more or less.

“...Oh-- looks like she made some visuals to help with this -- you two mind lending me a hand?”

“You all might have figured it out by now, but Teni absolutely loves drawing character art and designs. She also likes panel-style comics, as well as the dialogue, expressions, and SFX that comes with it. She can work on them offline without prompting, but she also loves sharing what she comes up with!

“What she's less fond of sharing is some of the other... *ahem* unmentionables and time-consuming work that comes with traditional comics. Things that take hours to set up and hours to practice, let alone execute for the final product -- an unfortunate hurdle when you're a one-person production team, and you can only draw in small bursts at a time.”

“She initially tried to put off the more indulgent art that she liked, in order to focus the less-favored obligations... but she realized that this just made her feel demotivated to work on anything, and less got completed as a result.”

“Overall, Teni's coming to terms with both her own limitations and her personal drive, and wants to shift her priorities accordingly for the project -- even if it goes against the grain of what's considered ‘good’ or well-meaning advice for a personal project.”

--------------------------------------------------

[ SHIFT IN [PUBLIC] SCOPE ]

BASTET: “Instead of treating the DEITIES main story/comic as the ‘end game’ goal of this project -- and pouring all her available energy in preparing for it and hyping it up -- Teni wants to shift the main story as a future, and more private ambition, until she's in a better place to execute it and share it publicly.

“No, she does not have any estimate or TBD date for when this will be, or when she'll make public updates on it’s progress or launch. It may even remain private indefinitely. And for now, she's okay with this.

“Because (1) The main story "The Chaos Seal" is not the only story that's worth telling from this project. Smaller side- and backstories, and even small character interactions, have their merit as well -- something Teni learned from drawing askbox responses, completing memes with the cast, and character exploration with friends. And with the main story not sucking up all the oxygen, she thinks it'll leave room to tackle the others more easily -- whether they're planned ahead of time or are spur-of-the-moment, and as comics or different formats.

“(2) Removing the DEITIES main story from its public pedestal will also allow her to work on other non-DEITIES things as they crop up -- and with less irrational guilt to indulge in things that aren't ‘priority’ for completing the comic. Meaning more art of her original characters, fanart, giftart, collabs, memes and bandwagons, and other smaller projects. Heck, she might even give herself permission to relax.

“And (3), perhaps most importantly -- Teni realized that DEITIES Project shouldn’t have to start and end with the so-called main story, and placing the story aside wouldn’t mean the project suddenly becomes a waste of time -- as she originally worried about projecting when her life took a twist.

“DEITIES Project just… is. It already exists, and the characters and world already exist -- with or without a completed webcomic to validate that existence.”

“But anyway, I side-tracked. The point is, Teni's planning to shift DEITIES project to just that -- a project, with room to continually grow, explore, and experiment with, and to engage with others as she feels comfortable, without the pressure of having a giant epic to tell.

“So while the main story and comic is going to shift to something more gradual and private -- the way it was originally meant to be -- this shift in scope will help adjust the project’s longevity, and also set the stage for some changes to be made around the blog, and for the public presentation for DEITIES.”

“However, that content will be less scheduled and remain sporadic -- things will ‘happen when they happen,’ but what Teni has in mind will hopefully be enjoyable for those following the project.”

--------------------------------------------------

[ WHAT'S NEXT-- ]

BASTET: “Here’s the thing: we actually had more to share, but Teni made the call to save it all for another day -- to avoid making this update longer than needed, and to also avoid announcing any plans prematurely. No need to risk building pressure all over again or burning out, right?

“She asks for everyone’s patience and to give her another few weeks to re-calibrate things, address pressing questions, and work on some overdue housekeeping on the blog -- and to just draw whatever pops to her mind, cuz hey, why not? After that, she'll wait until any project items are already in the works and on the road to completion, before she announces that they're coming -- an ‘under-promise but over-deliver’ approach.

“But one thing you can look forward to are more featured deities from the main cast and the supporting cast -- including those colors tests she's been working on since last year, and then some! There's no shortage of inspiration or fodder, so to speak.”

--------------------------------------------------

[ IN CONCLUSION ]

BASTET: “So to recap! DEITIES Project will be shifting its scope and priorities, so that the main story and comic is developed more privately, and more characters and lore will be explored online at a more manageable pace. On the surface, that may not look like much is changing, but hopefully this update can make expectations more clear.

“Teni knows that there may be some in the audience who may feel down about this decision, or who were looking forward to the webcomic to be completed above all else. She says that's totally fair, and encourages anyone looking for stories to check out her recommendations. But she also hopes you'll understand, and be willing to stick around for other content in the meantime.”

"That brings Teni -- and me -- to one final point. Which is to sincerely thank you for all of your support, encouragement, and patience these past few years. In addition to things that are still in the works, there's a lot of content on this blog that had been inspired by everyone's engagement, which we can't thank you enough for!

“Teni and I, and everyone else from the pantheon, are excited about what’s next for Deities of Duat and DEITIES Project. And we’re looking forward to sharing more content, more freely, in the upcoming year for you all to enjoy.”

#// If there was only one long-winded update I would encourage you all to read it's definitely this one #// Partially for the actual update and also cuz those panels took a while lmAO;;; but I did it for the sake of this announcement!#// I think Bastet explains it well enough for now; that the project is shifting it's scope online #// But if anyone has questions then feel free to leave it as a comment; I'll try to answer what i can directly and/or in the next update #// Thanks again for all your support and patience everyone; I'm genuinely thinking this shift in scope will be good for the project overall.#// Now excuse me while I draw something other than these mascots for a bit; it was nice to draw them for the first time in a while though #DEITIES Project #Deities of Duat #DEITIES updates #Bastet #Set Spawn #Ba #animals #characters #DEITIES text #artwork #comics #mini comics #egyptian mythology

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chicagoindiecritics · 4 years

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New Written Review from Mike Crowley on You’ll Probably Agree: 10 Reasons Why ‘Blade Runner 2049’ is better than ‘Blade Runner’

If you haven’t’ seen the movie, see it then read this. No intro, let’s jump right in.

1. K is a replicant

The reveal of K’s genetic code, or lack thereof, flips everything we assume the movie will be on its head. We are learning along with K what it means to exist. Do we as humans, live like replicants? Do we obey a society that treats us like trash but breath anyways out of the fear of death? Where we viewed “Blade Runner” mostly through Deckard’s eyes who didn’t have much of a personality, K’s lack of a character is his entire purpose for existing. For K to emote is to face death.

Where Harrison Ford’s Deckard entire arc was us questioning if he’s human or not (despite what Ridley Scott unequivocally says), there’s nothing much of substance to Officer Deckard. He gets drunk, retires replicants, that’s it. Name one thing that makes Deckard standout? I’ll wait. Ryan Gosling’s Officer K goes from a machine that is dying spiritually on the inside to someone wanting to have a purpose in life. All while maintaining his composure, if perhaps too much poise for the film. Anything with a conscious can feel. Whether or not how it was made is as relevant as where you were born or what skin color you are. The importance is that you’re here.

K doesn’t seek gratitude nor affirmation. He doesn’t suffer from a narcissistic personality. All he wants is not just to be another useless piece of metal.

2. Deckard has depth this time

Being a daddy changes you a lot. Rick isn’t just a slouchy drunk who likes to shoot robots out of legal obligation. He’s a man who’s principles and love for forbidden things cost him his life. What kind of soul did Deckard have in the first film? Who did he care for? Please don’t say, Rachel, we all know why he was attracted to Rachel. Like Winston in 1984, Deckard rejects Big Brother for a life of pain to gain a glimmer of happiness.

