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infinityparadox168 · 4 months

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Trigger warning for glitching. (I tried a slightly different art style for this one and yes their eyes are yellow on purpose.)

"Jrg kdyh phufb xsrq xv, zh kdyh exuqhg d vdlqw."

#gravity falls #gravity falls oc #saint milo’s art

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lamyaasfaraini · 6 months

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Cerita tentang warteg

Hemm darimana ya ceritanya.. Ini adalah warteg atau warung nasi langganan keluarga kami. Awalnya almh Ibu sih yg nemuin, ini di jl. Arjuna depan jl. Rama. Namanya Putra Panjalu (sunda bgt yhaa~). Ibuku langganan karena makin sibuk kerja, ya jadi guru makin kesini makin sibuk saat itu jadi biar waras kerjaan domestik kaya masak di skip aja. Ya beli lah di warteg itu. Masak hanya weekend aja atau lg libur ngajar, dlm sminggu biasanya ada wkt libur, ibu ngajar Bhs Inggris di SMP. Dari yg tadinya bisa masak buat bekelin bapak jadi beli jg, termasuk yaa makanan sehari2. Biasanya kami rekrut ART tp ada kalanya sulit bgt dptinnya. Jadi kdg yg harian aja untuk nyuci dan nyetrika. Kami jg ngga ada tuntutan ibu buat masak, kdg nenek jg masak krn udah sepuh ya semoodnya nenek aja.

Sepeninggal Ibu, bagian masak memasak jadi aku yg urus. Saat itu sambil kerja, baru dpt kerja bgt. Sblm dpt kerja msh nganggur aku kdg masak, kdg ya ke warteg langganan Ibu. Baru pertama kali kesana aku yg beli. Rasanya pgn nangis.. Aku sempet cerita ke ibu warungnya bahwa ibu udah meninggal. Langganan bertahun2 sampe hafal ibunya. Lalu kami pindah ke uber.. Setelah nikah aku pindah lg ke rumah ini. Tiba2 aku inget warteg langgananku, aku sengaja kesana dan order sambil cerita2 bahwa aku dah nikah. Singkat crt akhirnya jrg lg kesana, sesekali tp jarang bgt. Keburu aku hamil dan super mager kalo jalan dan udah ada gofood dan sbgnya yg memudahkan kaum rebahan kek aku. Apalagi punya bayi makin aja ngerem dirumah. Belom lg pandemi dll, malah sempet tutup terus..

Bbrp bulan kmrn, aku dan adikku order warteg itu via grab food ternyata ada dong! Happy ya kangen bgt rasanya.. Fav kami ikan bakar, ayam bakar, perkedel kentang (enak bgttt huhu), sayur tahu merah tp ngga pedes ini enak bgt knp yaaa haaaa. Gepuk serundeng, tongkol sambel ijo.. Duh apalagi ya lupa. Tp kami paling sering beli ikan bakar, perkedel kentang sama sayur tahu. Order lah.. Rasanya masih sama, ikan bawal/nila di bakar enaaak.

Nah kemarin tuh aku sengaja kesana sebelum jemput nemo, ibu2 warungnya msh sama adik kaka itu. Aku order ikan bakar 2, perkedel 3 dan sambelnya (khas bgt dr dulu kurang pedes aahh). Trus ibu warungnya nyeletuk "teteh kemana aja". Aku kaget kirain dah lupa. "ya Allah ibu, masih inget aku" kujawab gt. "yaiya atuh ih meni kemana aja". "ihh ada ibu, meni jrg kesini akuteh yaa, skrg aku udah punya anak bu, anakku lg sekolah ini mau dijemput". "aduh udah punya anak lg". Udah aja sambil pamit, orderan aku slesei..

Bener2 nostalgia sih rasanya msh sama, tp tempatnya yaa msh gt aja rumah sederhana. Orderan cateringnya selalu rameee tiap kesana. Kalo maksi penuh sama pegawai2 dekat situ.. Alhamdulillah wartegnya masih bertahan. Berarti udah belasan tahun langganan huhu, semoga selalu laku dan ramai..

