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#kind editor
unfortunatetheorist · 5 months
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Is Lemony's Kind Editor in the Netflix series?
Throughout the Netflix series, Lemony has used one of his infamous literary devices which I did not notice until rewatching it for the billionth time, when I was working on The Complete Works of Contradictory Logic in ASOUE. More on that to come.
Lemony uses a rather basic device which, I believe, can actually have an ENTIRELY radical new view on the show: Lemony speaks to the camera in the second person.
This just means he uses the pronouns 'you' and 'your', etc, when talking directly to camera.
e.g. TMM: "You could pretend the Duchess of Winnipeg had arrived, and had come to throw the Baudelaires a pony party at her chateau."
However, the 'you' could refer to Lemony's Unnamed Kind Editor. There are some points which back this up:
The Kind Editor is someone who does not know the story of the Baudelaires, they only know Lemony. This is why Lemony is the one to tell them the story of ASOUE.
The Kind Editor is NOT a member of V.F.D. This is why Lemony has to explain [either himself or via other characters] different V.F.D-related things that a member would've already known.
This logic can lead to the following:
Lemony is talking to his Kind Editor, who is filming VIDEO evidence to be used in court when Lemony clears his name and the names of the Baudelaires.
This means that the characters do not physically appear in ASOUE, but rather Lemony just imagines them saying the same words before actually saying them himself. This carries on from the idea (@snicketstrange) that Lemony used the Baudelaires' notes from An Incomplete History (series) or A Series of Unfortunate Events (book canon).
In TCC, the Baudelaires discover the SAME THING filmed by the SAME PERSON - but for ATWQ. Hence the reference to 'Stain'd-by-the-Sea'...
So what's the point?
THEORY: Lemony is using typewritten and video evidence, as filmed by his Kind Editor, in order to clear the names of all 4 people; the Baudelaires and himself.
But who is this mysterious Kind Editor? Many have suggested it to be Moxie Mallahan, as she was only friends with Lemony and no-one else from V.F.D.
However, given the circumstances described, I now present an alternative solution: Beatrice Baudelaire II.
In TBL, Beatrice II is 10 years old, capable of handling a camera. It provides an uncle-niece bonding opportunity for Lemony, and Beatrice gets to know the story of her adoptive parents (from her biological uncle).
Lemony is Beatrice's only hope of finding the Baudelaires, and Beatrice is Lemony's only hope of clearing the Baudelaires' names, as Lemony knows 100% that Beatrice is not an enemy or a spy of any kind.
¬ Th3r3534rch1ngr4ph, Unfortunate Theorist/Snicketologist
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timeloopbuddy · 2 years
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I want a committed relationship like Lemony Snicket has with his editor.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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muffinlance · 3 months
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Wait, what’s going on with Embers???? That fic has been on my read later list since 2021, what’s happened with it???
Brief overview, then I'm likely never touching this topic again, because this is not a Drama Blog:
Context: Embers is a super old AtLA fic that was written during the early fandom days, read widely at the time, and was the origin of the widely-used fanon name of "Wani" for Zuko's ship (kind of by default that it was one of the first popular fics to give his ship a name, I think?), even though most fic writers don't seem to realize it's from there anymore.
"What's Going On": I used to include a link in all my stories to it, because I believe in crediting other writers for borrowed elements, and I was using "Wani" in all my fics. But BOY did I not want to be sending readers that way anymore, so I've adopted a new name for Zuko's ship, and removed all Embers links.
None of the criticisms about Embers itself are new; I'm assuming they date back to when the fic was being written, because this isn't an "it aged badly" thing, this is an "actually yeah this gets worse the longer you think about it and I shouldn't have ignored my bad feelings just because some of the worldbuilding was interesting" thing.
An Incomplete List of Why I Made the Change:
I don't actually like the story that much anymore, and don't want to rec it
I tried to re-read it recently to see if some things were as bad as I remembered and it turns out they were So Much Worse Oh Yikes. More specifically, the treatment of Katara and Aang and their respective cultures has... rather a lot going on. One example: The Fire Nation and Air Nomads are both given multiple backstory elements in an attempt to make the average Fire Nation soldier's participation in the genocide/war in large part the fault of the Avatar and the Air Nomads themselves, and also fully justified from the Fire Nation perspective. And I do mean fully. One of its core tenants is "People from the Fire Nation (and only people from the Fire Nation) who don't follow orders Literally Die, therefore murdering pacifists and babies and continuing the war (and their regularly scheduled war crimes) is the only thing it is physically possible for them to do". I cannot emphasize enough how literal that is.
