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pippin-katz · 8 months

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Alright, I have mostly restrained myself, but I cannot stay quiet any longer. There is a question that has been eating at me...

Whose fucking idea was it to have Henry (Nicholas) constantly grabbing Alex's (Taylor's) hair?!

Note: I'm adding this in after finishing writing this because this was supposed to be a relatively short post, and then it spiraled out of control, so if you want to listen to me gradually lose my sanity over this question, feel free to keep reading, cause it is admittedly funny lmfao

Another Note: This is me being overly sarcastic and hyper cause it’s funny for me to think about that situation. This is supposed to be a funny post. I said that at the end, but I’m adding it here too.

Listen, remember what they said about the intimate scenes: they were planned down to every detail. Remember what Nicholas said about having conversations with Taylor, Matthew, and Robbie about boundaries, what was okay, and not okay. Remember that they have A LINE IN THE FILM ABOUT HENRY GRABBING HIS HAIR (iconic).

Do you see it? Do you see where this is going?

The hair pulling/grabbing is not random. It doesn't happen in just the New Year's kiss to set up a funny line later.

It happens all the time.

Even in soft moments, Henry has a hand in his hair.

The hair grabbing gets its own shot in their love-making scene.

Consistent small actions (twisting a ring, biting nails, drumming with fingers, etc.) are character habits. They're things that they do all the time, subconsciously or for a decisive reason, usually if you know that action causes a specific response that you want for any reason.

There's a coworker that drives you crazy, so you purposefully hum really loudly whenever they're in the room to piss them off. Your friend has a sensitivity to the color red, so on days you know you're going to see them, you avoid wearing it. Your partner has muscle cramps, so you massage their shoulders whenever you're standing behind them.

These habits usually start as conscious decisions, then gradually become subconscious, hence the term "habit". You've been doing something for so long or for frequently enough that you do it while on "autopilot".

I think it's pretty obvious why this action happens. It's because A: Henry likes feeling of his hair, and/or B: Alex likes when someone touches his hair. Note: This could be in any context, not just sexual; running fingers through it, washing it, styling it, etc.

Either you figured out what I am going to say, and you're wondering why I'm blabbering on so much, or you're just confused about where I'm going with this at all, so here's where it all clicks together.

When you have a character, habits are something you give them to give them more personality, more insight into their mentality through subtle things they do. It's something the director/writer/actor chooses to give to the character.

BUT - nothing in the intimacy scenes happen without being discussed and agreed upon.

This isn't like Nicholas fidgeting with the signet ring to show Henry's nerves. This isn't like Taylor frequently making little hand gestures (peace signs, finger guns, tapping the side of his glass, etc.) because Alex has undiagnosed ADHD and that's one way to physically imply it.

They can do those things without being told or given "permission" because it's their portrayal of the character, it doesn't effect anyone else, and small details like that are typically up to the actors, unless the director is incredibly strict.

BUT - AGAIN WITH FEELING - NOTHING IN THE INTIMACY SCENES HAPPEN WITHOUT BEING DISCUSSED AND AGREED UPON.

That means that someone, one of the four of them, brought up grabbing his hair as a suggestion, and further more, Taylor (and Nick, but obviously Taylor's consent is more important in this specific case) was fine with it.

Think about it. Think about them sitting around a table discussing the kinds of stuff that Matthew and Robbie would want to see, and what Nick and Taylor would be okay with. Think about the fact that one of them was sitting there, and looked at the other three, and said: "What if Henry grabs Alex's hair a lot?"

And then the four of them had to sit there, and talk, in depth, about what that would mean.

*inhale*

Who... the fuck... said it?

WHO SAID IT?!

Did Matthew and Robbie present it as part of the initial planning?? Or did one of them look Taylor and Nick in the eye and say it?? Did Nick throw it out there as something he thought Henry would do?? Was it Taylor??? Since it's his hair???

Cause it's not just like, running Nick running his fingers through it, combing it during some tender moment, like when Alex talks about his father being an immigrant.

HE FUCKING GRABS IT.

What the fuck were these conversations like?! I cannot think of a single way to have that conversation where someone wouldn't have to say something that would make me make me go UHHH-

What? So - Matthew's like "how do you guys feel about touching each other's hair?" -and they're like "what, you mean like running our fingers through it?" -and he's like "nah yanking it while you're making out"

Like... what do you say to that?! - "oh which one of us would do it to the other?" -and what, did Taylor fucking volunteer?? Just like - "he can pull my hair, it's chill" - WTF?!

Or did he suggest it in the first place, like they were discussing things that would that could be part of Alex and Henry's dynamic and he's just like - "he could pull my hair?" -and the other three just stared at him for a second, because wtf that's a intensely intimate action to suggest?!

Hair touching in general is really intimate, in like, every context, at least I think to most people, and definitely to me. Most people wouldn't just let someone, even someone they were friends with, start playing with their hair or touching their head. I wouldn't even let my best friend randomly touch my head; I would instinctually try to bite their hand off (not a joke). Maybe I'm a slight bit more touch-repulsed than most, but I feel like it's safe to say that the majority of people don't want their hair and head being touched, grabbed, or played with unless they say so.

And again, they do it CONSISTENTLY. It's not a one and done scene. It is an actual dynamic between Alex and Henry they chose to establish.

SO I ASK AGAIN: WHOSE IDEA WAS IT?!

I'm looking at you four, Matthew, Robbie, Taylor, and Nicholas. I know it was one of you cheeky bastards that suggested it. One of you brought it up, and the rest of you were like "sure".

I will be forever haunted by this mystery, as I doubt I will ever get an answer.

Note: Please don't take this super seriously. I'm not trying to imply anything; I'm literally just joking around cause the concept of having that conversation boggles my mind lol

#lol you thought my next essay would be another one shot analysis #but autistic and have adhd #so you have to wait lmfao #red white and royal blue #rwrb #rwrb movie #rwrb thoughts #alex claremont diaz #taylor zakhar perez #henry hanover stuart fox #nicholas galitzine #matthew lopez #robbie taylor hunt #firstprince

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hurdlehoops · 3 years

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SPN did Market Research for Dean & Cas

Disclaimer: Yes this is a sock for safety reasons. Post is long, but please read it.

No shit there I was checking my email, as you do, and I saw I had a screener from one of the market research groups I’m signed up with. On average, I do a market research thing every 3-4 months because I like non-reportable money. And giving my opinions. And talking to people behind 2 way mirrors without having to go to a police station.

Market research itself was early December, 2016. First email contact with the screener was late October or early November.