3. It’s horrifyingly relevant

Denis Villeneuve based the imagery in 2049 on a planet that has become degraded with pollution. The buildings are extrapolating enormous amounts of water into the atmosphere, the sea wall at the end of the picture will be our new Mount Rushmore, the orange Vegas is happening now. Denis Villeneuve didn’t predict the earth looking like this, but his production team was still spot on. A picture that transcends its very style, developing a look that will be discussed on its merits separate from the ubiquitous original, is a stunning achievement.

Everything isn’t dystopian because that’s the way it was in the book. It’s what will happen to us in real life, why we’d look for colonies to live on if we had the technology or funding towards NASA to do so. God help us all.

4. The love story questions the essence of relationships

The story between K and Joi further examines the meaning of love, sex, and mortality, with the two being different versions of artificiality. When the default sexed-up version of a naked Joy pops up on the screen, we are emotionally mortified. Some of us may be repulsed to observe a character we care for utilized like a thirsty Godzilla.

The towering ad tries to seduce K tempting him to buy it, rendering everything Joi said to K throughout the picture questionable. Its manipulation solidifies his final decision in life to help another man. We’re not sure if she loved him or said what it thought it wanted him to hear throughout the narrative. Possibly Joi herself didn’t know her intentions. An unusual amount of nuance and uncertainty rests in the love story. Who do we love? Why do we love? Do we love by the heart or the heart of our designers whom we don’t know?

Meanwhile, Deckard was just drunk and horny when he bashed Rachel up against the wall. Sorry, that really was all there was to their passion despite what Wallace says.

5. The movie was an honest commentary about how the world views woman

Here’s a controversial one. A lot of women were disgusted by the way they were depicted in the film. Outwardly watching the movie, I can’t blame them. I’ll let Mr. Villeneuve speak for himself. “I am very sensitive to how I portray women in movies. This is my ninth feature film and six of them have women in the lead role. The first Blade Runner was quite rough on the women, something about the film noir aesthetic. But I tried to bring depth to all the characters. For Joi, the holographic character, you see how she evolves. It’s interesting, I think. What is cinema? Cinema is a mirror on society. Blade Runner is not about tomorrow; it’s about today. And I’m sorry, but the world is not kind on women.”

Villeneuve is right. Women today are still sexualized. Even with the Me Too movement, women are continually seen as sex objects or subservient slaves in a male-dominated society. Villeneuve isn’t interested in painting a rosy picture that Hollywood does for female roles to make the audiences feel comfortable. It’s an honest reflection on who we are. What we see is what we don’t want to see, but that’s part of the honesty of cinema.

6. The score is mesmerizing

Another point in which I may face some contention. Yes, Vangelis’ score is iconic, but it only works for the era it was composed in. Much of its mixture of bleeps, blops, and wind chimes are a product of its time. A lot of emotion is missing from the score other than the opening theme and “Tears In Rain.” Hearing much of the soundtrack while on the road, I sometimes thought I was listening to something from a porno. Take a listen to “Wait For Me” in the soundtrack and tell me otherwise. Hans Zimmer and Benjamin Walfisch’s score is timeless while also paying respect to Vangelis’ synthetic use in the original. It dives into the character’s mind providing a replication of something more human than what Vangelis composed.

7. It thematically ties more directly to “Do Androids Dream of Electric Sheep” than “Blade Runner” does.

“Blade Runner” got the overall gist of Phillip K Dick’s novel. Replicants are scared, trying to find a way to survive as Deckard hunts them down. However, the Andies in the movie almost deserve to die. In their quest for more life, they torture and kill multiple civilians. What did the guy making the eyes do to deserve being frozen to death? What about J.R. Sebastian? He was nothing but pleasant to Roy and Pris. Did Roy eye gauge him when he was done with Tyrell?

Aside from Luv (Sylvia Hoeks), our replicants are fully rounded people. Sapper Morton is a watchful protector who was meant to be a NEXUS 8 combat medic; Joi’s true intentions come into question for herself and us. K’s inner conflict is the central core of the story. All of this revolves around the meaning of existence within a world that has forgotten about you. The introduction of Robo procreation is an evolution of Dick’s ideas, widening his notion of why life exists in the first place.

8. It doesn’t get lost in the scale

Many sequels love scope over characters. Remember “The Matrix”? Remember how they talked about Zion and all these other things we didn’t see? When the sequels brought in Zion, the focus got lost in the spectacle. “The Matrix Reloaded” was a bumbling CGI mess of Agent Smith Clones and cave orgies. “The Matrix Revolutions” was a glorified “Space Invaders” game. Shoot as many sentinels as you can before becoming overwhelmed. Amidst the sequels bumbling chaos, I missed the smaller scale of the Nebuchadnezzar crew.

The story of “2049” could have focused on the replicant uprising with thousands of robots slamming into humans. We could have gone off-world to finally see what all these other colonies we’ve heard about are like. Some have argued that the movie could have borrowed some of its source material from the later novels about replicants creating humans, so on and so forth. All of that sounds incredible in theory. In execution, you would likely get “The Matrix” sequels.

A movie that overreaches in scope, attempting to please fans by showing everything. What we got was an incredibly meaningful story that further explores the themes of the original while building upon its world without going too far. We see what’s beyond L.A. on the dilapidated west coast. The answer is not much. The film aims at minimalism over extravaganza.

9. We’re still talking about it

After being MIA for decades, “Blade Runner 2049” isn’t forgotten. I can’t say the same for “Superman Returns,” “Monsters University,” “The Incredibles 2,” “Live Free or Die Hard,” and “Indiana Jones and The Kingdom of The Crystal Skull.” In fairness, people do talk about Indy 4, but not in a positive fashion. “Blade Runner 2049” returned to the limelight with disastrous box office results yet high accolades, even gaining the Academy’s attention. Ironically it seemed destined to live the life of its predecessor.

“2049” may have tanked because it was a multimillion-dollar art film that respected its audience’s intelligence. Maybe “Blade Runner” was too far gone amongst the public to gain an interest geared almost entirely towards comic books and Disney. I think the trailers after the reveal teaser looked too generic for my own two cents, turning me off from the film for a short while.

Here we are with Honest Trailers in 2020, making a video about a film that came out in 2017. Bloodsoaked orange skies from the headlines mention the atmosphere of this film. Somewhere, about 100 other people are writing their analysis of “Blade Runner 2049” as I type right now. Seven years from now, we’ll be talking about why the world is still like “Blade Runner 2049.” Villeneuve made a timeless sequel to be remembered.

10. It’s better than the first film and one of the best films in the last ten years

Here’s why you’ll probably agree with this one when you put your pitchfork down. Remove your nostalgia goggles. I know it’s hard to do, please, trust me. Look at the points I made above. Think about how ironic the love story is to our lives. The layers of meaning behind K’s existence is lightyears beyond the featureless Rick Deckard. The picture isn’t flawless. Niander Wallace is spectacularly corny in his scenery-chewing grim monologues. Dr. Eldon Tyrell had some ambiguity regarding the morale of his intentions. For that, I’ll give the original the benefit of my doubt. I understand Ryan Gosling was cast to be intentionally deadpan, but it’s okay to emote once. His distant stare in all of his other performances made it difficult for me to discern myself from the actor’s rather dull persona.

With this said, “Blade Runner 2049” understands cinema. Its atmosphere is why we venture into a dark room that takes us to a different place. Denis Villeneuve’s masterful follow up is one of the most orgasmic cinematic experiences I have witnessed in the last ten years that demands a re-screening in 2022 when theatres reopen at an entirely safe capacity. The style doesn’t overshadow its substance, which is far richer in detail than the original without grasping at blatant metaphors. “Blade Runner 2049” is slow cinema at its finest, letting us into the character’s heads, knowing when to be quiet and when to be loud.

