only thing i know for certain is that if "breaking bad" took place during modern times, jesse would've used his cash to buy a drone and there would've been a sick ass sequence filmed from drone perspective and one episode cold open would've been all scary and sinister and it would end with an ominous shot of the drone laying all crushed and fucked up on the floor to imply harm done to jesse. and it would be really sad
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Dp x Dc AU: Danny and Tim are twins- And Vlad is the first to figure this out in his attempts to get DavlCo a new investor.
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Tim was getting the creeps from this guy. It was as if the room got colder, the seconds got longer and the room's shadows moved to their own volition. He stared Tim down less like 'You punk kid' and more like 'You'll be mine' in a way that Tim didn't appreciate. At all.
The guy kept setting meetings up despite Tim's direct insistance that Wayne Enterprises would never touch DalvCo- not with a ten foot pole or for all the money in the world. Some how Tim's board of directors kept getting swindled by the guy and... therefore more meetings. More looks from this guy that made him want to crawl out of his skin.
Vlad asked him if he ever went by Timothy- Tim couldn't reply "that's not my name" fast enough. It apparently inspired the guy somehow. More meetings that Tim can't reject because of board members pop up.
It's been long determined that Jason doesn't get involved with Wayne Enterprises, but after the Uncle and a few other paid-actor solutions go up in flames- Tim decides to call up his older brother to act as a bodyguard and tell this guy to fuck off for the final time.
Jason apparently also gets the Heebee-jeebies from this asshole but his message is loud and clear to Vlad. There's a flash of green and then all of sudden it's just Tim and Jason in the room... Only Jason isn't acting like himself.
Putting it together- Tim reaches for his contingency F stash of Knock out gas and doses Jason. Vlad doesn't re-appear so Tim assumes that to mean that he'll be trapped in Jason's person until Jason wakes up.
Walking out of the meeting room with his bus of a brother over his shoulders- Tim quickly asks Tam to reach out to Vlad's Emergency contact. Surely there is someone in this man's company willing to explain what the fuck Vlad was trying to pull. Tim theoretically can keep Jason drugged asleep for a long time- surely that threat can get him somewhere.
The day drags on as Tim continues to keep Jason unconscious and eventually Tam lets him know that someone is here for Vlad. She says it with the addition of one of their codes- He mentally prepares himself for the worst and then... His doppleganger walks through the door? What the fuck?
Tim and Danny puzzle about one another for a little too long and Jason wakes up- Vlad pops out immediately. A shouting match between Danny and Vlad commences and...
"Man I knew our family had unresolved issues but seriously what the fuck has your clone dealing with?" Jason asks, as though he could watch this all day with pop corn.
"You made more clones?!" Danny screamed at Vlad who's only response is "Not this one! This one is actually polite!"
"Fuck you!" Tim and Danny reply in tandem.
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Someone tell Vivinos that dropping Ivantill merch right after dropping a vid of one of them getting fucking noscoped is absolutely outlandish 😭😭
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i have to be more normal abt friends at the table on my main twitter i have too many mutuals in common with the cast and it makes me anxious lmao. post brought to you by my tweet abt partizan being immediately liked by hamish cameron designer of the sprawl. honestly i need to be more normal on main twitter in general. waaay too many people who are actual adults follow me there. and i don't even have 500 followers its just that the people who do follow me are like. people whose games are kind of big deals?
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