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roninreverie · 2 years

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I got the urge to try my hand at the 9 children of La Muerte and Xibalba. So here they are! 😂

Now, I attempted to base it on El Tigre character concept art styles and a dash of research into Mesoamerican mythology, but I may go back one day and do it more like my own/ take my time on details.

Sartana, we know from El Tigre.

Then there's Mariposītz (a spin on the Spanish word for butterfly and the goddess Ītzpāpālōtl). She used to have these black butterfly wings, but I imagine the thing that got Sartana banished from the realm of gods was her removing them in a jealous rage because she was the only of their siblings who had wings like their father and the potential to become a death goddess to replace Lady Micte. I wondered about just letting her BE Ītzpāpālōtl, (and maybe calling her Lottie) but I'm going to have to do more research for that. 😅

Ek Cacao is based on Ek Chuaj, the deity of merchant travel, war, and chocolate. I wanted them to have a kid with a melted chocolate theme, but then I learned there actually IS a Mayan god affiliated with chocolate, so BOOM!

Sombra is made of shadows, but has a sort of bandito theme, and I liked the idea of him being obsessed with teeth (especially the old bejeweled Mayan kind). Since his mom and some of his siblings are made of candy, I thought it was funny if he was more of a "tooth fairy" character who carried a a macuahuitl.

Pantano is made of swamp murk and stone, and is supposed to be more elemental, like La Noche and Chamuco. His size is similar to Mictlan, but he is more of a timid, gentle temperament and is greatly invested in nature (kind of like post-quinceañera Micte, I guess?). His design could use some work, but I was going for the JRG luchador style. Accidentally, I think he turned out a lot like Cabrakan and Cipactli from Maya and the Three.

Xochitl is based on poinsettia flowers and I ran with that for a whole Christmas theme. I wasn't sure if I liked black hair like La Muerte or Silver color like Xibalba, so I did the anime thing and just split it down the middle.

For the last 3 sons, Mayor, Menor, and Sol Bemol, I wanted small, mischievous triplets, personalities akin to the "detention schoolkids" from the Book of Life. They're named after musical notes as an homage to Manolo's guitar playing which inadvertently helped rekindle La Muerte and Xibalba's marriage. I was calling them the "Alux Trillizos", Alux being little sprites in Mayan mythology, and Trillizos like "triplets" or like the chords played on a Spanish guitar.

#gravepainters #gravepainters kids #la muerte #xibalba #book of life #maya and the three #el tigre #jorge r gutierrez #these are rough little drafts but i wanted to share them anyway #roninreverie

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atlanticcanada · 3 years

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Virtual event aims to help disabled Atlantic artists find community, funding

The Disability Atlantic Arts Symposium, a virtual event aimed at helping disabled artists succeed, is a collaboration between several artists, and art groups, including Theatre New Brunswick and the JRG Society for the Arts.

from CBC | New Brunswick News https://ift.tt/3C52PH2

#new brunswick #news #politics #canada #atlantic canada #CBCNB

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art-now-poland · 5 years

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JRG, Krzysztof Klusik

oli on canvas 50 x 144 cm

https://www.saatchiart.com/art/Painting-JRG/288483/1402097/view

#krzysztofklusik #popart

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lukasz-krawczyk · 3 years

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Uwaga! Pamiętaj o okresowych przeglądach 👇

OSP Korsze w akcji 👇

#ubezpieczenia #Prawobudowlane #Pożar #Przeglądyokresowe

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gayorgynight65 · 4 years

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Bisexual dirty play petting train Imola

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windowwinnipeg · 4 years

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WINDOW 47: MELANNIE MONOCEROS (JANUARY 9 - FEBRUARY 8, 2020)

WINNIPEG’S ONLY 24 HOUR ARTIST-RUN CENTRE PRESENTS MELANNIE MONOCEROS

Location: Artspace Building, corner of Bannatyne @ Arthur [sidewalk level]

window is pleased to present our forty-seventh installation:

a n c e s t o r a d I o

Featuring work by melannie monoceros and curated by Adele Ruhdorfer, on view until February 8, 2020.