I see it’s an “offsite,” meaning a market research company is subcontracted by another company who wants to do the market research at their own facility, but doesn't want to find the participants on their own, so they use the Market research company (in this case Schlesinger and Associates) as an intermediary. I can’t remember if this screener identified itself as being for TV, not all do, some might identify only as entertainment, and some might be even more vague until you get into the screener. Regardless of the identification for the screener (TV or entertainment), I fill out almost every screener I receive unless it’s obvious, from the subject, they won’t want me (ie looking for certain types of professionals)- it didn’t matter, then, if the subject matter was something I particularly like, I would’ve filled it out anyway.

After normal, but more detailed than usual demographics questions, the screener asked about TV habits. Eventually, it said the word “fandom” and asked what TV fandoms I’d count myself in. It was roughly a list of 20 shows and listed “fandom” (defined as I watch every episode and read additional materials about the show. Note this is not what fandom itself would consider fandom, but people most fandom dwellers would still count as GA). Beyond fandom, one could indicate they: watch all episodes but don’t seek out more, watch most episodes, have seen some episodes, watched a few, or haven’t watched. (I just got a screener for soap operas and realized that part was the same and made note). Therefore, fandom, to corporate, are people who watch everything and maybe buy some swag for the show- magazines/shirts. Then, they asked about conventions I might have attended. And then asked about my dream vacation, so I babbled a lot about my dream to go to SDCC (I hadn’t at this point). Supernatural was on the list of shows, so I made sure I answered the essay questions about it, because why not? It was my favorite of what was listed. It was a long screener. I don’t remember the rest. Though sometimes I might remember a detail if a screener reminds me of it. Most fun screener I’ve filled out.

A few days/weeks later, I got a call for step 2- the phone screener for the people that sounded good when filling out the form. And where they try and make sure your answers match or fit that same person who answered them. I passed step 2, and was told there would be homework, and asked ifI’d have time for it, since I would only have so many days to watch the assigned material and write essays about them.

Homework arrives: I have to watch and write essays on all the bonus features of Supernatural S10. There might’ve been something in there from another year, too. And all the bonus features from some season of Big Bang Theory. Essays for all of it, too. And I mean essays, not short answers. It was like the SATs, and I was analyzing blooper reels (among other things). I still don’t get why they wanted essay questions on blooper reels, but I’ll always happily write one again cause that was the funniest essay to have to write!

I had to both print and bring and email all my answers ahead of time. I did not keep them. I’m honestly curious what I might’ve written.

So in December, I get to go to WB’s market research department. Fun fact: the entrance to that building faces what had recently been the Supernatural poster. I check in. At this point I think it’s a group. Because most market research is done in groups. Also they said I was there for the “DVD bonus features study”

I wait in the lobby, but I’m surprised there seem to be very few others around. I don’t think I got there too early, but all the others were taken back before me. And they didn’t seem to be there for the same study. Oh and I wore business casual clothes but had some show-based earrings for fun.

Finally a nice lady brings me back to a room. She turns off the lights and gives me a fancy remote and has me play with a new system for watching bonus features. I had to start with BBT. Then we did something else. Then I was allowed to scroll through and I picked Supernatural, and answered all the things. By this point I figured I would be released soonish because I was supposed to be there only for an hour. And this was at least half an hour at the most. No clock, though and cell phone off. Maybe this part went faster than I remember, but it was less interesting so it felt longer? Or less interesting compared to what came next.

We switch gears. I’m no longer allowed to pick what we watch and talk about my thoughts on if SDCC panels belong in bonus features. (Me: should have a preorder and you get to watch it when the season airs with DVD to arrive when season ends. Silly to watch it after the season when it’s mostly vague spoilers for the first episode or so). Obviously WB doesn’t listen to me about everything.

Oh! In the screener as part of normal demographics, I was asked about my sexuality. It isn’t completely rare (I can talk about another market research where you had to be queer to be part of it), but there were some short answers about representation or something similar. Something that is significant *now,* but at the time I didn’t notice as being too weird. Since they probably had me listed to the people behind the mirror as X (if they even got my name) Y resident, bisexual, age. I very specifically said stuff to her about representation cause I wasn’t gonna miss my shot.

Anyway so we switch from dvd extras and she queues up video from another file.

She puts a scene of Supernatural on and has me watch. Then repeats it. And asks questions about my opinions on what’s happening. Then has me watch and only pay attention to Character D and tell her what I think his emotions are. Then again but with Character C.

Complete torture… lol… at this point I’m confused, but enjoying this torture.

So there I am watching the Crypt scene over and over and analyzing it. And talking about their feelings.

And then I stop her and say something to the effect of “look I’m bi. There’s not a lot of good representation on what being bi is like. But from episode 1 I’ve known Dean is Bi.” And I babbled about how important a macho badass but closeted character is for representation. And that I hoped they did more with that. I included some anecdotes from other lgbtq friends and straight allies and how they all felt as I did- Dean is Bi, Cas is whatever he wants to identify as, and we felt we recognized our experiences on the screen and hoped for continued and louder representation.

Bam. My interviewer was called out of the room by the people behind the mirror. Suddenly I’m getting a whole new set of questions

Like this is the most baffling and amazing thing that's happened to me in years. It imprinted in my mind, and I haven’t mentioned it to too many people, because of the NDA and being afraid to jinx things. But now I don’t feel like it matters to be as quiet. Obviously I don’t want WB to go after me but... market research isn’t unusual, just mostly used for spin-offs or new shows not for plot points of shows already happening. At least, that’s my understanding.

The interviewer comes back after a short discussion with whoever was behind the glass. Asks a few more questions

We’re now very much going into various things about what I’d just said. I took my shot. And apparently it paid off big time. At some point she’s pulled out of the room again and given a paper with more questions. Some were about Dean’s bisexuality, or how I, and anecdotally my friends, saw him as bisexual. Others were about the potential romance. None, that I remember, were about Castiel’s sexuality- I guess that was a given or not important.

I don’t know if any of the writers were behind the glass from the beginning, but I felt like they stalled to get someone there, maybe.

The interviewer was baffled and made sure I knew nothing that was happening was normal. They wanted to ask me more questions than they usually care to get out of their market research volunteers.

So those are the most important parts. Basically almost everything I was asked after that was about character analysis and queerness and a whole bunch of other things that were related (I also mentioned needing more disability rep, too). I was back there for at least 2 hours.

