Making Archery FUN

Making Arrow Holders FUN for Youth

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

hickey's knife super interesting for obvious reasons, but also have you guys ever see some of the other knifes that got fashioned / salvaged from the wrecks.... especially the inuit-made ones....

like these are very beautiful to MEEEEE

the object okay not the abstract concept pftt

I WAS SO RIGHT ABOUT SUN HATING KIDS AND HATING HIS JOB AND I COULD NOT BE HAPPIER

Mirage

CHILDREN OF BHAAL

I adore the vibe of redeemed durge your sister killed your mind and took your place - it was the greatest gift she ever gave you

are you oka- oh.

sorry to be the bearer of bad news but if you think aegon iii would have “healed from his trauma” with the daughter of his mother’s murderer then you’re delulu. the boy who wore black all his life? the boy that gave away jaehaera’s doll the first chance he got? the boy that was so discomforted by jaehaera’s presence that the maesters even noted how he was less discomforted by myrielle peake’s presence than jaehaera? it’s fine to have headcanons or whatever, but seriously. aegon iii would sooner ride a dragon than “heal” with the girl he was forced to marry.

Kobra in the coolest denim jacket I own because it fits his vibe perfectly

i wish someone loved me as much as julia loves mookie

(found in newington ct savers)

I want nothing more than to play Athena in a low budget, community production of Epic.

Gaz is, ultimately, a nerdy preteen girl.

This one goes out to the other kids typing “phoenix x edgeworth” into deviantArt with the same level of secrecy and shame most people would associate with hiding a dead body.

Bonus:

What if I made a small double charm of Yin Yu where u can line up his mask….

Chapter 1: Regroup and Rebound Page 32

OK! Let's get down to business!

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