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#just couldnt fit that in
jamesunderwater · 11 months
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k4pp4-8 · 17 days
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ANOTHER ONE!!!!
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nadjasnandor · 2 years
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dandelion-roots · 5 months
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No matter what you do, you just can't shake him off, can you, Chūya?
[lyrics: Florence + the Machine | id in alt]
EDIT: I made a whole ass janky animatic to this song, enjoy!
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luxaofhesperides · 2 months
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Ghostlight prompt: Danny and Duke being childhood friends, but Danny tells Duke the moment the accident happens and such cause he trusts him, only for Danny to go radio silent when giw decide to block the town communications in senior year.
So Duke-does he tell Danny he's Signal or not? Up to you-gets worried the longer no contact goes by.
Maybe the away game thing seen in other posts where the sports team still does away games and Danny gets enough good will with star or dash maybe and they send a message to Duke that's some coded phrase and Duke knows shits going down?
(yourlocalcorviddad, it's a side blog so didn't want to send from main sorry)
Danny is not someone who is on his mind a lot, these days. It’s to be expected, considering how distance and their double lives eat up all the time they have to talk. Really, it’s a miracle that they were able to speak enough to learn about their own individual vigilante work, especially with Duke bouncing around foster homes for a good portion of that time. 
They haven’t spoke in months but that’s normal for them.
Duke thinks he can be forgiven for not knowing something was wrong. He still won’t forgive himself for it.
“Danny’s gone?” he repeats, feeling numb. There’s static ringing in his ears, his entire world hollowing out.
The guy in front of him looks grim, unable to meet Duke’s eyes. Did he introduce himself? Duke can’t remember, can’t keep his spiraling thoughts straight in his head. “He’s gone. His entire family is gone and we haven’t been able to call for help because… well…”
“It’s those guys, right? The ones in white?”
“You know about them?”
“Danny told me. Danny told me a lot about what he did in Amity Park.”
The guy lets out a slow, relieved breath. “Good, then I don’t have to explain. Sorry, it’s just that it’s not something we talk about, especially out in the open. After the last few months, things got really bad. We know the GIW took the Fentons, but we can’t find out how or why and they’ve got us on a tight lockdown.”
“Then how did you get out?” Duke asks. Another arguably more important question pops into his mind a second later. “Actually, how do you know about Danny and… you know. The other things.”
The grimness on the guy’s expression fades away some beneath the sudden shame and embarrassment. “Oh, that. Well, I dunno how much he told you about his, like, daily life, but, um. I’m Dash. Baxter. I bullied him?”
Dash. 
Dash. That’s a name he recognizes. 
Danny’s complained about Dash a lot in the past. Since they were in middle school, really. Duke would always get mad on Danny’s behalf about how terribly he’s being treated, how no one would stop such obvious bullying. And every time, Danny would laugh it off and say in that soft voice of his, It’s alright, Duke, really. Having you care is more than enough for me.
It never stopped the bullying, though, but the way Danny talked about Dash changed when they both entered high school. He was still annoyed about everything Dash did, but there were less insults about him, less venting about every little thing that pissed Danny off about him, as if he just didn’t care anymore.
And there is, of course, the most memorable time Danny called Duke about Dash over the summer.
Hey, Danny, Duke had began, only to be cut off by Danny yelling, I kissed Dash?! Or he kissed me?! What am I supposed to do now!
And Duke, despite the jealousy he felt at hearing that Danny and Dash kissed, laughed so hard he cried while Danny yelled at him to be helpful. 
There wasn’t any discussion on Dash since, beyond a comment here and there about a funny fanboying thing Dash had said about Phantom. The focus of their conversations shifted towards how hard it was to be heroes or vigilantes, quiet reassurances that they’re both doing the best they can, tips traded about best ways to patch themselves up and get through the night. Sometimes, it felt like Danny was the only person in the world to really know Duke; all his pain and promises, his dreams, everything he was Before and who he became in the After.
He’s missed Danny, but the last message Danny sent him told him that things were getting rough in Amity Park, and to not call or contact him until he reached out first.
So Duke trusted in Danny and focused his attention in Gotham, putting his all into becoming a better hero, someone people can rely on. 
He thinks that maybe he should have fallen into the Bats’ bad habits of invading privacy to make sure Danny’s okay. 