Like “The Empire Strikes Back,” not everyone appreciated the movie at first. Time has been incredibly kind to it, though. I wish the Academy recognized “Blade Runner 2049” beyond its technical marvels in 2018. I suppose it wasn’t the type of picture that catches Oscar voter’s eyes. But it has acquired the audience’s to this day. Now, if you could just look up and to the left for me?

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#IFTTT #WordPress #CIFCC #film critics #movies #film #Chicago

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dotzines · 4 years

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Artist Spotlights!

🎤 _creativert_ 🥁 AbelDraws 🎷 Amaari

🎺 andiavang 🎸 Antonia

Interview below the cut!

Introduce yourself

🎤 HI! I'm a geeky, introverted artist who likes to explore many artistic mediums, but really only posts digital art. I kinda like to draw anything and everything, but recently I've been trying to focus more on my OC's! Besides art, I love reading, playing video games (despite the fact that I haven't played many recently) and I like writing stories too. In the future, I plan to create a webcomic story with my OC's. I hope you enjoy my work! Here's where you can find my Instagram: https://www.instagram.com/_creativert_/

🥁 Hi! I'm Abel. I'm a Design and Mech engineering student, but my passion is art. I love drawing and currently I'm working on my dream project, a comic named FIVE. This takes most of my free time, but besides that I'll be either rping, watching a movie with my friends, reading (usually webcomics) or listening to some tunes while charging my energy up. I preffer digital art over traditional, you can fix mistakes so very easily... I also get more freedom with a program than with the limited tools I own (and it looks way cleaner and nicer when I upload a digital pic than a traditional, but my photography skills are to blame there lmao)If you want to read my comic, it's up on tapas! https://tapas.io/series/FlVE But if you'd rather see some illustrations and doodles you should check my tumblr: https://abel-draws.tumblr.com/ 🎷 Hi! I'm an avid 3-d and 2-d idol fan as well as a bee fanatic!! Drawing/painting is mostly a hobby for me, but in the future, if time ever allows it, I'd like to sell every so often. My default medium is digital using program SAI but sometimes I'll pick up a pencil/watercolors for traditional pieces. If you'd like to take a look at some of my other works/doodles, my art twitter is here @ https://twitter.com/hiwamaari . 🎺 I’m predominantly a digital artist! But I also crochet, sew, and embroider! I’m Andiavang across all platforms! 🎸 Hi, my name is Antonia, I'm an artist who does traditional hand drawn art. I love to draw and listen to music, often in tandem with each other. You can find me on tumblr @chibiranmaruchan

Do you do commissions post? Where can we find the info?

🎤

🥁 https://abel-draws.tumblr.com/post/184015135166/commissions-are-open-i-renewed-my-commissions 🎺 https://andiavang.tumblr.com/post/186764888718/commissions-are-open-all-payment-through-paypal

Do you listen to music (or tv shows/films/anything else) when drawing?

🎤 Yes! I actually create a new playlist every month filled with songs that have recently come out, or new songs I found that I really like! Generally, I'll listen to music when sketching but once I get to the lineart and colors, I'll listen to podcasts. For podcasts, I really like story podcasts and true crime podcasts. A couple of my favorites are Crime Junkies, Myths and Legends, The Bright Sessions and The Edge of Sleep.

🥁 *Yes*. All the time. I don't usually watch shows while drawing because my atention is all focused on the piece at hand, so... I miss most of it x'D so I preffer listening to music by a mile. It also helps me get myself in a nice mood for drawing <3 🎷 I mostly listen to music, generally one song or album of whatever artist I'm vibing to at the time. Constant repeat lately has been Blackbear's Anonymous album and Mesemoas. 6th single, Crossing Threads. Solid 12/10 🎺 I mostly listen to music! Sometimes I listen to a Podcast instead 🎸 I do listen to music while I draw, if I'm on a tight deadline where I need to focus, I listen to the Pokémon mystery dungeon red and blue recuse team OST. If I have plenty of time to draw, then what I listen to depends on what I'm drawing. it may be where I am getting inspiration from or connected to the aesthetic of the drawing or directly connected to it.

What’s your favorite music artist/band? If you could ask your favorite band/music artist one question, what would it be?

🎤 Oohhh, this is pretty hard honestly. I don't really think I can choose a favorite, but no matter who I'd choose, I'd probably ask them who or what encouraged them to keep going along the path they chose.

🥁 Currently it's panic! At the disco, I'm listening to all their songs on loop constantly lmao. They have such great songs, they inspire me a *lot*. I even created a character based on one of their songs, he's the one I'll be drawing for this zine!:DI'd ask them about the meaning behing lots of their songs <3 The interviews at hand do not satisfy my curiosity enough lmao.I also love Halsey (her first album is my fave), Set it off, Maldita Nerea (a Spanish group) and plenty of musicals (Hamilton, Be more chill...) 🎷 I've so many favorite music artists its so hard to choose, but if I had to pick one, the male J-idol group ARASHI. And if I had to ask them a question, I'd ask them if they're happy and enjoying life well. 🎺 My fave band is Placebo! If hav to ask them what their inspiration would be for their early songs 🎸 My favourite artist is Hikaru Utada and I would ask her if she likes her pre-existing songs, some being based on her life, being used for kingdom hearts or if she would prefer to make songs specifically for the game, about the game itself?

Do you play an instrument? If not would you like to play one? Which one?

🎤 I have a guitar, but I'm still learning how to play that, and definitely want to dedicate more time to that in the future. I'm also kind of interested in learning the piano or violin!

🥁 Nope, but I *wish*, I have such admiration for people who do, seriously. Live music is the best. I'd love to learn how to play the piano, the guitar or maybe the ukelele... But I doubt I will, at least for now, my hands are pretty full with college and comic making. 🎷 I wish I could play the piano and any string instrument. Maybe violin or the harp. 🎺 I used to play the drums 🎸 I can play basic piano. I used to play a recorder when I was much younger.

Which song(s) are you going to draw?

🎤 Magic Island by TXT and Audio by Sia, Diplo and Labrinth

🥁 King of the clouds, by panic! At the disco. 🎷 To the Me of Those Days - KOKIA 🎺 Special K by Placebo 🎸 Sanctuary by Hikaru Utada & Slow dancing in the dark by Joji

What do you expect from this zine?

🎤 To see everyone create a work they're proud of based off of a song they like!

🥁 I just really liked the theme, I have all kinds of imagery and videos in my head about several songs I'm obsessed with. It's a nice excuse to draw a pretty, fleshed out illustration and to learn some new songs in the way from the others' pieces<3 🎷 To be introduced to many different genre's of music and to hopefully find a song/genre I didn't expect to like! 🎺 Mostly just to interact with different people and artists! Make same new friends! 🎸 I expect to see a wide range of music presented, of different genres and both lyrical and instrumental. I hope the music resonates with the individual, something they're proud to share with the other participants and the eventual readers. I would like to have a journey through the zine, experiencing different emotions from everyone's art pieces.

Anything else you want to add?

🎤 Everyone has been super nice so far, and I really look forward to seeing everyone's pieces!

🥁 Best of lucks to everyone participating! I can't wait to see everyone's pieces together :D 🎷 Thank you for taking interest in this zine! All the artists have put in so much love into each of their pieces. It's been a pleasure to see so many different styles, their works-in-progress and I'm equally excited to see everyone's final product. I hope everyone is able to enjoy all the wonderful artworks being created and produced for all the songs being represented here when the zine releases. ^^

#AbelDraws #Amaari #andiavang #Antonia #artist spotlight #loop #loop artists #creativert

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theillustrationconference · 4 years

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We spoke to Angie Wang for our second installment of #ICONspeak, a series highlighting some of the speakers you’ll see at #ICON11.