#supernatural #spn #destiel #deancas #castiel #dean winchester #misha collins #jensen ackles

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ahtsumu · 3 years

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long shots ; miya osamu

pairing: miya osamu x f!reader

synopsis: miya osamu is the teacher’s assistant for food chemistry i. you can’t stop thinking about him.

tag(s): college!au, slow burn, TA!miya osamu, grad student!reader, fluff, reader is a go-getter!! ; warning(s): profanity, suggestive themes, talk of insecurities and imposter syndrome ; wc: 5.6k

a/n: happy birthday to @starrysamu! i love u. pls excuse any errors. i’ll weed them out later! btw this fic is not a sugar daddy au LOL

HIS NAME IS Miya Osamu and he always looks like he has it all figured out. Comes in every class with his black hair perfectly tousled, the sleeves of his dark button-up rolled to his elbows, a cup of coffee in one hand and the strap of that black messenger bag in another.

“He drives a BMW, did ya know?” Isla says in your ear one morning. Your only friend in Food Chemistry I gives you a pointed look before sitting back in her chair in the lecture hall with a smirk on her face. “Saw it this morning. Bet he’s loaded.” The two of you watch the subject in question walk across the classroom and settle in his seat at the table in the corner.

“Shut up,” you whisper with wide eyes. A grin–– far from innocent–– makes its way onto your face. “Imagine being Miya Osamu’s sugar baby.”

“He’s not old enough to be a sugar daddy.” Isla looks at her nails disinterestedly. “And that’s too many AUs in one. He’s already the TA, for god’s sake. This isn’t some shitty Wattpad novel.”

A light giggle slips out of your lips. “I can see the title already. My Sugar Daddy is the TA?!”

Now, if anyone had been listening in on your conversation, they would’ve assumed many things about you. The first being that you’re both gold-diggers. This is untrue–– at least, in your case. Isla, you’re not so sure about, given how your friendship only goes back about one month. But she tags you in memes on Instagram so maybe it’s as real as real gets. Their second assumption would be that you have a big fat crush on your TA. That one’s complicated, mostly because it’s true, but only kinda. It all started in the second week of school when Isla caught you staring at Osamu and slipped you a post-it note with both your initials encircled in a heart. And, because you’re shameless with a good sense of humour, you made a show of kissing it while she was looking. And thus began your meaningless but incredibly entertaining, satirical, co-written fantasy about Miya Osamu.

It also didn’t help that on the first essay you got back, Isla’s paper had been marked up with “are you sure?”s and “this is a jump”s, while yours had “excellent reasoning” and “insightful analysis”. You’d even gotten a little comment at the bottom: y/n, fantastic work. you should speak up in class more often. –– OM

But Miya Osamu doesn’t play favourites because the next week you’d gotten another essay back, this time with another comment at the bottom: y/n, not your best work. you could’ve done better by connecting your first paragraph with the second using grant’s reading. conclusion lacked punch, too. all the best. –– OM

Every time you’d read the words scrawled in blue ink, you’d felt a pair of eyes on you. But you chalk it up to Osamu being a careful grader. A good TA. Someone who cares about his students.

Isla calls bullshit on that. You’re not really sure how to feel about her stance.

The classroom door opens and shuts again. You don’t have to look at your phone to know that it’s nine on the dot. Instead, you and Isla straighten your backs, pull out your notebooks, and focus. Your no-nonsense professor says “good morning” in her usual perky manner before jumping right into her keynote presentation.

“Did you all find the reading okay?” Professor Lee asks an hour into the lecture.

A chorus of “yes”s fill the air. You bite your lip, wondering if revealing that you didn’t understand shit will out you as the class idiot. Or maybe your silence is telling enough–– maybe the people in the seats beside you have noticed the grimace on your face and are having thoughts like ‘gee whiz, am I glad I’m not dumb like her’. Heat rushes to your cheeks. Sometimes you really wonder if you’re smart enough to be here. Occurrences like these do nothing to dispel your insecurities.

You vaguely hear her ask something like, “Any thoughts about the reading?” It’s not that you’re actually dumb. It’s just that this class is ridiculously hard for an introductory course, even for a graduate programme. From the start of the semester til now, fifteen people have dropped the class. There’s just twenty of you left. Guess a ridiculously hot TA can’t save a course’s drop-rate.

Before you can make your mind up on what to say, your professor moves on from her question.

As you look off to the side of the room for a break from your thoughts, you find a pair of blue-grey eyes pointed in your direction.

Everything about you, from the expression on your face to the way your muscles tense, makes you look like a deer caught in headlights–– even though he was the one caught staring in the first place. So maybe your shamelessness works on a scale.

Miya Osamu lifts one corner of his mouth.

And as if the exchange hadn’t happened at all, he looks back down at his laptop and continues typing.

The rest of the lecture goes through one ear and out the other.

“Everyone, I believe Osamu has something he wants to say,” Professor Lee says as everyone begins packing their bags.

The raven-haired TA slides out of his seat and sits on top of his desk. “Yeah.” Osamu clears his throat and crosses his arms over his chest. You notice how the muscles in his arms bulge from the movement.

“Whipped,” Isla mutters, grinning mischievously.

“Him for me,” you whisper back, though your eyes do travel back to his face where they should’ve been all along. Osamu catches your gaze and holds it. And then he looks away again.

“Now, I know you’re all Nobel prizewinners in the making,” he begins, garnering a round of snickers and giggles from your classmates. Most people say that cliques dissolve in college. That there’s no such thing as popularity amongst graduate students. That much, you agree with. But no one ever said anything about popular teacher’s assistants. Especially smart, attractive, witty teacher’s assistants like Miya Osamu. “But in case you didn’t understand the reading or would like to develop a deeper understanding of it, don’t hesitate to email me. I’ll try to host a review session all of us can attend.”

Professor Lee smiles appreciatively at Osamu, adding, “That’s a wonderful idea, Osamu. Guys, please take this opportunity if you struggled with the reading. I know eighty pages is a lot, but our next three classes are structured around the concepts in the reading and the mid-term next week will almost exclusively be about it, too.”

Well, shit.

To: [email protected]

Hi Osamu,

I was wondering if I could get some help with the reading from last class. To be frank, I couldn’t make it past page 15 and I’m lost like a snot-faced five-year-old in a shopping mall on Black Friday. Sorry. Thanks in advance!

Regretfully,

Y/N

MS Candidate

College of Agriculture and Life Sciences

Haikyuu University

From: [email protected]

no problem. is 5 pm tomorrow at jack’s okay? we start on the concepts from the reading next class so i want to get you up to speed asap. let me know. thanks.

PhD Candidate

College of Agriculture and Life Sciences

Haikyuu University

It’s five minutes to five when you pull into the parking lot of Jack’s Diner. The shiny, retrofuturistic eatery is a university favourite but the empty parking lot tells you it’s completely deserted right now (and rightfully so–– who eats dinner before six?). The black BMW parked a few spots from your car, however, says that you’re not alone.