Also the name "Wani" means "Alligator" and is... objectively a pretty lame name for Zuko's ship? Where's the personality, where's the deeper meaning, where's the resonance with Zuko's themes? @tuktukpodfics initially thought I was calling the ship "Wanyi", and that's what I've switched to, because it is Objectively So Much Better. In their words: “Wànyī (萬一): Literally ‘one in ten thousand,’ ‘perchance.’ Used grammatically in Chinese to mean ‘what if’ or ‘just in case.’ I think a ship called ‘The Perchance’ is perfect for a boy clinging to false hope.”
TL:DR; I don't rec Embers anymore, because I don't actually like the story anymore, and there are things about it that get worse the more I think on them. I've removed links to it and renamed Zuko's ship to "Wanyi" ("The Perchance") because our boy deserves a ship name that reflects his character arc.
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felicitysmoak · 5 months
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all-american bitch — Saturday Night Live, 2023
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thelassoway · 10 months
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Jason Sudeikis as Ted Lasso Season 3 » Casual Sweaters/Jumpers
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backintimeforstuff · 2 months
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You're watching literally any episode of The X-Files. Everything is normal. Everything is casual. But then you hear it. It's the 20th time it's played in seven minutes. It's that godforsaken ambiguous woodwind sound-
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wren-kitchens · 7 months
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this is so comfortable it hurts (oh, but I guess it could be worse)
another piglin trait, it seems, is to be fiercely protective of who they consider to be in their pack. apparently, joel is part of jimmy’s pack, and it’s honestly embarrassing how happy this makes him. shut up. the issue is.. well, jimmy is a fairly touchy person. even before the whole- hybrid overhaul thing, it was fairly normal for jimmy to be nudging joel’s shoulder with his own, or pulling him into one-armed hugs. but now, jimmy seems to always be holding his hand, or resting his chin on joel’s head (no, he’s not short, jimmy is just stupidly tall), or leaning against him. and joel- it’s gonna sound stupid. in fact, it’s going to sound extremely stupid, because it is extremely stupid and joel cannot believe he even has this problem. you’re not allowed to laugh though, even though it is so dumb. joel.. really likes it.
it has been like a month?? two months?? since I started this and I can very happily say it is complete!
this is an au created by the cracker podcast, aka @angeart @loveroped and @stiffyck ! if you haven’t already go follow them they’re awesome
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allofmylovelove · 2 months
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jung taekwoon as anatole in great comet
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livesincerely · 3 months
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i was just reading back through your writer’s desks and remembered how much i loved the slideshow au! no pressure but do you have anymore thoughts on it? it’s just one of my faves <3
The outline/notes for that one are still in the very early stages but I’m happy to share what I’ve got so far!
00000
He’s waiting for Tony to come back from the bathroom, the next episode of Crime Scene Kitchen queued up on the tv, when his phone vibrates with a text from Jack.
this prod meeting is running long, probs won’t be back until late. Go ahead and watch w/o me
Everything ok?
ya but part of the set got busted during a scene change so I gotta figure when/how to fix it before tomorrow night
I’ll put your takeout in the fridge and save you some egg rolls
and that’s why you’re my favorite
Say hi to Medda for me
of course
“Jack’s not going to be home until late,” Davey announces as Tony wanders back into the living room. “He says we should start without him.”
….
“Dave,” Tony says, sighing deeply. “Why am I looking at a PowerPoint titled, “Jack Kelly + David Jacobs: A Comprehensive Argument for Maintaining Equilibrium.”
Davey pins him with a scathing look. “It’s a Google Slides presentation, you godless heathen.”
“What the fuck?” Tony asks, ignoring him, clicking rapidly through the screens. “When did you even make this?”
Davey shifts in his seat. “I mean, it’s more of a living document, so it’s never really finished—“
“Davey.”
“A couple years ago, I guess,” Davey says. “Give or take.”
