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#just thoughts i put in a text
annienani044 · 6 months
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Sorry for no posts, I'm working on some art I swear.
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itsdefinitely · 2 months
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TUMBLR LEGWND ITSDEIFNITLEY ALSO DRAWS SANDERS SIDES?!?!???
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i dabble
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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whumpacabra · 6 months
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Writing Accessibility PSA
Please avoid using long strings of characters as line breaks in your writing - these are not screen reader/TTS friendly!
Every ‘°’ will be read as ‘degree’ - can you imagine how long it takes to read out a string of 25? Let alone more complicated combinations of characters (eg. imagine listening to TTS read out ~*~ |°| ~*~ multiple times per line break)?
A good rule of thumb is to stick with short, 2-3 character line breaks (eg. I don’t find — or *** too egregious to listen to). Your readers can tell there’s been a scene change whether you use two or twenty em-dashes, but if you use twenty, some of us might have to listen for 30 seconds to read the next scene. If you’re more concerned about aesthetics, you can insert an image of your aesthetically pleasing line break with alt text simply reading ‘line break’ for accessibility.
Don’t feel bad if this is something you’ve never thought about before - now you know better and can make your writing more accessible moving forward!
I would like to invite any other screenreader users to add their own thoughts or preferences to this post. We’re not a monolith and there’s a variety to how different softwares interact with repeating character strings and images with alt text, so there’s bound to be some conflicting opinions on what I’ve suggested above. Let’s try to make the stories we share accessible for everyone :]
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gulducock · 2 years
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look at this pic i found on twitter
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nibbelraz · 4 months
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if sqh has god powers still its entirely accidental. something he previously never explored in writing and never thought about but 'has an answer to'. one day one of the an ding kids is reading smth and they ask him about it cause shizun knows a lot of random stuff! and hes like hm oh yeah the thousand petal flower of adoration can also be cured by exposure to sunlight ahah its like a sunflower. of course no one wants to read about *sunbathing* though so- ah dont mind his ramblings. the words in the book change. well. ok guess we should ask him about more things. see what they can subtly change themselves via shizuns weird word powers (esp as they're the ones who are probably exposed to it the most as the sect pack mules). qingfang is still super fucking pissed. THOSE BOOKS CHANGED A F T E R HIS EDUCATION-
IM OBSESSED WITH THE IDEA HE'S JUST ACCIDENTALLY CHANGING SHIT THAT WAS ALREADY FILLED IN BY THE SYSTEM. Because we'll he's the original God before the system took over so technically if he decides what something is officially the world has to go by God's words right?
I'm also crying at the fact he has NO idea this is happening and that the disciples have figured this out first, but they not only don't tell him, they go see how far they can get away with it.
I feel like this is gonna end with Shen Qingqiu finding out because he would definitely learn more stuff about the world first and then realizing certain things have been changed when he KNEW IT WASN'T
The potential tho for Mu Qingfang to be death staring down Shang Qinghua to change how certain things are cured, but they were there in the original text, so...those are a bit harder to change then when they were autofulled by the system- and then Qingqiu and Qingfang beat him
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poorly-drawn-mdzs · 10 months
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Master manipulator vs Master manipulator
 [First] Prev <–-> Next
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johnconstantinesdick · 3 months
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I get the criticism of the Hunters of Artemis from a narrative perspective—it sucks that it essentially boots interesting female characters out of the story—but it always baffles me when people viciously hate Artemis for *checks notes* doing damage control.
Like. Thalia explicitly goes with Artemis to avoid the prophecy, and I definitely think that’s the reason Artemis tried so hard to get her to join—hell, you can view the hunters trying to recruit Annabeth as a way to get Thalia to join. And Bianca? You can’t convince me that Artemis didn’t guess there was something up there and react accordingly.
If Percy or Nico were even a little bit girl-adjacent you bet your ass she would be all over them to join. No one actually wants to risk the Great Prophecy happening, and Artemis is doing a hell of a lot more to stop it than anyone else.
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knightforflowers · 13 days
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if you can’t tell what this is about, i’ve had enough and i want out
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huidol · 3 months
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happy valentines 👍 day
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annienani044 · 1 month
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I'm so powerful.
