How I save time on backgrounds as a full-time webcomic artist
Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.
Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!
This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)
So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.
I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.
I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.
Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.
Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!
This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.
But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)
I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.
My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!
Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!
panels that look like this in scroll format...
can look like this in print!
because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.
Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!
Enjoy!
Also obligatory "my webcomic" if you want to see this in action or check it out!
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Fae fae when did you learn to draw digital? Like do you have any tips I’ve been practicing but honestly it’s so hard haha
I remember sometime early 2021 I think you did a lot of haikyuu art and it was amazingggg wow
-🪐 anon
fAE FAE pLS dgusgfus I LOVE THAT??? heLP but uhmm honestly i think the main reason why my art looks better now is because i've been practicing my basics a lot? and like, its a constant battle to get better and hate your old art yk,, but i'm glad i did it and i can't wait to see how much i'll improve in the future! BUT! as for practicing tips, i would recommend splitting up exactly what you want to tackle first.
digital drawing is a very different skill than sketching. coloring is a very different skill. backgrounds are a skill in itself. drawing bodies,, etc etc etc,, and it was really frustrating to draw sometimes bc it feels like they all go hand in hand? but splitting them up and practicing solely on that- can really help make it feel more doable yk
also drawing on paper is v helpful to me personally. get urself a practice sketchbook, even tho they are two separate skills they kinda are tied together. if you improve one it will also show in the other
and yEA i did do some art in 2021 that i was really proud of. but i do gotta say looking back, those arts took me like 72 hours and so much references that it always felt extremely overwhelming and scary to draw. i like them a lot still, but i dont remember finding it very fun to draw back in 2021
and sometimes it's embarrassing for me to look back at old art and not shudder in shame, but the fact is,, that i was happy with my drawings back when i made them. he reason i'm not happy with them anymore is bc i've practiced, and become better, yk? for fuck sake, atsuko used to look like this (left) and now he looks like that (right)
be a little kind to yourself. it's hard to admit that you can be good at and suck at something at the same time. your improvement will be directly linked to how often you can stomach to be bad at something tbh hahahah i stopped coloring the way i used to in 2021 because i loved doing it but i actually sucked at it. and im still in the middle of practicing coloring, and most of what i draw is ugly and i hate it,, but thats okay. i hopefully will find value in it once i start noticing some improvement
anyway sorry for the ramble the point is, find your weak points and target them. and then, practice. practice practice practice. dont believe these tiktok artists who say "oh i started drawing in 2021" and bust out the most amazing portraits in the history of ever. that isn't the reality for most people;
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