'a n c e s t o r a d i o' - is a 3 part series of short films using both analog and digital techniques, the seed of which iwas the discovery of a cassette featuring my mother and myself as a baby. It was recorded shortly before she died less than 2 years later. The first, "tuning the ocean", is an experimental animation on 16mm, navigating notions of water as a channel for cross/dimensional communication; the second "artifracture", is a narrative about trauma and place, focusing on a found kitchen object; the third, titled "remapping rosepathways" and still in development, explores weaving, process, and using the body as a tool for healing.

Overall the series is about grief and ancestorship, ghosts, and trying to listen for a sound (my mother's voice) that I didn't have a living memory of hearing until I first heard the tape.

-melannie monoceros

This installation is presented in conjunction with Gallery 1C03’s exhibition Yearning for Comfort, Not Cure, curated by Adele Ruhdorfer. Yearning for Comfort, Not Cure features work by six artists who explore their varied embodied experiences with disability, chronic illness, and madness, which are materialized and given form through the labour-intensive processes of performance, craft-based, and digital media. In addition to exploring the theme of complex embodiment, the artists deal more specifically with dis/comfort, chronicity and temporality, collage and fragmentation, familial histories, interdependence, sensory variance, and the compounding social effects that race and gender have on their bodies. Artists include Yvette Cenerini, Lux Habrich, Bram Keast, melannie monoceros, Laurence Philomène, and Jesse Turner. Yearning for Comfort, Not Cure is on view at Gallery 1C03 January 9 – February 8, 2020.

- Adele Ruhdorfer

About the artist:

melannie monoceros is a poet and artist exploring polysensory production through text/ile, performance, and installation. A Black and chronically ill creator, they are currently based in Treaty 1 /Winnipeg, MB; home of the Métis First Nation and the traditional territory of the Anishinaabe, Dene, Cree, Dakota and Oji-Cree Nations. They have read and performed at Drop the Mic (Winnipeg, MB 2019), This is Not a Sentence (Paoli, IN 2018), Republic of Inclusion (Ottawa, ON 2017), and at Buddies in Bad Times Theatre (Toronto, ON 2016). monoceros is a VONA fellow (Berkeley, CA 2014) and has since been awarded grants from the Canada, Ontario, and Toronto Arts Councils. melannie has been a guest lecturer at Concordia University, Ontario College of Art and Design, Ryerson University, and Yukon College School of Visual Art. melannie’s writing has appeared in magazines such as THIS, Make/Shift, Shameless, and The Peak as well as the When Language Runs Dry zine. Most recently, melannie ‘s work has appeared at the Dunlop Art Gallery (Regina, SK) and MAWA/Mentoring Artists for Women’s Art (Winnipeg, MB). In 2019, melannie was awarded the JRG Emerging Artist Award for their continued pursuit, integrating technology and accessibility through film installation via their series “a n c e s t o r a d i o”.

About the curator:

Adele Ruhdorfer is currently in her final year of a Bachelor of Arts Honours degree in Art History at The University of Winnipeg, where she’s focusing her research interests on applying critical feminist and disability frameworks to analyses of fine art and popular forms of visual culture. She is particularly interested in re-centring the politically-engaged embodied experiences of women, feminist, queer, and disabled artists, as they continue to be under-researched or, particularly in the case of chronic illnesses or disabilities, their positive connection to an artist’s creative process is overlooked. After graduating, she plans on pursuing a master’s degree in Cultural Studies, with the hopes of contributing to historical research, teaching, and curatorial practices.

window is located on Treaty 1 Territory, the original lands of Anishinaabeg, Cree, Oji-Cree, Dakota, and Dene peoples and the homeland of the Metis Nation. Window is co-curated by Noor Bhangu, Mariana Muñoz Gomez, and Sarah Nesbitt.

This installation was made possible in partnership with Gallery 1C03 for their exhibition, Yearning for Comfort, Not Cure (January 9 - February 8, 2020), and the generous support of the Winnipeg Arts council and Manitoba Arts Council.