Osamu’s figure comes into view as you reach for the handle to the front door of Jack’s. The twenty-six-year-old sits by himself at one of the bright red tables in the back, typing away on his dark grey laptop.

His head lifts up at the sound of the opening door. Osamu calls out your name and waves you over.

“Hi,” you greet with a smile, sitting down across from him.

“Hey.”

You look around before leaning forward on the table. “Is anyone else coming?”

“No.” Osamu sits back in his seat. “I thought about hosting one big group, but then I realised that it’d probably be stressful for the staff here.” He nods his head in the direction of the kitchen. “And I had a hunch that everyone would have different questions. Forcing everyone to review concepts they already know is a waste of time.”

At first, you nod. That makes sense. But then you furrow your brows. “So how long have you been here?”

Osamu blinks. He hadn’t expected you to ask about him. “Hmm? Oh.” He taps his phone to check the time. “Just a while.”

Quirking a brow, you ask, “And how long is ‘a while’ to you?”

“Seven hours,” he admits, chuckling lightly when he sees your jaw drop. “A lot of people had questions. They just don’t act like they do. Anyway, time flies. Really, it does.” Quickly, he clears his throat and sits forward. “So, about your email.” He grins. “Not sure if you meant it to be funny, but it was.”

“I’m glad my distress was entertaining for you. Do you TA just to watch grad students suffer?”

“Perks of the job,” Osamu says. His grin widens when you giggle. He’s never heard you laugh before and he realises at that moment that it’s really nice. And then that same grin falters. Gracefully, of course, and imperceptibly to you. But not to him. Is it okay for him to be… thinking things like that? About a student? But you’re not really his student since he’s just the TA. Right? Osamu ignores the weird feeling that comes over him and clasps his hands together at the edge of his laptop. “Back to your email. Can ya tell me what you’re confused about?”

Three hours and two Impossible Burgers later, you suddenly understand everything about food molecules so well that you wonder why you’d even been confused in the first place. But besides that, you’ve also picked up things about Osamu. As a person and not an idea. Not that you’d been actively searching for fun facts about your TA. But they’d stuck to your brain like gum at the bottom of a desk. He likes to slip sarcastic quips into a conversation every now and then. Eats burgers upside down (“The right way,” as he’d said, smirking). Is friendlier than he looks.

“You’re really good at explaining things,” you comment as Osamu shuts his laptop closed.

“Well, I kinda have to be,” he says. And maybe it’s the mental fatigue catching up on him or the fact that he’s real fond of the reason why he can break big concepts down into morsels but suddenly, the rest of his thoughts spill out his mouth like wine. “I have a twin brother with potato salad for brains.”

“Oh?”

And before he can stop himself, he tells you about Miya Atsumu, the pro-athlete you’ve definitely heard of but never gave too much thought. And then you hold onto the fact that they were both on the volleyball team and you ask of which school, so then he tells you about Inarizaki, the high school he attended, and then his decision not to go pro to go to college, and then––

“Sorry,” he laughs, cheeks turning pink. “You probably didn’t need to hear all that.”

“No, it’s fine,” you say–– and you mean it. “Your life is interesting.”

Osamu leans back in his chair. “Well, I’m sure yours is, too.” He holds your gaze like it’s the key to your presence. It’s an invitation. The kind that comes from people who don’t really know if they want you around but also don’t want you gone.

You take it.

Osamu shouldn’t–– he really shouldn’t–– but he wonders about the things you didn’t tell him the entire drive home.

Isla laughs when you tell her about what happened at Jack’s. You lay in bed with your phone next to you on speaker, your face turned on your pillow so that you’re staring out the window at the city below.

“He wants you,” she sings.

“Or he was just being nice.”

“Methinks not!” Isla giggles. “He’s intrigued, girl! You’re like that cute little new mystery in his life and he just wants to get to know you.”

“I think he was just being polite.”

“Or he’s crushing on you!”

“In your dreams.”

“You mean yours? Boo, you’re no fun today. Usually, you go along with the jokes.” Isla’s tone is playful on the surface but full of implications.

A few silent seconds pass. Yeah, you think, agreeing. I do.

“Girl,” Isla drags out the word in a high pitch, saying it like a scientist says ‘eureka’. “You’re not playing along anymore because it’s real now. You're actually catching feelings!”

“Am not!” you laugh.

“The Y/N I knew would’ve said ‘nah, bitch, he’s catching feelings’ and I think that says all there is to say.”

“Okay, I think he’s cute but it’s not a crush,” you concede, grinning. “And he’s the TA, Isles. It’d never happen.”

“Not while he’s still a TA in a class you take.”

“Isla.”

“Ask him out once this semester ends! Unless you’re chicken.”

“I’m not asking him out.”

“Knew you were––”

“Have you seen me? He’s asking me out.”

Miya Osamu walks through the door at eight-fifty as usual that next morning, dressed in his usual button-up, holding his usual cup of coffee. But this time, as the rest of his tall frame passes through the doorway, Osamu’s eyes subtly scan the faces in the lecture hall, lingering for just a while over yours. The corners of your lips turn up. You hope he saw that.

“Bitch!” Isla whisper-screams. The students sitting around you turn around at the noise and grin at each other when they realise it’s just Isla being… well, Isla. She shoos them away jokingly.

“What?” you whisper back.

“Care to explain why our TA was literally eye-fucking you?”

“That was hardly eye-fucking,” you retort. “Maybe like an eye-handshake.”

“Yeah, a naked eye-handshake where his thang is handshaking your––”

He does it again the next class.

And the next.

And then he doesn’t. Miya Osamu walks through the door to Food Chemistry I at eight-fifty in the morning in a navy blue button-up with a cup of coffee in his hand and looks through the rows of seats in the lecture hall for your face, only to find it missing.

He debates pressing the matter.

To: [email protected]

hey osamu,

i wasn’t in class today because i’ve been sick with the flu (no big deal, just feel like i’m dying). a classmate sent me pictures of the slides from today so i think i should be fine, but is it okay if i email you with any questions? thank you very much!

miserably,

Y/N

MS Candidate

College of Agriculture and Life Sciences

Haikyuu University

From: [email protected]

y/n,

of course. sorry to hear that you’re sick. let me know if i can do anything to help you. the midterm is next week. get well soon.

PhD Candidate

College of Agriculture and Life Sciences

Haikyuu University

“You writing that the midterm is next week did not offer me any peace of mind, by the way,” you say, spinning around in your chair as Miya Osamu enters your pod in the library.

He offers you a wry grin. “Hello to ya, too.”

