sometimes I see people calling Aziraphale selfish in an accusatory way, as if it's a flaw that needs to be smoothed out, as if it isn't a trait that is at once defiant and emancipating, as if his selfishness isn't mostly wielded in an empowering and kind way, as if it's categorically bad to want things for yourself, to enjoy them, to have and keep them, as if selfish isn't the most revolutionary thing an angel can be
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squenix is like lalala little treat for the kh likers a little mobile game for funsies the kh fans will enjoy this little chocolate chip I’m giving them while they wait for kh4 it’s a small deal at best and everyone in the very small room that is khux enjoyers is foaming at the mouth ready to lord of the flies squenix headquarters about it and they have no idea
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the ygo manga has such good composition. it's always off the goddamn chain. do you know how good you have to be at cool page layouts to keep things constantly dynamic when 90% of the actual events are people moving trading cards around and having internal monologues. kazuki takahashi was very good at it. i don't have anything intelligent to say here except that you should flip through the ygo manga and pay attention to it sometime
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What are some ideas you have floating around that you don't have any plans on writing but like to entertain as a thought?
Many of them, in fact! Though they sort of vanish from my memory if I don't make a record of them, here's a few ones I jotted down when they came to mind.
For a domestic one: Bill thought he'd hate a lot of being married! Even though he loves Dipper, he thought he'd rebel against the chains of domesticity - and in some ways he still does - but one major benefit he's found is not having to be 'on' all the time.
No need to be perfectly performing all the time! No shoving around for social influence, no intimidation, or clever tricks. No commanding attention or taking up the room. Hell, there's surprisingly little upkeep! Bill can undo his tie and pick his nose and bitch about his day to someone who isn't bending over backwards to agree with him on everything. Someone who doesn't give him a weird look and sneer if he, god forbid, actually wants to sit down, read a book, drop the grin for an hour or two.
The concept in question is Bill's very first moment of great surprise. That when he isn't being the most charming, terrifying, and exciting guy in the universe, and just chilling out for like, five minutes, Dipper comes over and snuggles up to him on the couch, or wraps his arms around his shoulders and kisses the top of his head. And when Bill asks 'what was that for?', Dipper shrugs and goes 'eh, just felt like it'. It's both baffling and extremely compelling.
A short where Reincarnated Dip is Definitely Sure he's Not Gay!!! Especially not for this Hot Demon Man who is getting so close and touchy with him with his big smile and horrible wiles. Yep. Just keeping an eye on him to make sure he's not up to something Nefarious ™.
A discussion between Dipper and Bill where Dipper insists that Bill should understand this, or not do that, because, like. Y'know, Bill's a guy! There are guy things! Making Bill stare at Dipper like he's an idiot. He proceeds to informs Dipper how that's stupid for multiple reasons! First, that Bill's Not Human to begin with, his gender can't be put into a little box! And frankly, he never filled out the paperwork for his original one, come to think of it. Sure, he/him's fine, but c'mon, sapling, thinking of the whole shebang like a binary is dumb as hell. Now Dipper has to do some mental readjustment re: his own issues with masculinity/gender.
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Not to simplify a complex historical issue in a tumblr post but I think the reason Conspiracy (Elisabeth Essen/Hungarian prods) and fandom discussions/headcanons/fanwork deriving from it (ie. advancing the interpretation that the cause of Rudolf's anguish & the thing Tod is trying to manipulate him to do is the pursuit of Hungarian independence/seizing the Hungarian throne) tend to set me off is that it ignores the thing that's, like, the historical and the musical Rudolf's actual main deal, which is anti-conservative thought and the emotional pain and feelings of powerlessness brought about by living in a world full of state-sanctioned prejudice, hatred and anti-intellectualism (among other things)
Which I, for, like, personal reasons, find more compelling to reflect upon and have portrayed on stage in our 21st century world (= "oppressive politics on state level bad" seems. Relevant somehow) than stuff like a privileged person's private quest for power (throne) or a vaguely positive portrayal of nationalism (especially since Hungarian nationalism in the 21st century isn't super cuddly or feel-good ajdkdldl, so I think having those foundation myths repeated actually borders on irresponsible - depending on the framing, that is)
Plus its not historically accurate, like the conspiracy plot has not been conclusively proven to have happened. Unlike todolf [redacted] which is indisputable historical fact
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Noticing that some of the youngest Jedi younglings were afraid of the clones (bc fully grown men in armor who mostly wear helmets do seem scary to toddlers), the creche masters decide to get them some clone dolls & toys to take away that fear.
That meant that a whole generation of the youngest Jedi grew up playing with self-sown dolls of different clones from different battalions. And slowly the clones stopped being these big faceless men that are sorta around out there outside, but instead are the heroes of their playings and their friends.