Too late for that now, though.
“I know you,” Duke says after a long moment. “He talked about you sometimes. Come with me, we have a lot to discuss.”
Dash looks appropriately nervous, but he doesn’t argue. 
It’s a tense, quiet walk to the library where Barbara works. She’s stationed at the front desk when he arrives and greets him with a smile, eyes flicking towards Dash in question.
“Hey, Babs, got a private study room open?”
Her gaze sharpens and Duke can’t help the feeling of relief that flows through him, knowing that Oracle is ready to look out for him. “Let me check,” she says, turning towards the computer to click around a few pages. “Study room 8 is open.”
That’s the study room with a working lock and soundproofing. It also has cameras and a mic inside, but all the other study rooms have one too, just for safety purposes. Things could always go terribly wrong when people are locked together in a small room, and having video and audio evidence of what happened has assisted in more than a few cases. 
He leads them up to the second floor, past the students studying and the group of young children in the back corner of the library listening intently to a read aloud. 
The only occupied study rooms are those up front, closer to the stairs. The back rooms are empty and quiet, the perfect place for a little impromptu interrogation.
“So,” Duke says as he closes the door to study room 8 behind them. Dash sits down as if this is just a casual conversation, but the way his foot taps against the floor betrays his nerves. “Danny’s gone. And somehow, that lead you to me.”
Dash glance around, then leans closer to drop his voice into a harsh whisper. “The Guys In White got some insane upgrades a few months ago and forced every citizen of Amity Park into a surveillance state. The entire Fenton family is gone, but we all know it’s really because they want Danny.”
“Explain the situation in Amity Park some more.”
“Well. It’s like this: we didn’t take them seriously, so they upped their moves and got us trapped. No one goes in or out of Amity Park without good, verifiable reason. We have a curfew and we can be randomly stopped and searched for ectoplasm or exposure to ghosts. Most of the ghosts have left, but a few of the stronger ones hang around to cause trouble to get the GIW off our backs for a bit.”
“So how did you end up in Gotham?”
“I was invited to tour the college. And since outsiders were expecting me, the GIW let me go. But there’s definitely some that tailed me to Gotham, but I can’t find them at all. Even talking to you now is a huge risk for me.”
Which means they don’t have much time to talk before someone comes looking for Dash. His words, paired with everything Duke’s heard from Danny, paint a deeply unpleasant picture in his mind. “Are you going to be in trouble?”
“Nah, I’ll be fine. It’s Danny we’re all worried about. He told me before he got caught that if anything happened to him, I should find you. Tucker helped us narrow down where exactly you are and sent you that text to get you to where we met.”
“What do you think I can do?”
“I don’t know,” Dash admits. “But Danny trusts you, and he needs your help.”
Duke was never going to say no to this request to begin with, but damn if those words don’t make him want to run to Amity Park without waiting for anyone else.
“Okay,” he says. “Okay. I’ll help rescue him and bring down the GIW. You should go now, before they get too suspicious.”
“What are you planning?”
“I got a couple of friends who are good at destroying government property. Trust me, you’ll see what we’re up, we’re pretty noticeable if we’re pissed off enough.”
“Don’t take too long then,” Dash says, standing up, “I expect a good show from you. See you around, man.”
And with that, Dash pats Duke’s shoulder and leaves the study room. Duke doesn’t follow after him.  He’s got a rescue to start planning, and the less time he wastes, the better.
In the end, it’s pretty simple. It’s not a hard mission at all when the time comes for them to act, but the amount of data they gather and have to shift through is daunting. But that’s more Tim and Barbara’s forte, so he trusts them to handle it. 
Together with Red Robin, Spoiler, and Black Bat, they hit Amity Park hard and fast. 
One night was spent learning the lay of the land and every station and lab set up by the GIW. The second night was spent burning it all down and tossing open cages full of green blob ghosts and a few transparent, weakly glowing human ghosts. Stronger ghosts, glowing brightly, joined them in a few places with battle cries and maniacal laughter.
They split up and took down all the bases and patrol stations on their own, sweeping through the city like vengeful shadows. 
By dawn, the GIW were in shambles, without any bases or equipment, and rounded up for arrest. 