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ryllen · 6 months
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#mtas#my time at sandrock#mtas wei#mtas builder#fanart#i found my true love target ; v ;#the smiling type is the ones that truly snatch my heart#they bring me the utmost joy#as much ironic it is unsuur makes me unsure of the rest of the stage after confession#i just thought i marry him in case the builder parents come and there would be some kind of scene over it like in portia#till the very last minute my heart was somehow still half in about it#tho in the game unsuur is read very close as 'unsure' i actually pronounce it differently bcs it's close to something in my language#unsur : means element; i thought that's nice bcs it feels closely to rock related thing#https://translate.google.com/?sl=id&tl=en&text=unsur&op=translate#if anyone even interest the slightest on how it sounds when pronounced by me here's the google translate link#but yea i'm dying that it is literally being pronounced 'unsure'#pls help him he just needs to be given a chance to command so he can learn to do independent thinking from experience#like yeah probably there would be lots of mistake at first#but u're like a mom justice who decides everything for the child so when u ask the child they just be like don't know ask mom fshdshd#he needs to be put out there#or had that been done justice if so i am sorry ; v ;#but seriously i'm dying when i kept adventuring with justice and logan and unsuur was just told to wait like a puppy fhsdh#he needs to be taught how to decide things by himself seriously#it's honestly hard to write unsuur's character#like no matter how u tried somehow it doesn't feel as close as funny or as serious deadpan like the original#wei here is like a piece of white paper i can scribble whatever i want#it's unexpected#but i ended up liking wei
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raccoon-smiles · 1 month
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Edel dying and becoming Uzura is one of the most powerful things to me in Princess Tutu to me. She is a great parallel to Mytho. Mytho loses his emotions. He lives without them, and he has to learn how to deal with them again when he get's them back. Edel never had feelings. She never got to learn. She had to be reborn to properly learn her emotions. Some day I want to do a breakdown of this because Edel and Uzura are the same but different. I think Uzura joining Drosselmeyer at the end is also really important. She fulfills the same job as Edel, but now she is her own person. Unlike Edel who was always told she is a puppet without emotions and had come to "pretend" to have emotions, Uzura is a girl with emotions first and informed she's a puppet second. I truly believe Edel had emotions because she has no logical reason to do what she did if she didn't care for the main cast. She even died expressing a want to see Mytho and Princess Tutu dance together. Wanting something is an emotion even if Edel says it is all pretend. I believe Edel was compartmentalizing her feelings because of her identity as "just a puppet." Uzura is a second chance. Uzura gets to feel freely. Being a puppet isn't something to hold her back. She loves. She's curious. She's a person.
As someone who has highly compartmentalized their emotions to the point where they have trouble identifying that they have emotions, Edel and Uzura are so special to me. When I have tried to start feeling again, I often get called childish and told I'm overreacting. This has led me to stop trying to feel and go back to compartmentalizing. I think this is why Edel had to die for Uzura to get to feel. Because only a child is allowed to deconstruct emotion like that. I love the little wooden dolls. They are everything to me.
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pocketramblr · 2 months
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I would do anything to save her.
This was supposed to just be drawing the Taoden siblings hugging a bunch but ah guess that Falin as the tower/princess/dragon post got into my head too much
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luxrayz64 · 3 months
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do u ever in your mind have a vision so beautiful you mourn that it doesnt exist and then remember that u can draw. anyway heres the glass coffin scene if they were pikmin
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gloriousmonsters · 9 months
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the entire vibe of twilight princess is just *touches ground* something terrible happened here
edit: OKAY a few people requested/expressed dismay that so much was just in the tags so I'm taking them from the tags and putting them under a cut here :P i'm happy people like them
#no gerudo in the gerudo desert. the twili being the product of ancient magic mass incarceration. zelda's depression and guilt and fuckin#'i don't deserve a bedframe' type room. the triforce of power keeping ganondorf alive - what do the gods want? guess they must be crazy#or maybe we kiiind of fucked up (no gerudo) (arbiter's grounds) (there was a war in ocarina and we don't talk about it)#(and there is an implied war potentially one of attempted extinction hidden between the pages of TP's history)#(hyrule's very good at not talking about its wars) (zelda says 'this is the least i can do' and tries to kill herself to save midna)#(your shade from the past teaches you how to kill and tells you to seek power and teaches you to kill again)#(putting an enemy on the ground isn't enough unless you finish them quick)#(your shade from the past wears armor. the spirits slipped chainmail under your kokiri clothes.)#(the monsters that claw blindly at you are the warped souls of the captured. the benevolent spirits of light insist they're beyond saving.)#(the arbiter's grounds is so so full of the furious dead. in the desert. the gerudo desert)#(the princess sees you not knowing who you are but only seeing that you are a monster and are chained and she apologizes)#(zelda gives her life to save midna and when ganondorf dies she prays in silence)#no esteemed deed is commemorated here etc etc#anyway. ignore all that. i'm obsessively thinking about the idea/theory of link fighting on the side of the gerudo in the past of TP#(hence his appearance on Ganondorf's armor) bc it makes everything Even More Fucked Up#thinking abt this game depresses me so much. i love it
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