“Was that an accent?” You thought you’d heard one at Jack’s, but you couldn’t be sure because it’d been so spotty.

Osamu slips into the seat beside yours and pulls out the laptop in his messenger bag. You catch a whiff of his cologne–– something spicy and woody, but clean. It suits him. “Nice catch. Yeah, I speak a regional dialect. Took me a while to smooth it over but it still resurfaces every now and then.”

“Why?”

“It just didn’t seem fitting for a PhD candidate, I guess,” Osamu explains, opening the slides from the class you missed. A day after your initial exchange, you’d emailed him again (with a much clearer mind) and asked if he could go over the slides with you in person.

i literally feel like i’ve been given the homework from russian lit, you’d written. except the russian has been translated to hieroglyphs and my task is to choreograph an interpretive dance based on the hieroglyphs.

Osamu had snickered when he saw your email. that doesn’t even make sense. must be the fever talking, he’d been tempted to write. But that strange feeling had come over him again, the one that’d screamed at him to keep it professional, goddamnit, so he’d played it safe instead and sent is eight pm at the main library okay? He hates that you’re getting a watered-down version of his personality. Osamu swears he’s a lot more interesting when he’s not, well, a TA.

“I think it’s fine,” you say, smiling. “I like it. It’s you.” And suddenly, you’re wondering if it’s okay to be complimenting your TA. If it’s okay to say that you like things about him, or if that crosses some grey, unclear line. Is it weird to treat your TAs like they’re your friends? It’s not like TAs are real teachers. Right?

A grin–– wide and genuine and almost excited–– grows on Osamu’s face. He rubs the back of his neck as his eyes flit over to the laptop screen. “Thanks. Really.”

You nod. But you feel like there’s more that he might want to say, so you wait.

“I got a lot of shit for it when I came here for my master’s, y’know. Not to my face, of course, but people would refer to me as ‘the guy with the accent’. A professor once said it made me seem crass. Said it’d hold me back in my career.”

“So you changed.”

“Adapted,” Osamu corrects. “It’s hard to admit but conforming is sometimes all you can do when you don’t have the power to change the system. Can’t really make everyone suddenly respect a dialect.”

“And after you’re finished with your PhD, you’ll go back to speaking in that dialect?”

Osamu looks out the window and smiles, probably imagining the plans he’s already made about the future. “Yeah.”

“What if you have to speak the standard language at your job? Like, your boss is all, ‘hey man, if you don’t speak––”’

“I’ll be the boss.”

“Oh?”

And with a little more prodding, Miya Osamu tells you about the restaurant chain he plans on opening after graduation, the slides about food additives left completely untouched.

The librarian knocks on your pod a few minutes before eleven to tell you they’re closing.

“Shit,” Osamu murmurs, running his hands through his hair. You’re still laughing about something he’d said before the librarian interrupted him–– one of his stories from high school–– and he thinks that you’ve completely forgotten that the reason you came to the library was to catch up on the material you were already behind on. And now you’re behind on that. But you look so carefree right now and, actually, you’re very pretty and you’ve got such a good heart and it’s a lot for him to process but he knows he just wants to see you happy a while longer. So Osamu just slumps back in his chair and laughs along with you.

He says your name as his chuckles grow softer. “It’s pretty late. How’re you getting home?”

“I’ve a bike,” you reply. It’s good for the environment and is a pretty solid form of exercise if you do say so yourself. Sometimes you just don’t feel like driving.

Osamu presses his lips in a thin line. Would it be too much to offer you a ride? “I can drive you home. It’s really not safe for you to be alone outside, especially near midnight. You can get your bike tomorrow. Or I’ll get it for you.”

He drives fast. Not the unsafe fast that speed demons drive at, but the kind of fast where you know he’s got some edge to his character. You bring it up to him–– especially since it’s nighttime, for god’s sake, he could hit something–– and all he does is remind you how there are lamps as bright as the sun lining the entire road to your dorm. And the fact that you live in the least accessible dorm on campus.

“A twenty-minute drive?” he’d exclaimed when he saw the GPS monitor.

“A bunch of roads are closed for construction. It’s a ten-minute bike-ride because I can cut through campus.” And suddenly feeling a little burdensome, you’d added, “Sorry. I can still bike––”

“No.” He’d held his hand out in front of you, gesturing for you to stay in the passenger’s seat. “It’s not a bother at all.” Because it wasn’t. Osamu was… happy. Not that he’d admit that.

“So this BMW,” you start in a teasing tone.

Osamu smirks. “A gift.”

“Can I guess from who?”

“Sure.”

“Atsumu.”

His brows rise. “Colour me impressed.” He hadn’t expected you to remember anything he’d said about Atsumu. Or maybe he had but told himself otherwise to lower his hopes.

“I’m smart like that.”

He snorts. “Not if you keep distracting me and using your review time to…” hang out with me, get to know me, tell me things about you… “…goof off.”

You grimace. “Yeah. Sorry about that.”

Osamu makes a turn down a familiar street. It dawns upon you that you're ten minutes away from your dorm and suddenly you wish he’d just make the wrong turn at the next intersection so that you could talk to him some more. It can even be about the health benefits of fish or the molecular makeup of kale–– you don’t mind. You just want to be around him longer.

“I think you’re really smart,” Osamu says quietly. “I think you’re not processing the readings because you’re distracted, or just not fully applying yourself. Obviously, last class’s slides are a different thing, since you were absent. But you really are smart. I’ve seen your papers.”

You bite your lip to hide your grin, feeling heat rush to your cheeks. “Thank you.” You look out the window, too jacked on dopamine to think straight. “I think I still need you, though.”

And that innocuous little sentence floats right out your mouth into the air, settling between you like a little wedge before either of you even realise it. Neither of you says anything. You marinate in the awkwardness before stuttering out a clarification. “To, um, to explain things. Y’know, since you’re, uh, so good at… explaining things.”

Osamu clears his throat and chuckles stiffly. There’s a slightly pink tinge to his cheeks. “Thanks,” he says, looking straight ahead. He can’t even look at you. Fuck. It’s so awkward. “I’ll try to keep… explaining things.” Fuck. What does that even mean?

A few uncomfortable minutes pass in silence. The night can’t end like this, you think. It can’t when everything else had gone so well. You still have to see him for a few more months. “Did you know,” you start, catching Osamu’s attention, “that Jack’s Diner has a location in Italy?”

“Oh?” he asks, making the final turn to the street where your dorm is. He actually hadn’t.

“Yeah. I asked the owner about the chain a while back. Have you ever been to Italy?”

Osamu shakes his head. “I’ve been to Paris, though. To see a friend. He’s a chocolatier.”