Cass was the one to find Danny and his family; his parents were forced to create weapons for the GIW under threat of Danny and Jazz’s torture. Danny was locked up like an animal and studied. Jazz had restraints on, including a muzzle, and a bloodthirsty rage in her eyes. Apparently, she had put up the most fight and, while being studied for repeated exposure to ectoplasm and radiation, started biting people.
The Fentons are big names in this conflict. Tim makes the executive decision to burn one of his out-of-state safehouses so they can hide and recover in peace, then promptly moves them into it as soon as the EMTs give them the all clear. They’re gone by the time the sun is rising over the horizon, and the curious Amity Parkers that have gathered behind the blockade of police cars have to be reassured that the Fentons have been taken away for their protection, not for further abuses. Even then, tensions are high and the locals are clearly prepared to start rioting now that they have a chance to fight back.
As vigilantes, they’re not meant to interact with cops much. Perhaps it’s simply their experiences in Gotham that keep them at a distance, disappearing into the neighborhood the moment attention shifts off of them. Either way, Duke is hurrying out of Amity Park with the rest of the team on his heels, eager to return to Gotham and follow up on their own leads to make sure the GIW is properly gutted and dismantled. 
Duke heads off for the Hatch as soon as they reach Gotham, hoping to shed the suit and finally be able to call Danny. The guilt of not noticing how bad things had gotten rolls through his stomach, and more than that, he’s missed hearing Danny’s voice. 
The first few calls go straight to voicemail. Duke leaves a quick message asking Danny to let him know how he’s doing as soon as he can talk. 
Then he goes for a shower and to change into civilian clothes, prepared to make his way to Wayne Manor to let Bruce know how everything went. And hopefully distract him from his Disappointed Father/Leader Lecture about taking on missions behind his back, as if Duke can’t handle himself. And also because Bruce has no leg to stand on when it comes to this. He’s fully prepared to throw that entire lecture back into his face at a moment’s notice.
The post-mission exhaustion is hitting him hard and fast. Duke has to brace himself against the wall once he’s out of the shower, resisting the urge to just lie on the floor and sleep there until he starts feeling more human. 
Somehow, he gets himself into some sweatpants and a plain shirt, pulls on a pair of mismatched socks, and begins gathering his things so he can get to the Batcave. 
He’s in no state to be driving. Maybe someone would be willing to take him there?
Just as he reaches for his phone to thumb through his contacts and see who he can bother, it buzzes in his hand. Duke blames the way he jumps on his exhaustion, then blinks his tired eyes to squint at the name that pops up onto the screen.
Danny.
All at once, his exhaustion fades away. A rush of adrenaline runs through him as he scrambles to accept the call, already pacing around the room so he doesn’t fall asleep. 
“Hello?”
There’s a moment of silence, then the exhale of a breath that turns to static over the call. “Duke,” Danny’s tired voice says. “Duke…”
“You doing okay? I couldn’t get to you before you and your family had to leave and go into hiding, but I’ve been worried about you, man.”
“I’m good. We’re all fine, now. Fentons are strong, you know? We’ll bounce back in no time.”
From what he’s heard about Danny’s family, that’s most definitely true. He’s seen the pictures of walls Jack Fenton has burst through with his body. It’ still hard to believe that no one in the family is a meta, outside of Danny.
“You need anything? I can get it to you, just say the word. Anything at all.”
Danny hums, then asks with a playful note in his voice, “Anything?”
“Anything.”
“I need you. How fast can you come meet me? I’ll even pay for express delivery.”
Duke laughs, so relieved at hearing the lightness return to Danny’s voice that he feels weak in the knees. “It’ll be at least two days. I gotta sleep and debrief with Batman before I can see you. It’s gonna take some time to get out of Gotham again.”
“Maybe I can go to you, instead,” Danny suggests. “Fly over and be there is less than an hour.”
“Are you in any shape to be flying right now?”
“I’m fine! Already healing and everything,” Danny insists.
“It might be dangerous if any rogue GIW agents go after you.”
“Well,” Danny says, “That’s why I need to get to my knight in shining armor sooner rather than later, right?”
Duke bites his lip to fight back a smile, blinking his eyes forcefully to keep them from closing under the heavy weight of exhaustion. “Does that make you a damsel in distress?”
“I mean, I did need rescuing, so I guess? I’m not much of a damsel, but I could put on a pretty dress for you. It’ll be like playing pretend when we were kids.”