#melanniemonoceros #adeleruhdorfer #windowwinnipeg #contemporaryart #winnipeg #canada

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wlulex · 7 years

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Lex is For Life: A Closer Look at Local Alums

The first semester of the 2016-2017 school year is over. We’re already waving goodbye to #wluParents, #wluYAW, Thanksgiving break, and winter vacation in the rearview mirror. The year is going quickly, I don’t think it’s going to slow down any time soon.

So, a bit of advice from me--

If you’re a first-year:

Enjoy yourself and your time here! Embrace the knowledge that you have three more years left on campus before you too must boldly go where we all eventually (and reluctantly) go: the real world. Enjoy every second, and take advantage of all the awesome opportunities the university and the town afford undergrads such as yourself.

And, if you’re a senior:

Real life is swiftly approaching, and no matter how much you may want it, you can’t be an undergrad forever. Nothing gold can stay, Ponyboy, not even the golden years you spend in Lex Vegas.

*sigh*

However: DON’T PANIC! For 267 years, Washington and Lee has graduated students, and for 267 years, students have felt a similar reluctance to go forth and graduate. The passion students share for the town of Lexington is part of what makes our college years here so special, and many graduates have gone on to transform their passions into a career of making Lexington a better, more vibrant city.

Alums of all ages have found the perfect balance between a successful, fulfilling professional career and idyllic small town life in Lexington. A combination of exciting business opportunities, a nostalgic setting, and a welcoming community makes our city the perfect place to start a career or to begin your life’s second act.

Read on for future career inspiration, local businesses to check out, and affirmation that life only gets better after graduation.

Spencer McElroy graduated from Washington and Lee in 2009 with a degree in Physics, before completing three more semesters at UVA to finish his pre-med degree. As a student, Spencer was on the soccer team, was a member of the Williams Investment Society, played in multiple student bands, and was a member of the Pi Kappa Phi fraternity. One of his coolest achievements as an undergrad was cofounding the Elysian Fields Music Festival in 2008 with two other W&L alums, Teddy Grover and Doug Zimmerman.

Spencer McElroy, ‘09

Today, Spencer is “the Executive Director of the non-profit Lime Kiln Arts, Inc. in Lexington, which operates Lime Kiln Theater. My responsibilities include artist booking, special events, venue management, grants, sponsorships, and all around business management.” In addition, he is active in real estate development in the area and the interim managing director for two Texas-based companies, Haugen Consulting and Haugen Software-- owners of both companies live here as well. He returned to Lexington from Charleston, SC in 2012 to renovate a foreclosure property on Lee Avenue, was offered the Lime Kiln opportunity nine months later, and has been in town ever since.

“I was determined to be my own boss, and the low cost-of-living coupled with entrepreneurial opportunities and my experience in the area made for the right blend. As more young people flock to cities, the contrarian view would suggest that opportunities for enterprising youth are on the rise in small town America. We've started to see quite a few examples of that here in Lexington.”

“Oh, and Lime Kiln is awesome.”- Spencer McElroy

It’s hard for Spencer to pin down any one experience as an undergrad that has helped him in his career today as he was a Physics major now involved in business. However, he says, “Physics teaches you a general strategy for solving problems that blends scientific logic, creativity, and instinct. I think that prepares you for just about anything.” Hunting and fishing were two of Spencer’s favorite hobbies as an undergrad, so his favorite places in Lexington haven’t changed much since. If you’re an alum (or a senior) thinking about heading back towards Lexington, Spencer encourages you “to pay attention to what makes this place so special. Most grads will be traveling for their lives and jobs in big cities, and they should look at Lexington through a new lens. Maybe there is opportunity for them here?”

Lime Kiln has finished their 2016 season, but they host events throughout the year, and the 2017 season is gearing up to be killer! Check out their website for more information.

Tom Lovell and his wife Wendy are both W&L alums, class of ‘90 and ‘91 (respectively). They originally lived out west, in San Diego, where they enjoyed the balmy winters and Mr. Lovell worked as a software developer for a military contracting firm. Once they began thinking about starting a family, they moved to Cleveland to be closer to family. In both Cleveland and San Diego, the Lovells were extremely involved in their local alumni chapters, going on to become co-presidents of both chapters. It was at an alumni event in February of 1995 that the opportunity to return to Lex presented itself-- changes at the alumni office meant there was an opening available! It was suggested that one of the Lovells take the position, and after laughing off the offer at first, after about a week they were ready to go for it. Mr. Lovell finally accepted the position at his Mrs. Lovell’s 10th Reunion.