Angie is an illustrator and cartoonist living in Los Angeles. Her experimental style has captivated a slew of editorial clients that include The New Yorker, Vox, Google, BuzzFeed, and NPR. In addition to illustrating, she is a co-founder of the annual comics festival Comic Arts Los Angeles.

For those that are unfamiliar with your work, how would you describe your style? How have you honed your visual language throughout your career?

I think of myself as a grab bag—I never know what style is going to come out, or if it’s going to look good or work. This might sound bizarre, but it’s the way I function, it’s the way I stay excited and engaged and fresh. That’s the only pattern across all of my work, that very little of it looks exactly alike. Three years into my illustration career, I decided to destroy my existing (colorful, linework-oriented, delicate) style and draw in a completely different way (messy, textured, watercolor) instead, and I did, until I got tired of that too. These days, I don’t settle on anything. My dream is to approach every image in a completely new way, though it doesn't always work out like that due to time pressure.

I will say I tend to be more naturalistic than abstract, more controlled than loose, and more clean than gritty. Those are long-term inclinations that I haven’t been able to shake yet.

You've won a James Beard Award for your work. What was the project that won you that honor?

I won a James Beard Award, and my friends all thought it was for cooking at first! But it was for an article I pitched to Eater called "In Search of Water-Boiled Fish" about my quest to find specific Chinese food in the United States that constituted important parts of my memories in China, water-boiled fish in particular. I loved seeing the response from people all over the world who had important food-memories of dishes they were desperate to eat again but couldn't find anywhere. The award was a very pleasant surprise and a big honor.

How did you get into animation? How much of your work is animated versus static these days, and how do your approaches to the two ways of working vary?

I worked for almost seven years on Steven Universe, and folks on the crew—Danny Hynes and Rebecca Sugar in particular—taught me basic animation for fun, one lesson at a time: antics and overshoots, timing, smears, waves and arcs, etc. They were able to see all the tiny details that make a good animation (which is very different from what makes a good illustration): when motion feels dead because the timing was too even, or how redrawing a pose almost exactly the same before it settles makes the movement feel like butter. Suddenly there were all these new rules I had to learn, and every time I applied one of their lessons, I could see the difference. I didn’t have any interest in animation before, but learning from them made it feel accessible—less like a complete skill other people had that I didn’t understand and more like a skill I could internalize in little steps.

That’s how I got interested in it. I wouldn’t call myself anything more than a beginner, a total amateur, and all of my animations are experiments, me applying one lesson after another or trying out another method of rendering motion. These days, most of my professional work is still traditional illustration, but most of my personal work right now is about exploring animation.

The other part is that I fell in love with dance several years ago, and it's created an impulse for movement that wants to be expressed either through bodily action or through creating motion on a screen. It's inadequate to capture an arabesque as a still image at its peak. Dance is about every part--the entry, the arc, the exit, the transition—so a single image doesn't do it justice.

What’s one topic you’re passionate about in regards to illustration and/or the illustration community at large?

Unionizing! I joined the Freelance Solidarity Project last year. They’re still a very young union but cooking up some big projects, so the input and involvement of illustrators would be invaluable to their efforts. Now is absolutely the time to join if you want to have a voice in how the whole union is structured and in terms of setting priorities—it's very exciting.

I'm excited about unionizing because minimum rates for editorial illustration have stagnated across our industry for more than a decade. Especially with new media, a lot of illustrators are now doing the equivalent of full-page print art for $300 for web. There are issues with nonpayment, like with Nautilus. There's exploitation, like with spec work—even a major tech company asked me to do spec work recently. Between all of us here at ICON, we know everyone in the industry, and we'd have the ability to organize and set expectations and negotiate with major companies for better pay and conditions.

Have you been to ICON before?

I have never been to ICON before! This will be my first time.

What can we expect when we see you at ICON11?

I hope I can give a good talk about changing everything up mid-career that will help illustrators find some of that spark again.

#angie wang #illustration #cartoonist #icon #icon11 #interview #illustrator interview

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comicteaparty · 4 years

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March 23rd-March 29th, 2020 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from March 23rd, 2020 to March 29th, 2020. The chat focused on Puppeteer by Eightfish.

Featured Comment:

Chat:

Comic Tea Party

BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Book Club~! This week we’ll be focusing on Puppeteer by Eightfish~! (https://www.webtoons.com/en/challenge/puppeteer/list?title_no=290620)

You are free to read and comment about the comic all week at your own pace until March 29th, so stop on by whenever it suits your schedule! Discussions are freeform, but we do offer discussion prompts in the pins for those who’d like to have them. Additionally, remember that while constructive criticism is allowed, our focus is to have fun and appreciate the comic! Whether you finish the comic or can only read a few pages, everyone is welcome to join and chat with us!

DISCUSSION PROMPTS – PART 1

1. What did you like about the beginning of the comic?

2. What has been your favorite moment in the comic (so far)?

3. Who is your favorite character?

4. Which characters do like seeing interact the most?

5. What is something you like about the art? If you have a favorite illustration, please share it!

6. What is a theme you like that the comic explores?

7. What do you like about the comic’s story or overall related content?

8. Overall, what do you think the comic’s strengths are?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

eli [a winged tale]

Ooh exciting! I’ll try and get to this soon!

LadyLazuli (Phantomarine)

Yes yes, I had started reading this last week, want to continue and get in on this convo!!

Joichi / Sarah

Oh I'll take a look at reading Puppeteer!

shadowhood

Ditto. Time for another art binge

eli [a winged tale]

1) I love the colours and lighting! As for the story, the banter really drew me in and when J offered freedom, that was my hook 2) My favourite moment was when J tore Eli out of his body! That was a very striking moment. 3) I really like J and Sam They’re both characters with a strong voice and motivation. 4) I enjoy the friendship chat between Sam and Eli. They really ground the whole college experience and the comic world for me. 5) Let me find it! 6) I think the themes of feeling lost in life or directionless after regimented high school are very relatable. It’s one thing to know where you wanna go and want to be but often we feel we’re just floating in reality. 7) I love the aesthetics! Very unique style yet also clear in storytelling! 8) I would say the strengths tie into the fast pace and great characters. I’m not sure where we’re headed in the comic but I’m sure we will get to know why beings like J and the Ocean lady exist and what roles Eli/Sam would play in the story great work Eightfish!

Love this shot! Great paneling!

sssfrs (JOE IS DEAD)

The artwork is so beautiful!

shadowhood

Yeah, the flow of motion is amazing here that's really good gesture drawing

Feather J. Fern

I have to say I love the way you do the limited palette for the first few pages, it's really cool!

mathtans

Oh! From setup to where some f/f romance is implied. I shall read more. (Nice when the ships are verging on canon, if not there...)

Wonder if J is going to set things up such that Eli has to possess one of them.

Eightfish (Puppeteer)

Aaa, thank you all for the compliments about my art, eli, sssfrs, shadow, feather. I'm really trying to make this thing look good and I'm glad you guys like it.

sssfrs (JOE IS DEAD)

It looks really good!!

eli [a winged tale]

Love it Eightfish! Can’t wait for more!