“Oh, man, I kinda miss those poofy dresses. I think I could still rock on, put it on top of the armor when I go out for patrol.”
Danny snickers. “Signal: the most well dressed vigilante in Gotham.”
“That’s me, baby!”
The last of the agonizing fear that’s choked him since he first talked to Dash finally melts away. Danny’s fine now. Everything’s okay; the GIW are done for and there’s plenty of people willing to look out for the Fentons. This will never happen again.
“Hey,” Danny says, voice suddenly turing more serious. “Send me your location. I wasn’t joking when I said I could fly over to you. And before you say anything! I do need it; Jazz and my parents are smothering me and I just need to get away from everything and pretend all of this never happened.”
The admission softens Duke, makes him shove away everything that tells him this is a bad idea, that Danny needs more rest first, that having Danny fly over alone and without warning any of the Bats fills Duke with anxiety. 
He does miss Danny. More than he can put into words.
“Yeah, okay,” he says at last. “Come meet me, Danny.”
He texts Danny the location of the Hatch before common sense tells him to be more careful with his base of operations. Not that it matters, anyways; if there’s anyone in the world he trusts with everything, it’s Danny. 
Then he sends the Bats a quick text saying he’s crashing in the Hatch and to not bother him until the sun is fully up two days from now. Oracle gives him a thumbs up emoji, which is a good guarantee that she will personally see to it that no non-emergency messages interrupt his rest and recovery time.
Duke has no idea how long it will take Danny to get to the Hatch, so he putters around, cleaning up the space and straightening it out in an attempt to keep busy enough that he doesn’t crash. Travel really takes it out of him. It’s one of the cons of being born and raised in Gotham: he doesn’t have the stamina to travel outside of it, especially when they were there and back in less than three days.
Thank god for Tim’s many motorcycles and his tendency to see the speed limit as a weak suggestion that can be ignored while on a mission.
Ultimately, the call of sleep is too strong to resist. 
One moment, Duke is sorting through files on the Hatch’s computer, and the next moment, he’s face down on a bed with his face shoved into a pillow. 
Blearly, he manages to pull his phone out of his pocket and send Danny a typo-ridden text that hopefully gets across the message of might be asleep so just come in, don’t wait for me to answer the door.
He’s out like a light as soon as it sends. The last thing Duke registers is his phone dropping out of his hand and falling against the mattress with a little bounce.
When he begins to wake up, something’s changed. As much as he wants to go back to sleep, awareness comes back to him slowly and Duke forces himself to claw his way out of unconsciousness to figure out what, exactly, is bothering him so much. Until he figures out what’s changed in the room, he won’t be able to sleep because he’ll be worried about someone breaking in.
His mind comes back online long before his body does. It’s only when he tries to move that Duke realizes he’s no longer alone on the bed; there’s someone wrapped up in his arms, body temperature a little too cool to be a normal human.
Blinking open his eyes, Duke looks down at the head of messy black hair and feels Danny’s soft breath ghost across his chest. 
“Danny?” he manages to say, voice rough with sleep. 
Danny hums and doesn’t move.
“Hey, look up. Let me see if you’re really alright.”
“Mmm, no,” Danny mumbles, burrowing his face into Duke’s chest some more. “‘m sleepy.”
A good argument. Duke is also sleepy. 
“Fine,” he says, “Check in the morning, then. G’night, Danny.”
“Night, Duke. Thanks for saving me.”
He tightens his grip on Danny, contentment burning warm in his chest. “Always, Danny. I’ll always save you.”
That’s why he’s a hero, after all. To save others, to reach a hand out to everyone the way he needed when he was younger. To keep the people he loves safe. To make sure Danny always finds a way back to him. 
This is what makes all the pain of this lifestyle worth it.
Danny makes everything worth it.
(@yourlocalcorviddad tagging to make sure you see this!)