Tony squints at the computer screen. “It’s saved on your old university account.”
“Okay, or maybe it was three months into junior year!” Davey admits, crossing his arms over his chest. “It was a stressful semester and I was super nervous about failing my animal science midterm and Jack was out on a date with that PoliSci major that lived upstairs and— And the when isn’t the point! The point is, according to my research, telling Jack isn’t worth the risk of ruining our friendship.”
“What are these graphs even measuring?” Tony asks, staring at one of the slides. “‘Overall Happiness, Jacobs v Others’?”
….
“Well, your math is absolute shit, for one thing,” Tony says, frowning at a graph entitled ‘Art Pieces per Subject’. Davey’s name is sitting in dead last. “There’s no way these numbers are right. Jack draws you literally all of the time.”
Davey frowns right back at him. “No, he doesn’t.”
“Uh, yeah he fucking does,” Tony disagrees. “You’re, like, one of his favorite things to make art of, period. He spends about half his time bitching about how copic doesn’t make a marker that matches your eyes—at this point I’m pretty sure he’s got more drawings of you than actual pictures.”
“I think I would’ve noticed if Jack suddenly started drawing me,” Davey scoffs, shaking his head. “It’s not like he’s subtle when something’s caught his eye. Plus, he lets me flip through his sketchbooks whenever he finishes filling one and I’m almost never in them.”
“Which one?” Tony asks.
Davey blinks. “Which one, what?”
“Which one,” Tony repeats, oddly intent. “Which sketchbook does he show you?”
“What do you mean, which one?” Davey asks, irritated. “The only one! The one he always— it’s not like it’s some big secret!”
Tony stares. Then Tony sighs.
Very quietly, Davey hears him mutter, “…pair of fucking morons.”
…..
“Okay, but, riddle me this,” Tony says. “Why don’t you just tell him? What’s the worst that could happen?”
“What’s the worst that could— I literally just went over all the reasons why that’s a horrible idea!” Davey exclaims. “It would ruin everything!”
“I really don’t think it would, Dave,” Tony says. “You and Jack… will ya at least think about it?”
“I’ve done nothing but think about it,” Davey says, and to his horror, he can feel his eyes starting to sting. “I can’t.”
“Want me to do it?” Tony offers, and he says it like a joke but Davey knows him too well to think that he’s anything but absolutely serious.
He jolts forward, arms outstretched as if to preemptively cram the words back down his throat. “Don’t you fucking dare, Tones, I am so fucking serious—“
“Okay, okay!” Tony says, holding up his hands in surrender. “I won’t snitch on your neurotic ass, even if it’d make you happier in the long run. My word as my bond or whatever.”
Davey huffs out a laugh, and it’s only a little teary. “Fuck you, my neurotic ass is the reason you made it to graduation, shithead.”
…..
“Hey, can I borrow your laptop?” Jack asks. “Mine’s dead and I left my charger at the theater.”
“Yeah, go ahead,” Davey absently responds.
…..
“Davey,” Jack says, voice straining. “What the hell is this?”
“What is what?” Davey asks.
“This.” He turns the laptop around and— oh shit. It’s The Argument.
He feels his blood run cold. “Oh,” he says. “That.”
“Dave,” Jack says, his mouth set in a hard, thin line. “Did you make a fucking PowerPoint about me? About us?”
Davey swallows. “…It’s actually a Google Slides presentation,” he says weakly.
…..
“You’re telling me this is nothing?” Jack demands, incredulous. He tilts the screen back to show Davey the current slide, which is just an enlarged photo of Jack’s handsome, smiling face, surrounded by a halo of red arrows and the caption, ‘JUST LOOK AT HIM,’ written in boldfaced text. “Nothing? Nothing at all?”
“Maybe we can stop looking at it now,” Davey says, loudly. He leans over the back of the couch, making another panicked grab for his laptop, but Jack dodges out of the way, clicking to the next slide.
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unfortunatetheorist · 6 months
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*Joint Theory 4: @unfortunatetheorist with @snicketstrange* :
Liar, Liar? Quag's on Fire? - (BCT & NCT)
We're back! This time, to discuss the apparent contradiction surrounding the Quagmire fire:
How did Duncan and Isadora get out of the Orphans Shack if their parents were already dead when they got there?