RebelVampire

What I liked about the beginning is just kind of how jarring it is (in a good way). You get thrown right into a semi-tense/suspicious interaction, and it really kind of sets that tone for the rest of the comic. Which is actually what I like about the story all together. There's always this kind of laid back atmosphere to it where you're never really sure if you should be concerned or not. So it's got this right beat where you aren't always screaming but also aren't ever able to fully relax cause it feels like danger is around the corner. Coincidentally, the beginning is also probably my favorite moment in the comic as well, just cause again, I really love the tone here. My favorite character at the moment is probably J cause I can't figure J out and would like to know more about J. Cause J is just like this chaotic entity who I can't decide is good or evil and it's a complicated mess that I love. As for favorite interactions, definitely Eli and J. I like they're kind of friends, kind or enemies, kind of maybe sort of abusive relationship, maybe kind of sort of cut from the same fabric. There's a lot of levels to their relationship, so I do like seeing where it's going to go.

What I like about the art is just the overall style combined with the color experimentation. I think this in of itself really helps with the tone I keep mentioning, because it'll go from normal colors to suddenly very jarring, dark contrasts. So again, there's always this hint that something just isn't ever right in the world. I also think these features are the comic's strength, since it's a very interesting style that draws the eye.

Lastly for today, themes. I really like that the comic kind of explores ambition vs. lack of ambition. As someone who is more similar to Eli and would be kind of happy to just be people watching mush sometimes, I really relate. However, there are deep questions about whether this is good, whether ambition is better or whether ambition can go too far. So it's kind of good to see this explored and just kind of show that inevitably, people are different and not everyone has the same sorts of drives (or drives at all).

Eightfish (Puppeteer)

Oh my god, you have no idea how happy I am to read that. Everything you said was exactly what I was going for and this is very validating

(also, can we just appreciate Rebel for a moment. They take the time to write these in depth analyses of every comic here and I always enjoy reading them. Even if I knew rebel was going to be the only one in this book club I would still be jumping to sign up.) (Not that I don't appreciate everyone else, those comments were lovely as well haha. So interesting to to read eli's thoughts on the characters and what will happen next)(edited)

BriDanann

Also!! Eightfish!! Your comic is so freaking gorgeous! I absolutely love the color scheme and the surrealist feel the art gives off. It really feels like it's otherworldly, but also familiar. Kind of how old Noir movies felt! I've only read the beginning so far and I am loving the tone.

Comic Tea Party

DISCUSSION PROMPTS – PART 2

9. Will Eli actually be satisfied with his decision to just float around away from responsibility in the long term, or do you think that will change? Additionally, what do you think caused Eli to run away from life so much?

10. Do you think Sam will ever come to accept Eli’s decisions, and how will the situation change the two’s relationship? What will Eli teach Sam about trying to fix everything, and how will the two change each other through their interactions?

11. What do you think J ultimately wants in life, and what does that have to do with giving Eli powers? Why is Sam so convinced that J is a demon? In general, do you think Eli, Sam, and Lily can put a stop to J’s mayhem?

12. How do you interpret the story’s title in terms of its significance to the events of the comic? Also, what significance do you think it has towards the theme of beliefs and how beliefs go stronger the more people believe in them?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

mathtans

(This week is kinda kicking my ass but I have finished the read and will find time for some comments in the next day or two. Just putting that out there.)

Okay, just a couple quick thoughts in case anyone else wants to react to them... I think Eli felt like there wasn't much of anything left to him. Didn't seem like he had family checking up on him, and major events like breaking your arm are the sorts of times you learn who's rallying around you. Sam distancing herself was probably the last straw.

I wonder a bit whether Vanessa (the one massively possessed by J, only name dropped in the author notes if memory serves) had a similar path. Or whether she's just off the deep end (maybe she pushed J into the arm breaking on some level).

Also think that Lily's pleased to have someone who can finally do something about the visions she's presumably been having all her life (unless it's a puberty awakening thing), though it does seem like her romance with Sam goes deeper than that. I wonder about her romantic history (but then I wonder about that with all f/f ships). And could Sam be bi? Or is she not straight, and part of that is what pulled her from Eli?

As I say, couple quick thoughts.

RebelVampire

@mathtans Those are some good points about Eli's family. I have to say I did kind of where they were at, cause at the very least I do get the impression Eli doesn't feel like they can be relied on. But I do think isolation is playing a big role in Eli's decision making right now.

Do I think Eli will actually be satisfied with his decision? Yes and no. I kind of feel like Eli would be fine with it overall but that inevitably extenuating circumstances will ruin the whole thing. Otherwise I honestly think Eli might be content if people around would accept it. As for why Eli is causing to run away from life, probably social pressure and isolation. It's hard to deal with life if you have no one around you, and also hard to deal with society when you really just don't have ambitions, cause society is very much about ambition. As for Sam, I think this is also a yes and a no. I think Sam will blame herself for Eli's choices as she comes to understand them more, but at the same time learn to let Eli live as Eli sees fit. I do think Sam will learn a valuable lesson though that not everything she thinks is broken is, and even if it is, sometimes people have to learn for themselves. So I think it'll bring Eli and Sam closer.

As for what J wants, I think it's probably friends. I think J fell in with Eli because they're both just kind of lonely souls. And while Eli expresses this in further isolation, J acts out and does everything possible to get attention. I do think the group will put a stop to J's shenanigans though, but I'm also feeling that it won't be a defeating of the villain (but this may be wishful thinking cause I do sympathize with J). I kind of get the feeling the title is meant to reflect both literally that J is turning people into puppets but also the complicated relationship people have with the concept of control. Like Sam for example. Sam clearly wants to fix and "control" things to suit them to how she wants. Also, in the Eli/J relationship, there's a question of who controls who to a degree. As for its connection to belief, I think I'd argue the strong our beliefs are in something, the more those beliefs have control of our lives. And I think that's something we once again see with J a lot in that J is literally controlling people while people seem convinced they control themselves.

Eightfish (Puppeteer)

Oh Rebel, mathtans, your comments make me just want to just spoil the entire story and blurt out everything right here. It's been so good seeing that so much of my intent was coming through.

@mathtans Sam is indeed not straight. I wonder what made you see her as bisexual specifically?(edited)

snuffysam (Super Galaxy Knights)

I don’t think Sam had any malicious intent in keeping her distance from Eli, nor was it a case of “I’ve got a girlfriend now so I don’t need to talk to my other friends”. To me, Sam very much sees herself as the only one with the power to protect people, and because of that she feels it’s her duty to control what people get involved, where everyone goes, etc. Sam can keep this city under control, and thus she must. And, yeah, I agree with @RebelVampire that control is one of the main themes of the comic in general. Like J is constantly egging Eli on to control others, and one of their main points is that ordinary people often are looking to delegate control to someone else. And this current segment is the perfect lesson on how it doesn’t have to be one person in control - Eli and Sam can both be in control at once.(edited)

One thing I feel like should be mentioned though - the factor of Eli potentially being nb factoring into his decision? Like, when he first becomes a puppetmaster, one of the first things Eli says is “how come I still look like me” (i.e., rather than androgynous like J?), and one of the things Eli does to practice out shape shifting is try on dresses.

mathtans

@Eightfish (Puppeteer) Oh, nothing specifically made me see Sam as bisexual, but nothing made me see her as exclusively lesbian either. I've learned not to take that stuff for granted and wait for it be be spelled out (I'm also not the most observant though). In fact I have a f/f relationship in my writing where one of them is stated bisexual.

Also, good point snuffy on the androgynous aspect, never occurred to me there.

Comic Tea Party

DISCUSSION PROMPTS – PART 3

13. What are you most looking forward to seeing in regards to the comic?

14. Any final words of encouragement for the comic?

Don’t feel inspired by the prompts? Feel free to discuss anything else that interested you!

mathtans

Okay, let's address some questions to the best of my abilities. ^.^ Regarding the start, as was mentioned, the muted colours and dark character seemed to fit the tone. I thought the cutaway was a time skip but it made sense when we came back later.