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cutesilyo · 21 days
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you know how there was a running theme with the NPC encounters in hades? that sisyphus, eurydice, and patroclus were all involved in stories about being unable to escape death?
and its something thats explicitly discussed within hades itself, at least for sisyphus and eurydice. sisyphus had attempted to cheat death three times, one of the most notable being when he bound thanatos in chains. orpheus had found a way to bring eurydice back to life, but couldn't follow through with completing hades' challenge. achilles had a prophecy hanging over him during the war; die in glory at troy or live long unremembered. he chose the war and patroclus followed. they didn't survive. they are all different manifestations of the axiom zagreus is fighting against: that in hades, there is no escape.
so i was thinking. in the hades 2 playtest, we get dialogue from nemesis about how mortals had it better during kronos' time. we get dialogue from arachne too, about being distrustful toward the gods because of her curse.
i wonder if the running theme for the npcs in hades 2 will be people maligned by the gods in some shape or form.
arachne is already confirmed as the npc encounter for erebus. proud athena cursed her into being a spider. will we see victims of a love gone wrong in the next biome, like daphne perhaps? will we see those offered up for sacrifice just to appease the gods, such as andromeda or iphigenia? maybe those who were killed, perhaps unjustly so, because they dared fly too close to the heavens, like bellerophon or icarus? demigods that were cursed because of their birth, ala heracles? its long been a joke that the greek myths are just full of people suffering because of the incomprehensible acts of the gods. if hades 2 goes down this route, theres a lot of material to draw inspiration from.
and its an especially interesting direction because we know that its kronos waiting for us down the line. kronos, who ruled the golden age. when it comes to those wronged by the gods, you cant get much worse than being waged war against, your mountain stronghold so damaged from the attack that it loses height, and then being cut up into tiny pieces.
kronos, the crooked one. i bet he'd have a hell of a time trying to convince melinoe that the gods cant be trusted. and melinoe would be surrounded by all these narratives that would just prove his point.
just like how zagreus was in hades, who was surrounded by all these narratives about how death had no escape. and yet, his story is about how life and love bloom despite it. i cant wait to see what melinoe is fighting against now.
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callisteios · 5 months
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I have a new uquiz for you, go on a pilgrimage with me. discover who you are.
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kiivg · 1 year
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.King’s Council.
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puppyeared · 22 days
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sleights van
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pusangkambing · 7 months
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Let her run on all fours
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starry-bi-sky · 2 months
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my body's aching like a knock-down drag-out
and my poor heart is an open wound A Childhood Friends Au snippet that very briefly delves into Danny's life post-accident. CW: Mild Mentions of Blood, Violence, VERY mild gore ig. Danny briefly recalls getting impaled during a fight.
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What they don't tell you about being dead is that it hurts. That it can hurt. That it can hurt more than when you were alive. That when you die, the emotions you die with stick with you like a leech that just won't let go. That emotions are ugly little thorns that stick their barbs into you and grow beneath your skin; or, at least, whatever’s left of it. 
Danny is familiar with anger. It kept him warm in Gotham, when his parents weren't home from work and he and Jason were crowding Crime Alley with their presence. It kept him warm in Amity, when the fresh sting of moving was still needling into his heart and he wanted nothing more than to rip and tear into the closest person next to him.
He's familiar with violence. With fights. With death. He's seen people die in Crime Alley probably every day. From overdose, from gunshots, from stab wounds; anything that can kill, rest assured he's seen it. He's familiar with getting his own knuckles rough and bloody when other kids turn and bare their teeth at him and Jason; they're all just starving dogs stuck in a fighting pit, primed and ready to rip out each other's throats. 
Black eyes, stomped hands, bloody noses. You name it; he’s had it. Gotham is paved with the blood of her children, and Danny likes to imagine that when he was born, the doctors handed his mother a file and told her; “Take it. He’s going to need it for his teeth.” 
Danny’s mom (and dad, for that matter) was too busy trying to keep him and Jazz fed, so Danny stole the file from her drawer with Jazz’s help, and did it himself.  
He’s familiar with anger, he thought he was getting better at it these days. It doesn’t come to him as easily as it did before. Of course, that was before Jason died. 
Danny is less familiar with grief. Caring kills and Gotham kills the caring, so Danny cares very little about other people. Or he tries to. But grief hurts. His grief hurts. It hurts too much. It hurts like a bug trying to crawl out of his chest; like a rat chewing a hole through his heart. Some days he wants to dig his hands into his hair and split himself down the middle. Some days he just wants to scream. 
He’s dead. He’s dead. He’s dead. 