Now, if Osamu had been your friend, you would’ve said something like well, let’s go to Italy together, except he’s not. He’s your TA and you’ve been reminded that enough tonight. So instead, you say, “When you open that restaurant of yours in Italy, let me know.”

“That’s gonna take a while,” he laughs. He appreciates how you said ‘when’, though. And he tucks that little bit of confidence you have in him somewhere deep in his mind so that it doesn’t get lost.

“Isn’t that just seven hours?” you shrug, grinning. Osamu’s BMW pulls up outside your dorm and parks as he marvels at what you just said. You’re amazing. You unbuckle your seatbelt and turn to face your driver.

“Thank you for driving me,” you say, offering him a smile.

“Yeah,” he replies.

You stretch out your hand. With a puzzled look on his face, Osamu grabs it and shakes it. Firmly. You can’t help but notice how nice his hands are. Calloused for sure, but they feel nice.

“Goodnight, Osamu.”

“Goodnight, Y/N.”

He watches you jog into the building before driving away. And it’s like you’ve possessed his car or something because the smell of your shampoo and perfume is everywhere and it’s too much but it’s also not enough at the same time and he can feel your palm against his as he spins the steering wheel to make a turn and for the first time in his life he doesn’t turn on the radio to fill the silence in his car. Osamu replays everything you said in his head.

But he especially thinks about that part where you said you need him.

Weeks melt into months. You turn in essays after essays for Food Chemistry I, each coming back with detailed commentary in an all-too-familiar blue scrawl. All your other classes go well–– extremely well, actually. You might just end the semester with a 4.0 if Food Chem doesn’t fuck you over. Isla still tags you in memes on Instagram. You still tell her about everything that happens with Osamu.

Speaking of.

“That’s the wrong equation,” he says behind your ear as he settles in the seat beside you. The sound of his low voice so close to your ear sends a small shiver down your spine. “You gotta switch the hydrogens.” Osamu knocks on your skull lightly. “What’s goin’ on up in there? Ya got somethin’ on your mind?”

You laugh and elbow him in the side. “Shut up, ‘Samu.” He’d told you during one of his office hours that he’d gone by that nickname because he had a teammate with a foreign name in high school. It sounded so cool, he’d said, grinning.

I think Osamu sounds pretty cool already, you’d teased.

And he’d replied, Let’s trade. I like yours, you like mine, why not share?

You teeter on the line between friends and less-than-friends and, oddly enough, more-than-friends. Sometimes you still play it safe. Sometimes he pauses between texts and real-time conversations, no doubt to scrap an instinctive reply for something more “professional”. Sometimes you say things that make him look at you with the ghost of a smile at the corners of his lips. Sometimes he calls Atsumu to scream about you.

“S’not a no,” Osamu points out. He’s dressed in a black sweater and grey trousers today. You’re suddenly reminded of how the weather’s been getting colder when someone opens the door to the university café and lets in a gust of chilly autumn air.

“Okay,” you admit, setting down the pencil. “I just… don’t really feel prepared for this next test.”

Osamu frowns and looks down at your worksheet. “Your process is correct, though.”

“Right, but… I don’t know. I’ve just not been feeling great about myself lately,” you laugh, looking down at your feet. “Food Chem’s the toughest class I’ve ever taken. And remember how I completely embarrassed myself in that class discussion last week? It’s not really making me feel like I belong here.”

“Imposter syndrome,” Osamu remarks.

“Correct-o.”

He says your name softly and puts a gentle hand on your shoulder. “Maybe you’re not the smartest, but you’re definitely smart. And you belong here. I’ve seen your papers. They’re just as great as anyone else’s and I don’t hand out compliments for nothin’. You’re gonna do some great things but ya can’t improve if you ever give up.” Osamu searches your eyes for a sign of your understanding.

There’re a lot of things you want to say but you don’t know how to put them into words. “Can I hug you?” you finally ask.

Osamu doesn’t even think about it. “Of course.”

He feels you smile against his chest and wonders if you can feel his heart beat faster.

Isla camps out in your dorm as finals come around the corner.

“I don’t understand shit!” she wails, throwing her notebook into the air.

“Isles, it’s okay,” you laugh, slipping out of your chair and walking over to her nest in the corner. “You gotta chill, dude.”

“Not fair! I didn’t have a hunk holding my hand through this course all semester,” she retorts, humour glittering in her dark eyes. “I had the Organic Chemistry Tutor and his accent’s cute enough but, girl, you had Miya Fucking Osamu!”

“You’re literally the worst.” You giggle and sit down beside her. “Tell me what you’re confused about. I’ll try to explain it to you.” The way Osamu does.

You text him that you’d channelled his brains later that night.

His reply comes seconds later. all you, einstein.

From: osamu

good luck on the exam

you’re going to kill it

To: osamu

would u like to divulge any… information about it? 😏 😏 😏

From: osamu

bye

To: osamu

i was kidding :(

From: osamu

fine. tip #1: write your name

To: osamu

not very helpful. 0/10

From: osamu

keep running your mouth and 0/10 is what your score’s going to be

i’m kidding

you got this, y/n

“Holy fuck,” Isla groans as you cross the street to head to lunch at Jack’s. “If you don’t see me next semester it’s because I’ve gotten my grade back and decided to drop out.”

“What would you do?” you ask, amused.

“Maybe move to New Zealand. Raise some sheep. Marry a hot, blond shepherd and fuck off to a cliffside cottage.”

“Solid plan.”

“What about you?” she asks.

“What about me?”

“Remember that conversation we had at the start of the year? About your man?” The two of you reach another red light for pedestrians.

“We’re friends. He’s not my man,” you laugh. Though it pains you to. Something about being Miya Osamu’s friend doesn’t really sit right with you, but you don’t know how to not be his friend. You don’t know how to move out of the corner you’ve backed yourself into.

“But you wish he were! And now you can finally hit him with that ‘Hey, Osamu, I’ve been madly in love with you since the start of the semester, wanna fuck like rabbits and then open that store in Italy?’ and he’ll be all––”

A throat clears behind you. With wide eyes, the two of you turn around.

Holy fuck.

Miya Osamu stands behind you with his hands in his pockets and an enormous smirk on his face.

“He’ll be all what?” he asks, eyes fixed on you.

Isla murmurs an excuse and starts walking on her own to Jack’s.

“Um.” You swallow nervously and shrink in your coat. “You heard all of that, right?”

“Yep.” Osamu grins. He grins. He’s grinning. He’s smiling like he’s won the fucking lottery and you honestly don’t know what to do with that information.