My favourite moment was actually when Sam and Lily spent the night in Eli's apartment. Aside from helping to confirm the f/f relation (a personal taste), it was subtle (like, just a friend wouldn't necessarily go along with things for that time) versus making out or something (which wouldn't fit the tone). And at the same time, it showed that Eli was separating himself from his past life, not even going back to check in... Sam honestly seems to be his only tie. (And I kinda wonder where his original body is, if it even exists?)

Favourite character is tough. Honestly, maybe Lily because she seems so innocent, having been drawn into things... and I wonder if J ever approached her to get to Sam? Or has the focus always been on Eli? It's not that I dislike the other characters, it's more that one of their flaws seems to be a lack of communication. The sort of thing that makes me sigh, even though it fits with what we've seen and is helping motivate the plot.

That said, yeah the Sam and Eli interactions are really good, right from the moment of "don't touch me" and Sam totally respected that as they got caught up. They obviously do care for each other in the friend way. (I wonder if Eli wanted more? Could that be why he shifted female, to be closer to Sam?)

I'm not good with art or themes. -.- The way the being in the harbour was drawn was good though from what I recall, helped to show the scope of the supernatural too. I guess a theme of belonging? Or friendship?

I haven't said much about J yet, but I think that is a something I like and a strength, the plotting... trying to guess the next move. And maybe they want to become as popular as the larger demon? Definitely drives the other characters forwards. And reminds me of Rebel's comment about ambition being a theme... makes sense in retrospect. (And yes, much appreciation to Rebel. ^.- )

9. I think Eli will eventually be satisfied, though I think he's realizing that he's becoming a bit of a pawn in a larger game, not having considered the scope of his transformation. And I already mentioned about his family. And Rebel made good points there too.

I think Sam's starting to accept the change, though not necessarily the reason for it (and I'm not sure she or we truly know what that is). What with her trusting him to possess. In fact, another reason why Eli might have done this was to be of more use to Sam, though that may not have been a conscious decision. The dynamic will be interesting.

Here I'm diverging from Rebel in that I think J wants to be recognized as a more important demon (though that's similar to having friends, it doesn't need to be). Maybe others have tried to take over beings like Sam without success? Or like Ocean Lady are so far above that they don't care? Maybe there's a clue somewhere in why Vanessa isn't enough for J lately.

That's a really interesting point in terms of the title... at first I figured it was the idea of Eli jumping into bodies. But of course, he's not really into that, and it's more J... who is perhaps puppeteering even beyond that, pulling the strings of people that aren't possessed. (There was mention of squid too, I wonder if the tentacles of a squid could be like the strings on a puppet?) Anyhue.

Will be interesting to see Lily's reaction to what's going on, as I have a suspicion that she'll show up... and perhaps blame herself for not being there when Eli was (even though Eli was brought in later). Or she could misinterpret the situation and think Eli's gone evil! Who knows. (How long has she been going out with Lily again?)

I think that's all for now. Best with it!

shadowhood

Yoooo sorry for the late response. Alright I'll try to answer the prompts as succinctly as I can. 1. The art style is very aesthetically pleasing! I love how you use mainly black against a lot of other bright colours like tan/light blue/gold; it gives it almost a Grecian vase vibe!

2. I have two actually!

The first one because it hit a really close hit to home. I loved seeing a real, down to earth conversation between friends and it felt...real. Seeing concerned friends talking about an abusive relationship and not....exploding is very refreshing.

The second one because I absolutely love that last panel, where J plays around with her words and follows through with a similar action. It felt like she was toying with Sam and it reminded me of the scene in Aladdin, where Jafar was toying with Aladdin with his words. Probably my favourite villain scene of J.

3. Funnily enough, I really like Sam. She's that one friend who's shown to be concerned for Eli, but she knows that she can't force him out of the abusive relationship. She respects his boundaries and is overall a good friend. That's rare and usually underappreciated in real life.

4. The interactions between Sam and Eli were the best for me, because they were very heartwarming and the care they show for each other resonates with me

5. The two moments I mentioned were my top favourites, actually!

6. The idea that you can't save everyone is one I really like. Sometimes you have to let the person you love make difficult and maybe even foolhardy decisions in life, but that's to let them grow up and mature.

7. Like I said earlier, it reminded me of Grecian vase paintings, which I love! Another thing I love about it is how free the gesture drawings are; drawings such as the hand drawings are testament to that

8. I think the strongest part of Puppeteer is its use of motion; my eye is always drawn to the line of action and it almost felt like a film at some parts. The story is heavily action oriented, which I like

shadowhood

9. Honestly, I don't know. Like @mathtans said, he doesn't seem to have family who check up on him, but he DOES have friends who do! Maybe someday he'll want to change, he'll see that he stayed stagnant while his friends keep on progressing in life. Either he'll go deeper into his isolation or he ultimately decides that this isn't for him. 10. I think it's a sad case where she's going to have to learn to let Eli make his mistakes and grow up. If she's constantly there to fix or solve everything for him, both characters suffer in that no one will learn everything. But hopefully, like other people have said, it brings them closer. 11. From what she's said, I think she wants control and power. But if you want a more indepth answer, I think she wants absolute control and worship from individuals. She wants to be put on a pedestal (wanting to be higher than other people?) and she wants that rush of feeling, that feeling of being dedicated to. But seeing @RebelVampire 's answer, maybe it's a twisted form of trying to keep people from leaving her, similar to how abusers try to keep their victims close. Heck, she could even develop a form of Lima syndrome and sympathize with the victim. I think Sam's and co. can put a stop to it, but ultimately, it's up to ELI himself to do so. 12. I agree with @RebelVampire on this one; Puppeteer can be a reference to how much we let others and their beliefs control us, and how the characters each covet control in some shape or form. Maybe Eli feels like he's lost control of his life and is trying to escape responsibility in a desperate effort to regain it?

13. I'm really looking forward to how this whole Eli/J relationship will affect Eli and his relationship with his friends. I'm also wondering what J's character development would be, if any; would she start sympathizing more with Eli? Learn something new from Eli? Or even become increasingly antagonistic towards Eli? 14. @Eightfish (Puppeteer) I really look forward to reading more from your webcomic, your art and conversation exchanges between your characters are top notch! Keep up the good work

RebelVampire

What I'm most looking forward to in regards to the comic is finding out more about J I think. I'm interested to learn more about the driving force behind J's actions and how those might cause the characters to rethink what J is. As for final words, I really just still enjoyed the atmosphere. So few comics can nail it, but this one really managed to capture that feeling of dread that really keeps you reading. So I can wait to see that be used more throughout the comic.

Eightfish (Puppeteer)

Thanks @mathtans , @shadowhood , @snuffysam (Super Galaxy Knights) for the recent long comments you've posted! It was wonderful reading what you thought about character motivations and themes. And I'm glad so many people said they were looking forward to learning more about J, because that's what I'm most looking forward to writing as well.

Comic Tea Party

BOOK CLUB END!

Thank you everyone so much for reading and chatting about Puppeteer this week! Please also give a special thank you to Eightfish for volunteering the comic and creating it! If you liked Puppeteer, make sure to continue to support it via some of the links below!