A whole generation of Jedi children begging the older Jedi knights and masters to tell them about their clone battalion. A whole generation of children fighting over the clone dolls with the painting in their favorite colour.
A whole generation of Jedi younglings growing up hearing about how great and heroic the clones are, just like the clone cadets across the galaxy who are growing up hearing how great and heroic the Jedi are.
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I THINK I FINALLY PUT TOGETHER WHY LUZ'S ARC IN S3 OF THE OWL HOUSE BUGGED ME SO MUCH.
It's because they made her defining moment helping Belos meet the collector—which feels disconnected from the core of her character (and also it happened in an episode over halfway through season 2). That's not her defining moment, and it never has been: it was her choice to walk through the portal door, and become a witch.
That's what makes her similar to Philip, right? Like, Luz has this grand idea in her mind of becoming a witch. Philip has his own grand idea of being a heroic witch hunter and saving the human realm from this great evil. That's what the line "I am the great witch Azura, warrior of piece!" is meant to communicate. It's the idea in her head vs reality. That's what s1 of toh explores.
Luz choosing to walk through the portal door and become a witch is what leads to...well, everything. It leads to her not being able to go back. It leads to her mother's grief. It leads to Eda losing her magic. It turns Amity's life upside down. It leads to Belos meeting the collector. It leads to the near destruction of the Isles.
And that ties in with her foil to Philip WAY better, and it makes her decision to stay in the human realm at the end of 3x01 actually relevant. She wanted to be this great witch, to follow in Philip's footsteps creating a portal door and learning about the isles, she wanted to live her dream...and look what that lead too.
So, Luz feeling like her and Belos are both motivated by love and by their own childish notions...like that would have been SO interesting. She wasn't becoming the villain and didn't wake up one morning evil, but some of her decisions undeniably hurt others. But it also lead to some good things. And that's life, isn't it? Taking the good with the bad and accepting that.
But idk, instead it was like a "blah blah your one single mistake makes YOU the true villain!", which just isn't compelling or at the core of Luz character.
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you rly weren’t fucking around with the morally grey sirius huh !
he tortures and kills people for a fascist government i think we are past morally grey lol like. what he's doing is just straight-up immoral!! not trying to beat around the bush with that one
in all seriousness tho this is why i put my little warning spiel on the first ch of the fic abt how this story is like. not intended for a broad/general audience. sirius is not a good person!!! you're getting the story from his pov, which is obviously limited, and while he feels largely ambivalent towards voldemort + his family + can even recognize some of the wrongness, he is for the most part resigned to his work as a death eater. he has never deeply questioned any of the underlying, foundational beliefs that uphold pureblood supremacy, and he actively benefits from the privileges it affords him. he feels some level of guilt for what he does but does nothing productive to address it; instead, he buries it and hides from it and tries to alleviate it by projecting it onto situations where he can "do the right thing" without actually endangering his privileged status (see: remus lupin).
and the thing is, sirius doesn't think of himself as a villain. he doesn't think of himself as "dark" or "evil" or even "morally grey." we get more backstory on how and why he joined the death eaters in ch 7, so i'm gonna refrain from saying too much, but like. the narrative he has internalized is basically that things are out of his hands; he had to become a death eater, and he has to marry dorcas, and he has to have heirs, and he has to carry on the family name. he feels trapped and resents it, but refuses to acknowledge that he could walk out of the cage if he really wanted to, because to actually do so would place himself in danger. at the end of the day, although he himself suffers in certain instances under voldemort's regime, he is also granted immense wealth, privilege, and power--at the expense of those less privileged, like remus.
and the point of all this is not to say that you should be reading sirius as a villain--because he's not. i think the category of "villain" in and of itself is not a very useful tool for approaching this story, because my focus is less on like...a Single Figure of Evil and more on systemic oppression. as a writer, i want readers to sympathize with and relate to sirius because i think it's important to understand that determinations about whether a person is "good" or "bad" which are based on evaluations of like...nebulous internal morality or intent are rarely reflective of the ways in which a person's actions materially contribute to systems of oppression. like--if sirius in ch 4 went "oh yay i love killing people" then everyone would immediately go "oh he's a bad guy!!" but because he went "oough...i am a gutted fish....i have no choice...." he becomes "morally grey." the outcome of his action is the same: he kills. the material impact is the same. so why would we place the emphasis on the internal mindset behind that action? in doing so, we lose the focus on materiality that is necessary to address systemic oppression, because the truth of the matter is that many "good" people contribute to and are invested in these oppressive systems.
anyway this has become a whole rant lol i'm so sorry but basically just....yeah. sirius is not a Good Guy. that's the point!!
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