When they moved to Lexington, there was no craft beer scene. What started as a casual guy’s beer club (where they spent more time brainstorming a name and logo than anything else) inspired a few home brewers, like Mr. Lovell and Bill Hamilton of the Bio Department, to try and get back into the game. This transformed into Blue Lab Brewery, with an official space finally opening the day before Thanksgiving in 2010. “Opening up your own bar in kind of the dream,” Mr. Lovell told me: so, he made it happen.

Mr. Lovell and Bill Hamilton at Blue Lab (photo courtesy of wmra.com)

As Mr. Lovell had returned to his roots in Lexington, so too had the space he transformed into Blue Lab. The venue started as the town’s feed shop, before it became Estelle’s, a local spot where Gennies and Keydets could chill on the weekends and enjoy a steaming bowl of chili. It was sold in 1988, changed into a doctor’s office (the Lovell family pediatrician, in fact!) until 2010 when Blue Lab opened. For the last four years, they’ve been working on maximizing their space, hosting live music acts and local artists, and introducing weekly trivia. They have five regulars brews on tap and 10-12 seasonal brews. They’re still small enough to be able to mix it up, but big enough to make the whole venture worthwhile.

Blue Lab is located at 123 South Randolph Street. Stop by! (photo courtesy of beerwerkstrail.com)

The education Mr. Lovell received from the W&L business school has helped him since the day he graduated: critical thinking and mathematics will help you no matter what you choose to do in life. As a small business owner in town, Lovell continues to benefit from his proximity to both W&L and VMI. Journalism and marketing classes have worked with Blue Lab, and it’s fun to be available as a subject for education.

His best advice for young alums and graduating seniors is “to get engaged, use the network, and get to know professors, administrators, and classmates. Continue to be engaged after graduation, get into your local alumni chapter. Our alumni network cannot be beat. Take advantage of that. Jump in with both feet as early as you can take advantage of it—go to House Mountain, Devil’s Marble Yard, Goshen, and when you’re 21, come to Blue Lab.” People are the main component. The alumni network is how it all started for Mr. Lovell-- the same could be true for you!

Jamie Goodin is a name familiar to any die-hard fans of wluLex. He graduated in 2010 with a major in Business Administration, and as an undergrad he was “really into gigging (bands: Agent Flynn, Delicious on Purpose), and did marketing for Gay Straight Alliance, was on the wrestling team for a year, founded a Filmmaking Club/film festival called Invision Films, was involved in the marketing club, Ad Class, and SigEp fraternity.”

Jamie Goodin, a very busy individual!

Today, he is a man of many hats here in Lexington: He is the Digital Engagement Manger at W&L, managing wluLex & wluNews; the President and Marketing Director of Lime Kiln Theater, where he helps to revive Lexington as a hub for the arts and the outdoors; the President and Promotions & Events Chair of Main Street Lexington; a Consultant for JRG Solutions, where he does digital marketing and management consultant for small businesses; and a founder of LexCollective, which “helps make Lexington a baller place for millennials to ball by informing and empowering my peers to make Lexington THE place to live, work and create.”

Jamie returned to Lexington in 2012 after a few years of doing online marketing consulting in the DC metro area. He says “Lexington is perfect place because it is so accessible. The people, the resources, the arts, the businesses and nonprofits are all so willing to work with you and help build on a great community. It’s an amazing incubator for personal and professional growth in the context of a peaceful, beautiful and affordable town (that’s getting cooler to live in everyday).”

Main Street Lex <3 (photo courtesy of @teejasaurus on instagram)

Jamie’s undergrad years at W&L taught him three important lessons that he has taken with him ever since:

1. Memorization is pointless as nothing is permanent.

2. Always challenge assumptions.

3. Encouraging experimentation, entrepreneurship, and failure is key.

Lexington has changed a lot since Jamie graduated (many changes thanks to his involvement!) but he embraces both the old and the new here. His two favorite things? “I love seeing my breath during cold morning walks in town while thinking about home, community and purpose. Also, Mano Taqueria’s beef burrito with Arbol sauce.”