“So, like,” you look down at the sidewalk and kick at a pebble, “what are your thoughts about that?” God, you could die. “‘Cause I know you’re a TA and it’d probably look pretty bad and I don’t want anything bad to happen to you because I like you and it’s cool if we just…”

Osamu interrupts you with a laugh. “My thoughts,” he says, “are that I want to kiss you.” His fingers lift your chin up. “What are your thoughts about that?”

Well, shit. “I think that’s pretty cool, yeah,” you breathe, eyelids fluttering shut as his face comes closer to yours.

He tastes like mint. And his lips move softly, slowly against yours like he’s savouring the moment. And then you feel his hands snake around your waist to pull you closer–– closer because you both are tired of forcing the distance between bodies that want to be near each other, closer because he’s thought about kissing you just like this for so long, closer because you remember the last time he’d touched you was three days ago and it was just a brush of his fingers against your arm and that feeling of wanting more haunted you for the entire night. But holy shit, Miya Osamu is kissing you. He’s kissing you.

And then he pulls away. His dark eyes flit over yours. “I,” he breathes, “I need your course load next semester.”

“What?” you ask, disbelief written all over your features, chest rising and falling as you try to steady your breathing. You just kissed, for God's sake, and he's––

“I need to know which courses not to apply to TA for,” he grins, cupping your face in his hands. “Can’t be teachin’ in a class with my girlfriend as a student.”

“So we’re official?” you ask, beaming.

“If you want,” Osamu replies with a smirk.

You grab the front of his coat and tug him down for another kiss. “Hell yeah, I want to be official.”

#miya osamu #miya osamu x reader #miya osamu scenarios #miya osamu imagines

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casebasket · 4 years

Text

The Mystrade Treatise

I am long, long out of the Sherlock fandom, but I still have a soft spot for mystrade after ~ 7 odd years (the only thing I really cared about in the show), so when a friend asked about mystrade I hit them with a spontaneous 2000 word block of text. I thought I’d share it as an homage to the still quietly existing community of mystrade shippers out there. Basically, in this essay I will argue for my interpretation of how the BBC TV show Sherlock (2012) establishes an implied relationship between Mycroft, (The Government) and Lestrade (The Force) in the subtext. This analysis will be broken down to two parts: 1) show chronology / their history and 2) their compatibility, which can be further split into 2a) personalities and 2b) external circumstances.

(The beginning is the only formal(ish) part of - I’m calling it a treatise -, the rest of the piece is written in “I typed it all in messenger app” style. This all came out off the top of my head, so if you think I’m missing something I’m open to the callout)

TL;DR: I’m still mystrade trash and I’m pulling the receipts on mystrade canon

1) Their history - it's clear they know each other and are in communication with each other since the very beginning - and very likely even before - the events of the show. Just a show tidbit, the ending of the pilot episode has Lestrade watch John and Sherlock walk away happily staring into each other's eyes and tell Donovan about their potential as partners, whereas the actual first episode replaces him with Mycroft talking to his assistant Anthea, which shows their character parallels. In one aspect, their role as "aggravated older guardian" is a shared one and one that - rationally, but in fanon - allows them to commiserate with other another. Also, Mycroft kidnaps John in his very first day of him meeting Sherlock, so reasonable to conclude he did the same to Lestrade, so they've clearly met. And, I believe it's canon that Lestrade helped Sherlock with his drug problem, so he's clearly run into Mycroft, whether it's because his brother's OD'd or found with possession or whatever whatever. The possibilities are endless.

We have hints of them knowing each other throughout the show - in season 2 episode 2 the Hound of Baskerville (I am surprised and appalled I know this off by heart instead of more important things), the duo meets Lestrade in a tavern where he's clearly back from holiday and when Sherlock eggs him by basically calling him Mycroft's lackey, he, aggrieved, says "I don't just do what your brother tells me", which is a line I still unfortunately remember over 5 years later, and that is the first precedent set in canon that they clearly communicate. We can interpret this line, given the circumstances, that Mycroft asked him to cut his vacation short to go check up on his brother, and Lestrade, being whipped, was like fine.

This is mere speculation, but in that mini episode, Many Happy Returns, Lestrade is listening to Anderson go on about his conspiracy theories on how Sherlock is still alive, and at the end of it he passes a newspaper article about Sherlock, and he smiles at it like he KNOWS he's still alive somewhere even though he just walked out calling Anderson on his bullshit and dismissing his theories, and I like to interpret that as Mycroft told him Sherlock's still alive. Plus, when Sherlock greets him after his two year absence, the way Lestrade reacts is less “am I seeing a ghost because you’re supposed to be dead” and more “you’re finally back I already know you were alive because my boyfriend Mycroft told me”.

The first time we see them in frame together (in the mystrade community this is famously known as the 29 frames moment because they only showed up for - 29 frames, like 2 seconds) was in season 3 episode 3, where Sherlock goes missing and everyone looks for him in the hidey holes they know of. Lestrade is seen in Mycroft's office while Mycroft tells him about potential hiding spots. Honestly he did look hella dismissive and rude but you know what? Everyone was stressed. But this shows not only is Lestrade trusted in his secret government offices - and likely this was the secret one because it looked like a cellar - but he trusts Lestrade implicitly. When Sherlock is about to leave on a plane, Lestrade's in a pub watching the TV screen when Moriarty's face is all over it and the very next scene we see Mycroft on the phone with someone getting the news that this was happening. Coincidence? I think NOT - Lestrade called up Mycroft and told him, CANON.

And then there's the Christmas special or whatever it was, about the abominable bride, and yes, this one is set in Sherlock's drug fevered mind, but that only means that, in Sherlock's mind, he sees the two of them as a set (Sherlock ships it confirmed lol). During the whole episode when we see the canon versions of Mycroft and Lestrade they are together as a unit. When John leaves him, Sherlock's mind goes to the most reliable thing in his life to help him, which is his brother (and his brother's boyfriend) and his friend Lestrade to help him, together. Sherlock asks the two of them to help him dig up a body and they share a Look, which is clearly Mycroft's way of asking Lestrade to do the dirty work of actually digging and Lestrade resignedly concedes because there is no other way to analyse the Look, and in the next scene we see Sherlock and Lestrade digging in a grave while Mycroft holds up a lantern because Mycroft doesn't like legwork and Lestrade, clearly his boyfriend in Sherlock's mind, understands this and is willing to accommodate.