Read and Comment: https://www.webtoons.com/en/challenge/puppeteer/list?title_no=290620

Eightfish’s Patreon: https://www.patreon.com/eightfish

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #book club #bookclub #webcomic book club #webcomic bookclub #comic tea party #ctp #puppeteer #eightfish

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katiesclassicbooks · 5 years

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Review: Watchmen by Alan Moore Illustrated by Dave Gibbons

Synopsis:

Watchmen is a graphic novel that was written by Alan Moore and illustrated by Dave Gibbons. It was published in 1987. In the midst of the threat of nuclear warfare, the world is reimagined as if super-heroes really exist in this graphic novel. The group of super-heroes also known as the watchmen, presented in this story are all psychologically complex. We get glimpses into their pasts and their different viewpoints. They all have different viewpoints on how to save the world. Also, complicated and imperfect morality.

Storyline:

I was hooked and astounded by this multi-layered story. There really was so much packed in here. This shows a world that is overshadowed by potential destruction and Armageddon. A world plagued by the threat of nuclear warfare. Yet, in this world super-heroes are real and what are super-heroes for except to save the world? It’s so much more complex than that though. These super-heroes are flawed. They are just as human as everyone else (well most of them) and have been shaped by their pasts. They all have different viewpoints about the world, saving it and fighting crime. All of which are interesting, all seem morally complicated and none seem like exactly the right answer. Also, the question is asked ‘who watches the watchmen?’ What is behind it all? Does anyone really have the right to make decisions on behalf of humanity or other people? If superheroes existed would they have that right? Do policemen and the law have that right? Do political leaders have that right? Does anyone have that right? I’ve read that Alan Moore is an anarchist and within that theme of ‘who watches the watchmen?’ I can see his anarchy seeping through. This story was so engrossing, thought provoking and wonderfully executed both through the storytelling of Alan Moore and the artistic talent of Dave Gibbons.

Setting:

Watchmen is set in a slightly altered 1980’s where some of the history has changed a bit because of the existence of superheroes. The setting was great and since this is a graphic novel was shown through art rather than described with words. I really did love the art style in this graphic novel. I mean, this is the first graphic novel/comic series I have ever read so I don’t have anything to compare it too, but I really did love it. My favorite color palette and setting was when Dr. Manhattan was on Mars. I loved the blue and the pink. All those images when he was there were so cool. Perhaps the scenes on earth were so busy, that the simplicity, space and yet beauty of the drawings of Dr. Manhattan being away from it all just kind of did it for me.

Characters:

The characters and the concepts they explore are what really made this book. Through their exploration all the themes of the novel emerge. First of all there is Rorshach. He is ultra pessimistic and you could say even potentially a nihilist. His focus is smaller and he sees the worst of humanity. It seems like he thinks it’s hopeless, but yet relentlessly fights evil. He doesn’t seem to look as much at the big picture as the others though. While I liked Rorshach in a way and he was an interesting character, he was not a favorite. Then there’s The Comedian. He also sees the worst in the world. He sees the world as a big joke. Therefore he decides to cash in on the joke and reflect humanity’s worst qualities. Sure he’s a superhero, but he also works for the government. He was not likable to me for obvious reasons. Ozymandias was a favorite character of mine, although I didn’t completely agree with or admire him. In fact, what is so great about these characters is that you don’t agree with or admire any of them completely. They and their ideologies are all flawed. Ozymandias has a utopian, optimistic vision for the future. He wants to bring a resurgence of all that is great about humanity such as knowledge and art etc. His idol is Alexander the Great. He says that people in the 20th century either were taking a pessimistic or optimistic approach. Seeing the potential for enlightenment or seeing it all as hopeless and almost wishing the world would end. (Don’t think much has changed in the 21st century either). He obviously sees the potential for humanity. He is known as the world’s smartest man and he sees that everyone taking sides and fighting wars just constantly leads to division and can now lead to mutually assured destruction. He decides that humanity needs a threat from outside in order to unite them. I really liked that concept and his vision for a utopian future. The problem is, that plan leads to the sacrifice of the few for the many. Which, morally doesn’t seem right and most definitely not a perfect plan. While he has good intentions for the long term of humanity, he is still very egotistical and seems like he wants to conquer the world. He is the one that really brings up the question ‘who watches the watchmen?’ because he is the one that changes that fate of the world. Did he have the right to do that though? I thought it was interesting that within this story there was a guy reading a comic book about pirates and it paralleled the main story. It was juxtaposed really well and this one image stuck out to me in it. This one man is trying to make it back to his hometown to save everyone from a ship that will take everyone to hell. He has been shipwrecked and is left on an island with a bunch of corpses. He sails to his hometown on a raft that floats on the corpses. The image of him going to save everyone from hell, yet being propelled there by the corpses of others really tied into the rest of the story and what I feel Ozymandias does. It was a good image for what people do in war regardless. Jon or Dr. Manhattan was perhaps my favorite character. I loved his sections. He is the result of an experiment gone wrong where he was completely disintegrated, but he reassembled himself and now has super powers. Timelines got messed up with him and he experiences all time at once. I found him utterly fascinating and the section where it talked about how he experiences all time at once really got me thinking about the nature of time. I put the book down for awhile after that part because I got so caught up in my own musings on time. He also questions whether anything even made the world. He says its a clock without a clockmaker. He says nothing ends. You could say that his views are similar to the meaninglessness that Rorshach sees. I think Rorshach is so much more nihilistic though and I almost feel like Jon shows infinity and infinite potential perhaps. Jon becomes separate from humanity. He doesn’t see how in the grand scheme of things humanity serves any great purpose. He wants to detach from it all. He starts to do that, but then another character named Laurie reminds him of the miracle of life, so he returns for a bit only to become disgusted and leave again. He seems to want to detach from humanity and feeling. Sometimes though it seems he misses and might long for human connection. While he represents disconnection and wanting to disconnect from humanity, Laurie and Nite owl aka Dan seem to cling more tightly at the end to human connection. As the world has gotten more divided people have become more divided. Laurie sees death around them, she’s been confused by her past and she’s been disappointed in trying to be in a relationship with someone as disconnected as Jon. Nite Owl has fallen into boring middle aged retirement and feels a sense of impotence. All these factors bring them together to both try and fight crime and to connect with each other. Laurie I feel is more driven to connection. Nite Owl gets a thrill and feels important when he is fighting crime. These are the complex characters of Watchmen and I understood all of them and yet didn’t quite agree with any of them at the same time. They show different reactions to the world and humanity. Pessimism vs. optimism. Connection vs. disconnection.

Did I Like It?:

I absolutely loved Watchmen! I wasn’t sure what I would think of the graphic novel medium or this story and it absorbed me, it made me think a tremendous amount and I just think it is a masterpiece that’s very powerful! It impacted me and I will be thinking about it for a long time to come. My love gave this to me to read as it is his favorite book and he thought that I would get it and appreciate it. I am so glad he did! He was right and I can’t wait to discuss it more with him. Noting how much I have loved his recommendation, I think I’ll be keeping him around for awhile haha. He also recommends V for Vendetta, which I want to read soon now as well.

Do I Recommend It?:

Yes! So highly. To most people. Doesn’t matter if you think you won’t like a graphic novel or superheros. This book demands to be read. It contains so much and is just a fabulous thought provoking creation.

~Katie

#Watchmen #Alan Moore #Dave Gibbons #Graphic novels #Comics #Superheros #1980's #Hugo Winner #Book Review

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recentanimenews · 5 years

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Summer 2019 Anime, Ranked.

With the exception of Fire Force’s twelfth episode, we’ve wrapped up our coverage of the Summer 2019 season, which is just as well since we’re technically in the second week of Autumn.

Between Braverade, sesameacrylic and MagicalChurlSukui we watched and reviewed eleven shows in all (plus additional coverage from Oigakkosan, not detailed here), totaling 132 episodes, or approximately 53 hours. Without further math, here’s how we ranked those shows, and why.