If you’re coming back for a reunion, or getting ready to graduate, Jamie suggests you “walk downtown because there is so much more going on now—great food, live music and shopping. Walk on a mountain because there is so much that doesn’t need to change.”

Erik Jones, another 1991 graduate, was an English major who was involved in theater and a WLUR DJ during his time on the Hill. After graduation, he worked “for 20 years in arts administration in Portland, Oregon (my home town). I spent 10 years with the Oregon Symphony, and then 10 years as Marketing Director at Oregon Ballet Theatre. In between, I took a year off to travel the world.”

Mr. Jones moved back to Lexington in 2010 “for love (specifically to marry W&L Dance Professor Jenefer Davies)”. (sidebar: this was definitely my favorite answer to this question). Today, he is the Executive Director of Fine Arts In Rockbridge (a local arts umbrella organization). According to their website, it is an organization “committed to providing opportunities for all persons in the Rockbridge area to pursue their interests and develop their talents in the arts through quality educational and performance opportunities.” Mr. Jones also takes time to “study in the Craft Brewers Apprenticeship Program at the American Brewers Guild, (he is the assistant brewer at Blue Lab!) and also pick up occasional freelance gigs as a trekking guide (I spent 6 weeks in Nepal this year and am leading two Kilimanjaro climbs this coming spring).” Once again, I must say-- killer answer.

courtesy of cliparts.co

Mr. Jones says hanging around the theater as an undergrad definitely was one of the most formative experiences of his undergrad career. This was how he got his first post-grad employment opportunity managing the box office, from ex-Lenfest Center Director Mike Gorman. “I had no idea at the time that it would lead to a career in the arts. I’m also grateful to Professor Marshall Jarrett and my advisor, Professor Severn Duvall, for teaching me to challenge myself.”

Mr. Jones may have given up a “big” career in the arts to return to Lexington, but he has never regretted his decision for a second. In exchange for giving up his old career, Mr. Jones “got a new family, a lot less stress in my life, and the time and freedom to branch out and pursue additional interests. There’s no way I would have been able [study brewing or be a trekking guide] while working (more than) full time at the Ballet.”

Jones doing his thing on a recent trip to Nepal

Finally, Mr. Jones was able to offer some sage advice: “Cherish your time at W&L but don’t become one of those people who end up looking back at college as the highlight of their entire life. That’s depressing. Keep making new and even better memories.”

Rick Wolf, Class of 1977, never exactly intended to move back to Lexington, much less open up a local business. He began his career working at a small auction house in Philadelphia until he started his 25-year-long career working at Southeby’s in both New York City and Los Angeles. His wife Nan attended Hollins as an undergrad, so when it was time to move back East, the Shenandoah Valley was the logical place to start their search for a new city to call home.

Who wouldn’t want to call the valley home?? (courtesy of @lyssatest on instagram)

Both Mr. and Mrs. Wolf are avid collectors, and lovers of beautiful, interesting things. “It is quite difficult for either of us to see something we love and not try to buy it-- that’s why we finally opened up the shop. To get some things out of the house [laughs].” ‘The shop’ that they opened is Wolf and Co., an antiques shop on Washington Street that “offers an eclectic range of art, antiques, and unique finds, as well as expert appraisal and advisory services” (wolfandcompany.net). They are both also extremely involved in the Lexington Historical Society, thanks to which we can still enjoy many of the beautiful, historic buildings (such as the Alexander-Withrow House) in Lexington.

Wolf and Co. is located at 23 West Washington Street

As an undergrad, Mr. Wolf was one of the first people to ever see the bequest left to the school by the Reeves family, today available for all to view in the Reeves Center. Mr. Wolf had always had an interest in antiques, so when the school learned of the bequest, German professor Beauford (aka ‘Steve’) Stevenson, who also loved Chinese export porcelain, offered him a student job. For three dollars an hour, Mr. Wolf unpacked the collection, before the idea for the Reeves Center was even conceived.