And then we have the whole of S4, or as I like to call it, Johnlock hell but mystrade victories!, because in s4e1 when Mary is shot in the aquarium, the first person they look at is each other, indicating they take some level of comfort or seek it out from one another in a room full of other people, also the two of them arrived together so they clearly coordinated, also when the gun was lifted Mycroft looks shocked and steps back a bit while Lestrade moves forward in a “ready to step in” protective gesture, and this all happened in the same frame, and there are gifsets of this happening, and everyone was quietly screaming (Johnlockers in pain, mystrade shippers in "look at them sharing a frame together look at these scraps we're getting"). In the second ep we don't see them together but we do see Mycroft getting hit on by Lady Smallwood and he looks hella uncomfortable about it, while Lestrade is talking with another detective and Sherlock shoots him down telling him she's not the one (because clearly we all know who is the one and Sherlock knows it's his brother).

Oh yeah also jumping back to S3, Mycroft is saying no one can match him and he sees everyone as goldfish but Sherlock is like oh really and was lowkey concerned about him and that's how the mystrade fandom got this whole goldfish thing and it's adorable (special shout out to duchessclovery ‘s masterful fanvid romcom series A Fish Called Greg), and in the wedding ep Sherlock calls Mycroft to attend the wedding but he refuses, and Sherlock says "specter in the feast" to entice him and I like to interpret that as him lowkey jabbing him with a *in*spector in the feast because Lestrade was there looking tired and lonely throughout the whole ep lmaaaaaaaaaaaaao.

Anyway back to S4E2, Mycroft is getting hit on, Lestrade is the most tired we've ever seen him, Sherlock is trying to waive off Lestrade's suitors to save him for his brother. Why is Lestrade so tired? Yes, he's questioning a suspect or something, but also! maybe it's related to his love interest getting hit on, who knows???? And lastly, the last ep of S4, the golden era of mystrade, at the very end of the episode after we've seen Mycroft at his most vulnerable, Sherlock asks Lestrade to "take care of him (Mycroft). he's not as strong as he seems". This was an explicit request by Sherlock, addressing Lestrade correctly for the first time, to take care of his brother, and Lestrade says yes. Of course I will. S4 ended with the promise of the him taking care of Mycroft and honestly I don't care about the entire episode except that part

2) A: their personalities: so, Mycroft, as his colleagues know him, is ~ the ice man ~. He's hard to know, even harder and more stubborn and isolated than his brother, and on top of that he's like, contractually obligated under his top secret government job to not be known. That makes him, and this is canon as Sherlock discussed his loneliness with him in S3, even more lonely than his brother, and probably, as much as he likes to think himself more accommodating than his brother and he can definitely pretend for the sake of appearances, more difficult to deal with than Sherlock if he really sets his mind to it. But he's not a complete block of ice - after all, ice can melt - and he has soft spots for his family, esp. his unruly little brother, and by extension (maybe more necessity than real care, but still) the people his brother affiliates with. Because Sherlock is so tricky to deal with, I believe he has a soft spot for people who share that softness for his spiky sibling, and no one cares for Sherlock as he does except for Mrs Hudson, John, and Lestrade. Lestrade's done it for even longer than John, and in the show plays a somewhat paternal figure to Sherlock despite him causing him even more stress sometimes than solving cases for him would relieve. Lestrade is shown to drop everything to help Sherlock when he needs it, and is considered one of his best friends when Moriarty put a sniper on each of Sherlock's closest acquaintances (Lestrade was a target). Lestrade always saw the good in Sherlock despite everything, and believed he could be great. Very few sees the same potential, or shows that level of kindness for - lets be honest here - someone we would want to kick in real life. Lestrade's kindness and patience, enough to deal with Sherlock, surely can be extended to involve Mycroft, as Mycroft's protectiveness extends somewhat to Sherlock's friends.

And this is not a one way street of just Lestrade being kind and accepting. The people Sherlock surrounds himself with appear dull, and have "normal" lives, but secretly either have a florid past (Mrs Hudson) (and her present with the race car and her quick thinking when the flat gets ransacked) and/or crave adventure and danger and intrigue (John) (Molly). Lestrade is the probably the same. He seems aggravated by Sherlock but still like him a whole lot and truly care for him, and you don't go into policing if not for some kind of excitement. He has a failed marriage with his wife who boringly cheated on him with a PE teacher, like how predictable and cliche, and they broke up. Lestrade is loyal, and he wants to fix things, but in the end it doesn't work out. The show doesn't really tell us why, but given what we know of his work and his habits, he probably spends way too much time on the job and in part, neglected his home life. That isn't to say the cheating his wife did can be condoned, nor was it justified, but it does tell us that Lestrade is a workaholic who craves excitement and adventure which explains his attachment to Sherlock. Who else can match that with him in a relationship? Another workaholic who surrounds himself in government intrigue and MI6 bullshit cloak and daggers who also share a soft spot for the most annoying detective consultant, of course!!! For all we know from the show, Mycroft is Lestrade's one constant relationship outside of work. Their common interest is keeping their shared loved ones safe. Beyond that, even though Mycroft feels bored by everyone because "no one is as smart as i, hohoho", Sherlock used to be the same but he found John. We see Lestrade able to hold his own against Sherlock sometimes too, and he is a detective inspector, so as much as Sherlock likes to call him dumb we know that Lestrade's actually pretty smart. If he can hold up his own against Sherlock, he can hold up his own against Mycroft. Mycroft needs someone with the patience to go through all his bullshit, and Lestrade needs someone smart and interesting and protective, because as a protector himself sometimes you forget you need someone to protect you in turn. And that is basically their whole thing - two fierce guardians, trying to protect the world, finding they also need protection, and finding it in each other (end of season 4). Also there's this scene where Lestrade is sitting by his desk with his feet propped up while he eats a donut and says "not my division" which looks exactly like this scene where Mycroft is sitting by his desk with his feet propped up looking smug, or as the mystrade shippers like to call it, "boyfriends picking up each other's behaviours". Essentially, the johnlock relationship sort of parallels the mystrade relationship in that we have a smartass, spiky, secretly vulnerable one paired with a badass, patient, relatively more sunny one. But more mature. And also preferable. The two of them share some kind of relationship that has reached the point of nonverbal understanding, as we can see in their quiet glances towards each other during the few times we see them on screen together, that requires a level of trust and time.

2) B: compatibility in external circumstances - this is a short one, it's mostly that they're both workaholics who needs someone to understand their unpredictable work schedules, and also how minimal their social life can get being a) married to work and b) work can be classified and you can't tell anyone about your case files / government coverups. No one could understand the need for secrecy and getting up in the middle of the night for a case/subterfuge than Mycroft and Lestrade, as their career roles work in tangent with each other. And they share (1) chaotic child between the two of them, so they just. get it when one receives a call telling them to fish this loud annoying bitey man child out of the Thames. Their jobs get in the way of establishing close relationships, so who better to relate to than another who live the same kind of life and can understand?

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