Postcard, Milford Haven Collection, Woman in corset and pink and white underclothes, lithograph, probably German, ca. 1906

Accession number: E.523:176-2001

V & A

thrifted look featuring velvet booty shorts and a t-shirt with the full text of orson welles' war of the worlds, from the bins and regular goodwill in olympia wa

Look, I had one of my OffGun fanfics printed on a scarf.

Courtesy of Litographs 🥰

“lol what kind of NERD would buy THAT?” i say as I scroll through the website of posters and shirts with the entire text of classic novels written on them

Ed Ruscha

Turbo Tears

2020

Wilton Williams, Hunstanton, LNER Poster, Norfolk, United Kingdom, 1930.

Vintage 1930s LNER Hunstanton Railway Poster.

The Minneapolis College of Art and Design (MCAD) Library

Art of the Poster 1880-1918

"In the late nineteenth century, lithographers began to use mass-produced zinc plates rather than stones in their printing process. This innovation allowed them to prepare multiple plates, each with a different color ink, and to print these with close registration on the same sheet of paper. Posters in a range of colors and variety of sizes could now be produced quickly, at modest cost."

Day 3: Seasons/Flowers

Day 3! Give it up for Day 3! This time Mod Duke and Mod Dreamer collabed and made a litograph out of interactions from the Beloveds for the prompt. We hope you like it just as much as we do and we look forward to your submissions! ❤️💙❤️

TW for Bright colors and Eyestrain

michael heizer, lithograph with ballpoint pen additions, moma

Doris Lee, Blossom Time (1959). Colour lithograph.

Damn these books are pretty. Im gonna keep printing them here

Gruss aus Stuttgart, Germany - old lithographic postcard.

Skating in Central Park, New York, 1861 (lithograph) by Winslow Homer

Trollvinter  -  Eva Harr

Norwegian,  b. 1951 -

Litograph , Ed. 170 ,  55 x 65 cm.

1895 Litograph by Art Nouveau painter Fernand Toussaint (Belgian, 1873-1956), Le Sillon (the furrow).

Lithograph in colors on wove paper backed with japon, printed by O. de Rycker, Bruxelles.

Bonhams

"This magnificent poster, an artistic and lithographic tour de force, was Toussaint's first. It publicizes the magazine of 'Le Sillon' one of many artists' groups that bred in rich cultural ferment of 1890s Brussels. 'Sillon' means furrow, to make one's own way in the world, which was the aim of this group. Thus Toussaint depicts an allegory of the harvest of grain that will spring from his work. Credit for capturing the fine colour nuances of this delicious watercolour in soft tones, is shared by Toussaint's friend, O. de Rycker, the master lithographer (printer) of Brussels. (Rennert, PAI-XVII, 525) At the turn of the century Brussels was a major center of artistic creativity. Powerful artistic movements and groups, such as Libre Esthetique, Pour l'Art and Le Sillon, all of whom attracted avant garde artists from all over Europe, were based there.Amongst them, Le Sillon (the furrow) was an artistic circle of decorative realists. Toussaint, who was primarily a painter, created his first poster for the group and instantly achieved fame in the field. It is easy to see why. The result is a stunning and flamboyant symbolist poster, marvelously executed in warm, soft tones, with gently, though not over exaggerated, Art Nouveau curls. The simple image of a beatific woman, gently pulling aside some flowers which she is about to cut with her scythe, is fertile with meaning. Symbolically it depicts the artist making his own way, "his determination to express himself according to his convictions", it can also be seen as the members of Le Sillon clearing away the old style of art in preparation for the new style they are about to sow. The following year Toussaint created a poster for the Café Jacqmotte in the same style, and together these two masterpieces have become his legacy. (Swann, Sale 1945, 111) (x)