Additionally, Mr. Wolf credits the direction his life took to “best teacher I ever had: Pam Simpson [of the Art History department]. She was the first female full professor, the first female dean, a chair of the Coeducation Committee, and just the best person ever.” He took every course she offered (even though he was an English major) and accidentally ended up with a double major in Art History and English—this eventually directed him into the auction business. Simpson became a wonderful friend of the Wolfs, and a major reason for their eventual relocation to Lexington.

The late Pam Simpson, a formative figure in the lives of the Wolfs as well as the history of Washington and Lee.

One piece of advice: Mr. Wolf is the first to acknowledge how trite it sounds (and made sure I knew that!) but he totally believes it: "If it’s possible—try to do something you love! Don’t be afraid if it takes a while to get there. You may not know immediately! Unless you have a passion for orthodontic surgery when you’re fifteen, its really not that easy.” When Mr. Wolf graduated, he had two vague interests: cooking and antique decorative arts, neither of which seemed like they would offer definite career paths. The auction business was the most convenient choice for him after graduation, but he transformed that “convenient” career into a lifetime passion.

Will Moore, class of 2009, graduated with a degree in Economics and a rich undergrad career spent “coaching the local youth lacrosse organization Lexington Lacrosse, raising funds for Habitat for Humanity, interacting with alumni as a member of Kathekon, and participating in the various activities of my fraternity Phi Delta Theta.” Additionally, he “was fortunate enough to enjoy a spring term and a summer semester studying abroad in Spain and London, respectively.”

Will Moore and his doggo in Lex

After graduation, Will worked in Boston at a private equity real estate fund called Landmark Partners, and in DC at CBRE in their financing group before that. He returned to Lexington is July of 2014 in order to work at the “family business, James Wm. Moore Real Estate Co., which my father started in 1988. In addition to managerial responsibilities, I represent buyers and sellers of all property types in western Virginia with a focus on land and farms.” A combination of self-employment and access to the great Virginia outdoors that made the move back worth it for Will; “Although I think it is essential to get the training and experience afforded by working for experienced professionals for a few years, there is nothing more rewarding than answering to yourself.”

Despite all of Will’s worldly travels, there really was no place like home when it came to his career. Will grew up in Rockbridge County, and ultimately his move back was a reflection of his ties to a community that he describes as extremely strong, and very passionate. “There is a high level of passion in this area for our community and it’s easy to find leadership opportunities. My first five years after W&L were spent focused almost exclusively on my career, but my move to Lexington was a reflection of my desire to achieve a long-term balance of work, life, and community. It’s almost impossible not to have a balanced life here.”

The quality of life here is unparalleled, as many of us have learned as undergrads and Will has experienced as a local alum. “Almost all of my hobbies take place outside and are easily and inexpensively accessible around Lexington: golf, hunting, fishing, and hiking to name a few. Access to the outdoors was a huge driver in my decision to move here. I also enjoy seeing live music and getting out of town to travel.”

A lovely day for fishing! (disclaimer: this is not Will! courtesy of @caretzloff on instagram)

Will credits much of his success, both personal and professional, to the Economics department that provided him with the “educational framework for thinking about issues far beyond the economy.” So- take some Econ classes (!) and make sure to keep in touch with your classmates. “Almost everyone that goes to W&L is an ambitious and interesting person, so your network is a great asset. Don’t be afraid to be the person that takes the initiative to stay in contact.”

“If I had to choose a favorite place, it would be House Mountain. It’s such a significant symbol for the area.” -Will Moore (photo courtesy of @samanthalnic on instagram).

Your days in Lexington don’t have to be numbered. Lexington is a town built to last, and ready to welcome back any future grads ready for their newest opportunity. So remember: Graduation, a job starting next September in Atlanta, or your eventual jet-setting career saving lives/brokering deals/changing the world can’t stop you from finding your way back home.

#local alums #lex recs #washington and lee #alumni #Young Alumni #local businesses #lexington #lexington virginia #virginia #Blue Ridge Parkway

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marymosley · 4 years

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Equivalents at the Supreme Court

In a couple of 2019 decisions, the Federal Circuit appeared to expand-out the “merely tangential” exception to prosecution history estoppel. Those cases have now both been petitioned to the Supreme Court for review.

