Billie Holiday singing "Fine & Mellow," accompanied by Cozy Cole on drums, James P. Johnson at piano, and other unidentified musicians during a jam session, 1943.
This was a tour de force from 2012 that features several of my DeviantArt friends' Predator characters. It was a trade with the owner of the character placed in the middle, and the harp-like instrument was what she requested that her character play. The rest of the characters got whatever was floating through my head at the time, with a little basic input from the owners.
My character Chaunn is on the left with the toothy wind instrument. Her dad, Khan'nai, plays something like a mandolin. The trio on percussion are three boys with whom I'd worked on a couple of different art trades apiece, so I knew their characters pretty well (and yes, the drums, tambourine, and maracas fit their personalities). The lady on the lower right was a hard call, but said she wanted a horn of some kind. The less colorful players in the background are just fill-in characters.
The fuzzy beast sitting at the central character's feet is from my own headcanon. It's called a pfaukal, and yes, the similarity to a certain Yautja swear-word is deliberate. It's something like cockatoo software running on housecat hardware.
This is a fairly large image at about about 15x20 inches. I used Prismacolor pencils over an ink drawing and watercolor wash. I think it's one of my better efforts, and I'm still proud of it more than ten years later.
I've been in a bit of a funk lately. Work. Stress. Life. I got a few new toys, and I haven't really had a chance to play with them lately. That changed. I recorded this a few weeks ago, as you can see from the date on the jam. I was feeling like absolute crap at the time, and I didn't want to be seen on screen. (I also didn't want to bother putting pants on, so I'm sure the feeling will be mutual to anyone reading this) But I had managed to hook up my three new effects pedals to various synth outputs, and I linked my new Sonicware Liven XFM and Model D up to my setup in a way that worked for me.
Then I worked out a simple baseline and a couple drum beats on the Circuit. I have two analog synths doubling the bassline, and I don't remember if I also used one of the XFMs four voices to triple it or not. I think I did use the XFM at one point to double the Model D, where the XFM was doing some quiet arpeggios and the Model D was holding the first note of the chord. I know I had the Model D controlled by the Circuit, but the sound from it was running into the XFM because at a couple points I used the XFMs built in bitcrusher effect.
I've got another shorter jam that I did yesterday that I actually filmed, so I'll probably try to get that one up soon too. I hadn't actually listened to this one since I recorded it, so just for fun I decided to keep that same bassline and drums and hit play on the Circuit to see what I would produce from the same starting point when I was feeling completely different. When I post that one, I guess we'll all see what else I could do there.
This is one of the first jams I've done in a while that makes me feel like some of the ones I did when I first started trying to make cybergrunge soundtrack music in Nanostudio.
It’s been a while since I’ve uploaded a Midnight Synth Session so I thought I’d share one I did a few months ago but never got the chance to share at the time. I always love the synth pads/ sound patches I find on my Roland and I love simply vibing on the feeling of the synth. Right now my Roland Fantom X8 is in storage 😭 But I’m tempted to break it out because I miss these synth improv jam session so much! The full video is around 5mins long so I might upload it to YouTube if anyone is interested in seeing/hearing the whole session. Anyways, I hope you guys enjoy this mini synth sesh. Thanks for watching! ✌️