I genuinely believe the live action Cinderella is not only the best live action Disney has made but also it's one of the best films of the last 20 years period!
Gif credit: @omniavincitamor
Now there's many reasons for this but on my latest rewatch I was struck by how perfectly it balances between being a children's movie for little girls to watch at their pajama parties with friends and being the kind of movie like Pride and Prejudice that grown women sit together and drink wine while they watch and swoon over the hero and the dresses and cry at the emotional parts.
It is simultaneously a film any adult can appreciate while still capturing all of that wholesome childhood joy and Innocence. And Ella perfectly captured those two things too. She keeps her child's heart that believes in goodness and magic but also she's growing up. Lily played the part perfectly, all those little moments where she's kinda astonished by her proximity to the prince and what that's making her feel. She calls herself "just a girl" but she's also feeling woman feelings and her portrayal of growing up is really beautiful because it doesn't make it seem like a bad thing. So much media makes the end of childhood seem sad but Ella brings the best of childhood with her into her unfolding adulthood as we watch her grow up.
Also the foley artists/sound editing also did a MAGNIFICENT job with the sound effects. Because while they could have just had the sweeping score for the waltz with none of the ambient sound, instead you get all those swishes of the skirt and caught breaths which adds so much texture and intimacy to the dance. Like the sexual tension between Ella and Kit is at 11 in all the scenes at the ball and afterwards (Richard's blue eyes doing 80% of the work there) but it's still innocent. This isn't a children's film trying to "get away" with mature themes. It's the kind of film you could use to explain adult feelings to children coming up on puberty in a way that wouldn't make them feel shameful or dirty. It's Wholesome Sexual Tension. Which is something there is far too little of in modern cinema.
It's both a film for grown ups and a film for children and it didn't cut corners to accomplish both. It's equally both and they didn't kiddie-ify the adult parts like the abuse or the grown-up feelings Ella and Kit have for each other but nor did they try to make it an adult themed film. It is still a princess movie but it's one for grown ups as much or more than it is for little girls and that's beautiful. I for one find it deeply healing for my inner child and my adult self and I feel I'm not the only one.
Also the costuming is immaculate even on background characters with no speaking roles. Literally could not get better costumes. I could talk about this movie forever but I'll stop now and probably make more posts about it in future
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Friendly reminder that TSC has 23 books, so this means you can read a book every month till TWP comes out and you‘ll have reread the whole series
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A royal guard dancing with his king 💙❤️
Inspired by the story A King's Heart by my friend @almarnatiaam
I loved that scene alot!!
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Throwing up, weeping, and dying on the inside, but NoT wItHoUt A tHeOrY.
Now, what I'm thinking is (because of the very fact that I LOVE angst and pain) is that something is going wrong with Ty because of Livvy's disappearance (convince me otherwise). Ty may be growing weaker, or is suffering mentally because of it, and Kit, being a Herondale, is about to go out, get some gear, and do something stupid and life-threatening to fix it. Because I'm guessing this is at a point in TLKOF where the duo have some clue as to where Livvy might be, but they're not sure, and Ty, of course, wants to be sure, so Kit is going out, acting on impulse, and doing this himself. He probably expects to be back by morning, but leaves a soul-crushing note, just in case.
So this is a scene, presumably after the first KitTy kiss, where Kit is leaving Ty quietly to do something which will lead him to almost dying when Ty eventually finds him, and that is where we get this:
"It's a bit ironic, isn't it?"
"What do you mean?"
"All that effort to convince you that I wasn't in love with you, and here I am, dying in your arms."
Prepare to jump off some very tall somethings.
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"Read that book," Tessa said with a faint smile.
"Saw that movie," returned Kit.
tessa and kit’s movie night together 🍿 the two of them now have a little routine going - seven days to read the book and then at the end of each week they watch the movie together!
characters by @cassandraclare 🤍
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Yk what I want for twp? Kit and Ash to have this reluctant siblings dynamic. Lol it’d be so fun, in the beginning they could kinda be untrusting of each other but then they’d have to work together and then they fight like siblings all the time but gradually grow to support each other and all hehe
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Upon thought, I definitely think that Kieran is just going to be a dramatic bitch in TWP book 1 and say something like "I, the Last King of Faerie, hereby abdicate to go reside at the Polyamorous Faerie cottage with Mark Blackthorn, Cristina Rosales, and our cats. There are to be... nine cats." (Mark and Cristina gesturing for a lower number from the peanut gallery) "...eight cats" (more gesturing) "...seven?" (Mark and Cristina convening and holding up three fingers) "Ah. Three cats, then. One for each of us."
The Faerie court is screaming, in shambles. "We need a king," they say, but Kieran is not having it. He leaves with Mark and Cristina, but not before pulling six kittens out of his bag and handing them off to interested Unseelies because his partners will only let him have three :/
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