But perhaps, more importantly, When did the Quagmire fire occur?
Well, there are some key excerpts that further our understanding:
The letter to the editor found in TAA indicates that the Baudelaires stayed a half-term (half-semester) at Prufrock-Prep.
According to Nero, for a child to live in the good apartments of Prufrock-Prep, a signature from a parent or guardian would be required. It could not be Mr. Poe, who was in charge of their inheritance.
TAA - Chapter 3: "My sister and I went through the experience of a terrible fire, and we know what it's like. Did your father die in the fire?" "Our parents also died in a fire. It's horrible to miss your parents, isn't it?" "For a long time," Duncan confessed, "I was afraid of any kind of fire. I didn't even like to look at heaters or fireplaces." "Duncan and I had to live there for three terms because we needed a father or mother or a guardian to sign our authorization pass, and we had no one."
According to Quigley's account in TSS, the fire occurred after the events in TRR.
Brett Helquist's Letter to Lemony from Ch 11 of LSTUA:
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Note: There was a Quagmire case that Lemony Snicket was accused of being involved in that PRECEDED the Baudelaire mansion fire. (Mr. Helquist arrived at the mansion while it was still on fire, and made the drawing that can be found in TBB).
Quigley's speech from Ch 8 of TSS:
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You can verify that the Quagmire fire, according to Quigley, happened after the events described in TRR, that is, after the Baudelaire mansion was destroyed.
And all the main events described from TBB until Ch 13 of The End, take place within a MAXIMUM of 1 year. We know this because Violet and Klaus start the story at 14 and 12 years old, respectively, and have birthdays during the story: Klaus in TVV and Violet in TGG, and when they arrive on the island they are 15 and 13 years old respectively.
Actually, this is something the showrunners of the Netflix series picked up on - and SOLVED:
THEORY: The Quagmire parents faked their deaths. This means the children would've been sent to the Orphans' Shack before the revelation of Mr & Mrs Quagmire being alive allowed Isadora and Duncan to live in the apartment section of Prufrock Prep - they would've been alive to sign the necessary paperwork, and thus get out of the Shack. Then they died for REAL, meaning that the two triplets went back to Prufrock, but they STAYED at the dormitory because the papers had already been signed.
Netflix clears a lot of it up [hence 'BCT & NCT'], answering the questions we posed earlier:
Q: How did Duncan and Isadora get out of the Orphans Shack if their parents were already dead when they got there?
A: They were sent to the Orphans' Shack during the time when their parents' deaths were faked. The problem was that they didn't have someone to sign the paperwork. The Orphans' Shack is a temporary location until the parents can sign the paperwork. They only managed to get out of there, because their parents weren't really dead, and they signed the papers. When their parents actually died, they had already signed the papers.
Q: When did the Quagmire fire occur?
A: As Netflix states it, during the events of TMM.
¬ Th3r3534rch1ngr4ph & @snicketstrange,
Unfortunate Theorists/Snicketologists
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It may not be a lot but I hold on to these crumbs very closely to my heart
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jerichogender · 7 months
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thinking about the time they actually gave joey dialogue in the new teen titans: games…
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“He could be role-playing with us. Art represents civilization. Maybe he’s showing us his end game?”
this says sooo much about him: his deductive reasoning skills, his appreciation for art, his understanding of other people’s psychology. i need more stories where joey gets to play detective, especially in an art or music history context, and i NEED him to have proper dialogue
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thebirdandhersong · 13 days
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layers of school and family and health issues and future planning and final exam stress aside, do you ever feel like there is a long ongoing scream inside of you that seems to have no end ha haaaa
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smoshpostiing · 2 months
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okay i know ive been making edits like a mad woman recently but my mental health is feeling particularly rough so i am going to take a little break from it for a while because ive found myself feeling too much pressure to get likes and reach on the platforms i post on and its just not healthy because edits started as a creative outlet for me and i dont want to kill that fun for myself
if i feel like it mayyyybe ill make some comedy edits/clips but rn im just gonna be boring old me answering asks on here and thats pretty much it
love u sm smoshblr <3
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kcamberart · 18 days
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... kind of dark in here
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