He wants the whole city to hear him wailing, some days. It sticks itself in the back of his throat like bile, and Danny is one wrong retch away from letting it loose. It sticks in his lungs like all the tar he’s smoked in since he was nine. It pushes and aches at his temples, in his head, like his brain is trying to swell out of his skull. His thoughts becoming so loud they threaten to commandeer his tongue.  
He has no mouth, but he must scream. 
Something they don’t tell you about being dead is that it hurts. That it hurts more than when you were alive. Something they don’t tell you about being dead is that it’s violent. That it’s bloody. Or as bloody as it can be when everyone has no blood. 
Another thing they don’t tell you about being dead, is that it’s a lot like Gotham that way.
With no threat of death, Danny’s enemies forget death itself. Blood comes easy, like water, and teeth are encouraged. Bring your own fangs to the fight. Dying is something you can just walk off. 
Danny’s been dead for three months. He can’t say he’s been walking it off easy. He’s perfected the art of turning his nails into claws since his heart was still beating, but he can’t say he’s perfected fighting other ghosts. 
Scrappy is just not enough. 
He feels like he’s back in Gotham again. Back in her death-shroud alleyways, fighting someone bigger than him. But there’s no Jason to watch his back, and Danny has to get himself out of there alone. Or he might just not get up at all. 
Black eyes, busted lips. It’s familiar to him like an old scent, Danny isn’t quite sure that he’s missed it. It’s more familiar than his fights with Dash. 
But there’s no one else who can do it but him. Not Sam, not Tucker. He can’t lose them too. He can’t. He can’t. He can’t. His heart can’t take another break, he already feels like he’s going insane. 
With no threat of death, Danny’s enemies fight like death themself. He learns why when Technus puts a street sign through his stomach one day. It pins him to the asphalt like a moth pinned by its wings. 
Danny claws at the metal like how an animal caught in a trap chews off its leg, and every move is blinding pain. He thinks he was howling, but it’s hard to tell. He couldn’t recognize the sound of his voice. 
He bleeds green. It mixes in black with the pitch blackhole in his heart, which throbs and twists and cries in time with his reckless panic. The finger-choking terror of dying again strangles out the air he doesn’t need. His blood evaporates, only to reabsorb into him. It just bleeds out again, cycling like a snake eating its own tail. 
Danny breaks his nails clawing at the metal, and eventually gets it in his mind to pull it out. So he does, and the end drips ectoplasm green as he gets to his feet. In red-vision, Danny sends the sign back with snarling, vicious fervor. The pain is irrelevant in his rage.
Only after the fight does the hole the pole left start to close. Danny doesn’t shift human until it’s gone. Unlike other injuries, a scar stays behind. Ugly; mottled, it aches for a week with every twist and stretch his body makes. He hates it. 
Being dead is agony. 
Every part of him is in pain. Every step, every word he speaks, everything he does, it is prerequisite with pain. The body is temporary, but the soul is forever, and death has carved into it with its freezing green hands and left him with never-ending heartache. It has torn from him and stolen what of him it could, and in return it’s left him with sorrow. 
His pain is his grief, and he’s sobbed in the safety of his room more times than he can count. It’s still as fresh as the day he heard the news of Jason’s death. He knows, instinctively, that it will stay fresh forever. 
In his room, Danny shoves his hands over his mouth and shrieks in whatever, muffled way he can into his pillow. It’s not enough. It’s never enough. He needs to be louder. He needs to be heard. He refuses to be. 
Being dead hurts. 
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furiouskettle · 1 year
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i saw the post and immediately thought of cliff
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freaky-flawless · 8 months
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Dead Tired Honey Swamp
Shout out to @deuces-stone-cold-style for the nightgown inspo!
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personishfive · 9 months
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in which the metaverse is a dangerous place
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whataduck · 9 months
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scars, 1
more comic and transcript under cut
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AAAND CUT!
mostly just me thinking about what arti thinks of her own scars, and there's more coming, eventually >:). It takes a long time to draw though :')
transcript:
Image 1: At first, my scars were an ugly reminder of the volatile ability I have.
Image 2: Which threatens to
BREAK
OUT
Image 3: though... My pups made me realize that didn't have to be the case.
Image 6: My ability gives me the strength to protect, and my scars are a testament to that.
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corruptimles · 1 year
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MOB MOB WOW
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