Hospira, Inc. v. Eli Lilly and Company, SCT Docket No. 19-1058. [Petition]

Whether a patentee may recapture subject matter via the doctrine of equivalents under the “tangential relation” exception by arguing that it surrendered more than it needed to during prosecution to avoid a prior art rejection, even if a claim could reasonably have been drafted that would literally have encompassed the alleged equivalent.

CJ CheilJedang Corp. v. International Trade Commission, SCT Docket No. 19-1062. [Petition]

Whether, to avoid prosecution history estoppel under Festo, “the rationale underlying the amendment” must be the rationale the patentee provided to the public at the time of the amendment.

The doctrine of equivalents [DoE] is fairly complicated by itself because of the element-by-element function-way-result test and the limit on vitiation of claim elements. DOE is further complicated by the prosecution history estoppel [PHE] that creates a presumption against equivalents associated with narrowing claim amendments made during prosecution for a “substantial reason related to patentability.” In Festo, the Supreme Court explained that courts should presume estoppel based upon a narrowing amendment. However, the patentee may avoid the estoppel by providing evidence that the “rationale underlying the [narrowing] amendment … bear[s] no more than a tangential relation to the equivalent in question.” Festo Corp. v. Shoketsu Kinzoku Kogyo Kabushiki Co., 535 U.S. 722, 740 (2002) (TAN). In prior posts, I called this expansion [DoE]; retraction [PHE]; re-expansion [TAN] process DoePHETAN. The complication comes from the courts who – as I previously explained “wanted to empower patentees with the doctrine of equivalents but then became afraid that they had gone too far” and perhaps given too much power to a jury.

The petitions here are powerful and their parallelism may create interest from the court. Unfortunately, neither call for simplifying this process but rather ask for more detailing — What is the meaning of “tangential?”; At point must the “rationale” be declared?

= = = =

Recent DOE Decisions from the District Courts: Steyr Arms, Inc. v. SIG Sauer, Inc., 17-CV-483-JD, 2020 WL 905534, at *4 (D.N.H. Feb. 25, 2020) (court rejects DoE claim because the accused “pin” was not sufficiently structurally similar to the claimed “bridge”).

Speedfit LLC v. Chapco Inc., 215CV1323PKCRLM, 2020 WL 758824, at *2 (E.D.N.Y. Feb. 14, 2020) (patentee waived DoE claim after failing to include it in its pretrial infringement contentions).

KAIST IP US LLC v. Samsung Elecs. Co., Ltd., 2:16-CV-01314-JRG, 2020 WL 731360, at *7 (E.D. Tex. Feb. 13, 2020) (confirming jury verdict — finding that “the jury had substantial evidence from which to find infringement under the doctrine of equivalents.”).

Epistar Corp. v. Lowes Companies, Inc., LACV1703219JAKKSX, 2020 WL 771096, at *9 (C.D. Cal. Feb. 11, 2020) (unequivocal disclaimer during prosecution will bar DoE).

ViiV Healthcare Co. v. Gilead Scis., Inc., CV 18-224-CFC, 2020 WL 567398, at *3 (D. Del. Feb. 5, 2020) (refusing to apply the disclosure-dedication rule)

Equivalents at the Supreme Court published first on https://immigrationlawyerto.tumblr.com/

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guptaeducationconsultancy-blog · 7 years

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Raja Rajeshwari College of Engineering (RRCE) is one of the top ten institutes in India situated in Bangalore city. The college was founded by the Moogambigai Charitable and Education Trust (MCET) in the year 2006. All the courses of this college are approved by the All India Council for Technical Education (AICTE), and affiliated to the Visvesvaraya Technological University (VTU) Belgaum. Apart from that, the trust has many other educational institutions under their segment. The college has become a leading educational platform within a short time because of their modern educational system and state-of-art facility. The college offers several under-graduate and post-graduate courses and the main motive of this college is to cater quality and best education to all the students.

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www.admissiondetails.com

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