11. HenSuki

RABUJOI Score: 7.00/10 MAL Score: 6.83/10

Pros: Novel premise, colorful pastel palette, likable characters, generally witty banter, risque ecchi situations that never cross hard lines of decency.

Cons: Uneven at best animation, silly central mystery that drags on too long, “twist” resolution feels like a cheat.

Verdict: An enjoyable, fluffy guilty pleasure. I try to watch one per season.

10. Lord El-Melloi II Case Files

RABUJOI Score: 7.77/10 MAL Score: 7.44/10

Pros: Built-in goodwill from Fate/Zero, always intriguing setup for cases, sumptuous setting, production, and mechanical design, stirring score, bonkers magical battles.

Cons: Excessive magical technobabble can be exhausting, conclusions to mysteries can feel contrived/arbitrary, non-Fate fanatics will end up hopelessly lost by most cameos or name-drops.

Verdict: A pale shadow of the classic upon which it’s based, but nonetheless a fun and moderately clever detective series.

9. Fire Force (Episodes 1-11 of 12)

RABUJOI Score: 7.82/10 MAL Score: 7.75/10

Pros: Gorgeously bizarre alternate-universe setting, elegant world-building, virtuoso action sequences, powerful orchestral soundtrack.

Cons: And MC who is dull and cliched within an inch of his life, Characters who go from evil-to-good (or vice versa) at the drop of a hat, a tedious central conspiracy, the potential for character bloat, frustratingly uneven gender balance, pathetic bouts of fanservice.

Verdict: A stylish show primarily about spontaneous human combustion might’ve weathered news of the horrific KyoAni arson attack, but isn’t quite good enough to watching following into the Fall.

7 (tie). How Heavy are the Dumbbells You Lift?

RABUJOI Score: 7.83/10 MAL Score: 7.68/10 Pros: A fresh, original premise to which it remains totally devoted, marvelous comic timing in the rapid-fire, self-deprecating, fourth-wall breaking dialogue, lovable and believable MC, decent animation, one hell of an earworm OP.

Cons: Ecchi elements and a superfluous Russian chick don’t add much, some parody bits are too on-the-nose, the show loses momentum in the final couple episodes.

Verdict: The show that inspired me to get off my skinny, underdeveloped backside and actually join a gym for the first time in my life!

7 (tie). Cop Craft

RABUJOI Score: 7.82/10 MAL Score: 6.94/10

Pros: Cool reverse-Isekai-lite premise, Range Murata character design, toe-tapping OP and lively soundtrack, entertaining buddy cop dynamic, engaging fights and chases.

Cons: Lame villains, some odd narrative choices, inconsistent/unfocused direction, disappointing animation, underutilized supporting cop cast, lots of loose ends.

Verdict: A show with some good parts to work with, mostly used badly. A wasted opportunity that’s not as good as our episodes ratings indicated.

6. DanMachi II

RABUJOI Score: 8.25/10 MAL Score: 7.45/10

Pros: Appealing, charismatic characters you love to root for, amusing romantic polygons, tremendous score, superb utilization of twelve episodes to tell a variety of engaging stories with a beginning, middle and oh-so-epic end, culminating in a quiet finale that doesn’t forget its core goddess-child dynamic.

Cons: Villains’ barks prove far worse than their bites, a couple slower episodes between mini-arcs don’t really distinguish themselves, and that huge Amazoness Phryne…what the hell?!

Verdict: After the very lame Sword Oratoria spinoff DanMachi got a proper sequel, focused on the characters we cared about, full of emotion, excitement, and good old-fashioned fantasy ass-kickin’.

5. Fruits Basket 1st Season (Episodes 14-25)

RABUJOI Score: 8.50/10 MAL Score: 8.36/10

Pros: Impeccably-rendered characters and depictions of their various psychological issues, dark and poignant flashbacks, exquisitely cozy slice-of-life, a good balance of the mundane and the mystic, and hard-hitting cathartic scenes.

Cons: Some members of the Souma family are more interesting (and tolerable) than others, but even the less interesting ones get plenty of screen time, Tooru’s saintly selflessness can wear thin at times.

Verdict: A beautifully-crafted second half that rewarded patience by delivering some of the strongest and most moving episodes of the year.

4. Master Teaser Takagi-san 2

RABUJOI Score: 8.58/10 MAL Score: 8.40/10 Pros: Truly magnetic chemistry in the central pair, Deft use of subtle facial expressions and body language in the animation, superb performances by Takahashi Rie and Kaji Yuki.

Cons: Like the first season, the various teasing games can grow repetitive, as can Nishikata’s denseness and inability to see more than one or two moves ahead, the side stories involving side characters often felt like padding.

Verdict: Continues and refines the brilliantly simple teasing formula of the first season, while ever-so-gradually blurring of the line between teasing and flirting. A sweet and touching, slow-burn portrayal of young, awkward first love.

2 (tie). Vinland Saga (Episodes 1-12)

RABUJOI Score: 8.67/10 MAL Score: 8.57/10

Pros: Flawed but rootable MC whose character is more complex than it initially seems, his multi-layered antihero mentor, exemplary action and battle sequences, powerful score, compelling exploration of the hard old world, with enticing glimmers of a brighter new one.

Cons: That said mentor would keep a kid dedicated to murdering him around so long stretches credulity at times, those battle sequences sometimes feature individuals or groups doing superhuman things that detract from the otherwise naturalistic milieu.

Verdict: While not quite as big, loud, epic, or bonkers as Attack on Titan, or Kabaneri of the Iron Fortress, Vinland Saga is arguably Wit Studio’s most balanced and human series. Looking forward to the second half.

2 (tie). Astra Lost in Space

RABUJOI Score: 7.77/10 MAL Score: 7.44/10

Pros: Very well done futuristic world- and space-building, a large-ish main cast that you steadily come to know and love, the sense of family that arises from the crewmembers’ experiences together, an optimistic spirit of exploration that isn’t constantly beset by mortal peril, creative planets and lifeforms, thankfully subverted expectations for a Lerche-style bloodbath.

Cons: “Character gets a backstory” formula to some episodes felt repetitive at times, the crew almost faces too little mortal peril considering their circumstances, they similarly rely on a lot of luck, some major plotlines and twists could have been left out and still resulted in a pretty strong show.

Verdict: Maybe the season’s biggest surprise hit, the ambitious Astra calls to mind some of the best of live-action shades-of-gray sci-fi (Firefly, Battlestar, Expanse) while maintaining an old school optimistic, exploratory outlook. It set out to do and say a lot, and was mostly successful in doing so.

1. O Maidens in Your Savage Season

RABUJOI Score: 8.58/10 MAL Score: 8.40/10 Pros: Fearlessly tackles tough social topics on adolescence, sexuality, gender roles, upbringing, and abuse, ably juggles multiple, diverse love stories and triangles at once, pleasingly drawn and animated, and despite all its serious themes, doesn’t leave out the comedy.

Cons: What seemed to be an irreversible dive into an abyss that would tear the five girls apart, they work almost everything out almost too easily for a tidier ending than expected; while the show dips a toe in LGBTQ themes through Momo’s awakening, her’s is one of the least developed arcs despite being one of the most interesting.

Verdict: A rare-for-anime honest and unblinking exploration of the awkward, painful, and sometimes savage emotional journey to adulthood all kids must face (and not always at the same speed). By the numbers, the best show I watched this Summer, and the one I looked forward too most from week to week.

Summer 2019 Big Board:

By: rabujoistaff

#Anime #News #RABUJOI – An Anime Blog

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